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TVTranscript
00:02Hello everyone, how are you?
00:03My name's Cristina, and I'd like to welcome you on behalf of Prometeo Vianes.
00:07And I planned everything for this group tour, down to the very last detail.
00:10Cristina, this is a joke, right?
00:12Five tourists quietly dug out for their group tour and run into each other at the Museum of Crime.
00:16But why? The five of us are fans of crime stories.
00:19You must be sleepy.
00:21The tour starts in half an hour, no matter what.
00:23Middle-aged, overweight, alcoholic.
00:25It was a heart attack, right?
00:27It's obvious.
00:28All the rooms had a hairdryer in them.
00:30I sat in Fernando's room where there wasn't one.
00:32Someone threw it out the window.
00:34They threw it out to make the murder look like a natural death, and that's how they tricked the police.
00:38We have a security camera that didn't record anyone going into his room.
00:41And we have a wooden music box.
00:44There's also that one-armed man.
00:46A one-armed man is watching the hotel.
00:48If this was a murder, anyone could be the killer.
00:51It could even be one of us.
00:52The only thing we have to do is answer two questions.
00:55Who was Fernando?
00:57And why did he die?
01:17You're doing great, sweetheart.
01:19You're a big girl now.
01:24Yes, hello?
01:25What were you doing?
01:28You were supposed to watch her.
01:29She's only three years old.
01:31Esther, honey, calm down.
01:32She's right here with me.
01:36Anna?
01:38Anna?
01:41Anna, come back here!
02:00I was never here.
02:02I'll tell you later.
02:10Anna, come back.
02:13I was never here.
02:19I was never here.
02:22I was never here.
02:25I was never here...
02:33You're setting the bar really high, aren't you?
02:35I'm proud of you.
02:36The world belongs to the brave.
02:51None of this makes any sense at all.
03:00Fernando Pérez was definitely killed.
03:03The killer threw a hairdryer in the tub, then threw the proof out the window.
03:07I mean the hairdryer, not Fernando.
03:10I would understand if you preferred that I come back a little later,
03:13seeing that your wife kicked you out of the house.
03:15I'm sure you don't need me...
03:16No, my wife didn't kick me out of the house.
03:18Oh.
03:20I would have thought, since the couch is sunken in and doesn't look like when you sit on it,
03:25it looks more like you've slept here a while.
03:27And even though it's noisy outside, you have your window wide open.
03:30It feels like you wanted to air out the place a little, I'm guessing.
03:33You think my wife kicked me out?
03:35Well, yeah, because if you had left, I don't think you'd still be wearing your wedding ring.
03:44And you probably...
03:47wouldn't still have this photo here.
03:49I can tell you still love her a lot.
03:51You have a beautiful family, huh?
03:53You're good-looking, too.
03:54You have a beautiful smile.
03:55You really should smile.
03:56Oh, I'm so sorry.
03:58I really should mind my own business.
03:59I mean, I'm sure that in your profession, things can get complicated, right?
04:02Like maybe a case that goes wrong.
04:04What case?
04:05Oh, I don't know.
04:06I'm just trying to avoid an awkward silence.
04:08And because it really does look like you're living out of your office,
04:10and yesterday they had you take a case you say was a natural death.
04:13Everything seems extremely strange, that's all.
04:15And look, Gonzalo, may I call you Gonzalo?
04:16I know we barely know each other, but sometimes it's far easier to talk to someone you don't know.
04:20So if you feel you need to talk, or whatever you want, anything at all,
04:24your secret's safe with me.
04:31I think it's wonderful that you thought a police officer would listen to a housewife.
04:36A housewife who loves to pretend she's Mrs. Marple.
04:39But you told us someone electrocuted him.
04:42No.
04:43No, no, no.
04:45No.
04:45Well, what I said was that he died from electrocution.
04:49It could have been an accident or suicide.
04:51You know, it's not the same thing.
04:53Oh, I get it.
04:54So then Fernando must have resurrected to throw the hairdryer out the window.
04:59I know you mean well.
05:01But maybe someone went in there before us and just got scared.
05:05Someone who wasn't seen on the security camera.
05:08So like a ghost.
05:20My poor husband, he doesn't know how to use the washing machine.
05:24You better drink your orange juice before you lose the vitamins.
05:27Then let's go.
05:28But it's tomato.
05:30Where's Daniel?
05:32Have you seen him?
05:33Well, where is he?
05:34I don't know.
05:34Did you call his cell phone?
05:35Five times already.
05:36No answer.
05:38You must have it on silence.
05:41Are you going to help me look?
05:42Or should I get you another croissant?
05:45And where have you been?
05:48Hotel Avalade.
05:51Good morning.
05:52Welcome to Hotel Avalade.
05:54How can I help you?
05:55I arrived two days ago with Prometheus Travels.
05:58We were supposed to stay here, but there was a last minute change.
06:01We were told you were fully booked.
06:04She told me the agency hadn't confirmed our reservation.
06:07And they didn't have any rooms because there was a conference.
06:10Are you saying that they did have rooms available?
06:13I'm saying that someone wanted us to stay in this hotel.
06:16I called him multiple times.
06:17I looked everywhere.
06:18I can't find him.
06:18I have to do something now because he isn't familiar with the city, you know.
06:21What if his cell phone battery just runs out?
06:23You'll figure it out just like anyone else would?
06:24No, he's not like anyone else.
06:26Christina, we really need to call the police.
06:29What happened to Daniel?
06:30We can't wait.
06:35Here.
06:36The adventure of the Greek interpreter.
06:38The sign of the four.
06:39The hound of the Baskervilles.
06:40The adventure of Husteria Lodge.
06:42The adventure.
06:51The adventure of the Sussex Vampire.
06:52What are you doing in here?
06:54The adventure of the Bruce Pennington planes.
06:56What?
06:58Kike was going to show me a mysterious room he found.
07:02Or lock you in a closet to be funny.
07:03That's also possible.
07:05Oh, my cell phone.
07:06He asked me for my phone to light the way.
07:08If I hadn't given it, I wouldn't have spent.
07:12Fifty-three minutes here.
07:13I'm sorry.
07:14I must go.
07:15I have an emergency.
07:19You have to do something.
07:20Look, he's here.
07:21Daniel, where have you been?
07:22Tell me.
07:23Are you okay here?
07:23Kike took my phone and locked me in a closet for fifty-three minutes just for fun.
07:27You know what?
07:27It wasn't particularly fun, but it was eye-opening.
07:29Why did you do that?
07:29That's wrong.
07:29I have to go.
07:30I'm late.
07:30Where are you going?
07:31Fabio.
07:32Fabio.
07:32Daniel, your mother's going crazy looking for you.
07:34Where were you?
07:35Locked in a closet.
07:36Kike, just for fun.
07:37Let's go find the other.
07:37Wait, hang on a second.
07:38Are you hurt?
07:39Are you okay?
07:41I know how the killer snuck into the bedroom.
07:52Room's all yours, kid.
07:55You need to all stay here until I call you.
08:05It looks like it's going to ring today.
08:08Okay, this is stupid.
08:19Danny?
08:21Daniel?
08:22Wait a minute.
08:23Where did he go?
08:23I don't understand.
08:27Where is he?
08:28Unbelievable.
08:32I told you guys to wait out there.
08:34How did you do that?
08:40So, these two rooms used to be connected before, but when they did their low-budget renovations,
08:44they covered the door instead of sealing it shut.
08:48I wouldn't have thought about it if Kike hadn't locked me up.
08:51Finding myself in a tiny dark space made me think about these closets.
09:00This is Pilar's bedroom.
09:06The camera's pointing at Fernando's room.
09:09Yeah, but the door to Pilar's room is in a blind spot.
09:17How did the killer know that Pilar wouldn't wake up and see them?
09:21Because she takes sleeping pills.
09:24Okay, it was Bruno who assigned the rooms to each of us.
09:27Yes, but Christina switched us to this hotel.
09:29But I have more.
09:32I swear, this kid.
09:43In the other bathrooms, the tubs and sinks are in a different spot.
09:46This is the only renovated one.
09:48But once again, they were on a budget.
09:51So, instead of changing the electrical insulation,
09:54they simply covered up the old one.
10:00No need for an extension cord.
10:19You see, you can't say anymore that we're crazy.
10:30You see, you can't say anymore that we're crazy.
10:44I guess you're right.
10:45This is a real crime.
10:51This outlet could very easily short-circuit and blow a fuse.
10:54You should have an electrician check it out.
10:55What are you saying?
10:56This is what's called a textbook murder.
10:59The victim was taking a bath and he...
11:00The only real loss here is the time I've lost.
11:03And my time is way more valuable than yours.
11:06Have a nice day.
11:10As you can see, these avenues are wide and laid out in a grid-like pattern, right?
11:15This whole area was destroyed in the 1755 earthquake.
11:18You might also be wondering...
11:20Please, could you use the microphone?
11:21Yes, of course. Sorry.
11:21Okay. Can you hear me better now? Good.
11:23Are you wondering who built this area?
11:25The Marquis of Pumbam.
11:27And you're probably wondering, who is that?
11:29Christina, who is that guy?
11:30Well, look over there.
11:32When my kids were little and they took baths in the tub, they made a huge mess every time.
11:36Did all of you notice? There wasn't a single drop of water on the floor in Fernando's bathroom.
11:40So he didn't put up a fight.
11:42Or the killer thought to bring a mob with them.
11:44Or maybe they caught him off guard?
11:47No.
11:48He was facing the door when we found him.
11:51Maybe they drugged him while he was having dinner.
11:54I mean, I still have a hard time believing he was killed, but if you want to play, let's play,
12:00right?
12:01A bit risky, in my opinion.
12:03First he's drugged, then electrocuted with a hair dryer that's thrown out the window.
12:07I don't know about you, but I would have just stabbed him in his sleep and that would have been
12:10it.
12:11Look, Pura, how it's done isn't important.
12:15The real questions are why and who.
12:17The who is step one for Agatha Christie.
12:23So, Agatha, how do you get to step two?
12:25I, well, if I were investigating this case, which I'm not, um, I'd stay close to that group over there
12:32and listen in.
12:50Seventeen suspects are too many.
12:52It will be easier to find the killer if we get to know Fernando.
12:54What do we know about him?
12:57Fernando Paredes, welcome to the group.
12:59We know he lived in Badajoz.
13:00I heard Cristina say so.
13:01We weren't going to make you drive to Madrid when we were going through Badajoz.
13:03And that he shaved right before the trip.
13:05At that age, you only cut yourself if you never shaved.
13:07He also had a bag that was too small for a seven-day trip.
13:10That he liked history.
13:11And that he didn't take a single photo.
13:15Fernando had a beard but wanted to shave it before the trip.
13:19So he didn't want to be recognized.
13:21And you can only be recognized.
13:24If you're somewhere you're used to going.
13:27He lived in Lisbon.
13:30How can we find his address?
13:33From the magazines on his nightstand.
13:36He had subscribed to them, so they'll have his address, right?
13:38Yeah.
13:39I doubt they'll give it to us just like that.
13:42Puda, you speak Portuguese.
13:44Well.
13:45Okay, I'm calling.
13:46You're Fernando's widow.
13:47Say you want to cancel his magazine subscription.
13:49But you don't know if it's mailed to your home in Cascades or in Lisbon.
13:52There, talk.
13:52Go, go, go.
13:54Hello.
13:56Hello, hello.
13:59I'm, uh...
14:06He died.
14:08He passed on, my dear.
14:15I want to cancel Lisbon.
14:18It's a subscription.
14:19No, I want to say.
14:20There's a signature.
14:23Subscription.
14:23Subscription.
14:24No, no.
14:25Say, say, say, llega.
14:27A Lisbon or Cascades.
14:54I don't know.
15:00I'm dead of an animal.
15:02I'm in search of help.
15:06I'm very sad, yes.
15:08What the fuck?
15:12Thank you very much.
15:15Thank you very much.
15:20Thank you very much.
15:22That's great, Puda.
15:23I'm very sad, yes.
15:27Bye.
15:28Bye.
15:55I just heard the music box
15:57through the vent that's in the bathroom.
15:59So what?
16:00What do you mean, so what?
16:01The music box was at the museum.
16:02And the night Fernando died,
16:04Puda and I heard it coming from his room.
16:06Now he's dead and we hear it again.
16:08It could be the motive for the murder.
16:10Puda.
16:11That would explain why Fernando was at the museum.
16:14His 15-minute walk to find a restroom
16:16wasn't very convincing.
16:18Are you suggesting that Fernando
16:19went to the museum to steal the box?
16:20And then someone steals it afterwards.
16:23Hmm?
16:24So if we find the music box,
16:27we'll also find the killer.
16:40We have to find a way to search
16:42all the bedrooms now.
16:43No way.
16:44No, no, no.
16:45What are we going to do?
16:45Pick the lock?
16:46That's illegal, you know.
16:49We should start doing things by the book.
16:51Let's go to Fernando's house.
16:52I'm sure we'll find something there.
16:54So what if we go ask Gonzalo
16:56to get a warrant, huh?
16:57Forget the police, no.
16:58We have to do this without...
16:59Letting the cat out of the bag.
17:04So no police, then?
17:06You want to go?
17:09Me?
17:12No, no.
17:13One of us has to stay
17:14in case the music box reappears.
17:20Fine, I'll go and check it out, then.
17:21I'll go with no.
17:22Yes, I will,
17:23because this could be dangerous.
17:24Yeah.
17:25I'll go get my things.
17:30I guess if this music box is valuable,
17:32you and I should create profiles
17:33to categorize each suspect
17:34based on their financial needs.
17:36That would give us
17:37a better understanding
17:37of who can deal it.
17:37Yes, that's brilliant.
17:38You go do that, okay?
17:44Alicia, I made you some sandwiches.
17:46I don't want anything.
17:47You'll snoop better
17:47on a full stomach.
17:51Hey, wait a minute.
17:57You're Kike, aren't you?
17:58Yeah.
17:59You like playing jokes on people.
18:01If you ever play a joke on Daniel again,
18:04I'll scare the hell out of you so bad
18:05you'll end up pissing yourself.
18:07Do you understand?
18:09Good talk.
18:11Okay, let's go.
18:22But did she hit you hard?
18:23I don't want to talk about it anymore.
18:25Yes, of course.
18:25I understand, darling.
18:27That little group is just a bunch of psychopaths.
18:29It's not just the crazy lady
18:30who threatened my son,
18:30but it's all of them.
18:31That crazy bitch just slapped me
18:33for no reason.
18:33You locked up that kid.
18:34I didn't lock him up.
18:35The weirdo did it himself.
18:36Wait a minute.
18:37That group of people.
18:38Don't.
18:38It's not worth it, really.
18:39You better watch out.
18:40He's really screwing up our trip right now.
18:42Oh.
18:42I don't want him to ruin our getaway, okay?
18:44Yeah, for sure, girl.
18:56Yes.
19:00The photos you take in a nature setting
19:01are 20% more accepted
19:03than the ones in an urban setting.
19:06Accepted, you said?
19:07Yes.
19:08Do you mean liked?
19:10You should post the photo
19:11you took of yourself in the Estufa Fria.
19:13You were next to the Tasmanian tree fern.
19:16The frame and focus were particularly optimal.
19:19So was your face.
19:25My face was optimal.
19:28Does that mean you think I look pretty?
19:33Nothing.
19:33I have to...
19:35I have to make some, uh, work calls.
19:37I don't want to hold up the group.
19:38Don't worry about it.
19:39This is today's itinerary.
19:40Call me when you're done
19:41and I'll tell you where we are.
19:42Thank you for this.
19:42I'll call you.
19:44Okay, my little group.
19:45We're going to see a really beautiful mural.
19:47It's not graffiti.
19:48It's a mural.
19:48Come on, let's go.
19:49We're leaving.
19:49Come on, men.
19:50I don't want to go.
19:52Oh, come on.
19:52I have to leave.
19:53I have to leave.
20:01When we went into Fernando's room,
20:02we saw the music box in the closet.
20:06Then we went down the hall to tell everyone
20:08and everyone was there.
20:10Everyone except for three.
20:19Carolina.
20:20Carolina.
20:22Carolina.
20:25Kote.
20:29And Monica.
20:32No one touched the closet until the police arrived,
20:34so whoever stole the music box
20:36had to have done it after we found the body.
20:43If it's not in the hotel,
20:44it's because the thief has the music box on them.
20:46And there's only one reason for that.
20:49I'll give a full explanation once everyone gets to the top.
20:51The thief is planning on selling it this afternoon.
20:54Come on, everyone.
20:54Keep moving all the way to the top, please.
20:56On the steps leading up to this famous girl.
20:58Keep it up.
20:59What do you want to do tonight?
21:01Let's go to that bar we saw.
21:02Don't worry, Mama.
21:03We're almost there.
21:05Stop!
21:06Let's hurry up already.
21:08Wow, Fabio, that was quick.
21:10Well, the group needs to bob, right?
21:11I'm sure there was another way to get there.
21:13There has to be a road or something, right?
21:15I paid like everyone else,
21:16and I want to see the same thing.
21:17It's just a wall with graffiti.
21:19Some vandal's destroying public property.
21:21It's called art.
21:22Mama loves art.
21:23Lighten up.
21:25Hey, you think you dropped your wallet?
21:28Oh, no, no.
21:31Are you trying to inherit the factory ahead of time
21:33by making my death look like an accident?
21:35You're all a bunch of idiots.
21:37Binding is important,
21:38so let me give you a hand, okay?
21:39Yes, please help.
21:40Sure.
21:41All of this trouble,
21:42because my son was an idiot.
21:46Okay, come on.
21:47You got it.
21:48You okay?
21:49Thank you, young man.
21:50You're welcome.
21:51You guys are all gonna kill me.
21:52Okay, my little group?
21:53Don't look at me.
21:54I'm not of historical interest.
21:56Let me tell you about this piece of art, okay?
21:58This mural is a tribute to Fado music,
22:00which is a popular kind of Portuguese music.
22:02This represents the bohemian Fado,
22:04or vagabond Fado,
22:06which means amateurish or alternative Fado,
22:08which is a bit more underground.
22:12You can say what you'd like,
22:14but Fernando was forgetful.
22:17Didn't you notice he forgot his room key
22:19on the table after dinner?
22:22I'm telling you,
22:24someone like him will always keep a spare somewhere.
22:26Can you move?
22:28Nothing.
22:30The best hiding place
22:33is somewhere that no one will ever touch.
22:39Not even to dust it.
22:41Let's see.
22:58Let me try this key.
23:08You go ahead.
23:16Wow, so this is the famous church.
23:18Right, this is that beautiful church
23:20you always tell us about, Grandma.
23:21It's beautiful.
23:22I would have gotten married here, too.
23:24To whom? Your ex?
23:25I'm sorry, kid.
23:26Or to someone who wasn't a total drunk.
23:28At least he wasn't the one
23:29who threw up at a shareholder's meeting.
23:36Come here.
23:39Bad news is that it's completely worthless.
23:42Cote had it.
23:42Cote?
23:43So Cote did it?
23:44No, no, no, no.
23:45Cote's not the killer.
23:46He must have gone inside
23:47saw Fernando in the tub
23:48and for whatever reason stole it.
23:49But he's not the killer.
23:51Do you understand?
23:52How did you find it then?
23:54No.
23:57Don't worry.
23:58I won't explain it again.
24:02Let it count for me.
24:03Hmm?
24:07You okay?
24:15Oh, my God.
24:17Wow.
24:18This place is really filthy.
24:20Shh.
24:21Don't touch.
24:24He was a history professor.
24:26If he was living here,
24:28why on earth did he sign up
24:29for a group tour?
24:32The question isn't why he came back.
24:34The question's why he left
24:35in such a rush.
24:40Ugh.
24:41Disgusting.
24:42Hey, what is it?
24:43Everything's rotten in here.
24:44Gross.
24:49Look at this.
24:51Would you all go out of this?
24:54That's why he came back to Lisbon.
24:57And that's why
24:58he went directly to the museum
25:00to steal his box.
25:01Oh.
25:02Oh.
25:04Ooh.
25:05Excuse me.
25:22Alto!
25:23Policia!
25:23You scared me.
25:25Hey, ladies.
25:26You know you're missing
25:27some pretty great churches.
25:29Wow.
25:30What'd you find?
25:31Well, we found photos
25:32of the music box,
25:33but nothing that links
25:34Fernando to anyone
25:35in the group.
25:36Except that it looks
25:37as if he knew you.
25:39Who, me?
25:41Absolutely not.
25:44As for the box,
25:46Cote had it.
25:47Cote?
25:48The big guy
25:49with the mustache
25:50who's with the woman
25:51in the wheelchair?
25:52Really?
25:52Yeah, but he's not the killer.
25:54He's a thief
25:54and a small-time one
25:55because they won't give him
25:56more than three euros
25:57for this.
25:58And just how do you know this?
25:59I was an antique dealer
26:00in 2015.
26:01There's some nice stuff here.
26:09Smells weird.
26:11Yeah.
26:12It does smell.
26:13Let's get out of here.
26:17Who could have lit a candle?
26:18A candle?
26:21Shit.
26:30So Alicia said something
26:32about a candle
26:32and I said a candle
26:33and boom!
26:35Everything exploded.
26:36A gas heater once exploded
26:37next to me
26:38when I was at Boris Beach.
26:40I was so scared.
26:44Someone wanted to get us
26:45out of their way.
26:46I'm telling you.
26:48So it was just the two
26:49of you in there.
26:50Yes.
26:51No.
26:52Yes.
26:53This was attempted murder,
26:55obviously.
26:56It was just a gas leak.
26:58If someone really wanted
26:59to kill both of you,
27:00it probably would have been
27:01a bigger explosion.
27:02Right.
27:02And you don't find it a bit weird
27:04that this explosion
27:05occurred in the house
27:05of a man who died
27:06two days ago
27:07under strange circumstances?
27:09What's also strange
27:11is that you were in his home
27:12uninvited,
27:13which is completely illegal.
27:23in Belém?
27:24No, no,
27:25I won't leave
27:25the Carval is going to
27:26skate.
27:27I took it yesterday.
27:29I gave it to me
27:29and I gave it to me.
27:31I could go.
27:33No, no, no,
27:34I can't.
27:35I can't.
27:37I can't.
27:37Why?
27:38Because I'm working.
27:40God bless you.
27:41Bye.
27:42Bye.
27:43Bye.
27:43Bye.
27:56He's right.
27:56I do need to buy towels.
28:00Oh, my God.
28:01That scared me so much.
28:02I'm shaking like a leaf.
28:03I can barely breathe.
28:05I see you guys
28:05are still in one piece.
28:06Wait.
28:07Where did you disappear to?
28:08You walked down with us
28:09and suddenly you weren't there.
28:10I did what you two
28:11should have done.
28:12It's a miracle
28:12you weren't arrested.
28:13Right.
28:14So then why did you
28:14go there, huh?
28:15We're a team, right?
28:17Yeah, we are.
28:20Christina.
28:46Do you understand
28:47what she's singing?
28:49No.
28:51That's the thing
28:51about this bloody music.
28:53No matter how hard you try,
28:54it always gets to you.
28:56And you,
28:57do you understand?
29:00The song's about wounds
29:02that never heal,
29:04about holding onto your memories
29:06and learning to say goodbye.
29:11What if you don't want to say goodbye?
29:13What if you don't want
29:14Do you want a piece of advice
29:16from an old lady
29:16who's got one foot in the grave?
29:19You'll never get attached
29:20to anything.
29:21You're not ready to leave behind
29:22at a moment's notice
29:24to nothing
29:25and to no one.
29:33I love how emotionally
29:34this woman sings.
29:36I also love
29:37the same venues.
29:46Hang on.
29:47Hang on, hang on.
29:49Hey, come on.
29:50Cheers.
29:51Drink.
29:52Mom, this is for you.
29:54You kept her a secret
29:55from us, didn't you?
29:57We all have secrets, right?
29:58Oh, no, I don't.
30:00Alex and I tell each other
30:00everything, don't we?
30:01Everyone lies.
30:02Your best friend lies.
30:03Look.
30:04And your boyfriend lies.
30:05And you lie.
30:06And it's no big deal.
30:07Me?
30:11Hello, my love.
30:13Yeah, sorry about that.
30:14I'm at a kind of
30:15boring party.
30:37You stole it
30:38in the first place.
30:38Stealing from the dead
30:39isn't stealing.
30:40Plus, that guy
30:40didn't need it anymore.
30:41The box isn't worth anything.
30:43Come on, kid.
30:43I'll buy you a couple of beers
30:44and we'll call it even.
30:47By the way,
30:48are you allowed to drink
30:49with your mask?
30:51Oh!
30:55I'll buy you a couple of beers.
31:02You stole it.
31:18I'll buy you a couple of beers.
31:20I'll buy you a couple of beers.
31:21I'll buy you a couple of beers.
31:26You stole it.
31:27What? Looks like you made friends with the girls, huh?
31:30To be honest, I truly hate bachelorette parties.
31:34You never said why you came to Lisbon.
31:37I've always wanted to come here.
31:39Give me an answer, I'll believe.
31:41Alicia!
31:43There's a man here. I also saw him at the explosion.
31:46Hey, just forget about the explosion.
31:47I think the kid's in danger. Someone's after him.
31:51The adventure of the evil tree. The adventure of the curtain for bucks.
31:54The adventure of the engineer's thumb. The adventure of the paracordia.
31:57The adventure of the doubles foot. The adventure of the big range.
32:00The life wardraps. The adventure of the book.
32:11Danny!
32:12Hey, wait!
32:13Wait, get him! There's the music box!
32:16He's getting a whiz!
32:19But he's not one-armed.
32:35Oh well. Guess he got away.
32:37AHHHHH!
32:41Holy cow, Alicia!
32:43You've gotta be kidding me.
32:55Maybe we should take the stairs instead.
32:57Yeah.
32:57Let's go.
33:04What the hell?
33:16Oh well.
33:17Oh well.
33:21Oh well.
33:24I'm gonna be kidding me.
33:25Oh well.
33:26No!
33:26Ugh!
33:48I don't understand.
33:49The homeless guy said a one-armed man.
33:52Oh, for fate's sake.
33:53Hi, Alessio.
33:55How are you, sweetheart?
33:57What?
33:58Yeah, the thing is, we have a reservation at a restaurant, and we're running really late.
34:02I think we lost them.
34:03Huh?
34:04Oh, yes.
34:04No, no, no.
34:05Wait, what?
34:06No, we lost ConchÃn again.
34:07You know how slow she can be sometimes.
34:09Always window shopping.
34:11Hey!
34:16Stop!
34:16Hand it over.
34:18Hey, just calm down, okay?
34:19Give us the music box.
34:22Alicia, the box is in his pocket.
34:30But I bet she'll be here any minute.
34:33Ah!
34:53You didn't run away this time.
34:55I didn't get a chance to.
34:59I wonder who that guy was.
35:02I have no idea, but he did have this in his pocket.
35:04You go out for a walk and a suicide victim lands next to you?
35:07Would you leave him alone, please?
35:09Well, supposedly, yes.
35:10At least that's the story we all agreed to.
35:12What do you mean, agreed?
35:14We were talking and we all agreed it was a terrible accident.
35:17Another one.
35:18That's it.
35:19I can't allow this trip to turn into a killing spree any longer.
35:21You're right, Christina.
35:22In fact, I think we should do something different tomorrow to improve the morale of our group.
35:25No, we're not going to do anything tomorrow because your group's going back to Spain.
35:28Impossible.
35:29The plan was a seven-day trip.
35:30What plan, Daniel?
35:31There is no plan.
35:32Yes, there is.
35:32No, Christina, this is bad luck, that's all.
35:34Two deaths in two days, David?
35:35That's not bad luck.
35:36That's an evil curse.
35:37And this curse will finally be over when everyone in this little group has left.
35:49Alicia.
35:52How are you doing?
35:54How do you think I'm doing?
35:58You know, every year where I live, we slaughter pigs for food, right?
36:01And everything everywhere is covered in blood.
36:04But what I saw today was terrible.
36:07It was an accident, you know.
36:09Yeah, I know.
36:09It was an accident and an explosion.
36:11Was that also an accident?
36:15Look, I think what the police officers said was right.
36:18Maybe we should all just stop playing detectives.
36:22I thought you liked solving mysteries.
36:24Yes, I do, but I like them when I'm watching TV.
36:27But in real life, it's just not as entertaining, you know, Alicia?
36:31Yeah.
36:32I saw him there.
36:33He's flat as a pancake.
36:33It's going to be okay.
36:37Are you planning on staying in Lisbon?
36:43I don't know yet.
36:45I don't know what I'm doing here.
36:47I don't know what to do.
36:48I really shouldn't be here.
36:49I should be at home with my kids.
36:51With all my goats.
36:53You were trying to help Fernando.
36:57I wanted to share this with you.
37:01It was in the victim's pocket.
37:10It was in the Hall of Eladay Hotel.
37:29It's very nice.
37:34It's a very old Natal song.
37:38It's a riff.
37:40What is missing?
37:42The twig.
37:44Now, who makes a music box without a chorus?
37:50I saw in the Museum of Crime's website that it was donated by a woman, Margarita Moray.
37:54I searched the name online, but did not find any relevant information on her.
37:58It's better this way.
37:59This was a bad idea.
38:01Can I see?
38:03Somebody's not working.
38:04Give me some light.
38:10What are you doing?
38:12I want to see what's inside.
38:23You see something?
38:24It doesn't look like anything's wrong.
38:26What are you guys doing here?
38:34Look.
38:35What's this for?
38:37Be careful.
38:38Don't touch.
38:45What's this?
38:49Oh my god.
38:50The prince's so tiny.
38:51It's unbelievably tiny.
38:53What does it say?
38:55The count is safe.
38:56The treasure comes back to life if the king turns the cube and your hand touches the belly.
39:00It's not really.
39:00It's a cry.
39:02You
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