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00:00The Lion King.
00:00I think it's the perfect film.
00:02She's a film with Kristen Stewart.
00:04She's playing my girl in Panic Room.
00:06I don't really want to be actress.
00:08Team America.
00:08I've never heard of a rire.
00:10That's why I wanted to put her in the scene.
00:12Like everyone, I thought to do cinema
00:14was not what I wanted to do in my life,
00:16because it was a bit weird.
00:17I think that every person in the world
00:19should watch this film.
00:20My mother almost every day,
00:21she was in the cinema.
00:22Especially French films,
00:23because she wanted to improve my French.
00:54Andinoulipation
00:54Welcome to The Video Club.
00:56It's...
00:56There are two as Paris!
00:57That's great!
00:58You have frequent a lot of video clubs?
01:00Of course, but it doesn't exist now.
01:03There's no one at all?
01:04Almost not. It's a lack of.
01:06It's a lack of being able to go somewhere,
01:08to go somewhere to my bibliothèque and say
01:10that I want to see the one.
01:12It's something we can't do.
01:13It's got to decide first in mind, then after it's been in the machine.
01:17But I already see a lot of things.
01:20Just in watching like this, there are a lot of films that will touch.
01:22The traffic traffic was great.
01:23400 pesos.
01:26You too, 400 pesos.
01:29That's fine.
01:33I don't know.
01:35There are a lot of things.
01:36You have The Anatomy d'une Chute,
01:38a film that worked very well here in France.
01:40I found it on the ground,
01:43very early morning.
01:45You saw it?
01:45Of course, several times.
01:47You saw it?
01:48It's so good.
01:49It's so good.
01:50It's so good.
01:52It's so good.
01:53It's so good.
01:53It's so good.
01:54We'll see you on the scene.
01:54We're going to see you on the scene.
01:55We're going to see you on the scene.
01:55Yes, we're going to see you on the scene.
01:57Aftersun, great.
02:00I never ever dance.
02:03I'm dancing without you.
02:05I told you, I love to dance.
02:31You, you have to try and eat healthier.
02:35You are getting fat.
02:43The first time I saw it,
02:44I saw it with my father-in-law.
02:46During the whole film,
02:47we were holding hands,
02:48we watched it.
02:49And at the end,
02:50we were pleading together
02:51for 45 minutes.
02:52We talked about our lives.
02:53And with my father-in-law,
02:55after the film,
02:56of course,
02:57we were pleading for 45 minutes,
02:58but he told me a lot of things
02:59that he never told me.
03:01You see,
03:02it's like a tunnel to love.
03:04It's one of my favorite films.
03:14I was wondering if you know him,
03:16Boelguen,
03:17of Issa Lopez,
03:18the showrunners of Trois Detective.
03:19Ah, I'm not sure.
03:21In English,
03:22the one I saw
03:23called
03:24The Tigre's not fear.
03:31Issa Lopez,
03:32mon réalisateur préféré,
03:35que je viens de tourner
03:36True Detective,
03:37saison 4,
03:38avec elle.
03:39Let's go back.
03:42It's here.
03:44I know it.
03:46Yes, I love it.
03:47Yes, I love it.
03:47Do you think it's because
03:48it's because of her
03:48that there are so amazing
03:49and fantastic elements
03:50in the season 4
03:51of Trois Detective?
03:52Certainly,
03:52because she wrote
03:53all the episodes.
03:59All the seasons
04:00of Trois Detective
04:02are different.
04:03It's an anthology.
04:04And this time,
04:06we turned it on the head
04:07a little bit.
04:08There's a reference,
04:09of course,
04:10to the first season
04:11which is great.
04:11But as it's two women,
04:14it's Alaska,
04:15instead of
04:16the Louisiana
04:16where it's very cold
04:17and very bright,
04:19there it's somewhere
04:19where it's dark,
04:21sombre,
04:21cold.
04:22There's a difference
04:24like that.
04:24But there's a
04:25horrific
04:26that maybe
04:27joins more
04:28The Silence
04:28or Seven,
04:29for example,
04:30that the first season.
04:31There are so many
04:32films italians
04:33that I love.
04:33When I was little,
04:34my mother almost every day
04:36to watch
04:37films étrangers.
04:39especially French
04:40because she wanted
04:41to improve my French.
04:43She looked at the films
04:43and at the end,
04:44she said,
04:44I didn't understand
04:45what happened.
04:47So I would explain
04:49that she thought
04:49that it was a way
04:51to practice my French.
04:53If you have a lot
04:53more than us,
04:55because we,
04:57it's rare
04:58that we have
04:58European films.
04:59We have to try
05:00to find out.
05:00The films of Fellini,
05:02when I was young,
05:04everything I wanted
05:05to be like
05:06Fellini.
05:14He's very inspired
05:14by the Italian cinema.
05:15He's also inspired
05:16Allemands,
05:16also.
05:17Ah,
05:17I've made a film with him.
05:18But he's the Platt,
05:19you know?
05:19It's all his films.
05:21It's all his films.
05:23It's all his films.
05:26It's all his films.
05:27This, Rocco and the Frères.
05:28The films,
05:29it also makes a souvenir.
05:30Every time we see a film,
05:31we say,
05:31yes, I remember,
05:32I was here,
05:32when it was happening.
05:33And you were like,
05:34going to see the films
05:35when you liked it?
05:36Or not really?
05:37More when I was young.
05:38Now I have less time.
05:39But when I was young,
05:40yes.
05:40And also,
05:41when I was young,
05:42we didn't have a video.
05:43So we had to go to the cinema
05:44and see something
05:45three or four times.
05:46My mother also
05:47brought me to the festival.
05:48We had festivals,
05:49for example,
05:50French or Italian
05:52or German.
05:53We're going to watch
05:54every day,
05:55for four days,
05:56a lot of films.
05:57Three films per day.
05:58Okay.
05:59Come on,
05:59how are the cards?
06:00Now tell me,
06:01am I really
06:01the sort of enemy
06:02you want to make?
06:04Black Mirror.
06:05Oh, check it out.
06:12You watched me.
06:14Orange is New Black.
06:15Turn it out.
06:17To the left.
06:19Take it back now, y'all.
06:21One hop this time.
06:23You've made some episodes
06:24of these series.
06:25It's the good thing
06:25when we're actors
06:27on the feuilletons.
06:28We can try things
06:29that aren't really
06:30in our genre.
06:31Orange is New Black.
06:32It's not really my genre
06:33to make a comedy like that,
06:36but it was funny for me.
06:38Or even House of Cards.
06:39It's not normally what I do.
06:41It's a good thing
06:41to spend a month,
06:43a month and a half
06:43on something
06:44that we wouldn't have done.
06:45Last of Us.
06:46I loved it.
06:52It's me.
06:53It's really good.
06:54I've had to see
06:55season 2.
06:55They are filming it
06:57at the moment.
06:57They just started.
06:58I think you really liked
06:59Bella Ramsey too.
07:00Yeah, great.
07:01And Pedro Pascal too.
07:03Super.
07:03I loved it.
07:04It's also a film
07:05or a feuilleton
07:06that makes it
07:08like a genre
07:09but in the same time
07:10it's also very profound.
07:13It's not just a genre.
07:18On the first season
07:19of Trois Detective,
07:19I would ask you
07:21is it important
07:21for you to see
07:22the series
07:23to understand
07:23the dynamic
07:24of these dysfunctional
07:26that have always been
07:27at the heart of the show?
07:28I loved one season
07:29and it's true
07:31that it's all
07:32but it's mainly
07:33the job of Issa Lopez,
07:34the main in scene
07:35and who wrote
07:36all the scenes,
07:37to see what
07:39we're talking about.
07:41This is a world
07:42where nothing is solved.
07:44When someone once told me
07:45Time is a flat circle.
07:47Time is a flat circle.
08:16L'investigateur et les victimes.
08:33Est-ce qu'il y a des duos du cinéma qui vous ont inspiré pour Trou Détective ?
08:39Pas forcément des duos de détectives, d'ailleurs des duos tout court.
08:41Oui, les gens demandent ça des fois, la question des références quand on est à mettre en scène.
08:47Et moi, ça c'est la chose qui vient en dernier.
08:50Quand je pense à faire quelque chose, j'essaie de retrouver en moi, dans mes propres expériences,
08:56dans les gens que j'ai connus, dans les tableaux que j'ai regardés,
08:59toutes les choses qui, moi, sont mes références personnelles.
09:03Puis après, de revenir juste avant de tourner et de dire quels autres films ont passé par ce chemin.
09:08Mais je trouve faire un film parce qu'on a vu les films de Kurosawa et d'essayer de les
09:14répliquer,
09:14pour moi, c'est, je sais pas, c'est pas mon chemin.
09:19Qu'est-ce qu'on a d'autre là ?
09:20Parce que vous, vous les appelez différemment aussi.
09:25Oh ! Ah non, c'est pas celui-là. C'est l'autre qui était génial.
09:29Babylon, Berlin. Ça, c'était fantastique.
09:35Vous regardez beaucoup de séries, bon, sur votre temps off ?
09:39Pas beaucoup.
09:39Pas beaucoup, parce que le moment que je commence, il faut que je le finisse.
09:43So, j'essaye de ne pas le commencer si je vais pas le finir.
09:48Vous voulez qu'on passe dans le rayon français ?
09:49D'accord. Un prophète, Dodiard, film que j'ai adoré.
09:52On prend pour un corps, ça. Qu'est-ce qui t'arrive ? T'as pris la confiance, là ?
09:57Vas-y, va. Je vais voir ce que je peux faire.
10:00C'est un peu notre français à l'international time.
10:03Oui, il est génial. Et c'est incroyable comment il me parle bien l'anglais.
10:07Qu'est-ce qu'ils vous accusent pendant votre interrogation ?
10:09J'ai interrogé 18 heures, chaque jour, 3 ans.
10:13Pendant le tournage, il a eu un bébé. Il a arrivé à finir notre film
10:19et pouvoir aller rencontrer le bébé tout de suite. C'était génial.
10:23Elle a un film avec Kristen Stewart, Personal Shopper.
10:32Vous avez été avec elle sur son tout premier film, Panic Room.
10:37Oui, c'est vrai. Elle jouait ma fille dans Panic Room quand elle avait 11 ans.
10:47J'ai l'impression que c'est ma fille, en fait. Ça me fait toujours du bien de la voir.
10:51Vous vous souvenez d'un conseil que vous lui auriez donné pour un peu arriver à naviguer dans cette industrie
10:55?
10:57Je ne voulais pas vraiment qu'elle soit actrice.
10:59J'avais demandé à sa mère, j'ai dit qu'est-ce qu'elle veut faire dans la vie ?
11:01Elle a dit actrice. Aïe ! Parce qu'elle n'avait pas vraiment la personnalité d'une actrice.
11:06Elle était, je ne dirais pas renfermée, mais elle était internelle.
11:11Internelle, c'est-à-dire ?
11:12Internalisée.
11:13Internalisée.
11:14Et ce n'était pas quelqu'un qui vivait avec les émotions sur les manches.
11:17Comment dire en anglais ?
11:18Motions on her sleeve.
11:19Je ne sais pas, j'étais protectrice.
11:21J'avais peur que ça la ruine.
11:22Et la voilà, génial.
11:24Oui, tout va bien.
11:25Tout s'est bien passé.
11:28Ah oui, c'est un film de Claude Chabrol.
11:30C'est vrai que les films des metteurs en scène de Nouvelle Vague, c'était...
11:33Ma mère, elle m'a amené beaucoup.
11:35J'ai fait même un cours à l'université là-dessus.
11:37Par exemple, le film de Louis Malle, Souffle au cœur.
11:40Non, il y a Souffle au cœur.
11:42Tu sais, mon père adorer l'avance.
11:44C'est vraiment triste que tu ne l'aies pas connu.
11:46C'était un peu mon inspiration pour mon premier film en tant que metteur en scène, Le Petit Amant.
11:53Ah, regarde tout ça.
12:00Regardez.
12:01Ça, c'est un de mes films préférés.
12:04Team America.
12:04I got him.
12:14C'est un film fou.
12:16C'est avec tes ma...
12:34Mais bon...
12:35Court, à nous le fais...
12:40D'accord !
12:41c'est tout.
12:42Clarisse.
12:42»
12:44C'est parti.
13:04Oui, Muslims !
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