- 2 days ago
Young Sherlock S01E07 (2026)
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00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35Ones for sorrow, twos for joy,
00:41Threes for a girl, and fours for a boy,
00:51Fives for silver, six for gold,
00:57To fall, to death.
00:59No, no, no, no, no, no, no.
01:01Find me Sherlock, you know. Find me Sherlock.
01:05Let her, let her, let her.
01:10John! John!
01:16John, you're alright. I got you.
01:21You're not getting shot, eh?
01:23That's a terribly stupid thing to do.
01:26Here, let's get you up.
01:26No, no, no, no. Sure am.
01:28Sure am. She, she'd have to shoot her further.
01:30We have to stop her.
01:32I'm not leaving you, don't you?
01:33Sherlock!
01:35Oh, he's bleeding.
01:36Say, I think that has something to do with the bullet in his head.
01:38Yes. I'm sorry to be a burden, brother dear.
01:40No burden, brother dear.
01:41Come on, let's get him off.
01:42What?
01:43If she gets to my father, we may never find Beatrix.
01:45Go.
01:46You have a...
01:47Go, James, go!
01:49Now, you listen to me, we are going to get this fixed up.
01:52Are you crying?
01:53No.
01:55Why not?
01:56One, two, three, up!
02:02He's been shot.
02:03Oh, my poor boy!
02:05We have to find a hospital.
02:06A dash of roping would be greatly appreciated.
02:18This way.
02:19Why? How do you know?
02:20Because only one hospital is still open.
02:22Sadly, it's where the gunfire is coming from.
02:33Right, put him down.
02:35Take him, take him!
02:36Take him, take him!
02:37Take him!
02:39Take him!
02:40Take him!
02:41Take him!
02:42Take him!
02:43Oh!
02:44Oh!
02:48Oh!
02:54Hey!
02:55Hey!
02:56What are you doing?
02:57Give me that!
02:57I'm stopping you from shooting out the head!
02:59Why?
02:59Because that's Sherlock's father!
03:03That's his father!
03:04I didn't know.
03:05Easy, easy!
03:09Whoa!
03:10I'll be taken there.
03:12Thank you kindly.
03:16Up we go!
03:17Over the top!
03:21Right in the back!
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, fella.
03:26All aboard!
03:27Off we go!
03:29You may be in my way, James.
03:30But I have no wish to see you dead.
03:32Am I the fair of everyone, huh?
03:34Because you shot Sherlock!
03:36Not intentional!
03:37Oh, right.
03:38It wasn't intentional.
03:38I suppose that makes it okay, then!
03:40I'll be sure to tell him!
03:43How is he?
03:44He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00And there's only one hospital still open in Paris.
04:02At least that's where my crock will take him.
04:06Come in!
04:07Hey, no!
04:08No!
04:13No!
04:15Yes!
04:21No!
04:24No!
04:28No!
04:34You had no choice.
04:36There'll be more of them.
04:38We need to go.
04:45James, we need to go.
04:59James, we need to get out.
05:00James, we need to go.
05:01James, we need to go.
05:03James, we need to go.
05:23I don't know.
05:28Mr... Mr... Doctor, I beg you, I got caught on my son.
05:33Look around you, madam. Everything is bad.
05:36Yes, yes, but I beg you.
05:38Come on, I wish to make my life bloody impossible.
05:41I don't care if you don't care.
05:47It's gold, it's gold.
05:49Take it for the revolution, yes.
05:51But you must...
05:53You must take care of yourself immediately.
05:56Quickly, quickly, quickly.
05:59Mr, here, here.
06:01Let me see.
06:03Infernoire, prepare for a surgical operation.
06:07Let's go, please.
06:09You can't stay.
06:11Let me do my work.
06:12Let me do my work.
06:13Thank you, sir.
06:19He's... he's stubborn as a man.
06:21Yes, he is.
06:22He'll be up and drowning.
06:23I spoke mad in no time.
06:24You watch.
06:39He's stubborn as a man.
06:42He's stubborn as a man.
06:45He's stubborn as a man.
06:48I suppose no news is good news.
06:50I'm sure.
06:52Oh.
06:54I'm sure.
07:05How are you going?
07:07Well, I've done my best, but it's time to fight now.
07:12Thank you for everything, sir.
07:17Darling.
07:18I'm sorry, sir.
07:19I'm sorry.
07:34I'm sorry, sir.
07:51Come on, Sharo.
07:52Fight.
08:09Mother.
08:14My darling boy, Sherlock.
08:18Oh, there he is, my little brother.
08:21Luckiest Englishman alive.
08:24Can I get you some water?
08:28Ah, he's too stubborn to die.
08:31James, where on earth have you been?
08:33Are you all right?
08:35Are you all right?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:48You're still lazing about, I see.
08:50Up you get.
08:51What?
08:52There's work to be done.
08:53Oh, I'm only messing, Mrs. Holmes.
08:57It's good to see you.
09:01Did you stop her?
09:05I did.
09:09And I brought her here.
09:10Now don't piss your bedpan.
09:13She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left, my brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah, well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:34James, why is she here?
09:37Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Tai'an in Gansu.
09:50High in the hills.
09:54This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel?
10:01They first tested on my village.
10:06On my parents.
10:10There's a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:17And turn it into a weapon.
10:19The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it to the highest bidder.
10:28A private buyer.
10:31My father.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents.
10:56Double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:10Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:25But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is...
11:35Esad Kashkali.
11:37At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46two corners.
11:47Two corners.
11:50An intersection.
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean, darling?
12:06On the table where Father was sat, they've been matchboxes.
12:10With a design on the front of two corners.
12:15Is there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:25Well, this is as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Well, I'd be delighted to have your company.
12:42Hello, hello, hello.
12:43You're going to make you so rich.
12:49Yes, I'm not ready.
12:58Well...
12:59It's not just...
13:02Excuse me.
13:04Have you, Mr. Jouf, set up.
13:06No, no, no.
13:10It's impossible.
13:11Impossible is a word.
13:12Only found in the dictionary of fools.
13:16That's what Silas said.
13:19Why that quote? Maybe it means something?
13:22Originally, who said it?
13:24Napoleon Bonaparte.
13:28Napoleon.
13:38Napoleon's hat.
13:41Famous boy corner.
13:42It has two corners.
13:44Leg l'olive.
13:45What?
13:46The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esad Kashgar.
13:59Tu es genial.
14:01You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:13Yes.
14:14Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:27The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:56Hmm.
14:57Reasonable request, mother?
14:59Thank you, darling.
15:03No sign of his head.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time, how did you feel?
15:36A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:48Strange.
15:49I'm just a little nervous.
15:52I don't feel any nervous.
16:08I don't feel any nervous, though.
16:20I said Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:31No, I'm afraid not, Mrs. Holmes.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:39By posing as customers.
16:45Please don't mind your stitches.
16:47I am all right.
16:52This is what we are going to do.
17:12Hello.
17:13Sorry, madame. It's occupied. I'm expecting something.
17:16Yes.
17:17Yes.
17:18Madame Dormant.
17:19Mother will explain the Duke never attends meetings. That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you with them with thunk?
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi, monsieur. The Duke de Mont.
17:41Cecil Fillimore. I'll give him the sales pitch. Then, the Duke will duly hand over his money.
17:47Which James will deliver to my mother, allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, madame.
18:12Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
18:25Keep moving.
18:27Yeah, it's not exactly that.
18:29I'll put my brush in there.
18:31Hello.
18:32And voila.
18:34Now tell us where Beatrice is.
18:35Yeah. That's it.
18:38What could possibly go wrong?
18:40The key to being successful confidence men...
18:42And women?
18:44The key to being successful confidence men and women is confidence.
18:51I love the eye patch.
18:57Hello.
19:03Excuse me, Monsieur.
19:06Excuse me, Monsieur.
19:07The Duke Delmont.
19:11Cecil Fillimore.
19:16So...
19:18Where is Mr. Cascali?
19:19I do hope you understand, Duke.
19:21The unexpected events of our demonstration have forced us to change our plans.
19:27I'd structure somewhere to hand the money only to Mr. Cascali himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey, I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day, understood?
19:47Understood.
19:47Well, then I shall take your advice.
19:51It would be remiss of me not to inform you that the incident in the tunnels has only, in fact,
19:57proven the potency of our product.
20:00We're selling out fast.
20:01The real, Monsieur.
20:02The subject is absent.
20:04If you delay, you would risk missing out altogether.
20:12Have a good day, sir.
20:17Look at him.
20:18If he's gone...
20:20I'm out of shape!
20:21I'm coming from the outside!
20:22Don't get to your mind.
20:25Go look at your boss, look at your boss!
20:27Look at him!
20:28It's a joke, a joke, a joke, a joke!
20:29It's a joke!
20:30I'm sorry.
20:32I thought I'd be arrested.
20:33Absolutely.
20:42Permettez.
20:46Burgundy 57.
20:47Some people say that you have a 62,
20:50but for me, if I wanted that much oak,
20:52I would eat a tree.
20:54So,
20:56tell me what you think of my proposal.
20:59You introduced me to your boss
21:02and in return, I furnish you
21:04with a finder's fee.
21:09Voila.
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:24Perhaps,
21:25Mr. Holmes could come here?
21:27You will be able to talk to him more freely
21:30in private.
21:34If you wish to meet him,
21:36there it is.
21:48I'm here.
21:55I do not see Monsieur Silas Holmes.
21:59If you please.
22:03Monsieur.
22:04You...
22:09So...
22:12We both know you're not the Duke's wife.
22:16Who are you really, Madame?
22:20Do you doubt my monies?
22:24Pardon?
22:25Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:31You are correct.
22:32I am not Madame Dormand.
22:34And I...
22:35I do apologize for the deception.
22:37But now that I have your attention,
22:39I should like to inform you
22:41that I am working on behalf of a...
22:43a very prominent British investor
22:46who wishes to make a significant purchase
22:49from Mr. Silas Holmes.
22:50And if you play your part in arranging this,
22:55I can assure you that the money in that pot
22:57is merely the tip of the iceberg.
23:01Purely for your own pockets, you understand.
23:04So, as I see it, you have two options.
23:09You can either continue to insult me
23:11and let this golden opportunity slip through your fingers,
23:15or...
23:16you can simply introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:26Patrona haber gönder.
23:31Baron, acil görüşmemiz gerekiyor.
23:33Esad.
23:36Come back here tomorrow at the same time
23:39and I will have an answer for you, Madame.
23:41Thank you, sir.
23:42I am much obliged.
24:05Who's sending a telegram to Silas?
24:29I'll go ahead.
24:30Of course it is.
24:30Oh, shit. All destruction.
24:32How about this time we don't do one of your clever little scams?
24:35Or pickpocket dances?
24:38Just let me try something.
24:44Good morning, sir.
24:46Good morning, sir.
24:46Good morning, sir.
24:47Good morning, sir.
24:47Good morning, sir.
24:47This man was here for a few moments.
24:51I will see what he sent you.
24:53Oh, sir.
24:59You're a very nice one.
25:09Oh, my God.
25:13Oh, my God.
25:27Mrs. Holmes, your husband's in Constantinople.
25:40I need to see the ambassador.
25:43My Croft Holmes.
25:45The point is, ambassador, I now know who sabotaged our government's secret weapons program,
25:50and indeed I know who stole the weapon.
25:53Yes, yes, well, go on.
25:55Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of this?
26:05I'm afraid so, sir.
26:07And it appears that the government's interests are now aligned with my own.
26:10We must find my father and bring him to justice.
26:14Yes.
26:16Well, quite, quite, quite.
26:19I shall wire the foreign secretary immediately.
26:21Yes, sir.
26:22Please wait here.
26:23Will do.
26:54Apologies for the way.
26:55Not at all, sir.
26:57I have a reply from the Foreign Secretary.
26:59He informs me that you are in disgrace and, in fact, no longer work for Her Majesty's
27:04government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption, if you are prepared to walk it.
27:13Now listen carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:39My body has changed.
27:41It's changed because you shot me in the stomach.
27:45The details, are you relevant?
27:48Not to me.
27:52You think strength is something physical.
27:56It's body mass, and muscle, and reach, all of which you have over me, and yet I've bested
28:06you in every encounter.
28:08Why?
28:11Because the real strength comes from here, and here.
28:22James, Mother, you found him.
28:26I did.
28:29Well, he found his ornitoyer.
28:33Mother, have you met with success?
28:36I was.
28:37The British government has offered her full support in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right, then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:11Machbat!
29:13Chai!
29:14Chai!
29:15Chai!
29:16Chai!
29:17This is Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:30Where?
29:31Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:45No.
29:55Auntie, we're good for your dressing, Vicky.
29:57I'll let them open up.
29:59What's up?
30:03That small child is going to find our father, is he?
30:05The lowly status of the street urchin is what makes them the most useful of allies.
30:10They can go anywhere.
30:11They are invisible.
30:13They're irregulars.
30:27They are invisible.
30:39They're irregulars.
30:39They are looking for you.
30:51They are looking for you.
30:53I toothache.
30:54I thought it was also a weird thing.
31:07It's a weird thing.
31:14It's very weird thing.
31:24They have found your father.
31:28He knows you're here with me.
31:29How?
31:30It seems our three telegraph works both ways.
31:35He wants to see you alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:43If you want to see your sister,
31:45you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:09Is he braken?
32:10Do you know what?
32:15My magic is so beguiling, Sherlock.
32:18No.
32:19When something seems to defy rational explanation,
32:27wonder.
32:29Wow.
32:30The impossible made possible.
32:46Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50But you did back in England, solving all this, finding me here.
32:54So clever.
32:56I'm proud of you, my son.
32:57It's not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:29Look at me.
33:30You broke my heart.
33:32You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me.
33:40Is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know.
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:07Don't be so simple.
34:09Were all of us capable of good and evil, even if it helps to call it that,
34:14you included, whether you realize it or not, T?
34:17No.
34:18I acted in my best interests.
34:23Of course I did.
34:24But I also acted in yours.
34:27You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:34I can't leave.
34:35Because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople.
34:44With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:58That's his price.
35:00Sure.
35:01What?
35:01She wants me dead, and if she kills me, well then you'll never find Beatrice.
35:06Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:15Well then, their choice is not choice at all.
35:18You really find it that easy, condemning someone to death?
35:21You all sure are nothing.
35:23No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:27hesitation.
35:27I don't think you should either.
35:30Am I interrupting?
35:32Not at all.
35:34No cracks in the novel hat.
35:37Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you.
35:55That your journey ends well.
35:57That you're your sister.
36:03Afterwards, your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29Scout.
36:32Never made it to the illustrious position of porter.
36:34And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:30I think there's me and Marathon here.
37:45He's there.
37:45He's there.
37:46There he is.
37:50She's not with him.
37:51Let me talk to him.
37:52I don't trust him.
37:53I'll be fine, mother.
37:54You wait with Michael.
38:12Silence.
38:13Huh.
38:14Why do you call me father?
38:16Why do you call me father?
38:17I can't see my sister.
38:19do you know this city was built to rival the majesty of rome it had the most sophisticated
38:27defense fortifications in antiquity it has survived foreign empires brutal wars disease
38:38just about anything human history could throw at it this city has endured
38:47a lovely lecture is it finished
38:52she doesn't exactly look ready to surrender shirley she is
38:57she just doesn't know it yet what are they talking about
39:06you i expect
39:11now as you can see i'm ready to deliver
39:13so where's my sister
39:18so
39:40bee
39:41bee
39:44oh mother
39:51my daughter
39:52my daughter
39:55your move not lie
39:57i've missed you
40:02you
40:02you
40:04you
40:05you
40:05know what troubled me the most about killing that soldier
40:09i might have got a dance for him
40:12move
40:21let me see your face
40:22dear lady
40:30i find myself not lost for words which would be a first
40:37what's the matter mother
40:39it's not her
40:41mother
40:45clueless
40:46trust me
40:48it's not beatrice
40:51how about him princess
40:52thank you james
41:00you
41:03you
41:04i knew you betrayed me sherlock
41:18Are you not my son, after all?
41:24Hello, Mother.
41:28Me?
41:30Me?
41:39Sherlock.
41:41Mycroft.
41:43Raise your hands.
41:47If you'd be so kind.
41:51You too, brother dear.
41:59Isn't this nice?
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