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00:27You
00:30Move more slowly. I must not rush as I am with child.
00:33You do not know that for certain.
00:35I threw up all night.
00:36Is pregnancy sickness not associated with the morning?
00:39What is it?
00:40My housekeeper said that Barley said it was urgent.
00:42I was sleeping.
00:43Shh. Look.
00:44Sister has a corner.
00:47I have bought you a plant,
00:50so that you might continue to enjoy nature from your windowsill.
00:56What is it?
00:58Um...
00:59Why her?
01:01She must have blackmailed him.
01:02Or trapped him in a closet.
01:04She thinks she used a potion like the one Barley gave us.
01:07You know what she did?
01:08She used Colin Bridgerton's help.
01:10Many people would do much worse to be connected to the Bridgertons.
01:13I shall have to pick up Mr. Bridgerton's mantle of assistance.
01:20Lord Dadling.
01:22My other daughters just happened to drop by and they wished to say good day.
01:27Good day.
01:31Good day.
01:33We're so pleased to have you.
01:34So often my Penelope is sat at that window reading and now here she is in the room and we
01:41have you to thank for that.
01:42Is that so?
01:44Is there a reason you like that window so much?
01:47Is the settee particularly comfortable?
01:49Not particularly.
01:51I suppose I mostly just enjoy the view.
01:55But I have grown rather tired of it.
01:58And I'm very glad to be here with you.
02:17Oh, I thought I might find you in here.
02:19I am found.
02:22We are expecting the Marquess Samadani to call on Francesca this morning.
02:26Can I count on your presence?
02:28I think it may be best if I absent myself from this round.
02:32Well, if I am there, I will surely eat all of the biscuits and leave none for the Marquess.
02:38Dear, at last night's ball, when you were asking about friendship and whether it can blossom into love, is there
02:47something you wished to discuss with me?
02:51That is kind of you, Mother.
02:54But it was purely a speculative question.
02:58I simply want the best for Francesca.
03:02I shall come down later.
03:06Very well.
03:23Dearest gentle reader, a question.
03:26What is the primary force that guides us along our path?
03:31You are my solicitor.
03:33Although whether you remain so depends on what you say next.
03:35I shall return when things are in order.
03:44Are you here to overcharge me as well?
03:47I am not. I have come to call on you.
03:50Mr. Bridgerton, I do not wish to be called on.
03:56Is it our minds?
04:00Or our hearts?
04:03Poor cousin says.
04:05Well, I ought not dispute it, for I have heard you claim so these past ten years.
04:08Ha!
04:16Splendid.
04:17But before you consume all the merth in the room, you must tell us, to what do we owe the
04:22pleasure of your return to London?
04:25You must forgive me for performing for the room.
04:29I am accustomed to the staff at my country estate being my only company.
04:33It is that very lack of society that has brought me back.
04:37Not to mention the lack of ladies.
04:39Well, then all shall work out perfectly.
04:41I am occupied a good while.
04:43And thus you are free to meet with as many ladies as you might like.
04:51When heart and head are in conflict, every choice may feel like agony.
04:59One person in whom thought and feeling are united is Her Majesty Queen Charlotte.
05:05After their meeting at the Hawkins Ball, it seems the Queen's sparkler, Miss Francesca Bridgerton,
05:12may indeed be poised to become the new Marquis Samadani.
05:17She lavishes you with praise, Your Majesty.
05:20You can read from all the way back there.
05:22With much practice, anything is possible.
05:25We shall arrange one promptly.
05:28A celebration of our good standing.
05:30And a chance, perhaps, to secure our match for Miss Francesca.
05:39Step another pace backwards.
05:41You read me too well.
05:45Of course, whatever maketh our collective hearts swell may yet make them break.
05:52The season is still early and oft has a mind of its own.
05:56That is the cake.
05:58I believe it is called Mil Foy.
06:00Our cook has spoken with Lord Samadani's kitchen.
06:03This should be exactly to his standard.
06:06I hope we have not put our cook to too much trouble for nothing.
06:09Lord Samadani may not choose to call upon me.
06:11Oh, shh.
06:13There is a caller here.
06:15Yes, bring him in.
06:30Lord Samadani, welcome.
06:32Our cook has prepared some Mil Foy in anticipation of your arrival.
06:36Hyacinth, this is not Lord Samadani.
06:38Please forgive us for the error.
06:40The error is mine, I am certain.
06:42Lord Samadani, I am here to call upon one of your daughters, if I may.
06:50My daughter Francesca?
06:53Miss Francesca.
06:55John Stirling, Earl of Kilmartin.
06:58It is a pleasure to meet you.
07:00Pleasure is mine.
07:03Lord Kilmartin and I met briefly at the Hawkins Ball,
07:07but have not had the opportunity for a formal introduction.
07:11I see.
07:12May I join you a moment?
07:14I should like that.
07:47She does not speak to him.
07:49I am in awe.
07:51I thought one had to use wit or banter to dissuade a suitor, but simple silence is radically more effective.
07:56Perhaps they are enjoying themselves.
07:58But how will they know each other if they do not speak?
08:01And he comes to call without having had a formal introduction first.
08:06There is another caller here, my lady.
08:10Lord Samadani for Miss Francesca.
08:12Lady Bridgerton, good day.
08:14Good day, Lord Samadani.
08:15I shall fetch you a pastry.
08:18Mr. Bridgerton, Miss Bridgerton, and you must be Miss Hyacinth, I presume?
08:23How touching.
08:25Miss Francesca, it is a pleasure to see you.
08:30Good day, Lord Samadani.
08:34I do not believe we are known to each other, Lord Kilmartin.
08:37But I was just leaving.
08:39I do not wish to interfere.
08:41Good day.
08:45I do not believe we are known to each other, Lord Kilmartin, and he is the third Lord to suggest
09:00that you must give up the club.
09:01It seems that every member of the town has had something to say on the matter, all out of alleged
09:07concern.
09:08Their concern is insincere at best, but once it is done, they will surely find something else on which to
09:14fixate.
09:16You believe I should do as they would wish.
09:19Give up all that we have built.
09:22Was it not you who proclaimed that we should embrace all that we have now?
09:25Why burden yourself with a business that will only cause further confusion?
09:30I am not the one who is confused.
09:34I'm keeping my club.
09:51I have been building my collection since 1790, and thought it only fitting to share it after all these years.
09:59Thank you, sir.
10:30Mama, we're in a library.
10:32For once, you must allow me to look at a book.
10:34I cannot have you growing distracted.
10:36You must think only of Lord Debling today.
10:40This book is on voyages to the north, where Lord Debling intends to travel.
10:44Well, let him tell you about it.
10:45Men love to explain the world to us.
10:47If we've already explained it to ourselves through reading, then they will feel superfluous and unmaned.
10:55Good afternoon, ladies.
11:00Miss Petherington, are you reading about the fabled Northwest Passage?
11:04I was. I find it so...
11:05Terribly confusing.
11:06We cannot make head nor tail of it.
11:10Would you be so kind as to explain?
11:23I find books so captivating.
11:25I have a collection of over a thousand myself.
11:28Nothing a book loves more than to be collected.
11:31Yes, quite.
11:40I do not know that anyone in this entire library has in fact read a book through to the end.
11:45Perhaps mine will be in the collection soon.
11:47The tragedy of a spinster whose father is now promising to marry her to one of his aged friends.
11:53Sounds like German literature.
11:58I aided you with that balloon.
12:01And yet all the fan fluttering seems to be markedly in your direction.
12:04Perhaps you might grace us tomorrow night with your presence if you are not busy fending off admirers.
12:10We are in pursuit of some revelry.
12:17I think I shall accompany you.
12:18I could use a little revelry myself.
12:27You looking for someone, Miss Petherington?
12:29No.
12:31Only...
12:33taking in all the books.
12:35What is it you prefer to read?
12:37I do not mind a starring tale or a book of fact,
12:40but in truth I find myself drawn back time and time again to stories of love.
12:47And what is it about those stories that interests you?
12:52They are histories of connection.
12:55Of hope for a better life.
12:58Does that make me sound terribly vapid?
13:00Miss Petherington, I am happy to learn that you have a passion.
13:03One that brings you such joy as my research brings me.
13:06We are alike in that way.
13:11Are there any novels in which the man goes travelling for a very long time
13:15and his wife is happy to stay behind tending the estate?
13:19I suppose that would not be a book with much sentiment, would it?
13:23Not necessarily.
13:26But if the wife did have her own interests in life,
13:30then perhaps they could both be very happy.
13:33A practical match, but a happy one.
13:37I like the sound of that.
13:41And how dare I ask might this fictional gentleman
13:45ask for the young lady's hand?
13:48Especially if she had no male relative.
13:51If you were writing the book, that is.
13:54Well, I suppose he would have to ask her mother.
13:57I see.
13:58And if her mother gave her blessing.
14:01Do you think she would say yes?
14:09I think you would have to read the book.
14:19Oh, God.
14:22Oh.
14:49You're quite well, you're a pair.
14:51I'm afraid my enthusiasm is elsewhere this evening.
14:55So you would prefer to watch?
14:57You have already paid.
15:02Fine.
15:36If the Marquis asks you to dance a second time at the Queen's Ball, it is a clear declaration
15:41of interest.
15:41We shall see if he even asks me for a first dance this time.
15:45Something tells me he will.
15:47But if that interest is not shared...
15:52There's Lord Kilmartin.
15:54Do you know his family?
15:55Not well.
15:56They're rather reserved and functional to keep to themselves.
15:59Are you interested in him?
16:02Good day, Lord Kilmartin.
16:03Miss Francesca.
16:05Lady Bridgerton.
16:07You left quite abruptly the other morning.
16:10You had another caller.
16:15I hoped I might see you at the opening of Lord Fuller's collection yesterday.
16:18No.
16:19I do not often attend society events unless I'm required to by the rules of good manners.
16:25I see.
16:27And so, are you stopping to speak with us just to be polite?
16:33Well, I believe you stopped me.
16:41Enjoyable music.
16:42Yes?
16:44If I am being honest, no.
16:47The pace is too fickle.
16:50Just as you think you are starting to comprehend the melody, the song is over.
16:53A song like this would be far sweeter if it were played in three-fourths so one could,
16:56in fact, feel the music.
17:02That is helpful.
17:06If you'll excuse me.
17:15To answer your question, no.
17:17I'm not interested in him.
17:38A visitor for Miss Cowper, m'lady.
17:45Hey Louise.
17:46Christa.
17:47Lady Cowper.
17:49What a welcoming home you have.
17:52It is like a museum in here.
17:56It is calling out, Miss Bridgerton.
17:58And I should like to call on Miss Cowper a moment, if that is allowed.
18:11Is everything all right?
18:13I came to see that you are well.
18:15You did not seem yourself yesterday.
18:17Oh.
18:19I do not believe I have ever had a friend call to the house before.
18:23Truly?
18:23I cannot blame anyone.
18:25It is more like a mausoleum in here, isn't it?
18:34Are you all right?
18:35I did make it clear who was calling her.
18:38Certainly you are not clear enough.
18:41Hello?
18:42Of course.
18:48You are not to be seen with that Bridgerton girl any longer.
18:54Do we have an understanding?
19:06Are you certain you cannot come with us to dinner tonight?
19:10Two thirds of the Lords have closed their accounts.
19:13I cannot afford to bring an outside bartender in until I solve this problem.
19:18Perhaps a new decorator or a cook.
19:24I am sure the answers will come to you.
19:36On my grand tour, I encountered this Greek girl in the Balkans.
19:41My bear leader looked the other way while we became acquainted.
19:45For six months straight, all over the peninsula.
19:50She sounds like the young woman who made my time in the French Quarter worth the length of the voyage.
19:55Much to offer upstairs.
19:57And I do not meet her mind.
20:02What about you, Bridgerton?
20:04You were gone for quite a while.
20:06I am sure the girls of summer made your trip quite fulfilling.
20:11I did tell you my story of the Contessa, did I not?
20:13Yes, but you did not give details.
20:16Well, a gentleman must keep some things to himself.
20:19Oh, come now.
20:20I do not see a gentleman amongst us.
20:22Now I concur with you there.
20:28Oh, forgive me.
20:30But it is tiring, is it not?
20:34The necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning.
20:40Do you not find it lonely?
20:41It is
20:41It is
20:45It is
21:02It is
21:11It is
21:24Miss Featherington.
21:37Mama?
21:43Lord Debling has requested my permission to propose.
21:47Did you give it?
21:49Of course I did.
21:52You have done very well.
21:55Do you know, I've heard that Lord Debling has one of the largest homes in Mayfair, 24 staff,
22:00a fleet of curricles, and he tells me he travels often, which means it will be up to you to
22:06manage his estate.
22:08Can you imagine the kind of influence that will give you, the kind of influence it will
22:12give all of us?
22:17Mama, I have not said yes yet.
22:19Well, of course you will.
22:22His travelling does have its advantages.
22:24I do enjoy my privacy, but...
22:27But what?
22:32Penelope, you've spent your pin money changing your clothes, your hair, and it has had the
22:36desired effect.
22:38Lord Debling is a bird in the hand, and a very fine bird at that.
22:42Do not become greedy in your success.
22:45What more could you want?
22:54Oh, do you not tell me you are holding out for love?
22:58Oh, this is the very reason why I discourage you from reading.
23:02Love is make-believe.
23:04It's only in your storybooks.
23:06Do you know what is?
23:07Romantic.
23:09Security.
23:11Be smart, Penelope, and if you will not be, then I will be for you.
23:44You ready for me, miss?
23:45Yes.
23:45Yes.
23:58Your gloves, Mum.
23:59Thank you, Mrs. Wilson.
24:00Oh, Colin, everyone is in the carriage.
24:01Are you not dressed?
24:03No.
24:03I wanted to tell you, I should like to stay home tonight.
24:12Oh, you do not look well.
24:15Is it you I heard lumbering in the hallway late last night?
24:18I am well.
24:24You know, you have always been one of my most sensitive children, always aware of what others
24:32need, always trying to be helpful or offering a joke to lighten the mood.
24:37You so rarely put yourself first.
24:40I am proud of your sensitivity.
24:44But living to please others?
24:49I imagine it can be wearying at times.
24:52Painful, perhaps.
24:53So, I do not blame you for putting on armor lately.
24:57But you must be careful that the armor does not rust and set so that you might never be
25:04able to take it off.
25:08My head is bottle-weary.
25:12Forgive me for lashing out.
25:15I should simply like to rest this evening.
25:20Hmm.
25:26If it's only a shame that you might miss the fruits of your labors, I hear Penelope may
25:33be getting a proposal tonight.
25:35Lady Featherington will not stop telling anyone who will listen.
25:38Tonight?
25:41And it's rather quick.
25:43Likely because of your help.
25:48I do hope you feel better.
26:16Let's see.
26:19Mom.
26:25Someơmple
26:27Twoơmple
26:31Twoơmple
26:57Perhaps this little love play will inspire my lovers tonight.
28:13Miss Featherington.
28:15Lady Featherington.
28:17Good evening.
28:19Have you come to steal away my daughter for a dance, Lord Debling?
28:22I do believe she has at least one spot left on her dance card.
28:25Many, in fact.
28:26In that case, may I have the honour of taking one of your spots.
32:16Bridgerton. Indeed. Briefly. Quite so. It is a pleasure. We were just sharing our
32:24thoughts on the ballet. I must say, I do not know that the male dancer needed to
32:28be in such a state of undress. He certainly could have put on a shirt. Could not agree more.
32:34Nothing worse than a state of undress.
32:43Louise, here you are. I've been searching for you all evening.
32:47Should you not be careful talking to me? I am that Bridgerton girl, after all.
32:52You heard that. I apologise for my father. And I apologise that he is a bloody fool.
33:05Louise. If you need to keep your distance from me a while, I understand.
33:13No. My father will have to endure it. Besides, he is a fool. You are unlike many people,
33:22Louise. How is it you have the courage to be so different?
33:26It is not courage. I simply cannot understand why others do not see things the way I do.
33:31And how do you see things exactly?
33:36Well, since you have asked.
33:54Come!
33:56Let me.
33:57Let me.
33:58Let me.
33:59Let me.
34:14Sister.
34:15Where are you off to?
34:17I am retiring early. The ballet has been danced, the Queen is satisfied by her sparkler,
34:23and i should like to take a little time for myself if you finished your meddling elsewhere
34:28perhaps i can offer myself as your new target i hear you're something of a molder of society
34:35and i keep meeting the most intriguing woman i do not know what you have heard but i ask that
34:40you leave me out of your raking about town i am not interested i understand how my activities
34:48may appear rather rakish but i assure you they are pure of heart and is your heart located
34:54in your britches
35:05miss francesca
35:09lord kilmartin i am afraid i am rather parched from dancing the world samadani so much so
35:15that i do not feel much like talking is that not in fact our preferred form of communication
35:25you must forgive me for rushing off abruptly last time you met it is only that i wanted
35:29to get you this
35:35i am not a man of many words and the words i do have i'm afraid they're not very good
35:40but i do believe in the power of a gesture
35:46miss francesca i bought you some lemonade
35:50forgive me lord samadani mama i am keen to return home early if that is all right
35:55well i
35:59let us find you your brother and your sister first
36:01of course lord samadani lord kilmartin what is happening i believe lord samadani was fetching
36:16miss francesca lemonade and now she is not drinking the lemonade precisely your majesty she is not
36:25drinking the lemonade
36:32perhaps it is for the best children do take up so much time and drain one's beauty
36:40of course we both have much to spare are you suggesting we give up
36:44ow you're giving me a pain in my chest
36:47oh no uh forgive me in fact i have been tender all week
36:53are you mocking me my chest has been sore non-stop and that is not dropsy of the pancreas mama
37:00said
37:00it is a clear pregnancy sign
37:04is it
37:23bridgerton passionately late
37:24in truth it is not worth it come out with us
37:27though this time we are going drinking at white's instead of that dreadful mondrich bar
37:32excuse me
37:40is everything all right miss featherington
37:43everything is wonderful
37:44i'm glad to hear it
37:47may i ask you a question my lord
37:49anything
37:51considering how often you travel it makes a great deal of sense to me that you seek a practical match
37:55but
37:57do you imagine that with time
38:02love may one day grow
38:05i do not know
38:07to be honest my work has such a large portion of my heart it may be difficult to make more
38:11space
38:14but i am very glad that you are someone who seems to have such a full life
38:23you look especially beautiful tonight
38:25miss featherington
38:28and can you imagine all the spare time there would be if we did not always have to think about
38:32marriage
38:33the time we would have to read or exchange ideas or do anything that isn't entirely for the purpose of
38:37ensuring a husband
38:38that is interesting
38:39isn't it
38:41no i meant your brother is walking right up to penelope and lord debling
38:44do you want to find a rod
38:46oh my
38:46you should only take a moment
38:51it appears you two have something to resolve
38:54we shall leave you to it
38:59we shall return to this conversation another time
39:01yes
39:02ah
39:07lord debling
39:09you are much too handsome for social ruin
39:11i would be more than happy to finish your dance with you
39:13if we need a partner
39:23colin you are going to ruin things between me and debling
39:25well perhaps that is for the best
39:26what do you mean
39:27pen
39:29you cannot marry him you hardly know him
39:30i know him well enough
39:31and i think he is leaving
39:33for three years
39:34i know that already colin
39:36it takes a year alone to get where he is going
39:43and they do seem upset do they not
39:45eros and psyche battling it out
39:48what are you trying to say miss cowper
39:50are they not all friends
39:53the oldest of friends really
39:55ever since the featheringtons moved in across the street
40:00across the street from the bridgerton house
40:02directly
40:04i see
40:06i have made my peace with what lord debling has to offer
40:10i am going to accept his proposal
40:17thank you for the dance miss cowper
40:24i said i would help you find a husband but i cannot stand by
40:26and would you make a mistake
40:28the only mistake was me ever asking for your help in the first place
40:35lord debling
40:37i am so sorry we interrupted
40:38i know the ball is ending but
40:40shall we return to our conversation
40:42miss featherington why is it you sit at your drawing room window so often
40:45i
40:45all week i have watched you search for someone
40:48i thought you might have had a falling out with mr bridgerton
40:52but now i suspect you may have been searching for him for a very different reason
40:56for the same reason you prefer your drawing room window
40:58and the view it affords out towards the house across the square
41:01i do not know of what you speak i
41:03i'm speaking of mr bridgerton
41:06and the feelings between the two of you
41:10i can assure you
41:12colin bridgerton
41:14would never ever have feelings for me
41:16it is laughable to think as much we are friends
41:18nothing more
41:19but would you like it to be more
41:21i do not
41:24that is not even
41:26that is not a possibility
41:27i did not ask if it was a possibility
41:29i asked if you would like it to be
41:37miss featherington with the amount of time i will be gone
41:40it is essential i make a match with someone whose affections are not already engaged elsewhere
41:47whatever it is you are searching for
41:50i do hope you find it
41:52good evening
41:58where is he going
42:00what have you done
42:01that is your question
42:03not am i well
42:06do i only matter to you if i have a lord's engagement ring on my finger
42:12no ma i am pregnant
42:14i think
42:18hello
42:19hello
42:19you're not excited
42:30it is said that the heart is forever making the head its fool
42:36what is that you are doing
42:36let me go
42:38hello
42:53hello
42:55hello
42:55hello
43:04hello
43:09Francesca.
43:11Lord Kilmartin.
43:13He had the music we heard earlier this week rearranged
43:16exactly as I imagined it.
43:26And when one chooses the heart over the head,
43:31often all reason goes out of the window.
43:35But the body has a way indeed of knowing most what it needs.
43:42And this author is not one to deny the age-old wisdom of a beating heart.
43:53Wait!
43:56Penelope!
44:00I do not wish to speak with you.
44:02Please!
44:05Let me in.
44:07Let me in.
44:13Let me in.
44:14Let me in.
44:19Let me in.
44:21Let me in.
44:26Let me in.
44:34Let me in.
44:57Let me in.
45:10Let me in.
45:10Let me in.
45:13Let me in.
45:14Let me in.
45:15Let me in.
45:41Let me in.
45:47Let me in.
45:55Let me in.
46:02Let me in.
46:09Give up.
46:10Let me in.
46:12Let me in.
46:15Let me in.
46:24Let me in.
46:33Let me in.
46:34Let me in.
46:35Let me in.
46:38Let me in.
46:52Let me in.
46:53Let me in.
49:14Colin, we're at your house.
49:17Oh God.
49:19Could the carriage driver not keep on driving?
49:28Do you think anyone saw us?
49:31I was not paying much attention to anything.
49:57What are you doing?
50:10Colin?
50:19Are you coming with me?
50:21What?
50:23Your family will see me.
50:24For God's sake, Penelope Featherington, are you going to marry me or not?
50:28No.
50:31I'm not going to get away.
50:33No.
50:34No.
50:35No.
50:37No.
50:38No.
50:39No.
50:40No.
50:41No.
50:41No.
50:43No.
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