- 5 hours ago
Full Episode of In Other Words, I Love You
Category
🎥
Short filmTranscript
00:00:01I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful. You're talking about the king of Ashford.
00:00:15He's hot.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:30I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it,
00:00:44it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:49You didn't have to come.
00:00:51Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:14Self-made, stubborn and never wrong.
00:01:18What was there?
00:01:19You excited for your first day?
00:01:20She calls this a fresh start.
00:01:22I call it terrifying.
00:01:30You've got this.
00:01:32Just be yourself.
00:01:33That's kind of the problem.
00:01:43I'm stuck in space.
00:01:45Got a daydream running through my brain every day.
00:01:52Heaven in my dead.
00:01:54I'm the world to the world, but I'm the day anyway.
00:02:01I wanna say goodbye.
00:02:03Okay.
00:02:05Morning, class.
00:02:08And you're not seated because?
00:02:11I don't have a seat.
00:02:14Ah, a new transfer.
00:02:16Alice Keaton, right?
00:02:18Let's see.
00:02:22There's a spot next to Charles.
00:02:24Charles' case, Sherry.
00:02:26Seriously?
00:02:27A charity case sitting next to Charles?
00:02:29God, why is she?
00:02:31Quiet, Charles.
00:02:36I've always had words for everything,
00:02:38but in that moment,
00:02:43I forgot them all.
00:02:53Charles, move your things.
00:02:56I'd rather not.
00:02:58She'll be a distraction.
00:02:59From what?
00:03:00Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:04Miss Keaton will be a positive influence on you.
00:03:06She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:24Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at New York City.
00:03:33What do you think about their experience of the time?
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:42You totally shut her down.
00:03:44Oh, knew it.
00:03:44Don't take it personally.
00:03:46He's impossible.
00:03:47Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:51He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey!
00:04:03Be careful.
00:04:03You're talking about the king of Ashford.
00:04:06The what?
00:04:07His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:12Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:18First of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated, like he's faking out.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:40No.
00:04:42No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:03We're not in Kansas anymore, Alice.
00:05:19We're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Good.
00:05:25Anything exciting happen?
00:05:27Not really.
00:05:27Super uneventful.
00:05:29Really?
00:05:31How's your new job?
00:05:32Yeah.
00:05:33Alright.
00:05:33Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently the young master won't mind the company.
00:05:40The young master.
00:05:44This is your boss's house.
00:05:46Yeah?
00:05:47Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:26Breaking and entering now.
00:06:28How American of you.
00:06:31I...
00:06:40You've been paying rent here in my head.
00:06:44Trying to fight it off.
00:06:52You can get up now.
00:06:53I...
00:06:54I'm trying.
00:06:56Wait.
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12You...
00:07:12Wait.
00:07:13Your house.
00:07:14My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:22Ah, Master Charles.
00:07:23You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:28There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:43Well, if you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:50You must stay.
00:07:54It'll be fun.
00:07:56My dear classmate.
00:08:01I'm dead.
00:08:02Like mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:16Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:23Actually, no.
00:08:26This is hell.
00:08:30Good morning.
00:08:38Wow.
00:08:46Sir, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:50That's often closed for months.
00:08:52She's going to be late.
00:08:58Okay.
00:08:59How long is this thing gonna take?
00:09:01Maybe I'll just walk?
00:09:03Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:20What...
00:09:21What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:26Did you come back for...
00:09:29me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:46No.
00:09:48Seriously?
00:09:49Your car is huge!
00:09:51Yeah.
00:09:53And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house!
00:10:03Unbelievable!
00:10:13Ashford Institute, please.
00:10:19Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why don't just give Miss Keaton a lift?
00:10:31Why don't just give Miss Keaton a lift?
00:10:33Why don't just give Miss Keaton a lift?
00:10:33Why don't just give Miss Keaton a lift?
00:10:33Why don't just give Miss Keaton a lift?
00:10:33And have the whole school go crazy?
00:10:35She's new.
00:10:37Everybody's already talking.
00:10:38So you're worried about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:49Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood,
00:11:05care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:11You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is...
00:11:21weak.
00:11:23Wait, wait.
00:11:24You actually read it?
00:11:25Quiet.
00:11:27That's an interesting take.
00:11:29Explain.
00:11:32He had the set up for something brutal.
00:11:35Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:43Let them choose survival.
00:11:44Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:56Don't you think?
00:11:57I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:28I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:40You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:12:47That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:56Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world? Toxic, violent, he didn't call that out nearly as much.
00:13:07So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:15Thank you, Miss Keaton.
00:13:17Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinions.
00:13:35What's happening to me?
00:13:42Okay, what is going on? Why is everyone staring at me?
00:13:46Well, you're new, and apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings, and stormed out in tears.
00:14:12You were there, Sherry. That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing, or just a British specialty?
00:14:27Honestly, both.
00:14:29But seriously, Alice, some people already see you as a threat.
00:14:41Okay, noted.
00:14:44Looks like the new girl's in for a rough first semester.
00:15:00Hello?
00:15:03Hello?
00:15:05Is somebody out there?
00:15:07Oh, come on!
00:15:10Oh, come on!
00:15:22Fine.
00:15:37Seriously?
00:15:40Oh, shit.
00:15:46What the hell?
00:15:49Anne!
00:15:50I thought you were having dinner with Alice.
00:15:51She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:58Yikes.
00:15:59Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Mr. Pelton.
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:20She hasn't come home.
00:16:22I'll have it sent over.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:28Alice!
00:16:30Alice!
00:16:43Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:17:14It's fine.
00:17:19You're fine.
00:17:24Not far, Black.
00:17:24What are you doing here?
00:17:29Can you get off me first?
00:17:30Oh, so sad again. Did I ask for two months? Isn't my fault, I thought we would pray.
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might earn me basic manners.
00:17:46Someone just dumped swamp water on me. Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:53Wow. You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it. You're heavier than you look.
00:18:03I hope you pull your shoulder.
00:18:10Are you okay?
00:18:13No, but I will be.
00:18:15Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:21You shouldn't have to.
00:18:26I'm sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh my god.
00:18:52You okay?
00:18:54Why are you drenched?
00:18:56Yeah, I just took a weird shower.
00:18:59Tap exploded.
00:19:02Come on, let's get you home.
00:19:14Alice Keaton, right?
00:19:17I heard you staged the whole thing for attention.
00:19:43I know how this place works.
00:19:44If you don't do anything about it, it's only going to get worse.
00:19:49I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many here would speak up?
00:20:01I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:20:16Please, he just didn't want a lawsuit.
00:20:35Being a scholarship student has its perks, like saving a fortune on tuition, and getting
00:20:42into schools that normally wouldn't even let you pass the gates.
00:20:45Hey, we miss you in Paris.
00:20:48Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means staying behind.
00:20:55And watching Ashford elites go on a two-week enrichment program you can never afford.
00:21:01Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:10The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:21:16So yeah, I didn't go.
00:21:40What are you doing here? Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:50And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to, when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzz kill? Cock block.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:14Why do you think?
00:22:21Where would I go?
00:22:23I could practically recite the itinerary in my sleep.
00:22:27Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:22:32Or Titian, if you want to sound extra pretentious.
00:22:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli.
00:22:44Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:22:48The final stop, Paris.
00:22:51The ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:01That's word for word.
00:23:03I told you.
00:23:04I've done this tour so many times, I could run it.
00:23:07Okay, but still, it's Europe.
00:23:09Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels?
00:23:22No, thank you.
00:23:25Wow. Some were born in Rome, huh?
00:23:27Well, that's unfortunate. It's a very chaotic city.
00:23:30One word of advice? Shut up.
00:23:32That's two words.
00:23:35You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:37You're in my kitchen.
00:23:38You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You didn't have to come.
00:23:47Don't tell me what I have to do.
00:23:57After Charles, roads are flooded.
00:23:59Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:05I've got it sorted.
00:24:18Jesus, what are you doing?
00:24:20Relax.
00:24:23I'm here to make a deal.
00:24:25What deal?
00:24:25You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:44Wow. I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:53I'm buying dinner.
00:24:57Did you seriously think I'd spend £100 on...
00:25:00No, I...
00:25:01Jesus.
00:25:03Wait.
00:25:04You think I'm not worth £100?
00:25:08I'm not spending £100 to snort Chewbacca.
00:25:11You know what? Dinner's cancelled.
00:25:15Are you sure about that?
00:25:19I present to you.
00:25:20Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:26Well, I know we're not in Italy or France, but this'll do.
00:25:31It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs £200.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure of that.
00:26:23Okay, Alice, it's fine.
00:26:26You're fine.
00:26:349-1-1, what's with your emergency?
00:26:409-1-1, what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane's constant traffic.
00:26:47Shut down.
00:26:48We'll get to you as soon as we can, right?
00:26:49He's not well.
00:26:50I understand.
00:26:52Can you confirm your address?
00:26:55Dad, yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:00Please stay with me, Dad.
00:27:02Please.
00:27:06No.
00:27:09Please wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:49You...
00:27:49What are you doing here?
00:27:55You were crying.
00:27:57Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right.
00:28:03Sorry for the noise.
00:28:05Wait.
00:28:06No snarky come back?
00:28:08Not tonight.
00:28:09I'm too tired.
00:28:10If you're here to argue, knock yourself out.
00:28:14You were calling for your dad, right?
00:28:18Hurricane hit New York.
00:28:19Power went down.
00:28:21Traffic froze.
00:28:23Dad had a stroke.
00:28:25But he couldn't get help in time.
00:28:29I sat there...
00:28:31With a candle.
00:28:33While he laid there...
00:28:36Peaceful.
00:28:37Like he was asleep.
00:28:40But he wasn't.
00:28:45So that's why you and your mum moved here?
00:28:48This used to be our hometown.
00:28:51After Dad left...
00:28:54We had nowhere else to go.
00:29:00What are you doing?
00:29:05Come on.
00:29:06Come on.
00:29:22Wait.
00:29:23I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:27Wow.
00:29:29Rich people houses her.
00:29:30Just for tonight...
00:29:32I'll allow it.
00:29:34Allow what?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:39Stephen King's first edition.
00:29:41Alan Gisberg's handwritten letters.
00:29:43Jane Austen's notes.
00:29:44All yours.
00:29:50This...
00:29:51Is your home.
00:29:53Alice Keaton.
00:29:59Careful.
00:30:00Almost sounded sweet.
00:30:02Don't push it.
00:30:03Okay then.
00:30:07I have...
00:30:09One request.
00:30:12What is it?
00:30:21Are you ever going to make a move?
00:30:22Wait.
00:30:23Give me a second.
00:30:24I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:29And in the middle of a thunderstorm.
00:30:31Inside a literal mansion.
00:30:33You chose chess.
00:30:36Yeah.
00:30:36Got a problem?
00:30:38It's just so cool.
00:30:39Like spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a customs store.
00:30:45Set.
00:30:47Wait.
00:30:47Does the knight go diagonally?
00:30:50For the tenth time.
00:30:51It moves in an L shape.
00:30:54One.
00:30:55Two.
00:30:56Then turn.
00:30:58There.
00:30:59Happy.
00:31:00Ecstatic.
00:31:03No.
00:31:04That's suicide.
00:31:05Or a brilliant long term sacrifice.
00:31:07You are playing checkers at a chess board.
00:31:09Still beating you in sarcasm.
00:31:10You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to take a long night.
00:31:16Oh my.
00:31:17No.
00:31:18Why?
00:31:18What's wrong with that?
00:31:18You can't do that.
00:31:20No.
00:31:20No.
00:31:21Oh my goodness.
00:31:42Maybe he's not so awful after all.
00:31:52Um.
00:31:53Who are you?
00:31:59What are you doing here?
00:32:00Well your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:05Who needs Italy and France again?
00:32:07Right?
00:32:07When did you get back?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:14I missed you.
00:32:16Anyway.
00:32:16Thought I'd come surprise you.
00:32:18Apparently I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:26They said it'd be lovely for us to reconnect.
00:32:30You know.
00:32:31Considering the engagement.
00:32:32And all.
00:32:33Engagement.
00:32:35Oh.
00:32:36Did no one tell you?
00:32:38He's promised.
00:32:40Old money stuff.
00:32:41Very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena.
00:32:50I can hear you, you know.
00:32:52Oh.
00:32:53An American.
00:32:54How refreshing.
00:32:59Goodbye.
00:33:01Wait.
00:33:17Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I had homework.
00:33:24Goodbye.
00:33:28Your little toy has quite the temper.
00:33:30Serena.
00:33:30Can you please just stop?
00:33:33Teasing the help.
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:44Was she like the maid or something?
00:34:01Oh my god.
00:34:02What's wrong with people?
00:34:04They're saying you live with Charles.
00:34:06Oh, and Serena.
00:34:07What about her?
00:34:08Well, apparently she told everyone you were caught sneaking into his room.
00:34:12Of course she did.
00:34:26Careful, Alice.
00:34:27You're starting to look desperate.
00:34:28Oh, it's so nice.
00:34:42I know, it's 1066.
00:34:44Just kidding.
00:34:44Yeah.
00:34:44Come to the music room.
00:34:45Urgent.
00:34:46Oh, I just remembered I need to check something.
00:34:49You guys go ahead.
00:34:50Yeah, okay.
00:34:57Hello.
00:34:57Is someone there? Seriously! This is getting old!
00:35:13Wait. Music room? What?
00:35:18James? Was anybody in here earlier?
00:35:21Just Miss Serena. Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:39Come on, Alice. You're fine.
00:35:43You're not that girl again.
00:35:51Wait. Can you remind me one more time?
00:35:53Okay. Rooks moving straight lines.
00:35:56Yeah.
00:35:58Bishops move diagonally, and knights...
00:36:00The knight's a weird one.
00:36:06Rooks.
00:36:09Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:14Hello?
00:36:34The text.
00:36:36Are you okay? Are you hurt?
00:36:39I'm okay. I saw the text, and I thought...
00:36:43I didn't see the message.
00:36:45Serena took my phone. I didn't know. I'm sorry.
00:36:48I'm okay.
00:36:51You're gonna catch a cold.
00:36:52You're freezing.
00:36:53You didn't have to come.
00:36:56Don't tell me what I have to do.
00:36:59Give me hope that feels like hope...
00:37:22That wasn't a mistake, if that's what you're about to say.
00:37:27I wasn't going to.
00:37:40Really bad at this, you know.
00:37:43What? Kissing?
00:37:45Hiding feelings.
00:38:08Dump those Ewok pyjamas.
00:38:09Oh, you wish.
00:38:13Seriously. It's a cock block.
00:38:16You kissed me.
00:38:18That's basically consent to everything.
00:38:26Dangerous words, Keaton. I might hold you to that.
00:38:30Huff, huff.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:46One, two, three, four.
00:38:49Paper planes
00:38:51Are you okay?
00:38:52Fly me to outer space
00:38:57That's where I'll see your face
00:39:01And have you with me
00:39:07It may seem dark
00:39:10But you always like a bright spark
00:39:15In my heart
00:39:20Since the start
00:39:22You're welcome.
00:39:26They're either enemies we secretly married.
00:39:30Honestly?
00:39:31Right?
00:39:51So, the night goes in an L shape, right?
00:39:55Why is that the only one you remember?
00:39:57Because it's weird
00:39:59And I like weird
00:40:09Check
00:40:15You're cheating
00:40:16I'm winning
00:40:17There's a difference
00:40:19You are very distracting
00:40:20And you like it
00:40:23I will be there for you, babe
00:40:26I'll be there for the darkest days
00:40:31I'll hold you in my arms
00:40:33Charles!
00:40:34We need to talk
00:40:43I expected poor judgment
00:40:45But this in my house?
00:40:48It isn't what it looks like
00:40:49No?
00:40:51Kissing a servant's daughter
00:40:52In the family library
00:40:54Enlighten me then, Charles
00:40:56We came back tonight
00:40:57After speaking with Serena
00:40:59Imagine our surprise
00:41:00Walking in on
00:41:02This
00:41:02She isn't just
00:41:03You have no right
00:41:05To barge in
00:41:06On my property
00:41:10I care about her
00:41:12I'm not ashamed
00:41:13That's enough!
00:41:17Why do you care?
00:41:18We're protecting our son's future
00:41:20And our name
00:41:23You think this protects me?
00:41:24We think
00:41:25She does not belong
00:41:27In your world
00:41:31Then maybe I don't either
00:41:35You're ready to give up everything
00:41:36For a girl you barely know?
00:41:41Yes
00:41:42Then
00:41:43Are you sure
00:41:45She's ready?
00:41:52I'm asking you
00:41:53Do you think she's ready
00:41:55To lose everything
00:41:56Regardless of how little
00:41:57That is
00:41:58Just to be with you?
00:42:00What are you talking about?
00:42:02You left us no choice, son
00:42:03You shouldn't disobey your father
00:42:07Pelton
00:42:09It's Frederick Kenwood
00:42:10Ah, Mr Kenwood
00:42:12How can I help?
00:42:13If a scholarship student
00:42:15Were to violate our behavioural code
00:42:17In a public setting
00:42:19With photographic evidence
00:42:20Would that warrant a review?
00:42:23Yes, sir
00:42:27So
00:42:28Answer me again
00:42:30Do you think she's ready
00:42:31To lose everything
00:42:32Just to be with you?
00:42:45Charles
00:42:46What happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things
00:42:53You can't stay here anymore
00:42:55What?
00:42:57My parents fired your mother
00:42:59She's leaving
00:43:00So are you
00:43:01Wait, what?
00:43:01Why?
00:43:02Is it because of us?
00:43:04We can fix this
00:43:05I'll get a job
00:43:06Anything
00:43:06Stop, stop it
00:43:06You don't get it
00:43:08If I don't walk away from this
00:43:10They'll cut me off
00:43:11Okay?
00:43:13No card
00:43:13No trust
00:43:15No support
00:43:16Nothing
00:43:17Then
00:43:18Then we'll figure it out
00:43:20We don't need all that
00:43:21We can
00:43:22Do you really think
00:43:24I'm going to live like that?
00:43:28So that's what this was
00:43:29Just fun
00:43:31Until it got inconvenient
00:43:33What did they promise you?
00:43:38Nothing
00:43:41They just reminded me
00:43:43Of what's real
00:43:47Charles, I'm not stupid
00:43:49You don't just turn into
00:43:51A cold stranger
00:43:52Because of one conversation
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference
00:44:03Between me and you
00:44:04What?
00:44:05You think you know me
00:44:06Or what I have
00:44:08You don't
00:44:09Alice
00:44:11You're still lying
00:44:12I'm not
00:44:12Alice
00:44:13Look around you
00:44:14This mansion
00:44:16You thought was a museum
00:44:17It's my house
00:44:20My world
00:44:21I was bored into this
00:44:23I am not choosing
00:44:24Between this
00:44:28And something I picked up
00:44:30For a moment
00:44:31Of fun
00:44:34Don't do this
00:44:35Charles
00:44:35You don't mean it
00:44:36It was fine
00:44:38But you
00:44:41You don't compare
00:44:42To what I own
00:44:44I'll survive the loss
00:44:48Right
00:44:51I should have known
00:44:54Guys like you
00:44:55Don't end up
00:44:55With girls like me
00:44:59You play with them
00:45:00Then you throw them away
00:45:03Go to sleep
00:45:04Alice
00:45:15This fall is a little more
00:45:17Than I expected
00:45:21In so deep
00:45:23I can barely see myself
00:45:25In so deep
00:45:27Yeah, around me
00:45:29Feels so heavy
00:45:30But depleted
00:45:34But I find this
00:45:35The place
00:45:36To test myself
00:45:37Soon
00:45:45Oops
00:45:47Oops
00:46:03oh sorry didn't see that then again nobody does move please try begging
00:46:18you know what keep it poor thing so dramatic don't excuse me I warned you walk away Serena
00:46:55last week's group assignments were mostly forgettable but one pair surprised me in a good way
00:47:01Charles Kenwood and Alice Keaton would you mind giving us a short summary she loves the sound of
00:47:09her own voice better have it I couldn't stay I couldn't wait I thought they used to know that
00:47:18our essay explored what happens when two fundamentally different voices like logic
00:47:24and chaos or silence and noise different worlds different rules at first glance they clash but
00:47:35what makes the story interesting is what happens next confusion curiosity but in the end some stories
00:47:42aren't about staying and yes there is no such thing as a happy ending
00:47:57and yes there is no such thing as a happy ending is she still talking about the essay
00:48:05miss Keaton
00:48:08dramatic as always
00:48:09all right thank you Alice that was later
00:48:15are you okay
00:48:16a reminder that good literature always stirs something
00:48:24hello hi there's Alice Keaton this is Whitmore Press we've been following your work we'd like to offer you a
00:48:29long-term publishing contract name your price we'll we'll make it work sorry what
00:48:44that's kind of insane who's behind this your sponsor wishes remain anonymous can can I meet them I want to
00:48:55please or at least tell me a name
00:49:03sorry they wish to stay in office
00:49:04so they're only interested in words not the person
00:49:07I'd really like to meet them
00:49:08I'd really like to meet them
00:49:08I'm sorry but keep them
00:49:09they were very good
00:49:10I think the most generous work we've ever given is in the right time
00:49:14I see
00:49:15congratulations again
00:49:20you got the interview
00:49:22it's just an interview I haven't gotten in yet
00:49:24still Alice Keaton at Oxford
00:49:27that's iconic
00:49:36you okay
00:49:38yeah
00:49:40I'm so excited
00:49:53it's done Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:58good
00:49:59it's a generous deal
00:50:00you sure you don't want it to know
00:50:03no
00:50:05no it's better if I stay out of her life
00:50:17congratulations Alice Keaton
00:50:19go live the life you were always meant to
00:50:27your engagement announcement should align perfectly with the Foundation Gala
00:50:32and the Browns already offered to host the London reception
00:50:38it's all coming together beautifully
00:50:43I've lost my appetite
00:50:48I'll go check on him
00:50:54what's your problem Charles
00:51:00disengagement
00:51:00disengagement
00:51:01it's not happening
00:51:02it's not up to you
00:51:03you know that
00:51:04Serena we're not doing this
00:51:07you've changed
00:51:11or maybe I finally just stopped pretending
00:51:14I'm we not doing a lot of thing
00:51:14I'm pausing my song
00:51:28what's my 문
00:51:29I Got ałow
00:51:33what's my choice now
00:51:34what do I want to mention
00:51:34I ask for you
00:51:43what you want to mention
00:51:44what's my choice now
00:51:44You've been funding Alice Keaton this whole time.
00:51:49So?
00:51:51You lied to everyone, including her.
00:51:54I protected her.
00:51:57You loved her.
00:51:59Still do.
00:52:02Let it go, Serena.
00:52:05There's no point.
00:52:15I need a favour.
00:52:16Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:29She's not answering.
00:52:31The interview's almost over.
00:52:33Well, she won't just not show up.
00:52:35Something's wrong.
00:52:37Where's Alice?
00:52:39When was the last time you heard from her?
00:52:41From last night.
00:52:42She said she was prepping all evening.
00:52:47James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay?
00:53:01It won't hurt you.
00:53:03Yeah, we're just supposed to keep you away from the interview.
00:53:06That's it.
00:53:14Shit!
00:53:15Come back!
00:53:16Shit!
00:53:19Come back!
00:53:21I can't let you know...
00:53:23Don't let me know.
00:53:25I'll leave now.
00:53:30I'll leave now.
00:53:32I'll leave now.
00:53:34It is.
00:53:34You can't let me know.
00:53:36I will.
00:53:44I told you every minute.
00:53:47Didn't need a second guess
00:53:54Hey, hey, hey, Alice, Alice
00:53:57Alice, hey, hey, stay with me, stay with me, stay with me, Alice
00:54:00Alice
00:54:07You're awake?
00:54:09Where, where am I?
00:54:11A local clinic, passerby brought you in
00:54:15Passerby
00:54:16He found you on the side of the road
00:54:18He had to leave, he didn't leave a name
00:54:21Oh
00:54:24The interview, what time is it?
00:54:26Easy, it's okay
00:54:27Someone already contacted the university
00:54:30And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what, who?
00:54:35No idea, but it's all taken care of
00:54:41What did you say?
00:54:42Nothing
00:54:43I just
00:54:46Had a dream
00:54:57I got him!
00:55:02Oh, I knew it
00:55:04Too bad Charles isn't here to watch you crush it
00:55:07He's not here
00:55:09Oh, you didn't know
00:55:12Know what?
00:55:13He left
00:55:15A few days ago, yeah, everyone doesn't really know where he went
00:55:18Honestly, Asher has been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:38I couldn't stay
00:55:43Come on
00:56:12Come on
00:56:13It ended quietly
00:56:13You've moved millions
00:56:14You've moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:19Which brings us to the most obvious question
00:56:22Which brings us to the most obvious question
00:56:49Alice Keaton
00:56:50And no one ever quite matched the light after that
00:56:52And let's give it up for Alice Keaton one more time
00:57:07Congratulations, Alice
00:57:08The numbers just came in
00:57:09You broke your own record
00:57:12That's incredible
00:57:14We're thinking celebration
00:57:15Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:19There's something I'd rather do
00:57:22I'd like to meet with the person who
00:57:24Believed in me first
00:57:26My sponsor
00:57:27You're sure?
00:57:29Yeah
00:57:29Just once
00:57:31Tonight
00:57:327pm
00:57:43Good evening
00:57:48Good evening
00:57:52May I sit?
00:57:58Hey Mr. Nonchalant
00:58:03I am happy with
00:58:07You look well
00:58:10And you look like you just stepped out of a GQ cover
00:58:14You always did
00:58:16You were expecting someone else
00:58:19I was
00:58:21Hoping
00:58:23But I guess I always knew
00:58:25I didn't come here to confuse you
00:58:27Or to reopen anything
00:58:29Hope you liked the attention
00:58:31I just wanted to say congratulations
00:58:35Oh
00:58:35Thank you
00:58:39Didn't know you're still reading
00:58:40You were rich enough not to do so
00:58:44Always
00:58:45Either way
00:58:46Your sponsorship started my career
00:58:49So
00:58:50No
00:58:50No
00:58:51No
00:58:51You earned everything
00:58:56Every word
00:58:57Every page
00:59:00Every reader
00:59:02That's what I came to say
00:59:07It was good to see you again
00:59:09I hope
00:59:09Charles
00:59:12Can you just
00:59:14Wait a little longer
00:59:22I think I knew it was you
00:59:25There was one email
00:59:28You said something
00:59:29It felt familiar
00:59:31Really
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:35Very on brand
00:59:38I should have anonymized my grammar
00:59:39Too late
00:59:40Your semicolon usage gave you away
00:59:43Still the only girl I know
00:59:45Who flirts through punctuation
00:59:46Still the only guy I know
00:59:48Who uses wiles unironically
00:59:52You've changed
00:59:54But
00:59:56Not really
00:59:58You haven't changed
01:00:01But
01:00:01Maybe you've grown into who you really were
01:00:05Anyway
01:00:07I wanted to say
01:00:09Thank you
01:00:11And
01:00:13Thanks for being here tonight
01:00:15You didn't have to come
01:00:17Don't tell me what I have to do
01:00:21You didn't have to come
01:00:24Don't tell me
01:00:25What I have to do
01:00:46If you could go back
01:00:47If you had the chance
01:00:49To do it all again
01:00:50Would you do anything differently
01:00:57No
01:01:02No
01:01:07I see
01:01:11I know my answer now
01:01:13I didn't have the power
01:01:14Back then
01:01:15Not enough to protect you
01:01:17I couldn't watch you
01:01:18I couldn't watch you get crushed because of me
01:01:20Because of my name
01:01:22My family
01:01:25I didn't want to be the reason you lost everything
01:01:28So you just disappeared
01:01:29Without a word
01:01:34If you had the chance to see the world
01:01:36Without me weighing you down
01:01:38If you still chose me after that
01:01:44You keep saying you wanted to give me a choice
01:01:47But you made a choice for me
01:01:51Did it ever cross your mind that maybe
01:01:56I would have chosen you anyway
01:02:03I didn't think I was the smart choice
01:02:06I didn't think I was the smart choice
01:02:06You weren't
01:02:09But I never claimed to be that smart
01:02:20This is me
01:02:22Right
01:02:30I'm still mad at you, you know
01:02:34I'm still in love with you, you know
01:02:43Do you want to come in for a bit?
01:02:47You're asking your ex
01:02:49Who you haven't seen in four years
01:02:51To come into your hotel
01:02:53At approximately 11pm
01:02:57You were right
01:02:58You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me what I have to do
01:03:05It's almost like you say
01:03:08Where the space is better to go
01:03:19Stop quoting yourself
01:03:20I recycle
01:03:21It saves energy
01:03:23This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants called romance a distraction
01:03:30I said that
01:03:31Yeah, before calling Wuthering Heights overrated
01:03:34Still is
01:03:36You're lucky you're a good kisser
01:03:41That is cute to me
01:03:42Don't you dare quote poetry
01:03:44I wasn't going to
01:03:46I forgot all of it the day you left
01:03:48Then shut up
01:03:50And prove it
01:03:58I still can't believe this is happening
01:03:59I told you
01:04:00That you're the worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:31I vowed to always tell you the truth
01:04:34Except for when you ask how your cooking was
01:04:37Then I lie
01:04:39Respectfully
01:04:41I vow to keep choosing you
01:04:44Loudly
01:04:46Quietly
01:04:47Always
01:04:49Even when you forget to do the laundry
01:04:53Is he actually good at this?
01:04:55I mean, he did beat a rip song
01:04:57I vowed to argue with you at least twice a week
01:05:03Especially over Shakespeare
01:05:06I vowed to write you in your every story
01:05:09Even when I say I didn't
01:05:11You will always be part of my life
01:05:14If she quotes Austen in this toast, I'm out
01:05:16No you're not
01:05:17You're going to cry harder
01:05:18For the rest of life
01:05:23For the rest of your life
01:05:36I can't believe you picked Paris
01:05:44It's such a cliche honeymoon destination
01:05:48Guard your phone
01:05:49Relax
01:05:50Just don't dress like a walking inheritance
01:05:52And you'll be fine
01:05:55You are not wearing that on our honeymoon
01:05:59Please, Alice, go change
01:06:01Don't tell me what I have to do
01:06:07No
01:06:08No, no, no, no
01:06:09That is not an invitation
01:06:11Do not take off these clothes
01:06:13You're overruled
01:06:13You look much better without them
01:06:21To the ones who loved in silence
01:06:23In chaos, in chapters
01:06:26You will find your way home
01:06:31Sometimes I want to be on my own
01:06:34But I don't want to die alone
01:06:37No
01:06:37I don't want to die alone
01:06:41I'll be my god by the morning
01:06:49Oopsie
01:06:51My king
01:06:54Okay
01:06:55Okay
01:07:02It's up to us to make sure that we can gain what's been passed through these books.
01:07:08Help us develop, learn, and grow.
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