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00:28渡辺
00:29I think it's going to be burning.
00:31TREVIO!
00:33How did you go, father?
00:37I was on TV on Oki-no-yo-ko-chan.
00:41What's that?
00:44I thought I was going to go to the museum.
00:47I thought it was weird.
00:49Hehehe.
00:59I think it's a great view.
01:00The door behind the window is closed.
01:04We're only one thing to do.
01:05The boy who's a kid is a big boy.
01:08His name is...
01:09Legendary Conan!
01:11He's been killed or killed or killed.
01:15He's been killed by himself.
01:17He's been killed by himself.
01:19He's killed by himself.
01:22He's killed by himself.
01:33Oh
02:02新しい喜び私は探すしどこにあるのかはHeaven
02:23knows想いもかけないことが起きるよ当たり前はないそれたり前薄暗い記憶光を当てる怖くなったるまで見つめてやれいつか後ろを振り返る時に
02:36最高の涙を流したいだけWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWowWow
02:51WowWowWowWowWowWowekata
02:53mystery渦巻き感前編
02:58Oh, it's a bubble.
03:02But this is just a drill, isn't it?
03:08In the past, Marcel Duchamp was founded in the New York University of New York.
03:15It was a conceptual art.
03:23Ah, I'm sorry. I'm the curator of Neji.
03:30The Cthulhuji-9 is a conceptual art artist in Japan.
03:37What?
03:39What's that, that's what I'm talking about.
03:42It's a floor on the floor, isn't it?
03:48You can write something on the floor.
03:49You can write something on the floor.
03:52You can check it out.
03:54Well, don't worry.
04:01What?
04:05What?
04:09What?
04:10What's the matter?
04:14What?
04:17What?
04:23What?
04:31What's that?
04:41That's what I thought.
04:48It's something I see from seeing.
04:54All three faces.
04:57I'm looking for a figure from the edge side.
04:59I'm looking for a figure from the edge side.
05:00I'm looking for a figure.
05:01I can see the right side of the tree, and I can see it as a result of the three
05:05kinds of characters.
05:07It's a matter of the three things that I can see.
05:14Adith?
05:20It's a very deep thing.
05:24Welcome.
05:27Sorry, I...
05:29HAYASE-kun!
05:31Ah! KAHORU-chan!
05:34Then go, please.
05:38Thank you so much for coming, HAYASE-kun.
05:43KAHORU-chan, I don't need to come here.
06:02striking
06:04TORU-FUJ-QがPARIのVienna-A-REで大賞を受賞したのは、 27歳の時でした。日本の無名の画家が革命を起こしたって、
06:20そりゃ大騒ぎだったそうです。それから、マドリード、ニューヨークで相次いで
06:21個展を開き…
06:22No, I don't want to say anything. I'd like to tell you, but in my book, there's a lot of
06:30information on my book.
06:31What? The World of Tsurufu-9?
06:35It's a rule of規則.
06:36I thought... And how much is it?
06:41$30,000,000.
06:43$30,000?!
06:47$30,000,000...
06:48No, Haya-se-kun, don't you want me to do it? I don't want you to do it.
06:54No, I don't...
06:56I understand. $30,000,000, I'll pay you.
07:00Hey! What are you doing?
07:02You're not good, $30,000,000.
07:04You're not good.
07:06Why are you?
07:07I can't do it. I can't do it.
07:14That's right, you.
07:15I can't do it.
07:16Yes, so...
07:19I don't want to say anything.
07:20I don't want to say anything, but...
07:21Please take a look.
07:24Wait, brother!
07:26What are you doing?
07:32No, I don't want to do it.
07:34No, I don't want to do it.
07:42No.
07:45Ah...
07:47Well...
07:47Well...
07:48No...
07:48You're not.
07:49No.
07:55Well, now, I'll go.
08:03Hey, my father!
08:05Oh, my father!
08:06You're not going to go.
08:07Hey I'm not going.
08:08Oh...
08:09That's it, let's go once again.
08:12What's the sound of now?
08:15Someone fell down, isn't it?
08:20Hoshi!
08:21You are here!
08:30I'm in the middle!
08:46What was the sound of now?
08:51I'm still in the middle of the ground.
08:54What's the sound of now?
08:55So, what's the sound of now?
08:56What's the sound of now?
08:56What's the sound of now?
08:59Run!
09:00Let me call the police!
09:02Yes!
09:06What are the sounds of now?
09:07What?
09:08Actually, it's my uncle.
09:10What?
09:12What?
09:13I don't know.
09:15No, I don't.
09:19You!
09:21You!
09:22You!
09:22You!
09:26What happened?
09:37The man who was a brother.
09:40When I was in the meeting of the police,
09:43the hunter was less than a problem,
09:45so I didn't have to do it.
09:47I got the permission to get him.
09:50But...
09:50How did you kill me?
09:53I don't have to kill you.
09:54Why are you so you're not?
09:57Why are you not?
09:59I'm not a wife.
10:00I'm not a wife.
10:01But if you kill me,
10:02I don't have to run away from where you were.
10:05Then, I don't have to get him outside the gate.
10:08I wouldn't have to go down again.
10:09I was going down to the door and went right on the front,
10:11but no one was going down the 4-way,
10:13no one was not.
10:17But I didn't have to go down the door.
10:18But if you kill me,
10:19I don't have to touch the door.
10:22What was her?
10:23D-U-M-E-K-I-E?
10:25The guy said you were holding on the back.
10:28The body was not connected to your body.
10:31But if you kill me,
10:32that was not related to your body.
10:37How?
10:38Where did the murder go?
10:43It's not me!
10:45I'm not the one!
10:45The first thing, I don't have to say is that there's no intention.
10:48I really don't know what the hell is.
10:50You're saying something.
10:53I don't know what the hell is happening.
10:55I'm talking to you?
10:55My beliefs are not different.
10:57What did you hear?
11:00I was working in the apartment.
11:01I've been working with her.
11:02Who are you?
11:04I'm not alone.
11:06I'm not alone.
11:07My wife doesn't kill me.
11:10What are you?
11:20My husband.
11:22Excuse me. I'm Sato.
11:25So, you're not a victim?
11:28You're not a victim?
11:30The victim is another victim.
11:32What?
11:34In this place.
11:38Have you been looking for something?
11:41Well, you...
11:43Just, you...
11:44Don't say anything.
11:46Sorry, sorry.
11:48Everyone is wondering what you're going to.
11:50I'm sorry.
12:09I'm sorry.
12:12I'm sorry.
12:20You're not alone.
12:23I'm sorry.
12:24It's a trap.
12:25It's impossible to go outside.
12:25Maybe it's possible.
12:28What is it?
12:29The door is narrow.
12:31Well, let's check the room in the room.
12:40What is it? What is the relationship?
12:47That's it.
12:57Thank you, you.
12:58If you were not, I would.
13:02You are a woman who did a natural thing.
13:06Let's go to the bathroom.
13:12I'm not saying that you are good.
13:14...
13:16...
13:23...
13:24...
13:26...
13:26...
13:28...
13:29...
13:29...
13:29...
13:30...
13:30...
13:32...
13:38...
13:43What's that?
13:44A湖?
13:47I think there was a window in the bottom of my room.
13:53Let's check it out.
13:561, 2, 3, 4, 5, 85, 86, 87, 88, 172, 173, 174, 175やっぱり1,
14:142, 3,
14:164, 5, 6, 115, 116, 117
14:323階から2階、2階から1階は117歩なのに3階から4階だけ175歩つまり1
14:36.5倍ってことは3階の高さは1,
14:382階の1.5倍なきゃいけないのに3階の天井は1,
14:502階よりかなり低かったつまりこの建物の3階と4階の間には半階分のスペース
15:12隠し部屋があるんだこの糸の先を両銃の引き金に結んでおけば糸に引っ張られて引き金が引かれるというトリックですなるほどだがな、モーリ君発見時、床のタイルは濡れていたのかね
15:14?え?あっだったら…コナン君、どこ行ったんだろう
15:26あっねえ、おばさんこの建物の詳しい設計図ってある
15:32?さあ、知らないわネジさんに聞いたら分かるかもネジさんはどこ
15:33?外にいるわよありがとう
15:43コナン君たら…ねえ、コナン君、設計図って何
15:53?変わった建物だからどうなってるんだろうと思ってなあ、こんなとこやめて、うちの社に来いよどうしてそんなこと言うの?
16:07実は、マイマイさんのご主人の大曲さんの良くない噂を聞いたんだ浮気癖がひどいとかそうなんだ、心配してくれてありがとう気を付ける
16:08ねえ、お姉さんん
16:12?渦巻館の設計図って見せてもらえる
16:14?え?うん、いいわよヒルキ・マサトロ知ってるの
16:25?うん、名前だけ書かれてないか
16:52天空と深淵が交わった時、道が生まれ、扉が開かれるバベルの塔といえば、創世記にこう書かれてあったなさあ、都とその頂が天空まで届く塔を作ろう
17:21アビス…アビス…深淵…バベルの塔…天空…ねえねえ、あそこに飾ってあるバベルの塔を真ん中のアビスって穴に差し込みたいんだけどちょ、コナン君、何言うの
17:22?ダメ?あのね、坊や…
17:25ダメに決まってるでしょ?ネジさん、どうしたの
17:51?あ、マイマイさん…この子が、バベルの塔をアビスの中に入れたいって言うんですあはは、子供らしい発想ね実は私も子供の時、君と同じこと思ったわだよねやっちゃおうかうんちょっとマイマイさん、本当にやっていいんですか?
18:07いいの、いいのね、お父さんすごい、ぴったりはまりましたええ、じゃあ行くわようんせーの
18:16今、何か音が…な、なに
18:22?あ、部屋が…な、なんだ?
18:37ど、止まった…お、どうした
18:39?何があったんだい?
18:45この美術館、部屋丸ごとエレベーターになってたんだなんだって
18:50?でも、坊や、上の通路に上がるにはどうしたらいいの
18:58?あの螺旋階段だよあれはこのためにあったんだそっか…僕、上を見てくれ
19:26待って、私も…待って、私も…あれは、さっきの換気口…そっか、換気口はダミーで隠し部屋の入り口になってたんだ
19:27ほら、まず!うっ…なんだ、それは…たぶん、隠し部屋の入り口だよ隠し部屋
19:52?あれ、電球切れてるのか…展示室で見た作品とは印象がまるで違いますな
20:08あ…なんというか…まがまがしい…たぶん、フランス留学時代に描いた、初期の修作だと思いますユヌデソント・ダンル・マエルストロー…どういう意味ですか
20:11?大渦への効果…でしょうか
20:16?メール・シュトレームに飲まれて、エドガー・ランポーだ
20:36フランス語でエピグラフが描かれてます訳しますね彼はまず、深淵に続くメール・シュトレームに恐怖し、そして見せられた情熱の渦の中に彼は、永遠に繋がる喜びを見出した
20:53そして彼は、絵画、壺、航路、コイル、アンモナイト、オウム貝、巻貝、ありとあらゆる渦巻きを収集し出した彼の婚約者はそれに嫉妬した
21:17男の愛を取り戻すため、男の渦巻きコレクションを片っ端から捨てた男は激怒し、婚約者を殺めたそして、男は姿を消した現実世界から、自らが描いた渦巻きの中にしか存在しないイデアの世界に吸い込まれたのだった
21:47まあ、隠し部屋があるにはあったが、カラクリを作動させないことには出入りすることはできないということは、今回の事件とは無関係かええ、そういえば、マイマイさん、大曲さんがいらっしゃいませんがああ、彼なら1時ごろ、散歩に出かけましたわそれにしては遅いな、もう3時だいつもこんなに長時間散歩?
21:57いいえ、いつもは長くても1時間ぐらいだとふーん高井君、大曲さんを呼んできてくれはい
22:42ご視聴ありがとうございました
22:43As long as the wind will come,
22:46As long as the wind will come,
22:58I want to meet you,
23:04I can't meet you,
23:10I can't meet you,
23:13I can't meet you,
23:15I can't be ready for you,
23:20I can't be able to make you,
23:22I can't be ready for you,
23:41永遠に風にのふう
23:59誰にも言わないのよ
24:02危ない
24:09なんだネクストコナン
24:11館ミステリー 渦巻き館 後編時は流れ 何度目の桜に出会うの
24:28君もじわび
24:31ネクストコナンズヒント
24:35ロープ渦巻きの芸術?
24:36目が悪怖い!
24:37I was back away!
24:38Huh?
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