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Young Sherlock S01E07 (2026) [Full Movie] [English Subs]Full EP - Full
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00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58What's that for?
01:00No, no, no, no, don't go!
01:02Find me, Sherlock, you know? Find me, Sherlock?
01:06Magic! Magic! Magic!
01:11Shut up! Shut up!
01:18You're all right. I got you.
01:22Come in, I'm getting shot, eh? That was a terribly stupid thing to do!
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31And we have to stop her.
01:32I'm not leaving you down here.
01:33Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes.
01:39I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, you listen to me, we are going to get this fixed up.
01:53Are you crying?
01:54No.
01:56Why not?
01:57One, two, three.
02:02He's been shot.
02:04Oh, my poor boy.
02:06We have to find a hospital.
02:07Their dash of opium would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:26There's only one hospital still open.
02:30Help!
02:34Help!
02:36He is in charge now.
02:37Oh, he probably decided to run.
02:39Oh, that window is sinking.
02:39Oh, I did he!
02:41Oh, that Medicare could be in charge!
02:43Oh.
02:44Oh!
02:46Oh!
02:48Oh!
02:49Oh!
02:49Oh, J Aqui!
02:54Oh!
02:54Oh!
02:55J Aqui!
02:55Hey! Hey!
02:56What are you doing?
02:57Give me that! I'm stopping you from shooting that man!
03:00Why? Because that sure looks fire!
03:03That is fire!
03:05I didn't know.
03:06Is it? Is it?
03:09Whoa! I'll be taking that.
03:13Thanking you kindly.
03:17Up we go! Over the top!
03:22Right in the back!
03:23Where are we going?
03:24I'm afraid we're gonna have to go the long way round, brother.
03:27All aboard! Off we go!
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in a favor, huh?
03:35Because you shot Sherlock!
03:37Not intentional.
03:38Oh, right. It wasn't intentional.
03:39I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:53Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:01And there's only one hospital still open in Paris.
04:03That's where Mycroft will take him.
04:07Come in.
04:07Hey!
04:08No, no, no!
04:09No, no!
04:26No, no, no!
04:35You had no choice.
04:37There'll be more of them.
04:39We need to go.
04:46James!
04:47We need to go!
04:48No, no, no!
05:02No, no, no!
05:05No, no!
05:06No!
05:07No!
05:09No!
05:11No!
05:11It's not a surprise.
05:27Oh, come on, you should make my life bloody impossible to get around there.
05:42And I, if you don't care about it, it's gold, it's gold, it's gold, take it for the revolution,
05:52yes, but you have to take care of immediately, quickly, quickly, quickly.
06:01Here, here, let me see.
06:04Inferniere, prepare for a surgical operation.
06:07Where would you go next?
06:21He's stubborn as a mule.
06:22Yes, he is up and drowning, I spoke mad in no time, you watch.
06:49I suppose no news is good news.
06:50Absolutely.
07:06How are you going?
07:08Well, I've done my best, but I'm going to fight now.
07:12Thank you for all, sir.
07:14Thank you, sir.
07:18Darling.
07:29Oh, my God.
07:52Come and we should have a fight.
08:10Mother.
08:14My darling boy, Sherlock.
08:19There he is, my little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes, yes.
08:28Ah, he's too stubborn to die.
08:32James, where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only missing Mrs. Holmes.
08:57It's good to see you.
09:02Did you?
09:04Stop her.
09:06I did.
09:09And I brought her here.
09:11Now don't piss your bedpan.
09:14She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:28I was aiming at your father.
09:29Ah, well that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:36James, why is she here?
09:38Because I think you need to hear what she has to say.
09:44My name is Xiaowei.
09:47I come from the village of Tai'an and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it at the highest bidder.
10:29A private buyer.
10:32My father.
10:35Yes.
10:40I am so profoundly sorry.
10:44It's not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents.
10:57Double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11Oh, after that you can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26What if that's what it takes to find Beatrice?
11:29That's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:36Esad Cascali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:47There's two corners.
11:51An intersection.
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:05What do you mean, darling?
12:07On the table where Father was sat, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any dress in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:43Hello.
12:44Hello.
12:44Hello.
12:44You could make you so rich.
12:50Yes, I'm not ready.
12:54Hello.
12:56Ah.
13:00It's an old dress.
13:03Excuse me.
13:04Have you, Mr. Touffe, this one?
13:06What?
13:07Ah.
13:08Excuse me.
13:09Ah.
13:10It's impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:21Maybe it means something?
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:29Napoleon?
13:30Mm-hmm.
13:39It's Napoleon's hat.
13:42Famous bicorn.
13:43It has two corners.
13:44Leg l'olive.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:53It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esser-Kashka.
14:00Tu es genial.
14:01You have no idea.
14:06I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:55Try not to die in my absence, would you?
14:58Reasonable request, mother.
14:59Thank you, darling.
15:04No sign of this ad.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time, how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:50Strange.
15:53I don't feel any of that.
16:21As said, Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence.
16:32No, I'm afraid not.
16:34This is also.
16:36So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46Please don't mind your stitches.
16:47I am all right.
16:53This is what we are going to do.
16:58Bonjour.
17:12Hello.
17:14Sorry, madame.
17:15It's occupied.
17:15I'm expecting something.
17:17Yes.
17:19Madame Dormant.
17:20Mother will explain the Duke never attends meetings.
17:23That's his wife's duty.
17:24Enchantée.
17:24What if he recognizes you with them with Sunk?
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur.
17:40Le Duke de Mont.
17:42Cecile Fillimont.
17:43Cecile Fillimont.
17:43I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money.
17:48Which James will deliver to my mother, allowing us to finance stage two of the operation.
17:59What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:12Unable to resist so intriguing an offer, Silas will then agree to meet with the madame.
18:18Well, then, a little bit of music to get in front.
18:20I don't know, something like...
18:22Talking about my ch-ch-ch-ch-generation.
18:26Keep moving.
18:28Yeah, it's not exactly like that.
18:30I'll give up my toothbrush.
18:32Bonjour.
18:33And, voila.
18:34Now, tell us where Beatrice is.
18:37That's it.
18:38What could possibly go wrong?
18:40The key to being successful, confidence men...
18:43And women?
18:44The key to being successful, confidence men and women is confidence.
18:52I love the eye patch.
18:57Enchanté.
19:03Excuse me, Monsieur.
19:07Excuse me, Monsieur.
19:08The Duke Dormont.
19:12Cecil Fillemont.
19:16So...
19:18Where is Mr. Cosgarly?
19:20I do hope you understand, Duke.
19:22The unexpected events of our demonstration have forced us to change our plans.
19:27My instructions.
19:28Were to hand the money only to Mr. Cosgarly himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey, I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day, understood?
19:48Understood.
19:49Then I shall take your advice.
19:52It would be remiss of me not to inform you that the incident in the tunnels has only, in fact,
19:58proven the potency of our product.
20:00We're selling out fast.
20:05If you delay, you would risk missing out altogether.
20:13Have a good day, sir.
20:15The pussycass, but...
20:18The pussycass, but the pussycass!
20:20The pussycass, but the pussycass.
20:20I am not!
20:20You are not!
20:21I'm out of the pussycass!
20:22You are not.
20:25Go out!
20:26Go out!
20:27Look at it!
20:30Go out!
20:30This is the fact!
20:31We're not selling this!
20:31Amortive!
20:32I'm out of the pussycass!
20:33Let's go!
20:37Let's have a I!
20:37Let's go.
20:42Permettez.
20:46Burgundy 57.
20:48Some people say that you had a 62, but for me, if I wanted that much oak, I would eat
20:53a tree.
20:56So, tell me what you think of my proposal.
21:00You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:07Hmm.
21:10Voila.
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:55I do not see Mr. Silas Holmes.
22:00if you please
22:04monsieur
22:09so
22:13we both know you're not the duke's wife
22:17who are you really madame
22:21do you doubt my monies
22:25pardon
22:25do you doubt the value of my money
22:27do you believe it's real
22:29it looks real
22:32you are correct i am not madame dormant
22:35and i i do apologize for the deception
22:37but now that i have your attention
22:40i should like to inform you
22:41that i am working on behalf of a
22:44a very prominent british investor
22:46who wishes to make a significant purchase
22:49from mr silas holmes
22:51and if you play your part
22:54in arranging this
22:56i can assure you that the money in that pot
22:58is merely the tip
23:00of the iceberg
23:01purely for your own pockets
23:03you understand
23:05so
23:05as i see it
23:07you have two options
23:10you can either continue to insult me
23:12and let this golden opportunity slip through your fingers
23:16or you can simply introduce me to mr silas holmes
23:22and this is taking too long
23:27patrona haber gönder
23:31baron acil görüşmemiz gerekiyor
23:33esad
23:37come back here
23:38tomorrow
23:38at the same time
23:40and i will have an answer for you madame
23:42thank you sir
23:43i am much obliged
24:06he is sending a telegram to silas
24:08i am much obliged
24:12i am much obliged
24:15i am much obliged
24:17i am much obliged
24:17i am much obliged
24:31oh no no no no no no no me
24:33how about this time we won't do one of your clever little scams
24:36or pickpocket dances
24:39Just let me try something.
24:45Bonjour, Monsieur.
24:46Bonjour, Monsieur. Que puis-je pour vous?
24:48Cet homme-ci était ici il y a quelques ans.
24:52Je veux voir ce qu'il a envoyé.
24:55Monsieur?
25:01Pour votre pain.
25:05Vous pouvez faire que l'oreille soit au moins.
25:09Monsieur?
25:11Non?
25:16Au revoir.
25:22Qu'est-ce que c'est?
25:28C'est-ce que c'est?
25:35T'en vas-tu.
25:36C'est quoi le Banerjou ?
25:39Il faut voir le Brémi, le Brémi.
25:43Le Brémi.
25:45C'est parti, la Brémi.
25:47Le plan, je sais qui s'am Dateur a nuestro programme de l'inviens de l'inviens.
25:50Et je sais qui a l'inviens du brémi.
25:54Oui, oui, tout le tour.
25:56Regretfully, sir.
26:00It was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:12We must find my father and bring him to justice.
26:15Yes.
26:16Well, quite.
26:18Quite.
26:18Quite.
26:20I shall wire the foreign secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:53Please wait here.
26:55Not at all, sir.
26:58I have a reply from the foreign secretary.
27:00He informs me that you are in disgrace and, in fact, no longer work for Her Majesty's government.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption, if you are prepared to walk it.
27:13Now listen.
27:15Carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:37It's your insistence that your body is unchanged.
27:40My body has changed.
27:42My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details are irrelevant.
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass and muscle and reach, all of which you have over me and yet I've bested you in
28:07every encounter.
28:07Why?
28:11Because the real strength comes from here.
28:16And here.
28:23James, Mother, you found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother, were you met with success?
28:37I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:44Excellent.
28:46So this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet a friend of mine.
29:17Mrs. Emine, she has agreed to help us.
29:20Welcome to my city.
29:32Sherlock.
29:34Show her the photo.
29:44Have you seen this man?
29:46No.
29:47No.
29:55Andy.
29:56Good push.
29:57You're resting, Vicky.
29:58I'll open up now.
30:00It's up.
30:03That small child is going to find our father, is he?
30:06The lowly status of the street urchin is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They're irregulars.
30:40Sir, they are looking for you.
30:52I'll open you.
30:53I'm sorry for you.
31:25They have found your father.
31:28He knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:48Very well.
31:53Sherlock.
31:55Good luck.
32:11Do you know why magic is so beguiling, Sherlock?
32:18No.
32:20When something seems to defy rational explanation, wonder the impossible.
32:33Made possible.
32:46Is she still alive?
32:47Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here, so clever.
32:57I'm proud of you, my son.
32:58It's not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07I ran.
33:09I ran because that crazy woman was trying to kill me.
33:13I was the one under attack.
33:14I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:23Harm.
33:27You've done nothing but harm.
33:30Look at me.
33:31You broke my heart.
33:33You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me, is my sister still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so simple.
34:10We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:17Tea?
34:17No.
34:19I acted in my best interests.
34:24Of course I did.
34:25But I also acted in yours.
34:28You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:35I can't leave.
34:36Because you won't tell me where my sister is.
34:39Where is she?
34:42She's here.
34:44In Constantinople.
34:45With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:57So that's his price.
34:59That's his price.
35:01Sure.
35:02She wants me dead.
35:03And if she kills me, well then you'll never find Beatrice.
35:07Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy?
35:21Condemning someone to death?
35:22You Oshua nothing.
35:24No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:28hesitation.
35:29I don't think you should either.
35:31Am I interrupting?
35:32Not at all.
35:35No cracks in a noble hat.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:54I'm pleased for you.
35:56That your journey ends well.
35:58That you're your sister.
36:04Afterwards, your father is mine to do with, as I see fit.
36:08I realize this is hard for you, but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:08You are a work in progress, Sherlock.
37:31I think it's just me and mother from here.
37:53I think it's just me and mother from here.
37:54You are a fine mother.
37:55You wait with Marcroft.
38:12Silas?
38:14How do you call me father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome.
38:25It had the most sophisticated defense fortifications.
38:30In antiquity.
38:31It has survived foreign empires, brutal wars, disease.
38:39Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture.
38:49Is it finished?
38:53She doesn't exactly look ready to surrender, Shirley.
38:56She is.
38:58She just doesn't know it yet.
39:01What are they talking about?
39:07You, I expect.
39:11Now, as you can see, I am ready to deliver.
39:15So.
39:18Where's my sister?
39:41B?
39:43B?
39:45Oh, mother!
39:52My darling.
39:56Your move, my boy.
39:58I've missed you.
40:01Silas.
40:03Son.
40:06You know what troubled me the more, still killing that soldier, I know.
40:10I might have got a taste for her.
40:12Move.
40:21Let me see your face.
40:24Sherlock!
40:31I find myself up and lost for words, which would be a first.
40:37What's the matter, mother?
40:40It's not her.
40:42Mother.
40:46Silas.
40:47Trust me.
40:48It's not Beatrice.
40:51How about him, princess?
40:53Thank you, James.
40:54James!
41:01You're not my daughter!
41:10Matt!
41:13Find her!
41:14Bloody, thank you!
41:16You!
41:16I knew you'd betray me, Sherlock.
41:20Are you not my son, after all?
41:24Hello, mother.
41:29Bea?
41:30Bea?
41:35CLOSED CAPTIONING
41:45Amplified by glaube-
41:48You'd be so kind.
41:52Me too, brother dear.
42:00Isn't this nice?
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