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00:08Good morning, man.
00:18How good was Blaron?
00:20I told you.
00:22Carolyn, I need the updated book for the Melancho.
00:25Working on it.
00:25Okay, bring it to my desk.
00:27Good morning, guys.
00:45Well, can you call her Moscow rep?
00:47She can't close the show for us from Russia.
00:49Hi, I'm her assistant.
00:50She doesn't want the flowers.
00:51Will you take them back?
00:52No, she told me at the casting there were no problems with her visa.
00:57Never going to get it, never going to get it, never going to get it, never going to get it,
01:03never going to get it, never going to get it, never going to get it, never going to get it,
01:09never going to get it, never going to get it, never going to get it, never going to get it,
01:15never going to get it, never going to get it.
01:27It's chic.
01:30We would obviously be featuring A-list celebrities.
01:33And think of The Access.
01:35I mean, John's just about the only person on the planet
01:37who could pick up the phone and call anyone from Saddam Hussein to Heather Locklear.
01:42I don't know about that.
01:43Maybe even Daryl Hannah.
01:46Huh? Yeah?
01:47Looked pretty good as a mermaid.
01:48Maybe we could put her in a sexy Salem witch outfit.
01:53That would bring some ad dollars.
01:54So you can see it then, right?
01:57All the fun and innovative ways that we could market this.
02:00I mean, the options in Rolodex are endless.
02:05Look, it's one thing for people to be sitting at home,
02:07watching the news, reading the paper,
02:09but I just don't see a world in which they're going out of their way
02:12to buy a magazine about politics.
02:14But that's because politics has always been presented the same way,
02:17which is just a bunch of old guys falling asleep on C-SPAN.
02:21I genuinely believe that with the right marketing,
02:24we can get people as engaged with politics as they are pop culture or the NFL.
02:32Where are you in all this?
02:33I mean, let's be honest here.
02:35That's the real selling point.
02:37If you did this magazine like Martha Stewart Living,
02:40you put yourself on every cover,
02:41that's a different story.
02:43And some free advice from people actually in the business?
02:46Your brand's only as strong as its name.
02:49Calling the magazine George after George Washington
02:52makes it feel like homework.
02:55I'm going to do another Malbec.
02:57Oh, there she is.
02:59My wife was in the neighborhood.
03:00They told her to pop by.
03:01Hope that's all right.
03:04In the neighborhood.
03:05They live in Rye.
03:07You know, it was just so obvious that these guys
03:09had already made up their minds
03:10before they even stepped foot in the restaurant.
03:12Like, why waste everybody's time?
03:13Because they want to be seen having lunch with you.
03:16You could have pitched them a magazine about hot dogs
03:19and they would have taken the meeting.
03:20And a part of you has to be okay with that
03:22because, no offense,
03:24this magazine does not come to fruition
03:26without your celebrity.
03:28Oh, really?
03:28I haven't heard.
03:29Look, I get it.
03:31You want to be taken seriously.
03:33You want to make your mark for you.
03:36Before what?
03:38I hadn't thought that far ahead.
03:40That's all you think about.
03:41That's why you never know where anything is.
03:43It's just the hand cream of the silk.
03:45You know, I just want to create something of my own.
03:47From the ground up.
03:48I just think that if anyone can bridge the divide
03:51between politics and pop culture, it's me.
03:53Well, speaking of things coming together,
03:58you're not proposing, are you?
03:59What?
04:00To Daryl?
04:02I forgot I have to be more specific
04:04when it comes to your love life.
04:05Daryl was seen buying a wedding dress
04:08in a thrift shop in Santa Monica.
04:10I just thought it seemed weirdly specific.
04:16You know, you're supposed to be a refuge
04:17from all this noise and...
04:19Oh, my God.
04:19I'm sorry.
04:20I didn't know that was my role.
04:21Fuck off.
04:22No, no, no, please.
04:22Let me try again.
04:23Mr. Kennedy,
04:25I have your sister on the phone
04:26from Cornell Hospital.
04:33Calvin has to push the meeting with Creative to two.
04:35Apparently, there's some kind of emergency.
04:42Do you think you should be reading tablets
04:44while you're at work?
04:45It's people.
04:46Honey, I know you don't care,
04:48but my astrologer did see John and Daryl
04:50fighting at a Halloween store in the village,
04:52like, screaming at each other.
04:54And she also said they're both Sagittarius's,
04:56which is like, Jesus, take the wheel.
04:57Yeah, well, I'm a Capricorn,
04:59so we probably wouldn't have feared much better.
05:00Also, maybe it's people like your astrologer
05:02peddling gossip about them that's a problem.
05:05Maybe if people left them alone, they'd thrive.
05:08You know, I know you're trying to take the high road,
05:10but I don't want to.
05:13Is that the press pocket?
05:13Yeah.
05:14I love having to compile favorable press clippings
05:17from each beak in order to justify the entirety
05:19of the publicity department.
05:21I know he increased your clothing allowance
05:22when he got that promotion.
05:24I do not feel bad for you.
05:25Black paper clips.
05:27I couldn't find any.
05:28There's a Staples on 57th and 3rd.
05:31Serious?
05:31He's fired people for a whole lot less,
05:33and I would rather not lose you as an assistant.
05:35Okay, let's scrap this.
05:38He hates full body shots.
05:39He thinks he has chicken legs.
05:40And let's ditch the New York Magazine piece.
05:42He doesn't like being a bear to rob.
05:43Lauren?
05:44No, Macchio.
05:47A karate kid?
05:50You know what my dad told your father
05:52before we got married?
05:53Keep her riding, and she'll always be in a good mood.
05:56See, I wish we would have known that.
05:58We would have installed a rider in your apartment.
06:01Still, I recommend you stay on two feet for a while.
06:04You said you had a headache
06:05before you were thrown from the horse.
06:06Were you experiencing any other symptoms?
06:08No, I was just tired.
06:10I didn't have much of an appetite,
06:12so I didn't eat breakfast,
06:13which is probably where all of this started in the first place.
06:16And as far as lifestyle?
06:18I'm as healthy as can be.
06:19I don't eat sweets.
06:21I exercise every day, sometimes twice a day.
06:24Mom.
06:25She smokes.
06:25This is just retribution for making her meet with a nutritionist during recess.
06:30Yes.
06:30Thank you again for neutralizing my sweet tooth.
06:32That's such a young and impressionable age.
06:34We'll need to keep you overnight.
06:35As a precaution, monitor your vitals.
06:38No, thank you.
06:38I will not sleep a wink in this place,
06:40and what I need is a good night's rest.
06:44If you do insist on leaving,
06:45you'll need to sign discharge papers
06:47stating that you left against the medical...
06:49I've spent my fair share of time in hospitals.
06:51I know how it works.
06:53Of course.
06:54I'll be back to check on you in a bit.
06:57Thank you, Dr. Moore.
07:05Why don't you or Maury say to the cafeteria,
07:07I'd love a cup of tea.
07:09You think that'll be enough time
07:10for him to relay all your reservations about the magazine?
07:15Why don't you and I go get some tea?
07:17I miss the fireworks.
07:20Please try to maintain inside voices.
07:30Well, I'm just trying to understand
07:31why you'd want to join the ranks of an industry
07:33that's profited off our family's misfortune for years.
07:38Generations, actually.
07:39Why is it any different from you working at Doubleday
07:41or Caroline writing books?
07:42Those are genuine interests of us
07:44that we've cultivated over years.
07:46And this idea seemingly out of nowhere.
07:49And you finally pass the bar exam.
07:52I mean, I just think you should...
07:53Dad wanted to be a journalist.
07:54I mean, before Grandpa roped him into politics.
07:58Is that what all this is about?
08:00Wanting to feel closer to your dad?
08:02I come here.
08:05No.
08:06I'm just saying that, like,
08:08my interest isn't entirely out of nowhere.
08:11If Caroline wanted to start a magazine,
08:13no one would bat an eye at it.
08:15I'm just...
08:16I can't stand by waiting for my life to start.
08:20I'm 33 years old.
08:21When Dad was my age,
08:22he was a father,
08:23a best-selling author,
08:25a congressman,
08:26and a war hero.
08:26Yeah.
08:28It's like you said,
08:29he didn't really have a choice.
08:31And I can tell you,
08:33success isn't all that triumphant
08:35when it's expected of you.
08:43Now, will you please break me out of this place?
08:47The brawl culminated in blows being exchanged.
08:51Marky Mark was said to have punched
08:53maverick record-labeled talent scout
08:55Guy Ossiri.
08:57The fight spilled off onto the streets,
08:58but was eventually broken up
09:00by party or...
09:01Who picks a fight with Madonna?
09:03Well, he also allegedly called a member
09:06of her entourage a homophobic slur.
09:08Well, wait a sec.
09:09He only called the guy a homo.
09:12I'm just saying,
09:13I think we all assumed he meant faggot.
09:16Yeah, he's practically Harvey Milk.
09:18All right, settle down.
09:19You know what I meant.
09:19He's a loudmouth rapper from Boston.
09:22People don't give a shit
09:23if he's politically correct or not.
09:25And therefore, neither should we?
09:26That's a hell of a mission scene, man.
09:29The campaign is a cultural phenomenon,
09:31and we're just getting out of the red.
09:33I don't think we can afford
09:34to kick him out of bed
09:35over a drunken indiscretion.
09:37Careful there, Todd.
09:37You're sounding a little guy.
09:38It might not be our call.
09:40According to his team,
09:42Mark feels the underwear campaign
09:43has overshadowed his burgeoning rap career.
09:48I didn't realize Marky Mark
09:50and the funky bunch
09:51were plodding global domination.
09:53They also said that
09:55he doesn't like all the attention
09:57that the campaign has brought him
09:58from gay men.
10:01Are you kidding me?
10:02I mean, he did everything
10:03short of dry-humping the runway
10:05at the L.A. show.
10:06What, did he think all those men
10:07in the crowd were just huge fans
10:08of shitty hip-hop?
10:09Well, the partnership
10:10has clearly become untenable,
10:13so we need to replace him
10:16quickly and seamlessly.
10:17And let's also issue a statement
10:18condemning his bullshit.
10:21Will you be issuing
10:23that statement personally, or...?
10:27No.
10:31So who do we like to replace him?
10:34We have Brad Pitt,
10:36Jason Priestley, Keanu Reeves...
10:38No, no, no, no, no, no, no, no, no, no, no, no.
10:41I don't want to get involved
10:43with another established celebrity.
10:44I want someone
10:45who our customers
10:47can bestow their fantasies onto.
10:50I want a fresh face
10:52that will instantly ingrain itself
10:54into the public consciousness.
10:56You pluck Kate Moss
10:58from obscurity.
10:59If anyone can convince a star,
11:02it's you.
11:06You catch that little dig?
11:08He knows full well
11:10that I know that fought for Kate.
11:11He'll be compared to a teenage boy.
11:12I know,
11:13but you can't let him rattle you.
11:15In fact,
11:15I think it probably turns him home.
11:16Telling you to settle down,
11:17go fuck yourself.
11:18Can you imagine
11:19if Kate called someone
11:20a faggot and assaulted,
11:21then she'd be crucified?
11:22That, or young girls everywhere
11:24would be committing hate crimes.
11:26Anyway, I'll see you tonight.
11:27Yes, I'll be peddling your book
11:29like my life depends on it.
11:31I'm going to have to go smuggle
11:32a model out of Moscow.
11:33Ah, you're doing God's work.
11:35Amen.
11:40Welcome to Heart of the City.
11:42I'm John Kennedy.
11:43Clean air,
11:44less traffic,
11:45adequate housing.
11:46Those are some of the things
11:47that New Yorkers only dream about.
11:49But some New Yorkers
11:50aren't all about...
11:50Get the fuck out of the way, asshole!
11:53Cut!
11:55Let's take five, everybody.
11:57Get out of the street!
12:01Sorry about that, John.
12:02Sure you don't want to use that?
12:03You are highlighting
12:04the wonders of the city.
12:05You're doing great, by the way.
12:06Really?
12:07I feel like I'm in my head.
12:08I don't know.
12:09I'm going to tell you.
12:11Okay, guys.
12:12On to the next door.
12:13Hey, superstar!
12:16What are you doing here?
12:18The table where you got postponed,
12:19so I thought I could see you in action.
12:21Well, I don't know
12:21how entertained you're going to be.
12:24Oh, I love that.
12:25I get to be the one
12:25behind the camera for once.
12:28Excuse me.
12:29Can I get you anything, Miss Hannah?
12:32Coffee or tea?
12:33I'd love some candy, actually.
12:35Anything sour.
12:36Huge fan.
12:39Is this the whole crew?
12:42Yeah, we're just shooting
12:43a thing for PBS.
12:44I love it.
12:44It reminds me of my early days
12:46doing guerrilla shoots
12:47and no permit.
12:48The sound guy's also doing the lighting.
12:49It's what real filmmaking
12:51should feel like.
12:52Community.
12:55What are you writing?
12:57Hi, I'm just tinkering
12:58with the script.
12:59Can I hear it?
13:00Well, it's not like a monologue
13:02or anything.
13:02I'm just talking about the city.
13:04I know, but you're still
13:05on camera delivering lines.
13:07You still have to emote.
13:09Fine.
13:13You mad at me or something?
13:15No.
13:16No.
13:16I'm just trying to focus.
13:18I just thought you might want
13:19my input since I'm an actual actor.
13:21What the fuck?
13:24Yeah?
13:25Did they follow you here?
13:27No.
13:28Maybe it was the giant film crew
13:29that tipped them off.
13:30You just said how small it was.
13:32All right, I'm going to go.
13:35I'm sorry, all right?
13:36Yeah.
13:36I'm just trying to focus
13:37and do a good job.
13:38You're incapable of doing a bad one.
13:41Come here.
13:42See you back at home?
13:43Yeah.
13:44I have an event tonight.
13:45It's a work thing.
13:46Tear your hair out,
13:47but I'll see you after.
13:49Maybe, um,
13:50just give them a couple good shots
13:51on your way out.
13:52See what the fuck are.
13:53Okay.
13:57Bye.
14:19If you ever got close to a human
14:23and human behavior
14:28be ready, be ready
14:29to get confused
14:31and me and my head
14:36after my stuff
14:37and it doesn't get through
14:38no logic
14:39to human behavior
14:44so gorgeous.
15:03It's not for me.
15:18No, I was hoping
15:19you wouldn't notice me.
15:22It's hard not to.
15:28This feels like one of those nightmares
15:29when you show up to school
15:30and realize you're naked.
15:31Except you're getting paid.
15:33It's not like everybody else.
15:34People actually want to see you naked.
15:35You should all be so lucky.
15:40Why didn't you tell me
15:41you were working this?
15:43They don't really tell us
15:44what the events are.
15:45They just give us a time
15:46and an address
15:47and a pair of underwear.
15:49Plus, I tried to make it a habit
15:50to call someone
15:50after I left them
15:51like 50 voicemails.
15:52No, I'm sorry.
15:55I am.
15:55Work's been crazy.
15:56No, you know what?
15:57It's fine.
15:58You should go back to the party.
16:00Hey, I'm working too.
16:02Really?
16:02Mm.
16:02Then why don't you
16:03take up all of your clothes
16:04and grab a tray?
16:06For what it's worth,
16:07I think there's about five men
16:08in this city
16:09that can pull up that uniform.
16:11Oh.
16:12Oh.
16:14Oh.
16:15Oh.
16:16Oh.
16:16I'll see you later, yeah?
16:17Yeah.
16:18I want to do it.
16:18Have you seen the book?
16:20You should do this all
16:20by himself.
16:21It has nothing to do with it.
16:23You should do it all by himself.
16:23I have a beer.
16:24I'm looking for you.
16:28You should do it all by himself.
16:32I have nothing to do with it.
16:33You should do it all by himself.
16:48Hi.
16:50Hey.
16:52How are you?
16:53Good.
16:54It's nice to see you.
16:55Yeah, you too.
16:58I didn't realize Kelly
16:59was a photographer as well.
17:02Yeah, you know,
17:02I don't think she actually
17:03took any of the photos.
17:04I think she more curated them.
17:09Sorry, I wanted to come over earlier.
17:10No, it's fine.
17:11I'm sure you have
17:11a lot of hands to shake.
17:16You really know how to make
17:16an entrance, by the way.
17:18Although, I'm not going to lie,
17:19I was sort of hoping it was Prince.
17:20Oh, is Prince supposed
17:22to show tonight?
17:22Do you think Prince RSVPs?
17:25That's a good point.
17:31Did you get my flowers?
17:33Which ones?
17:34Well, you wouldn't call me back.
17:35There wasn't much to say.
17:36It was one day.
17:37I know.
17:38I just, um,
17:40I feel terrible
17:40about how everything transpired.
17:42It's fine.
17:42Multiple bouquets of flowers
17:43to my office.
17:44This was really not necessary.
17:47Did you like him, at least?
17:50Calvin only allows
17:51white orchids in the office
17:52and my apartment's
17:53basically death row
17:53for vegetation.
17:57I just, um,
17:59I can't seem to function
18:00knowing that you hate me.
18:03I don't know you
18:03well enough to hate you.
18:05Daryl and I were not together
18:06when you were married.
18:06Really, you don't have
18:07to do this, seriously.
18:08It's not like you bamboozled me.
18:09I knew what I was signing up for.
18:11Well, what does that mean?
18:12It means there's your world.
18:14And then there's mine
18:16that I inhabit
18:16with everyone else.
18:17Look, I'm gonna...
18:18It was nice to see you.
18:20Enjoy the party.
18:22Wait a second.
18:24Wait a second.
18:44Carolyn.
18:46Carolyn.
18:47John, you have a girlfriend.
18:49Hey, and I don't have to
18:50turn on the TV
18:51or open up a newspaper
18:52to know that you two
18:53are everywhere.
18:53It's like we're all living
18:54in the John and Daryl
18:55front house.
18:56Look, she came back
18:57into my life
18:57in this very weird time
18:59and we have a lot
19:00of history together.
19:00No, you don't...
19:02You don't have to defend
19:03your relationship to me.
19:04I get it.
19:05There's obviously a reason
19:07you two keep finding
19:08your way back to each other.
19:09Plus, she understands
19:10this weird visual
19:11that you live in.
19:12If I were you,
19:13I wouldn't want to
19:14throw that away either.
19:15So let's just be friends.
19:17Whatever stress or guilt
19:18you're feeling,
19:18you're absolved.
19:20I promise.
19:23I just wish I could
19:25explain to you
19:25how even the simplest
19:27things can become
19:28so complicated for me.
19:30How badly I wish
19:31I was someone else
19:32when I met you.
19:37It is what it is.
19:41I'll see you, ma'am.
20:07May I?
20:09Just ask me
20:10for a cigarette.
20:11Oh, absolutely not.
20:13It's disgusting.
20:15You scared your husband
20:16is going to cut you?
20:19Please, look at him.
20:22I swear to God,
20:23they need a program
20:24for the partners
20:25of recovering addicts
20:26on how to cope
20:27with their newfound
20:28sanctimony.
20:29The other day,
20:29he lectured me
20:30on the pitfalls
20:30of a Diet Coke.
20:33I saw you talking
20:34to John earlier.
20:35How was that?
20:37It was fine.
20:38What, do I need
20:39to hang you out the window?
20:40Give me some details.
20:41We're just going
20:42to be friends,
20:43which we should have done
20:44from the beginning.
20:45You don't want
20:46to be his friend.
20:47Either way,
20:48that shit has sailed.
20:49I don't blame him
20:50me stating
20:51a beautiful movie star.
20:52What's not the love?
20:54Well, look,
20:56I love John,
20:57but there's a lot
20:59of trade-offs
20:59being with someone
21:00like that.
21:01I mean,
21:01there's a rush
21:02walking into a room
21:03with someone everyone
21:04wants to talk to,
21:05feeling like,
21:06of all the people
21:07they could have
21:07on their arm,
21:08they chose me.
21:09I must be fascinating,
21:10too.
21:11But at the end
21:12of the day,
21:13they never really
21:14choose you,
21:15you know,
21:17not in the way
21:18that you wish
21:18they would.
21:20Shiny people like that,
21:21they belong
21:22to everyone.
21:24All I'm saying is
21:25it's better
21:27to be adored
21:29than enamored.
21:33I was growing up
21:34as you could imagine
21:35and I, um,
21:37I had some lessons
21:38in the very first lesson
21:40in my life.
21:46Hey!
21:48I'm just grabbing
21:49some more rolling papers.
21:51Do you need anything?
21:59Hey, brother.
22:00How's it going?
22:01I think something's
22:02up with your stove.
22:03I'm just getting,
22:04like, a ton of gas.
22:07Oh, next.
22:10Can we turn off
22:11the stove first?
22:12Right.
22:12Go look now.
22:13I'm fucking
22:14sucked a little up.
22:24Hey.
22:26You're here.
22:27I think you know everyone.
22:28Oh, wait.
22:29This is my friend Chandra
22:30from the retreat
22:30I did in Peru.
22:31She's the one
22:32who knows your cousin Bobby.
22:33How do you know him again?
22:34Uh, I guess,
22:35technically,
22:35Riverkeeper.
22:36Would you guys mind
22:37not?
22:38Oh, sorry.
22:52Well, is it like
22:53a family thing,
22:54the event tonight?
22:55No.
22:56Why?
22:57I just didn't know
22:58if maybe your mom
22:59and sister were there
22:59and that's why
23:00you didn't invite me.
23:01You have to stop
23:02with this narrative
23:03that you're like
23:03persona non grata,
23:04okay?
23:05It's not true.
23:08Babe, you have
23:08Kennedy memorabilia
23:09everywhere.
23:10It's not memorabilia,
23:11Daryl.
23:12These are not
23:13baseball cards.
23:14They're family heirlooms.
23:18Well, can you hang out
23:19for a little?
23:20You've been out all night.
23:21Exactly.
23:22I'm exhausted.
23:23From your work event,
23:24you don't even have
23:25a job right now.
23:30Well, maybe give me
23:31a heads up the next time
23:32you want to have
23:32people over at my place.
23:34Your place?
23:34I live here too, John.
23:36Do you ever notice
23:36how quickly it becomes
23:37your place anytime
23:37anything remotely
23:38inconvenient happens?
23:40Remotely inconvenient?
23:40I don't even know
23:41who half these people are.
23:42Yeah, because you don't
23:43even make an effort
23:43to get to know them.
23:44Oh, I'm sorry.
23:45Why don't we get Chandra
23:46over here and we can
23:46blow some lines off
23:47my dad's inaugural address.
23:54I'm in a crash.
23:56It was nice to see all of you.
24:00Hi.
24:01Should we go?
24:02No, no, stay.
24:03Are you sure?
24:04Yeah, I mean,
24:05she's tired, you know?
24:06No, stay.
24:12That was so rude.
24:14You're right.
24:14Please, apologize
24:15to the coke den
24:16in my living room
24:16for my behavior.
24:17I'm not sleeping here tonight
24:18if you're just gonna act
24:19like a fucking asshole.
24:20Well, apparently,
24:20I won't be sleeping here
24:21tonight either,
24:22so please,
24:22let me know
24:23where you're gonna go.
24:24Why did you want
24:25to get back together again
24:26if you're just gonna
24:27act like this?
24:28You came back to me.
24:29On the condition
24:30of a clean slate
24:31which you agreed to.
24:34And yet,
24:34every time I look at you,
24:35your mind is clearly
24:36someplace else.
24:38All I want is for you
24:39to need me
24:40as much as I need you.
24:42I don't even know
24:43what that means.
24:46That's because you're
24:47repressed, John.
24:48Like, I say this
24:49with love,
24:50but between your lineage
24:50and your heritage,
24:51you're like the poster child
24:53for emotional avoidance.
24:55Between my lineage
24:55and my heritage?
24:57Yes.
24:57Oh my God, this?
24:58This, what we're doing
24:59in front of your friends
25:00right now is exactly
25:01how we end up
25:01on the cover
25:02of People magazine
25:02every week.
25:03Who cares?
25:04I'm trying to talk
25:05to you about real life.
25:06Our relationship
25:07becoming a global punchline
25:08is real life, Dara.
25:09And if you can't see that,
25:10then I don't really know
25:11what to tell you.
25:15I don't really know
25:49how you keep that uniform.
25:52Ow.
25:54That didn't hurt.
25:56Didn't you play football
25:57in high school?
25:59So?
26:01So you're supposed
26:02to be tough.
26:09Why do you always
26:10like to do that?
26:11What, pinch you?
26:12Mm-hmm.
26:13I don't know.
26:13Do I do that often?
26:14Uh, yeah.
26:15I guess I didn't
26:16really notice.
26:18No, that's not,
26:19that's not true.
26:20I, um,
26:23when I was little,
26:25I was playing hide-and-go-seek
26:27with my sister
26:27and her friends
26:28and I was hiding
26:30in this little compartment
26:30in my stepdad's
26:31entertainment unit,
26:32you know,
26:34by the TV
26:34and all of a sudden
26:38I started having
26:39all these really dark thoughts
26:40that something bad
26:41had happened to them.
26:44and I got scared
26:45so I,
26:46I climbed out
26:46and they were all
26:49just sitting there
26:50making puncher bracelets.
26:52Like, they all just,
26:54they all just stopped
26:55looking for me
26:55and no one said anything
26:57and I just,
26:58I lost it.
27:01And I started hyperventilating
27:03and my mom was trying
27:03to calm me down
27:04and she just kept
27:06telling me to pinch her arm.
27:08I think she wanted
27:09to have me focus
27:10on something else.
27:12eventually stopped crying.
27:17Well,
27:18if that was me,
27:20I would have never
27:21stopped looking for you.
27:29I'm gonna get a water.
27:31I can get it for you.
27:32No, no.
27:33It's fine.
27:52You okay?
27:54You okay?
28:11John,
28:12tell me what it was
28:13about Governor Florio
28:14and his record
28:15that seemed to
28:15resulted in his
28:16winning the award this year.
28:18Well, for this year
28:19the award was given
28:20on the basis of
28:21the Governor's
28:21stand on gun...
28:23Yep.
28:29What?
28:32What if we did
28:33a little shopping?
28:37So, uh,
28:39are we allowed
28:39to be in here
28:40on the weekends?
28:43No, I'm serious.
28:45What happens
28:45if somebody
28:46walks through that door
28:46then what are we
28:47gonna do?
28:47Uh, we split up
28:49and run like hell.
28:52What shoe size
28:52are you eating?
28:5513?
28:57Yeah.
29:00Why are you
29:00doing this for me?
29:02Hmm?
29:03Because you're
29:03a good person
29:04and you deserve
29:05more than you
29:05think you do.
29:11Plus, you gotta
29:12dress the part
29:12you want
29:12not the part
29:13you have,
29:13right?
29:15I still know
29:16a few of their moves.
29:20Oh, Jesus.
29:23Don't act like
29:24you're not impressed.
29:27That's the opposite
29:28of an aphrodisiac.
29:29I don't know.
29:30What is it?
29:33Come on.
29:54I read in the trade
29:55you're gonna be
29:56working with
29:57Ann-Margaret?
30:00Yeah.
30:01How cool.
30:09Your mother
30:10isn't feeling well.
30:12She'll be taking
30:13dinner in her room
30:14but she sends
30:16her regrets.
30:25John.
30:26John.
30:28John.
30:29John.
30:42Daryl.
30:45Daryl.
30:49Have you ever
30:50asked yourself
30:50why your mother
30:51doesn't like me?
30:52She does like you.
30:53Why she might have
30:54a tainted perception
30:55towards famous
30:56blonde actresses
30:57and take Freud
30:58to connect the dots.
30:59Are you really
30:59going to do this now?
31:00She wants you
31:01to shoot her.
31:02She wants you
31:03to find your Jackie
31:04not...
31:05You barely even know her.
31:07And whose fault
31:07is that?
31:12Daryl.
31:15Daryl, come on.
31:30Thank you,
31:31Yergi.
31:36Is she gone yet?
31:46What are you doing?
31:47I can't stick around
31:48anymore hoping
31:49you're to change
31:50or start to give a shit.
31:51Give a shit?
31:52What do you think
31:52I'm doing here?
31:53It's not enough
31:54to just show up,
31:55John.
31:55You have to actually
31:56be with me
31:57when we're together.
32:02What is it
32:03that you're waiting for?
32:05What is it
32:05that I haven't
32:06proved to you yet?
32:08No one is going
32:09to love you
32:10the way that
32:10I love you,
32:11John.
32:12Okay?
32:12No one is going
32:13to be able
32:14to put up
32:14with all the cameras
32:15and the tabloids
32:17and your family.
32:18And I mean,
32:19say what you will,
32:20but there's a reason
32:20the public
32:21is so invested in us.
32:22It's because they know
32:23we have something
32:24worth paying attention to.
32:26You know,
32:27we've talked about
32:28how I feel like
32:28work has been
32:29kind of drying up
32:30for me.
32:32Maybe that's just
32:33the universe
32:34making space for us
32:35for me to be more
32:36to you in this
32:37next chapter
32:37of your life.
32:41Are you even
32:42still in love
32:43with me?
32:45Of course
32:46I love you.
32:55I'm done.
32:57Because I won't
32:58accept your marriage
32:59proposal when we're
32:59at each other's throats?
33:01This has been
33:01five years,
33:02John.
33:02If you wanted
33:03to marry me,
33:04you would have.
33:04If you really
33:04believed that,
33:05why'd your friends
33:06tell the press
33:06our engagement
33:07was imminent?
33:07What are you
33:08talking about?
33:09The convenient
33:09details of your
33:10wedding dress?
33:11What, did you think
33:12you could get
33:12through to me
33:13via the tabloids?
33:14See, this
33:15is where your
33:16family is fucked
33:17with your head.
33:18Not everything
33:19is a ploy,
33:20John,
33:20or an angle,
33:21or some machination
33:22of the Kennedy
33:23court.
33:30Where are you
33:30going?
33:32back to L.A.
33:35I don't want
33:35you to leave.
33:36I want to work
33:36through this.
33:40We'll be back
33:40in a few days.
33:42What, are you
33:42just going to leave
33:43them?
33:47You need to ask
33:48yourself what it is
33:49you really want.
33:50Not your family,
33:52not what you
33:52think people want,
33:54what you want.
34:06Can you confirm
34:08he's been submitted?
34:08It's the biggest
34:09modeling campaign
34:10in the world.
34:11My dad...
34:12Okay, just, um,
34:13do me a favor
34:14and flag his
34:15headshot for Calvin.
34:15Wow, really done a
34:17180 on this
34:17relationship, huh?
34:19I just think
34:20you'd be right for it.
34:20I mean,
34:21you said it yourself,
34:22he's gorgeous.
34:23Oh,
34:24this is just
34:25strictly professional.
34:26Jules.
34:27What are you doing
34:28with this guy?
34:35You look very
34:36familiar.
34:37Where would I
34:38know you from?
34:40Uh,
34:43I'm not sure.
34:52Wow, looks like
34:53you have quite a few
34:54notes there.
34:55Hi.
34:56Hi.
34:57Oh, some of them
34:58are just...
34:58words of encouragement.
35:00Hmm.
35:01I don't recall
35:01getting any of those
35:02when you gave me
35:03notes on my book.
35:04That's because
35:05praise makes you
35:05horribly uncomfortable.
35:11Have you
35:12ever thought
35:13about writing one?
35:13A memoir?
35:16No.
35:17Absolutely not.
35:19Well, don't you
35:19tell the authors
35:20you work with
35:20it's an opportunity
35:22to make sense
35:23of the past
35:24and reclaim
35:25the narrative?
35:26Some of them,
35:27yes,
35:27but not everyone's
35:29past should be
35:30revisited.
35:32Do you ever think
35:32about what your life
35:33might have looked like
35:34if you married
35:34somebody else?
35:36I did marry
35:37somebody else.
35:38I know,
35:38you still have
35:39his last name.
35:41I wasn't talking
35:42about Ari.
35:44You know,
35:45you never called him
35:46that until after
35:47he died.
35:48Our entire marriage,
35:49you refused to call
35:50him anything other
35:51than Mr. Onassis.
35:53I already had a father
35:54who didn't parade us
35:55around the Greek islands
35:56like he won us
35:57at an auction.
35:58That was because
35:58I think we needed it.
36:00Whether you or
36:01the rest of the world
36:02liked it or not.
36:04Do you ever think about
36:05what if you had married
36:06somebody other than Dad?
36:08Just lived a normal life?
36:10I think we both know
36:11if anyone had offered me
36:12anything normal,
36:14I would have been
36:14bored to death.
36:16Even knowing
36:17what you know now
36:19about some of the
36:20choices he made.
36:26All relationships
36:27have their disappointments.
36:30It's just a matter
36:31of how you're let down.
36:34What, you don't think
36:35your relationship
36:36has drawbacks?
36:38No, I don't.
36:40You might,
36:41but I didn't need
36:41the same things
36:42that you did.
36:43I've been nothing
36:43but supportive
36:44of your relationship.
36:45You acquiesced
36:46to my relationship.
36:47What?
36:48That was because
36:49I wanted to make sure
36:50you were marrying
36:50for the right reason.
36:53What possible
36:54ulterior motive
36:55could I have had
36:55marrying Ed?
36:57Well, exactly.
36:58You made a stable choice.
37:01God forbid I choose
37:02a man I could
37:03actually depend on.
37:05At any rate,
37:06your brother,
37:08he was more overt
37:10at pressing my buttons,
37:11but you,
37:13you weren't exactly
37:15an apple polisher.
37:17not everything we do
37:18is in reaction to you.
37:19The same way
37:20your varied love life
37:21wasn't only a reaction
37:22to your mother.
37:26At the end of the day,
37:27your wounds
37:28informed your choices
37:29just as mine did.
37:31And once I realized
37:32that Ed was
37:33the right one for you,
37:34I shut my mouth,
37:37didn't I?
37:37I think you failed
37:39to contextualize
37:40who I was raised by.
37:42I mean,
37:43you know your grandmother,
37:45but you don't know
37:45my mother.
37:46Her only dream for me
37:48was to become
37:50the most beautiful accessory
37:52to the most coveted man.
37:54And I think,
37:55well, I think
37:56I exceeded
37:57those expectations.
38:05But I do realize
38:06that I've
38:09might have gone about it
38:10in the wrong way
38:11at times.
38:15But I did have
38:16your best interests
38:17in mind, sweetheart.
38:20I know.
38:24Do you?
38:28I know, Mom.
38:36I do need notes
38:37on my latest draft,
38:38by the way.
38:57Delivery guy,
38:58I didn't want them.
39:01White orchids.
39:07Hi.
39:08Hey.
39:09We're still good for lunch?
39:10Yeah.
39:12No, I'm starting.
39:15Those can stay on my desk.
39:21Come on, Ed.
39:22Come, this way.
39:23Can I get your autograph?
39:24Oh, um, sure.
39:27Thanks, John.
39:28Hank.
39:29You won't.
39:30Hank!
39:30Hank!
39:32Hank!
39:33Hank!
39:35Hank!
39:43I'm so sorry.
39:45I do.
39:46I understand.
39:48I...
39:51I'm on the next flight out.
39:54Well, I had to...
39:55wait for the ashes.
39:58All right.
39:59Listen, my car's downstairs,
40:00okay?
40:01I'll see you soon.
40:04I'll see you soon.
40:10I'll see you soon.
40:22I'll see you soon.
40:24It's mommy.
40:26Well, I just...
40:28I'm checking in to see...
40:31Well, I haven't...
40:33spoken to you since you left so abruptly the other night.
40:39Anyways...
40:40Call me.
40:42All right?
40:44Very good.
40:46Bye.
40:49All right.
40:49It'll take a little time.
40:51Might take a little cry.
40:54To come undone.
40:57Now we'll try to stay blind.
41:01To the hope and fear outside
41:07Hey child, stay wilder than the wind
41:14And blow me into a cry
41:19Who do you need, who do you love
41:26When you come undone
41:31Who do you need, who do you love
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