- 11 minutes ago
Beyond the Bars EP.5 Hindi Dubbed [Full Movie] [Must See]Full EP - Full
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🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:59Transcription by CastingWords
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00:02:25Transcription by CastingWords
00:02:25Transcription by CastingWords
00:02:26Transcription by CastingWords
00:02:27Transcription by CastingWords
00:02:29This one is in my master bedroom.
00:02:31Yes, I can show you.
00:02:37How can you do this same painting?
00:02:39It's totally the same.
00:02:42Come on, mom. I'll keep it.
00:02:45I don't know who's talking to us from now.
00:02:48In the truth, 300 million won.
00:02:51That's a good one.
00:02:52I bought this one in the flea market.
00:03:00This means...
00:03:02It's a nail.
00:03:05That means, it's a copy.
00:03:06That means, it's a copy.
00:03:07You're right.
00:03:08Someone made a nail to the flea market.
00:03:11This is the date of painting here.
00:03:15September, 2024.
00:03:17That means, 6 months ago.
00:03:19Yes, so...
00:03:20I bought that painting a year ago.
00:03:25So...
00:03:25This means...
00:03:27You're right.
00:03:30You're right.
00:03:31So Young.
00:03:32You're right.
00:03:33You didn't change anything.
00:03:34I remember that you had to wear a brand of shoes.
00:03:37You were right.
00:03:39You were right.
00:03:40I was right.
00:03:40I took you and opened your clothes.
00:03:43It was a fun story.
00:03:46You didn't have to lose your habits.
00:03:49What?
00:03:50You had to take a dress on the road.
00:03:52You had to lose their label.
00:03:53You had to earn a lot of money.
00:03:54I felt like that.
00:03:55You had to lose your clothes.
00:03:57But it's not true.
00:04:00You never change.
00:04:02You're right.
00:04:04You're right.
00:04:07I'm sorry.
00:04:09You're right.
00:04:09You're right.
00:04:10You're right.
00:04:10You're right.
00:04:10Yes.
00:04:10You're right.
00:04:11But...
00:04:11What would you do to make a painting?
00:04:13You're right.
00:04:14You're right.
00:04:14You're right.
00:04:15You're right.
00:04:16But...
00:04:17So...
00:04:18I'll make a tattoo on your clothes.
00:04:21I'll make a tattoo on your clothes.
00:04:23What would you do to make a painting?
00:04:28What would you do to make a painting?
00:04:28I'm like a painting.
00:04:31What?
00:04:32What happened?
00:04:34You're scared.
00:04:36No.
00:04:38I'll win.
00:04:40I'll win.
00:04:41Let's get it.
00:04:42I don't think so.
00:04:42Ha, ha, ha.
00:04:45Ha, ha, ha.
00:04:49Ha, ha...
00:05:12I'm sorry if you were shocked.
00:05:15You never had a chance to tell.
00:05:18But you didn't have a child.
00:05:23Yes, when I was with you, I didn't need a child.
00:05:27Now you're a mother of Wonjun.
00:05:30My mind changed.
00:05:34You just want to say so.
00:05:38What do you want to say?
00:05:39The truth is that I'm telling you.
00:05:41As I was 30 years old,
00:05:44I changed my mind to become a mother.
00:05:48So don't forget yourself.
00:05:50You don't have to give it to yourself.
00:05:51Why don't you give it to yourself?
00:05:53Because I was a young man,
00:05:54and at that time I was just thinking about myself.
00:06:01I know that you're a very good father.
00:06:06And if we were both together,
00:06:09then this is your child.
00:06:20What happened to me, I'm sorry.
00:06:24I'm feeling that I didn't have a chance to become a father.
00:06:27I didn't have a chance to become a father.
00:06:29And yes, I'm sending the perfume.
00:06:32I probably don't like the child's happiness.
00:06:35I've grown up.
00:06:37That's why I've sent the perfume for six months.
00:06:39I've sent the perfume once again.
00:06:41When it's born,
00:06:42I'll make it more.
00:06:59That's why.
00:07:00Well..
00:07:00Well,
00:07:00yes..
00:07:00So that's what happened,
00:07:02Mr. So Yong has bought this painting through your own fiesta,
00:07:05which used for you in 300 million.
00:07:05foreign
00:08:03Yes, I'm sorry.
00:08:17I feel like I'm feeling angry.
00:08:21Let me check the doctor.
00:08:24What do I need to check the doctor?
00:08:27We're going to work with Antacet.
00:08:30Excuse me.
00:08:31This is the new building of the hospital.
00:08:35Where do you go?
00:08:41If you go to the front, you'll get to the front.
00:08:55When did you learn sign language?
00:08:57You want to check it out.
00:09:00Hmm?
00:09:01Because people often learn sign language in the church.
00:09:04No.
00:09:06After this, there's a big story.
00:09:08What do you mean?
00:09:09Where did you learn?
00:09:14I'm scared.
00:09:17Say it.
00:09:26Yes.
00:09:28Yes.
00:09:30Yes.
00:09:31Yes.
00:09:32I'm not learning properly.
00:09:33Okay.
00:09:34So?
00:09:34What?
00:09:35You first learn, then I'm learning sign language.
00:09:39I'm a senior high school.
00:09:41Yes, I'm a senior.
00:09:42But I'm only three years old.
00:09:43But why do you learn sign language?
00:09:46Why don't you learn anything else?
00:09:47You realize you.
00:09:48The same thing is for me.
00:09:49And I'm trying to communicate with your mother.
00:09:51You want to see her as well.
00:09:54Sure.
00:09:55I'm never able to meet her.
00:09:57I like to find her as well.
00:10:01Or maybe she'll find her with her.
00:10:31Alexia?
00:10:32Alexia?
00:10:33Yes.
00:10:34That was it.
00:10:35I don't think I understood your story.
00:10:38You both didn't learn the sign language in English.
00:10:41You didn't learn the sign language in Korean.
00:10:45Talk about it normally.
00:10:47I can also learn the word.
00:10:56Oh, that's right.
00:10:58That's right.
00:10:59I also knew that someone can't listen to this.
00:11:03It means that they only understand the sign language.
00:11:06His daughter also knows the sign language.
00:11:08What is the sign language?
00:11:10They try to understand the words in front of their hands.
00:11:14Oh, that's right.
00:11:16I understand.
00:11:18Lip reading.
00:11:51What is the sign language?
00:11:56My little friend.
00:11:57I can't remember.
00:11:58Mom, there's a complaint.
00:11:59But I feel like it's wrong.
00:12:00I told her that my daughter is a legal lawyer.
00:12:03She can help you.
00:12:05Okay.
00:12:06Let's go.
00:12:07I'll check and message.
00:12:08I'll check and message them.
00:12:28Wadi is Mr. Ryu Kwon Mo and he is a famous artist and his case is Ian Saw.
00:12:34This means that he is very serious.
00:12:36He has noticed that he will be able to find me so far.
00:12:40Oh, my friend is very small. He doesn't understand his name.
00:12:44He left me at the desk.
00:12:46Today I have seen him like this, so I will send you.
00:13:07The history of the court is now 2 o'clock.
00:13:11What is that?
00:13:12Your friend has not given the truth of the court or the court has not been given.
00:13:17Therefore, the court has been given the history of the court.
00:13:19That is the history of the court.
00:13:22So, what will happen?
00:13:24If the court has not given the court, the court will be able to send an decision.
00:13:29And if you will, your friend will only be able to appeal to the court.
00:13:35I have not understood the court.
00:13:37But the court is not right.
00:13:38I will go to the court, the court will cancel the court of the court.
00:13:45Do you want to make this work?
00:13:48Why not?
00:13:49I can do something for you.
00:14:01The power of attorney has been submitted.
00:14:03At the same time, the court will cancel the court.
00:14:06Yes.
00:14:07Thank you, Lord.
00:14:08But Mr. Ryu Guan Mo is going on the court of the court.
00:14:14I will not give you much more information.
00:14:17Yes.
00:14:19I will continue to leave your court.
00:14:20I will have to stay once in a week.
00:14:22Just to start in your court.
00:14:23For one week?
00:14:27Yes.
00:14:29I have understood the court.
00:14:34Yes.
00:14:45Yes.
00:14:45Hello Sir.
00:14:46What is it?
00:14:47Hello Sir.
00:14:47Hi Sir.
00:14:48Hello Sir.
00:14:54What is this?
00:14:59Advocate Khang,
00:15:01how did you take this case without asking?
00:15:03It was very urgent, sir.
00:15:05And he's my friend's friend.
00:15:07What did you say last time?
00:15:08You took the gas story to get out of my mind.
00:15:12The case was solved properly, right?
00:15:15I'm sorry, sir.
00:15:19Retainer fees?
00:15:20What can I take in the pro bono?
00:15:23Oh, it seems to be a special approval.
00:15:26You'll be crazy.
00:15:27What did you get the approval?
00:15:30How do you prepare for the trial?
00:15:31Have you ever been standing in court?
00:15:33Last time, I had a statement about the accident in the accident.
00:15:37He was talking about the judge.
00:15:40He didn't fight against the other person.
00:15:44Yes.
00:15:45That's not his experience.
00:15:46You're talking about the big man.
00:15:48Don't worry about me.
00:15:52If the probe went on,
00:15:53then your mentor will be like that in this case.
00:15:56What?
00:16:23I'm sorry, sir.
00:16:24I'm sorry, sir.
00:16:26How do you do the defense?
00:16:28Do you think anything?
00:16:29No.
00:16:31There's no plan.
00:16:32And who's in front of you?
00:16:34Ian Saw law firm, sir.
00:16:35Ian Saw?
00:16:36Because Vadi Ryu Guanmo is a world famous artist,
00:16:38then Ian Saw will go to the end of the day.
00:16:41He also killed the former judge.
00:16:43No.
00:16:44He's a partner attorney and associates.
00:16:59No.
00:17:01No.
00:17:01No.
00:17:07No.
00:17:09No.
00:17:11No.
00:17:13No.
00:17:15No.
00:17:37No.
00:17:39No.
00:17:40No.
00:17:41No.
00:17:42No.
00:17:44No.
00:17:44No.
00:17:46No.
00:17:49No.
00:17:50No.
00:17:52No.
00:17:52No.
00:17:52When we do this mock defence get involved,
00:17:52announce his smacky stitches.
00:18:08Yes, sir.
00:18:09No.
00:18:12No.
00:18:13No.
00:18:15No.
00:18:16The recommendation stickers.
00:18:17Wow!
00:18:18Did you get a lot of fun?
00:18:19Yeah!
00:18:20Guys, you are also here today.
00:18:24I was telling you about the tournament.
00:18:26Yes, I'm telling you.
00:18:27Okay.
00:18:28Let's go, I'll tell you all about the format of the practice tournament today.
00:18:33Let's start.
00:18:34Oh Sang Chol and Jeho Yeon, let's go first.
00:18:36Please.
00:19:06And in that moment, all of the situations were in the middle of the day.
00:19:09It was a good decision.
00:19:17So, you're welcome.
00:19:19Oh Sang Chol!
00:19:21Wooo!
00:19:22Yes!
00:19:23I got kicked.
00:19:24Wow, what a great celebration.
00:19:25Both of them did well.
00:19:27But Mr. Oh, there was a lot of things in the delivery,
00:19:29such as talking to them, their self-confidence.
00:19:32Let's go.
00:19:32Now, the next one is Chikuk Kyan and Tanjameen.
00:19:36When there is a wrong decision,
00:19:38you can't be able to reject the disposing authority without any law.
00:19:42In this case, the government has been made for the benefits of people.
00:19:45So, you will have to think about the people's benefits.
00:19:49And the people's rights are related to what they will be.
00:19:51And the people's rights are related to their rights.
00:19:51And the law will not be made possible in the day of the work.
00:19:54So, you will have to take a decision.
00:19:56You will have to take a decision.
00:20:01Hmm.
00:20:02Both of them have a better performance of my dreams.
00:20:05But Chikuk Kyan, they were very fast.
00:20:08They were very fast.
00:20:08And their beliefs were very weak.
00:20:10So, the last round is Kangyomin.
00:20:14Wow.
00:20:15What a matter, tell me.
00:20:17Go to the seat.
00:20:18Go to the seat.
00:20:22Now, the next round is O Sang Chol.
00:20:26And the second round is Kangyomin.
00:20:28I'm going to give you a statement.
00:20:29I'm going to give you both a statement.
00:20:30Okay?
00:20:31And this statement, our judge, Mr. Yun, has written himself.
00:20:34So, you're going to send your beliefs on this.
00:20:38I'll give you a moment.
00:20:46There's a statement, in Article 9, In Article 9, 2,
00:20:48that if the penalty of the penalty of the penalty of the contract amount,
00:20:51it may be reduced.
00:20:54So, the penalty of the penalty of the contract amount,
00:20:55it may not be reduced until the penalty of the penalty of the penalty.
00:20:58We don't get angry with you.
00:21:01Yes.
00:21:07Sir, it's good to have a doubt that there is no wrongdoing in performance.
00:21:12But there is no wrongdoing.
00:21:13That's why we can only get the results that there is a wrongdoing.
00:21:23In the feedback, the winner of the final winner is Osang Chol.
00:21:43Let's finish this.
00:21:43Maybe you have a problem with your thoughts.
00:21:44You have a problem with your thoughts.
00:21:46Now, the final winner is Osang Chol.
00:21:48Three commendation stickers.
00:21:50Wow.
00:21:51Thank you very much.
00:21:52Okay, let's go.
00:21:54Yes sir.
00:21:54Thank you sir.
00:21:55Thank you sir.
00:21:55Thank you sir.
00:21:57Wow, Mr. Roh, you are good.
00:21:59Look and hear.
00:22:00You can hear a lot from me.
00:22:02Wow.
00:22:06According to your opinion, this case is only for a first year associate.
00:22:10Yes.
00:22:11Okay.
00:22:12Maybe we will not have money for a lawyer.
00:22:15That's why Yulim will explain the first year associate's training.
00:22:19That's right.
00:22:20So, we should do that too.
00:22:23Okay, Ms. Venn.
00:22:24You understand the case.
00:22:25Who?
00:22:26I?
00:22:27So, what am I talking about first year associate?
00:22:29Oh.
00:22:30Okay.
00:22:31I'm going to go to her.
00:22:32Yes.
00:22:33That's right.
00:22:34You can go.
00:22:35Yes.
00:22:39So, who is Yulim's first year associate's first year associate?
00:22:43Kangyumin, sir.
00:22:44Kangyumin?
00:22:45Yes.
00:22:46Keep it all ready.
00:22:48If we don't do anything wrong, then we will win this case.
00:22:51And if there is wrong, then we will not win.
00:22:54Yes.
00:23:07Please don't.
00:23:07Okay.
00:23:08Thank you, sir.
00:23:12Thank you, sir.
00:23:14Bye.
00:23:16Bye.
00:23:17Bye.
00:23:20Bye.
00:23:20Bye.
00:23:28The most important thing is that they will not be used to do any such a statement, but also from
00:23:35the fact that they will not be used to preserve all of the copyrighted material.
00:23:49Or not?
00:24:09You have to register for copyright.
00:24:14Oh!
00:24:15Varyani!
00:24:20Don't sleep.
00:24:21I'm coming out, Kangyumin.
00:24:23You're going to be against Hanseong-chan.
00:24:25This is Hanseong-chan's theme.
00:24:26Kangyumin.
00:24:27Don't be afraid of Hanseong-chan.
00:24:30Don't be afraid of Kangyumin.
00:24:32Kangyumin.
00:24:35This coffee is a good taste.
00:24:39But this is it.
00:24:49Hmm.
00:24:51It's so tasty that you don't have to go.
00:24:54Let's go.
00:25:06Listen, Atani Yun.
00:25:11You're scared.
00:25:12You haven't left the house yet?
00:25:15Atani Yun.
00:25:16Please, save me.
00:25:19Yeah.
00:25:20Okay, let's go.
00:25:33I was so scared.
00:25:34You're the best.
00:25:37You should read this.
00:25:37I'm fine.
00:25:38I'm fine.
00:25:39I'm afraid of this.
00:25:40I will see you in court.
00:25:42I've written a good statement on your own.
00:25:44What's your question?
00:25:47I don't believe that I will do it properly.
00:25:54So let's try and see here.
00:25:57What?
00:25:57I will sit and listen.
00:25:59You will follow yourself.
00:26:02But...
00:26:03What is that?
00:26:04Is it not a trial?
00:26:04Yes.
00:26:06If you can't do it in front of me,
00:26:07then how will it be in court?
00:26:09Let's try.
00:26:09Let's try.
00:26:39In fact,
00:26:40there is also that technique used in Prativaadi.
00:26:43Therefore,
00:26:44it is clear that Prativaadi has used the art of Prativaadi itself.
00:26:50Hey,
00:26:51have you ever heard your voice?
00:26:57No.
00:26:59You were saying that
00:27:00you are trying to say something like you are trying to say something,
00:27:02but you are not saying anything.
00:27:03You are not saying anything.
00:27:06Do you know why Mr. O'se Q Hari was in the tournament?
00:27:10Can you tell us?
00:27:13What did you think about that statement?
00:27:18Don't worry about it.
00:27:19Let me open it up.
00:27:22There were a lot of logical mistakes.
00:27:24What kind of mistakes?
00:27:25To think about the first thing wrong,
00:27:27not to write the part of the past,
00:27:28not to write the part of the past,
00:27:28and it was...
00:27:29It was all gone and gone.
00:27:31Yes, sir.
00:27:31The first thing happened to him,
00:27:34was that a mistake.
00:27:35That's right.
00:27:37You were saying that
00:27:38the wrong things and the wrong things
00:27:39were all wrong.
00:27:41I mean,
00:27:42that statement was wrong.
00:27:44And you immediately recognized
00:27:46that Mr. O'sang Chol
00:27:48didn't do that.
00:27:50Mr. O'sang Chol
00:27:50didn't do that.
00:27:51He was saying that
00:27:52he was saying that
00:27:52that statement was wrong,
00:27:53that he was wrong.
00:27:56And that he was wrong.
00:27:57he was wrong with confidence.
00:27:59He was wrong with confidence.
00:28:26Mr. O'sang Chol
00:28:31American College has been studied in the world, and your client is just a shocker artist.
00:28:41Don't forget your dreams, and look at the real time.
00:29:17Don't forget your dreams, and look at your dreams, and look at your dreams, and look at your dreams.
00:29:35Don't forget your dreams, and look at your dreams.
00:29:37The government has given the meaning of the painting of Fiesta and the painting of Amusement Park,
00:29:42so they have so many things that they can't change.
00:29:45Now, the meaning of the work is just so, that it's a copy or not.
00:29:49The art Fiesta was published in October of 2014, and that was also published in November,
00:29:54which was exposed to many media outlets.
00:29:56So, it's wrong to say that Phrativaadi has seen the media outlets,
00:29:59and went to the exhibitions, and made their own art amusement park.
00:30:05If Phrativaadi's art, Amusement Park, was made from Fiesta's art,
00:30:09then there will be a place that will be made from Phrativaadi's work.
00:30:12Because the amusement park was made in March of 2014,
00:30:15before their art Fiesta,
00:30:17they were completely unknown and unknown.
00:30:20They have no evidence that the amusement park has been created in the same time.
00:30:25It's not, Miload.
00:30:26Phrativaadi had released Fiesta's art amusement park in a flea market.
00:30:30The fact that Phrativaadi's art is a place that has been created in Miss Hung Yejin,
00:30:34and Miss Hung Yejin's art is a place that has been created.
00:30:36That's why we have explained our statement.
00:30:39Yes.
00:30:39I noted that Miss Hung Yejin and Miss E. So Young have been created by Miss Hung Yejin,
00:30:44and Miss E. So Young bought a painting of Miss E. So Young.
00:30:47The fact that Fiesta is marrying an old contractor,
00:30:47my lord, I am wearing an old man.
00:30:49Be well, son, and Miss E. So Young.
00:30:58The fact that I am so sweet about this,
00:30:58I have found some thank you for sharing.
00:31:04The law of Miss E. So Young is in the same place.
00:31:07The law of Miss E. So Young is a place that I can see you.
00:31:09A place that goes close to Hong Kong.
00:31:15And I'm willing to thank you for sharing your observation.
00:31:16The law of Miss E. So Young is your analysis.
00:31:17The law of Miss E. So Young is different.
00:31:17which I've never shown you in the previous work.
00:31:20So, let me explain how you've prepared this new technique.
00:31:24When I was studying in the university,
00:31:26you'll know,
00:31:28SAIC, Chicago School of Art.
00:31:33You'll hear the name.
00:31:35The world's famous art school,
00:31:37which has given many artists to today.
00:31:41Is it true that you don't know so much?
00:31:46If you're not familiar with art,
00:31:48then I can understand it.
00:31:50That's why,
00:31:50you've come to do it like that.
00:31:52If you don't talk about it,
00:31:54then you'll be angry.
00:31:56Gaba,
00:31:57I'll just answer your questions.
00:32:00I'll ask you again.
00:32:02How did you do this new technique?
00:32:04Please understand.
00:32:05We're a special artist.
00:32:08If we've come to change our lives,
00:32:11we change our views.
00:32:12We change our lives.
00:32:14We change our lives.
00:32:17We change our lives.
00:32:18Before creating my painting fiesta,
00:32:19I was born to my child.
00:32:24I was born to take my child for the first time,
00:32:26I felt that love,
00:32:32humanity,
00:32:33and happiness.
00:32:34I was born to be a part of my work.
00:32:37I felt that love,
00:32:42not the tic-tac-tac-tac-tac-tac-tac.
00:33:04In Spanish, it means that it becomes a tear.
00:33:11This is a tear, like a child's birth.
00:33:18What do you think of the dripping technique and the matier technique?
00:33:23Dripping, that means paint will fall on canvas and create a colorality.
00:33:28And matier, i.e. visual texture, is an extraordinary technique.
00:33:34In my colorality, I adjusted the paint and paint.
00:33:40The natural dripping technique, while keeping the colors of the colors,
00:33:45I made a wonderful art form.
00:33:46Yes, I understood.
00:33:49So, I completed it like this.
00:33:54That means that Riu Korn Moniz has made a new technique.
00:34:05The artist Moonjong is your painting.
00:34:10Today, anyone can become an artist.
00:34:13The horse, the dog, the sheep, all the artists.
00:34:16Please, be quiet sir.
00:34:17I'm just...
00:34:19All your paintings that you have made...
00:34:21Ah!
00:34:22Your paintings?
00:34:23Wadi.
00:34:24Please make a peace.
00:34:27Please save it, Paksha.
00:34:28Please keep it.
00:34:31You have made all the paintings that you have made in one way.
00:34:35Can you tell us about which technique you have used for them?
00:34:41There is a cell...
00:34:49Ah...
00:34:52It...
00:34:53I...
00:34:58This thing made it...
00:35:02It was a of the Rango's parade, which you had seen in your childhood with your father's...
00:35:07Objection, Milord.
00:35:08Bacchagawaah is trying to prevent the problem of being killed.
00:35:11The attorney's attorney,
00:35:15Bacchagawaah is trying to prevent the problem of being killed.
00:35:16This is the right.
00:35:18Do you know these things?
00:35:20I don't know any other things.
00:35:32You just have to explain so much
00:35:34that you were thinking about painting the time you were thinking.
00:35:38I don't know.
00:35:45What is this?
00:35:49Ms. Moon,
00:35:50every painting made you so colorful.
00:35:53How did you think about using different colors?
00:35:56Just tell me so.
00:35:58I don't know.
00:35:59I just want to go to my house.
00:36:03What are you asking?
00:36:04What are you going to do?
00:36:07What are you going to do?
00:36:08What are you going to do?
00:36:08It's not like that.
00:36:19I...
00:36:21It's wrong.
00:36:24What?
00:36:25It's wrong?
00:36:26It's wrong?
00:36:27First, my name is wrong.
00:36:29It's wrong for me.
00:36:32Judge, sir.
00:36:33I tell you,
00:36:34you always want to make a painting for such a joke.
00:36:36You always want to make a painting for us.
00:36:38It's wrong.
00:36:39Excuse me.
00:36:41Mom...
00:36:43Mom...
00:36:43Mom...
00:36:44What are you going to do, son?
00:36:47Mom...
00:36:51Mom...
00:36:52Mom...
00:36:53Mom...
00:36:54Mom...
00:36:54Mom...
00:36:54Mom...
00:36:55He's missing his name.
00:36:58Mom...
00:36:59Mom...
00:37:00You have to re-establish the table.
00:37:03Hey,
00:37:04Mom...
00:37:04Mom...
00:37:07Please,
00:37:07make a order for himself.
00:37:08Okay. Order.
00:37:11Gawa doesn't seem to be able to answer,
00:37:14so we're taking a break for 10 minutes.
00:37:26What? Is it less than a human being?
00:37:31Yes.
00:37:36She's 21 years old.
00:37:38But her mind is still 13 years old.
00:37:43She doesn't mean that she can't do all the work.
00:37:47She's doing everything.
00:37:51What do I say?
00:37:55I wanted to give her to her.
00:37:59I didn't want to give her to her.
00:38:00That's why I kept her safe.
00:38:07I can't stop this case.
00:38:09If we're back, we'll get to the case.
00:38:13And then,
00:38:14we'll go and...
00:38:16I'm scared of her.
00:38:20I'm scared of her.
00:38:26I'm scared of her.
00:38:29I'm afraid of her,
00:38:31I can't do her.
00:38:33I've seen her.
00:38:35I can't see her.
00:38:37I'm scared of her.
00:38:39I'm scared of her.
00:38:41I've heard her.
00:38:43I don't think her.
00:38:52I don't know what to do.
00:39:14I am in charge of the pro-bono cases, so keep your move on, you know?
00:39:18This is my associate, so I am in charge of this.
00:39:21Oh, man, it's never been finished with their friends.
00:39:26Use your brain!
00:39:37I'm sorry, sir.
00:39:40So you didn't know this?
00:39:43No.
00:39:44We had a meeting, then Miss Moon's mother came to meet her.
00:39:48And who has sent me a case, she can't listen to me.
00:39:53So maybe she doesn't know about Miss Moon's mental health.
00:39:58Ah, all of this is happening, right?
00:40:02There are problems of hearing and hearing people.
00:40:05So maybe that's why she had a look at it.
00:40:08Or…
00:40:09And you had a difficult time for preparing for preparing.
00:40:13Now, what am I going to do?
00:40:15As I know, I've never called her in the house.
00:40:20I didn't know what happened to her.
00:40:23She was so sorry.
00:40:24What has happened to her, but you can ask her to tell her.
00:40:26I can't answer her because of her health.
00:40:29Yes, I've understood.
00:40:31What?
00:40:34Do you have any questions from your mind?
00:40:36Yes.
00:40:38This is a good news for you.
00:40:40Yes, it is.
00:40:44Now, we will have to bring him in a small house.
00:40:49Yes.
00:40:52Your Honor,
00:40:53it's not okay to be a good question,
00:40:55so it's difficult to answer.
00:40:57Your Honor,
00:40:58it's not a good question.
00:41:01When did the government make the painting
00:41:03to show you?
00:41:05We don't have any questions from the previous paintings.
00:41:09We can answer all the connections with the previous paintings.
00:41:11And all the paintings made the same or not?
00:41:15For this case,
00:41:16we have to ask them to ask them to ask them.
00:41:21But, Lord...
00:41:22If the painting is here,
00:41:25then we will save time to keep the painting.
00:41:28If the painting is wrong with the painting,
00:41:31then the painting will be stopped by itself.
00:41:34The painting will be stopped by itself.
00:41:49Yes.
00:41:50And where is it?
00:41:51In the Chumi Art Academy.
00:41:53Please, you will speak with your voice.
00:41:54I was taught in Chumi Art Academy.
00:41:57Listen, Your Honor.
00:41:59Chumi Art Academy is a local academy
00:42:00where the teachers don't study professional.
00:42:03Okay.
00:42:03Let's see.
00:42:06Now,
00:42:06you will know the teacher Yusong.
00:42:08Yes.
00:42:10Can you say this?
00:42:11Yes.
00:42:14Yes.
00:42:14Ms. Yusong,
00:42:15you went to the students' academy
00:42:17to the art fairs
00:42:18and exhibitions.
00:42:19And there,
00:42:20you were able to make the Kala Kritya
00:42:21to create yourself.
00:42:23Is this true?
00:42:24Yes.
00:42:38Yes.
00:42:39Do you recognize it?
00:42:41Yes.
00:42:42Did you try to cut it?
00:42:43Yes.
00:42:43Yes.
00:42:46This is a sketchbook of Prathivaadi
00:42:47which is from the Academy.
00:42:49There are many paintings
00:42:50that the artist
00:42:51of Rewgo and Moe's
00:42:52original art
00:42:52are drawn to the art
00:42:53and I'm following this
00:42:54as a proof.
00:42:59Objection, Milord.
00:43:00Prathivaadi
00:43:01had drawn to practice
00:43:01other paintings.
00:43:03This is not a proof
00:43:04that it had drawn to Fiesta.
00:43:06I think
00:43:07this is a question
00:43:07related to the art.
00:43:09Prathivaadi,
00:43:10keep going.
00:43:13Did you hear
00:43:14that Mr. Ryugan Moe
00:43:16had taken a picture
00:43:16of Mr. Ryugan Moe's exhibition?
00:43:18That's right, right?
00:43:19Yes.
00:43:20What kind of exhibition was that?
00:43:23I don't remember that.
00:43:25I don't remember that.
00:43:26I'm telling them
00:43:26that I'm telling them
00:43:26I'm telling them.
00:43:28What about their exhibition?
00:43:29Some of the academy students
00:43:30who were also familiar with
00:43:32all of Mr. Ryugan Moe's exhibition
00:43:33went to see
00:43:34all of Mr. Ryugan Moe's exhibition
00:43:34which was on 3 November
00:43:35of 2014
00:43:36and Fiesta
00:43:37was one of those
00:43:37projects
00:43:38from the art.
00:43:39That's fine.
00:43:48How did they do this?
00:43:49Yes, I found a claim.
00:43:53You've seen Fiesta
00:43:55in the exhibition
00:43:55and received a piece of
00:43:56and sent it
00:43:56and sent it
00:43:56to the free market
00:43:57and sent it
00:43:58to $100,000 won.
00:44:01Is that...
00:44:02That's not...
00:44:04It's a crime to do any work.
00:44:06And when you're stuck, you don't need to give up in the law.
00:44:11What would you say?
00:44:16I'll ask you again.
00:44:18Did you have a part of Mr. Reeve Gonmo's exhibition on the 3rd of November?
00:44:23He saw Fiesta's house, came to his house and gave him money.
00:44:30I have to go home.
00:44:32Give the first question.
00:44:32Give the first question.
00:44:33Yes.
00:44:34Yes.
00:44:39I just want to say so much.
00:44:41Say it, Samsung.
00:45:09Do you want to cross-examine your rules?
00:45:17Do you want to cross-examine your rules?
00:45:20What do you want to cross-examine your rules?
00:45:26Tell us about your rules and the rules?
00:45:31What do you want to cross-examine your rules?
00:45:38Okay, okay. I'm getting the help of the girls.
00:45:46That day you were showing a big deal.
00:45:48Now what are you going to do?
00:45:50Can you tell me about the fight?
00:45:52Please, sir, help me.
00:45:53Will I help you?
00:45:54No.
00:45:55I'll help myself.
00:45:56You're going to run away, but you're not going to run away.
00:45:59What do you want?
00:46:00You're going to make a record of your bad guys.
00:46:03Just imagine that you're going to kill me.
00:46:06Not bad, but still don't forget about it.
00:46:07It's my own client.
00:46:08And I will see myself your own.
00:46:11Okay, what's wrong?
00:46:18Then you want to look after this time?
00:46:19Then you look after this from Fuel Cool.
00:46:21No.
00:46:22So go and do it.
00:46:29Look after these tools.
00:46:31Say you touch me?
00:46:37What's wrong with you?
00:46:53Miss Moon?
00:46:54Yes, I'm wrong.
00:46:57I'm wrong.
00:47:07I'm wrong.
00:47:09I'm your host, Miss Moon.
00:47:12You know that I'm in your team.
00:47:20And you,
00:47:22whatever you say,
00:47:26I'll never tell anyone.
00:47:31Can you tell me something about this painting?
00:47:42Yes.
00:47:43Yes.
00:47:45Yes.
00:47:51Do you feel better than me?
00:47:55Yes.
00:48:10I don't know.
00:48:15What about painting Fiesta in the real world?
00:48:27Before I was born, I and Minato were watching the painting in that painting.
00:48:33And it was the last month of pregnancy.
00:48:36And then I took the birth of my childhood,
00:48:38and I felt that I felt that I was in the painting.
00:48:46So what are you doing with this painting?
00:48:49What are you doing with this painting?
00:48:49Is there any painting in this painting?
00:48:52Is there any painting in this painting?
00:49:06No.
00:49:08But why are you asking that?
00:49:09So there is no painting in that painting?
00:49:13No.
00:49:16That's all, Your Honor.
00:49:29So Miss Moon,
00:49:32Can you tell me about that painting?
00:49:38Um…
00:49:51It's my father's face.
00:49:55Oh…
00:49:56It's your father's face.
00:49:59Do you remember your father's face?
00:50:01I have a photo.
00:50:03You have a photo?
00:50:04Can you see it?
00:50:06Yes.
00:50:06Yes.
00:50:21I'm going to send the photos of his father's father's father.
00:50:24I'm going to send the photos of his father's father.
00:50:24Yes.
00:50:27I'm just, your father's father.
00:50:39Hmm…
00:50:40But, I didn't see you on this painting?
00:50:43You can see the picture on me too.
00:50:47Ah…
00:50:47I thought,
00:50:50my father produces pictures of my father's mother,
00:50:54so I found her from me.
00:50:55Where did she found her?
00:50:57How can we see it? Tell us.
00:50:59In the dark place, if you hit the light on the painting,
00:51:03then we will see.
00:51:05Can I check this?
00:51:12For the law, it is important that the light will be reduced.
00:51:39I tell you, the child is telling me.
00:51:43You'll see your son who has surgery!
00:51:44Look, you're right.
00:51:50There's my father.
00:51:54I've taken pictures of my father.
00:51:55I made a picture of Papa's father.
00:51:58Your father's father?
00:52:04But I didn't see it.
00:52:07It's really a picture of Papa's father.
00:52:10But it's a secret.
00:52:16Yes, I'm using a light,
00:52:18but I can see it in the face of Papa's father.
00:52:25I'm very happy to see it.
00:52:30When I made a painting,
00:52:33I'm very happy to see it in the painting.
00:52:39The mother loves her most of the world,
00:52:43or I'll say that the mother is all for everything.
00:52:50I'm very happy to see it.
00:52:51It's a secret.
00:52:52It's a secret.
00:52:53It's a secret.
00:52:54It's a secret.
00:52:54We need to say that it's a secret.
00:52:57It's a secret.
00:53:01With all the candles of light,
00:53:02it's a secret.
00:53:03And we can see it.
00:53:04It's like a human being.
00:53:07It's a secret.
00:53:10The human being was.
00:53:14It's not a secret.
00:53:20It was a secret.
00:53:29When he was 12 years old, his father left his mother and his mother and left his mother.
00:53:36After his mother went to his father, his mother had all his thoughts.
00:53:46When he remembered his father's name, his mother had his mother.
00:53:54He got to his father.
00:53:58He got to his brother, his mother.
00:54:00He was not with us.
00:54:03He was not going to die.
00:54:06He was not going to die with us.
00:54:07So, he was on the drawing.
00:54:16foreign
00:54:22yes
00:54:23yes
00:54:23yes
00:54:23yes
00:54:23yes
00:54:24genius or tetro-chromage
00:54:25this was possible to see it.
00:54:30The face of his paintings
00:54:32all his paintings
00:54:33were like the eyes of his eyes.
00:54:35But when the door
00:54:36was seen in a special light,
00:54:38he was seen in a special light,
00:54:38he was seen in his father's face.
00:54:42He was seen in his eyes
00:54:44without any fault of his brush stroke
00:54:47that he was seen in his face
00:54:49in his face, his texture,
00:54:49his skin, his skin
00:54:50and his skin were just right.
00:54:53And also, he used Florissant Rango to use a painting that his father was only seen in a special way
00:55:01in the eyes of Roshni.
00:55:03And he didn't even know anyone.
00:55:04This is the painting that Chong Hai has made.
00:55:07He was kept in my car, so I took it.
00:55:12Come here, I took my trash.
00:55:14Wait a second.
00:55:31Come here.
00:55:44Oh, Mabri.
00:55:55Oh, my child.
00:56:00Chong Hai.
00:56:07Forgive me to my mother.
00:56:11She forgot me.
00:56:14My child.
00:56:23I will be very happy to my father.
00:56:29That's why you made this painting?
00:56:31Yes?
00:56:31Yes.
00:56:32And every time, when the painting was completed, you used to paint the painting.
00:57:06I was used to paint paint.
00:57:09Now, when I'm going to ask you about this painting,
00:57:13you can tell me everything you need to tell me.
00:57:17Ah.
00:57:21Chonga,
00:57:23how you made your picture, tell me everything.
00:57:27Your mother will never get angry.
00:57:29Okay?
00:57:32Yes.
00:57:49You can tell me everything about this.
00:57:50Let's check the Fiesta.
00:57:53Yes.
00:57:56I want to see.
00:57:57I mean, there's no man.
00:57:58What would happen if he was like that?
00:58:30How did Vadi's face come from the father's face?
00:58:32He...
00:58:34You said that there was no impression on him.
00:58:45You didn't know that.
00:58:47You can know this painting.
00:58:50Which you are absolutely not.
00:58:53Vadi's face didn't look at Vadi's face.
00:58:55Vadi's face didn't look at Vadi's face.
00:58:57This is a painting.
00:58:58Copyright canon, so you have a famous artist Mr. Ryu Gon Mo.
00:59:01And after that, without knowing that there is a painting in this painting,
00:59:04you have a real artist to the copyright.
00:59:08Why?
00:59:09We need to answer.
00:59:09What do you want?
00:59:13This is true.
00:59:21Mafia is asking.
00:59:24Mafia is asking.
00:59:24You have to answer.
00:59:24You know, a painting in the artist Moon Jong-he.
00:59:26To paint the artist Moon Jong-he.
00:59:27To paint this divine authority,
00:59:29To paint the artiest Moon Jong-he's face.
00:59:31And to paint the artist Moon Jong-he's face.
00:59:32To paint the artist Moon Jong-he's face.
00:59:33Now, Mafia is asking.
00:59:34You are getting the objection to Arctur Divadi.
00:59:35Mafia is asking.
00:59:37Mafia is asking.
00:59:38Is that right?
00:59:42I am asking.
00:59:43I have to give you a favor.
00:59:45You should ask me to give me a favor.
00:59:47Despite giving me such a capability,
00:59:50he gave me that.
00:59:51I should ask him to give you a favor.
00:59:53And you also.
00:59:54And you should have to give me a favor.
00:59:56You understand?
00:59:58Your...
01:00:00Your art?
01:00:03You don't know how much you are.
01:00:06And now, like you,
01:00:07I'm going to be a night-to-night.
01:00:09I've given up my head.
01:00:10I've given up my life.
01:00:15I've given up my time,
01:00:16I've given up my mind.
01:00:18I've given up my money.
01:00:22You've given up my money.
01:00:27And I've even been unread.
01:00:28You've been forgiven.
01:00:29And I have given up my life.
01:00:29You've left alone.
01:00:30You have赤.
01:00:33You've gone,
01:00:33you know that there's no influence at all.
01:00:35You need help at all of that.
01:00:59HAMILA
01:01:00HAMILA
01:01:00HAMILA
01:01:00HAMILA
01:01:04HAMILA
01:01:07What did you say? Like me?
01:01:09Hey!
01:01:10Wadi!
01:01:10Wadi!
01:01:11Wadi, calm down!
01:01:13If I don't know his art,
01:01:15if I don't know his painting,
01:01:17then no one doesn't know his art.
01:01:20It's not in the flea market.
01:01:21Wadi, calm down!
01:01:23If I don't know his art,
01:01:25then no one doesn't know his art!
01:01:26Hey!
01:01:27Please, sit down.
01:01:29Sir, calm down.
01:01:30Sit down in your place.
01:01:32Hey!
01:01:32Keep calm down!
01:01:33Keep calm down!
01:01:34Get back!
01:01:36Kang Yoo Min,
01:01:38you know that before him,
01:01:39he never felt so cool.
01:01:40Really?
01:01:41Yes.
01:01:43Do you know the first case?
01:01:44Dude, it's burning.
01:01:47But, attorney,
01:01:47is not showing him anywhere?
01:01:49Yes.
01:01:50I've also seen him over the break.
01:01:52Yes.
01:01:53I wanted to see him.
01:01:54He did.
01:01:55He did.
01:01:56It's amazing.
01:01:57You are so good.
01:01:59Attorney, Kang Yoo Min.
01:02:08You told me,
01:02:10Attorney?
01:02:14Hmm.
01:02:15He was a key ring.
01:02:17Oh.
01:02:18Yes.
01:02:21I'll get to the office.
01:02:22I'll get to the office.
01:02:29sir.
01:02:30I've always saying my best,
01:02:31Huung, sir.
01:02:34Oh, not this attorney.
01:02:39Oh, sorry.
01:02:45Oh, I'm sorry.
01:02:47Oh, honey,
01:02:48ah.
01:02:51Ah.
01:02:52Ah, ah.
01:02:52I'm going to tell you.
01:02:53Okay.
01:02:55I'll show you.
01:02:55Two party.
01:02:57Deal.
01:02:58Let's go.
01:03:22Thank you so much, Yomin.
01:03:27Everything is fine.
01:03:30Chongye's paintings are always so happy
01:03:33that I don't know that there's no doubt.
01:03:37Did you know Miss Moon is an art genius?
01:03:43No.
01:03:44If I'm like Chongye's genius,
01:03:46then did you know Miss Moon is an art genius?
01:03:53I'm sorry.
01:04:03I'm sorry to send my mother to you.
01:04:05I'm sorry to send my mother to you.
01:04:15Is there any recent photo of Miss Moon?
01:04:20Who is it?
01:04:21She reminds me of her mother.
01:04:25Yes.
01:04:26She will come.
01:04:26She gave me a birth.
01:04:30Why don't you get to meet her?
01:04:31She will not be able to get this story.
01:04:34Perhaps.
01:04:35The reason I got to throw her
01:04:37doll is that she's hiding in a painting.
01:04:40I was worried about Miss Moon.
01:04:42I can tell her about Miss Moon.
01:04:44I can tell her that she might be a dream.
01:04:44I was afraid she might be a dream.
01:04:46My mother and mother only are through sign language.
01:04:49But I'm going to say it and I'm wearing a coat.
01:04:51She wanted to meet Miss Moon
01:04:53and uncle.
01:04:54That's it.
01:04:54She can listen to Miss Moon.
01:04:57I will even find something.
01:05:17What happened?
01:05:18Oh, maybe it's going to be a big announcement.
01:05:21Oh, maybe it's going to be a big announcement.
01:05:32Wow, name partners.
01:05:35Who?
01:05:37This is Shin Ko and Kim.
01:05:40Shin, that's Mr. Shin Myung Jin.
01:05:42Ko, that's Mr. Ko Sang Chol.
01:05:44And Kim, Mr. Kim Yul Song.
01:05:48I know.
01:05:49If it's time and money for everyone, I won't give a lot of advice.
01:05:52I want to announce an important announcement.
01:05:54That's why I called you all.
01:05:54Today I'm going to retire.
01:05:57And now I'm going to become an advisor.
01:06:01What does Jung mean?
01:06:02And I want to make a manager who has made a partner.
01:06:08Please welcome her.
01:06:10That's Ms. Kwan Nayeon.
01:06:12Come to the stage.
01:06:14His name is enough.
01:06:28The next video comp 것도 fitting.
01:06:29We'll see you next week,
01:06:46We will.
01:06:47We will come in a match.
01:06:47Has been in charge.
01:06:52In Australia,
01:06:53The top three options go.
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