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Young Sherlock S01E02 (2026) [Full Movie] [Full Version]Full EP - Full
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00:06To be continued...
00:35you've got the wrong man
00:36let's not play games Mr. Holmes
00:38Professor Thompson's dead
00:39where your knife is found in his back
00:41the blood in your shirt and the blood in your face
00:43I was with Shumari
00:45the princess
00:45yes
00:46were you
00:49you what?
00:53I don't remember
00:56I know all about your mother Mr. Holmes
00:58such afflictions run in the family
01:00you're obviously deranged
01:02you planted the bombs
01:03you could turn yourself into a hero
01:04by saving everyone
01:05the only problem is
01:07the professor saw you
01:08that's what I reckon
01:11which would give you the motive to kill him
01:13it's a simple enough conclusion
01:15but unfortunately incorrect
01:16talk to the princess
01:18she'll corroborate my story
01:28how you come Mr. Holmes
01:38nice strip
01:41how about dinner first
02:03good breakfast my croft
02:05perhaps you care for kippers
02:06Shaffir does the most remarkable kitchen
02:08thanks you I've already eaten
02:10but I insist it's far too good to pass on
02:11so
02:14that's it
02:15in that case
02:19so
02:20how can I help you
02:22my brother
02:23is not responsible for the crime sir
02:25he is innocent
02:26tedious
02:27used to be such good fun
02:28can we please talk about anything else other than this
02:32so I suppose it's innocent God to do with it
02:33I can hardly interfere with police procedure now
02:35can I?
02:36oh your name does carry a certain amount of weight sir
02:37why are you an oxford Mr. Holmes?
02:40to assist you
02:40precisely
02:42not are you
02:43to try to remember your place
02:44you've no idea what's at stake here
02:46he is my brother
02:47quick a moment
02:47you're not listening
02:49stay out of it
02:50leave it with me
02:51keeping your brother locked up
02:52suits my purposes
02:56Mr. Holmes has lost his appetite
02:58very good sir
03:03thank you for your time sir
03:18good morning sir
03:20hmm
03:21you think you're getting it back
03:23don't you
03:23scholarship
03:24that would seem appropriate
03:25the scrolls were phoned
03:27and
03:27well I was exonerated
03:28all part of your young friend's little show
03:30but don't
03:31put a hand on me
03:32Moriarty
03:34sorry sir
03:35let's face it
03:36you've always struggled to fit in here
03:37haven't you
03:39perhaps you should find a calling
03:40better suited to your standing
03:43I believe I belong here sir
03:44I believe you'd do yourself a service
03:46if you pack your bags and leave
03:47your time at Oxford is done sir
03:50fine
03:51I'll do anything
03:52damn it man
03:58I'll step out of my way
04:02I want you out of your room at once
04:14what are you all looking at
04:18you fucking sheep
04:25James
04:26what
04:28that was very unkind
04:34this world is unkind
04:38where will you go now
04:39I don't know
04:40will you go see Sherlock
04:41I don't know
04:42well I need to know what he's told the police
04:44well I can't help you
04:46who are you all
05:12I can't help you
05:15can't help you
05:16you can't help you
05:32This is her.
05:41You're a shock.
05:43Can you get me out of here?
05:46It won't be easy.
05:47Not this time.
05:49This is a murder charge.
05:51You know, you don't have to leave me here just to make a point.
05:53I'm not making a point.
05:56It seems as though there are...
05:58Keeping it rather locked up, it's my purposes.
06:01Are the forces at work?
06:03What forces?
06:04Not sure yet.
06:05You'll have to bear with me.
06:07My wife rather in be, and I perhaps he can pull some strings.
06:11Does Mother know?
06:13Not yet.
06:15Don't tell her, please.
06:16Of course I won't, Sherlock.
06:17But a case like this will hit the newspapers.
06:23The police need to talk to Shu-An.
06:25The princess?
06:26I was with her.
06:27It's the last thing I remember.
06:33I'll see what I can do.
06:38Oxford has become a theater of death.
06:40Well, that is admittedly unfortunate.
06:43I'm happy to be reporting that the situation is now in hand.
06:46We have the suspect in custody.
06:47The scout?
06:50Apparently he's claiming he was with you last night.
06:52I'm afraid that is not true.
06:54He's either mistaken or deluded.
06:56Now that's settled.
06:57Perhaps you'd be so kind as to send your father a wire and reassure him all as well.
07:01A man lies dead, and your concern is for your trade with my father.
07:05But I don't like to wallow in the past, princess.
07:08Always look ahead to the next challenge.
07:14I'm sorry?
07:16I pray your assurances are not just dust and shadows.
07:21Or tea?
07:27Forgive me.
07:29Let me fetch someone.
07:39You do if you've been so kind.
07:41Of course, sir.
07:45My apologies.
07:46Think nothing of it.
07:49Well, I've taken up enough of your time.
07:51Princess.
07:56Take a telegram.
07:58Right away, sir.
07:59To Sir Sidney Bluitt, Minister for War.
08:03Here's Sidney.
08:05Storm clouds threaten.
08:06I fear our work here is no longer covert.
08:13Longer in the car.
08:14Move.
08:15Longer in the car.
08:16Pick up a claim.
08:17Come on.
08:18Move.
08:19Longer in the car.
08:20Longer in the car.
08:24Longer in the car.
08:25Longer in the car.
08:26Longer in the car.
08:26Longer in the car.
08:27Come on.
08:27Come on.
08:27Put this behind me, please, prisoner.
08:28Move on.
08:29Off you go.
08:30Come on.
08:31Next.
08:36Head down.
08:37Straight on.
08:39What exactly are we doing?
08:41I am rescuing you.
08:43So if we can save the fallen in gratitude, it'll only embarrass me.
08:50Too much.
08:51Yeah.
08:51Thanks.
08:53Hold up, ladies.
09:10Carry on.
09:15Clear and stop zero.
09:17Come on.
09:17Wrap yourself.
09:19You're going down the chute.
09:24Keep covered.
09:25That's your fight.
09:47Excuse me, young lady.
09:51I said excuse me, young lady.
10:12I'm walking out the speed.
10:14And she's stuck playing in front of me.
10:15For a ride, for a ride, for a drive, a drive, a drive inside it.
10:18Then fresh beneath a wave like a ship, like a facil jump.
10:22I'll just bounce it, I'll just bounce it
10:24Swim a little more, a little more
10:27And then we all just sweep a little more
10:29A little more, a little more, extremely
10:31Swim a little more, a little more
10:33And then we all just sweep a little more
10:35And then I'll get so fast forward
10:37I'll death in your face like you're in sincerity
10:40But I've been a cook around the bottle
10:43A lot of stupidity
10:44Tell me something, girl, why did you try out of source?
10:47So sit, open me up
10:48I'll just bounce it
10:50The dark bells and a little more, a little more, a little more, a little more, a little more, a
10:54little more, a little more, a little more, a little more, a little more, a little more.
10:55The devil, the devil, the devil, the devil, the devil.
11:03Escaped? What do you mean escaped? My understanding was that nobody could escape from Oxford Jail.
11:08Seems like you had an accomplice dressed as a washerwoman.
11:12When? When did this happen?
11:13An hour ago. Our officers are searching the city.
11:17Constable, I do not want some trigger-happy marksman gunning him down in the bloody street.
11:22Pardon me, gentlemen. Detective Fidget, Scotland Yard.
11:26Constable Lestrade?
11:27Is this the crime scene?
11:28It is, sir.
11:29Sounds like this case has turned into something of a shambles, Constable.
11:32With all due respect, sir, a lapse in prison security can hardly be considered my responsibility.
11:38Who might you be, sir?
11:40I am Sherlock Holmes' brother, Mycroft Holmes, from the Foreign Office.
11:44Ah, the Foreign Office and his brother. In one tiny package.
11:50I am prepared to help you with your search, on one condition.
11:55When he is brought in, no harm will come to him.
11:59My brother is innocent, Detective.
12:03Well, if he is innocent, Mr. Holmes, why is he running?
12:17Why here?
12:19So, look, it is as good a place as any to hide out.
12:22It is dark during daylight hours. You can get yourself a new outfit.
12:25But we are not running from here until we sort out this mess.
12:28This mess is my mess, not yours.
12:31You can still have a future at Oxford.
12:33I think we are well past that point.
12:37I suppose I should probably rather awkwardly say thank you.
12:43For what?
12:44For your flamboyantly impressive extraction.
12:49Now, there is no need to thank me.
12:51I am having a lovely time.
12:53You ready?
12:54Sorry.
12:58Ow!
12:59Jesus, James, what was that for?
13:01You need to learn how to defend yourself.
13:04Come on up.
13:06Come on up.
13:09I hate to break this to you.
13:11But you are a bit of an embarrassment.
13:17Stop hitting me in the nose!
13:18You need to learn how to stop me from hitting you in the nose.
13:22Oh, very good.
13:24Oh, so what happened to you last night?
13:26She came.
13:28We drank.
13:29I woke up covered in blood and was arrested for murder.
13:32So you can't remember anything else?
13:34No, nothing.
13:35Okay, how many did you drink?
13:36Two.
13:37Two?
13:38One and a half.
13:39One and a half drinks.
13:39Yes, that's it.
13:40Yes.
13:41Oh.
13:42Are you suggesting she's involved?
13:44I would explain.
13:46That's the way she came to your room last night.
13:49Oh, Sherlock.
13:51Oh, I just wanted to thank you.
13:54You're so free.
14:00That's not bad.
14:01Well, you deserved it.
14:06She did have her back to me.
14:09As she poured the drinks.
14:10Your companion, James Moriarty, is quite brilliant.
14:14But not as brilliant as you.
14:15So she slipped something in your drink?
14:18That would explain why I can't remember anything.
14:20Here's to your extraordinary future.
14:22Perhaps we do have the right idea.
14:24Just the wrong thief.
14:31She stole the scrolls to ensure the library was locked down,
14:34giving her time to plant the bomb.
14:36All good, all good.
14:38To a point.
14:39If she was trying to kill the Professor,
14:40why would you go to the trouble of building a bomb?
14:42Why would you not just wait for me at the back?
14:44And get it over with?
14:46That's Oscar.
14:47I would love to see her again.
14:50What's the collective known for a police?
14:53A plot.
14:53A plot of healers.
14:55A plot of healers.
15:04I think we should join the plot.
15:23The party was not a success.
15:27No one expected your Mr. Holmes to enter the picture.
15:31What do you intend to do about him?
15:35Already done.
15:39He's been arrested for murder.
15:41And on the run, I hear.
15:43Even more reason for them to think he's guilty.
15:47Is he going to be a problem for us?
15:51I can control him.
15:55He got to you, didn't he?
16:00Upon that wall are 26 characters from the Hebrew Bible.
16:04The numerical value of Jehovah.
16:07Jehovah is both positive and negative.
16:10Yin and Yang.
16:11So we double the 26 and we find 52.
16:15That is why we have 52 weeks in a year and 52 playing cards.
16:20What we don't need here is a 53rd.
16:24A Joko.
16:28The first apostle has been eliminated.
16:31I don't want to doubt you.
16:35You have one week.
16:38Move quickly.
16:39Find Professor Roberts.
16:45For it will be our blood that is spilled.
16:49Princess.
16:58Forgive me.
17:14Don't do it.
17:15Follow me.
17:25I'm tired, I'm tired.
17:26Don't do it.
17:27Professor Roberts?
17:28You're tired.
17:30He's tired.
17:40My book is a fantastic teacher.
17:44The sky lights up once again
17:50Like some rain falling in smoke
17:54You know that
17:56You know that
17:58Can you show me
18:23Anything else to tell me?
18:26No, Constable
18:27Good
18:29Keep your nose clean
18:30Will do
18:39Constable Lestrade?
18:40Yes
18:41Do you have anything for me?
18:47You too
18:50Here
18:51Now
18:56Yes, sir
18:58Young man worked here as a scout
19:00Sherlock
19:01Holmes
19:02I need information
19:05Family address
19:06Background
19:08Already there, sir
19:09His family estates in Appleton
19:10His father's scientific pursuits
19:12Take him aboard
19:12And his mother's in a local asylum
19:15You seem very knowledgeable, Constable
19:17Well, I do like to be my own research, sir
19:19I think it's fair to say that I
19:21Would lay down my life
19:23For the constabulary
19:24For the constabulary
19:25I also like to do my own research, sir
19:28And I think it's fair to say that I would lay down my life twice for the constabulary
19:33Very good, young man
19:34What else can you give me?
19:37I hear he is dangerously smart
19:41That's not where my investigation has led me, sir
19:44I hear that he's not as smart as he thinks he is
19:48A genius is probably a more appropriate term to describe his intellectual capacity
19:52I hear he gets all his best ideas from his associate
19:54Who we recognise to be the true artist
19:56I think my colleague's research has taken him down a verisimilitudinous cul-de-sac, if you will
20:02The barren land is how our saviour might describe this particular cerebral pasture
20:06Oh, I think that the acclaim is so often erroneously misplaced to cosmetic factor in an equation of two
20:15E pluribus unum, sir
20:18The moon so often takes the credit
20:22For
20:24The light
20:25That is shone upon it
20:28Thank you, champs
20:29Carry on
20:30Wonderful hat, sir
20:31Thank you, constable
20:34Sir
20:39Waste of time
20:41You're constable to have you press a must-shot
20:50You take the room
20:50I'll take the stairs
21:11What did you say?
21:14You said we could serve these staircases
21:21Well, I'll stop you there, chaps.
21:23Take me a job.
21:24I think I'm there.
21:26I suggest you take a look at the north stairs.
21:28I'll check this out.
21:29On you go.
22:01I know about your English children and your nursery games.
22:04Shall I be the nanny and you'll be the little boy?
22:08Are you going to make me come and find you?
22:12That won't be necessary, nanny.
22:16I surrender.
22:17Did you find anything incriminating, officer?
22:20Sadly, my search hasn't been as productive as I would have hoped.
22:24It seems your obsession with me runs very deep.
22:26More curiosity than obsession.
22:31However, shockingly, I am curious as to why I'm being set up for murder.
22:35Are you implying in some way that I am guilty?
22:37Well, yes.
22:42Yes, I think I am.
22:43If I were to scream and they came in here, whose side would they take?
22:48An escaped convict masquerading as a policeman or a highly esteemed princess of the Qing dynasty?
22:54And yet you haven't screamed, have you, princess?
22:57Maybe there's a reason you don't want anyone snooping around in here.
23:05Maybe there's something you're trying to hide.
23:07Go ahead.
23:34Kevin, do you alright there, princess?
23:36Fine, I'm just doing my exercises.
23:45Aww, that is a shame.
23:53It won't be long now before they come to save the innocent princess from the deranged escaped convicts.
24:04Hello.
24:10Well, that was dramatic.
24:12Should have taken your job.
24:30Mr. Holmes, I'm here to visit my mother.
24:32These two gentlemen wish to speak to the director.
24:35My name is Detective Fidget, Scotland Yard.
24:37Constable Lestrade.
24:39I'll stand for the director.
24:43If you don't play your cards right, you could end up in a place like this, Lestrade.
24:47No, Trudy. Trudy, please.
24:49Everything under control, Mr. Lestrade?
25:06Twice in one week.
25:09To what do I owe the pleasure?
25:11You knew it was me.
25:15I know your footsteps.
25:17The echoes in that corridor are my whole world.
25:20Mother.
25:22Has he been here?
25:26Sherlock.
25:29You said he was with you in Oxford.
25:31What's happened?
25:32Nothing.
25:33I just wondered if you'd been to visit, that's all.
25:35You're lying.
25:39The man with the bird's claw.
25:40Who came after me.
25:41Oh, please, Mother.
25:42Now he's after Sherlock.
25:45He's hunting.
25:46Shh.
25:47Please, Mother.
25:48Don't upset yourself.
25:49Sherlock is fine.
25:51He's settling in, making friends.
25:54Now I know you're lying.
25:58Sherlock never made any friends.
26:01I just wondered if he'd been to visit, that's all.
26:05How to paint a mother's grief.
26:09She was such a pretty little thing.
26:13She was.
26:14She'll never grow old.
26:18No.
26:20She'll always be a child to me.
26:26You have been most helpful, sir.
26:30She hasn't seen him.
26:32The director confirms your brother, in fact, hasn't been here.
26:35He'll be miles away by now.
26:36He won't run.
26:37No.
26:38You wouldn't do it to our mother.
26:40My brother is innocent, Detective.
26:42Mr. Holmes, your brother remains a fugitive.
26:46The chase continues.
26:53Siobhan was desperate for me not to see something.
26:56What?
26:56A burnt piece of paper in a grave.
27:03My God, it pains me to see you so defenseless.
27:08Yes, well, I recognize I'm a work in progress.
27:15Something silver, embossed writing.
27:18Can you see the letters?
27:19L and R?
27:22Gothic script.
27:23Mean anything?
27:24There was a number to the signing of the Magna Carta.
27:26That's 1215.
27:27That's it?
27:29No, I have seen those letters.
27:33Fortress Lodge.
27:34The photographs on the wall.
27:35It's not L and R.
27:37It's L and K.
27:38Lord and Kingsley, the Oxford photographer.
27:40Why would she want to destroy a college photograph?
27:42Well, you have the number.
27:44You can find the original plate.
27:46You can make yourself a copy.
27:47Lord and Kingsley, they have a shop on the high street.
27:49If we find out what she burned, maybe we can find out why.
27:52And so we stand like greyhounds in the slips, straining upon the start.
28:01Fancy yourself, the king.
28:04You have the cronfits.
28:13Oh, good afternoon, gentlemen.
28:18Good afternoon, sir.
28:19We would like to order a copy of a photograph I believe you have already taken.
28:23It's number 1215.
28:25Okay, let me see.
28:31I don't seem to have a plate of that one.
28:35Unfortunately, we don't have enough room to store all the originals.
28:38What was the photograph?
28:39I don't recall.
28:40Would you at least be able to tell us who you made copies for?
28:43Well, ladies and gentlemen, let me check my other ledgers.
28:46I say, is this a Richard Maddox model?
28:48Oh, good heavens, sir.
28:50You certainly know your cameras.
28:52Would I be correct in saying this works on a gelatin dry plate to produce a shorter exposure?
28:56Yes.
28:57And it builds on the collodium process to require only two to three seconds of exposure before producing an image.
29:03Must have been jolly expensive.
29:05Yes, it was rather.
29:08It only just arrived.
29:10To be honest, I'm still getting to grips with it myself.
29:13But it produces a remarkable image.
29:16I think this is going to pave the way to miniaturization.
29:19Yes, and potentially more adaptable photographic emulsions.
29:23Yes.
29:24The new world beckons.
29:26Well, we shall be back tomorrow to pick up the photograph.
29:32You'll be most helpful.
29:35Good to see you.
29:36Good to see you.
29:36Good to see you.
29:36Any luck?
29:37Two cuties made.
29:38Chewan borrowed the one.
29:39The other one went to the Master's Lodge House of Candlen.
29:43So, you just walk up to his door and knock on it?
29:50Sorry to disturb you, sir. Is the master at home?
29:54Not here. There's an engagement in London.
29:56Right. We're checking all the college premises for this fugitive Sherlock Holmes.
30:01Ah, yes, I heard. Well, I can assure you he's not in here.
30:06If I don't check for myself, sir, my sergeant, I'll never hear the end of it.
30:16Thank you, sir.
30:22Did you know him, sir? The scout, Sherlock Holmes?
30:27Never met him.
30:29They say he was an odd sort.
30:32Excuse me, would you come to the floor?
30:34I was just about to take the mistress here afternoon tea.
30:37If you wouldn't mind waiting.
30:53Sorry about that, constable.
30:54Would you like me to give you the tour?
31:02Good afternoon, smudger.
31:04Oh, good afternoon, your highness.
31:05I need to speak with Professor Roberts.
31:07I'm afraid he's not in college at present.
31:09I have to hand in an essay.
31:12The tunneling shield perfected by Ismbar to Kingdom Brunel is the future.
31:16Discuss.
31:17Sounds fascinating.
31:19He's very strict about deadlines.
31:21Would you be so kind as to give this to him?
31:23Of course, your highness.
31:25Lad.
31:28Thank you, smudger.
31:29My pleasure, your highness.
31:30Put it with the others, lad.
31:33When are you going up to his country house?
31:35This evening, sir.
31:36Why the secrecy?
31:38Why not give out his address?
31:40You mourned your own business, lad.
31:42Do as you bid.
31:43You mourn your own business.
32:21Candling College Tennis Court, 1870.
32:24Why would she not want anyone seeing her?
32:27That's Professor Thompson, your supposed victim.
32:31Who are the other three?
32:33You should know, Sherlock. He waited on a hand and foot.
32:35I cleaned 35 places a day. I made 30 beds a day. I might need a moment.
32:39Pink, man. Pink.
32:40What do you think I'm doing?
32:41I'm not frying an egg or milking a cat. I'm thinking.
32:44This professor, in particular, was very tidy. He kept very little in his room.
32:49There were some books on his desk, but nothing that helps me remember his name.
32:52Excuse me, sir.
32:58Professor Roberts. That was his name.
33:01Very good. Very good. Well, keep going. Keep going. Come on.
33:04I might be a scout. I'm not your scout.
33:07I emptied his waste paper basket. There were some letters.
33:10One of them from a John...
33:11John... John... John... John who?
33:14John... Nowell?
33:14John Nowell or John Howell?
33:16John Howell. How did you know?
33:17Professor John Howell is an engineer.
33:19So Professor Roberts is a professor of engineering.
33:22Our work here is done.
33:25That's Professor Enright.
33:28He's a meteorologist.
33:30And that is Professor Malik, a visiting professor from the University of Bombay.
33:36The speciality?
33:38Geology.
33:39So what links are four of them?
33:44The gala opening.
33:47The science building.
33:50Well, there was a guest list by the entrance.
33:52Investigate.
33:53They were all on the same table.
33:55The table nearest the front, nearest the podium, nearest the bomb.
33:57So this bomb was designed to kill them all.
33:59That's why she didn't want us seeing this.
34:01It's a picture of her targets.
34:02It's a way to identify them.
34:04But in the crux of the thing,
34:05why does she want them dead in the first place?
34:14Professor Roberts!
34:16Professor Roberts!
34:22Professor Roberts!
34:25Professor Roberts!
34:27Sir!
34:38I need you to give me their home addresses.
34:40I can't give out private information.
34:42Check the rooms.
34:44Do you think I'd be standing here talking to your fat arse if I hadn't already done that?
34:48What's your tone, Moriarty?
34:51You are not listening to me.
34:53Bones will be broken.
34:55Blood will be spilled here today.
34:56There's always drama with you, innit?
34:58Now, when you bite, I'm busy.
35:01Well, you've been fierce, helpful.
35:09One day, I'll remember that.
35:11Oh, yeah.
35:19It's no use.
35:21Mine's an empty suit.
35:23I couldn't kick anything out of him.
35:26Excuse me?
35:31Do you really think they're in danger?
35:33Why?
35:34Is there something you'd like to share?
35:45Who is it?
35:46Jeff Corb.
35:47Roll through delivery.
35:50One moment.
35:53Rather late, aren't you, boy?
35:55Come on, chop chop, bring it through.
35:57Yeah.
36:00I don't know.
36:35I don't know.
36:57I don't know.
36:58Fairly sugars.
36:59Warm corns.
37:12We are stumbling through the fumes of our murderous wake.
37:20You've got a hand to do.
37:22Forgive me if I'm not ready to applaud.
37:29I'm a wanted man.
37:30You should go to the police.
37:31She's thrown down this challenge to you, Sherlock.
37:35Not to them.
37:36Why let them have all the fun?
37:39There are two professors out there still alive.
37:43We find them before she does.
37:45We stand like Greyhorns in the slips straining upon the stern.
37:55The game's afoot.
37:56As I was walking all the lane.
38:01I heard to walk all beers back in the main.
38:06In behind your love felt like.
38:10I want their lives and you stay night.
38:15And nobody cares anymore.
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