- 2 months ago
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Short filmTranscript
00:00What are you doing, sir?
00:08Sir, sir.
00:09What are you doing, sir?
00:15Sir, I'm not impressed, sir.
00:18Actually, I don't have to go back to the end.
00:21I'm doing it, sir.
00:23I'm doing it, sir.
00:30I'm doing it, sir.
00:32I'm doing it.
00:33I'm doing it.
00:35I'm doing it, sir.
00:45You're doing it, sir.
00:48Sir, sir.
00:49I'm doing it, sir.
00:50You're doing it, sir.
00:52Sir, I'm doing it on your own right now, sir.
00:57No, sir.
01:00Now my car is dual, sir.
01:05I use it, but I don't want to be silent.
01:10If I'm here, I can help.
01:15Car driver is an act, sir.
01:19So, do you inspire anyone in real life?
01:24I don't want to be a driver.
01:26I don't want to be a driver.
01:33I don't want to be a driver.
01:35Thank you, sir.
01:53Sir, very fortunate to have a director as an actor, sir.
01:56The director's intelligence will come into an actor in dialogue or in his governing and everything.
02:03And second thing is experience.
02:05So, thirty years of experience is something that you cannot easily earn.
02:11For example, say I have one shot.
02:13Somebody has to walk from here.
02:15Somebody has to walk from here.
02:16When they meet here, I want to have one car in the backdrop.
02:20So, Samadrishnan, sir will know if they have to walk at what speed, then car has to start from where.
02:27I'm seriously telling you I don't have that experience.
02:29To do that is the perfect timing in the first shot.
02:32But, sir can give that instruction.
02:35You keep it there, you keep it there.
02:36Suggestions like this will always come.
02:38So, I would actually say it is a blessing to have an experienced director as an actor.
02:46Sir, Samadrishnan, sir.
02:48What does car mean mean?
02:50What does car mean mean?
02:50What does car mean mean?
02:51We are coming here.
02:52The name is Selvam, the name is Selvam.
02:57Car is also an important character in the film.
03:02There is also a meaning.
03:04Car is the same.
03:06Men is the same.
03:09Selvam is the same color.
03:12Now we are talking about money.
03:15Black side of money.
03:16That's why I started it.
03:19You are a middle class father.
03:22We are talking about high class.
03:28You are Gautam Vasudev.
03:30You are the director.
03:31Brother is the high class.
03:33He is the director.
03:35He is the director.
03:37What are your suggestions?
03:39No sir.
03:41First, the script is locked.
03:44The script is locked.
03:46The script is locked.
03:47One is locked.
03:48Then we start the process.
03:51The execution is the same.
03:54A car is the same.
03:56We will show the execution.
03:58One is correct.
04:00From a couple of experience,
04:02you will play in cricket.
04:05Then there will be some time.
04:10So we are talking about time.
04:10I will talk to you later.
04:11Bro to start shape.
04:13I am also waiting.
04:16Yes, sir.
04:16You have to know, sir.
04:17So, you are only waiting for a producer or a producer.
04:20Yes, sir.
04:21But, you are ready for that.
04:24I will take off their green signal.
04:26You are making the juice, sir.
04:27You are making the juice.
04:27We are making a juice on the juice today, sir.
04:31Oh, today night.
04:34Samatra Gunigar.
04:35You are the people in the country.
04:38I was talking about Rajendra Nath, who was a role in the role of Rajendra Nath.
04:42He was also a set-up and he was a character.
04:49I was talking about the role that you were playing in the role of Rajendra Nath,
04:54and he was talking about the prequel.
04:56So, what have you seen in this?
04:58No, he was talking about it.
05:01Rajendra Nath's role was the prequel.
05:03He was talking about it.
05:05He was talking about it in the social media.
05:06He was talking about it in the social media.
05:07He was talking about it in the social media.
05:10So, what do you think about it?
05:11No, sir.
05:13He was talking about it in the middle class.
05:19Samutri, sir, you are an actor and you are a director.
05:24So, what do you think about it in a direction?
05:28What do you think about it in a direction?
05:34So barely saw them like the upbeat earth.
05:36You look by the accent like the樣 of going on,
05:39which movie is a film of the cultivation nation.
05:40No matter how much of the lady looked into it in the short term,
05:43or when you said what was the value of theilarity,
05:44that was the film.
05:46It is the film,
05:48and so you did a scene at it,
05:48Gleing the storytelling technology and the love of the creation.
05:55So, what a lot of people played in the consensus in that event.
05:58and the creation of the people,
06:02that is clear.
06:08What was your first reaction
06:10when you heard this story and what made you say yes?
06:13This story is first of all.
06:17There is a story underlined.
06:20There is a story underlined.
06:28When I saw the morning,
06:31there is a photo in my room,
06:36and there is a photo in the running.
06:40I saw it.
06:41I saw it.
06:42I saw it.
06:43I saw it.
06:44I saw it.
06:45I saw it.
06:46I saw it.
06:47I saw it.
06:49I saw it.
06:50If you found it,
06:51I saw it.
06:56I saw it.
06:58I saw it again.
07:01There is a story underlined.
07:02When I did it,
07:03I saw it.
07:04I know you are breathing.
07:07I saw it.
07:12I saw it again.
07:16There is a story.
07:17I don't know how to get a diet.
07:21I'm ready.
07:22I'm ready.
07:22I'm ready.
07:23I'm ready.
07:23I'm ready.
07:23I'm ready.
07:24I'm ready.
07:24I'm ready.
07:24I'm ready.
07:25I'm ready.
07:29I'm ready.
07:30What is your biggest challenge?
07:46How did you get a GMNP?
07:49I'm ready.
07:50I'm ready.
07:51I'm ready.
07:57I'm ready.
07:59Alright.
08:00First of all, you have to choose the trailer.
08:03You have to choose the trailer.
08:07How did you get a success?
08:09How did you connect to this world?
08:12Please feel free.
08:13I have to choose the trailer.
08:16Not for me.
08:16You have to choose the trailer.
08:17But if you are to choose the trailer,
08:19you're supposed to be a casual conversation with someone.
08:21I had to discuss things.
08:24On camera.
08:25So on camera.
08:26Off camera, you're a customer.
08:28There's a lot of conversations.
08:55I will tell you how I was working with Kani sir and GVM sir.
09:00Off screen if the camera is off it is like in school you will have two friends always talking.
09:08So when the shot is ready I have to go and disturb them.
09:13Because they are so intensely talking about filmmaking, their personal life and everything.
09:18I always feel like if we don't take they will start talking.
09:22So I always felt guilty to disturb them talking because they are laughing.
09:29I have sometimes from the distance you just watch them because their chemistry is very infectious.
09:37All the very best and Lakshmi Garu.
09:39Ma'am you understand Telugu?
09:41Yes.
09:41So you tell the story.
09:45Sir you tell the story.
09:47I will talk and talk and talk and talk.
09:50So after telling the story what is that particular line you liked it and you acted in this.
09:58What do you say?
10:00Karmene Selva?
10:01Yes.
10:04I said it was just a school.
10:09I was just a director.
10:10Okay, okay, okay.
10:10Okay sir.
10:14So but in this story what you liked more sir?
10:16More madam?
10:17I really liked how the character Shanti was written.
10:20You know for, it had one emotional arc.
10:24It was very human.
10:25You know like it's not a single arc where sometimes they, when some directors tell you a character,
10:32they tell you ah this is a bold character.
10:34But a person cannot be bold everyday you know.
10:36One day they are bold, the next day they are scared.
10:38That is the nature of a human.
10:40This character itself was written very humanly, like you know very real.
10:45And I really like playing very real characters.
10:48So I, I loved the way the entire story was written and I really like the way this character was
10:53written.
10:53So that's what, yeah.
10:55Thank you so much.
10:56Sir, samandri ghandi sir.
10:58Sir, so very interesting is you have a lot of realistic approach.
11:04So while doing this film,
11:05I think some of the films are definitely connected to my heart as an actor as a work.
11:10So, what was your take-away? After finishing off this film, what was your take-away?
11:15It was all the time.
11:17It was all the time that I did take-away.
11:21When I started this film, I would try to make it zero.
11:28I would try to make it zero.
11:37Towards that only.
11:38Thank you, sir. I'm looking forward to release.
11:41Very interesting.
11:42Once again, all the best to the entire team.
11:44Thank you, sir.
11:58I'm telling you, you must complete the film.
12:05You're making this film.
12:07I'm talking about the film.
12:09You have to make it.
12:09Thank you, sir.
12:24I'm not making a film.
12:25I'm not making it.
12:27I'm making it.
12:28But I am doing 64-65 movies.
12:31And I have a lot of acting with Sir.
12:38The first step is to paint and the director.
12:42I have a lot of stories about my story.
12:44And I have a lot of work with Sir.
12:49So, I have a lot of work with Sir.
12:53So, I feel more comfortable working with him.
12:56And I like the story.
13:08Tamil, Telugu, Malayalam, Kannada and English, Hindi.
13:12All languages called the 64.
13:17Sir, producer,
13:18Are you motivated to do your EML?
13:27Of course, I also have EML.
13:29So, one thing after discussing with Ram Chakri, I felt like this movie to be told and this movie to
13:38be reached all the families and working class people so that they will come out of all this, the burden
13:47which they have and a happy life.
13:49So, that is one of the reasons why we said we will go ahead with this project.
13:54What exactly you want to tell the point from this movie?
14:03I would say like a bottle free from the money world, that's all.
14:09That's what I want to convey.
14:11Okay.
14:12Okay.
14:12Good luck, Andy.
14:14Abhinaya, ma'am.
14:16Here.
14:23So, as per the promotional content, you are, seems to be a dominating character against Samudra Kani, sir.
14:31So, how it was playing such kind of character.
14:42So, when I came back to my story, I thought I was afraid.
14:48I asked my boss.
14:50I asked my boss.
14:52I asked my boss.
14:53I asked my boss.
14:54I was confident.
14:56I asked my boss.
14:57I asked my boss.
14:57I asked my boss.
14:58And I asked that I was pretty close.
15:02I asked him to come back in the last stretch and say,
15:03Sorry.
15:03Sorry.
15:04I didn't know my boss.
15:06I didn't know my boy.
15:08He was saying it.
15:10So, it's a nice movement, sir.
15:16Samudra Kani here.
15:17Hi, sir.
15:18Hi, sir.
15:18So, in 2001,
15:20we are acting statutes.
15:21And probably, I'm not wrong.
15:232001, 2007?
15:23In 2007, he was promoted to Subramani, but the character started in 2001.
15:31What did you do with that character?
15:34What did you do with that character?
15:38That's a good idea.
15:41My dream is that there is a small room in a small terrace.
15:56How did you do it with that character?
16:00How did you do it with that character?
16:01How did you do it with that character?
16:01I did it with that character in 2010.
16:07My last moment, I didn't have anything in my mind.
16:12I did it with 3 series.
16:17I didn't have a problem.
16:18I didn't have a place, I didn't have a ground.
16:22I didn't have a place.
16:24I didn't have a place.
16:37I didn't have a place.
16:38I didn't have a place in the world.
16:40I didn't have a place in the world.
16:41I didn't have a place in the world.
16:41What kind of balance are you choosing?
16:43How did you choose characters?
16:45I did it with DC.
16:47I didn't have a balance.
16:49It's a good idea.
16:51It's a good idea.
16:52You are also talking about Tamil and Tamil.
16:55Why is that there is a lot of rooted characters.
17:03If you want to choose or else commercial or else various angles,
17:07you can choose.
17:08But there is a lot of rooted characters.
17:12After winning the national award also, you are choosing these kind of...
17:15See, it's not like I have 100 offers from which I am choosing 3.
17:20I am picking the best of what is being offered to me.
17:24I also think these are the kind of characters that people consider me for.
17:29So most of the characters that come to me are very real, are very rooted.
17:34And I enjoy playing those characters also.
17:37But yeah, hopefully soon I will break that stereotype and do some characters that will surprise everybody.
17:43Yeah.
17:48Hi, sir.
17:49It's interesting.
17:50I have a lot of people who have used to do the show on Instagram.
17:56It's interesting.
17:57It's interesting.
17:59It's interesting.
17:59What is the story writing?
18:03What is the story writing?
18:07For the writing of the film, you are asking the inspiration.
18:11Right?
18:12So the inspiration is like my own personality.
18:15experience. Like I had a choice to either continue in filmmaking or should I take the
18:24normal route of taking EMI and what the other family members wants me to do or not family
18:32members but the society wants me to do because we say settled life. So when we say settled
18:37life, that guy has bought one house, he is settled. But if you see he is now unsettled
18:43actually. Because he has to work now, he has only paid maybe few lakhs. The rest 50 lakhs
18:51he has to now, he doesn't have, he has to pay. Now before he was free, now he has to
18:57pay
18:5748 lakhs or something for another 25 years. But in society we call him settled. Settled
19:04means now that's it, now start running until a point where he will realize that this is
19:11life. So I also had a choice like that. But I chose the, because of my family support,
19:18my, it has to be supported by everybody. Even your kids, wife, mom, dad, everybody has to
19:26support you to have a contented life so that you, you have the time. So you have the time
19:32to work for a longer duration because life is like a marathon. It's not like you get married
19:38immediately you buy house. It's not like that. So when you need that time, you need, you
19:44have to have your commitments very less. So you also need the support of the family member.
19:50So one thing that I also wanted to tell is like that choice of how we want to live is
19:55not one person's decision. It is an entire family. So if you want to live a contented life,
20:00even the kids, wife, husband, everybody has to have the same value system in terms of finance.
20:08Only then you will have that quality time. If one person decides no, we have to have a house,
20:14that is what is settlement, then everybody's life will start to revolve around that. So
20:20I had been into the same situation, but I choose a different part. But I have seen people who
20:26have gone to the other side. They may even think like, okay, two years we will work and then
20:30we will come back. Even people who have gone outside the country, you often don't see them
20:36coming back. Once you are into that race, it's difficult to come back.
20:40Okay. Samadhargani, sir. Sir, you have a lot of characters, sir. But you have a lot of characters,
20:46but you have a lot of characters, but you have a lot of characters, but you have a lot of
20:49characters.
20:50I think you have a lot of characters. So you are very good at the time. So you are very
20:55good at the time.
20:58I think that I have a lot of characters, but I do. So as a father, I have almost ten,
21:06twelve fathers,
21:07twelve to fifteen fathers. One father is one character. But I do thousands of fathers.
21:17There are a variety of fathers that we have done.
21:21We will definitely do it.
21:24Okay, sir. Thank you.
21:26Sir Ram Chikki, sir.
21:28The whole team, congrats for this kind of content to providing for the audience, Thirigo audience especially.
21:35Sir, Arrere's song was, it was a wonderful, soulful song.
21:40Whose idea was this song and how Samudurkin sir and the bonding between father and son, how much they portrayed
21:48the song?
21:50Kudus to lyricist, whose idea is this?
21:53Is the idea between you and Samudurkin sir shared, between you and both or it's your individual idea?
21:59You are saying the song as a composition or the visualisation?
22:03Lyricist sir, lyrics. Composition as well as the lyrics.
22:07Yeah, lyrics I think it was mostly discussed with the music director because I told that it should reflect the
22:16philosophy of,
22:17before, this comes before he gets into some form of pressure or debts or the societal.
22:25He is a very innocent person in the beginning.
22:28The society only forces him to change or run.
22:30At that point in life you are just living your life to be happy.
22:35So that is what we wanted to do.
22:36So the sounding which we wanted was to have that happiness when you hear that rhythmic lines.
22:43That was the goal.
22:44So when we had music director and lyricist in Tamil, first I was saying.
22:49So it has to sound rhythmic.
22:51That was the only goal.
22:52And it has to be a little peppy to reflect that.
22:54Then when we gave the same song to Rambabu sir, he brought his own version of lyrics with his own
23:02meaning which was adding more flavour to the song.
23:05And in fact in our team everybody we often say that Telugu songs are so rhythmic and nice to hear
23:10as much as Tamil itself.
23:11Okay.
23:13Okay sir.
23:15Okay sir.
23:17Thank you sir.
23:18Thank you sir.
23:40First of all congrats sir.
23:41Thank you sir.
23:43You will tell me.
23:44Let's talk about it.
23:45In the world there was one interview called a hero to Chimir who did a story of the character.
23:51There was a news and a social media too.
23:55That was it.
23:56I had to say it.
23:57We have to say it.
24:01We have to say it.
24:01I know, I'm not going to do a record. I didn't do a book from Thamudu.
24:08I did it after the record.
24:12But I was going to stop talking about the record and finish it.
24:16Thamudu was happy to say that.
24:19But I was just talking about it.
24:32Thank you, thank you.
24:35Thank you, thank you.
24:36Namaskaram.
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