Mon amour, c’est pour le restant de mes jours (2026)

“Life passes through films.” In this deeply intimate documentary, Quebec filmmaker André-Line Beauparlant turns the camera on her own life to better understand the work and the existence of her partner, filmmaker Robert Morin. As the image — composed of film excerpts, behind-the-scenes footage, conversations, and personal archives — reveals both the inner workings and the hidden underside of their collaboration in cinema and in life, the narration unfolds as a dual biography, reflecting on love, obsession, the passage of time, and death. Guided by a profound desire to truly encounter the other, Mon amour, c’est pour le restant de mes jours is a love letter, a diary of everyday life, and a resolutely feminist proposition: one that envisions creation as a plural, shared act.