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04:10Es un hombre que está muerto y cada vida perdida es un tragedio.
04:14Sí. Pero realmente, ¿por qué no?
04:17Soy un patro de las artes.
04:19¿Por qué?
04:20Oh, bueno, yo voy a la symphony.
04:24¿Por qué estás actuando tan weirdo ahora?
04:26¿Por qué no vas a la symphony?
04:27Durante mi personal, mi vida personal, que no sé nada de nada.
04:32¿Todo tenemos que ir a la symphony ahora?
04:35Parece que sí.
04:37Sí.
04:39We've got two eggs, half a bell pepper, and some wilted spinach.
04:46I could make you an omelette.
04:49I'm not hungry.
04:51I just had a meatloaf.
04:53Okay. How about some tea?
04:56Yeah, sure.
05:18I hate this floor.
05:21Yeah, me too.
05:23Okay.
05:24Let's get rid of the floor.
05:30Is there a plan, or are we just deconstructing?
05:34You know, that's a good question.
05:37Listen, how about you go to the hardware store, huh?
05:41And grab some linole samples.
05:45Okay.
05:47Come on, Betty.
05:49Let's go shopping.
06:10There, there.
06:15I'm so over you.
06:17You know, as horrible as this floor is, I think our efforts would be better spent elsewhere.
06:23Do you really think it's wise to leave the search for Adelaide to the FBI?
06:31There is no hour.
06:34It is all your fault.
06:37I can't believe you were allowed to procreate.
06:40Look, look on the bright side.
06:41Who's better qualified than you to track down a deranged James Ulster obsessive?
06:46Ha ha.
06:47Come on, Will.
06:48Where should we start?
06:51A mother.
06:56I'm doing better.
06:58For your flashbacks.
07:01But it's hard.
07:03I still don't feel like myself.
07:06I'm used to being in control.
07:10I'm the one who protects the people I love.
07:17You know, lately I've been thinking about buildings.
07:21You know how the ones built with some give.
07:25They're the ones that survive earthquakes.
07:27But the ones that are rigid.
07:32They're the ones that just crumble.
07:34I have to believe that finding a way to move with the ground shifting under me.
07:44It's the only way to survive.
07:49Oh, hey.
07:51That was really beautiful, what you said.
07:55Oh, thank you, Casey.
07:59Have you seen your ex's truck this week?
08:01A couple of times.
08:02Still parked down at the end of the block.
08:04A hundred yards to the inch.
08:08Well, if he comes any closer, you call me.
08:10I'll get his ass on violating that restraining order.
08:13Wow.
08:14You weren't kidding when you said you were protective.
08:18I like it.
08:20I like seeing you alive.
08:22Uh, do you want to have dinner tonight?
08:27In my place?
08:31I'll bring the wine.
08:40Hey, guys.
08:41The GBI just got tagged in.
08:44Apparently, Rinaldo Benetti is kind of a big deal.
08:46Oh, yeah.
08:47Franklin's a big fan.
08:48Oh?
08:48There's something weird going on, and he won't tell me.
08:50But he did do a whitening strip on the way over.
08:52What happened to part in the cold, man?
08:54You got anything new for us?
08:55Yeah, I talked to Pete on the way out.
08:57The cause of death is a gunshot, but get this.
09:00Victim had post-mortem bruising.
09:02So whoever did this shot him and then beat him up?
09:05Well, they really hated this guy.
09:14We should interview all these people.
09:16Yep.
09:17I'll take the trumpet player.
09:21Sorry.
09:22Is there no one else who can do this interview?
09:23It's stressful enough that Rinaldo was apparently murdered,
09:25and now you show him.
09:26Oh, it's just business, Leon.
09:28Do you take prescription medication?
09:30You know that I do.
09:31Why is that relevant?
09:32Oh, because we found a bottle of Adderall at the crime scene,
09:35and the letters on the label seem to match your name.
09:40Okay.
09:41Look.
09:42Rinaldo, he was under a ton of pressure.
09:44He was having trouble getting work done,
09:45so he asked if I could share some of my meds with him.
09:48So I gave him a few pills.
09:49What kind of pressure?
09:50We have a big performance coming up.
09:53We're doing Rinaldo's original composition.
09:56So he was a composer, too?
09:58Uh, he talked about it a lot.
10:01This was the first one he actually finished.
10:03But it took forever for Rinaldo to show it to us.
10:06He was acting more and more erratic.
10:09Everyone was starting to freak out, especially Claudia.
10:12Who's Claudia?
10:13The executive director of the symphony.
10:15Claudia was afraid that we would have nothing to play,
10:17that we'd have to call the whole thing off.
10:19But then finally, after disappearing for, like, 24 hours,
10:23Rinaldo showed up yesterday, said he was finished.
10:27And it's annoyingly brilliant.
10:29How long is this going to take?
10:31Lila, honey, um, let's let the detectives do their job.
10:34Tom, you're always trying to manage me.
10:36Just the...
10:36I need a cigarette.
10:38That's fine.
10:39Thank you.
10:40Pippa, are we still performing, or what?
10:42I don't know.
10:44Is your solo ready?
10:45Yes, of course it is.
10:46Brass, on the other hand.
10:47Mess.
10:48She hums Rinaldo's soaring melody as she, uh,
10:50goes beside me at night.
10:51But who's going to conduct it, Tom?
10:55I'm very sorry, huh?
10:57We're both very upset.
10:58He coming?
10:59Yeah.
11:03Where were you last night, Leon?
11:06You have to answer my question.
11:07You're a suspect.
11:08I'm a suspect.
11:09You're not not a suspect.
11:10You gave a dead man drugs.
11:12Adderall!
11:12It's a controlled substance.
11:13Seriously, frankly, come on.
11:15You know me.
11:15Oh, you know, I thought I did.
11:17Be honest.
11:18Are you punishing me?
11:19Just give me an alibi.
11:20I was at my boyfriend's all night.
11:23Boyfriend?
11:24There's a camera in the lobby that you can check.
11:29Now just ask me what you really want to know.
11:31Oh?
11:32I mean, I am curious.
11:35Four months of happy dating.
11:36I had a drawer drawer place.
11:38You had a toothbrush in mind.
11:40Why did you ghost me?
11:46Not funny.
11:48He said that.
11:48I mean, I know I made him laugh before.
11:50I just can't think of any specific moment right now.
11:52But I know I did.
11:53Pippa?
11:55Pippa?
11:57Where is Pippa?
11:58Claudia?
11:59Hi.
12:00Did you hear?
12:01How are you?
12:02Yes.
12:02It's horrible.
12:03I have grief counselors on their way.
12:05Anyone who needs to avail themselves can.
12:07But please don't leave the building.
12:09We have to rehearse.
12:12We're not canceling the show?
12:14Absolutely not.
12:15I'm sorry.
12:16Why not?
12:17It's not what Ronaldo would want.
12:20We owe it to him to let his magnum opus be heard.
12:25Pippa, we need a conductor.
12:28Can you do it?
12:30Yes.
12:33Good.
12:34Go tell everyone.
12:38Hi.
12:39Sorry about that.
12:40Claudia Sabinski, executive director.
12:42How can I help?
12:43Well, we need to see Ronaldo's office.
12:47Right this way.
12:48Thank you.
12:48Sounds like Ronaldo was acting erratic recently.
12:51I've known Ronaldo for 25 years.
12:53Since our music school days.
12:55I'd never seen him like this.
12:56It was this composition.
12:58I told him he was already a great conductor.
13:02He didn't need to compose.
13:03But he wouldn't listen.
13:05He just put so much pressure on himself.
13:08How was it that it came down to the last second like this?
13:10He insisted I schedule his debut as the highlight of our season.
13:13Even hinged his entire contract renegotiation on it.
13:16And then, once everything was signed, it turned out he hadn't even written it yet.
13:21That's why he didn't want Pippa to see it.
13:23I've been close to a heart attack waiting.
13:25But yesterday, Ronaldo showed up with a completed chamber piece.
13:29And it was everything he'd promised.
13:33It was stunning.
13:35Did Ronaldo have issues with anyone here?
13:37He was a giant pain in the ass, but he was our maestro.
13:44Everyone worshipped him.
13:47Yeah, I can relate.
13:48I play a little myself.
13:51Really, man?
13:52Every time?
13:53You know what?
13:54Don't do that.
13:55Please don't do that.
13:59That's weird.
14:07I guess someone here didn't worship Ronaldo.
14:09At all.
14:12I already told the FBI I don't know where Atlete is.
14:18Oh, no.
14:18Of course.
14:20But, um, if you could think of anything else, anything at all that might help us find her,
14:26we'd appreciate it.
14:27Uh, there was always something off with that girl.
14:35Chip off the old block.
14:36Maybe I was wrong to reject her.
14:37Speaking of, all those letters Adelaide sent me, I sent them back unopened.
14:44Maybe they're around here somewhere.
14:47I tried to set Adelaide on the right path.
14:52But no matter how long I kept her in the wardrobe, nothing happened.
15:02The wardrobe?
15:06It's our little nickname for timeout.
15:10I had to send her there when she misbehaved.
15:14Uh-oh, bad, Mommy.
15:17Discipline your children.
15:18I don't know why I had sex with this woman.
15:23Um, Miss Trevance, could I not trouble you for a glass of water?
15:31Thank you.
15:57Oh, my God.
16:01Este es cortado.
16:04Incluso para mí.
16:06Ella era solo un niño.
16:09Deve arrestado esta mujer por abuso de child...
16:12No, quita la atención, no hay ni en la boca.
16:16Ha!
16:22Bienvenidos.
16:23Oh, shut up.
16:24Me y me, stop taking credit.
16:31Este es usted que estaba en Rinaldo hace tres días antes.
16:36Sabes que usted destruyó su piano.
16:38Nosotros vimos el damage.
16:39Ahora, eso es real.
16:41Ya, usted ha sido asistente conductor por...
16:42¿Qué?
16:43Seis años ahora?
16:45Es un tiempo para jugar a la segunda fiddle.
16:47No es fácil de estar en la sidelines,
16:49ver a alguien más, vivir sus sueños.
16:51Es decir, no es sentido resentirme.
16:52A veces, eso es más fácil de admitir.
16:54Maybe usted no tiene lo que tiene.
16:55Yo tengo lo que tiene lo que tiene.
16:56No, lo que tiene lo que tiene...
16:57Es el passion, el focus, el commitment.
17:00Que este000 trató de romperme, pero estoy aún aquí.
17:03Ya.
17:04Ya, ya, ya.
17:05Front y centro en la gran granada de la ciudad de la ciudad de la ciudad.
17:08¿Qué?
17:09No.
17:10Se ha sido finalmente working out for ya.
17:12Ok, fine.
17:13I destruyó el piano, pero no me mató.
17:16Bueno, usted sí mató el piano.
17:19¿Qué, lo que hicieron lo que hicieron?
17:20Lo que hicieron Rinaldo para hacer hacerla?
17:22No, no, no, no, no, no.
17:52Anything you can tell us about Rinaldo's disappearance the day before he delivered the composition?
17:57All I know is when I asked how he managed to finish the piece, he told me he'd found his
18:03muse.
18:05Any idea who he was referring to?
18:06No, I just figured that many had gotten laid. Guy was hornier than a jackrabbit.
18:14Hey, they found Rinaldo's car abandoned. It's being towed to the impound lot. Let's go.
18:34Hey. Yeah, I thought you might be working.
18:39Brought Szechuan.
18:40Oh, what's chef?
18:41He is drinking a non-alcoholic beer and watching a documentary on Dunkirk.
18:46Hi, baby. Oh, I missed you. Come here.
18:50Oh, let me take this food to the dining table, will you?
18:53Yeah.
18:54So what do you got?
18:55Well, Adelaide's letters to Ulster in prison.
18:58Oh.
19:00You want to read me over egg rolls?
19:03Perfect night.
19:05What's up with your kitchen?
19:07Oh, it's nothing. Don't worry about it.
19:13She is stupid and never listens to me. I hate her. I hate her. I wish you'd never met her.
19:19Please show me how to kill her.
19:22I'll do anything. Your daughter, Adelaide.
19:25You say you had a flirtation with this woman?
19:27We were in the jungle. It was very hot. And, um, my guard was down. Look, I've been very vulnerable
19:33lately.
19:39Well, Adelaide never stood a chance.
19:41Abusive mother, no friends. She could have been us. She could have. But we had each other.
19:54You changed your hair.
19:55Yeah. Controlling what I can.
20:00I like it.
20:04It makes sense that Adelaide would start a network. Other people who fell through the cracks, like her.
20:10That network is the best way to get to Antonio. Has to be.
20:16I gotta take a run at Jeb Oswald.
20:20Any advice?
20:21You're not gonna scare him.
20:23You're not gonna get through to him with logic.
20:26The only person he wants to talk to is James Ulster.
20:32I can work with that.
20:35I don't understand. Wait. Get your hands off my dishes? Gosh, you don't know how to relax, do you?
20:41Let me take care of you for once. Go away.
20:45Okay. Okay, okay. Bossy.
20:48Mmm, it takes one to know one.
20:49You might be right about that.
20:53I took that when I was 18. I had nothing better to do than follow a dirt road. See where
20:59it took me. Really thought I was a photographer with that one.
21:03Ooh, you tell her.
21:05Ooh, you tell her. I took a pottery class once and could have sworn I was a professional.
21:09I always said I'd go back, but I knew I'd go back, but I knew I'd go to Dallas and
21:14best laid plans.
21:17Hmm.
21:24Look, with everything you've been going through...
21:26All right, stop worrying about me. Start thinking about what you want.
21:42Do you want this?
21:57How about this?
22:11Woo!
22:15Woo!
22:22Now, is this the...
22:24beer bottle or a coffee pot?
22:31¿Qué es lo que pasa?
22:31Coffee pot.
22:37You're incredibly brave, Casey.
22:49¿So are you?
23:04No, no.
23:05Don't bother Amanda.
23:05He always gets away with it.
23:12Better have a damn good reason for hauling me in here.
23:16Why don't you take a seat?
23:17Why don't you tell me why I'm here?
23:21You threw a rock through your estranged wife's window last night.
23:24That's vandalism, harassment, and a violation of your restraining order.
23:27No, no he estado en casa, pero sí.
23:29I know you've been parking en Kasey Street,
23:31försöker intimidar.
23:33I can park wherever I want.
23:34I know everything you put Kasey through.
23:36I know every bruise and every scar.
23:39But that's over now.
23:42You need to leave her alone.
23:44You have no proof, do you?
23:47Looks like you're the one who's trying to intimidate me.
23:51And I won't be intimidated.
23:54I think this interview is over.
24:00I met a million guys like you.
24:02Men who think they're untouchable.
24:05You think you can lay your hands on anybody you want and get away with it.
24:10Not this time.
24:22Jeez, Faith.
24:23This car's almost as messy as yours is.
24:25What's with you creative types?
24:27Yeah, it's organized chaos.
24:29You know, the thing is, and look, I don't want to come across as defensive,
24:32but I am infinitely funnier than Leon ever was.
24:35Yeah, you're funny. It's like your thing.
24:37What do you mean, my thing?
24:38You know, it's how you like to be perceived.
24:41You don't think I'm funny?
24:42Faith, am I funny?
24:44You're not not funny.
24:45You're amusing. You're fun to have around.
24:47That is not the same thing. You don't think I'm funny?
24:50You think Faith is funnier than me?
24:51Leon is lying to you because he is afraid of telling you the truth.
24:55Faith, that makes sense.
24:57It's not that I'm not funny. It is that Leon is a coward.
25:01Did you find anything?
25:03Yep.
25:05I found this fast food receipt from three days ago during the time that Rinaldo supposedly disappeared.
25:10He was in Cleveland, Ohio.
25:11And anyone recognize this lipstick?
25:17We found your cigarettes in Rinaldo's car.
25:20I think that you two were having an affair.
25:22Lila, were you his muse?
25:25Sorry. That's what this is about.
25:28I have a solo to rehearse.
25:30What happened?
25:30You break up with him?
25:32He threatened to tell your husband so you killed him?
25:33Don't be ridiculous.
25:35Stop, please.
25:35Of course we were intimate.
25:38Profoundly.
25:40Passionately.
25:41Feverishly.
25:43But it wasn't an affair.
25:45Because Tom and I have an arrangement where we can sleep with whoever we want as long as no one
25:49falls in love.
25:49And believe me, I never fall in love.
25:51But not with Rinaldo.
25:54We agreed.
25:55He was on the no-fly list.
25:56I never agreed to a no-fly list.
25:58That was just something that you said and then I did not respond to you.
26:02What does it matter?
26:03The man is dead.
26:06Tom!
26:07Hey, hey, buddy.
26:08Just take it easy, okay?
26:10Don't be hysterical.
26:11It's pedestrian.
26:12Excuse me.
26:13What is going on?
26:14Tom, careful of those hands.
26:16You have to perform tonight.
26:18Do you know anything about why Rinaldo might have been in Ohio?
26:21We have a receipt putting him there the day before he was killed.
26:25No, I have no idea.
26:26Our relationship wasn't really based on talking.
26:31Not really your day, ma'am.
26:33Oh, I think I broke it.
26:35That's okay.
26:35Yeah, because you don't play bass with your feet.
26:37Here.
26:38Do you want me to come?
26:40I think you've done enough of that.
26:43Lila, is there anything else you'd like to share?
26:45I'll just say this.
26:46Whatever he was doing in Ohio, thank God he went.
26:49Why do you say that?
26:50Before he disappeared, he played me what he was working on.
26:52It was atrocious.
26:54We were all going to be publicly humiliated.
26:56Well, what was he doing for those two days?
26:58I don't know.
26:59He never told me.
27:00All I know is I now have an exquisite violin solo.
27:04It's going to be career-making, really.
27:07And you should all come if you can get tickets.
27:10I've given my comps away.
27:12But look, if you'd excuse me, I would really like to rehearse.
27:15So, um...
27:20I don't know about you, Faith, but I think it's time for Franklin to go on a date.
27:26Oh, absolutely not.
27:31This was Ronaldo's composition?
27:33Up until two days ago, yes.
27:35Lila was right.
27:36It is very...
27:39amateurish.
27:39I mean, I do not understand how this became the composition that Ronaldo turned in.
27:43Do they resemble each other at all?
27:44No, not even close.
27:45That is like it was written by an entirely different person.
27:50Maybe he stole it, but that's why he ended up dead.
27:53Oh, never underestimate the audacity of a straight male with an inflated ego and a full head of hair.
27:59Oh, no, no, no.
28:01I know you're not laughing now.
28:02So now the man thinks I'm funny, huh?
28:05Mm-hmm.
28:07Tell me the truth.
28:11I don't want kids.
28:13I know that.
28:14I like my life.
28:15I like my freedom.
28:15I do not need kids.
28:16I specifically said I'm okay without having kids.
28:18But you were lying.
28:20Either to me or to yourself, okay?
28:22And it just felt like you thought that you could wear me down if you stayed with me long enough.
28:25But I wasn't going to change my mind.
28:27Again, I specifically said...
28:27Benjamin.
28:29You know what?
28:30I never should have trusted you with my first name.
28:32Be honest, Benjamin Franklin.
28:35Here we go.
28:36You want them.
28:36You do.
28:37It's okay.
28:38But God help us.
28:40If there was a child anywhere near where we were having brunch, they were the only ones getting eye contact.
28:45I did that maybe once.
28:51Fine.
28:53I shouldn't have ghosted you.
28:55I actually can't believe that I did that.
28:57It was very...
29:00immature.
29:05Let me make it up to you.
29:08Come to the performance tonight.
29:09I got you a comp ticket.
29:11Really?
29:12That's right.
29:12Best seat in the house.
29:13Wow.
29:15I'd really love to have you there.
29:18Maybe we can be friends.
29:19Okay.
29:23Okay.
29:25Okay.
29:36¡Gracias!
29:55James Holster.
29:57You know what I see when I look at this?
30:00Huh?
30:01It's a cheap knockoff.
30:03This work
30:06is meant to be relished.
30:08All I see
30:09here is fear,
30:12hesitation,
30:13a lack of discipline.
30:16What is this? It's an assessment.
30:19It's a grade, really.
30:23Now, let's see.
30:26Oh, C-minus.
30:28Hmm.
30:29And that's being generous.
30:32It's soulless.
30:34Yeah.
30:36Did you even enjoy it?
30:39Huh?
30:40Did you get a rush?
30:41An erection, even?
30:45No, no, no, no, no.
30:46I don't think you did.
30:48No, no. I think
30:50you were scared.
30:52I was afraid I'd get caught.
30:53Oh, I could tell.
30:58When you're doing work
31:01in my name,
31:03it has to be worthy.
31:06I speak
31:08through Will Trent now.
31:10Is it the closest thing I have
31:12to a son?
31:13But she said...
31:14Oh, my daughter.
31:16She's nobody.
31:19You...
31:20You were scammed.
31:23I hope you didn't give her
31:24your social security number.
31:26I don't understand.
31:27Well, that's as clear as a bell,
31:28you unwashed simpleton.
31:33Sit up straight when you talk to me.
31:37My name, my legacy, is being polluted by this bitch,
31:41and you and I are gonna stop her blasphemy.
31:44Or...
31:45I could just...
31:47sit here...
31:48and remove your fingernails...
31:51one by one until you come to your senses.
31:54No one, no one will stop me.
31:56I mean, they love me here.
31:57They can't get enough of Will Trent.
32:01Are you starting to see...
32:05why I chose this guy...
32:07as my vessel?
32:12How can I help you, Mr. Alston?
32:16Um...
32:16Tell me...
32:19what is...
32:21Adelaide...
32:22doing?
32:25I don't know.
32:28She don't talk to me, uh...
32:29No?
32:30I get my instructions from somebody else.
32:35His name's the Commander.
32:38Ah.
32:39And...
32:39how do I talk to the Commander, huh?
32:45They'll only listen if they hear it...
32:47directly from me.
32:49Oh.
32:50Wow.
32:51Huh.
32:52A Ranger meaning.
32:54Huh.
32:56Ah.
32:58Yeah.
33:06Damn.
33:08That is...
33:09very hot.
33:11Now your turn.
33:13Okay.
33:15Okay.
33:18Now if you raise your gun, you have to be ready to use it.
33:21Always aim for center mass.
33:22Okay.
33:23Okay.
33:25Okay.
33:25Feet.
33:25Feet.
33:26Shoulders.
33:27Shoulders.
33:28Okay.
33:30Breathe.
33:32Visualize.
33:34And shoot.
33:39Oh my God.
33:40That a girl.
33:41You did...
33:42I'm gonna look into getting one for myself.
33:44Well, let's do it now.
33:48Listen, Casey.
33:49I got a bad feeling about Dallas.
33:51You need protection.
33:53You're right.
33:53I just wanna do a little research first.
33:55But I promise I will.
33:56Well, just take mine.
33:58I can.
33:58You need it for work.
33:59No.
34:00No, no, no.
34:00This is my personal gun.
34:01I mean, you've already shown that you're comfortable with it.
34:05Listen, hang onto it till you get your own.
34:07Put it somewhere safe.
34:12Thank you, Amanda.
34:14Oh.
34:15Look.
34:15You're in my office.
34:17You're low blood sugar.
34:18But I have to say, I like it in here.
34:20It's quiet.
34:21Great snacks.
34:21Yeah.
34:22Okay.
34:23Don't get too comfortable.
34:24Who's on the phone?
34:25I'm on hold with the Archive Library at Rinaldo's Music School.
34:29Turns out that this fast food restaurant he visited was only 20 miles from there.
34:33Traffic cameras put him at the campus.
34:35Nice.
34:35Oh.
34:36Oh, hi.
34:36Yeah.
34:39Oh, wow.
34:41Rinaldo checked out a master's thesis from 25 years ago.
35:15Excuse me.
35:18I am at the symphony.
35:19What?
35:20Rinaldo stole the composition from Claudia.
35:23What?
35:23We're thinking after she heard the first rehearsal,
35:25she realized what he'd done, confronted him,
35:27and when he didn't come clean,
35:28she followed him to the motel and killed him.
35:30Jeez. Her seat's right next to mine.
35:32Good. Keep an eye on her.
35:33We're on our way to the Symphony Hall now with backup.
35:35You got it.
35:53Claudia!
36:17Claudia?
36:20I'm out.
36:23You're lying right above us.
36:47Claudia?
36:49I see you.
36:50I know.
36:54I know.
36:55I know.
37:16¡Suscríbete al canal!
37:3225 años atrás,
37:35I showed this piece to Ronaldo
37:37and he convinced me
37:39it wasn't any good.
37:41I was so young
37:43and insecure.
37:46I believed him,
37:52but I hear it now.
37:56I was good.
38:04Yes,
38:06you were.
38:15Please, just
38:18let me listen until the end.
38:22Then I promise
38:23I'll go peacefully.
38:23No,
38:25no,
38:26no,
38:27no,
38:30no,
38:51no.
38:55No.
39:04No.
39:05No.
39:07No.
39:07No.
39:09No.
39:09No.
39:11No.
39:24No.
39:27No.
39:28No.
39:29No.
39:30No.
39:30No.
39:38¡Gracias!
39:39León es correcto.
39:41Yo quiero eso.
39:42Mi esposa, mi hija.
39:44Todo eso.
39:46Sí.
39:48Es muy bueno.
39:49Sí.
40:08No.
40:09I'm sorry. Can I help you?
40:11Jeb says Ulster speaks through you.
40:14Right.
40:16You are the commander.
40:20Adelaide must really trust you.
40:22We understand each other.
40:24She helped me see what real freedom is.
40:26Killing?
40:28Hurting innocent people.
40:30No uno es inocente.
40:35Sé lo que es como ser maravilloso.
40:39Hay días más que me gusta admitir.
40:44Cuando creo que mi anger me consume.
40:48Pero que no me hace sentir libre o poder, no importa quién es o por qué.
40:59No sé, no sé.
41:00It eats away at your soul.
41:06What's your name?
41:10Hey, if you know where Antonio Morales is, you need to tell me now.
41:15Don't let Adelaide get you into any more trouble.
41:18Yeah, she said you'd try to save me.
41:23What's this?
41:24Of course, we'll be in touch.
41:27If you follow me, I will tell her.
41:32And if that happens, I'm not sure what she'll do to Antonio.
41:38Talk soon.
41:56Casey.
41:57Amanda, he's here.
41:59Who?
42:00Dallas?
42:00He's in the house.
42:01Go get the gun.
42:02Remember what I told you.
42:03Come back here, you bitch.
42:04I'm gonna kill you.
42:06Listen, I'm sending the cops.
42:08You know, just hold tight.
42:09No.
42:10No.
42:13Casey?
42:15No.
42:18I don't take leaders.
42:31I don't take place anymore.
42:32I don't take place anymore.
42:32You're right.
42:32I've got a good place anymore.
42:33I'm gonna kill you.
42:43I'm still here.
42:43I'm and I'm in the house.
42:43You're here.
42:48Gracias por ver el video.
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