- 2 days ago
Izvor 7. Epizoda
Category
🗞
NewsTranscript
00:28Satsang with Mooji
00:58Mooji
01:03Mooji
01:04Mooji
01:04Mooji
01:06Mooji
01:15Mooji
01:17What is this?
01:19It's a group of people who have been drinking water.
01:21They believe that water is listening to the voice.
01:24Some of them even better.
01:26Listen, it's just a little bit.
01:27How do you go down on this tree every day?
01:34Where are you, Tarzan?
01:51What is this?
02:05How do you go down on this tree every day?
02:06How do you feel about this tree every day?
02:06I'm not a tree every day.
02:06It's a tree!
02:15How do you feel about this tree?
02:16Ja.
02:17No.
02:30No.
02:31No.
02:32No.
02:39Me.
02:40That's the game.
02:42The game.
02:43The game.
02:43Is it fun.
02:44I don't want to go away from here.
02:48I want to go away from me.
02:50I want to go away from yesterday.
02:51I want to go away from yesterday.
02:55I don't want to go away from everyone.
02:59I don't want to go away from everyone.
03:01I don't want to do that.
03:01There's a car for everything.
03:02You're willing to pay for people.
03:04What? More people than the car?
03:06They're in Serbia.
03:09And the sons are the most expensive.
03:20They're two of us.
03:21I don't hear them from yesterday.
03:25But I think Una wanted to go away from here.
03:27She's like a dog.
03:30He's a dog.
03:31He's a dog.
03:32He's a dog.
03:32He's a dog.
03:34He's a dog.
03:35Let's go, child.
03:36She's the one who is playing with Goran.
03:38Don't go away from me.
03:39I don't know.
03:41She's a dog.
03:42She's a good child.
03:43I don't say.
03:44I just saw her yesterday.
03:46She was trying to get out of the car.
03:49I thought...
03:50...to call her.
03:52To come here to sit here.
03:54Every day.
03:55What are they doing?
03:58Or just about her.
03:59I don't have anything against her.
04:03I only care about her.
04:05I don't care about her.
04:08I don't care about her.
04:09We can't say anything.
04:11We can't talk about her.
04:12What is her family.
04:13What are the rings?
04:14She would easily go away from the hospital.
04:17Why don't they call her?
04:18Then you explain she'll tell her.
04:19It's easier to talk with a girl than with a girl.
04:22It's alright.
04:23You can't let her go.
04:24You can take it.
04:26You can see what she wants of her.
04:28What do I want?
04:29Or what do you want?
04:31That's right.
04:31I don't have time to go for Kragujevac.
04:36What for Kragujevac?
04:38There's no technology for water to check the water.
04:42What did he check when you checked everything and added all the resources?
04:46Something for the water.
04:50That means I don't believe it.
04:53I said, don't get into the water.
05:02Where are you?
05:02I'm going, I have a job.
05:04If you need something, give me a message.
05:06I'm sure I won't come back.
05:08We have a look at today.
05:10What a look at?
05:11Ginecology.
05:12Today in Kragujevac.
05:13Wait, it's not in the middle.
05:15It's in the middle, Veljo.
05:16I forgot.
05:17I don't know where my head is.
05:20Wait, I left the door with the master.
05:22No, you're not capable.
05:24Let's go.
05:32Who's going to take the water?
05:33Did you ask?
05:35No.
05:39I'm tired.
05:41Again.
05:42It means a man.
05:44Who's going to take the water?
05:46We know today.
05:50I don't understand what's the problem.
05:52You're constantly asking yourself.
05:53I have one word.
05:54When I say...
05:54I don't look at it, but it's not the same.
05:56How the same?
05:57I don't understand.
05:57Do you have a special permission?
05:58I have it.
05:59I have it.
05:59You're my son.
06:00Okay, if you're a son,
06:02then don't want me to be ashamed,
06:04but do what you say and be a listenable son.
06:06If that's okay.
06:11Sorry.
06:12Sorry.
06:12I'm nervous.
06:13I don't have any connection with this.
06:15It's the best for you.
06:18I'm always thinking about it.
06:19I'm constantly thinking about it.
06:19Now I'm going to take these pictures for Kragujevac.
06:21Professor Kačarvić didn't tell me.
06:23How did Kačarvić didn't tell me?
06:24How did Kačarvić didn't tell me?
06:24He didn't tell me.
06:25He can help him.
06:30Okay, Ramaća.
06:31I mean, in that rural zone, but okay.
06:36The village.
06:37The village, yes.
06:38But who loves.
06:40Okay.
06:42Okay.
06:43How are people?
06:45I don't know.
06:46I don't know who I am.
06:47I don't know who I am.
06:48I don't know who I am.
06:51I don't know who I am.
06:51And the other people?
06:52The Dragan?
06:54Yes.
06:55I mean, okay.
06:56I'm a phone call.
06:58I know.
06:59I know.
06:59What are you doing?
07:00What are you doing?
07:01What are you doing?
07:02I'm doing a kiseonik.
07:03Yes.
07:06There's no one who is there.
07:07There's no one who works except Dragan.
07:09I, I pray for that,
07:10I'm a close guy.
07:12But no, okay.
07:14Yeah, okay.
07:14I'm a hard man.
07:15I'm in my arms.
07:16I'm in a heart.
07:17I'm just a little come in.
07:18I told my one.
07:19I don't want to make a total two minutes together.
07:23Oh, oh, oh, oh.
07:24Look at that.
07:24Oh, there all of you are there.
07:26Oh, oh, see you.
07:29Where is it?
07:30There's no one.
07:31I'm in there.
07:32And there are on the couch.
07:35Una is sleeping on the couch?
07:37No, not Una.
07:39These dragons are sleeping on the couch.
07:41They are sleeping on the couch.
07:43But I have to say it first.
07:45They all live together.
07:47That's a bit crazy.
07:49What are you doing?
07:53What are you doing?
07:55Hey?
07:55Good morning.
07:56What happened?
07:58I forgot the keys.
07:59What are you doing?
08:02I'm not sure.
08:09Hello.
08:11Hello, hello.
08:14Is Goran going to work?
08:16No, I don't know where my head is going.
08:20I believe he doesn't know where he is.
08:24Let's go, Goran.
08:25Tell me further.
08:36Excuse me, Veljko.
08:38That's from me.
08:39No, tell me how much is it.
08:44Did you go to Beograd?
08:48It's like a road trip.
08:53Is it true?
08:54It's like a road trip to me.
08:55I'm going to go to Mila.
08:56You can't treat him as us.
08:59It's like a road trip.
09:01No, it's not a road trip to me.
09:04It's not a road trip.
09:04Cheers.
09:10Where are you going?
09:10Let's go, let's go, brate.
09:24Gledo?
09:26Hello, Pavle.
09:28Goran is there?
09:29No, no, he's staying at home today.
09:32Lola is a little bit about Ramać.
09:35Yes.
09:36Tell me, you've known Uno i Vuka?
09:40Yes, but...
09:41You can see Vuk's number of phone, please.
09:43What's going to do, Vuk?
09:46I need to look at some concerns about the building on the building.
09:52Goran is not going to let him go, and you call him.
09:56Goran is not going to let him go from the building.
09:59He's going to kill him as an advocate.
10:01I think I'm making a wrong mistake with the building on the building on the building.
10:06He wants me to look at the building on the building.
10:07I don't want to call him Camberra, because he will immediately get me out of the building.
10:11Mm-hmm.
10:11Yeah.
10:23I think that's fine.
10:23But you haven't got out of me.
10:25You don't have any doubt about it.
10:28You don't have something for me.
10:28That's no doubt you can buy me.
10:30No doubt you will charge me out of some nonsense.
10:30No doubt.
10:31No doubt.
10:37I'll allow you to nonsense.
10:41Let's take a look.
11:09Bye, Nedo, my heart is.
11:10Ciao, ciao.
11:14Una!
11:15Good day, Obrene.
11:17Sit down a little bit.
11:18Can we go?
11:20Sit down a little bit.
11:23Sit down a little bit.
11:24Do you want me to go?
11:25No, I don't have to go.
11:41Wait, are you still with us?
11:44Yes, we are.
11:45But we are in a new house.
11:46Yes?
11:47I put an alarm on the radio.
11:49If you need help,
11:50let's get something out of here.
11:52What?
11:53Why did I miss you?
11:56It's good, it was Velja before.
11:58And now...
11:59I'm crazy.
12:11Do you want to go to Beograd?
12:13Yes.
12:14Do you want to go to Geppek?
12:16You're going to go to Kraguje,
12:17under the technology.
12:18I have to go to Beograd today.
12:19I'm a professor.
12:20Tell me.
12:21This is important.
12:23This is because of us.
12:24The faculty is finished because of us.
12:25How do you think we can help
12:26with a family job if you don't know what to do?
12:28I will tell you what to do.
12:30I want to see a technology today in Ramac.
12:34Here's the address and the number of telephone.
12:37I'm at your place.
12:38I won't be keeping you here.
12:39I won't be able to leave here.
12:41I keep my contact.
13:17What's up, brother?
13:18I need to go to Kragujevac for this technology.
13:20We need to go to Beograd.
13:22Well, I'll do it.
13:24I'll go to Kragujevac, but I'll listen to you how you look.
13:27It's nice to get out of you.
13:29What's it?
13:31We're going to go to Kragujevac for this...
13:34What's up, brother?
13:35A ginecologist at Kragujevac.
13:38I'm waiting for him.
13:39I'm going to go.
13:41I'm going to go.
13:44I left my son at the master's house.
13:46I'll give you my son, but I'll go to Beograd.
13:49You're going to go.
13:51Here's him, brother.
13:52What kind of person?
13:54He says he can, but he'll drive.
13:59And you hold all the money?
14:01Sure.
14:02Of course.
14:03You didn't want anything to do?
14:05No.
14:07Where?
14:08Where?
14:09Where?
14:10Where?
14:11No.
14:13I'm not.
14:15I'm wrong.
14:17Someone will be.
14:19They're going to be.
14:28I don't know.
14:32They're going to be.
14:33I just want to get me to go.
14:39The girl.
14:42The girl.
14:44He doesn't want to go anywhere.
14:45If she's standing there.
14:45No, he's standing there.
14:46The girl.
14:46I'm not going anywhere.
14:48It's just a few times.
14:49I do not know what is going anywhere.
14:49Did he laugh or didn't want to?
14:54Okay, is he calling you from there?
14:57No.
15:01And you, him?
15:04You called him.
15:06You're not normal.
15:08Sorry, Lydia.
15:09Saro, you can't do this anymore.
15:12I have to know if I could...
15:15Okay, or do you hear that we're talking about something new?
15:18Okay, okay.
15:21Why did you call him?
15:23He failed me.
15:25You're not normal. You have a talent for stupidity and...
15:28Well, I'm right.
15:29Everything started because I called him.
15:32I called him. I called him. I called him.
15:33I called him.
15:33Yes, but it ended up because he didn't want to call you.
15:36I called him.
15:39Well, yes.
15:42Just look at that Pavle doesn't know.
15:43I was aware of the flying head.
15:53Did you get the wheels?
15:54Yes.
15:55Where are you?
15:56There, there.
15:57I didn't have a job in the hospital.
16:00Did you call my mother and daughter?
16:02I didn't.
16:03You're not going to be careful.
16:04No.
16:06Why did you leave this wheel?
16:07I was going to get the wheels down.
16:10You're really a fool.
16:11And are we ready?
16:13Yes, all ready.
16:14We're ready.
16:14It's a low start.
16:15It's early to go.
16:17It's not early.
16:18Let's go to the drink if it's good.
16:19It's not early.
16:20Let's go to the drink if it's good.
16:20I won't be able to get out of the cafe.
16:22Let's go out in the cold air.
16:23You're sitting here.
16:24You're sitting here.
16:25It's cold here, not in Kragujevcu.
16:26Mila, start.
16:28What are we waiting for?
16:30Let's go.
16:31Let's go.
16:33Let's go.
16:42Sit.
16:48What was it all about?
16:50It's always something about it.
16:52Don't make you remember.
16:53What was it all about?
16:57You killed one person.
17:00Have you seen him?
17:01You killed him.
17:02You killed him.
17:02What's happened?
17:03You killed him.
17:04It's not a type of man, but a threat.
17:06It depends who you ask.
17:07That's not your advantage when you're a man.
17:09You've been raped and you're killed.
17:11It's easier to get married when you're a woman.
17:12You charge of him.
17:14You pay for a gun.
17:14I'm telling you to remember that you are not so familiar.
17:17Get this fellow's nightmare.
17:18Look after me.
17:23And Cvetko said that he has paid 500 euros for the money.
17:27What?
17:29I gave him to you and I told him to give him.
17:31And he gave him.
17:34Cvetko is a euro, and I'm Jurij Vnadničar.
17:36Me Cvetko doesn't do anything.
17:39I would have been able to do it.
17:42You see, if you want to do it for a couple of months,
17:45you don't care about it.
17:47I'm going to get back a lot easier than I'm going to get out.
17:52Let's go, 500 euros.
17:53It's not all in the money.
17:56Let's go.
18:03You see?
18:05This place is called Blagoje Šlivik.
18:10Blagoje's father Zorkin, father Draganov.
18:14My father tried to buy this for years.
18:18He's a real woman.
18:20He's a real woman.
18:22He's a real woman.
18:22He's a real woman.
18:22He doesn't sell the land.
18:23Mm.
18:25It's so cool that everything is called to you for people who know you.
18:30What?
18:31That's not true.
18:32This is a real woman.
18:34This is a real woman.
18:35It's not like that.
18:36It's my mother.
18:39She brought her to Meira, and her other things.
18:43She told me about it.
18:44What's good for her and her family?
18:47How is it good for her family, when it's not their slivik?
18:50For her new family.
18:52Zorka, when she came to me, went into my family.
18:56That's how she grows up.
18:58That's how she grows up.
19:02That's how she grows up.
19:03It will be nice to follow.
19:06And tomorrow, when you get a son,
19:09give him the name Blagojev.
19:10Blagojev slivik.
19:12Or Obren.
19:14Be a good wife to my son.
19:17And I will be the best friend.
19:19My family will be waiting for your hands.
19:23I guarantee you.
19:25Thank you, Obren.
19:27Don't tell me you.
19:29Ok, thank you.
19:32Sorry for a second.
19:35Una, Love.
19:36What are you doing?
19:39Can you talk?
19:39What are you doing?
19:41I'm coming in with Obren.
19:43Where are you?
19:45Show me Blagojev slivik.
19:47Slivik Gaginog deke.
19:50Hello, Lola.
19:52Hello, Lola.
19:54And on you.
19:56Mama, do you know some professor Kačarević from the University of the University?
20:02Kačarević?
20:03I don't know.
20:05Yes.
20:06Sorry, my father told me something.
20:08I'm going to ask him to be a professor on a master's school.
20:12He didn't know him.
20:13He went to Beograd and looked for him.
20:15I'll ask him to ask him.
20:17I'll ask him.
20:19I'll do the job.
20:20I'm waiting for him.
20:33Bye.
20:35Let's go.
20:36Let's go, let's go.
20:40That's right.
20:40That's right there from the market center.
20:42What is that?
20:44We need to...
20:46Let's go to Kragovic.
20:47What do we do?
20:50Not like a man to buy.
20:52Like a man?
20:53And like a man.
20:54We take some technology to the house.
20:57It doesn't come.
20:58What does it do?
20:59What do you do?
21:02It's important to you from a technologist.
21:04Woman, we'll finish it soon.
21:06Let's go.
21:07What will he do with the ginecologist?
21:09What do you have to do with each other?
21:11We'll go.
21:12We'll buy him later.
21:15We'll go.
21:17What do I do now?
21:19I don't know.
21:20I'll tell you.
21:27Okay.
21:31Yes.
21:32Do you want me?
21:37I want you.
21:37Is that a woman?
21:39Yes.
21:41He fell off with his hands.
21:43Oh, liked that.
21:46Where are they left?
21:46What do you mean?
21:47To get rid of the slivites, the river.
21:51You don't notice how they go to her side of her.
21:54Oh, she's going to get rid of the slivite and the slivite.
21:58I mean, come on.
22:00Do you want to go back to Beograd?
22:02I want to go back to Beograd.
22:04If she's gone from Dragana to Ramaciu,
22:07she's going to go back to Beograd.
22:09What?
22:10You just have to do something.
22:12What?
22:12I don't know.
22:13It's like Obren saunom.
22:15Do you want to take him somewhere?
22:18I don't know.
22:18Do you want to take him away?
22:20Where do we take him away from?
22:21I want to take him away from the botanical army.
22:23Do you want to take him away from where?
22:23Really?
22:24I don't know.
22:25I don't know if I ask you.
22:30Do you know Professor Kačarević?
22:35All the time.
22:37We worked on that project together at Vršcu.
22:41Is that him?
22:43Yes.
22:43Yes.
22:44Yes.
22:46What?
22:47Let's go.
22:48Let's go.
22:48What are you doing?
22:49What are you doing now?
22:50Call him.
22:52Call him.
22:53Call him.
22:54Wait.
22:55Wait.
22:56Wait.
22:58Just a moment.
23:02I'll take him.
23:04I'll take him.
23:05Now I'll take him.
23:07I'll take him.
23:10I'll take him.
23:13Let's go.
23:15Let's go.
23:16What?
23:19Let's go.
23:26Let's go.
23:27Let's go.
23:30Let's go.
23:43Let's go.
23:56Let's go.
23:59Let's go.
24:00Let's go.
24:01Let's go.
24:10Let's go.
24:12Let's go.
24:14Let's go.
24:18Let's go.
24:19Listen, listen, listen, listen. If I can, then you will leave the roots here.
24:26He will listen to me and listen to me, but thank you.
24:31One more question. Where are the leaves in the leaves?
24:37I've already gone.
24:39How do you do that?
24:41You've gone through the old leaves with all the roots.
24:44To be free for new leaves. I mean, the same leaves, but better.
24:53You ask me that because of your roots.
24:57If you stay here, everything will be different.
25:03It's nice to see you.
25:06It will be a memory in your hands.
25:08And don't shout out to you.
25:11I know.
25:13So, you will hear the rest of the larger community.
25:26But it will be when the larger community will go away.
25:31Fair.
25:32The problem will be done.
25:43Can you please?
25:45The same as I am.
25:46On you, I'm sure you won't call me that they will not be called anymore.
25:52Why did I do it?
25:54Did you give me both of those reasons?
25:57Because of it.
25:59Everybody is a clear truth.
26:00I admit that he didn't need to talk to him, or he didn't need to get to where he came
26:05from.
26:06Do you remember that you had something with him?
26:10I didn't.
26:18You didn't have something to tell me.
26:20Something was put on her and something was there.
26:24No, you put on her and nothing was there.
26:26Is that right?
26:28Yes, yes.
26:29I remember everything.
26:33Ljubomora is a miracle, brate.
26:34Is it?
26:36What do you want to tell me?
26:39Why did you call me?
26:42You think I'm a mental?
26:44You think I don't know if you tried to break this relationship?
26:48Hmm?
26:50I don't know what is now.
26:52You're crazy about someone else, I need to get a couple of hours from a project.
26:57Is that right?
27:00You're in charge of me.
27:02How is that?
27:04So nice.
27:05In a church.
27:08You're in charge of a village.
27:10He will live there in the village with him and his parents.
27:14I'll give him a letter.
27:17What?
27:19Are you going to stop that?
27:22I will not.
27:24What is that?
27:25What does Goran say?
27:26Goran is the main criminal for everything.
27:29There's a large interest in the village.
27:33He is with the locals and his mother is the son of the main boss.
27:39I'm going to send you some papers that we prepared for this project to look at
27:43whether there is a space where the story goes out.
27:49Because if you throw a business, throw it in the house.
28:07Do you want a woman to take a look at her?
28:10You can't take a look at her.
28:12I would have gone.
28:14Where would you go?
28:15Well, there.
28:16I would have been a woman, trust me.
28:20You're not a woman.
28:21You're a woman, you're a woman.
28:22You're a woman and you're a woman.
28:24You're a woman, you're a woman.
28:26You're a woman, you're a woman, you have a good job.
28:33What's your problem?
28:36That our spread, brother, and all that happened at the speed.
28:41Good, we've spread it and died after two months.
28:45Yes, because she came to the door and said that it was hard.
28:48It's not because of this.
28:50It's not because of this.
28:54And it's not because of this.
28:55It's not.
28:56Girl!
28:57Yes!
29:02But this is my father's...
29:04What did you do to say that you did to the current mother?
29:09We have been hurt.
29:12You are the brazen.
29:13Congratulations.
29:14Look at the hospital, Mihajla.
29:15The first name of the biggest surgery of my husband.
29:17There is no better.
29:19The one who gives you everything to do is pain.
29:21This is a pain.
29:24That's great.
29:25Thank you very much.
29:27See you again.
29:28See you.
29:29What did you say?
29:30I can't.
29:32I can't.
29:43Dear Nen, Lola is here.
29:46Tell me, Una, that you're in Beograd.
29:48Let's go for a while to see you.
29:50One is drinking and you're free.
29:52We'll wait for you.
29:52Hello, hello.
29:55Hey, Ljubavi.
29:56Where are you?
29:57He was on the phone.
29:58And?
29:59Well, nothing.
30:00Kačarevića, of course, doesn't have.
30:01So I'm going home now.
30:03Great.
30:03It would be great
30:04that I didn't call Lola
30:06and told me to go back to her.
30:08Stovardo?
30:10What is it today?
30:11Everyone wants to be together.
30:14The defense led me to a good job.
30:16Do you think?
30:18That's a very important place.
30:19I know.
30:27I know.
30:30I know.
30:31I know.
30:31I know.
30:32I know.
30:32I know.
30:32I know.
30:37I know you're a good job.
30:42What's up?
30:43I know you're a good job.
30:43You're a good job.
30:46I love you.
30:47We're going home.
30:50Come on, come on.
31:03Come on, come on.
31:10That's why it's not a shamara.
31:12How is it a shamara?
31:16It's good to be a shamara.
31:17For a shamara.
31:20That's the syndicalist.
31:22Toza?
31:23Toza.
31:24Who is it?
31:27Toza.
31:29I'm going to look for him.
31:31You'll have to.
31:32He won't return to the house.
31:36Come on.
31:37We have a job and look for people.
31:39They're fine.
31:40No one who doesn't.
31:45They're fine.
31:47Oh, here we go.
32:04We will come here.
32:07Tell us.
32:08Well, there's no way.
32:09It's only a job.
32:10Hello, lady.
32:11I'm going to do it for you.
32:12Good evening.
32:13Good evening.
32:13Hey, hello. I've called a friend. I hope you don't cry.
32:20Good morning, Dragane.
32:22Good morning, Profesor.
32:23Good morning, Dragane. Sit down.
32:26Hey, all the time. What did you say?
32:29The strategic planning of agrarian and rural development.
32:33No, that's the other one.
32:35Well, that's all through the model of agrarian and rural development.
32:38You don't need to remember everything.
32:39I can remember, but Dragan must.
32:41It was a pleasant occasion.
32:46Nothing. I'll stay with you.
32:48Let's go.
32:51How are you, Dragane? How are you working?
32:54Wait a minute. Just relax.
32:57Now.
33:01Let's live.
33:04Now we can talk about Master.
33:06Good morning.
33:10Let's get out of the binar.
33:12We'll get out of the binar.
33:12We'll get out of the binar.
33:16Why are you parked here? You're normal.
33:19It's a train.
33:20I'm sorry. You're a technician.
33:23Where am I?
33:23Who is Veljko?
33:24I'm tired.
33:26Veljko, I'm tired of this.
33:30Veljko, I'm tired of this.
33:34I know everything.
33:35I'm sorry.
33:36I'm sorry.
33:36I'm tired of the woman.
33:37I was a difficult woman.
33:38We had some interviews.
33:40Hello.
33:41I'm a man.
33:42Can I go?
33:43I'm not going anywhere with you.
33:45You're not going anywhere.
33:45You're not going to do that.
33:47You're not able to do that.
33:48You're not able to do that.
33:48You're not able to do that.
33:49I didn't know the situation.
33:51You're not able to do that.
33:53You're not able to do that.
33:54We're not here for half a minute.
33:55Did you say that I was waiting?
33:55I said I was waiting for you to call me Gorana Stanković
34:01and say that I will be arrested.
34:03That I will not be here for you.
34:05I'm not sure.
34:06How about that?
34:09Just a moment.
34:10We'll do everything.
34:12I'm sorry.
34:14The gentleman is in the right.
34:16We'll do it.
34:20It's very interesting, Dragan.
34:22To see that everything is fine.
34:26I'm sorry.
34:27What?
34:28Gago, brother.
34:30Don't go away.
34:31I'm not saying to you.
34:33Don't tell me something here.
34:35There's this technology,
34:36but he's looking for a military gun.
34:38I don't know what to do now.
34:43Here you go.
34:49Gorane, good morning.
34:51I'm not Goran.
34:53I'm going to give you a phone call.
34:55Just a moment.
34:55I'm sorry.
34:56Just a moment.
34:57Just a moment.
35:00We haven't asked for you yet.
35:03Gorane,
35:04these guys have been arrested.
35:06They are very uncomfortable.
35:10You've seen a nice lady, of course.
35:14I pray for you tomorrow.
35:16I can't.
35:18I can't.
35:18I don't have a term.
35:19If you didn't ask me,
35:21I can't even ask you today.
35:23I'll do it.
35:25I'll do it.
35:26I'll do it.
35:27I'll do it.
35:28I'll do it.
35:29I'll do it.
35:30I'll do it.
35:31I'll do it.
35:32I'll see you tomorrow.
35:35That's it.
35:39It's done.
35:43Good morning.
35:44Good morning.
35:45Good morning.
35:47Good morning.
35:48Good morning.
35:49Good morning, Nicky.
35:49Yes.
35:53With the Svetolik, everything is ok?
35:56Yes.
35:56Thank you very much.
35:58Wait.
36:02I've talked about your child,
36:04I'll do it.
36:07I'll come back to my office and I'll help you with this.
36:13I'll do that.
36:13I'll do it.
36:14I can't do it.
36:15I can't help for you.
36:15So I can't help you.
36:17I can't help you.
36:17You can't see me.
36:18Super, super.
36:19You say it,
36:20and I can't see you in the direction.
36:22Go to him.
36:23I think you're going across the
36:26That's it.
37:04Ljubavi.
37:05Ljubavi.
37:08Izvini.
37:09Šta mi se izvinjaš?
37:12Rekao sam da neću da pijem i da vozim, ali popio sam.
37:15Ali imamo odličan razlog.
37:17Koji?
37:18Lola i Goran su veliki caravi.
37:21Goran je doukao kad Čaravić je u stan i sve smo rešili za master.
37:26Sezaš!
37:27Znaš šta se meni vesilo?
37:30Danas me je obran vodio u blagojiv šljivik.
37:34I pala je čitava priča oko porodice, ko je baba, deda, tetka, čije je šta.
37:39Znači, čitavetno pazovni, znaš kako me odradilo, čekaj.
37:47Vidi, završila sam ga.
37:50Pa, ovo je odlično.
37:51Sviđati se.
37:52Da?
37:53Ne, stvarno smo ovi.
37:56Mogu kritikujem naš roditelj.
37:57Ali su dobri.
37:59Trude se.
38:03Lako noć.
38:05Znači.
38:09Znači.
38:21Znači.
38:26Znači.
38:28Znači.
38:34Znači.
38:46Znači.
39:16Znači.
39:17Znači.
39:25Znači.
39:31Znači.
39:45Znači.
39:47Znači.
39:48Znači.
39:49Znači.
39:52Znači.
39:53Znači.
39:54Znači.
39:54Znači.
39:57Znači.
39:58Znači.
Comments