- 3 hours ago
Dadilja sa sela - 44 epizoda NOVO
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00:13I want to be a new baby.
00:16I don't know how crazy I felt nervous.
00:22I'm going to go to a thousand...
00:25thousand...
00:26thousand...
00:27With Stefan.
00:28Let's call him, let's do something romantic.
00:31When Ziza calls him, he's ready to do something.
00:33That's it.
00:34That's it.
00:34That's it.
00:35That's it.
00:38That's it.
00:39You're normal.
00:39I'll see you later.
00:41Hello.
00:42How are you doing?
00:44Okay.
00:45What?
00:46Who asks?
00:48Who would like to ask?
00:50No.
00:51No.
00:53Wait.
00:53Wait.
00:54Stop.
00:54Are you always thinking that I and you don't want to talk about it?
00:58From when you're interested in love and life, do you think so?
01:01Are you stupid?
01:03Honestly, I'll be honest with him.
01:06All right.
01:07All right.
01:07All right.
01:07All right.
01:10All right.
01:12We know why I'm here.
01:14I don't think so.
01:15I don't think so.
01:16I don't think so.
01:18And you're hiding.
01:20You're hiding.
01:21And you want something.
01:23But you don't know what you want.
01:26There's no more real men who come up and stand up and say,
01:29Hey, that's what I want with you.
01:31And the end of the story.
01:32All right.
01:33All right.
01:33All right.
01:34All right.
01:34All right.
01:35All right.
01:35I have a feeling.
01:36See, I'm going to cry.
01:39I'm going to cry.
01:43I'm doing it because of the music.
02:40I'm doing it because of the music.
02:40I'm doing it because of the music.
03:12I'm doing it because of the music.
03:44I'm doing it because of the music.
03:48I'm doing it because of the music.
04:00I'm doing it because of the music.
04:51I'm doing it because of the music.
05:04I'm doing it because of the music.
05:22I'm doing it because of the music.
05:24I'm doing it because of the music.
05:48I'm doing it because of the music.
06:02I'm doing it because of the music.
06:07I'm doing it because of the music.
06:11I'm doing it because of the music.
06:18I'm doing it because of the music.
06:26I'm doing it because of the music.
06:37I'm doing it because of the music.
06:43I'm doing it because of the music.
06:44I'm doing it because of the music.
06:55the music.
06:57I'm doing it because of the music.
07:02What happened?
07:04What happened?
07:06I don't know what happened.
07:11We have to take a look.
07:14Whatever happened, it must be like nothing happened.
07:32How many times were you?
07:32...the time I see.
07:39What's the day?
07:39He's a place for the day!
07:39He's a place for the day.
07:39He's in the town of Milana, and he's a place for the day.
07:50Why?
07:51Why?
07:54Why?
08:00Why didn't we lose the way too early?
08:01It's early.
08:02It's early?
08:03It's all the perception.
08:05Who has, who has.
08:07It depends on who is at the stop.
08:10Time for a pause.
08:13Wait, who made the chaos?
08:17I wouldn't comment at all.
08:20It's cold.
08:23You're a drinker.
08:25When I drink, something happens with circulation.
08:29I don't know if it's like a young person,
08:31and I don't know what to do.
08:34What are the vene?
08:36The vene?
08:37I don't have to do it.
08:38I've always had to go a little bit.
08:48What?
08:52Nothing.
08:56Nothing.
08:57I don't know what to do.
09:00What is it?
09:01And Konstantin?
09:05He's been working in the hospital.
09:08He's doing a meeting.
09:09He's doing a meeting.
09:11He's doing a meeting.
09:11He's doing a meeting.
09:11He's doing a meeting about the secret of his relationship with Dadil.
09:16He's doing a meeting.
09:17How are you doing?
09:18How are you doing?
09:19I don't know.
09:19You tell me.
09:21Hey.
09:23That, that we were sleeping together in a garden,
09:27it doesn't mean...
09:28It doesn't mean...
09:29It doesn't mean...
09:41What does it mean?
09:42It doesn't mean...
09:45It doesn't mean...
09:46It doesn't mean...
09:46You mean...
09:47It doesn't mean...
09:50...the thing that you have thought about.
09:56Hit me, Mer.
10:00Goto.
10:02I'm a body person.
10:05And I...
10:06I'm going to do this one.
10:12He is.
10:18He is.
10:19He is.
10:19Mico!
10:20Where are you?
10:21Why don't you understand?
10:22I'm going to communicate with you.
10:25We don't know if you are alive.
10:27I would like to say that
10:29the privacy is the greatest
10:31step of civilization.
10:32Let's go!
10:33Mr. Hadžipi Perović,
10:35I really think that these measures
10:37are not necessary,
10:38and they are not slow.
10:42Well, you are you?
10:45I am.
10:47And now the sun is burning.
10:50I do not give your enthusiasm.
10:53No, I am only happy
10:56that you are not Hadžipi Perović.
10:59What a change.
11:01As I know,
11:03I think that you have always wanted
11:06to be happy
11:07Mr. Hadžipi Perović
11:09and so?
11:09No, no, no.
11:10These are all
11:11evil words.
11:13It is exactly right.
11:14what's that?
11:15But...
11:22it is...
11:23Everka,
11:23where the phone is being?
11:31It's not the case.
11:33It is not the case.
11:33I, it's not the case in school.
11:34it's not how to use the phone.
11:37And why are you doing that?
11:39I don't know how much I can do it.
11:42It's all right, and it's all right.
11:47I pray.
11:53My dear...
11:54...I'm a bitch.
11:56I don't want to.
11:57Why are we wrong?
11:58You've actually been in the midst of this grudstvo that we didn't do it.
12:02Yes.
12:02Without a discussion.
12:04I'm a bitch.
12:07Konstantin.
12:09No.
12:10Kancelaria.
12:12Kancelaria.
12:16Hajde.
12:21Konstantin, kancelaria.
12:24Excuse me.
12:27Excuse me.
12:29I pray.
12:32And where are they with the number of people who are in the midst of this place?
12:38That's why it's hard to reserve.
12:42Because they receive reserves from the number of people in the whole group.
12:50Excuse me.
12:52Just to ask you something.
12:54Who are these people from now that are here?
12:59In this restaurant, we don't leave the identity of our guests.
13:02What do you say?
13:03In this restaurant, we don't have the identity of our guests.
13:05You don't have the identity of our guests.
13:07You don't have the identity of our guests?
13:08No.
13:09If you don't know them, it doesn't mean anything to tell you who they are.
13:13And the description is Eko Irk.
13:16It doesn't mean anything.
13:17Eko Irk.
13:18Wait.
13:21Wait.
13:22Wait.
13:22Which is the European Commission for the development and development?
13:27Yes.
13:28I have already told you before.
13:34Do you feel it?
13:38Yes.
13:39Yes.
13:40I believe that this is not present.
13:43No.
13:44No.
13:44It is confitier, from dehydrated pechorak,
13:49from the perfume, from the sorbet from the tartufa
13:53and from the tranche from the lisičar.
13:55Yes, lisičar, yes.
13:57I think it wasn't removed.
13:58Look at this, you were reserved for 4 people.
14:02There were 2 people.
14:03Are you ready to ask the gastronoms?
14:05No, no, no, no.
14:07I'm going to try it with a pleasure.
14:21Believe me, this is fantastic.
14:24Every time.
14:26So, yes.
14:38This is a fork, so you can cut it.
14:41Good food.
14:44Mmm.
14:46It's really great.
14:49Let's eat the pechorak.
14:53Mmm.
14:57Let's go.
14:58Here.
15:04Yes, I think that all sounds quite normal.
15:08But, of course, we had a panic call from the Vlade,
15:14over the whole night.
15:16Of the Vlade?
15:18Of the Vlade.
15:19Of the Vlade.
15:33Of the Vlade.
15:34Yes.
15:36Yes.
15:37Yes.
15:38Yes, Konstantine,
15:40yes, you talked about the Vlade with Micah,
15:43as an open,
15:45as it was supposed to be?
15:48Yes, yes.
15:53Yes.
15:53Yes, yes.
15:54Yes, yes.
15:55Yes, yes.
16:02the romantic evening.
16:05We talked mostly about you.
16:08I mean, about you and about you.
16:10We're not supposed to...
16:11Can you stop playing with the microphone?
16:15How is the microphone?
16:17The microphone.
16:20It's really a microphone.
16:22Where is the microphone?
16:26What?
16:29Why are you doing this?
16:30How are you doing this?
16:31Yes.
16:34Sit when you tell me.
16:38I have a friend.
16:39I have a friend.
16:40A friend?
16:44Yes.
16:47Those are the people.
16:49That group of people left.
16:51How are they sitting?
16:53How are they dressed?
16:54How are they dressed?
16:56How are they dressed?
16:57How are they dressed?
17:01Yes.
17:04Yeah.
17:11Yes.
17:14Yes.
17:18Yes.
17:20Yes.
17:20One of the things that the company is being opened, is it?
17:23The name of the company is being opened.
17:26Eko Kriki.
17:28Kriki?
17:29Yes.
17:30I don't know how much I'm going to go.
17:32I don't know.
17:34I'm going to go.
17:37I'm going to go.
17:38You're sitting here.
17:39Where are you?
17:40You're sitting next to me.
17:42You're sitting next to me.
17:43You're sitting next to me.
17:53I'm going to go.
17:54I'm going to go.
17:56I'm going to go.
17:58You're a little tricky.
18:00I'm going to go.
18:03Listen to me.
18:04You're a rich man.
18:08You've said to me, I'll get you.
18:13I'm going to go.
18:14I'm going to go.
18:16I'm going to go.
18:17What is this?
18:19What is this?
18:20What is this?
18:21You're a rich man.
18:22You're a rich man.
18:27You're a rich man.
18:30You're a rich man.
18:31How are you?
18:31How are you?
18:32What could I do?
18:33Can I have to do something else before?
18:35You know what is this?
18:37What is this?
18:39What is this?
18:40Listen to me.
18:41You are a good guy.
18:42Where is this guy?
18:44Maybe.
18:44Maybe, maybe one portion of these five pieces?
18:47No, no, no, no!
18:50Two!
18:51Three!
18:52For the king!
18:53No, I have to go!
18:54Where will he be when he tells you?
18:56No, I have to go.
18:57My colleague will serve you, I have to meet you with your other day.
19:00I will go and get back to my first place.
19:03I'll go and get back to the evening, you're on the stage.
19:05We couldn't risk it.
19:07We have some other conference.
19:09That's a queer.
19:11Is it possible for you to participate?
19:15I've always been surprised by the artists,
19:18those public speakers, operative speakers,
19:21that I don't speak.
19:22I wouldn't be able to do that.
19:24No, no.
19:25I'm very afraid of the public participation.
19:29There are millions of people.
19:31I need something to sing.
19:32I don't have that capacity.
19:34I often like to sing and to write songs,
19:37but I've never said that.
19:42What?
19:44What did you say?
19:46No.
19:47I'm talking about Konobaru.
19:51Good evening, ladies and gentlemen.
19:53And, of course,
19:55the guests of the delegation of Eko Irka.
19:58It's a great pleasure to be your guest.
20:00Ha SENG make up!
20:01Bravo!
20:03Bravo!
20:04Bravo, Konobaru!
20:05Bravo!
20:10Bravo!
20:12Bravo!
20:12See,
20:13at a time,
20:15it became such a...
20:17thing like Tierkizan.
20:19Tierkizan?
20:19It was a lot of beautiful menheutages.
20:21Then, the whole room hvad a mass Россией
20:24It was like a long line. It was a lot of fun.
20:31And then, I remember, Konobar said...
20:37Mr. Hadži Biberović is not here, he is being praised for me.
20:41Thank you very much.
20:44I just want to say something...
20:47Mr. Hadži Biberović is an amazing figure, my great mentor,
20:52and an inspiration that does not look at me.
20:55In other words, we were connected through work, through work.
21:00Wait a minute.
21:01I'm going to give him emotion.
21:03Sorry, just to say...
21:05Do you listen to me? Sorry, please.
21:08And such a crowd of people serves a solistic concert.
21:13You know, I'm playing in a free time,
21:16so I made a song for him called Hadži Biberović.
21:21Can we start?
21:22Wait a minute.
21:24That's it!
21:25That's it!
21:25That's it!
21:25Thank you very much.
21:26Come on, maestro.
21:28Come on.
21:29Let's go.
21:31Hadži Biberović.
21:34Hadži Biberović.
21:47Hadži Biberović.
21:51Hadži Biberović.
21:53Hadži Biberović.
21:54Hadži Biberović.
21:57Hadži Biberović.
21:59Hadži Biberović.
22:00Hadži Biberović.
22:01Hadži Biberović.
22:02Hadži Biberović.
22:03Hadži Biberović.
22:04Hadži Biberović.
22:05Hadži Biberović.
22:07Hadži Biberović.
22:08Hadži Biberović.
22:10Hadži Biberović.
22:11Hadži Biberović.
22:12Hadži Biberović.
22:12Hadži Biberović.
22:13Hadži Biberović.
22:14Hadži Biberović.
22:15Hadži Biberović.
22:16I'm not a guest, I'm a struker.
22:21Konstantin Maksimović, architect and estrader.
22:26I just wanted to send something to these from Eko-Irka.
22:32Viktorija, I'm going to ask you,
22:35what you didn't receive us,
22:37what you didn't receive us,
22:40we ask you,
22:42and that with the song.
22:49Let's go, Mico!
22:56Let's go, Belgrade!
22:58Sing!
23:13Let's go, baby!
23:15Baby!
23:17Baby!
23:18Baby!
23:20Baby!
23:22Baby!
23:23Baby!
23:24Baby!
23:26Baby!
23:28I can tell you that it sounded a lot better in Sinos.
23:32What do you say?
23:37Honestly.
23:38Honestly, it's not so bad.
23:42I think that it's bad.
23:44As a singer, you have a better future.
23:48As an architect, again after such a transition
23:52to the European Commission.
23:53Okay, thank you very much.
23:55I really appreciate your thoughts because you are a musician.
24:00You know, you are a good musician.
24:02You are a good musician.
24:03Thank you very much.
24:05Thank you very much.
24:06Do you have a question?
24:07Do you have something concretely talked about?
24:11Concretely?
24:15We've already talked about the danger.
24:21You are a good musician.
24:22But until then it was nice.
24:24Then the government came from Kembona.
24:27There was a car.
24:27That's all.
24:28And then we came home.
24:31We came home.
24:33That's all.
24:43That's all.
24:44Good morning.
24:45Mr. Hadži Biberović.
24:46Good morning.
24:47I am Konstantin Maksimovic.
24:48Please open your door.
24:49When I ask you, just open your door.
24:51Open your door.
24:53Open your door.
24:54Open your door.
24:54Open your door.
24:55Open your door.
24:55Open your door.
24:56I want to apologize for everything I've done.
24:59I want to say that I'm a driver.
25:01I want to say that I'm a driver.
25:01Maybe I don't know what I should say.
25:03I want to express my emotions.
25:08Me neither.
25:13Me neither should I do at all hollandjivy.
25:14Only you or me, Mr. Hadži Biberović.
25:18Not me.
25:19No, no, no!
25:22Don't do this. Don't do this.
25:25What do you want to do?
25:26I won't be able to live.
25:28If I don't forgive the man Kajibiberović for the damage I have given him before the EU Commission.
25:36Let's go back and take him.
25:39Konstantin!
25:40Kajibiberović!
25:44Kajibiberović!
25:48Kajibiberović!
25:48I didn't say to him personally, but on the phone.
25:51I want to look at him.
25:52I want to tell him that you are sorry.
25:54Mr. Kajibiberović!
25:56Konstantin!
25:56Come on, please!
25:57No, people!
25:59Konstantin!
25:59Konstantin!
26:00Konstantin!
26:03Kajibiberović!
26:04I want to do this whole life with you!
26:06You are my son!
26:09I am your son!
26:10We are a son!
26:12I love you very much!
26:14I don't hear me!
26:15I know that Konstantin and Kajibiberović are so close.
26:18Mr. Kajibiberović, I don't have anyone!
26:21I don't care about you!
26:23I don't care about you!
26:25I'm going to go up!
26:25Not me!
26:29Konstantin!
26:30I pray, please!
26:30Please, calm down!
26:31Maybe there's a camera!
26:32I will shoot everything!
26:33What if there's a camera?
26:35I won't go to the day.
26:37No, he won't go to the day.
26:38He won't go to the police.
26:39No, he won't go to the microphone!
26:40I won't go to the microphone!
26:41I won't go to the microphone!
26:42I won't go!
26:42I won't go!
26:45The police!
26:47Let's go, follow me!
26:49I won't go!
26:49No, I won't go to that relationship Não Nephić!
26:52No!
26:52That's what I will remain.
26:53Takos!
26:54Let's go go!
26:56Let's go, Mr. Kheribiberović!
26:58Jingle night!
27:00Jingle night!
27:02Pull me in the flula!
27:05You're there it!
27:07The other flula!
27:08The other flula?!
27:09The other flula!
27:10boundaries us!
27:10Come on!
27:11Why mum are daughters, or mother?
27:13What's up, Mama?
27:23Hurry, hurry, hurry! I'll wait for more seconds. I'll wait for a minute.
27:27That's right, that's right. I'll tell you what Konstantin said.
27:35Who are we here?
27:37My brother, you are.
27:39What, Serki, my brother?
27:42Serki, my brother, you had to think about it before you went there and did not allow for work.
27:50I see, Serki.
27:56Serki, are you maybe in contact with Hadži Biberović?
28:02Hadži Biberović?
28:04Yes, yes. He contacted me from the dispatcher.
28:08He told me to dispatcher.
28:11What?
28:12What?
28:13No, no, no.
28:13He told me to call me, and I tell him something to say to him in four eyes.
28:20This way.
28:22What are you doing?
28:23Make, make, make, make, make.
28:30I say to him, and the people.
28:33So, stay here.
28:34I tell him, Mr. Kuna 보�orain, Mrs. Kuna.
28:36Hello, Mr. Kuna.
28:38No, look at her.
28:39You were able to call her Baroness.
28:41You and me.
28:47What about you, Mr. Kuna?
28:49And this guy, Mr. Kuna?
28:53And that he has to go out.
28:57What?
28:59That he has to go out to see everything.
29:02See everything.
29:04See everything.
29:05See everything.
29:07See everything.
29:11And you are the most famous here.
29:14You will learn how you should.
29:17Where are you?
29:20In the restaurant.
29:21In which restaurant?
29:23In the cafeteria.
29:24In the cafeteria.
29:24In the cafeteria.
29:26Okay, I know in the cafeteria where everything is happening.
29:29What is this?
29:30Hey, hey.
29:31They have excellent pecs.
29:33You have to try them.
29:35Pecs.
29:36Pecs.
29:37Pecs.
29:38No.
29:39No, listen.
29:40Let me ask you.
29:42Can you let us this time?
29:44Let us see if you have a little problem.
29:45If you have a little problem.
29:47Yes.
29:48With my hands.
29:48Yes.
29:49Yes.
29:49I will move you a little bit.
29:51Yes.
29:52I know what I am here.
29:54Wow.
29:57Wow.
29:57Well, people, no.
29:59No, no, no.
29:59Wait.
30:00I know what I am here, no.
30:02You're a nice man.
30:04You know how you're a nice man?
30:05You're just like that. You're all like a Turkish.
30:08Turkish, the same as the king.
30:11I don't have a rezedo anymore.
30:12Maybe it's a rezedo, then you go to the beach.
30:17Okay, brother.
30:18These are all over the place.
30:21Listen, this is my advice. This is a friend's advice.
30:27So, drive home straight to Trežnje. I didn't see anything.
30:31Wait a minute, what a Trežnje.
30:35I've never been in Trežnje.
30:37You've never been in Trežnje.
30:40Let's go, let's go. Thank you.
30:42Thank you, let's go, let's go.
30:43Hello, Serki!
30:44I can't sleep.
30:52See, all the lights are lit in the house.
30:56In that house, the light is lit in the house.
30:59There's no one who's sleeping there.
31:00In the little Goksija.
31:01In the little Goksija.
31:01I'm just kidding.
31:04Goksija!
31:05In the little Goksija, there's always lit in the light.
31:09There's no sleeping.
31:10I'm sure everyone is not sleeping.
31:13You know me.
31:14I'm sure I know you.
31:16Then you know Salsu.
31:18I don't know Salsu.
31:26I don't know.
31:27I'm sure, Barbara and Jasne are super friends.
31:31They are friends.
31:33What?
31:34What?
31:35Yes, it's true.
31:35Yes, it's true that Barbara is together with her.
31:38Yelly, what are you saying?
31:43I don't want to say, the old people.
31:47Okay, people.
31:49Okay.
31:50Are we sure to come to your house now and sit here in the car?
31:54Let's go and not wait for the street?
31:56Come on, come here!
31:58Why not?
32:00Why not?
32:02Why not?
32:03Why not?
32:04Why not?
32:04I can't hear it. I can't hear it. I don't like it! I want to hear it in the public.
32:09Come on! Come on! Come on! Come on! Come on!
32:12We can't do it!
32:16Grifin' I'm.
32:17We're all right!
32:19We're all right!
32:20It's a wrong thing, but it's a wrong thing.
32:33Let's go, one, and the other.
32:38Do you know that between a million pahuljica there is one
32:43that is rare and unique between all the other pahuljica.
32:49Yes, then we have to find one of a million pahuljica.
33:00If we have a house, we have to find one of a million pahuljica.
33:08Because it is one of the very important pahuljica, a million pahuljica.
33:14We have to find one because it is very important.
33:21Then we are going to ask if we don't find one million pahuljica,
33:28and we have the way with these pahuljic.
33:31I will never forget this one, one, and the only pahuljica
33:39between all the pahuljica.
33:42There is no one.
33:49We have to find one of a million pahuljica.
34:05We have to find one for an infinite period.
34:09a certain period of a例ique of a pahuljica.
34:11A reality of a different period of chocolate pahuljica.
34:13That doesn't make me swear.
34:15That one, you like it?
34:17cette完全 Literally.
34:18...C pianin?
34:20wie cette...
34:20I think that's something we saw!
34:31What if we were going to share?
34:31Wait, Verka, someone said to me to open this kitchen with chocolate and cookies.
34:37She said to me to think about it.
34:39Do you know?
34:40Let me see what it is.
34:45Knitle!
34:46I know!
34:49He said that the children are in the house with Barbara,
34:52and she was able to take it.
34:53She's very good.
34:57So Barbara is the children.
35:02It means that we are the children of Barbara.
35:05We?
35:06Yes.
35:07Yes.
35:08Yes.
35:09Yes.
35:11Yes.
35:12Vlada nije rekao
35:14that Barbara is the best friends.
35:19Yes.
35:22Yes.
35:27We are going to be mudd.
35:30We are going to be mudd.
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