- 6 hours ago
Marry My Husband (Janpan Ver) EP.3 Hindi Dubbed [Full Movie] [High Quality]Full EP - Full
Category
🎥
Short filmTranscript
00:00:13Oh
00:00:31You're fine, right?
00:00:33Thank you, sir.
00:00:37Maybe my leg fell down below.
00:00:43You're the director Suzuki, right?
00:00:45I'm from Rena Isaka's second planning department.
00:00:48Yes, I'm Suzuki.
00:00:52Thank you for saving me.
00:00:58Maybe, because of my leg,
00:01:01I've come to my leg.
00:01:15Nisa.
00:01:18Good morning.
00:01:19Good morning.
00:01:20Today, you're completely different.
00:01:22After the makeover, you're very good.
00:01:25Okay, tell me.
00:01:26It's not too much, right?
00:01:27No, it's not.
00:01:28Perfect.
00:01:28Really?
00:01:29What did you say?
00:01:30Bright colors are good for you.
00:01:31Don't ask.
00:01:32How did you cut your hair?
00:01:33Why did you cut your hair today?
00:01:34Why did you cut your hair?
00:01:35Stop.
00:01:35I'm asking.
00:01:44Is Mrs. Isaka not here yet?
00:01:47Did you talk about her?
00:01:56Sumiyoshi.
00:01:57Is Mrs. Isaka not here?
00:01:59Yes.
00:02:06What is this?
00:02:08Who will approve this presentation in a meeting?
00:02:12Yes.
00:02:13But sir, what's the problem here?
00:02:14I'll tell you.
00:02:15No one has no other product to you,
00:02:16in which you are worthy of?
00:02:19But tell me about another problem.
00:02:25Now, I'll just tell you this.
00:02:27You can't see your head on your head
00:02:29or you've eaten it.
00:02:31Huh?
00:02:33You always keep looking for saving money from work.
00:02:35I'm very sorry, sir.
00:02:37But if you tell us, then we should-
00:02:39This proposal is the problem.
00:02:41Now, don't put it back to me again.
00:02:45Oh, you too.
00:02:47This office is not your house.
00:02:48Don't put it here.
00:02:57The meeting is this week, right?
00:03:01I was submitted the proposal.
00:03:03So, if you have to change something,
00:03:04then you'll get the time for it.
00:03:08This manager, Ramesha, does that.
00:03:10What?
00:03:12Nothing.
00:03:13Good morning.
00:03:15Good morning, sir.
00:03:16Forgive me, I've been a little late.
00:03:18You're not okay yet, right?
00:03:20How long am I calling you?
00:03:21Thank you, sir.
00:03:23My leg is dead, so I have to go to the hospital.
00:03:26The leg is dead?
00:03:28You're very angry.
00:03:30Don't put it on your leg.
00:03:31Don't put it on your leg.
00:03:31Don't put it on your leg.
00:03:33No.
00:03:34Good.
00:03:34Do a job.
00:03:35Come here.
00:03:35Come here.
00:03:36Come here.
00:03:37Come here.
00:03:37Sorry.
00:03:38Don't worry.
00:03:40Come here.
00:03:40Come here.
00:03:41Thank you, sir.
00:03:42Come here.
00:03:43Thank you, sir.
00:03:43Thank you, sir.
00:03:44You're probably going to be compressed.
00:03:45I'll take it right now.
00:03:46I'll take it right now.
00:03:46Yes.
00:03:47Okay.
00:03:48Listen.
00:03:49Yes.
00:03:50Lantra De Kefe from Tanabe.
00:03:53Lantra De Kefe?
00:03:54Yes.
00:03:57Hello, sir.
00:03:58I'm talking in Misa Khan.
00:04:01Huh?
00:04:02Tanabe?
00:04:03Hey!
00:04:03Hey!
00:04:14Hey!
00:04:28Oh, hey!
00:04:32Hey!
00:04:33This is our famous dish here.
00:04:36This looks very tasty.
00:04:37Let's finish it all.
00:04:43Do you have a lot of work at lunch time?
00:04:45No, there are a lot of people to enjoy.
00:04:47And then, you are also a special customer.
00:04:51Then, let's start eating.
00:04:53Yes, please.
00:05:00Very tasty.
00:05:01Okay.
00:05:03So, you are both the owner and chef here?
00:05:05It's crazy, right?
00:05:07I thought you would become a director or an actor here.
00:05:10Yes, I'm right.
00:05:11But the theatre was only until the university.
00:05:14If you didn't make a part-time job,
00:05:16I would make a part-time job.
00:05:18Probably, I would have written this.
00:05:20Your cafe is very good.
00:05:23La Interacte.
00:05:24In French, it means to go.
00:05:27I wanted to make such a place
00:05:28where the busy people can take a little break.
00:05:33Okay.
00:05:34A break from work.
00:05:39In my company,
00:05:41I called you.
00:05:42Did you feel bad?
00:05:43No.
00:05:43No.
00:05:44No.
00:05:45No.
00:05:46No.
00:05:48No.
00:05:49If I was alone,
00:05:49I did not care.
00:05:51No.
00:05:52Or how do we meet again?
00:06:00Okay.
00:06:00Maybe Mita and other people wanted to meet you.
00:06:05Maybe we'll connect you on social media.
00:06:07I use social media very rarely.
00:06:10If you use it, the whole time goes on.
00:06:29I use social media.
00:06:30But I will use it.
00:06:31It seems that I have to be active on social media.
00:06:38So you will be active?
00:06:42First of all, follow me on the cafe.
00:06:44Follow?
00:06:45Yes.
00:06:53Do it.
00:06:54Right.
00:06:56How beautiful photos.
00:07:06Sorry, I just went like that.
00:07:09Can I sit?
00:07:18I was thinking about talking about Yotou.
00:07:23I was thinking about it.
00:07:24But it's okay that you met.
00:07:25You should talk about it.
00:07:31I'm asking for forgiveness.
00:07:32I was thinking about it.
00:07:47Yes.
00:07:47Yes.
00:07:48Yes.
00:07:48Yes.
00:07:49Yes.
00:07:51Yes.
00:07:52Yes.
00:08:07I was thinking about it.
00:08:11Yes.
00:08:12Yes.
00:08:12Yes.
00:08:12Yes.
00:08:13Yes.
00:08:14Yes.
00:08:14Yes.
00:08:15Yes.
00:08:22Yes.
00:08:22Yes.
00:08:25Yes.
00:08:25Yes.
00:08:25Yes.
00:08:25Yes.
00:08:26Yes.
00:08:27Yes.
00:08:28Yes.
00:08:31Yes.
00:08:33Yes.
00:08:34Yes.
00:08:34Yes.
00:08:39Yes.
00:08:42Yes.
00:08:43Yes.
00:08:45Yes.
00:08:46Yes.
00:08:47Yes.
00:08:48Yes.
00:08:51Yes.
00:08:52Yes.
00:08:53Yes.
00:08:54Yes.
00:08:54I know exactly what you think.
00:08:59There's no need to get tension.
00:09:05Visa...
00:09:12I thought you would end your friendship.
00:09:15I didn't get tired from this fear.
00:09:18I never forgive you.
00:09:21You and Yuto are really great.
00:09:23If I'm honest,
00:09:24I'm not a girl like your friend.
00:09:29How's your body now?
00:09:33Yes, it's a little pain.
00:09:46Visa always wants to say something.
00:09:48I love to say something.
00:09:51I feel like I have a reward for my karma.
00:09:56One day, a girl had a message.
00:09:58She said that she was dating her.
00:10:03She's playing a game with me for three years.
00:10:05She's playing a game with me for three years.
00:10:07If it's like that,
00:10:09you should have to take a break up with her.
00:10:11Yes, she did.
00:10:13When did she?
00:10:14In the morning.
00:10:16In the morning.
00:10:17What's the story of this twist?
00:10:18I don't want to be with you.
00:10:22I'm not with you.
00:10:22Now, Tommy.
00:10:25When I broke up with her,
00:10:27she was fighting both.
00:10:29And Ray had a break up for Christmas.
00:10:33So then,
00:10:35how did this break up happen quickly?
00:10:37But I found someone else.
00:10:40Who is he?
00:10:41You know, she's hurting.
00:10:43How can I tell you?
00:10:44Sometimes it happens
00:10:46that we never thought about it
00:10:48and love her.
00:10:49How fast love?
00:10:51Tomoya!
00:11:30When you took me,
00:11:30I felt like that.
00:11:32I felt like my whole pain
00:11:34never had.
00:11:35It was just a moment.
00:11:35It was just a moment.
00:11:39What's happening?
00:11:41I don't understand.
00:11:42I know Rene's old boyfriend.
00:11:44In the last life,
00:11:46there was no one to give her to the director of Suzuki.
00:11:48So, how did this happen?
00:11:50Stop!
00:11:54The director of Suzuki
00:11:55has become a part of his life.
00:11:58And Rina's heart,
00:11:59how did her feelings come from?
00:12:01If this is true,
00:12:03I don't want to learn about her.
00:12:11I don't want to learn about her.
00:12:16I'm going to leave her.
00:12:27Please,
00:12:28I don't want to leave her.
00:12:31Why are you so angry?
00:12:46What are you doing?
00:12:47There are no time.
00:12:48I don't have a chance to have a proposal for the shine must be Tangur's proposal now.
00:13:00So are you making a proposal again?
00:13:04Miss Misa, if you are going to take care of yourself, it will be better.
00:13:09But her proposal was perfect.
00:13:17I also have to help.
00:13:19But it's time to take care of yourself.
00:13:21Yes, just take care of yourself.
00:13:24Let's start.
00:13:34Let's start.
00:13:36Let's start.
00:13:50The night is full of space.
00:13:52They don't stop for one minute.
00:13:55No, make a horse.
00:13:57It's a mess.
00:13:59It's a mess.
00:13:59You have to go here and make a horse.
00:14:11We keep making a proposal every time.
00:14:13And that's why...
00:14:49Eww!
00:14:52Sumiyoshi ma'am.
00:14:53I'm sorry, I left you all tomorrow.
00:14:55Tell me first, your daughter is okay.
00:14:58She was on the ground.
00:15:00She was on the ground.
00:15:01She was on the right hand.
00:15:02And her two fingers were broken.
00:15:07Okay, tell me this.
00:15:08You gave her a new proposal in the morning?
00:15:13Yes.
00:15:21It's a mistake.
00:15:22I sent you the first proposal.
00:15:25Sumiyoshi.
00:15:26Come on.
00:15:32Please read it.
00:15:34Sorry sir.
00:15:35I have made you a mistake.
00:15:36Look at the result of my apology.
00:15:38The proposal is pretty good.
00:15:42I'll call a meeting.
00:16:03I'm sorry.
00:16:05Yes.
00:16:06Yes, I'm sorry.
00:16:10Thanks.
00:16:11Thanks, patsh.
00:16:12I'm sorry.
00:16:12But I'm sorry.
00:16:12The manager said no.
00:16:14No, another proposal.
00:16:16Probably from the first meeting
00:16:18I should see,
00:16:18first of my meeting comes in.
00:16:20What?
00:16:26I'm going to go back to the boss's work.
00:16:27I'm going to go back to the boss's work.
00:16:30We'll submit the proposal every time.
00:16:32Just the font, layout and the order of the proposal.
00:16:35What?
00:16:36But if we're gone, then what?
00:16:38I'll go back to the boss's work.
00:16:39This week we'll leave home for the time.
00:16:42I don't need any trouble.
00:16:44You have to go to school with your daughter.
00:16:46She's a child, she's enjoying it.
00:16:47And if someone's using a piece of paper,
00:16:49she's going to get hurt.
00:16:51I'm going to go back to the boss's work.
00:16:54She will have a lot of money for a poor man.
00:16:56So, she won't be able to get hurt.
00:17:03I'm going to go back to the boss's work.
00:17:07So, Amita, really, I'm a very big man.
00:17:09She's going to go back to the boss's work.
00:17:11She wants to go back to the boss's work.
00:17:14She's going to go back to the boss's work.
00:17:15I didn't know that your daughter is so powerful.
00:17:19She's going to go back to the boss's work.
00:17:21She's going to go back to the boss's work.
00:17:22Just tell me.
00:17:33Sumiyoshi, Misa.
00:17:36You all have understood me without mind.
00:17:41I think I asked for you like this kind of proposal.
00:17:43The proposal was asking you guys to ask me about it.
00:17:46Look at the results of me.
00:17:48The proposal is pretty good.
00:17:53Okay, I'll call a meeting.
00:18:13Let's try this. Why don't you eat this?
00:18:15Mommy!
00:18:15My dad has especially sent you butter and garlic.
00:18:19The food you like.
00:18:21Very good.
00:18:22So, today's party is on my side.
00:18:25We'll eat again.
00:18:30Tell me, the manager didn't come too much?
00:18:35Not much, but he needs to eat on his hands and his fingers.
00:18:47It's a punishment of karma.
00:18:51What?
00:18:55Miss Misa,
00:18:57I think that's the first time I'm not going to be a fool.
00:19:04Lona.
00:19:08I and Sumiyoshi, ma'am, were the same.
00:19:13We were all stuck in the village that we were all in the village.
00:19:16We were all in the village that we were all in the village.
00:19:17We were all in the village of our own victims.
00:19:21But we didn't see our victims.
00:19:25And we were all in the village of our village.
00:19:29We were all in the village.
00:19:32Shine must get approval of the project.
00:19:35And I think that I will get the job.
00:19:38Stay tuned for your attention.
00:19:58Our ideas have been working, and the sales have been looking for a long time, and that product has become
00:20:04our knowledge.
00:20:04But, the manager and Reina took all of us.
00:20:12When the project was done,
00:20:16then Mitha took the project.
00:20:18And we took all the credit for all of them.
00:20:29Rest and get good.
00:20:31Okay?
00:20:33Go, go, go.
00:21:03We will not be able to make the project.
00:21:03We will not be able to make the post.
00:21:04What happened?
00:21:05You didn't like the mutton?
00:21:06We will make the post.
00:21:07We will not be able to make the post.
00:21:09Anything is saying.
00:21:11It's gone.
00:21:15Let's eat food.
00:21:16Yes.
00:21:19Yes.
00:21:20This is ready.
00:21:23Oh, oh.
00:21:25Oh, oh.
00:21:25The teacher showed the stage.
00:21:28Oh, oh.
00:21:30Oh, oh.
00:21:31Oh, oh.
00:21:32Oh, oh.
00:21:34Oh, oh.
00:21:44Oh, oh.
00:21:45Oh, oh, oh.
00:21:48Oh, oh, oh.
00:21:51Oh, don't you notice much please?
00:21:54Oh, oh.
00:21:55Oh, oh.
00:22:05Oh, oh.
00:22:06I don't think you're going to lose your mind.
00:22:08Huh?
00:22:10Huh?
00:22:12Don't ask me how much my mind is wrong.
00:22:15I don't understand anything.
00:22:17Tomoya, I want you to focus a little bit.
00:22:21What do you want to focus on?
00:22:23Once you get married, then some girls are going to trust that your partner is going to be right or
00:22:30not.
00:22:30No, no, no, no.
00:22:32Misa isn't such a girl.
00:22:35Excuse me.
00:22:36One highball.
00:22:37Yes, sir.
00:22:38Do you know the director of the Strategy Department of Suzuki?
00:22:41Yes.
00:22:42That's a noble son.
00:22:43How do you feel that he is?
00:22:45He's a child of 200.
00:22:46And what?
00:22:47There's never someone's affair.
00:22:49Never heard of anyone.
00:22:50I'll tell you something else about them.
00:22:53What's the matter?
00:22:55When did you get interested in that?
00:22:57I'm not asking for myself.
00:22:59My friend is funny.
00:23:02I've heard about the plants.
00:23:05I've read about plants.
00:23:06Maybe she's a plant.
00:23:08Maybe she's a plant.
00:23:09What can I tell you?
00:23:10Never read about the children's heart.
00:23:11That's true.
00:23:13That's true.
00:23:13That's true.
00:23:14That's true.
00:23:16I've heard about the children.
00:23:17I'm more popular than I am.
00:23:19I should speak to the people.
00:23:22There's such an amazing name and such.
00:23:24There's such a big name.
00:23:25There's no name for a young man.
00:23:27I don't want to go from the young man.
00:23:35I don't want to go from the young man.
00:23:45We won't be able to do this for our work.
00:23:59They think that they understand what we are going to do with all of them.
00:24:02They will have to think about our rights before.
00:24:04Yes, yes.
00:24:04They will have to increase their strength.
00:24:06We will also make friends outside of the department.
00:24:09That's right.
00:24:10We have to make money for the project.
00:24:11We have to make money for the project.
00:24:14We have to make money for the project.
00:24:15You have to take so much attention to the situation.
00:24:17Now we have not got approval for the proposal.
00:24:20It doesn't seem to me that we are fighting for the jungle.
00:24:23Please forgive me.
00:24:24No problem.
00:24:25There are no customers.
00:24:26Oh, yes.
00:24:27I remember Shaheen Muscat Sanggur from Nagano's Chino's Bagheche.
00:24:31Yes.
00:24:31Very famous.
00:24:32Really?
00:24:33Yes.
00:24:34In the last few years, they have a lot of names from high quality.
00:24:37But before, they have so much remanded that they don't need a new contract.
00:24:39I don't think they don't need a new contract.
00:24:42I don't think they don't need a new contract.
00:24:43Someone told me to get out of the knowledge and knowledge.
00:24:46But when I called them,
00:24:48What year is this?
00:24:492015?
00:24:51We are going to talk about them now.
00:24:53How are we going to talk about them?
00:24:54They are going to talk about them.
00:24:56They have called them for the next part.
00:24:58Are you going?
00:24:59I'm going!
00:25:04I'm going to talk about them for the next part.
00:25:05You will have to talk about them for the next part.
00:25:07I will do that.
00:25:08Before we will contract them.
00:25:09Then we will have a promotion on social media.
00:25:11And if we increase the speed of the gift market,
00:25:13we will also have to talk about them.
00:25:14We are going to talk about them.
00:25:15We are going to go back to them.
00:25:17No, I was talking about you.
00:25:19I am going to start the planning of social media and planning for the promotion of social media.
00:25:22It's good to make Reels.
00:25:24What does this mean?
00:25:26Nothing.
00:25:27We'll put it in love.
00:25:30In 2015, Reels didn't know anyone.
00:25:37I'll take a lot of support for my colleagues.
00:25:41Okay.
00:25:42Or we can take a lot of support.
00:25:49Who else?
00:25:58No, it's good to use.
00:26:02Okay.
00:26:06I'll try.
00:26:07That's a great question.
00:26:09Bye!
00:26:11Bye!
00:26:12Bye!
00:26:12Bye!
00:26:17Bye!
00:26:30Stop.
00:26:42Why do you call me at work?
00:26:46Okay, Baba.
00:26:47Sorry.
00:26:48But I need my ring.
00:26:50Last time I stopped your house,
00:26:52I forgot the bathroom in the bathroom.
00:26:54You would send me a message, right?
00:26:55I stopped at home.
00:26:57You are listening to my message.
00:27:01That's right.
00:27:04You are happy.
00:27:05This is my favourite ring.
00:27:08When someone gives you something,
00:27:09you keep your attention.
00:27:11When you come the next time,
00:27:12you have to ask them.
00:27:14And I will not ask them.
00:27:15Then?
00:27:15Then there is no need to come.
00:27:17Aang?
00:27:18I can't talk about love.
00:27:20Why did I give you a gift at home?
00:27:23Now leave me.
00:27:24Let me go.
00:27:32What are you doing here?
00:27:46I will give you a gift at home.
00:27:48Thank you so much.
00:27:49Come, baby.
00:27:53This proposal is pretty good.
00:27:56The demand has increased in some years.
00:27:59And the good thing is,
00:28:00it's increasing its growth.
00:28:01It's increasing.
00:28:07It's increasing.
00:28:08For the past five years,
00:28:10it's increasing.
00:28:11I think the demand will increase in the time.
00:28:13I think the demand will increase in the time.
00:28:14You have left the time to take advantage of this opportunity.
00:28:18I don't know the opportunity to take advantage of this opportunity.
00:28:21You are living with your 10-year-old employee.
00:28:24It's a shame.
00:28:25You are too smart.
00:28:28One minute.
00:28:29Is this your boyfriend?
00:28:30Yes, no.
00:28:30Oh, but you are looking at it.
00:28:32It's not like that.
00:28:33If I'm going to go to the bathroom,
00:28:34I'm going to go to the bathroom.
00:28:35No, I was going to go home.
00:28:36Why did I not know?
00:28:38You are afraid of them.
00:28:40Do you want to go to the bathroom?
00:28:41Is that a dream?
00:28:41It just makes you happy for a new people.
00:28:45You don't understand that.
00:28:48Miss Kambe.
00:28:50Yes sir.
00:28:51I'm a senior,
00:28:52but you also know that I'm from the other department.
00:28:56You don't have a choice of your own.
00:29:00Sir,
00:29:01I know that I do like the rules.
00:29:03No doubt.
00:29:04What?
00:29:19I'm going now, sir. I'll discuss this with the department.
00:29:28No, no, no. Bye, sir.
00:29:32Listen.
00:29:34Thank you so much. You keep it in your way.
00:29:38Stop, stop, stop.
00:29:40Listen to my story.
00:29:45What do you mean and what do you mean?
00:29:47How dumb a person is behind each other in his office.
00:29:53Stop. Listen to my story.
00:30:13What do you mean and what do you mean?
00:30:21When you hurt me, I felt like my pain.
00:30:25My pain has been damaged.
00:30:33And now I'm going to go back to my house.
00:30:40Never!
00:30:43Good morning, gentlemen.
00:30:46Have you seen a bad dream?
00:30:49You here?
00:30:51You don't even see me today.
00:30:53Please, don't tell me.
00:30:54What was the time I told you to go back to my house?
00:31:03Did you tell me that I'm busy with the shine musket project?
00:31:07Yes.
00:31:08And I'm the sales in charge.
00:31:11You were also the sales in charge.
00:31:14You're going to go to Naganos, right?
00:31:16Who has told you?
00:31:18Who will tell you?
00:31:20This is Rina.
00:31:21I'm going to go with you too.
00:31:24You can't go.
00:31:26We're just going to research.
00:31:27Yes, but I'm also a part of the team.
00:31:29I'm a part of the team.
00:31:30And listen, that son of Nobleson is also coming on the trip.
00:31:33Will the director Suzuki also go?
00:31:35Yes.
00:31:36Rina also called on the trip.
00:31:37I'm not calling on the trip.
00:31:40I didn't call on the trip.
00:31:41I didn't call on the trip.
00:31:42I thought that the girls' mind was gone.
00:31:44I thought that the man's mind was gone.
00:31:45We won't do it.
00:31:48We won't do it.
00:31:48Tomoya?
00:31:49Yes.
00:31:51Let's go shopping.
00:31:53That's the time in the cafeteria,
00:31:54I was going to get some food on your shirt.
00:31:56So, I thought that the trip for the next trip,
00:31:57I'm going to go shopping.
00:31:59What is the need for the trip to the village?
00:32:02You'll see the rest of the girls.
00:32:07Then, you'll see the rest of the girls.
00:32:20Oh, wow.
00:32:30Oh, wow.
00:32:32Oh, wow.
00:32:32Oh, wow.
00:32:44Wow, that's what the truth is.
00:32:46No matter what .
00:32:47No matter what.
00:32:47The other spaceship is leading to the plan.
00:32:49There is no way to take it in front of him.
00:32:53What will I do?
00:32:56I don't like this.
00:33:04This is good.
00:33:11Director Suzuki?
00:33:13His heart also started?
00:33:15Tomoya?
00:33:17Where are we going?
00:33:24Look at this, Missa.
00:33:28What phone did you say?
00:33:31Missa.
00:33:37Missa.
00:33:38Look at this.
00:33:45Missa.
00:33:46Look.
00:33:48Yes, this is okay.
00:33:49You are saying okay without seeing you.
00:33:54Okay.
00:33:54Listen, tomorrow you will wear this.
00:34:05You are saying okay?
00:34:06Yes.
00:34:07Yes.
00:34:07Yes.
00:34:09Yes.
00:34:10Yes.
00:34:11Yes.
00:34:11I have to go somewhere else.
00:34:14Yes.
00:34:14Where are you going to?
00:34:16Yes, that's not the plan for the night.
00:34:17Yes, it's the plan.
00:34:22Yes.
00:34:23Yes, but you cannot go with it.
00:34:25Yes, that's what?
00:34:28You can't tell me this thing.
00:34:31This is a very strange thing.
00:34:33When did we keep one another?
00:34:36We are going to go through the future.
00:34:39But you don't have to trust me.
00:34:41You said you have to go shopping, so I left the rest of my work.
00:34:45And now you can leave me and go somewhere else.
00:34:47How can you do that?
00:34:48Is it not my fault?
00:34:49You always think about yourself.
00:34:51And what do you feel like?
00:34:52I don't understand anything.
00:34:58Now let's go.
00:35:01Leave your hands.
00:35:09I can also have some plans.
00:35:12And my life is just...
00:35:14You don't want to see me in front of me.
00:35:16I don't want you to lose my heart.
00:35:26Thank you for today.
00:35:29Reina, I wanted to forgive my heart.
00:35:33But it's true that I always love you.
00:35:51Remember that this is the last time.
00:35:54The last time?
00:35:55Yes.
00:35:57Don't worry about my company, my home or my girlfriend's family.
00:36:00It was just my fault.
00:36:02Don't do them all.
00:36:06The first time I saw someone calling me
00:36:08and asking me for love.
00:36:09Don't ask me for love.
00:36:12It's a big mistake.
00:36:17Please forgive me.
00:36:19I knew before.
00:36:23I always get angry.
00:36:26I'm wrong.
00:36:27I'm wrong.
00:36:44My God's Dad can't tell me even if it was cancelled.
00:36:47I'm going to talk for you.
00:36:49I have beenahu.
00:36:50I'm going to talk to you later.
00:36:54My friends are in the house.
00:36:57There are so many good things that I came to do.
00:37:01Those guys were making me feel guilty.
00:37:02Those guys are like you.
00:37:04I ran through it.
00:37:05My family is a nightmare.
00:37:06That's my family.
00:37:07That's my family.
00:37:08That's my family.
00:37:08That's my family.
00:37:08No je, I'm a dog.
00:37:09This family is a Oops.
00:37:21I am scared. I will try to understand the people in front of me.
00:37:25I mean, you don't have to talk about your own personal life.
00:37:27You will have to get everything out of your fault.
00:37:29Please forgive me. I think that I will be happy all of you.
00:37:39Oh, no.
00:37:49I'm.
00:37:56I.
00:37:57It's okay.
00:37:57That's fine.
00:37:58It's the last thing I have, my fear.
00:38:00It's a good thing that you're going to die.
00:38:02Don't kill me.
00:38:04I've also been given to you once again.
00:38:42Hi, sit down.
00:38:43No, come back.
00:38:44No, sit down.
00:39:39No, sit down.
00:39:51No, sit down.
00:39:52What a beautiful place.
00:39:58Did you talk about Miku?
00:40:00Where did I go with her?
00:40:02But she said that she will go.
00:40:21Finally, she reached.
00:40:32Where did I go with her?
00:40:34Why did I go with her?
00:40:37If anyone knows, I will not say anything.
00:40:40First, you go.
00:40:41I have to go with her.
00:40:52There are so many.
00:40:54I have to go with her.
00:41:08Ouch!
00:41:09Rena, you're okay, right?
00:41:11I'm sorry.
00:41:12I have to go with her.
00:41:13Where do I go with her?
00:41:15I have to go with her.
00:41:18I have to go with her.
00:41:24Hello, Rena.
00:41:25Drink a drink of energy.
00:41:26Do you drink tea, sir?
00:41:27No, I don't drink.
00:41:30I have to go with her.
00:41:33I have to go with her.
00:41:36I have to go with her.
00:41:37I have to go with her.
00:41:38No.
00:41:40I don't know.
00:41:43I have to go with her.
00:41:45I have to go with her.
00:41:47I know you are back home when we went to the village of Gajar.
00:41:51Meesaw and Yuto school time,
00:41:53we liked the other,
00:41:55but we didn't get to have.
00:41:56But now, we have to go again to the reunion.
00:42:01We are again on the reunion.
00:42:03Both are again coming.
00:42:04Their lives are again less.
00:42:06They are again less.
00:42:06You are all gone.
00:42:08You came to have to go with her?
00:42:09No, I have not.
00:42:14Today, you all have a good taste of the food in our village, friends.
00:42:18You have a good taste of the food.
00:42:20You will always remember that.
00:42:23Thank you, thank you.
00:42:25You are welcome.
00:42:25Today, I'm going to eat the food today,
00:42:27so you will eat your fingers.
00:42:28Oh, my God.
00:42:30Give it to me.
00:42:46Oh, what a joke.
00:42:59I'll cut it.
00:43:01Thank you so much.
00:43:12Now, my impression is coming.
00:43:20I think that you are trying to play Rina.
00:43:23Issa, why am I standing here?
00:43:25Let's make a meat.
00:43:29First, you have to cook it.
00:43:30Is it?
00:43:30Yes.
00:43:31Is this meat okay?
00:43:32Yes.
00:43:32I can see it.
00:43:33It's a little bit more.
00:43:43So, come on.
00:43:45Will you start?
00:43:46No.
00:43:47You do it, Sumiyoshi.
00:43:50Our trip and shine musket project is named.
00:43:53Cheers!
00:43:55Cheers!
00:43:56Cheers!
00:43:58Cheers!
00:43:59Misa and Tomoya.
00:44:01And the name of your life.
00:44:05What's the name of your life?
00:44:07What's the name of your life?
00:44:08Oh, I don't know.
00:44:12It's a title.
00:44:13You have to say,
00:44:14Mom.
00:44:15I think you will tell them.
00:44:17You will tell them.
00:44:17What's your marriage?
00:44:18Yes, of course.
00:44:20They were friends.
00:44:22They were friends.
00:44:23They were my best friends.
00:44:26They are my best friends.
00:44:40You have to open our door.
00:44:43Now please, don't get in front of everyone in the office.
00:44:46This is a very good news.
00:44:48You both are welcome.
00:44:50You all are thanks.
00:44:51Misa, just sit down.
00:44:55For the world's perfect job.
00:44:57Cheers!
00:44:59Cheers!
00:45:02Thank you very much, friends.
00:45:04Cheers!
00:45:05Misa, cheers!
00:45:08Sit.
00:45:08Let's go.
00:45:09I'll give you your favorite meat.
00:45:12Yes, it's fun.
00:45:14This is only for you.
00:45:19Let's eat a little bit.
00:45:27What happened to them?
00:45:29Look, there's water coming.
00:45:48Let's go.
00:45:50Let's go.
00:45:58Let's go.
00:45:59Let's go.
00:45:59Let's go.
00:46:00Let's eat your food.
00:46:01No.
00:46:02No.
00:46:04No.
00:46:06No.
00:46:06No.
00:46:07No.
00:46:07No.
00:46:08No.
00:46:14No.
00:46:15No.
00:46:16No.
00:46:19No.
00:46:19No.
00:46:20No.
00:46:21No.
00:46:23No.
00:46:24What's wrong with you?
00:46:25And why your mood is bad? Can you tell me?
00:46:29My mood is fine.
00:46:30Sometimes you see me with a lot of anger and anger.
00:46:36I can know you about this anger.
00:46:38Why would I be angry with you?
00:46:41But I think that your mood is bad.
00:46:44You are so big.
00:46:47If you don't have anything like this, I can tell you something.
00:46:50Tell me.
00:46:50Do you really love me with you?
00:46:55Now,
00:46:57I don't have to talk about this.
00:46:59Do you really want to marry him?
00:47:05Sir.
00:47:06Yes, tell me.
00:47:07Look.
00:47:08Yes.
00:47:09I don't have to talk about this time.
00:47:12This is a personal matter.
00:47:13I will see myself.
00:47:14Don't stop in the rest of your life.
00:47:15Stop in your life.
00:47:17And let me take care of your favorite Miku.
00:47:21Miku?
00:47:22I don't know.
00:47:24What's going on in the last of you?
00:47:26Yes.
00:47:27You need to be a shame.
00:47:29I'm going to go to the office.
00:47:30I'm going to go to the office.
00:47:31Then I'm going to go to the office.
00:47:32Then I'm going to go to the office.
00:47:35I'm going to go to the office.
00:47:36Don't stop.
00:47:37Give your attention to the girls.
00:47:39I'm going to go to the office.
00:47:41I'll call you one number.
00:47:44Why did you do this?
00:47:47I did not do anything.
00:47:48You did.
00:47:52You did.
00:47:52My husband is my daughter.
00:47:53He is first with my girlfriend.
00:47:55Then he is making someone else.
00:47:57I am not a thief.
00:47:58I understand everything.
00:47:59She is my daughter.
00:48:00You are talking about Miku.
00:48:02She is my daughter.
00:48:04Miku's whole name is right?
00:48:07Miku Suzuki.
00:48:12We have kept this relationship
00:48:14because the company doesn't know that she is CEO's daughter.
00:48:18Until she doesn't work,
00:48:20we don't want to give her special treatment.
00:48:34raptures.
00:48:35Due to this,
00:48:37there's still something you want to call.
00:48:41Is it true now that youazione Sasra Rina is dead?
00:48:45He's a daughter.
00:48:46It did not share the story on the social media.
00:48:49Why did this claim that I was alone?
00:48:53because yesterday I was going to Taiwan for the work of the office.
00:48:57If you want, I can show proof of that.
00:49:05Miss Kambe, if I'm not wrong,
00:49:10then you're saying a turkey. Why?
00:49:14I said it right, right?
00:49:16Tell Miss Kambe.
00:49:19I'm asking you something.
00:49:20Do you want to say something in your office?
00:49:23Excuse me, I'm wrong.
00:49:30Let's go, thank you.
00:49:34You don't have to blame me.
00:49:36No sir.
00:49:38Excuse me, I don't know what happened.
00:49:43Five minutes.
00:49:45You can only give me five minutes.
00:49:50Can I have anything to blame you?
00:50:10I'm sorry.
00:50:13I'm sorry.
00:50:14I'm sorry.
00:50:14I'm sorry.
00:50:18There is no difference.
00:50:19I know that the first portion of the upper part is found here.
00:50:24The amount of the angle is closer to it, it will be more sweet.
00:50:27I was working on this project, but I didn't know all of this.
00:50:30That's why we eat from the upper part,
00:50:34and in the beginning it feels very sweet,
00:50:37but slowly the amount of the weight is less.
00:50:42If you see, it's like this.
00:50:46It's like this.
00:50:47So then, you need to start eating from the upper part,
00:50:55and you need to start eating from the upper part.
00:50:57It will feel good at the beginning,
00:50:59but as soon as you will,
00:51:01it will increase slowly and slowly.
00:51:05I think that this will be necessary to be such a love.
00:51:10It's very long life.
00:51:18You want to eat from the upper part?
00:51:29You want to eat from the upper part?
00:51:31It's very sweet.
00:51:33That's right.
00:51:35Now, let's eat from the upper part.
00:51:40You want to eat from the upper part.
00:51:42This is your first cake.
00:51:48It's very sweet.
00:51:50That's a sweet cake for the first one.
00:51:53dog.
00:51:54What a sweet cake.
00:51:57It's so delicious.
00:51:59so I'm going to drink and enjoy my lunch.
00:52:01Hmm.
00:52:05Let's go.
00:52:09Your mood is good.
00:52:41Let's go.
00:52:45Let's go.
00:52:59Let's go.
00:53:01You too, sir?
00:53:03Okay.
00:53:07It's very tasty.
00:53:08Yes, very tasty.
00:53:09Which one of you tastes good?
00:53:12Yes.
00:53:14Yes.
00:53:17Yes.
00:53:40Yes, sir.
00:53:43Thank you so much.
00:53:44Thank you so much.
00:53:45Thank you so much.
00:53:46Thank you so much.
00:53:46We'll meet again.
00:53:47Miku, come here.
00:53:48Yes, we'll come.
00:53:49Let's go.
00:53:49Yes.
00:53:52What happened to you again?
00:53:53Why are you still waiting for us?
00:53:54Sir.
00:53:57Can I go to your car?
00:54:00I didn't have to talk to you.
00:54:07Let's go.
00:54:07Put your hand in the car.
00:54:08Put your hand in the car.
00:54:15Put your hand in the car.
00:54:18I'm not sure what you're doing.
00:54:19These guys are just cheating.
00:54:26Meesa, what are you thinking?
00:54:33I don't know, it's something strange.
00:54:37It's been a while, but it's been a while.
00:54:41I feel something like that for years.
00:54:42Later, I'm feeling something like that.
00:54:46I'm not from the back of my life,
00:54:48nor am I more than a friend.
00:54:49I just want to keep your mind, Meesa.
00:54:53Let's go.
00:54:54Your mood is okay.
00:55:00Maybe I'll be back again.
00:55:02I don't know.
00:55:11If you're hungry or hungry, tell me.
00:55:14I'll open you with your hands and drink.
00:55:17No, it's not necessary.
00:55:20Okay, so you're from Toyama, right?
00:55:24Yes.
00:55:25When did you meet Meesa?
00:55:26When did you meet Meesa?
00:55:27We met in the second class.
00:55:30And we are the best friends.
00:55:32Meesa's mom will run away with someone.
00:55:37You are the best friend.
00:55:39I have been angry with you.
00:55:39I was crying.
00:55:40I was laughing.
00:55:42I cried in the second class.
00:55:46I got to be in the end.
00:55:47I am and my mother's mother is at home.
00:55:50And once again, my mother has fallen together.
00:56:00I remain here.
00:56:02I don't know how much I can tell others. I don't know how much I can tell others.
00:56:07I keep my feelings inside myself.
00:56:10I'm a friend of my childhood, Misa.
00:56:13I don't know how much I can tell others.
00:56:15She's a very smart and smart girl.
00:56:19Oh, okay.
00:56:22As a matter of fact, Misa stays with all of us.
00:56:25Now, see, today we were so friendly with Tomoya in front of YouTube.
00:56:28I was so friendly.
00:56:29Some of the girls' attention is very good.
00:56:34But I don't know everything.
00:56:40If I keep myself in front of Misa,
00:56:45I don't have confidence in him.
00:56:51I gave my boyfriend to some other girl.
00:56:59I'm sorry, I've said something more.
00:57:04I just want to do anything.
00:57:07After all, I'll leave myself all alone.
00:57:11I don't want to do anything.
00:57:17You've said that...
00:57:21You're a good friend of Misa, right?
00:57:25Yes.
00:57:26So then, what do you always try to blame him?
00:57:35I don't mean...
00:57:37I don't mean...
00:57:51You're a good friend of Misa, right?
00:58:01I don't mean...
00:58:03I don't know.
00:58:03You're a good friend of Misa.
00:58:11I don't know.
00:58:14You're a good friend of Misa.
00:58:16I don't know.
00:58:21You're a good friend of Misa.
00:58:23You're a good friend of Misa.
00:58:25You're a good friend of Misa.
00:58:31I don't know.
00:58:32I'm a good friend of Misa.
00:58:33I'm a good friend of Misa.
00:58:37You're a good friend of Misa.
00:58:49I'm a good friend of Misa.
00:58:58You're a good friend of Misa.
00:58:59You're a good friend of Misa.
00:59:03I was like...
00:59:05You've been killing me out in a car.
00:59:12I was like...
00:59:13You're doing what he's doing?
00:59:15I'm kidding.
00:59:16I'm drinking...
00:59:16you're not...
00:59:17I'm, I'm...
00:59:20You're just laughing...
00:59:21I'm not...
00:59:25I'm not...
00:59:32Oh, my God, my God, my God, my God.
00:59:57Hey!
00:59:58Let me go!
00:59:59Let me go!
01:00:00Won't you decide
01:00:02This pretty light
01:00:04We keep inside
01:00:05I'm out of blame
01:00:07For all this pain
01:00:09Or call me insane
01:00:11To cover up and say
01:00:14I'll wear a mask
01:00:17I'll wear a mask
01:00:21I'll wear a mask
01:00:24On this street street
01:00:25Driving silence into my
01:00:27Lights enticing
01:00:28Like a hypnotic
01:00:29Spelling place
01:00:30Make up on
01:00:31It's no mistake
01:00:36Could you lose
01:00:38Shame on me
01:00:39La-da-la-da
01:00:40Could you twice
01:00:42Oh my
01:00:42Hey!
01:00:43Could I pick you up?
01:00:44Could you three
01:00:45Times that
01:00:47The penny drinks around
01:00:48So now
01:00:49Why's right?
01:00:50Your shoes don't want to go
01:00:52Don't I get so pretty
01:00:53When I'm trying to be
01:00:55See you
01:00:56Swear you're gonna love me
01:00:58Like it
01:00:58Like it
01:00:59Cheap
01:00:59Cause you know
01:01:00Am I the pain?
01:01:02Won't you decide
01:01:04This pretty light
01:01:06We keep inside
01:01:08Am I the blame?
01:01:10For all this pain
01:01:12Or call me insane
01:01:14To cover up and say
01:01:16I'll wear a mask
01:01:20I'll wear a mask
01:01:24I'll wear a mask
01:01:25I'll wear a mask
01:01:25I'll wear a mask
01:01:25You gonna hide it
01:01:27Everybody's falling
01:01:29Mask on a flat
01:01:30Yeah
01:01:31Oh my
01:01:32You gonna want it
01:01:35I can't see you watching
01:01:36Mask on a cover
01:01:38Yeah
01:01:39Oh my
01:01:40You gonna hide it
01:01:43Everybody's falling
01:01:44Mask on a flat
01:01:47Oh my, my, my, my, my, my, my, my
01:01:49You got a warning
01:01:50I can't see you watching
01:01:53That's the undercover, yeah
01:01:54Oh my, my, my, my, my, my
01:02:16My, my, my, my, my, my
01:02:46My, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my,
01:02:50my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my,
01:02:54my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my,
01:02:56my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my,
01:02:56my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my, my,
01:02:58my, my, my, my, my, my, my, my, my, my, my, my
Comments