- 39 minutes ago
＂Westworld＂ de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [English Subs]Full EP - Full
Category
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Short filmTranscript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:49We have you on grid 5.
00:06:52We have you on grid 5.
00:06:53Notify ground.
00:07:00Notify ground.
00:07:01Stand by.
00:07:02Locking in now.
00:07:06Shutdown 2.
00:07:08Shutdown 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Please go to your color-coded tram, which will take you to the world of your choice.
00:07:45Give your name to the attendant.
00:07:50Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine.
00:07:58Peter Martin.
00:08:07We are sure you will enjoy your stay in Western world.
00:08:10Was she a...
00:08:11Probably.
00:08:12If you are there, please do whatever you want.
00:08:13That's amazing.
00:08:14There are no rules, and you should feel...
00:08:16Supposedly, you really can't tell.
00:08:18Except by looking at the hand.
00:08:19You may not be afraid of hurting anything or of hurting yourself.
00:08:22They haven't perfected the hand yet.
00:08:23Nothing can go wrong.
00:08:25You will enjoy your stay in Roman world.
00:08:27While you are there, please feel free to indulge your every whim.
00:08:32Medieval world exists for you, the guest.
00:08:35Nothing can go wrong.
00:08:41Medieval world exists for you, the guest.
00:09:06Medieval world exists for you, the guest.
00:09:09Medieval world exists for you, the guest.
00:09:11Medieval world exists for you, the guest.
00:09:16Medieval world exists for you, the guest.
00:09:22Medieval world exists for you, the guest.
00:09:23Medieval world exists for you, the guest.
00:09:24Medieval world exists for you, the guest.
00:09:25Medieval world exists for you, the guest.
00:09:26Medieval world exists for you, the guest.
00:09:26Medieval world exists for you, the guest.
00:09:27Medieval world exists for you, the guest.
00:09:28Medieval world exists for you, the guest.
00:09:29Medieval world exists for you, the guest.
00:09:30Medieval world exists for you, the guest.
00:09:32Medieval world exists for you, the guest.
00:09:33Medieval world exists for you, the guest.
00:09:35Medieval world exists for you, the guest.
00:09:37Medieval world exists for you, the guest.
00:09:39Switch me over to an online status, and I'll do it manually.
00:09:42Okay, you've got a three millisecond cycle delay, which should be completed.
00:09:45I don't know what to do if the stagecoach is late.
00:10:24Oh, it's fantastic.
00:10:47I reckon that's everything.
00:10:50Pass down the hall.
00:10:52Pass will cost you two bits for hot water.
00:10:55Dinner at 7, breakfast at 6.30.
00:10:58Eat lunch on your own.
00:11:00A couple places in town to eat.
00:11:02Don't look like much here, but we have everything.
00:11:05Just a minute.
00:11:17You mean to tell me he's a robot?
00:11:19That's what I mean to tell you.
00:11:25I'm paying $1,000 a day for this?
00:11:28It's authentic.
00:11:30The west of the 1880s.
00:11:34Well, at least they could have made it a little more comfortable.
00:11:38That's the point.
00:11:40This is really the way it was.
00:11:43You wanted comfort.
00:11:44You should have stayed in Chicago.
00:11:46Hey, Julie would have loved all this.
00:11:49Poking around for hours in all those funny shops, looking for silly things.
00:11:52Peter, what the hell's wrong with you?
00:11:53You're a lawyer.
00:11:55You know better than anybody else what a ride she took you for.
00:11:58Well, the kids.
00:12:00Fine, the kids.
00:12:01Here you are, six months later, still thinking about it.
00:12:04No, not really.
00:12:05It just came to mind is all.
00:12:14There's a lot to do here.
00:12:28There's a lot to do here.
00:12:35What's going on?
00:12:36No.
00:12:44What's going on?
00:12:47Listen then.
00:12:47What is going on?
00:12:53What is going on?
00:12:54Oh, boy.
00:13:17Well, let me, whiskey.
00:13:19What about you?
00:13:21I'd like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38It's like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43The best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are, uh...
00:13:53Guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough, but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:19Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:37Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:14Give this boy a bib.
00:15:20Go on.
00:15:29He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:48You say something, boy.
00:15:55I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:08Why don't you make me shut up?
00:16:31Why don't you make me shut up?
00:16:32You move.
00:17:20pretty realistic huh listen are you sure he was uh of course you don't really think he shot
00:17:26anybody do you wow hey john how do i know i'm not going to kill another guest with this thing
00:17:41try it shoot me
00:17:49go on shoot
00:17:57shoot
00:18:01the gun has a sensing device it won't fire at anything with high body temperature
00:18:06only something cold like a machine
00:18:08i thought of everything
00:18:15black knight won't be repaired till tomorrow afternoon there's a distortion
00:18:22yeah i have the banquish schedule you better check the initiative if that conforms
00:18:54i have the banquish schedule you better check the
00:19:12what do folks do for companionly entertainment in this town i wouldn't know about such things
00:19:17i'm just running this hotel miss carrie has a real nice saloon down at the end of the street
00:19:22now i won't have talk of that woman in this house not over my dinner
00:19:27food's real good ma'am
00:19:29thank you stranger
00:19:30you're a gentleman of some breeding
00:19:32give me a seat to everything
00:19:36who's miss carrie
00:19:37and i won't have to take her in the kitchen
00:20:01i feel free with this
00:20:01i feel free with this
00:20:22Uh, the fella's new in town?
00:20:26Yep.
00:20:28Whiskey.
00:20:30Just passing through.
00:20:32Baby.
00:20:34Looking for some fun?
00:20:39Maybe.
00:20:40Well, you come to the right place.
00:20:42There's plenty of fun here.
00:20:45That's Cindy and Arlette.
00:20:48Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to them.
00:20:54Perhaps?
00:20:55They're real accommodating.
00:20:58There you go.
00:21:00Good looking, gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, it sounded good to me.
00:21:07Are those two girls machines?
00:21:11Now, how can you say this thing like that?
00:21:14Come on.
00:21:28What's going on?
00:21:31They're robbing the bank.
00:21:32Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:37Uh, well, you don't know.
00:21:38It might be fun to fight bank robbers.
00:21:39Look, Pete, this is better.
00:21:50What are you doing?
00:22:00I don't know.
00:22:00I'm sorry.
00:22:01Good luck.
00:22:02I'm all right.
00:22:02better then.
00:22:09Did you leave?
00:22:11Good luck.
00:22:25uh there uh there is something i have to tell you i i don't know if it matters
00:22:32but it matters to me i uh i haven't ever had a uh uh
00:22:47well i i hardly know you if you know what i mean i mean uh
00:22:51we just met a few minutes ago and uh you're probably very nice
00:23:17i feel funny
00:23:23why
00:23:37so
00:23:48so
00:24:16I
00:24:16Think you're very nice
00:24:27How was it wasn't it terrific boy machines are the servant of man was that great?
00:24:35Not that not bad now. You're the big lover
00:24:42Well, you know it is some guys everywhere with women
00:24:47Shooting stop I
00:24:51Guess we missed the robbery you
00:24:55Can't have everything
00:25:01John this place is really fun
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00:28:46What do you think?
00:28:47I wonder if we should try and rewire her
00:28:49No, I'd replace the whole unit around and try to repair it
00:28:51With a tin?
00:28:53Use an XX50 if we have any in stock. The double X's have a longer life span. The 50 may
00:28:57not fit in here.
00:28:58Well, maybe you can shift the Integrator unit further up into the cavity. I'll try.
00:29:09hmm balance servo again yeah she fell over this afternoon i think it's a sensor but if
00:29:16it's a central unit we'll have to open her up well you get a confirmation before you do that
00:29:24what's he in for central malfunction another one
00:29:45from the day we opened the resort we had a failure in breakdown rate conforming to computer predictions
00:29:51that is 0.3 malfunctions for each 24-hour activation period concurrent or not now
00:29:57this was an anticipated operations aspect of the resort and we were fully able to handle it
00:30:01the majority of the breakdowns were minor or peripheral until about six weeks ago then roman
00:30:08world had a rise in breakdown rate which doubled in a week in addition we saw a disproportionate
00:30:14rise in central as opposed to peripheral breakdowns now we identified some problems with humidity
00:30:20control and regained homeostasis well despite our corrections the breakdown rate continued to climb
00:30:27then medieval world began to have trouble now we're seeing more western world breakdowns
00:30:32and there's a clear pattern here which suggests an analogy to an infectious disease process spreading
00:30:38from one resort area to the next perhaps there are superficial similarities to disease
00:30:43it's only a theoretical concept there are many ways to order that data i must confess i find it
00:30:49difficult to believe in a disease of machinery we are dealing with ordinary machines here these are
00:30:55highly complicated pieces of equipment almost as complicated as living organisms in some cases
00:31:02they've been designed by other computers we don't know exactly how they work
00:31:14that input goes out of level five five i'm not getting sound pickup from the 10th quadrant we'll try to
00:31:21stabilize there
00:31:22okay that's first thing is good how's your readout units repeat that
00:31:26i can handle without updates at 10 millisecond blocking intervals but not
00:31:28we have sunrise of 0.43 at this moment we have a white noise
00:31:31ready on all quadrants energize grid give me a four six eight and switch it over to 905
00:31:39all right thank you four three six if you catch that not four three five i have sound now thank
00:31:46you very much
00:31:48yes i want scrambled eggs and bacon cinnamon toast do you have cinnamon toast better check
00:31:52you do okay send it down to central control room council three
00:31:56now what was that no grounding unit five yeah try a bypass
00:32:02i have readings at all units five included hold on all right let's stand by for resort activation
00:32:15you ready on phase four four three
00:32:21four four three okay we're going to activate it five nine
00:32:29lower gain alpha two
00:32:30at this moment ready on six on five on four on three on two activate now
00:32:44oh
00:33:25oh
00:33:26oh give me a home
00:33:28where the buffalo
00:33:30and the deer and the antelope play
00:33:36where seldom is heard a discouraging word
00:33:43and the skies are not cloudy all day
00:34:14what do you want
00:34:26how do you know
00:34:26how do you know sense of deep
00:34:36oh
00:34:38oh
00:34:38hello
00:34:46no
00:34:46no no
00:34:48no
00:34:49oh
00:34:58no
00:35:04no
00:35:06no
00:35:19was he bothering you he's gonna bother you again well i'm here to tell you things have changed
00:35:26there's a law here now you can't go around plugging whoever you please
00:35:31but sheriff it was self-defense it's what they all say you shot a man you'll have to stand trial
00:35:38judge will be here next week if i were you i wouldn't trouble over your friend here
00:35:43judge benson likes to hang him hang him high look sheriff beat it
00:35:51i said beat it
00:36:11i've never been in jail before
00:36:15first time for everything
00:36:20but i haven't done anything wrong you shot a man that's something
00:36:26where are you from chicago
00:36:30chicago's a long way from here fella
00:36:34thousand miles and more
00:36:59you
00:37:07you
00:37:08you
00:37:09you
00:37:09you
00:37:15you
00:37:24you
00:37:32you
00:37:35you
00:39:26I guess that sort of makes us desperados.
00:39:30Yeah, I guess.
00:39:34Well, what do we do now?
00:39:36Well, the way I figure it, anything we want.
00:39:38There's no law in that town now.
00:39:40I'll say.
00:39:42We go in there, we do anything we want.
00:39:46You know what?
00:39:49What?
00:39:50I almost believe all this.
00:39:52Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:57Yep.
00:39:58I reckon.
00:39:59What can you give me in grid seven?
00:40:01We have that on SM514.
00:40:04Transfer?
00:40:05No.
00:40:08Transfer.
00:40:09Reschedule.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:14I can't disappoint a guest.
00:40:15Yeah, listen.
00:40:15This is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts and most of my...
00:40:20You're rechecking the tapes on the mechanism now.
00:40:23We have programmed infidelity in the queen as of, uh, two minutes ago.
00:40:28All right, coming up in the castle.
00:40:31Zero.
00:40:32Now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:57My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:11Let us pray it shall not be so.
00:41:14I have news.
00:41:16The Black Knight has returned and seeks a match with you.
00:41:21The Black Knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten and cunning besides.
00:41:31But his sight is weak in his left eye.
00:41:35Stay to his left and you will prevail and win the day.
00:41:38Confirmation of the reprogramming of that Black Knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:42:16The night is the last day in the resort.
00:42:19Let's make it a lulu.
00:42:22Marley M. Broad Sword, schedule a lot.
00:42:25We have a problem with the air conditioning and beta section.
00:42:27Send a crew out.
00:42:29Yes, he can be sheriff any time he wants.
00:42:32That is correct.
00:42:32Just give him the badge.
00:42:46Now, I'm the new law around here.
00:42:49You think you can handle things?
00:42:55You want to try me?
00:42:56You want to try me?
00:43:26What is your name, child?
00:43:31Daphne.
00:43:33Daphne.
00:43:36Oh, I love this place.
00:43:39I love my horse.
00:43:40I love my horse and I love Julie.
00:43:42Oh, shut up.
00:43:44I like the spots on the horse.
00:43:46Did you see the spots on the horse?
00:43:48Your horse is beautiful.
00:43:49Yeah, thank you very much.
00:43:50I liked yours, too.
00:43:53Look out.
00:43:54Let me handle it.
00:44:03Get it.
00:44:04Jump.
00:44:19God damn it.
00:44:20Do you suppose it's real?
00:44:21Hell no.
00:44:24That's not supposed to happen.
00:44:26Maybe it is.
00:44:26Maybe it's part of the thing.
00:44:28The hell goddamn machines anyway.
00:44:30That's not supposed to happen.
00:44:34The rattlesnake struck a guest?
00:44:35Yeah, he was shooting at it.
00:44:36He missed.
00:44:37Even so, the snakes are programmed never to hit on a strike.
00:44:39Was the guest injured?
00:44:40His minor puncture was.
00:44:42Inexcusable to injure a guest.
00:44:44Pick up that snake for a total post at once
00:44:46and check all the snake central mechanisms tonight during the repair period.
00:44:56Isn't anything work around here?
00:44:59All right.
00:45:27All right.
00:45:53All right.
00:45:59All right.
00:46:12Logic circuits on the snake simply failed to respond.
00:46:15There was no sign of mechanical damage or tampering
00:46:18and no clue to the malfunction.
00:46:20Central mechanism, Sycosis?
00:46:22I feel we should shut down the resort for a month.
00:46:24Oh, that seems rash.
00:46:26Well, the snake injured a guest.
00:46:27We can't allow that to happen.
00:46:29Many elements of the Delos resort are potentially dangerous.
00:46:31That's part of the appeal.
00:46:33But if they should become truly dangerous...
00:46:34I agree.
00:46:35We can announce that the resort is overbooked
00:46:37and not allow any further new guests to arrive.
00:46:40I think we can take care of the ones already here.
00:46:43If we can't ensure the safety of the guests,
00:46:45we're going to be in desperate trouble.
00:46:46But we can ensure their safety.
00:46:48Everything's fine.
00:46:49All right.
00:46:53All right.
00:47:09All right.
00:47:33All right, let's start that bar fight.
00:47:36Cheat!
00:48:06Now, that's just rude.
00:48:36Now, that's just rude.
00:48:46Now, that's just rude.
00:48:50Now, that's just rude.
00:48:52Now, that's just rude.
00:49:19Come on, let's go upstairs.
00:49:38Come on, let's go upstairs.
00:49:54Come on, let's go upstairs.
00:50:30Come on, let's go upstairs.
00:50:32What's his problem?
00:50:34Nothing.
00:50:34He got shot up today, so we're taking the opportunity to replace the visual cortex.
00:50:38Using the new infrared units.
00:50:41And we're increasing audio sensitivity.
00:50:48You called for me, my lord?
00:50:50Yes.
00:50:53How long have you been in the palace, Daphne?
00:50:56Since I was three, my lord.
00:50:59Charming.
00:51:01I think we ought to get to know each other better, Daphne.
00:51:04Better, my lord?
00:51:05I can reward you well.
00:51:11My lord.
00:51:14Daphne.
00:51:15My lord.
00:51:17Daphne.
00:51:20My lord.
00:51:32Daphne.
00:51:34Get her out of there and report it to Central Repair.
00:51:36Right.
00:51:37Turn it off and bring out another order.
00:51:38I refuse it.
00:51:39Any other animals in trouble?
00:51:40I do.
00:51:5200.
00:51:57Where'd you find the trouble?
00:51:58No apparent trouble.
00:51:59But she wasn't following programming.
00:52:01She refused to guess the deduction and she was a sex model.
00:52:04It certainly is.
00:52:06You think they're going to shut down?
00:52:07No, the director's field to close down now would hurt tourists' confidence.
00:52:10No.
00:52:11I don't like it.
00:52:20Breakfast.
00:52:38Oh, I'm never going to drink again.
00:53:07Okay, I've gained 437.
00:53:10I'm not getting sound pickup from the telecordor.
00:53:12Please check my leads to console.
00:53:14All right.
00:53:30All right.
00:53:32Hold, varlet.
00:53:43Are you speaking to me?
00:53:45None other, sir.
00:53:48Look, I'm hungry, and I...
00:53:52Prepare for thy doom, thy scurrilous knave, huh?
00:53:56Wait a minute.
00:53:58Can't we talk this over?
00:53:59What have you?
00:54:00No spine, varlet?
00:54:02Well, I...
00:54:03Aha!
00:54:04The queen!
00:54:09Full monitor.
00:54:14Okay.
00:54:16Let him go.
00:54:33Come on, everybody.
00:54:35Come on, everybody.
00:54:43I don't know.
00:55:15I don't know.
00:55:45I'm losing a little tolerance. Bring me up.
00:55:47I don't know.
00:56:18Shut down. Shut down immediately.
00:56:25Excuse me, sponsor.
00:56:27Then cut the robot power.
00:56:29Power cut.
00:56:30Oh, my head.
00:56:37Oh, freezing.
00:56:46I've got to get to the hotel.
00:56:50I think I'm going to be sick.
00:57:03They're not responding.
00:57:04Should we cut the main power grid, sir?
00:57:06It'll kill the lights.
00:57:06Shut it all down.
00:57:07Shut it all down.
00:57:17Hold it.
00:57:21Oh, God.
00:57:25Come on.
00:57:26Not now.
00:57:27Not you again.
00:57:29It's too early.
00:57:33Let me do it this time.
00:57:38Your move.
00:57:50I'm shot.
00:57:52I'm shot.
00:57:54I'm shot.
00:58:05John?
00:58:07Oh, my God.
00:58:23Draw.
00:58:35Sir, we have no control over the robots at all.
00:58:37Let's do it.
01:00:10Hello? Hello? Hello?
01:00:52How are we going to get out of here?
01:00:53All these doors are electrically powered.
01:00:57Now get these doors open in here before we all suffocate.
01:01:34How are we going to get out of here?
01:02:01How are we going to get out of here?
01:02:38How are we going to get out of here?
01:03:10How are we going to get out of here?
01:03:12How are we going to get out of here?
01:03:15How are we going to get out of here?
01:03:19How are we going to get out of here?
01:03:28How are we going to get out of here?
01:03:55How are we going to get out of here?
01:04:26How are we going to get out of here?
01:04:47Hey, don't shoot me.
01:04:50Hey, wait a minute.
01:04:54What's the matter with you?
01:04:58Hold out your hands.
01:05:00Let me see your hands.
01:05:06You're a guest.
01:05:07You really gave me a scare.
01:05:09Look, everything's broken down.
01:05:11The machines have gone crazy.
01:05:12You know about the machines?
01:05:14Yeah, I repair them.
01:05:15There's one chasing me now, a gunslinger.
01:05:18Gunslinger.
01:05:20Must be a model 404, maybe a 406.
01:05:23Here's a 406.
01:05:24He's got all the sensory equipment.
01:05:26It's a beautiful machine.
01:05:28He's after me.
01:05:29I don't doubt it.
01:05:30What can I do?
01:05:31There's nothing you can do.
01:05:32If he's after you, he'll get you.
01:05:33You haven't got a chance.
01:05:35There must be something.
01:05:36Fella, don't kid yourself.
01:05:38There are things you could try.
01:05:39Asset for his visual system.
01:05:42Noise for his hearing.
01:05:43No matter what you did, he'll always be one jump ahead of you.
01:05:46You haven't got a chance.
01:05:51Yes, I do.
01:05:53Yes, I do.
01:06:03Yes, I do.
01:06:06Oh, my God.
01:06:08I do.
01:06:15Oh, my God.
01:06:33Let's go.
01:07:07Let's go.
01:07:33Let's go.
01:08:04Let's go.
01:08:40Let's go.
01:09:03Let's go.
01:09:33Let's go.
01:09:34Let's go.
01:09:34Let's go.
01:09:34Let's go.
01:09:37Let's go.
01:09:38Let's go.
01:09:40Let's go.
01:09:41Let's go.
01:09:43Let's go.
01:09:43Let's go.
01:09:45Let's go.
01:10:14Let's go.
01:10:46Let's go.
01:11:15Let's go.
01:11:44Let's go.
01:12:17Let's go.
01:12:18Let's go.
01:12:18Let's go.
01:12:19Let's go.
01:12:19Let's go.
01:12:55Let's go.
01:13:20Let's go.
01:13:51Let's go.
01:14:19Let's go.
01:14:54Let's go.
01:14:54Let's go.
01:15:02Let's go.
01:15:03Let's go.
01:15:10Let's go.
01:15:34Let's go.
01:15:35Let's go.
01:15:35Let's go.
01:15:37Let's go.
01:16:09Let's go.
01:16:36Let's go.
01:16:37Let's go.
01:16:40Let's go.
01:16:46Let's go.
01:16:47Let's go.
01:17:19Let's go.
01:17:21Let's go.
01:17:21Let's go.
01:17:53Let's go.
01:18:22Let's go.
01:18:54Let's go.
01:20:13Let's go.
01:20:15Let's go.
01:20:16Let's go.
01:20:52Let's go.
01:21:20Let's go.
01:21:24Let's go.
01:21:25Let's go.
01:21:54Let's go.
01:22:25Let's go.
01:22:54Let's go.
01:22:55Let's go.
01:22:55Let's go.
01:22:55Let's go.
01:22:55Let's go.
01:22:56Let's go.
01:23:17Let's go.
01:23:19Let's go.
01:23:51Let's go.
01:24:19Let's go.
01:24:49Let's go.
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