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Young Sherlock S01E06 (2026) [Full Movie] [High Quality]Full EP - Full
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00:11To be continued...
00:40here dry yourself off you've had quite a shock
00:45sorry it's for my own protection your protection exhuming your sister's body
00:50hardly rational is it no no no no don't don't try to make it out like i'm the dangerous one
00:54i always feared this day would come that i would find out you would show signs of your
00:57mother's affliction is my sister still alive sherlock for god's sake it's not her in the
01:03grave it's not her body of course it's no it's not her arm was broken that arm's not broken
01:08you're misremembering i know it was in a sling it was in a sling i remember that yes yes it
01:14was because she had sprayed her arm falling from a tree trying to climb after you trying
01:22to keep up after you no wonder you've blocked it from your memory i understand how desperately
01:28you want to believe she's alive i know about your your failed businesses and how your fortunes
01:33changed when mother was sent away explain that you know why my business went under because
01:37i was here looking after your mother she wasn't welsh or wrong before beatrice died and after
01:42she went away i buried myself in work and so my fortunes improved there is nothing sinister
01:47about it only two people saw the body only you and the groundskeeper no that is simply
01:52untrue the doctor he issued the death certificate he saw i can't believe we're even having this
01:56conversation a doctor who didn't even know what we had just looked like enough i i've been
02:00more than patient why would you bring a doctor all the way from oxford that was your mother's
02:05idea she was an old friend of his he was an old friend of hers she wanted him to be
02:12here
02:31do you think that i'm i'm i'm i'm capable of something so heinous i hate this imagination
02:42can be a curse you stay away from him that's a lie about the doctor it's a lie how many
02:54others are there my love you you you you don't remember james told me what they found in that
03:00grave yes beatrice where is she you just need to calm down oh do we
03:12get in that's uh most mysterious most mysterious um what is sir
03:37What? What is what, young man?
03:39What is most mysterious?
03:41Well, no sign of skin discoloration,
03:44no lingering smell that would indicate poisoning,
03:48no sign of a heart attack,
03:50no blood vessels burst, as you'd expect,
03:53and no flesh wounds of any sort.
03:57So the man has been murdered,
03:58and you're telling me that we don't know how?
04:01What I'm telling you is that the body is in excellent health.
04:05Yes, apart from the rather unfortunate fact.
04:07That he is dead.
04:10Hmm.
04:13What is this?
04:13That's the contents of his airways.
04:16The sort of thing that you would expect in a drowning victim.
04:20Except he didn't drown.
04:21I was there. I was on dry land.
04:26Would you excuse us for a moment, please, sir?
04:28Yes, certainly, young man.
04:29Thank you so much.
04:33Do you know what he was working on?
04:34Because if you do, now is the time.
04:37It was, um, something for the government.
04:40Most secretive.
04:42So he and Professor Malik,
04:44they were working together, is that right?
04:45Yes.
04:46Although he never shared any of the details with me.
04:48You neither?
04:50No.
04:51Are we getting anywhere?
04:53Not really, Lestrade, no.
04:55No.
04:55Each question leads to more questions, like fighting the Hydra.
05:02Lestrade, what do you have for me?
05:05A wire cone for you, sir?
05:09Oh.
05:09I have been summoned.
05:26Who is she?
05:27We don't know.
05:30They would have got a body from the hospital or at the poor house.
05:34It's not hard to do.
05:42Do you think she might still be alive?
05:44I don't know.
05:45But it is a possibility.
05:47Yes.
05:48It is a possibility.
05:51Where are you going?
05:53To find her.
06:00And where is Professor Malik now?
06:03I'm afraid I don't know, sir.
06:04And the Chinese assassin?
06:05Whereabouts also unknown, sir?
06:07Mr. Holmes, your handling of this whole thing has been nothing short of appalling.
06:11Yes, well, perhaps if you gentlemen had been a little more forthcoming with me from the start,
06:14I might have been better placed to protect, sir Bucephalus.
06:17Are you insinuating this is our fault?
06:19I can say it more plainly if you prefer.
06:20Holmes.
06:21I believe that Hodge was killed owing to a secret government project based out of Oxford,
06:25the details of which you have refused to share with me.
06:28But I suspect whatever he was working on was highly dangerous.
06:33Hodge died working for this government.
06:37I need to know what you know.
06:42How does a man show signs of drowning on dry land?
06:47Don't try to confuse us with riddles, sir.
06:50You were sent to Oxford to assist Sir Bucephalus with the new science building.
06:54Now he's dead.
06:55On your watch.
06:57You're done here, sir.
06:59Your career with Her Majesty's government is at an end.
07:01Sir, if I may, I...
07:02That will be all.
07:10Good day.
07:12Tell me everything that you've uncovered so far.
07:16Well, we think it was the groundskeeper who actually took Beatrice.
07:19Not Nathan.
07:20Yes, Nathan.
07:21Father paid off his debts just after Beatrice disappeared.
07:24My darling, he was always so kind.
07:26Well, Father was with us at the picnic the entire time, so he would have needed an accomplice.
07:29And the groundskeeper would have squirred her off the estate.
07:31So he would have needed to, thank you, take her as far away from here as possible without anyone noticing.
07:35Did he have a cart or a trap?
07:37Yes, he had a cart for his deliverance.
07:41Nathan did deliveries?
07:42Game.
07:43Yes, Father used to hunt game on the estate, pheasants and rabbits.
07:46And Beatrice would never eat the rabbits.
07:48She used to give them all names.
07:50So there was lots left over and Nathan was selling once a week from his cart.
07:53So Nathan renders her unconscious and hides her in the cart underneath the sacks of pheasants and rabbits.
07:58And then it's a standard delivery and he draws no attention to himself.
08:02Do you remember where he'd make these deliveries due?
08:05No darling, I have no idea.
08:11The game book.
08:14The estate game book.
08:15Everything that was shot and sold has been recorded in there.
08:19Nathan Burford makes a delivery the day after Beatrice supposedly died.
08:24Isn't that a peculiar day to go about your business as usual?
08:27A brace of pheasants.
08:31Four rabbits.
08:35And a hare.
08:39Delivered to an address in Highgate.
08:41That's the best amount of sixty miles from here.
08:44Where no one would know her.
08:46I will get Crowell to saddle some horses and I promise to wire news as soon as I have it.
08:51Oh no.
08:52I'm coming with you.
08:54If Beatrice is out there, I'm going to find her.
09:00With or without you.
09:06That's you tall.
09:16Down from under my feet.
09:18Go on you little tights.
09:19Go play over there.
09:24Who are you then?
09:25My Croft Holes.
09:26I was wondering if your good husband might be home.
09:28My good husband.
09:30I only have the one.
09:33Visitor.
09:34Thank you, light of my life.
09:39Excuse me.
09:40A little early.
09:41Isn't it constable to be on the cider?
09:43I'm drowning my ambition, Mr. Himes.
09:45Scotland Yard.
09:46That's where I had my sights on.
09:47But after everything that's gone down, Hodge dead.
09:50If you haven't fled, I'll be lucky to keep my job in Oxford.
09:55Constable, it is a safe bet, is it not, to assume that Professor Malik killed Sir Pucephalus Hodge?
09:59It is.
10:00Well then, is it also a safe bet to say that if we were to apprehend Professor Malik, we could
10:05also rescue both of our careers?
10:09I'm listening.
10:10When we were at the police station in Oxford, you mentioned Professor Malik having a file.
10:13What of it?
10:14What was in it?
10:14Nothing. Just his name and his address in Oxford, which we've already searched.
10:18But if he had no criminal record, why bother to create a file for him in the first place?
10:24Answer.
10:25There was something in that file before.
10:28It's since been taken, so where's the arrest report?
10:31Worth another gander, don't you think?
10:34I'll get my coat.
10:50Hello.
10:53Can I help you?
10:54Oh, yes.
10:56We're looking for a young girl.
10:58We have reason to believe that she was brought here about twelve years ago.
11:03Um...
11:03This is her.
11:05I'm afraid I've never seen her.
11:08Now I bid you good day.
11:23I would ask you to stop pestering me.
11:26Her name is Beatrice.
11:28I'm her mother.
11:30My name's Cordelia Holmes.
11:32Until yesterday, I believed that she was dead.
11:35I now have reason to believe that she may have been brought here.
11:38Tell me anything you know.
11:40Anything at all.
11:41I'm asking you.
11:43I'm begging you.
11:43Please help me.
11:47We didn't know her name, so we called her Hannah, because she came to us as a blessing.
11:54I couldn't have children of my own, you see, Mrs Holmes.
11:58And we thought that she was an orphan.
12:02And it was Nathan Burford who brought her here.
12:05He said he was from the orphanage.
12:07It's been a terrible accident.
12:08A fire at the house.
12:09So you're going to stay with Mrs. Tilcott for a while.
12:12Hello, little one.
12:13We tried to give her a good life.
12:15I am sure you did.
12:16I gave her all the love I had.
12:19Gave.
12:20You said gave.
12:23She's not here, is she?
12:26She's gone.
12:27Yes.
12:28She left us.
12:30When she was fourteen.
12:32We woke up one morning.
12:33She'd written a note thanking us and saying that she didn't want us looking for her.
12:38And you have no idea where she went?
12:41No.
12:42Mrs Tilcott.
12:43Could I see her room?
13:00What was she like?
13:04Right.
13:06Determined.
13:08Stubborn.
13:15Did she call you mother?
13:17I'm so sorry.
13:18No, no, please.
13:19Please don't apologize.
13:20I can see that this was a...
13:22A happy and loving home.
13:27She loved nature.
13:29We'd get her those on her birthday.
13:30A different one, every year.
13:32You would buy her these?
13:36No need to lie to us now, Mrs Tilcott.
13:38No, Mrs Tilcott.
13:39Just anything you can tell us that might help us to find her.
13:44They were sent.
13:48Where did they come from?
13:49Sent.
13:49From.
13:50Who?
13:51I never learned his name.
13:52Never met him.
13:53He was her benefactor.
13:55That was all I knew.
13:56There was never any return address under the parcels?
13:59None.
14:00Do forgive me.
14:01No, no.
14:08I don't know.
14:09Steel pin.
14:10Lacquered preventing rust from the moisture inside the thorax.
14:14Specialist equipment.
14:18Only one place in London makes it, is?
14:26Annual commission.
14:28Beatrice was sent to Butterfly every year on her birthday.
14:30I'm paid for it by Silas.
14:31No name, but they gave me an address.
14:33Bedford Row Holborn, please, sir.
14:36Darling.
14:38Apologies.
14:39My nose, surely.
14:40I don't think.
14:45Constable Lestrade, Mycroft Holmes.
14:48Leave the door open.
14:54Fischl Malik.
14:58As I said, it's empty.
15:01Someone trying to protect him, you think?
15:06Look at this.
15:07The ink was wet when the document was put into the file.
15:10Well, I can't read it.
15:11It's backwards.
15:13Never leave home without addressing the mirror, Constable.
15:16Like so.
15:19Two names.
15:20Two addresses.
15:22First is undoubtedly Malik's.
15:24Second is harder to read.
15:27Looks like Alvy Gordon.
15:29Shelbourne Hotel.
15:30Bayswater, London.
15:37Two.
15:40Three.
15:41Three.
15:42Three.
15:43Three.
15:43Three.
15:44I suppose she'll know who I am.
15:46She won't remember me after all this time.
15:49And she's been raised by another woman, so...
15:52Now, now, Mrs. Holmes.
15:54You'll never forget your mother.
15:55I certainly won't forget mine.
15:57James, what happened to your mother?
15:59Well, she's long passed.
16:01She had the consumption.
16:02I was only a little lad at the time.
16:04Oh, you poor thing.
16:05I'm so sorry.
16:06But there's not a day that goes by that I don't think of her.
16:08And I promise you, it'll be the same for your Beatrice.
16:12You are such a kind man.
16:13Well, you bring out the best in me.
16:15And you have such a beautiful smile.
16:19Driver!
16:35Will you kindly stop it?
16:38I wasn't referring to the whistling, James.
16:41Kindly stop what?
16:41Flirting with my mother?
16:43I'm doing no such thing.
16:44I know you.
16:45You can't help yourself.
16:46What I cannot help, Sherlock, is if people find my charm irresistible.
16:53You can't deny your mother's a very beautiful woman.
16:57And I certainly wouldn't kick her out of bed for eating biscuits.
17:02I am serious, James.
17:05Cease and desist.
17:28This is the address for Alvy Gordon, Esquire.
17:31If your cute little mirror trick is correct.
17:34Good afternoon.
17:36We're looking for an Alvy Gordon.
17:38Yes, of course.
17:39I'm Mr. Gordon.
17:40Perfect.
17:41We're looking for Professor Malik.
17:44Kiss your Malik.
17:45I'm sorry, I don't know anyone by that name.
17:47Strange, that, sir.
17:49Seeing as this address was listed on his arrest report.
17:55Perhaps this is best discussed in my office.
18:00Now.
18:03What's all this about?
18:07I couldn't possibly trouble you for a glass of water.
18:10Could I?
18:13Wait here.
18:14Thank you so much.
18:24A receipt from Hatch Arts and the Bookshop for a Moody's Guide, latest edition.
18:29I shall ask what you think you're doing.
18:31As I said, sir, we're trying to find Professor Malik.
18:33And as I said, I don't know him.
18:36You recently purchased a travel guide, sir.
18:39I thought I might take a holiday.
18:40This receipt mentions that you paid to have it gift-wrapped.
18:44Traveling with someone, are we?
18:46What exactly is your relationship with the Professor?
18:52We have the arrest report, Mr. Gordon.
18:54Someone tried to suppress it, but recently it came into our possession.
18:58Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
19:03But many in my profession may hold a different view entirely.
19:06Fortunately for you, I'm able to ensure the arrest report remains hidden.
19:10As I'm sure you would prefer.
19:13Yes.
19:15Very much so.
19:17So tell me, where is Professor Malik?
19:24Paris.
19:26Well, well, well, Constable Strahd.
19:28Bluff and blackmail all in the same breath.
19:31We'll go far, Scotland Yard, I'm quite sure.
19:34I won't be able to come with you to Paris.
19:36Well, that is a shame.
19:37Have to get back to work.
19:38Can't leave Mrs. Lestrade with her hands full.
19:41Not to mention the goats.
19:44Fine, Malik.
19:45Yes, if I do.
19:46When you do.
19:46I will be sure to let your superiors know quite how invaluable you were.
19:52Thank you, Mr. Holmes.
19:54Please, call me Mycroft.
20:03We're frozen.
20:05On to the petty.
20:07Sweet virus.
20:08Petty a bunch.
20:14He's out there yet?
20:16Not yet.
20:18He's the only one who found Malik's message.
20:32Red Street, Chief Sight.
20:40Chief Sight, please.
20:51Chief Sight, please.
21:36Chief Sight, please.
21:37Chief Sight, please.
21:37Chief Sight, please.
21:38Chief Sight, please.
21:39Chief Sight, please.
21:54Oh!
21:57Oh!
22:05Oh!
22:07Oh!
22:22Oh!
22:27Oh!
22:34Oh!
22:44Oh!
22:47Oh!
22:50Ma'al!
23:17możesz姑娘我去找人来帮忙没时间了你得跟上阿撒d他是找到马力的尾医线做来不及了他已经跑了不我知道他会去哪儿
23:18There's a bottle of water in the water.
23:23Ali!
23:24The girl.
23:26She will appear here.
23:28The girl.
23:30You're so cute.
23:31You're so cute.
23:33Come on.
23:35But I can't leave you alone.
23:38If you don't want to die, Malik,
23:41it will end the disease.
23:45For your father,
23:50you must find her.
23:53Good.
23:57I'm sorry.
24:01I'm sorry.
24:02I'm sorry.
24:03I'm sorry.
24:42I'm sorry.
24:46I'm sorry.
24:46Mother.
24:48Careful now.
24:48This will make you our accomplice.
24:50Oh, good.
24:55Where did you learn how to do this?
24:57Headmaster's office.
24:58Used to break in, alter my school reports before they were sent home.
25:01Well, that didn't stop you getting expelled from school, did it?
25:04It stopped me getting expelled from more schools than I would have.
25:07Do you know, I'm realising.
25:08I have absolutely no idea who you are.
25:11I am my mother's son.
25:14Care to do the honours?
25:15Go on.
25:16Live life on the edge.
25:22We'll make a thief for you yet, Mrs. Orbs.
25:39What is this place?
25:41Let's light her up and find out.
25:47Good man.
25:58Some sort of textile company.
26:01Sherlock, look.
26:02This is Beatrice.
26:04I mean, she's older, but about 14.
26:07That's definitely her.
26:08I knew it.
26:09I could feel that she is still alive.
26:17Father's name?
26:18That's definitely his signature.
26:28Imported textiles?
26:29I don't understand.
26:30Why would he hide that from us?
26:32We should hurry, James.
26:34Yes, yes.
26:34Silas' travel itinerary.
26:36He's a busy man.
26:38Brussels, Bordeaux, London to Monaco, Amsterdam to Madrid.
26:42There's a name here.
26:44Therese.
26:45Perhaps a female travel companion.
26:46Well, whoever Therese is, is with her this weekend.
26:51So where is Therese?
26:53All of those journeys were made by train.
26:55What are you doing?
26:56Linear interpolation.
26:58Brussels to Bordeaux.
27:00London.
27:01Monaco.
27:02Amsterdam.
27:03Madrid.
27:04Madrid.
27:04All of those journeys intersect the same place.
27:08Paris.
27:10I saw something.
27:11Look.
27:13A guidebook to Paris.
27:15Right.
27:16Well.
27:17Therese is not a woman.
27:19Therese is the name of a hotel in Paris, in Rue Saint-Anne.
27:22Gosh.
27:23Not a clever.
27:27Right.
27:28Time to skedaddle.
27:29Well done, mother.
27:30When you're ready, Mrs. Holmes.
27:31Yes.
27:31No.
27:32Go for you.
27:32This way.
27:36Not that way.
27:38Please move.
27:38Yes, sir.
27:39Come on.
27:50Good clap, sir.
27:51Oh, goodness.
27:54Doesn't that hurt?
27:55Well, I never think to stop and ask them.
27:57They're not policemen.
27:58Police don't wear brown boots.
27:59Well, who are they then?
28:00Well, we could ask them.
28:02Or, we could run.
28:03Oi!
28:04Oh, no!
28:04No!
28:05What the hell?
28:06Oh, yes!
28:07Oh, yes!
28:08We're running!
28:14Charlotte!
28:15Where are we going?
28:17Not sure.
28:19Yet.
28:22What are we doing?
28:23Thinking.
28:28Step aside, mother.
28:36Or someone.
28:39Oh, no!
29:00This world of yours, Sherlock, it is rather fun, isn't it?
29:06Yes, I suppose it is.
29:11Hey, well.
29:14Jepharas?
29:30Hey, hey, hey.
29:38Hey, hey, hey.
29:39Now, they are in the midst of a revolution.
29:41What a case.
29:41How many revolutions does a country need?
29:44Some parts of the city remain relatively unscathed, but we will have to navigate one or two barricades
29:49to get to where we need to go.
29:50Oh, you are too focused on the obstacles, my friend.
29:52Oh, you are too close.
29:58You are too close.
29:58We are going to the hotel, Terrell.
30:00Do you want to show us the path?
30:01You turn to the right, at the end of the street.
30:04And you have to go to the right.
30:05You have to go to the right, at the end of the street.
30:07And you have to go to the right, at the end of the street.
30:20And you have to go to the barricades.
30:39Oh, I'm in me.
30:40Oh, I'm in me.
30:41English?
30:42Yes, yes.
30:42We're English.
30:43We do not like the English.
30:45How do you feel about the Irish?
30:46We like the Irish.
30:48So what do you propose?
30:54I don't shoot you, but I do shoot them.
30:57No, we'd quite like if you didn't shoot any of us, if it's all the same to you.
31:00We're just looking for my husband. He's on your side.
31:04He would lay down his life for the revolution.
31:07Then, get over it.
31:10Merci.
31:13Merci.
31:16Enchanté, madame.
31:19James?
31:25Here she is, Hotel Therese.
31:27Right.
31:28Let's find a spot and watch the place.
31:29Wait for him to show.
31:30There's no time to wait. We have to find B.
31:38Ah, bonsoir, monsieur.
31:39Madame.
31:40Je viens rejoindre mon mari, monsieur Silas Holmes.
31:44Désolé, madame. Monsieur Holmes n'est pas ici en ce moment.
31:47Pourriez-vous avoir l'obligence de me dire où je pourrais le trouver?
31:51Un homme, à doigts, à son jardin secret, madame.
31:54Monsieur, je suis fatigué. Je suis affamé.
31:58Et je viens de m'échapper d'un asile.
32:02Croyez-moi, il n'est pas dans votre intérêt que je cause un esclandre dans votre hôtel si élégant.
32:09Elle est assez fatale avec confusée.
32:12Nous cherchons Silas Holmes.
32:15Il est parti à une quinzaine de minutes.
32:18Où partait-il?
32:19Aucune idée.
32:20Il n'a pas pris de calèche.
32:21Alors?
32:22Elle ne peut pas aller aimer un noir.
32:25Quel est le choix?
32:32Quelle direction?
32:33Sébastopol.
32:34Ou non?
32:36D'accord.
32:37Qui porte-t-il?
32:38Ce qui est porté.
32:39Coup de forme.
32:41Cap.
32:42L'opéra?
32:43Mauvaise direction.
32:44Bon.
32:45Qui est-il dans cette direction à pied pour qu'un homme se mette sur son pontéon?
32:55Chuchotez-le.
32:56Il faut liberger.
33:21À notre mort.
33:27C'est pas mal.
33:29C'est pas mal.
33:30C'est pas mal.
33:32C'est pas mal.
33:32C'est pas mal.
33:33C'est pas mal.
33:35C'est enfin arrivé là où je suis.
33:38C'est pas mal.
33:39Au couper de la monde.
33:40Au couper.
33:41Au couper.
33:41Tu es dans.
33:42N'existe pas mal.
33:43Le moment dans les dévisions.
33:45Keep them entertained. We'll have them in the palm of your hand
33:51Mon dieu, le visage d'un ange. Je suis au paradis
34:08The things you could teach me
34:10Whatever you want for a fee a fee he can't afford now if you wouldn't mind I'd quite like to
34:15find Silas
34:16Mycroft
34:17Silas
34:17No
34:19Mycroft
34:21Mother
34:23What is Mycroft doing here?
34:31Sherlock
34:31Mon cher frère
34:32You brought mother to Paris. Have you finally lost your marbles, brother dear?
34:36It wasn't his decision, darling. I'm fed up of people making decisions on my behalf
34:41I must say it just seemed to be rather agreeing with you
34:44Yes, I do find this life of adventure rather suits me
34:48I just wish I'd discovered it before, darling
34:52I'm sorry, I'm just not used to
34:54You've never seen me like this, I know
34:55Neither am I
34:56I'm finding it so liberating
35:02Finished?
35:03Yes
35:04What are you doing here?
35:05Half
35:06Following him
35:09Malik
35:11More to the point, what are you all doing here?
35:14We've been following him
35:19Father
35:21What's he doing here?
35:23It appears those two ghouls know each other
35:27Curiouser than curiouser
35:28Would anybody care to enlighten me as to what the hell is going on?
35:34We think Beatrice might still be alive
35:36I'm sorry, what did you say?
35:38We think Beatrice might still be alive
35:39Yes, I heard you, Sherlock
35:40What did you say?
35:42Darling, I know the bee is alive
35:45And Silas knows where she is
35:48Darling, he's on the move
35:50No time to explain
35:51Please get a friend
35:52Get your son
36:00When they call it
36:05Shall go
36:05I'm sorry
36:19Of shows
36:25There's a guard.
36:28Mycroft.
36:29Yes.
36:33Madam, how are you going, Madam?
36:36I was in a hurry, Mr.
36:40I'm going to help you, my man.
36:43I thank you.
36:54Well, no, it just vanishes.
37:07This one looks rather young.
37:41I'm going to help you, my man.
37:50I trust you enjoyed the festivities upstairs, to which we shall return.
37:54But for now, we must get down to business.
37:57Gentlemen, I know you stand here today with the same question on your minds.
38:02How do you take back control of your city?
38:04How do you take back control of your country?
38:06Impossible, some might say.
38:08As a famous man once said, impossible is a word only found in the dictionary of fools.
38:18What I am offering you here today, gentlemen, what Professor Malik here has developed,
38:26will change the face of modern warfare.
38:37Odorless, colorless, silent, deadly.
38:42This nerve agent is unlike anything the modern world has seen before.
39:05Killing butterflies is hardly our mission, sir.
39:09Indeed, General, quite so.
39:12Bring out the deplorable.
39:24You see, what I have here, in the right concentrations, will work on a barricade, a neighborhood, or even an
39:30entire city.
39:31You no longer need armies to defeat your enemies, General.
39:35You simply need me.
39:36Or, more precisely, you need what I'm selling.
39:40For those of you who wish to place an order, it's only fitting that we should meet at the famous
39:44two corners,
39:46where you can contact Mr. Esad Qashqal.
40:04You, my name is Peter.
40:20Oh, my God.
40:51Let's go!
41:04Father!
41:06Father!
41:09Shirk!
41:12Don't!
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