- 6 hours ago
Marry My Husband (Janpan Ver) EP.3 Hindi Dubbed [Full Movie] [Must See]Full EP - Full
Category
🎥
Short filmTranscript
00:00:13Oh
00:00:31You're fine, right?
00:00:33Thank you, sir.
00:00:37Maybe my leg fell down below.
00:00:43You're the director Suzuki, right?
00:00:45I'm from Rena Isaka's second planning department.
00:00:48Yes, I'm Suzuki.
00:00:52Thank you for saving me.
00:00:58Maybe, because of my leg,
00:01:01I've come to my leg.
00:01:15Nisa.
00:01:18Good morning.
00:01:19Good morning.
00:01:20Today, you're completely different.
00:01:22After the makeover, you're very good.
00:01:25Okay, tell me.
00:01:26It's not too much, right?
00:01:27No, it's not.
00:01:28Perfect.
00:01:28Really?
00:01:29What did you say?
00:01:30Bright colors are good for you.
00:01:31Don't ask.
00:01:32How did you cut your hair?
00:01:33Why did you cut your hair today?
00:01:34Why did you cut your hair?
00:01:35Stop.
00:01:35I'm asking.
00:01:44Is Mrs. Isaka not here yet?
00:01:47Did you talk about her?
00:01:56Sumiyoshi.
00:01:57Is Mrs. Isaka not here?
00:01:59Yes.
00:02:06What is this?
00:02:08Who will approve this presentation in a meeting?
00:02:12Yes.
00:02:13But sir, what's the problem here?
00:02:14I'll tell you.
00:02:15There is no one of a product that is worth it.
00:02:19But I'll tell you about another problem.
00:02:25And I'll tell you this too.
00:02:27I'll tell you this too.
00:02:28You can't get your mind if you can buy it.
00:02:30Or you'll buy it.
00:02:31Huh?
00:02:33You always find the way to save your life.
00:02:35I'm very sorry, sir.
00:02:37But if you tell us...
00:02:39This proposal is the only problem.
00:02:41Don't ask me again.
00:02:43Don't ask me again.
00:02:44Oh, you too.
00:02:47This office is not your house.
00:02:48Don't ask me here.
00:02:50Don't ask me here.
00:02:57The meeting is the same week, right?
00:03:01The proposal was submitted.
00:03:03So, if you have to change something,
00:03:04you'll get the time for it.
00:03:08This manager Ramesha does that.
00:03:10What?
00:03:11Nothing.
00:03:13Good morning.
00:03:15Good morning, sir.
00:03:16Excuse me.
00:03:17I've been late.
00:03:18You're not good yet.
00:03:20How long I'm calling you?
00:03:21I'm sorry for my thinking.
00:03:23Thank you, sir.
00:03:23My leg was dead.
00:03:25So, I had to go to the hospital.
00:03:26The leg was dead?
00:03:28You're very tired.
00:03:30Don't put your leg on the leg.
00:03:31Don't put your leg on the leg.
00:03:32Don't put your leg on the leg.
00:03:33No.
00:03:34Good.
00:03:34Do a job.
00:03:35Come here.
00:03:35Come here.
00:03:36Come here.
00:03:37Sorry.
00:03:38Don't worry.
00:03:39Come here.
00:03:40You're just sitting.
00:03:43Thank you, sir.
00:03:43I'm probably going to get a compress.
00:03:45I'm going to take it.
00:03:46I'm going to take it.
00:03:48Okay.
00:03:49Listen.
00:03:49Yes.
00:03:50Lantra de Kefe.
00:03:51There's a phone.
00:03:52Lantra de Kefe.
00:03:54Yes.
00:03:57Hello, sir.
00:03:58I'm talking in the face.
00:04:01Yes.
00:04:02Hello, sir.
00:04:02In the face?
00:04:03Yes.
00:04:11In the face?
00:04:28Hello, sir.
00:04:33Hello.
00:04:34Hello.
00:04:35This is a famous dish.
00:04:36It looks very tasty.
00:04:37To be able to finish this whole thing.
00:04:41Yes.
00:04:42I'm going to finish it.
00:04:43I'm going to finish it.
00:04:43I'm going to finish it.
00:04:44What is happening?
00:04:44How's it going to finish?
00:04:45Yes.
00:04:45Yes.
00:04:46We have a lot of people to enjoy it and then you are also a special customer.
00:04:52Then, let's start eating.
00:04:53Yes, please.
00:04:59Oh, it's very tasty.
00:05:03So, you're both the owner and the chef here?
00:05:05You're crazy, right?
00:05:07I thought you would be a director or an actor here.
00:05:10Yes, I'm saying that.
00:05:11But the theater was just until the university.
00:05:13If you didn't make a part-time job, I didn't make a part-time job.
00:05:18I probably wrote this in my opinion.
00:05:20Your cafe is very good.
00:05:22La Interacte.
00:05:24In French, it means to keep it.
00:05:27I wanted to make such a place where the busy people can take a little break.
00:05:33Okay, a break from work.
00:05:39Did you have a phone in my company?
00:05:42Did you feel bad?
00:05:43No.
00:05:44I wanted to talk with you.
00:05:45I was able to talk with you.
00:05:46When you sent the message, I saw it.
00:05:48I didn't care.
00:05:50I didn't care.
00:05:52Otherwise, how do we get back?
00:05:53How do we get back?
00:05:56How do we get back?
00:05:58How do we get back?
00:06:00How do we get back?
00:06:01Well, I wanted to meet the other people and others.
00:06:04Maybe we'll connect you on social media.
00:06:06I'll connect you on social media.
00:06:09I don't use social media.
00:06:10I don't use social media.
00:06:10If you use it, then the time will go down.
00:06:27Things will go down.
00:06:28Hmm.
00:06:29But now I will use it.
00:06:32Huh?
00:06:33As a result, now it seems that I have to be active on social media.
00:06:38So, you're active?
00:06:40Yes.
00:06:42Before, follow me on my cafe.
00:06:44Follow?
00:06:45Yes.
00:06:53Did you?
00:06:54Right.
00:06:55Oh, how good photos are.
00:07:06Sorry, I just went like this.
00:07:09Can I sit?
00:07:18I was thinking about Yotu talking about.
00:07:21Yes.
00:07:23But it's okay that you met.
00:07:25You should talk about both of them.
00:07:27Yes.
00:07:30Yes.
00:07:33Yes.
00:07:35Yes.
00:07:36Yes.
00:07:38Yes.
00:07:40Yes.
00:07:40Yes.
00:07:46Yes.
00:07:47Yes.
00:07:51Yes.
00:07:53Yes.
00:07:55Yes.
00:08:23Yes.
00:08:25Yes.
00:08:25Yes.
00:08:26Yes.
00:08:29Yes.
00:08:31Yes.
00:08:31Yes.
00:08:32Yes.
00:08:33Yes.
00:08:33Yes.
00:08:33Yes.
00:08:33Yes.
00:08:33Yes.
00:08:36Yes.
00:08:41Yes.
00:08:44Yes.
00:08:46Now just do it.
00:08:51You don't need anything to say.
00:08:54I know exactly what you think.
00:08:58You don't need any tension.
00:09:05Visa...
00:09:12I thought you would end your friend.
00:09:15I didn't get tired from this fear.
00:09:18I would never forgive you.
00:09:20You and Yuto are really great.
00:09:23If I'm honest,
00:09:25I don't like you as a girl.
00:09:29How are you?
00:09:33Yes, I'm scared.
00:09:42You?
00:09:46Meisa always wants to say something.
00:09:51I think that I have a reward for my karma.
00:09:53I have a reward for my karma.
00:09:55One day, a girl's message came.
00:09:58She said that she's dating her.
00:10:03She's playing a game for the last three years.
00:10:05She's playing a game with me.
00:10:08It's like that.
00:10:09You should have to take a break up with her.
00:10:11Yes, she did.
00:10:13When did she?
00:10:14In the morning.
00:10:16She's playing a game with me.
00:10:17She's playing a game with me.
00:10:18She's playing a game with me.
00:10:18I'm not going to be with you.
00:10:22Now, Tommy.
00:10:25When she was married to her,
00:10:27she was playing a game with me.
00:10:29She was playing a game with me.
00:10:29When she fell asleep to her,
00:10:30And Ray had a break up with me.
00:10:35That's all.
00:10:36How did she get up to her?
00:10:36But I have one more time.
00:10:40Who is she?
00:10:41You tell me, he's a shame. How can I tell you?
00:10:44Sometimes it happens that we never thought about him.
00:10:48He always loves him.
00:10:49So much love so quickly?
00:10:51Tomoya!
00:11:29When you were in trouble, I felt like that.
00:11:32Like my whole pain never had.
00:11:35It was just a moment.
00:11:35from us.
00:11:39What's happening?
00:11:41I don't understand this.
00:11:42I know the old boyfriend of Rene's old.
00:11:44In the past life, there was no one giving him to the director Suzuki.
00:11:48So how did this happen?
00:11:50Stop!
00:11:54By the way, the director Suzuki has become a part of his life.
00:11:58And when had the feelings come to Rina for her,
00:12:00when did this happen?
00:12:03I don't want to know about them.
00:12:10What's happening all this?
00:12:16I'm sorry, sir.
00:12:27Please, don't go to this place.
00:12:31Why are you so angry?
00:12:46What do you do?
00:12:47There's no time.
00:12:48There's no time.
00:12:54Shine must get Tangur's proposal now.
00:13:00You're going to give a plan.
00:13:01You're going to have a plan.
00:13:03You're going to have a plan.
00:13:04Miss Misa, if you're going to be careful with your work,
00:13:07it's better.
00:13:09But her plan was perfect.
00:13:11It was perfect.
00:13:17I'm also helping.
00:13:18Yes?
00:13:19But it's a lot of time.
00:13:21Yes.
00:13:21Just give it.
00:13:24Let's start.
00:13:24You are.
00:13:28You are.
00:13:41So
00:13:42So
00:13:49We are all in the night. We don't stop for one minute.
00:13:53Don't stop it for me.
00:13:55No, make a horse.
00:13:57It's a mess.
00:13:59It's a mess.
00:13:59It's a mess.
00:14:00Go here and make a horse.
00:14:11We keep making a proposal and that's why.
00:14:26I'm not going to get a horse.
00:14:28I'm not going to get a horse.
00:14:29I'm not going to get a horse.
00:14:37I can't see it.
00:14:50I
00:14:52Sumiyoshi Maaf Mujhe Maaf Karna Kalsap Tumhara Uppar Chhoddhiyan
00:14:56Pahalai Bataiya Aapki Baiti Thik Tohah
00:14:58Woha Hatho Kibal Zameen Per Giri Thih Sidhe Haatho Meen Haro Chhe Or
00:15:02Pardonn't Fik Tohth hyofff
00:15:06forecast
00:15:07Now the Delegit
00:15:08Now for holiday chapuru has brought me the proposal like sir I have sent another proposal to your son
00:15:24Sh cozinashi
00:15:26Have to go yes
00:15:27Oh
00:15:32Come on, read it.
00:15:34Sorry, sir.
00:15:35I was wrong with you.
00:15:36Look at the results of my salary.
00:15:38The proposal is quite good.
00:15:42I'll call a meeting.
00:16:03I'll call a meeting.
00:16:05No need to make this.
00:16:05What?
00:16:06No need to leave my sleep at night.
00:16:10I'm sorry for my parents.
00:16:12But the manager has not read the proposal.
00:16:14Neither the proposal nor the revised proposal.
00:16:17Just watch the meeting first.
00:16:20What?
00:16:25What?
00:16:26I'm not going to do anything with the boss.
00:16:30We're going to submit this proposal every time.
00:16:32Just the font, the layout and the order of the proposal.
00:16:35What?
00:16:36But if we're stuck, then what?
00:16:38I'll just submit it.
00:16:39We'll leave for the time for this week.
00:16:42I don't need any trouble.
00:16:44You have to go to school with your daughter.
00:16:46She's a child, she's enjoying it,
00:16:47and if it's because of someone,
00:16:49she's hurt her.
00:16:51I'm going to say,
00:16:53I'm going to say,
00:16:54I'm going to make a mess for someone.
00:16:56So,
00:16:56I'm not going to do anything with her.
00:17:07So, Amita,
00:17:08I'm a very big man.
00:17:09She should have done this.
00:17:11She should have done this.
00:17:14It's all this kind of plan.
00:17:15I didn't know that your daughter is so powerful.
00:17:19She's a very strong man.
00:17:21Just tell me.
00:17:32Sumiyoshi,
00:17:33Misa,
00:17:36you both have understood me as a freak.
00:17:38What?
00:17:40From the beginning,
00:17:42I was just asking you to ask for such a proposal.
00:17:45Look,
00:17:46the results of my life
00:17:47is pretty good.
00:17:48This time,
00:17:48the proposal is pretty good.
00:17:53Okay,
00:17:54I'll call a meeting.
00:18:23Will you ask a meeting?
00:18:25We will eat again.
00:18:30Tell me, the manager didn't come too much?
00:18:35Not too much, but he had two fingers on his hands.
00:18:47Karmo is a reward.
00:18:51What?
00:18:55Miss Misa, I feel like you are the first time that I am not going to be angry.
00:19:04Lona, please.
00:19:08I and Sumiyoshi were the same.
00:19:13We were in the valley of the river, which was the seed of the river,
00:19:16that maybe one day we will be able to get our sins.
00:19:21But no one saw our sins.
00:19:25And people are taking advantage of our sins.
00:19:32Shine must get approval of the project.
00:19:35And Sumiyoshi Man's work will start soon.
00:19:38This is for you.
00:19:58No one saw on us.
00:20:01I am not gonna think about it.
00:20:02We are so glad that we won't be able to get out of it.
00:20:05We were so glad to be here.
00:20:06Know we are too committed to that to the future.
00:20:08The manager and Reina took all of us, and when the project was done,
00:20:16she put herself on the project.
00:20:18And she took all the credit to her.
00:20:29Rest and get good.
00:20:31Okay?
00:20:33Go, go, go.
00:20:34Sumiyoshi ma'am left the company wrong.
00:20:47I have never thought that my post will get someone else.
00:21:02We will not be able to make the bullies.
00:21:04What happened? You didn't like the mutton?
00:21:06We will make the bullies.
00:21:07We will not be able to make the bullies.
00:21:09Anything is saying.
00:21:11It's gone.
00:21:15Let's eat food.
00:21:20This is ready.
00:21:20What happened?
00:21:23Oh!
00:21:25Oh!
00:21:25Oh!
00:21:27Oh!
00:21:28Oh!
00:21:30Oh!
00:21:30Oh!
00:21:33Oh!
00:21:33Oh!
00:21:34Oh!
00:21:42Oh!
00:21:42Oh!
00:21:44Oh!
00:21:46Oh Pam!
00:21:51Oh!
00:21:59Oh,
00:22:00Yes, and she didn't ask me too.
00:22:04Today, she didn't keep anything wrong with me today.
00:22:08Yes?
00:22:10Yes.
00:22:12Don't ask me how much my mind is wrong.
00:22:15I don't understand anything.
00:22:17Tomoya, I want you to focus a little bit.
00:22:21What about you to focus on?
00:22:23Once you get married, I feel like a couple of girls is going to trust her, or not.
00:22:30No, no, no, no, no, no.
00:22:32Misa is not such a girl.
00:22:35Excuse me, one highball.
00:22:37Now I am, sir.
00:22:39Do you know the Director of the Strategy Department of Suzuki?
00:22:41Yes, that's a noble son.
00:22:43How do you feel he?
00:22:45He's a child who's a young man.
00:22:47Never heard of someone's affair.
00:22:49Never heard of someone.
00:22:51I'll tell something else about him.
00:22:53What a matter.
00:22:55When did you get interested in that?
00:22:58I'm not asking for it.
00:22:58I'm not asking for it.
00:22:59My friend is a little bit.
00:23:03I saw the study of plants in the university.
00:23:06Perhaps it's a plant of knowledge.
00:23:09What do you know?
00:23:10Never heard of a girl's heart.
00:23:11It's possible.
00:23:13He's always angry at work.
00:23:17I'm more popular in the girls than I am.
00:23:19I need to talk to the people.
00:23:22He's such an Ameer, such a big name.
00:23:25He doesn't run behind the girls.
00:23:27He doesn't run behind the girls.
00:23:31He doesn't run behind the girls.
00:23:33He doesn't run behind the girls.
00:23:35Let's go, my drink is also coming.
00:23:37Cheers.
00:23:39Cheers.
00:23:39Cheers.
00:23:44And you won't have to work for you.
00:23:45You won't have to work for you.
00:23:51It looks like they will take care of me to work for you.
00:24:02You've been royal with what's happening here.
00:24:04Stop you.
00:24:05And we should partner with his teammates.
00:24:08We will also be friends inside and ex- Advocated everyone.
00:24:11and when it was going to be done, we changed the whole project.
00:24:15So, you're taking so much attention to the people.
00:24:17Now, you didn't get approval for the proposal.
00:24:20It's not like that the jungle is fighting.
00:24:23Forgive me.
00:24:24No, it's not. It's not customers.
00:24:26Oh, yes.
00:24:27I remember Shaheen Muscat Sanggur from Nagano's Chino's Bagheche.
00:24:31Yes, he's very famous.
00:24:32Really?
00:24:33Yes.
00:24:34In the past few years, they gained a lot of names from high quality.
00:24:37But before, they have so much demand that they don't need a new contract.
00:24:39I don't think they don't need a new contract.
00:24:43Someone told me to get out of knowledge and knowledge.
00:24:46But when I called them...
00:24:48Which year?
00:24:492015.
00:24:51We're going to talk about them now.
00:24:53Where are we going?
00:24:56They have called them for the next process.
00:24:58Are you going?
00:24:59I'm going!
00:25:02So, okay.
00:25:03Let's start working on Shaheen Muscat Project.
00:25:05All the best.
00:25:07We'll start with them first.
00:25:08We'll contract them with them.
00:25:09Then, we'll have promotional camping on social media.
00:25:11And if you increase the speed,
00:25:12then we'll have the gift market.
00:25:13Players can also be stuck with them.
00:25:14We're going back and forth.
00:25:16What?
00:25:17Nothing. I was talking about myself.
00:25:19I'm starting to start planning on social media promotion.
00:25:22Okay.
00:25:24What does it mean?
00:25:25What does it mean?
00:25:26Nothing.
00:25:27We'll put it in love.
00:25:28We'll put it in love.
00:25:29We'll put it in love.
00:25:30In 2015, I didn't know anyone.
00:25:37I'll put it in love with our colleagues.
00:25:41Okay.
00:25:42Okay.
00:25:42We'll get the support of this.
00:25:45Who has helped me?
00:25:49Yes.
00:25:50Who has helped me?
00:25:53Please help me.
00:25:56Can you help me?
00:25:56Yes.
00:26:09Yes, yes.
00:26:30Oh, Lukey?
00:26:43Why do you call me at work?
00:26:46Okay, Baba, sorry.
00:26:49But I need my ring.
00:26:50The last time I stopped at home,
00:26:52I forgot about the bathroom.
00:26:54You would give me a message, right?
00:26:55I stopped at home.
00:26:57You are reading my messages.
00:27:01This is the one.
00:27:04You have your heart.
00:27:05This is my favourite ring.
00:27:08When someone gives you something,
00:27:09you keep your attention.
00:27:11Now, when you come the next time,
00:27:12you have to ask.
00:27:14And then?
00:27:15Then there is no need to come.
00:27:17You can't talk about love.
00:27:20Why did I give you a gift?
00:27:23Now, let me leave.
00:27:24Let me go.
00:27:39What are you doing here?
00:27:46Let me give you a gift.
00:27:48Thank you so much.
00:27:49Thank you so much.
00:27:53This proposal is pretty good.
00:27:55The demand for the Shain Musket and Sanggur
00:27:56has also increased a few years.
00:27:59And the good thing is that
00:28:00the market is also increased.
00:28:08The market is still increased.
00:28:09For the past 5 years,
00:28:11I think the demand will be increased.
00:28:14I think there will be a future.
00:28:14You have taken this time for the market.
00:28:18I know who has taken the market?
00:28:21I also know who has taken the market.
00:28:22You are with your 10 years old employee.
00:28:24It's a shame.
00:28:24Come on. You'll be smart too.
00:28:28One minute.
00:28:29Is this your boyfriend?
00:28:30Yes, no.
00:28:31But you're looking at it.
00:28:32No, I'm not going to go home.
00:28:36No, I wasn't going to go home.
00:28:36Why didn't we get into that day?
00:28:38You're scared of them.
00:28:40Is that something that was a joke?
00:28:42Some couples get excited for new people.
00:28:45I didn't understand you so much.
00:28:49Miss Kambe.
00:28:50Say it.
00:28:51I'm your senior, but you also know that I'm back.
00:28:54I'm from the other department.
00:28:56You're not going to take advantage of me.
00:29:00Sir, I know how to do it against the rules.
00:29:03I don't believe it.
00:29:04What?
00:29:19I'm going now.
00:29:21I'll discuss the department with this.
00:29:28I'm going now.
00:29:29No, no, no.
00:29:29Bye, sir.
00:29:32Listen.
00:29:34Thank you so much.
00:29:36Please keep this.
00:29:38Wait.
00:29:39Wait.
00:29:40Wait.
00:29:41Listen to my story.
00:29:45What?
00:29:46What?
00:29:46What?
00:29:46What did you get out of here?
00:29:47How dumb a person is sitting in his office
00:29:48behind each other girl in his office.
00:29:53Stop.
00:29:54Listen to me.
00:30:12What?
00:30:15What is happening.
00:30:21When you came to me, I felt like my pain was destroyed.
00:30:33And now, I'm back.
00:30:40Never!
00:30:43Good morning, gentlemen.
00:30:46Have you seen a bad dream?
00:30:47What?
00:30:49You here?
00:30:50Today, you don't even see me.
00:30:52Please, don't tell me.
00:30:54I told you to come.
00:30:55The time I told you, when I'm going to leave.
00:31:03I told you, I'm busy because of the shine musket project.
00:31:06Aha.
00:31:08And I'm a sales in charge.
00:31:11You were also a sales in charge.
00:31:14You're going to go to the nagaan in Angur.
00:31:15You're going to go to the nagaan.
00:31:17Who told you?
00:31:18Besides, who will tell you?
00:31:21Who will tell you?
00:31:21This is Rina.
00:31:23I'll go with you too.
00:31:24You can't go.
00:31:26We're just going to research.
00:31:27Yes, but I'm also a part of the team.
00:31:30And I've heard that Nobleson is also coming to the trip.
00:31:34Director Suzuki will also go.
00:31:35Yes.
00:31:36Rina has also called her on the trip.
00:31:40I didn't want to call her.
00:31:41I thought that the girl's mind has been broken.
00:31:44Then we won't be able to do with Tomoya.
00:31:48Tomoya?
00:31:49Yes.
00:31:50Yes.
00:31:51Let's go shopping.
00:31:53That's the day in the cafeteria, I had a shirt on your shirt.
00:31:56So I thought, I'll go shopping for tomorrow's trip.
00:31:59What is the need for the village to go to the village?
00:32:02You'll see the rest of the girls.
00:32:04What will they do with me?
00:32:06Hmm.
00:32:08The girls have to get a lot of guilt.
00:32:10In this case, you won't be any less.
00:32:12Hmm.
00:32:22This girl will make it so much that Rina will get hurt.
00:32:27Wow.
00:32:43The guy stuck.
00:32:47The guy stuck.
00:32:48No thing.
00:32:48The other guy is coming along with the prepare.
00:32:50No way to come.
00:32:52Nothing and can take it behind him.
00:32:53I'm going to do it.
00:33:00It's fun.
00:33:01Oh, I'm sorry.
00:33:04Oh, I'm sorry.
00:33:10This is the same.
00:33:10Huh? Director Suzuki?
00:33:13His heart also started?
00:33:15Tomoya?
00:33:17Huh?
00:33:18Where else?
00:33:24Look, Missa.
00:33:28What's the phone you're saying?
00:33:31Missa?
00:33:37Missa, look at it.
00:33:45Missa, look at it.
00:33:46Missa, look at it.
00:33:47Missa, look at it.
00:33:48Missa, look at it.
00:33:48Yes, it's okay.
00:33:49You're saying it without seeing it, right?
00:33:54Okay, listen.
00:33:54Listen, tomorrow you'll wear this.
00:34:03I'll stay with you tonight.
00:34:05What?
00:34:06Then tomorrow we'll go to work together.
00:34:10I'll go somewhere else.
00:34:14Where to go?
00:34:16There's another plan in the evening.
00:34:18There's a plan in the evening.
00:34:21There's a plan, but you can't go with it.
00:34:25What?
00:34:28You can't tell me this?
00:34:31It's a very strange thing.
00:34:33We're trying to keep one another.
00:34:36We're trying to keep one another.
00:34:36We're trying to keep the whole life together.
00:34:38But you don't trust me.
00:34:41You said you're going to go shopping,
00:34:43so I've left the rest of my work, Missa.
00:34:45And now you can leave me somewhere else.
00:34:47How can you do that?
00:34:48You're not my own.
00:34:49You're always thinking about yourself.
00:34:51And what do you feel like?
00:34:51I don't understand anything.
00:34:58Now go.
00:35:00Leave me.
00:35:02Leave me.
00:35:21Leave me.
00:35:27Leave me.
00:35:30Leave me.
00:35:31Leave me.
00:35:31Leave me.
00:35:32Leave me.
00:35:32Leave me.
00:35:32I don't need to forgive my heart.
00:35:34But it's true that I always love you.
00:35:51I have to remember that this is the last time.
00:35:54The last time?
00:35:55Yes.
00:35:57Don't worry about my company, my house, or my girlfriend's family.
00:36:00It was just my fault.
00:36:02Don't do them all.
00:36:06The first time I saw someone laughing and asking her to give up.
00:36:14It's a mistake. Please forgive me.
00:36:19I knew it before.
00:36:23I always get angry.
00:36:26It's bad for me.
00:36:38I am sorry, I can't see anyone who is troubled.
00:36:47I'm here.
00:36:48Bye.
00:36:51Mom, you tell me.
00:36:53I'm not going to die.
00:36:57It's Rose Rose.
00:36:58It's Rose Rose.
00:36:59It's Rose Rose.
00:37:20foreign
00:37:27foreign
00:37:56What was the fear that I was afraid of?
00:37:59I was afraid to kill myself and kill myself.
00:38:04I've also had my knowledge in this place.
00:38:42Hi, sit down.
00:38:43No, come back.
00:38:45No, sit down.
00:38:45Come back.
00:39:15Come back.
00:39:17Come back.
00:39:38Come back.
00:39:41Come back.
00:39:51Come back.
00:39:52Come back.
00:39:58Come back.
00:39:58Come back.
00:39:59Come back.
00:40:20Come back.
00:40:23Come back.
00:40:27Come back.
00:40:32Come back.
00:40:33Come back.
00:40:33Come back.
00:40:40Come back.
00:40:53Come back.
00:41:11Come back.
00:41:42Come back.
00:41:53Come back.
00:41:56Come back.
00:41:57Come back.
00:42:00Come back.
00:42:02Come back.
00:42:02Come back.
00:42:30Come back.
00:42:49Come back.
00:42:51Come back.
00:43:24Come back.
00:43:25Come back.
00:43:28Come back.
00:43:30Come back.
00:43:42Come back.
00:43:58Come back.
00:44:03Come back.
00:44:05Come back.
00:44:07Come back.
00:44:09Come back.
00:44:10Come back.
00:44:38Come back.
00:44:43Come back.
00:44:46Come back.
00:44:50Come back.
00:45:06Come back.
00:45:17Come back.
00:45:20Come back.
00:45:27Let's take a look at them.
00:45:27What happened to them?
00:45:30Look, there's water coming.
00:45:36Keep it here.
00:45:59Let's take a look at them.
00:45:59I will see them all.
00:46:00You will eat your food.
00:46:01No.
00:46:02No.
00:46:06I will see them.
00:46:07Say it, sir.
00:46:09No.
00:46:15Sir...
00:46:16What was the need for the trip?
00:46:19What do you want to say?
00:46:19I was bored.
00:46:23Why did I get bored?
00:46:25And why is your mood bad?
00:46:27Can you tell me?
00:46:28My mood is fine.
00:46:30Sometimes...
00:46:31I see a lot of anger and anger.
00:46:36Can I know you?
00:46:38Why would I be angry with you?
00:46:41I think that your mood is bad.
00:46:44You are so big.
00:46:47No.
00:46:57No.
00:46:58No.
00:46:58No.
00:46:58No.
00:47:05No.
00:47:06No.
00:47:07No.
00:47:35No.
00:47:35No.
00:47:35No.
00:47:35No.
00:47:35No.
00:47:37No.
00:48:06No.
00:48:07No.
00:48:16No.
00:48:17No.
00:48:18No.
00:48:48No.
00:48:53No.
00:48:59No.
00:49:06No.
00:49:06No.
00:49:06No.
00:49:06No.
00:49:06No.
00:49:08No.
00:49:36No.
00:49:37No.
00:49:37No.
00:49:38No.
00:49:38No.
00:49:39No.
00:49:39No.
00:49:40No.
00:49:40No.
00:49:43No.
00:49:47No.
00:49:47No.
00:49:47No.
00:49:47No.
00:49:47No.
00:49:53No.
00:49:56No.
00:50:04No.
00:50:10No.
00:50:11There is also a way to do it.
00:50:12It's a different way to do it.
00:50:19You know that the first portion of the upper part of the upper part is from here.
00:50:23The lower part of the upper part will be more sweet.
00:50:27I'm working on this project, but I didn't know all of this.
00:50:30That's why we eat from the upper part,
00:50:35it's very sweet in the beginning,
00:50:37but it's slowly and slowly less.
00:50:42If you look at it,
00:50:44it's like this in the love itself.
00:50:47So then, I need to start eating from here to the lower part.
00:50:57In the beginning, it will look good,
00:50:59but as soon as possible,
00:51:01it will increase slowly and slowly.
00:51:05I think that such love will also be necessary.
00:51:08It will be necessary.
00:51:10Life is very long.
00:51:18Do you want to eat it once and see it?
00:51:20Do you want to eat it once and see it once again?
00:51:30It's very sweet.
00:51:34Okay.
00:51:35Now,
00:51:35So now,
00:51:39I'm going to eat it once again,
00:51:39you'll eat it once again.
00:51:50Take this one,
00:51:52and I'll eat it once again.
00:51:53Here we go.
00:51:53I think it's too sweet.
00:51:55I think it's too sweet.
00:52:01But,
00:52:01I'm not sure that you'll eat it once again.
00:52:05Let's go.
00:52:09Your mood is good.
00:53:57Thank you so much.
00:54:07Let's go, keep it in the car.
00:54:16How much time is it?
00:54:20These guys are going to be a cheat.
00:54:26Meesa, what are you thinking?
00:54:27What are you thinking?
00:54:33I don't know, it's something strange.
00:54:37It's a shame, but I'm feeling calm.
00:54:41I'm feeling something like that for years.
00:54:46Either I'm from the people who are back,
00:54:48or I don't want to be more than I am.
00:54:49I just want to keep your mind, Meesa.
00:54:53Let's go now.
00:54:54Your mood is okay.
00:55:00Maybe I'll be back again.
00:55:11If you're hungry or hungry, tell me.
00:55:14I'll open you with your hands and drink.
00:55:17No, it's not necessary.
00:55:21Okay, so you're from Toyama.
00:55:23Yes.
00:55:25When did you meet Meesa?
00:55:27We met in the second class.
00:55:30We are the best friends.
00:55:32We are the best friends.
00:55:32Meesa's mom will run away with anyone.
00:55:38They are the best friends.
00:55:39I'm sorry.
00:55:41I'm sorry.
00:55:42You're he is the best friends.
00:55:45I have been crying.
00:55:46And when you're back, my wife, they're left alone.
00:55:51And that's and that's the same.
00:55:58My mother is back and I live with the same as mine.
00:56:03I don't have to tell others about their feelings.
00:56:07I don't have to tell others about their feelings.
00:56:08I don't have to tell others about their feelings.
00:56:10I don't have to tell others about their feelings.
00:56:15She's a very smart and smart girl.
00:56:19Oh, okay.
00:56:22She lives with all of us.
00:56:25Now, see, today she was so friendly with me.
00:56:29Some girls' attention is very good.
00:56:34But I don't have to tell others about it.
00:56:40If I keep myself in front of me,
00:56:45I don't have confidence in him.
00:56:51I have to tell my boyfriend for another girl.
00:56:54I don't have to tell others about her.
00:56:59I'm sorry, I've said something more.
00:57:04I don't want to do anything.
00:57:08I'll leave everything all over me.
00:57:11I don't want to tell others about her.
00:57:17I don't want to tell others about her.
00:57:18You said that...
00:57:20You are a good friend of Misa.
00:57:25Yes.
00:57:26Then, what do you always try to kill her?
00:57:30And you are experiencia to commit to him by she's not giving her.
00:57:35I don't have to tell...
00:57:37I don't want to...
00:57:37If you say that, you do not like me.
00:57:41Because I always like you...
00:57:42Because of your actions,
00:57:43I always like everyone.
00:57:48If I let you know one more thing,
00:57:51you will remain good.
00:57:52If you want to make the people to blame others.
00:57:53If you want to give them a chance, they also need to destroy them.
00:58:02You were not there. You want to know me about it.
00:58:05Ah, today I have known you very well.
00:58:09Your boyfriend left you and left you.
00:58:11I don't think that in this world,
00:58:13there is no one can think about you as a young girl and a young girl.
00:58:16I can't think about you.
00:58:21That day,
00:58:24you have lost all the chocolate
00:58:27in the streets.
00:58:31I'm sorry.
00:58:32I'm sorry.
00:58:33I'm sorry.
00:58:36I'm sorry.
00:58:37I'm sorry.
00:58:49What happened?
00:58:55There's no need to show you so much.
00:58:57I'm sure you're looking for a girl, sir.
00:59:00What do you know about me?
00:59:04I thought...
00:59:05I was just trying to get you in your pants.
00:59:13What are you talking about?
00:59:15He's stuck in the streets.
00:59:18You're on the street in dallin.
00:59:19Yeah,
00:59:20the tree's in an old house.
00:59:24What does her name mean?
00:59:24What is that?
00:59:29The tree's in a tree.
00:59:30The tree's in the tree.
00:59:33What is it?
00:59:35the tree's in the tree.
00:59:36The tree's in the tree.
00:59:42The tree is in the tree.
00:59:44Don't come in a
01:00:14I wear a mask
01:00:17I wear a mask
01:00:21I wear a mask
01:00:24On this D-string, driving silence into my life
01:00:28I sing like a hypnotic spelling place
01:00:30Makeup on is no mistake
01:00:36Threw you lost shame on me
01:00:39La-da-la-da
01:00:40Threw you twice on my pain
01:00:43Gonna be good
01:00:44You're three times that the penny brings around
01:00:48So now, what's right?
01:00:50Your shoes don't want to go
01:00:52Don't I get so pretty
01:00:53When I'm trying to be sincere
01:00:56You're gonna love me
01:00:58Like it, like it, trippin' cause you know
01:01:00Am I the pain?
01:01:02What you decide
01:01:04These pretty lies
01:01:06We keep inside
01:01:08Am I the blame?
01:01:10For all this pain
01:01:12Or call me insane
01:01:14To cover up and say
01:01:16I wear a mask
01:01:20I wear a mask
01:01:23I wanna-
01:01:25I wanna be
01:01:25Gonna hide it
01:01:27Everybody's falling
01:01:29Mask on the flat, yeah
01:01:31Oh my na-ma-ma-ma-ma-ma-ma
01:01:33You gotta want it, I can see you watching
01:01:36Mask on the cover, yeah
01:01:39Oh my na-ma-ma-ma-ma-ma-ma
01:01:41You gotta hide it, everybody's falling
01:01:44Mask on the flat, yeah
01:01:47Oh my na-ma-ma-ma-ma-ma-ma-ma
01:01:49You gotta want it, I can see you watching
01:01:52Mask on the cover, yeah
01:01:54Oh, now, now, now, now, now, now...
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