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00:21So, thank you so much. I could never have done it without you.
00:25I think my coffee and your pictures make a good team, don't you?
00:33Okay, let's get started.
00:49Ah, will you get a coffee from the storeroom? The spare key is here in the cash register.
00:53Please.
01:06We'll stick them on the pictures once they're sold, right?
01:09Yes. Dad worked on these pictures day and night. This was supposed to be his breakthrough.
01:16What if nobody wants his pictures?
01:19Come.
01:36We're back, on the hunt for crooks.
01:38We scare off the crook, always ready to go.
01:40We're back, we're staying put for the long haul.
01:43We are the Peppercorns.
01:45One, two, crooks and gangsters.
01:47Three, four, crooks and criminals.
01:49Five, six, robbers and hiding place.
01:51Those who are poor, we hunt day and night.
01:53We are robbers and gangsters.
01:55Crooks and criminals.
01:57We are where no one is looking.
01:59We'll chase the crooks away.
02:03We are where no one is looking.
02:06Goose, goose.
02:08We'll scare the crooks away.
02:13Man, not a single picture sold.
02:17Poor daddy.
02:18That was only the first evening.
02:20Perhaps the guests at Mama's Café will buy the pictures.
02:23If I were rich, I would buy them all.
02:29We need to build up Dad.
02:32Ah, there you are.
02:35Guess who just called me.
02:39Mike Hill, the gallery owner from New York.
02:43Everyone in the art scene knows him.
02:45And this Mike wants to look at his dad's pictures tomorrow.
02:48Isn't that great?
02:49If he likes me, then maybe I'll become famous after all.
02:57Search, Murphy, search.
02:59I choose Murphy to be the search dog.
03:02Murphy.
03:03Sure, then he can help us with our cases.
03:05That will never work.
03:06And whether that will work.
03:08Such, Murphy.
03:11Don't panic.
03:12It's 10 to.
03:14Those types always arrive too early.
03:16I do not believe that.
03:19That's what I'm saying.
03:24Cute dog.
03:25Is it yours?
03:27His name is Murphy.
03:29Nice to meet you.
03:30I can't wait to see your paintings.
03:32Hi.
03:33Hello.
03:34And I can't wait to show them to you.
03:37Yes, then let's go inside, shall we?
03:39Yes.
03:40Yes.
03:42Yes.
03:54The pictures were still hanging yesterday.
03:56Really?
03:56They have to believe us.
03:58Someone stole your paintings.
04:03I don't understand.
04:05I've already finished.
04:09Oh no.
04:14I had the second key.
04:17Yes, but didn't you put it back in the cash register?
04:22Mia?
04:23Look, I'm very sorry.
04:26But without any paintings, I can't buy anything.
04:30I'm in Hamburg for another three days.
04:33Take care.
04:34Excuse me.
04:44He's only here for three more days.
04:46We need to find the pictures again.
05:07No fingerprints.
05:09No signs of forced entry.
05:11That guy actually got in using me as a key.
05:14Someone liked the pictures so much that they stole them.
05:17She's actually positive for once.
05:19Johannes.
05:21Or the thief stole the pictures for someone else.
05:25A contract theft.
05:27Or the thief simply wanted to resell them at a higher price.
05:29Or, or, or.
05:31The pictures won't come back from your theories, anyway.
05:34Come on, Murphy, let's find them.
06:10The student saw a delivery van.
06:14The woman with the four cats thinks it was a white van.
06:17A short, fat man had stashed something inside.
06:20In my case, it was a tall woman.
06:21So much for witness statements.
06:23Perhaps Johannes and Mia discovered something.
06:26I'd rather ask the neighbors from the side street.
06:29Is it because of Johannes?
06:30Nonsense.
06:30Why because of Johannes?
06:32No idea.
06:33You two have been acting really strange with each other ever since the course.
06:35That's not true at all.
06:37No.
06:38Why don't you just come along?
06:40See you later.
06:50Dad's pictures are stolen.
06:52And you must help me find her again.
06:54Otherwise he can no longer be a painter.
06:56And that is his biggest dream.
06:59Here.
07:00Find the pictures, Murphy.
07:02Search.
07:06Na, Fi.
07:07We are looking for clues, not food.
07:21Cool.
07:22There were so many people there.
07:23That didn't seem that way to me at all.
07:24Imagine all 200 have arrived.
07:26Then maybe he would have sold all the pictures.
07:28And the thief would have gone away empty-handed.
07:30I'll forward the pictures to Mia.
07:33And who is this?
07:36So much work.
07:40All the time I spent painting instead of with you.
07:43I'm so sorry, Dad.
07:46Oh Mia.
07:48That could have happened to me too.
07:50But it happened to me.
07:54Perhaps this is a sign.
07:57I should stop painting.
07:58No, we will find your pictures.
08:02But you must help us.
08:03So, who is this?
08:07Gerrit Grünberg.
08:08Famous painter.
08:11Wow.
08:12And what did he want at your exhibition?
08:16Maybe look at some art?
08:17Could he have a motive to steal your pictures?
08:20Does he see you as a competitor?
08:22Grünberg.
08:24No, definitely not.
08:26His paintings are worth ten times as much as mine.
08:32Rode.
08:33Manuel Rode.
08:35Art dealer.
08:36Always on the lookout for new talent.
08:39I had hoped
08:40He would be interested in my pictures.
08:47She ran away at some point.
08:50This is Lena.
08:51Lena Bürger.
08:53We went to art school together.
08:56She was in love with me back then.
08:58Is she also an artist?
09:00No.
09:01She dropped out of university.
09:05If she was ever truly in love with him,
09:07Perhaps she wants to harm him.
09:09Why is that?
09:11Well, if a person is in love
09:13and the other one doesn't know what she wants,
09:15It can be quite complicated.
09:17You can see that with you and Lisha.
09:19She kissed you
09:21And now it gets complicated.
09:23I don't even know if the kiss was real.
09:31The other neighbors didn't see anything either.
09:34Um, I just wanted to tell you that quickly.
09:37I have it now.
09:38So, Lisha, you and Johannes,
09:43You're going to see this Lena.
09:45Mia and I are interviewing this concentrator.
09:55This is Lena Bürger's graphic design studio.
09:57It must be around here somewhere.
10:01There, that's her.
10:08Excuse me, are you Lena Bürger?
10:11Uh, yeah.
10:12How come?
10:12We are giving a presentation for the school.
10:14about career prospects in art.
10:17May we perhaps interview you?
10:19Now, do we know each other from somewhere?
10:23From Sam Goldmann's exhibition yesterday.
10:26We wanted to talk to you about that,
10:28But they suddenly disappeared.
10:30Hopefully Sam didn't think,
10:31That has to do with his paintings.
10:33You also studied painting, didn't you?
10:34Begun.
10:36I really wanted to paint, just like Sam.
10:39But when I realized,
10:41that success is so random
10:43and life as an artist is so hard,
10:45I dropped out of university.
10:48Yes.
10:48And are you happy as a graphic designer?
10:51Or would you prefer a female artist?
10:53Ah, as God wills.
10:54I don't envy any artist.
10:56As a graphic designer, I have a reasonably secure income.
10:59And my work is still artistic.
11:02Why did you disappear so suddenly yesterday?
11:06Do you want to know this for your presentation as well?
11:08Hm?
11:09My son was sick.
11:11We changed calf muscles all night.
11:15Okay, thank you.
11:17It will definitely be a great presentation.
11:18OK.
11:20Bye.
11:21Bye.
11:24Nothing.
11:25Her order book is completely full.
11:32Good day.
11:34How can I help you?
11:36We would like to have the picture appraised.
11:38So, know how much it's worth.
11:41Aha, aha.
11:42That picture belongs to my parents.
11:45They've been having a bit of money trouble lately.
11:48That's why they sent me to you.
11:51You were at the exhibition opener yesterday.
11:54And you too.
11:56And this picture is by Sam Goldman.
12:00And I didn't want to have it appraised either.
12:03The pictures were stolen last night.
12:06All.
12:09The art thieves are becoming increasingly brazen.
12:13But I don't suspect myself.
12:18I am a trader.
12:20Even.
12:21They could resell the pictures for a high price.
12:24Unfortunately, that doesn't work.
12:26As long as a painter is not known, his paintings are worthless.
12:33Maybe I really should give a presentation.
12:36How difficult is it to be an artist?
12:38What do you think?
12:41What's up?
12:42Do you even give him a chance?
12:44Yes No.
12:46Lisha.
12:47The kiss.
12:48What about it?
12:50Was he only there out of pity?
12:53Out of pity?
12:54I have lost my memory.
12:55I didn't know who I was.
12:56And now you think I only kissed you out of pity?
13:02You know what?
13:03You guessed it.
13:05That's exactly how it was.
13:12How do you like it?
13:15Oh well.
13:16I think it works like this.
13:18The picture is worth more than my house and my car combined.
13:22Why?
13:23Is this bigger than Sam's picture?
13:26Were the paints more expensive?
13:28Did the painter work on it for a long time?
13:31Not all of that.
13:32There is only one reason.
13:34The painter is famous.
13:37Why do I own such an expensive painting?
13:40Very easy.
13:41I bought this before the painter was famous.
13:44That's my job.
13:46Predicting who will become famous and who will not.
13:50Do you think my dad will become famous?
13:53Possible.
13:54Sam's pictures are good, but...
13:56I only buy when I am absolutely sure.
14:17It wasn't the art dealer.
14:28Hey, Murphy.
14:31Otto?
14:32Yes.
14:36I think I have a lot of time now.
14:39We both go for a walk there every day.
14:41Yes.
14:44Both of us.
14:45Both of us.
14:58Did you talk to Lisha?
15:03Well, I asked her if the kiss was only out of pity.
15:07Out of pity?
15:08Mann, Johannes.
15:09Lisha has real feelings for you.
15:10She's not kissing me out of pity.
15:12She doesn't kiss me anymore.
15:13She's absolutely furious.
15:22Can you smell that?
15:23The pictures smell like that, too.
15:25I know you can do it.
15:27You can find Dad's pictures again.
15:29You are a search dog.
15:31Yes, look for the pictures.
15:33He sometimes works at the café.
15:36And this is Maya's best one.
15:39And that grandma there, she spoke to Alice on the street.
15:44What about that one?
15:46Gerrit Grünberg.
15:47He's apparently famous.
15:48So what?
15:50Dad, throw away all those art supplies.
15:52We need to find the pictures again.
15:54Mike is still in town.
15:56What do we know?
15:57Success is a matter of chance.
15:59And your picture is only worth a lot if the artist is also famous.
16:02So Sam's pictures are...
16:04Not worth that much.
16:06So that means if someone else had painted the same pictures, someone who is well-known,
16:11Are they then worth much more?
16:13That's what the art dealer said.
16:15Grünberg is also well-known.
16:16But why would a famous painter steal his father's paintings?
16:19What did he even want from Sam's exhibition?
16:21That's strange.
16:23We'll talk to him.
16:24I see what I can find about him on the internet.
16:32I rang the doorbell.
16:34Nobody there.
16:35He left the window open.
16:45Help me!
16:51Perhaps we should rather...
16:53We're just having a look around.
17:08No luck.
17:09Sam's pictures aren't here, anyway.
17:22Don't you notice anything?
17:24It's always total chaos at Dad's house.
17:26There are some sketches and unfinished paintings lying around.
17:29Perhaps this Grünberg is simply a very tidy person.
17:44Should I eat you, I think.
17:47That was exactly the Celtic end.
17:48Yes, search!
17:51Yes, search!
17:55Oh, Murphy.
17:56Mia is right.
17:58You're really not a good search dog.
18:08Man, Murphy, you're the best seeker in the world.
18:30I can't believe it.
18:32Murphy has found his dad's pictures again.
18:36I want to confront Tieter.
18:38That's far too dangerous.
18:40Quick, let's go there.
18:46The ladder is gone.
18:55And now?
19:11I'm already on my way.
19:13I have no idea what happened to Lieschen.
19:14Yes, I'll hurry.
19:21I'm already on my way.
19:45What are you doing here?
19:49These aren't your pictures at all.
19:51You did not paint these pictures.
19:55Of course, these are my pictures.
19:59G, G, Gerrit Grünberg.
20:01This might be your signature.
20:03But Sam Goldman painted the pictures.
20:05My father.
20:06They stole the pictures from Café Goldmann.
20:09And they want to resell them for 10 times the price.
20:12Hey!
20:34So.
20:34Watch out, a very important gallery owner is coming soon.
20:38And I don't want to hear a sound for that long.
20:40You want to sell Dad's paintings.
20:42They must not do that!
20:44Not a sound.
20:45Yes.
20:46Hello!
20:47Help me!
20:48Help me!
20:50Help me!
20:51Help me!
20:52Help me!
20:53Help me!
20:54Ew, that's disgusting!
20:55Don't be such a baby!
20:56They're freshly washed!
21:05That will have to wait.
21:07You can call back later.
21:09When this is over.
21:11Yes.
21:19There you are.
21:22Mr. Hill.
21:29Nice to see you.
21:34So that's your new work, huh?
21:36Aha.
21:38It's very different from what you did before.
21:40Yes, yes.
21:41I have decided to take a new direction.
21:45The colorful and wild aspects just came out of me.
21:53Ah, those are the neighbor's children.
21:55You know, I had a real creative urge, a creative phase.
22:00I, I simply couldn't do otherwise.
22:02Um, I just painted and painted and painted.
22:09Very interesting.
22:11Very interesting indeed.
22:13I like them.
22:16Actually, I love them.
22:18Do you really like them?
22:20You know what?
22:21I'll take all of them.
22:23Uh, you're buying them all?
22:33We could call the locksmith.
22:36Then we two will have to explain how we locked ourselves in here without a key.
22:39You're the best!
22:40I am?
22:41Yes!
22:42Key!
22:44Wettengrünberg has a spare key to his studio.
22:46Just like Mom did for her café.
22:49Where would you hide a key from here?
23:04Mörfli!
23:10Mörfli!
23:11Alice must be here somewhere.
23:12I'm going inside now.
23:13Are you coming with me?
23:14Of course I'll come along.
23:15What do you think?
23:16So.
23:18Just one more signature.
23:21And the pictures belong to you.
23:23Here.
23:30What do you want here?
23:32I mean, this isn't a children's playground.
23:34Where is Alice?
23:36Alice?
23:37I don't know any Alice.
23:38The neighbor's children.
23:39We know that Alice is here.
23:40So where is she?
23:41There's nobody here.
23:42I'm not blind.
23:43I mean, I would have seen that.
23:54I've never seen that phone before.
23:59Murphy!
24:01Hey!
24:02I know that dog.
24:12There you are!
24:13Alice!
24:19This is not just a thief.
24:21He still has smelly feet.
24:24Hey, I know you.
24:26You're Sam Goldman's Daughter.
24:27The girl must have been hiding here.
24:30And she tied herself up too, didn't she?
24:32They have locked Alice up here.
24:33That is deprivation of liberty.
24:35You, you, you, you're lying like a rug.
24:37They are lying.
24:38The pictures aren't yours at all.
24:40The pictures are from my father.
24:42And we can prove it.
24:48So, you stole the paintings.
24:54Yes, I haven't painted a picture in three years.
24:58I just can't think of anything else.
25:00And then they announced their visit and I didn't have a single picture.
25:07Then I happened to end up at the opening of Sam Goldmann's exhibition.
25:15And I was completely blown away.
25:17I mean, the pictures are amazing.
25:20And then the key was lying on the counter and...
25:23They stole Dad's pictures and pretended they were their own.
25:27Yes, I know I shouldn't have done that.
25:30I'm really sorry about that.
25:33Art forgery, theft, and kidnapping.
25:34You need a good lawyer.
25:38It took a little longer.
25:40Alice!
25:44Man, I was so scared.
25:46You can't just go in alone.
25:48Murphy was with me after all.
25:50Wasn't he outside?
25:56Everyone's here.
26:01Only the keys are missing.
26:18I didn't kiss you out of pity.
26:21Not?
26:23Of course not.
26:24What do you think?
26:25But you kissed me because...
26:28Well, think about it.
26:38Danger.
26:39Level.
26:41What's this going to be?
26:43Right.
26:45Left.
26:47And stop.
26:49Good.
26:49Here.
26:50You can watch now, Dad.
26:52OK.
27:00I did that to you.
27:02Here, Mom.
27:02The key.
27:06And look who's here.
27:11Mike!
27:13What is that?
27:16How is that?
27:17As you can see, these are my arrows.
27:19I think my children and their friends have found them.
27:22Yes.
27:23How did I already know that?
27:25You're already ready.
27:27Sam.
27:28I love your work.
27:32And I would like to buy the pictures.
27:36All.
27:39All?
27:40Absolutely.
27:42I have big plans for you.
27:45I have big plans for you.
27:45Have you ever been to New York City?
27:48Well, better get packing!
28:07We robbers and gangsters, foreigners and criminals
28:12We are where no one else is
28:14We hit the rascals into the
28:16Gangster, gangster
28:18We are where no one else is
28:20Gangster, gangster
28:22We'll put the crooks to flight.
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