00:11Vimalgar, hi Andy, good to see you back.
00:14Hello, Naru.
00:16Thank you very much.
00:29But in your case, it's a typical case.
00:32Success is an iconic film.
00:34It's a hero, a career, a league.
00:38If you cut it, it's a gap.
00:43It's a typical case.
00:44What is it?
00:47No, sir.
00:48I mean, you have a typical life as my character.
00:55See, it's not a gap, it's not a gap.
00:59I don't know what it is.
01:03But I'm clear.
01:04I'm clear, sir.
01:05I'm clear, sir.
01:05You have a good actor for DJ TILU or Honest.
01:08I'm clear, sir.
01:11So, if you're not helping, I have help.
01:14I'm clear, sir.
01:15Because, you know, I have access to the industry.
01:17You know, I could, even if I could, you know,
01:19If you want to invest in an industry, I would like to invest in an industry, I would like to
01:24invest in a lot of money.
01:26But the main thing is that I would like to reach a benchmark for DJ TILL to create a benchmark.
01:34I would like to wait for an iconic character.
01:36I would like to wait for a while.
01:41I would like to wait for one year.
01:44But I am so happy that I have become an iconic character.
01:47When a DJ TILL is a character, I want to accept that.
01:51I would like to see the same character as well.
01:55I would like to see what I have on this topic.
01:59I already know that a lot of people in this world are in the industry.
02:03They are working for the closed doors.
02:10Obviously, the cinema is a team work.
02:11But after that, when a film came out, it was like a XYZ hero.
02:19He had a change, he had a change.
02:21Some of the heroes came out.
02:23It doesn't mean that people are doing it or wrong side.
02:28Some of the heroes came out with a fixed guy.
02:32They came out with a fixed problem.
02:34Why do you think?
02:36Sir, I don't know about me.
02:38I don't know about me.
02:40But in my case, the first thing,
02:43I came out with VISAG in Hyderabad.
02:45I came out with this film industry.
02:46I came out with Siddhu.
02:49I came out with Siddhu.
02:50I came out with Siddhu in 12 years.
02:52Even if you want to do cinema in DJT,
02:54you want to do both of them collaboratively.
02:59So, what I believe is,
03:02I believe that the film is not my fault.
03:05I believe that the film is not my fault.
03:10I am not my fault.
03:17I think that the film is not my fault.
03:20For both of us,
03:20You are not my fault.
03:22So I don't know about that.
03:25I have no fault.
03:26I am not sure about film making it.
03:28But I am not trying to do cinema in so much the fact that.
03:36In fact,
03:38I have a lot of fun in the film.
03:39So I have a lot of fun in the film.
03:43So I have a lot of fun in that film.
03:44So I don't want to help.
03:45So I am feeling more positive.
03:47I don't have any negative feelings.
03:49If you have done this,
03:51I don't feel like this is the same narrative.
03:53I am interested in the first thing in the sequels.
03:56I have a lot of characters created.
03:58Because I don't know how to do it.
04:01I know how to do it.
04:03So that's what I have to do.
04:05So that's the problem.
04:05It's not a problem.
04:08It's not a problem, sir.
04:08It's not a problem.
04:10You know how to create it.
04:12It's not a joke.
04:16I'm not a person.
04:17There's nothing.
04:19Thank you, Andy.
04:21I'm waiting for you to ask me to ask me.
04:24That's the final day.
04:25I'm not a person.
04:27Yeah.
04:28It's not a problem.
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