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Beyond the Bars EP.5 Hindi Dubbed [Full Movie] [Must See]Full EP - Full
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00:02:38How can this happen?
00:02:39It's not like this.
00:02:42Let's go, Ma.
00:02:43Okay.
00:02:43I'll keep it.
00:02:45I don't know who's talking to us from now.
00:02:47Who's talking to us?
00:02:48In the truth, 300 million won.
00:02:50That's a good one.
00:02:52I bought this one in the flea market.
00:03:00This means...
00:03:02It's a copy of Yanis.
00:03:06You're right.
00:03:07Who's talking to us.
00:03:08Who's taking a curve of Fearstar after she sold in a flea market?
00:03:12This date of painting here is right?
00:03:15September 2024.
00:03:17That's 6 months ago.
00:03:19Yes, then.
00:03:20I just bought that painting for a year.
00:03:24So?
00:03:26That means that,
00:03:27what you're saying is more you.
00:03:30So yang,
00:03:32you weren't changed.
00:03:34Remember that you used to wear some brand's shoes.
00:03:37I had to wear shoes and I was angry at my time.
00:03:39Then I took you and opened your pole.
00:03:43It was a very fun story.
00:03:46Now that you didn't have that habit.
00:03:49What?
00:03:50You had heard that you had to take clothes and change their labels.
00:03:54I thought that this habit would be a habit.
00:03:57But what is it?
00:03:59The real dream doesn't change.
00:04:02Your dream is gone.
00:04:06What is it?
00:04:07You are looking at me.
00:04:10But what would you do with your painting?
00:04:13It's not a painting.
00:04:15But that's what happened.
00:04:18I would make a tattoo on my head.
00:04:23What would you do with your painting?
00:04:28I'm not a painting.
00:04:31What?
00:04:32What happened?
00:04:33You're scared.
00:04:35No.
00:04:37I'll win.
00:04:40Let's go.
00:04:41Let's do it.
00:04:43Let's do it.
00:04:44Let's do it.
00:04:44You guys did it.
00:04:45You guys did it.
00:04:46What have you ever seen in布?
00:05:04I've fallen by my mother.
00:05:12I'm sorry if I got shocked.
00:05:15I didn't get the chance to tell.
00:05:20But you...
00:05:22You didn't have a child?
00:05:23Yes, when I was with you,
00:05:25the child didn't need.
00:05:27Now you're a mother of Wonjun.
00:05:30My mind changed.
00:05:33This is so important.
00:05:35I have to say that.
00:05:35You just want to say that.
00:05:39The truth is, I'm telling you.
00:05:41As I was 30 years old,
00:05:44I changed my mind to become a mother.
00:05:48So don't forget yourself.
00:05:50You don't have to give it to yourself.
00:05:51Why don't you give it to yourself?
00:05:53Because I was young,
00:05:54and at that time,
00:05:55I was just thinking about myself.
00:06:01I know that you're a very good father.
00:06:05And if we're both together,
00:06:09then this is your child.
00:06:20What happened to me,
00:06:21I'm sorry to forgive myself.
00:06:24I'm feeling that
00:06:25I didn't get the chance to be my father.
00:06:29And yes,
00:06:30I'm sending the perfume
00:06:31to my child.
00:06:32I don't like the child.
00:06:34I don't like it.
00:06:35I've grown up.
00:06:38I've sent the perfume for six months.
00:06:41I've sent the perfume for six months.
00:06:41When it comes to be born,
00:06:42I'll make it more.
00:06:42Oh,
00:06:43I'm not going to do that.
00:07:02We're not going to be milling.
00:07:08I'll leave the perfume for four months.
00:07:13and Ms. E. Soi Ong has the case on that painting
00:07:17and the copyright law on you.
00:07:19But she says that you can prove the original Fiesta
00:07:23and prove Ms. Hung Yajinwali.
00:07:25So they will take all of you back.
00:07:28Look, today,
00:07:31there was never such a bad thing before.
00:07:38My art was a little less than I sold it to a flea market
00:07:43and it was only one lakh won.
00:07:46It was a fool of a fool who took my pride
00:07:50and took me a shame.
00:07:54I'll give it to her.
00:07:56So now your job is to take action on it.
00:08:01Yes.
00:08:04No,
00:08:05I'm hurting.
00:08:18I'm feeling a little mad at the time.
00:08:21Please check your tears.
00:08:22It's not that much.
00:08:23Your hospitals only can listen to death.
00:08:24What am I checking?
00:08:27What is it about your work in the endocit?
00:08:29Wait a minute.
00:08:30Excuse me.
00:08:31This is a new building of the hospital. Where do you go to the hospital?
00:08:41If you go to the other side, you'll get in front of you.
00:08:55When did you learn sign language?
00:08:58You want to hear it.
00:09:00Because people often learn sign language in church.
00:09:04No.
00:09:06After this, there's a long story.
00:09:08I mean, where did you learn?
00:09:13I'm scared.
00:09:17Say it.
00:09:46Why do you learn sign language?
00:09:47No.
00:09:47You have to meet with your sister.
00:09:49She wants to talk to herself.
00:09:51When am I ready to meet with her?
00:09:54Maybe with her?
00:09:57I think she will fall off.
00:10:01That's my dyslexia.
00:10:02Do you know that she's like dyslexia?
00:10:03No.
00:10:06No.
00:10:08No.
00:10:20No.
00:10:22No.
00:10:24No.
00:10:25No.
00:10:31Do you have taught me the right thing?
00:10:33Yes, that was it.
00:10:35I don't think I understood your story.
00:10:38You didn't learn the sign language in English.
00:10:41You didn't learn the sign language in Korean.
00:10:45Talk about it normally.
00:10:47I can also learn the word.
00:10:56Oh, that's it.
00:10:58I also know that someone can listen to it.
00:11:02It means that they only understand the sign language.
00:11:06She also knows the sign language with her.
00:11:08What is the sign language?
00:11:10She tries to understand the words of her.
00:11:14Oh, that's right.
00:11:17Lip reading.
00:11:51What's the sign language with her?
00:11:56My little friend's name has a complaint, but I feel like it's something wrong.
00:12:00I told her that my daughter is a legal lawyer. She can help you.
00:12:05Okay, let's go. I'll check and message.
00:12:22Okay, let's go.
00:12:52Okay, let's go.
00:13:22Okay, let's go.
00:14:45Hello, sir.
00:14:46What?
00:15:44Yes.
00:15:45No experience with her.
00:15:47You're saying you are talking with a big man,
00:15:48just to think about it.
00:15:52If you were to go with a probe,
00:15:53then your mentor will be like that.
00:15:56What?
00:15:56He's always hiding your mouth before.
00:15:59So, I'm sorry.
00:16:03Let's talk about it first.
00:16:05Come on.
00:16:06Yes.
00:16:22I'm sorry sir.
00:16:36Because Vadi Ryu Guanmo is a world-famous artist,
00:16:39so he will go to the end of the year.
00:16:41The former judge also killed him?
00:16:43No.
00:16:44A partner attorney and associates.
00:16:50You can't do anything with this job.
00:16:53But I will take administrative work.
00:16:55So you prepare yourself for the defense.
00:16:56And you can take advantage of yourself.
00:16:58You can go.
00:17:00Yes.
00:17:06Yes.
00:17:08Yes.
00:17:11Yes.
00:17:13Yes.
00:17:38Yes.
00:18:08Yes, sir.
00:18:09Yes, sir.
00:18:09Yes, sir.
00:18:09But remember, we are going to do this in the practice tournament format.
00:18:12And the winner of today will be...
00:18:14Ta-da!
00:18:16Three commendation stickers.
00:18:17Wow!
00:18:18Isn't it so much fun?
00:18:19Yeah!
00:18:20Guys, the judge is also here.
00:18:24I was explaining about the tournament.
00:18:26Yes, I'm explaining.
00:18:27Okay.
00:18:28Let's turn it down.
00:18:29Let's go, I'll tell you all about the practice tournament format.
00:18:33Let's start.
00:18:34Oh, Sang Chol and Jeho Yan, please.
00:18:36First of all, please.
00:18:37Prattivadi, Vaadi Company CEO of the company's secret,
00:18:42has ruined the company's burden of the company's
00:18:43and a strong employee of the company,
00:18:45who came to the acquisition of a company's new shares.
00:18:47and the acquisition of a company's company was the main reason.
00:18:48Prattivadi and the whole group of new shares
00:18:52has made a division of new shares.
00:18:54Therefore, Prattivadi's work is the way to the acquisition of the company's
00:18:57I couldn't answer all the questions in the wrong place.
00:18:59However, the company had to take away from this reason,
00:19:02but she called the board meeting and did a lot of things with the expert.
00:19:06And at that time, all the problems were made in the middle of the situation.
00:19:17So, it's a great celebration.
00:19:19Oh, Sanchal!
00:19:21Woo!
00:19:22Yeah!
00:19:23I'm going to get it.
00:19:24Wow, it's a great celebration.
00:19:25So, both of them have done well.
00:19:27But Mr. Oho, there was a lot of things in the delivery,
00:19:29such as talking to them, their own self-esteem.
00:19:32Let's go. Now, the next question is,
00:19:33Chikuk Kyanar, Tanjameen.
00:19:36When there is a mistake in Administrative Disposition,
00:19:38there is a disposing authority without any law authority.
00:19:42In this case, the government has been used for the benefits of people.
00:19:45So, first of all, you have to think about this,
00:19:48what will be the benefit of this person,
00:19:49and what will be the benefit of this person.
00:19:51And there will be a problem with this person,
00:19:52and there will be a problem with this person,
00:19:54and there will be a solution for this person.
00:20:02Both have made better progress from my dreams,
00:20:05but Chikuk Kyanar,
00:20:06they have been talking quite quickly,
00:20:08which is the reason why they have fallen short.
00:20:10That's why we won the round,
00:20:14Kangyominne.
00:20:14Wow.
00:20:15What a matter of fact.
00:20:17Go to the seat.
00:20:18Go to the seat.
00:20:22So, the next round is,
00:20:24the first round is O Sang Chol,
00:20:26and the second round is O Sang Chol,
00:20:27and the second round is Kangyomin.
00:20:28And this time,
00:20:28I will give you a statement.
00:20:30Okay?
00:20:31And this statement,
00:20:32our judge, Mr. Yun, has written himself.
00:20:34So, you have to follow your beliefs
00:20:35on this.
00:20:36These are your beliefs.
00:20:38Oh, my God.
00:20:40Oh, my God.
00:20:46In Article 9, Clause 2,
00:20:48it says that if the penalty of the penalty
00:20:49is due to the amount of contract,
00:20:51then the contract can be failed.
00:20:53So, the contract can't be failed until the time
00:20:55is due to the penalty of the penalty.
00:20:56Until the penalty of the penalty,
00:20:57the penalty of the penalty is due to the amount of contract.
00:21:01Huh.
00:21:30Sir,
00:21:32Oh Sang Chol, you are gone.
00:21:36Okay, you are working hard.
00:21:42Let's go, let's finish this.
00:21:43Maybe you were looking for your thoughts.
00:21:46So now we get the final winner of Oh Sang Chol.
00:21:49Three commendation stickers.
00:21:50Wow.
00:21:51Thank you very much.
00:21:52Okay, now I'm going.
00:21:54Yes sir.
00:21:54You are working hard.
00:21:57Wow Mr. Oh, you are gone.
00:21:58Look and learn.
00:22:00You are able to learn a lot from me.
00:22:02Wow.
00:22:06In your opinion, Yulim has left this case
00:22:08only for a first year associate.
00:22:10Yes.
00:22:11Okay.
00:22:12We won't have money for a lawyer to have a lawyer.
00:22:15That's why Yulim will explain the opportunity to
00:22:16first year associate's training.
00:22:19That's right.
00:22:20So we should do that too.
00:22:23Okay Ms. Ben, you take the case.
00:22:25Who am I?
00:22:27So what am I going to talk about first year associate?
00:22:29Oh.
00:22:30Okay.
00:22:31I'm going to hide her.
00:22:32Yes.
00:22:33That's right.
00:22:34You can go.
00:22:35Yes.
00:22:39That's right.
00:22:40Who is Yulim's first year associate's first year associate?
00:22:43Kangyumin, sir.
00:22:44Kangyumin?
00:22:45Yes.
00:22:47You have to be prepared.
00:22:48If we don't do anything wrong,
00:22:50then we will win this case.
00:22:51And if there is wrong,
00:22:53then we will also win.
00:22:54Can we see?
00:22:55Yeah.
00:22:56There is no really bad now.
00:23:07Okay.
00:23:08I am going to get inside.
00:23:10I am going to get inside.
00:23:12I am going to get inside.
00:23:14And now, our store is the new house,
00:23:14All right now.
00:23:15I am at home.
00:23:15Yeah, I am at home and I am going to be the house.
00:23:17I am at home.
00:23:18I am at home and I am between
00:23:19and I am at home.
00:23:23Have a great day.
00:23:28The main thing is that the most important thing is that they have to make a mistake.
00:23:32But they didn't make any kind of mistake.
00:23:35The mistake is to make their mistake.
00:23:36The mistake is to prove their mistake and prove their mistake.
00:23:41For example, they will make a mistake and prove their mistake.
00:24:05Open the door.
00:24:12I have to register you first.
00:24:14I have to take you off my phone...
00:24:19I have no sleep.
00:24:20No, no, don't come out.
00:24:22KONGYU MIN, you're going against HANSONG CHAN.
00:24:25This is HANSONG CHAN.
00:24:26KONGYU MIN, HANSONG CHAN, never forget to panic.
00:24:30Just don't do it, KONGYU MIN.
00:24:32KONGYU MIN,
00:24:35this is a coffee too.
00:24:39But it's the one.
00:24:51It's not a test that it's gone.
00:24:54Let's go.
00:25:06Look at me, HANSONG CHAN.
00:25:11You're scared.
00:25:12You haven't left the house yet?
00:25:15HANSONG CHAN.
00:25:16Please, save me.
00:25:31Hmm, this is good.
00:25:33Your belief is clean and good in reading.
00:25:37The problem is that I'm scared
00:25:39that I'm going to see how I'm going to do this in court.
00:25:42It's a good statement that you have.
00:25:44What's your question?
00:25:47I don't believe that I'm going to do it properly.
00:25:50I'm going to do it properly.
00:25:53Hmm.
00:25:54So, let's try and see here.
00:25:57What?
00:25:57I'm going to listen to you.
00:25:59You'll follow your beliefs.
00:26:02But...
00:26:03What's that?
00:26:04What's that?
00:26:04What's that?
00:26:04Cultural is not?
00:26:04Yes.
00:26:06If you don't do it in court,
00:26:07how will you stand in court?
00:26:09Let's try and try.
00:26:09Why, I'm going to listen to you.
00:26:15how should I do it?
00:26:23Wow, that's the thing that I am going to do.
00:26:25I'm going to know.
00:26:25How should I do it?
00:26:27How should I do?
00:26:30What should I do?
00:26:32I'm going to show them a little bit.
00:26:35I got to be careful.
00:26:36this is what I know.
00:26:38can't work.
00:26:40In fact, the technique has also been used in Prativaadi's work.
00:26:43Therefore, it is clear that Prativaadi's art has been used in Prativaadi's art.
00:27:08Why was it so hard? Can you tell me?
00:27:13What did you think about that statement?
00:27:18You're not afraid of it.
00:27:19There were many logical mistakes.
00:27:24Which way?
00:27:25To make the wrong decision, not to make the wrong decision, and to make the wrong decision.
00:27:29It's all gone gone.
00:27:31Yes, sir.
00:27:32The wrong decision from them was wrong.
00:27:34It was wrong.
00:27:35It is wrong.
00:27:37It's wrong.
00:27:39The statement already sat there.
00:27:44You have noticed that Mr. O'Sang Chol won't do that.
00:27:49Mr. O'Sang Chol showed that the statement I heard was wrong,
00:27:54so it's accurate.
00:27:56So he made the confidence for such a clear statement.
00:27:59Mr. O'Sang Chol made his confidence.
00:28:01It has been a logical and decided that it must perpetrate the wrong decision.
00:28:05But Kang Hyoman, you have taken such a lie in your heart that you can't believe yourself.
00:28:11It's such a way that you have to be honest with you, but you don't have to be able to
00:28:15do anything.
00:28:20And that's the same thing.
00:28:22You have to say that your client has made a painting.
00:28:27Ryu Gonmo is an artist who has studied at the American College,
00:28:31and has been studied in the world.
00:28:32And your client is just a shocker artist.
00:28:41Don't forget your secrets.
00:28:44And look at the real time.
00:29:17All the people are standing up.
00:29:29Let's go to your own places.
00:29:31Let's go to your own places.
00:29:43Let's go to your own places.
00:29:51Let's go to your own places.
00:29:56Let's go to your own places.
00:30:08And what they have to say is,
00:30:10you have to hold your own places.
00:30:12After your own life, your life has a deber at the time,
00:30:19you honestly won't correspond to your own life and your own life.
00:30:20Because of this,
00:30:21you have to hold your own places like this,
00:30:21you have to hold your own places,
00:30:23anywhere else you can see the work of your own places,
00:30:25But in your own places,
00:30:36Yes, I have noted that Ms. Hung Yejin and Ms. E. So-Yong
00:30:43is a real life and Ms. E. So-Yong has a painting.
00:30:47I have a great impression on these paintings.
00:30:52Save, Paksh.
00:30:53In April, 2014, in the Flea Market,
00:30:55Amusement Park is the most important thing about the jinn.
00:30:58Do you have a certain point of view?
00:31:01Yes, it is, Lord.
00:31:02We need to ask the question to both of you.
00:31:04And we have a request in the book so that we can follow you.
00:31:15You have made a new way to the Fiesta,
00:31:18which has never been shown in your previous work.
00:31:20So, let us understand,
00:31:21how did you manage this new technique?
00:31:22How did you manage this new technique?
00:31:24When I was studying in S.A.I.C.,
00:31:29the Chicago School of Art.
00:31:33Do you hear the name?
00:31:35The world's famous art school,
00:31:37which has given up to many of the artists.
00:31:41Do you really know that?
00:31:46If you are not familiar with art,
00:31:48then you can understand it.
00:31:50That's why you have come to do it like that.
00:31:52If you are not familiar with it,
00:31:54then you will be confused.
00:31:56Gaba,
00:31:57just answer your questions.
00:32:00I will ask you again.
00:32:02How did you use this new technique?
00:32:04Please understand.
00:32:05What do you do?
00:32:05We are a special artist.
00:32:08We are a special artist.
00:32:09We have changed our new life.
00:32:11We have changed our views.
00:32:14We have changed our views.
00:32:15We have a big impact on our work.
00:32:17We have a big impact on our work.
00:32:18Before I made a painting Fiesta,
00:32:20I was born to my child's birth.
00:32:22I was born to...
00:32:23I was born to be born.
00:32:24First of all,
00:32:27I felt that love...
00:32:32that humanity
00:32:32and happiness...
00:32:34that happiness...
00:32:34all these new things
00:32:36has been very strong.
00:32:38Even though I had taken the wrong place
00:32:40that it was very hard for the color and color color.
00:32:43But in my face of fiesta, sorry.
00:32:47In my face of fiesta,
00:32:49I used a very big matte technique with dripping techniques
00:32:50that I used to use a matte technique
00:32:53so that I can show a happy face on my face.
00:32:59La fiesta.
00:33:03In Spanish, it means that it's hard.
00:33:10This is a real problem, like a child's life.
00:33:18What do you think of the dripping technique and the matte ear technique?
00:33:23Dripping, or paint, is a color-critic.
00:33:28And the matte ear, or visual texture, is an extraordinary technique.
00:33:34In my color-critic fiesta,
00:33:36I adjusted the paint and paint.
00:33:40The dripping technique,
00:33:42and the colors,
00:33:44I have done a wonderful art form.
00:33:47Yes, I understand.
00:33:48So, I have done it like this.
00:33:54This is the fact that Ryu Konmani has made this new technique.
00:33:58I have made this new technique.
00:34:05The artist will be gone.
00:34:07Your paintings...
00:34:10Yes.
00:34:11Today, anyone can become an artist.
00:34:13The girl, the dog, the sheep, all the artists.
00:34:16Please, be quiet sir.
00:34:17I'm just...
00:34:19Your paintings, which you have made.
00:34:21Ah!
00:34:22Your paintings?
00:34:23Wadi.
00:34:24Please, be quiet.
00:34:27Save it, Paksha.
00:34:28Please, be quiet.
00:34:31Please, be quiet.
00:34:31You have made any paintings that you have made today.
00:34:34They are made in one way.
00:34:35Can you tell me,
00:34:37which technique you have used for them?
00:34:40It's a real.
00:34:43Ah.
00:34:47Ah.
00:34:50Uh...
00:34:52I, ah.
00:34:57This.
00:34:58Ah.
00:35:01Ah.
00:35:06Ah.
00:35:06When you came to the amusement park?
00:35:08Objection, Milot.
00:35:08You are trying to prevent the Prakash Gawaah.
00:35:12Prakash Gawaah's attorney,
00:35:13I can't ask questions about Prakash Gawaah.
00:35:17This is correct.
00:35:18Do you know these basic things?
00:35:21I don't know.
00:35:32You just have to explain what you were thinking about the painting.
00:35:38I don't know.
00:35:49Miss Moon,
00:35:50every painting is so colorful.
00:35:53So how do you think you used to use different colors?
00:35:56Just tell me so.
00:35:58I don't know.
00:35:59I just want to go to my house.
00:36:02What are you asking?
00:36:05What are you going to do now?
00:36:07What are you going to do now?
00:36:08Are you okay?
00:36:09It's not like that.
00:36:19I...
00:36:21It's wrong.
00:36:24What?
00:36:25It's wrong.
00:36:27It's wrong.
00:36:27Before, my name is wrong.
00:36:29It's wrong.
00:36:31It's wrong.
00:36:31It's wrong.
00:36:32Judge, sir.
00:36:33I say,
00:36:33I'm not saying that you're painting such a bad thing.
00:36:36I always want to put up a bad thing.
00:36:38It's wrong.
00:36:39Excuse me.
00:36:41Mom.
00:36:42Mom.
00:36:44Mom.
00:36:44What are you going to do, son?
00:36:46Mom.
00:36:52Hey.
00:36:53Hey.
00:36:54Hey.
00:36:54Mom.
00:36:54I said,
00:36:55I'm not saying that you're not acting like this.
00:37:00He's telling me that you're not acting like this.
00:37:04I'm not saying that you're not acting like this.
00:37:04The case is just finished.
00:37:07Please, make me peace.
00:37:10Order.
00:37:12I don't think I'm going to answer your question.
00:37:14So, we are taking a break for 10 minutes.
00:37:26What?
00:37:28Is it less than a human being?
00:37:31Yes.
00:37:35She was 21 years old.
00:37:38But her mind is still 13 years old.
00:37:42It doesn't mean that she can't do all of herself.
00:37:46She takes everything.
00:37:51Now, what do I say?
00:37:54I didn't want to give it to her.
00:38:01That's why I kept everything.
00:38:07You can't stop this.
00:38:09If you're back, you'll die.
00:38:12Then you'll die.
00:38:14And then you'll die.
00:38:17Then you'll die.
00:38:19You'll die.
00:38:20Then you'll die.
00:38:27You'll die.
00:38:33You'll die.
00:38:57You'll die.
00:38:59You'll die.
00:39:00You'll die.
00:39:00You'll die.
00:39:08You'll die.
00:39:13You'll die.
00:39:14You'll die.
00:39:18You'll die.
00:39:25You'll die.
00:39:28You'll die.
00:39:36You'll die.
00:39:44You'll die.
00:40:00You'll die.
00:40:01You'll die.
00:40:02You'll die.
00:40:05You'll die.
00:40:16You'll die.
00:40:20You'll die.
00:40:23You'll die.
00:40:29You'll die.
00:40:39You'll die.
00:40:42You'll die.
00:40:46You'll die.
00:40:49You'll die.
00:40:52You'll die.
00:40:57You'll die.
00:40:58I was asked to give the question of the two of the artists.
00:41:01When did the court make the painting or show the status of the court?
00:41:05We don't have the question from the court.
00:41:07We will be able to show the connection with the previous paintings.
00:41:11And all the paintings were made by the court?
00:41:14If it was before or after the court,
00:41:18we must ask them to ask them.
00:41:21But, the court...
00:41:22If the court is available here,
00:41:24If it is still there, it will be time to keep all the questions in order to keep the questions.
00:41:28If the questions during the period of time has failed,
00:41:31then it will stop the work of the law itself.
00:41:40Tell me, have you ever studied art before?
00:41:44Please tell me, because we are recording your work.
00:41:49Yes.
00:41:50And where is it?
00:41:51In the Art Academy.
00:41:53Please tell me about it.
00:41:54I was taught in the Chumi Art Academy.
00:41:57Your Honor, Chumi Art Academy is a local academy
00:42:00where professional teachers don't study.
00:42:03Okay.
00:42:05Then you will know Yusong's teacher.
00:42:08Yes.
00:42:10Can you say this?
00:42:11Yes.
00:42:14Ms. Yusong, you went to the students with the students of the academy.
00:42:23Yes.
00:42:29Yes.
00:42:43Yes.
00:42:43Yes.
00:42:46This is a sketchbook of Prathivadi from the academy.
00:42:49There are many paintings from the artist of Yugo and Mo's original art.
00:42:52Yes.
00:42:54I'm reading the book of Prathivadi.
00:42:59I'm reading the book of Prathivadi.
00:43:03I'm reading the book of Prathivadi.
00:43:21So how did any Goodbye of Prathivadi was supposed to be?
00:43:21I don't know if it already.
00:43:25What did she do to come to mural시 I?,
00:43:53So, you saw Fiesta's knuckle in the exhibition and sent him to the free market and sent him to $1
00:43:58,000,000 won.
00:44:03That's not...
00:44:04It's a crime.
00:44:06And now, when you're stuck, you shouldn't give up to the law.
00:44:11What will you see?
00:44:17I'll ask you again.
00:44:18Have you seen Mr. Reeve Guanmo in the exhibition in the 3rd of November?
00:44:23There, you saw Fiesta's knuckle in the house and sent him his money to save money.
00:44:30I have to go home.
00:44:32Give me the answer to the first question.
00:44:33Yes, yes, yes.
00:44:39I just want to say that.
00:44:41What do you mean Samsung?
00:45:10Prattivadi Vakil, do you want to examine cross-examined?
00:45:12Do you want to examine your own powers?
00:45:19Don't forget your own powers.
00:45:20And see a real point.
00:45:23Do you hear?
00:45:26Prattivadi Vakil, you're okay, right?
00:45:32I'll leave a lot.
00:45:34Do you know what I mean Samsung?
00:45:36Do you have to get a break in a small bit?
00:45:38Okay.
00:45:40Okay.
00:45:40I'm getting the help of the ball to the ball.
00:45:46You were showing a big crowd.
00:45:48What are you doing today?
00:45:50Now?
00:45:50Do you want to talk to me?
00:45:52Say, sir, please help me.
00:45:53Do I do my help?
00:45:54No, I'll be able to fight myself.
00:45:56The road came out, but the road didn't go away.
00:45:59What do you want to make a record of your bad luck?
00:46:03Just imagine that it's a mistake.
00:46:07That's my client.
00:46:08And I'll be able to find myself.
00:46:11Oh, my God.
00:46:14What's the matter?
00:46:19What's the matter?
00:46:21Nothing.
00:46:21Go and work yourself.
00:46:30My hand, don't you?
00:46:31You have to look at me.
00:46:52Miss Moon?
00:46:54Yes, I'm wrong.
00:46:57I'm wrong.
00:47:00I'm wrong.
00:47:07I'm wrong.
00:47:09I'm wrong.
00:47:12I'm wrong.
00:47:14I'm wrong.
00:47:19I'm wrong.
00:47:20And you?
00:47:23Whatever you say to me,
00:47:26I'll never tell anyone.
00:47:28I'm wrong.
00:47:33I'm wrong.
00:47:34I'm wrong.
00:47:58You'll tell me about painting.
00:48:15What is the painting of Fiesta in the real world?
00:48:27When I was born before my child, I and Minato were watching the painting in Spain, and it was going
00:48:34to be the last month of his pregnancy.
00:48:36And then I felt that I felt that I was feeling that I was feeling that I was feeling that
00:48:43I was feeling that I was feeling that I was feeling that I was feeling that I was feeling.
00:48:46So what are you doing with the landscape painting?
00:48:49Is there any kind of pictures in it?
00:49:07No, but what are you asking?
00:49:09So there is no pictures in it?
00:49:13No.
00:49:16That's all, Your Honour.
00:49:29So Miss Moon,
00:49:32Can you tell me about that painting?
00:49:33How can you tell me about that painting?
00:49:58Um…
00:49:59Do you remember that painting?
00:50:01I have a photo.
00:50:03Do you have a photo?
00:50:04Do you have a photo?
00:50:05Do you see us?
00:50:06Yes.
00:50:07Do you see us?
00:50:09Do you see us?
00:50:09Yes.
00:50:11Yes.
00:50:15Yes.
00:50:16Yes.
00:50:16Yes.
00:50:23Yes.
00:50:33Yes.
00:50:39But I didn't see your father's face in this painting.
00:50:45I thought that my mother would be sad to make a picture of the father's face.
00:50:53That's why I hid it.
00:50:55Where did he hid it?
00:50:57How can we see him? Tell me.
00:50:59In the dark place, if you hit the light on the painting, we'll see.
00:51:05Can I check this out?
00:51:12It's important that the law will allow you to reduce the pressure.
00:51:49I have to leave my father's face.
00:51:54I have to leave my father's face.
00:51:58You are my father's father?
00:52:05But I don't see myself.
00:52:08It's really my father's picture.
00:52:10But it's a secret.
00:52:16Yes, I'm using my light,
00:52:18then I can see my father's face.
00:52:25I'm very happy to see my father's face.
00:52:29When I make a painting,
00:52:33I'm very happy to see my father's face.
00:52:37I love my mother's face.
00:52:42I love my mother's face.
00:52:43I love my mother's face.
00:52:46I love my mother's face.
00:52:52Now,
00:52:52it seems that it's very bad for me.
00:52:54It's hard to believe in my Mamazon.
00:52:54Jesus himself could think
00:52:55that she can see on the street
00:52:57because of that relationship.
00:53:01This possibility of an shark
00:53:02becoming tethed?
00:53:03Like a cuarto burden ännu became
00:53:061010 million to see,
00:53:10it was also breaking news.
00:53:14He found the difference in his chest.
00:53:16How many parts are asked
00:53:20He loved his father and his father.
00:53:28He was 12 years old.
00:53:31He left his father and his mother.
00:53:35After going to his father,
00:53:38his mother took all his pictures.
00:53:46When he killed his father,
00:53:48he died.
00:53:48When he realized his mother had come,
00:53:49he still was raised by the father.
00:53:50For a time,
00:53:51that's why he was so confused about his father.
00:53:58His father is over,
00:54:00He was still with us.
00:54:01His father never did his mind.
00:54:06He was kept on with his father's head.
00:54:07He was away from drawing.
00:54:10But I am so happy that my mother loved her.
00:54:14So she was so happy that if she sees her drawing, she was so happy.
00:54:18She made her drawing.
00:54:22She was so happy to see her art genius and tetrochromage.
00:54:26She was so happy to see her.
00:54:32She looked at her paintings as a look.
00:54:35But when she was in the dark, she was so happy to see her.
00:54:38so he can see his father's picture of his father's picture.
00:54:42He was using his own skull,
00:54:44without any fault of his brush stroke,
00:54:47that the texture of the texture,
00:54:49the color of the color, and the color of the color.
00:54:53Also, he used a painting of the fluorescent
00:54:56that he made a painting
00:54:58that his father's picture was just showing
00:55:01a special color in his eyes.
00:55:03And he didn't even know.
00:55:04This is the painting that he made.
00:55:06He was kept in my car, so I took him.
00:55:12Come, come, I took my torch.
00:55:14Wait a second.
00:55:44Oh, Bopre!
00:55:54Oh, miribachi!
00:55:59I'm sorry.
00:56:01I'm sorry.
00:56:07I'm sorry.
00:56:10I'm sorry.
00:56:12Your mother did not leave me.
00:56:14You're my daughter.
00:56:22You're a very sad person on me.
00:56:25You will never forget his father's love.
00:56:28Oh, that's why you made this painting?
00:56:31Yes?
00:56:32And every time, when the painting was completed,
00:56:36you used to put the paint on your face.
00:56:43There's nothing wrong.
00:56:46You need to make it every time,
00:56:48and you need to make it every time.
00:56:52Yes, and...
00:56:55You need to make it every time.
00:56:58It's a good thing.
00:57:06Miss Moon,
00:57:09when I'm going to ask you about this painting,
00:57:13you will tell me everything?
00:57:15Can I tell you something?
00:57:21Oh...
00:57:21Chonga,
00:57:23Papa's picture, how you made it,
00:57:25tell me everything.
00:57:27Your mother will never get angry.
00:57:30Is it okay?
00:57:32Yes.
00:57:35Yes.
00:57:36Yes.
00:57:49Let's check Fiesta's house.
00:57:55Yes, I need to see.
00:58:07Mr. Ryug Wonmoko,
00:58:08I'm going to call you in the house.
00:58:13Yes.
00:58:15Yes.
00:58:16Yes.
00:58:16Yes.
00:58:17Yes.
00:58:18Yes.
00:58:20Yes.
00:58:21Yes.
00:58:22Mr. Ryug Wonmoko,
00:58:23I want to call you in the house.
00:58:28Mr. Ryug Wonmoko,
00:58:48I don't know how to call you in the house.
00:58:53I don't have to say that Vadi's painting, but Vadi's painting is not the same as Vadi's painting.
00:58:58Copyright law is the famous artist Mr. Yu Gon Mo.
00:59:01And after that, without knowing that this painting has no choice,
00:59:05you have given the actual artist's copyright.
00:59:08Why? We need to answer your question.
00:59:13This is true.
00:59:22Mafi is asking.
00:59:24To make a mistake for the artist Moon Jong-Hae.
00:59:27To make this lawful authority,
00:59:29to make a mistake to make a mistake to the artist Moon Jong-Hae.
00:59:32Now, Mafi is asking.
00:59:34I get an objection to Dr. Diwadi.
00:59:35Mafi?
00:59:37The mind is okay.
00:59:42I want to ask Mafi.
00:59:44I want to ask Mafi to ask them to ask me.
00:59:46I want to ask Mafi to ask them.
00:59:47Without giving me such a chance,
00:59:50I want to ask them to ask them.
00:59:51But I want to ask them to ask them.
00:59:54And you too.
00:59:55And you should be grateful for me.
00:59:56Understand?
00:59:59Your art.
01:00:01Your art.
01:00:03You don't know how much you are.
01:00:06And now, you're going to be a rich evening,
01:00:07as you are going to be a rich evening.
01:00:09I've given you my area.
01:00:12And you don't know how many doors are closed.
01:00:15And you're going to come and run away.
01:00:18What is it that type of fear?
01:00:27You are going and put us all in place in the kitchen.
01:00:30And all you've got,
01:00:31and you've got everything alone!
01:00:34Don't worry.
01:00:36Don't worry.
01:00:36You should be taking away.
01:00:36At this time,
01:00:37I want you to ask Mafi to ask.
01:00:39I want you all to ask Mafi to give up.
01:00:39They will be completely right.
01:00:40And you are always looking for his fault,
01:00:40and the right.
01:00:41is
01:00:42the
01:00:43other
01:00:43the
01:00:43the
01:00:43the
01:00:43the
01:00:43the
01:00:43the
01:00:51the
01:00:56the
01:00:57He has made it for him.
01:01:07What did you say?
01:01:08Like me?
01:01:09Hey!
01:01:10Wadi!
01:01:11Wadi!
01:01:12I don't know her!
01:01:13If I don't know her,
01:01:15if I don't know her painting,
01:01:18then no one doesn't know her art.
01:01:20It's in the flea market.
01:01:21Wadi, quiet!
01:01:23If I don't know her,
01:01:25then no one doesn't know her!
01:01:27Hey!
01:01:27Please, sit down.
01:01:29Sir, be quiet!
01:01:30I am a Muslim!
01:01:31I am a Muslim!
01:01:32Hey!
01:01:33Be quiet!
01:01:33Come back!
01:01:34Come back!
01:01:36Kang Yoo Min,
01:01:38you know,
01:01:38she never felt so cool than before.
01:01:40Really?
01:01:42Do you know the first case?
01:01:44Dude, it's burning.
01:01:47But why don't you see Hong Di?
01:01:49Yes,
01:01:50I haven't seen her after break.
01:01:52Yes,
01:01:53I wanted to see her.
01:01:54Kang Yoo Min.
01:01:55You are so beautiful.
01:01:56You are so beautiful.
01:01:58What are you doing?
01:01:59Miss Kang Yoo Min.
01:01:59Attorney Kang Yoo Min.
01:02:01Attorney Kang Yoo Min.
01:02:08You told me,
01:02:09Attorney?
01:02:10I am not a woman.
01:02:15I am not an woman.
01:02:16I was a woman.
01:02:17No,
01:02:19yes...
01:02:20I'll meet her in the office.
01:02:22I'll meet you in the office.
01:02:30I'll give you my best, sir.
01:02:35Is that the attorney Yuen called you as an attorney Kang Hyo Min, right?
01:02:46Why are you doing so emotional with an attorney?
01:02:48Why are you doing so emotional?
01:02:51You can't understand.
01:02:52You've explained everything.
01:02:53Okay, listen, today you will give me a party.
01:02:57Deal.
01:02:58Let's go.
01:03:22Thank you so much, Yuen Min.
01:03:26Thank you so much, Yuen Min.
01:03:53Do you have to forgive me?
01:03:54Do you have to forgive me?
01:04:04Do you have to forgive me?
01:04:15Do you have to forgive me?
01:04:19Do you have to forgive me?
01:04:21Do you have to forgive me?
01:04:25Yes, it will come, they will give me a death.
01:04:30So why don't you meet me?
01:04:35Probably...
01:04:35That's the reason why,
01:04:37my mom and dad are only saying sign language.
01:04:39I am talking and hope to read it.
01:04:40My mom and dad are only saying sign language.
01:04:49I am talking and hope to read it.
01:04:51When I met my mom and uncle,
01:04:54I feel like I can hear it.
01:04:56Your mother will also feel something like that.
01:04:59My father feels like that.
01:05:17What happened?
01:05:19Maybe there will be a big announcement.
01:05:26Wow!
01:05:34Name partless.
01:05:35Who is it?
01:05:37This is Shin, Go and Kim.
01:05:40Shin means Mr. Shin Myung Jin.
01:05:42Go means Mr. Ko Sang Chol.
01:05:45And Kim, Mr. Kim Yul Song.
01:05:48I know.
01:05:49I know.
01:05:49If there is a time and money for everyone,
01:05:50I will not give a lot of speech.
01:05:52I want to make an announcement.
01:05:54That's why I called you all.
01:05:55I'm going to retire now.
01:05:57I'm going to become an advisor.
01:05:58I'm going to become an advisor.
01:06:01What does Jung mean?
01:06:03What does Jung mean?
01:06:17You're going to get it?
01:06:21I'm going to go in.
01:06:21All right.
01:06:37I'm going to go to the company.
01:06:37You're going to go to the company.
01:06:37And I'm going to be a big deal.
01:06:38And I'm going to go to the company.
01:06:39And I will have to give a big deal.
01:06:44What?
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