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TVTranscript
00:00:30Good evening and welcome to The Great Indian Sapri Show.
00:04:15What is this happening?
00:04:16I mean, the father is scared of his daughter, the children are scared of his daughter.
00:04:22This is the same generation.
00:04:23Either their hand goes towards their father's hand,
00:04:26and neither the father's hand goes towards their hand.
00:04:28Their hand goes towards their hand.
00:04:30And they are taking bags together.
00:04:33Cheers!
00:04:34Let's go, the good thing.
00:04:35Okay, the way has changed.
00:04:36But today, if you see a dream,
00:04:39you can see that one day,
00:04:40I will become so big.
00:04:42And my father is the only person that I want.
00:04:44My child will become bigger.
00:04:46Today, I have a friend and a father-in-law.
00:04:49I want to call them to you.
00:04:52Please welcome Mr. David Dhawan and Mr. Varun Dhawan.
00:04:57Your dream is here,
00:04:59Your hero is here,
00:05:01Your hero is here,
00:05:03Your hero is here,
00:05:05Your hero is here,
00:05:05Your hero is here,
00:05:10Your hero is here,
00:05:12Your hero is here,
00:05:14Your hero is here,
00:05:16Your hero is here,
00:05:19Your hero is here,
00:05:21Your hero is here,
00:05:22Your hero is here,
00:05:27Your hero is here,
00:05:29Your hero is here,
00:05:31Your hero is here,
00:05:33My hero is here,
00:05:35My hero is here,
00:05:37My hero is here,
00:05:37My hero is here,
00:05:38My hero is here,
00:05:38oh
00:05:40yes
00:05:40yes
00:05:41and
00:05:46i
00:05:48love you
00:05:51yes
00:05:52yes
00:05:53yes
00:05:55yes
00:05:55yes
00:05:56yes
00:05:56David, Dronacharya, and Arjun are a dream.
00:05:59Wow.
00:06:02What you have shown, sir, is a dream of croods.
00:06:07Your work is not a dream, it is a dream of a dream.
00:06:10Wow.
00:06:11You have made so much happiness,
00:06:13that you are my dream.
00:06:17That's it.
00:06:18That's it.
00:06:20Hold on, man.
00:06:21That's it.
00:06:25David, sir, in the past few years,
00:06:27there was a male.
00:06:28The sheep, the sheep, the sheep, the sheep, the sheep, the sheep, the sheep.
00:06:31Today, you will come and play in the Haman-Naman.
00:06:36Okay, you all know,
00:06:38David, sir, has worked with all the actors,
00:06:40but this is not a dream,
00:06:41that they have also acted by Sidhu Paaji.
00:06:43Oh, absolutely.
00:06:45And who was the picture?
00:06:47He was married.
00:06:48He was married.
00:06:48He was married.
00:06:49Sir, when you were going to the parliament,
00:06:54you would come to the shoot for Sidhu.
00:06:56Today, you will come to the shooting.
00:06:57Today, you will come to the shooting.
00:06:58He made it.
00:06:58For two days, you are not coming.
00:07:01Then, we needed a stadium.
00:07:04And we needed it.
00:07:05We needed it.
00:07:05Our commentator's box.
00:07:07It was not in Delhi.
00:07:08Then, we took it to Gaziabad.
00:07:10We took it to Gaziabad.
00:07:10Correct.
00:07:11Correct.
00:07:11Correct.
00:07:12Yes, exactly.
00:07:12Right.
00:07:12Yes, there is Sajid Khan on the other commentator.
00:07:16The scene we have.
00:07:17Sir, he gave us a dialogue to him.
00:07:19He was also a dialogue to him.
00:07:21He's also a dialogue.
00:07:26Come on, David, sir.
00:07:27Thank you very much.
00:07:32Yes, Archanan has worked with me.
00:07:34Yes, David.
00:07:35How can I forget?
00:07:37What film was it with Sunny Dol?
00:07:38It was such a film that was called The Aagka Gola.
00:07:40Give me the film, which one you got to get to?
00:07:43What was the song with Sunny?
00:07:46Oh, the ball is not my fault, sir.
00:07:48Come on, come on.
00:07:52David Sir, where did you see Arsuna?
00:07:54How did your ball come to your mind?
00:07:56Pelaji was the producer,
00:07:58so they said that it was a role of WAM.
00:08:02Okay.
00:08:07There was another film that I did.
00:08:09Sholaar Shabnam you did with me.
00:08:11Yeah, Sholaar Shabnam.
00:08:12Outstanding role.
00:08:17Okay, so you know,
00:08:19now this is a director and actor.
00:08:22Because Varun has also been filmed in the direction of the direction.
00:08:25Now there is another film, very quickly.
00:08:27David Sir, you don't say that you have to eat meat of the house.
00:08:30We often listen to you.
00:08:31How much is it difficult to work with a man at home?
00:08:35I have to satisfy him also.
00:08:38Of course.
00:08:38Of course.
00:08:38It doesn't happen so quickly.
00:08:40I have to ask questions everywhere.
00:08:41Why do I do this?
00:08:43Okay.
00:08:43Because I am talking about this.
00:08:49David Sir, you have worked with so many actors.
00:08:53Very much.
00:08:53I have heard of David Sir.
00:08:55I have heard of David Sir.
00:08:57I have heard of David Sir.
00:08:57I have heard of David Sir's narration.
00:08:59He told me that there are two boys.
00:09:02One Amitabh Bachan and one Govinda.
00:09:03And two police officers.
00:09:04One Amitabh Bachan and one Govinda.
00:09:06This is a film.
00:09:06You will come.
00:09:09I have heard of David Sir.
00:09:10I am told that the movie is done.
00:09:12So, Varun, do you tell the movie that they have to do that?
00:09:15The movie is done well.
00:09:17It is a bit late at the set.
00:09:18It is a bit late at the set.
00:09:18It is a bit late at 7 o'clock.
00:09:19Okay.
00:09:20But do I ask too many questions?
00:09:23You don't get convinced.
00:09:26How can this happen?
00:09:27Because, sir, I am just saying for example.
00:09:29I am just saying for example.
00:09:29I am doing a picture like border.
00:09:30Very serious film.
00:09:32It is a great film.
00:09:34It is a great film.
00:09:36It is a great film.
00:09:38But I am doing that cinema now.
00:09:40I am in the set.
00:09:41Suddenly, they are saying,
00:09:42let's break the fourth wall.
00:09:43Oh.
00:09:44Talk to the audience.
00:09:45I am talking about the heroine.
00:09:47This lady has gone.
00:09:48Look at the audience.
00:09:49Look at the audience.
00:09:50I am talking about the heroine.
00:09:51They are talking about the heroine.
00:09:52They are talking about the heroine.
00:09:53I am talking about the heroine.
00:09:53I am talking about a love story.
00:09:55I am talking about the heroine.
00:09:58How can I go to the heroine?
00:09:59I am talking about the heroine.
00:10:00So, the cinema is very cutting.
00:10:04I am sure the couple will agree with me.
00:10:05Because, the heroine is very difficult.
00:10:08My heroine was taken.
00:10:09Sir, and my gurus were.
00:10:11Who were Manmoun Desai.
00:10:12King of entertaining.
00:10:15And they have taught me this.
00:10:20You feel this convincing, the audience will get convinced.
00:10:24You feel it is okay, it's okay.
00:10:26First of all, when I was making Anthony Anthony,
00:10:30my mother was in the hospital,
00:10:33and three daughters were giving her food.
00:10:35And Chintu was saying,
00:10:37what are you doing?
00:10:39How is it going?
00:10:40Amish Ji also saying something.
00:10:41He said, you shot it.
00:10:43And he said,
00:10:44when this scene comes to the screen,
00:10:47the most important thing will be done.
00:10:49What a joke.
00:10:49And the most important thing will be done.
00:10:52So I always give these references.
00:10:54But who wins then?
00:10:55Who is convinced?
00:10:56Varun?
00:10:57Do you get convinced by David?
00:10:58No, no.
00:10:59He gives me a rehearsal.
00:11:00If I like it, it's fine.
00:11:02I said it.
00:11:02I have to satisfy him.
00:11:05He has to satisfy me.
00:11:06And he is a legend.
00:11:07I mean, forget that I am his son.
00:11:09You are an actor on the set.
00:11:11I am going to eat the most.
00:11:12This is the truth.
00:11:13You can ask anyone.
00:11:15Yeah.
00:11:17but artistically,
00:11:18there is also a way to do this scene.
00:11:22How many films have done with Govinda sir?
00:11:25How many films have done?
00:11:26Oh.
00:11:2717 films.
00:11:28Unbelievable.
00:11:29And they are all amazing.
00:11:3117 films,
00:11:32and I think one of the best actors
00:11:34I have worked with is Govinda.
00:11:36Absolutely.
00:11:36I'm sure.
00:11:39But the one in the scenes,
00:11:41the one in the scenes,
00:11:42he reminds me of Chichi.
00:11:44That if she is a child,
00:11:46how does she do it?
00:11:46So, I'm saying that.
00:11:48But I'm doing for my audience,
00:11:51they are also small.
00:11:53So, I have a very tall order to live up to.
00:11:55So, I always say this.
00:11:57I mean, he always says that
00:11:58Salman,
00:12:00Chichi,
00:12:00like Anil, like Anil, so I have to find myself
00:12:04that I will do Varun.
00:12:06See, but I'll tell you one thing.
00:12:08I worked with one actor, a brilliant actor,
00:12:11and he has learned a lot from him.
00:12:13His name is Rishi Kapoor.
00:12:15Oh, wow. Wow, sir. Wow.
00:12:17He has one question, nothing.
00:12:19He said, okay, why do I do this?
00:12:23I have to convince him that he has to do this.
00:12:27Okay.
00:12:27I have to convince him that he has to do this.
00:12:30Okay.
00:12:31And his story was,
00:12:32seven times,
00:12:34it's done.
00:12:36My time is over.
00:12:38No, I want to listen to his story.
00:12:42A director came to listen to a story.
00:12:45So he said,
00:12:46go to the shooting,
00:12:47and sit in my van and go to the house,
00:12:50and listen to the story.
00:12:51He sat in the car,
00:12:53and started the story.
00:12:54The first shot he said,
00:12:56this is the time of night,
00:12:57this is the time of night,
00:12:59this is the time of night,
00:12:59this is the time of night.
00:12:59He said, stop it.
00:13:00One minute.
00:13:01He said, stop it.
00:13:02One minute.
00:13:03He said, stop it.
00:13:03He said, I don't want to do the film in the night.
00:13:06He said,
00:13:06he took it.
00:13:08That's right.
00:13:10But today's generation of actors,
00:13:13they ask a lot of questions.
00:13:15They ask a script.
00:13:16Yeah, yeah.
00:13:17Give a script.
00:13:17What is the beginning?
00:13:18I want to read both of the script.
00:13:20He gave me a script.
00:13:23You understand?
00:13:23We are the old ones on the phone.
00:13:26Yes.
00:13:27I'm doing it.
00:13:28Just say it.
00:13:28In the phone, it will be okay.
00:13:29Sanjana said,
00:13:30what do you want to do?
00:13:31Leave it.
00:13:31Tell me.
00:13:32Set.
00:13:41I'll tell you one thing.
00:13:42I work with the directors of today's today.
00:13:46It's a very polite time.
00:13:48You can't give a lot of shit on the set.
00:13:51Because you don't have a lot of friends.
00:13:53Yes.
00:13:53It's a lot of work.
00:13:54But he,
00:13:55if someone's acting on the set,
00:13:57he'll say,
00:13:58he's a bad actor,
00:13:59he's a bad actor,
00:14:00he's a bad actor,
00:14:00he's a bad actor,
00:14:01he's a bad actor.
00:14:02But if you don't have a bad acting,
00:14:04it's a bad actor.
00:14:05And you can do anything.
00:14:06What happens sometimes?
00:14:07What happens sometimes?
00:14:07The heroes,
00:14:08the heroes,
00:14:10the heroes,
00:14:11the characters,
00:14:13they're the best.
00:14:14Kadir Khan,
00:14:15Shakti Kapoor,
00:14:16Anupam Khed,
00:14:17Satish Khosrat,
00:14:18you know,
00:14:18Parish Rawal.
00:14:20Unbelievable.
00:14:21I want to tell you about Govinda.
00:14:23Sir,
00:14:24people say,
00:14:24who is late today?
00:14:25Who is late today?
00:14:26Leave late.
00:14:27He comes and ends up doing the work.
00:14:29And you won't believe it.
00:14:31I came to the scene,
00:14:32the scene camera,
00:14:33the 4th page.
00:14:34I saw it,
00:14:35I saw it.
00:14:36I was shooting the shot.
00:14:37He said,
00:14:38don't shoot the shot.
00:14:39So, do it.
00:14:40Give it to the scene.
00:14:41But he said,
00:14:42you see,
00:14:42I'll give it one shot.
00:14:44Wow.
00:14:44He was in the partner.
00:14:46He goes,
00:14:47he goes,
00:14:47he goes,
00:14:47he goes,
00:14:50you can't imagine.
00:14:52He said,
00:14:52take the cuts.
00:14:53Take the cuts.
00:14:53I believe it.
00:14:55Oh,
00:14:55oh,
00:14:56oh,
00:14:56oh,
00:14:56oh,
00:15:00oh,
00:15:01oh,
00:15:04oh,
00:15:22oh,
00:15:23oh,
00:15:23oh,
00:15:23oh,
00:15:24He was such a legendary director in your house.
00:15:27David Sir, what was the reason that this was the first film from the Dharma?
00:15:31He was studying abroad.
00:15:33He was studying abroad.
00:15:35And I asked him to ask him what he's going to do.
00:15:42He thought that he would take a job in his bank and do something.
00:15:46Oh my God!
00:15:47Really?
00:15:48Yeah, I swear on you.
00:15:49He said that I have to assist Karan.
00:15:52I don't even know.
00:15:53He said to my mother.
00:15:54And he went and met him.
00:15:56Then he assisted Karan.
00:15:58My name is Khan.
00:15:59My name is Khan.
00:16:00He did that.
00:16:02He was doing it.
00:16:03Whatever you want, it was good.
00:16:04I was busy.
00:16:06I was doing it for two or three hours.
00:16:09So what happened one day?
00:16:12Karan came home.
00:16:14And he said, I want to launch him.
00:16:17Okay.
00:16:19The next time he came, he took photos.
00:16:21He took Siddharth and his photo session.
00:16:24He took photos.
00:16:25And they are, this is the pair.
00:16:27Alia was also.
00:16:27This is Iloka.
00:16:29Now he doesn't know who the director is.
00:16:31He said he will produce.
00:16:32Right.
00:16:33And in the end he came and said, I am going to direct this.
00:16:36Okay.
00:16:36So we were so happy.
00:16:38He has got a break from the right place and all.
00:16:41But this story, they have just told me.
00:16:45His twist is that when I was acting,
00:16:48I was in 8th or 9th.
00:16:50I knew that my dream was to go to the front page of Times of India.
00:16:54Oh.
00:16:54What a lie.
00:16:56My birthday was on April 24th.
00:16:59And you know who was born on April 24th.
00:17:00I know, Sachin Tanduka.
00:17:01Exactly.
00:17:01So, Sachin Sir's photo is always coming and cutting cake.
00:17:05And I always tell my mom,
00:17:07that my mom will also come and cutting cake.
00:17:10So, my brother always liked it.
00:17:12Either you go to jail,
00:17:14that's why the photo is coming.
00:17:15Or you will do something big.
00:17:18It's always fun.
00:17:19So, my mom told me,
00:17:22that they never launched anyone.
00:17:25Whether it's a hero or a big man.
00:17:28He doesn't believe in that.
00:17:30He needs to be ready for me.
00:17:33He kept a very high standard.
00:17:35So, I asked him,
00:17:35how do I break this?
00:17:37No, you broke it, Guru.
00:17:38I tell you,
00:17:39that young children,
00:17:40and young children,
00:17:41who are teenagers,
00:17:43their heartthrob,
00:17:44their heartthrob,
00:17:46I guarantee them.
00:17:47The youngsters adore you.
00:17:49I adore you.
00:17:51Sir,
00:17:53I can't take any credit.
00:17:54Like my mom,
00:17:55that's the same.
00:17:56Sir,
00:17:57I just learned it.
00:17:59I learned it from my school,
00:18:01comedy,
00:18:01entertainment,
00:18:02scenes,
00:18:03that's the same thing.
00:18:06It's always challenging me.
00:18:08You can't do this.
00:18:10You can't do it.
00:18:10You're too spoiled.
00:18:12You can do it.
00:18:13You can do it.
00:18:14So,
00:18:14these lines were very difficult.
00:18:17So,
00:18:17there was a film
00:18:18about Akshay Paji's time.
00:18:19You've seen a picture.
00:18:21So,
00:18:21I was always crying.
00:18:23Because I felt like
00:18:24this is happening.
00:18:26So,
00:18:27I mean,
00:18:29he would not say,
00:18:29but they would think,
00:18:31you all would feel,
00:18:32that he is the black sheep
00:18:33of the family.
00:18:34That he will not do anything.
00:18:35But,
00:18:36it will be good.
00:18:37But,
00:18:37said to Pradlapur,
00:18:40it was one of your finest performance.
00:18:43But,
00:18:43again,
00:18:43it's a challenge.
00:18:44It's a challenge.
00:18:44It's a challenge.
00:18:47It's a challenge.
00:18:47It's a challenge.
00:18:48It's a challenge.
00:18:49It's a challenge.
00:18:49It's a challenge.
00:18:50It's a challenge.
00:18:52It's a challenge.
00:18:53After seeing Pradlapur,
00:18:54you've changed your mind.
00:18:56Definitely,
00:18:57what a performance.
00:18:58I said,
00:18:58I was very happy gradually,
00:19:00you know,
00:19:01with him.
00:19:01But,
00:19:02he was working.
00:19:03Like,
00:19:04I saw my wife and my wife,
00:19:06and I saw it.
00:19:07So,
00:19:07I cried in that picture.
00:19:09I cannot tell you.
00:19:10I came back.
00:19:11And,
00:19:11I was so proud of him.
00:19:13I tell you,
00:19:14the first time,
00:19:15that,
00:19:15I said,
00:19:17in such an artist's beast,
00:19:20you could stand your own
00:19:22and prove yourself.
00:19:23the director really used him very well.
00:19:26It was a million people.
00:19:29David,
00:19:29do you see a difference in Varun,
00:19:32when he became Papa?
00:19:33Yes,
00:19:33very much.
00:19:34You can't know that,
00:19:35I always say,
00:19:36I always say,
00:19:37I always say,
00:19:38I always say,
00:19:38I always say,
00:19:38I always say,
00:19:42If you were born on a son,
00:19:44then,
00:19:44what would it get married?
00:19:46True.
00:19:49I think I have had great
00:19:51my wife also.
00:19:53She has taught me.
00:19:55After that,
00:19:58But,
00:19:59my mom,
00:20:00touch wood,
00:20:01sometimes even,
00:20:02she takes her side,
00:20:04she takes the whole family.
00:20:07It was a little bit of time.
00:20:09So, I didn't even know.
00:20:11I mean, I just got a little bit.
00:20:14In that place.
00:20:15But I'm happy that eventually, success, I feel,
00:20:19that is the family family you have.
00:20:21First, it was a joke that,
00:20:23Papa, why can I go out at night?
00:20:25I was at 2 o'clock at night.
00:20:26I didn't even go to bed.
00:20:27Why are you awake? Because I was standing up at night.
00:20:31I was so worried.
00:20:32We were going to call the police.
00:20:33I was going to call the police.
00:20:33Sir, but I am mobile.
00:20:36One time, this house didn't come.
00:20:38It was a lot of time.
00:20:40It was a small house.
00:20:42It was a party down.
00:20:46It was a party down.
00:20:47So, it was going to listen to the music.
00:20:49It was a party.
00:20:50It was a girl.
00:20:52We didn't even know.
00:20:54I didn't even know.
00:20:56My big son.
00:20:58He also got to know.
00:21:00He went down and asked.
00:21:01Watchman told him.
00:21:03He went inside and killed him.
00:21:11Don't do that.
00:21:11Don't do that, sir.
00:21:12It's a shame.
00:21:13It's a shame.
00:21:13It's a shame.
00:21:14How old is it?
00:21:17How old is it?
00:21:18Four years.
00:21:19Four years.
00:21:20He was dancing with girls inside and all.
00:21:34He was dancing with girls inside.
00:21:47He was dancing with girls.
00:21:48You don't believe me.
00:21:50I was outside.
00:21:51One time you hit me once.
00:21:54You slap me.
00:21:56I told you.
00:21:58One time, my big brother and my brother
00:22:00was laughing at the shouting.
00:22:03I was standing up and I was standing up.
00:22:05I was standing up and standing up.
00:22:08I was standing up and standing up.
00:22:17I was standing up and standing up.
00:22:20He wanted to slap him, but he slapped me.
00:22:23Because he was big.
00:22:24He had already become big.
00:22:25I was still smaller.
00:22:27And I remember my specks fell down.
00:22:29And I picked up the specks.
00:22:31What the hell?
00:22:33Sir, this is the one who keeps the family together.
00:22:36When did Lali kill you?
00:22:37But one thing I want to tell you.
00:22:40Lali is the one who keeps the family together.
00:22:45She is one of the strongest women I have known.
00:22:49Don't believe me.
00:22:50We all stay together.
00:22:52This is the floor.
00:22:54I and Rohit,
00:22:55everyone is eating.
00:22:56They call me.
00:22:57They call me.
00:22:57They come up.
00:22:58We eat together at times.
00:23:00We have to see the match.
00:23:01We have to see the final.
00:23:03We have to see the semi-final.
00:23:04But this is also the story.
00:23:06Because when I was a bachelor's house,
00:23:08I said I need space.
00:23:11It happens when everything happens.
00:23:14It happens when everything happens.
00:23:14I need privacy and everything.
00:23:16So, I wanted to see the place in the house.
00:23:18Suddenly, they are like,
00:23:19we have finalized the house.
00:23:21We have to meet the house.
00:23:21I said, where is it?
00:23:22One floor below.
00:23:23I said, but I have a house with my money.
00:23:26No, no.
00:23:26It is not available.
00:23:27Where is the house available?
00:23:28I said, there is not available in the bombay.
00:23:30Someone said, there is not available in the bombay.
00:23:31This one house is available below.
00:23:34You know, he told me.
00:23:35Is there any emotional reasons you want to do?
00:23:38I said, yeah.
00:23:39It is emotional.
00:23:40Then, I was like…
00:23:41I remember a story about auntie's mother's mother's mother's mother.
00:23:44One more time…
00:23:45We went to Marriott to swimming.
00:23:50Then, she had to go to Marriott.
00:23:51But the mother's mother of one of the hotel staff said,
00:23:53What's going on?
00:23:54The ring went down.
00:23:55I said, auntie was a mangy.
00:23:56She said, yes.
00:23:57There was a diamond ring.
00:23:58I said, where did she go?
00:23:59She was swimming by swimming.
00:24:00I said, okay.
00:24:01So, I went down in the pool.
00:24:02Someone said, auntie I'm going to go to the pool.
00:24:03I was looking for a few hours in the water.
00:24:08I didn't get the ring in the water.
00:24:09I had to go back and get the ring.
00:24:11I got the ring again.
00:24:12I said, auntie, your ring is...
00:24:15I said, she got the ring there.
00:24:16I told her.
00:24:20That's correct.
00:24:26Mom keeps doing everything.
00:24:27At one time, we had a club in Mumbai.
00:24:31He went there.
00:24:33Hrithik Roshan had not been launched yet.
00:24:35His launch didn't happen.
00:24:36His phone was the same.
00:24:38They took Hrithik Roshan's phone.
00:24:43I think Rakesh Roshan called Dad and Hrithik
00:24:47came to the house with a phone.
00:24:49Hrithik was not Hrithik.
00:24:50But then he was good looking.
00:24:53When I was eating food, Hrithik said,
00:24:55Hello, auntie.
00:24:56And...
00:24:57How?
00:25:00How?
00:25:01My answer.
00:25:05But...
00:25:06I took the ring again.
00:25:07I took the ring again.
00:25:08I took the ring again.
00:25:09I took the ring again.
00:25:14It was very embarrassing because he was sitting in lungi.
00:25:17Without a T-shirt.
00:25:18Without a T-shirt, he was sitting in lungi.
00:25:21His mom was sitting in Hrithik Roshan.
00:25:22And Hrithik Roshan came.
00:25:23Big, tall guy like that.
00:25:25Full...
00:25:26Hey, auntie.
00:25:30So...
00:25:32Dad was there and he called Uncle David.
00:25:35Uncle David.
00:25:36I think you got my phone.
00:25:38Is that right?
00:25:39So...
00:25:40My mom said,
00:25:40Hrithik, you know, by mistake you're such a sweet boy and all that.
00:25:43And I and Rohit are just watching.
00:25:46Thank you for...
00:25:47I'll remember that.
00:26:02Super.
00:26:03But genuinely...
00:26:04I think...
00:26:04I saw Hrithik...
00:26:05I think...
00:26:06When I saw him...
00:26:06How can he be so perfect?
00:26:09How can he be so perfect?
00:26:10Then I had a tension...
00:26:11That...
00:26:11This is so good.
00:26:12How will my launch be done?
00:26:16I will come to his camera.
00:26:19But yeah...
00:26:21I mean...
00:26:21So...
00:26:22I think...
00:26:23My childhood was very funny also.
00:26:25Very...
00:26:26Like...
00:26:27They were doing things.
00:26:28But...
00:26:28One thing...
00:26:29Like David Sir...
00:26:31I think...
00:26:31There will be many actors...
00:26:33When school starts...
00:26:35When I went to school...
00:26:35I think...
00:26:36That...
00:26:36I will write...
00:26:37And then...
00:26:37Whatever...
00:26:37Whatever...
00:26:38That you will be...
00:26:39that your father is a legendary director,
00:26:41your career is clearly seen on the sofa.
00:26:44That this is my career,
00:26:45and if I launch it in the film,
00:26:47then how do you think about it?
00:26:50How do you think about it?
00:26:50I told you that the house was not a legendary director,
00:26:54but he was sitting in lungi.
00:26:56So I...
00:26:57And Rohit was very embarrassing
00:26:59that he had to call a girl
00:27:01or a friend.
00:27:03We would meet him in lungi.
00:27:06So...
00:27:07So...
00:27:08So he didn't come.
00:27:10Then my mother said,
00:27:12David, this is not right.
00:27:13The kids get people home.
00:27:15You're roaming around lungi.
00:27:17So next day,
00:27:19some friends have entered the room.
00:27:21This time it's not lungi.
00:27:23Jordan's shots.
00:27:27But bare body.
00:27:29Bare body.
00:27:34Wait...
00:27:35It's been a little...
00:27:38You have too little...
00:27:39You are talking about it right now,
00:27:39your community...
00:27:41I think I married in Rhoyit...
00:27:44So now, I'm wearing your T-shirt
00:27:45Now, what a talk about it.
00:27:50Look...
00:28:08Oh
00:28:21Hello.
00:28:21Hello.
00:28:23Mama, you'll take the vegetables of your vegetables.
00:28:25Yes, take the vegetables of your vegetables.
00:28:26Mommy, you take it, I have a little bird.
00:28:29You have to open hands, Mommy.
00:28:32Today I am open, so my dog is also a dog.
00:28:36I've got four more of the dogs in the dog.
00:28:39I'm not a dog.
00:28:42Why are you eating the dogs for that, Mommy?
00:28:46What do you mean?
00:28:48I'm telling you, Mama, you're saying,
00:28:50I'm telling you, I'm telling you,
00:28:51I'm telling you, I'm telling you,
00:28:52I'm telling you, Mama.
00:28:53Come, come, come.
00:28:55Look.
00:28:56Yes.
00:29:00You're doing your hair, David?
00:29:02Yes.
00:29:03It's just a year.
00:29:04It's not a year, it's a month.
00:29:06It's a girl.
00:29:08It's a girl.
00:29:10And Varun Ji, how are you?
00:29:12Are you all right, Varun Ji?
00:29:13Very good.
00:29:14Why are you asking him?
00:29:15Yes, you sit here in the negro.
00:29:16Ask me directly.
00:29:18When I ask,
00:29:18Mother's mother, when you ask me,
00:29:20then you will call me my mother,
00:29:20you'll ask yourself to talk to them.
00:29:25I'll go to the hero.
00:29:26You're like, I'm a source of you.
00:29:28All I have to do is let me speak.
00:29:30I will speak directly,
00:29:31open and ask,
00:29:31open and ask me.
00:29:33I'll talk to you, Mother.
00:29:35Take your T-shirt and show yourself.
00:29:37Make your six-pack.
00:29:38Look at that.
00:29:41Look at that.
00:29:41Make your V-shirt.
00:29:43Don't show us.
00:29:44I have to say,
00:29:51what do you do?
00:29:52You don't know why,
00:29:53why don't you open it?
00:29:55Can you open it and see?
00:29:58Why don't you open it?
00:30:02You don't have to sit here.
00:30:04They're sitting here with me,
00:30:06and you're not here to do that.
00:30:08I'll give you a phone.
00:30:10I'll give you a phone.
00:30:11Mammy Ji, na.
00:30:12Na, unko phone na keroa. Mammy Ji, na, na.
00:30:14Mammy Ji, hospital mein hai, unka abhi aank ka operation hua hai. Mammy Ji na.
00:30:17Aank ka operation hua?
00:30:19Haa.
00:30:19Abhi ek hafta pehle toh pathtri ka operation hua tha.
00:30:22Mammy Ji, u hospital mein tii, unka pathtri ka operation ho raa tha,
00:30:25ڈaktor nikaal la tha, yeh dekh rahi di toh puttkir ke pathtrhi hun ki aankh bhe labda ho mammy ji.
00:30:32Ec barhal čal pooch te.
00:30:34Pooch lo, Mammy Ji.
00:30:37Alo, bahenji?
00:30:38Yeh kaisi beeti bheji hai aank na.
00:30:41you are the hero.
00:30:43You are the best.
00:30:46You look at the biscuits.
00:30:48You are the best.
00:30:49Why are you asking me?
00:30:51I should ask you.
00:30:54You should look at the next one.
00:31:00You have asked your mother?
00:31:04That's the wrong thing.
00:31:05You have asked me.
00:31:07Now I ask.
00:31:08David, how is it?
00:31:13I'm here.
00:31:13You're still here.
00:31:15Your situation is fine,
00:31:17and your house is here.
00:31:19You'll sit here.
00:31:20I'm here.
00:31:23I have a great place.
00:31:24I have a great place.
00:31:25What's your fault?
00:31:26I've got one job.
00:31:29Yes, Mom.
00:31:29Look, there's a tree.
00:31:31There's a tree.
00:31:32There's a tree.
00:31:34I have a great place.
00:31:37I have a great place.
00:31:47You are very cute.
00:31:49Thank you. Thank you.
00:32:10Barunji, you can see your picture of a bear, I remember that.
00:32:13Yes.
00:32:14A bear in our house too.
00:32:16Our bhai is very scared.
00:32:18Yes, that was the day I was very scared.
00:32:21I was saying, I have something else to say.
00:32:28You have to tell me a bhai?
00:32:31Don't tell me, they said that bhai is a bear.
00:32:36Listen.
00:32:39Do you know what you're talking about?
00:32:41Do you know how to hi?
00:32:42You have to find our own gifts.
00:32:47We have to buy gifts for our own diploma.
00:32:50That's all.
00:32:52What's that store?
00:32:55He's a grandfather.
00:32:57We're going to buy gifts for our children.
00:33:00It's so big.
00:33:01A big man will bring a little gift for his wife.
00:33:07Will someone give them?
00:33:09Give, give, give, give.
00:33:11A third class gift is a third class.
00:33:16My wife,
00:33:17there is no class in the gift.
00:33:19There is a gift,
00:33:21and there is love that you give.
00:33:24But it is very bad, my wife, the gift that you give.
00:33:27My wife,
00:33:28The guests give the gift, they've given it and give for us, and what can we do?
00:33:33The gift is just a mom's gift, that I think it would make the gift.
00:33:41I gave the gift, I gave the gift.
00:33:46I gave the gift, I have given it, after it.
00:33:49Give it now, the gift is just a gift.
00:33:51Give it to prendre the gift in the purchase.
00:33:54No, no, no.
00:33:56No, no.
00:33:57No, no, no.
00:33:59Please.
00:34:00My mom, my mom, my mum, my dad.
00:34:02My mom, my dad, my dad.
00:34:04My dad.
00:34:07My dad, my dad.
00:34:12My dad.
00:34:16I bought a gift.
00:34:20Oh, my mother, my mother, I don't know what to do.
00:34:25My mother will give them a gift.
00:34:27It will be a good relationship.
00:34:30Then it will be a good relationship.
00:34:32Like in the next film, take a heroine.
00:34:39I don't want to be a heroine.
00:34:41I don't want to be a heroine.
00:34:42Why?
00:34:44You don't want to be a good actor.
00:34:46I don't want to be a good actor.
00:34:47You don't want to be a good actor.
00:34:49I just want to be a good actor.
00:34:51I kind of look into...
00:34:53...and you can be a good actor standing by...
00:34:56...and you look into the��.
00:34:56How will you be a good actor?
00:34:58You do the right?
00:35:00I don't want to look into your dreams.
00:35:04One of the people that you think about it.
00:35:05I don't want to look into your dreams.
00:35:06I don't want to look into your dreams.
00:35:06My wife has no job.
00:35:07My family has always been a job.
00:35:07There is a lot of work.
00:35:08Hers of jobs from me have been a full time.
00:35:09I was like, I'm going to look at the sapnay.
00:35:11I'm going to look at the sapnay.
00:35:12Look at the sapnay.
00:35:14I got a full-time job.
00:35:16I'm going to sit for a minute and I'm going to get a diver.
00:35:19I'm going to ask the sasurji to ask him.
00:35:22Mommy didn't help?
00:35:23I didn't help.
00:35:24I was just sitting in a second and I was like,
00:35:26five years old.
00:35:27I was going to get a glaring in his pants.
00:35:29I was going to get a glaring.
00:35:34What do I do?
00:35:35How do I do?
00:35:36What do I do?
00:35:36What do I do?
00:35:37I don't have to do all these things here.
00:35:42When it's famous,
00:35:44we're going to do these things in the podcast.
00:35:49We're getting these things.
00:35:52You're doing it.
00:35:53You're doing it.
00:35:54Who will listen to Lehari's story?
00:36:01If you don't want to do this,
00:36:04do a job.
00:36:04You're doing dancing.
00:36:06You're doing dancing.
00:36:06Okay, let's see.
00:36:07You're doing dancing.
00:36:08You're doing dancing.
00:36:09You're doing dancing,
00:36:09you're doing dancing,
00:36:09you're doing dancing.
00:36:11You're doing dancing.
00:36:12You're doing dancing.
00:36:14All those people who are.
00:36:15Okay.
00:36:16Then, Allah, just let him take a minute.
00:36:18What was it?
00:36:20What was it?
00:36:21You learned from our garden,
00:36:22when she was eating grass like this day,
00:36:25she had two trees with grass.
00:36:27She had two trees on the trees.
00:36:28That's the same as that.
00:36:29Yeah, I'm a media
00:37:01I
00:37:02I
00:37:03I
00:37:03I
00:37:29My eyes are grown up, my dad's dance.
00:37:33My mom calls me. Why don't I stop?
00:37:46David, you started your career as an editor, right?
00:37:50I'm an editor, basically. I'm an editor.
00:37:52If you don't believe me, I've edited 50 films.
00:37:56Wow.
00:37:57Before people go.
00:38:01I've worked with Mahesh Bhad.
00:38:03His name is named.
00:38:05Wow.
00:38:07Then, I've edited a film in Mukul Anand.
00:38:09Now, if you come to my office, I'll be in the editing room.
00:38:12Wow.
00:38:13We're scared because we cut the film very quickly.
00:38:16The film doesn't make a reel.
00:38:19Your performance is very hilarious in the film.
00:38:23So, you have to take that.
00:38:24You have to take that.
00:38:25You have to take that.
00:38:30He's a gold medalist from FTI.
00:38:32Yes, I remember.
00:38:35I was editing NAM.
00:38:37Okay.
00:38:38I was editing NAM.
00:38:38Now, Sanju was coming in NAM.
00:38:40I was watching NAM.
00:38:41I was also watching.
00:38:42I was also friends.
00:38:43I was also editing.
00:38:43I was editing NAM.
00:38:44I was telling you, I was telling you, why don't you become a director?
00:38:47You're doing so good.
00:38:49So, at that time, I said, I said, it's a good idea.
00:38:53But who will make a picture?
00:38:55You know what he told me?
00:38:57You got the film.
00:38:58Tomorrow, I've signed a film.
00:38:59You'll direct that film.
00:39:00I'm sending him tomorrow.
00:39:02And that's why I became the director.
00:39:04Wow.
00:39:06Wow.
00:39:07See, this is it.
00:39:09Wow.
00:39:09He's my friend today.
00:39:11That's how he is.
00:39:12David, sir, one thing happens.
00:39:13Your child, you're a kid.
00:39:15What do you think?
00:39:16What do you think of your quality?
00:39:18Yes, man.
00:39:19That's what I think of Varun.
00:39:23He takes care of his parents.
00:39:25Oh, sweet.
00:39:26That's a great thing.
00:39:29He went to the hospital two times.
00:39:33And he used to come and stay there in the night.
00:39:36Oh.
00:39:37Yeah.
00:39:37He went to the next day.
00:39:38The next day, the next day came.
00:39:39They were there all the time.
00:39:41And he knew all the doctors.
00:39:44Six, seven, eight doctors.
00:39:46He was the only one of the doctors.
00:39:48If I'm sleeping in the night,
00:39:49I'm sleeping in the night.
00:39:50I'm sleeping in the night.
00:39:51I'm safe now.
00:39:53But the day came and see me that it's okay.
00:39:56No, but I'm blessed that my brother is a big brother.
00:40:00Because if I'm in shooting somewhere else,
00:40:02or something else,
00:40:03He's always there.
00:40:04Obviously, my brother is my brother.
00:40:05My wife is my mom.
00:40:07My mom keeps the most of the time.
00:40:09But I always think that
00:40:11the way my brother has sacrificed
00:40:13for my success.
00:40:15Wow.
00:40:15For his success.
00:40:16You know, that's always...
00:40:38He has always come and taken over as a director.
00:40:42Always.
00:40:43Never let the producers suffer.
00:40:46All the doctors.
00:40:50Very lucky.
00:40:53He was fine.
00:40:53Six days, he was in ICU.
00:40:56Oh.
00:40:56Are you...
00:40:57In the ICU, I was plugged in, worked in everything.
00:41:00I came to meet him.
00:41:02And I was looking at the first thing and I said,
00:41:04I said, you didn't come here.
00:41:10This is a weird thing.
00:41:12I'm not laughing, I'm not laughing.
00:41:14I'm stuck in a weird state.
00:41:17And then I was saying, go and shoot.
00:41:21That was the hardest day I got.
00:41:23I remember that day, we were shooting.
00:41:25We were shooting, and I don't know if you're shooting,
00:41:31and you're in ICU, it's just very difficult to work in that state.
00:41:37Varun, there are two directors in your house.
00:41:40The legendary David Dhawan and Rohit Dhawan.
00:41:43After that, when you go out and sign a film,
00:41:45you don't have to eat at the dining table at night.
00:41:48Sir, there are two directors in my house.
00:41:50But in their house, there's one actor, right?
00:41:52They work with the actors outside.
00:41:55Yeah, Varun.
00:41:57No, but genuinely, if you ask me this,
00:42:00the script's demand is the same type of actor cast.
00:42:06That film is good.
00:42:08The picture is good just by the need.
00:42:10The need is good.
00:42:11You put money, make a star cast,
00:42:14do anything, it doesn't work.
00:42:16The need is good.
00:42:18And the best of the need is the director.
00:42:50Because filmmaking is a director's medium.
00:42:50Right.
00:42:50The director's medium is a little bit less.
00:42:51David Sir, for example,
00:42:53you have a talk about your own.
00:42:55If you have a cook for your home,
00:42:56you have to take a food and take a food.
00:42:58And you generally say that,
00:42:59you have to have a little bit less,
00:43:00it's a little bit less.
00:43:01What do you do?
00:43:04What do you do?
00:43:06What do you do?
00:43:08What do you do?
00:43:09What do you do?
00:43:11What do you do?
00:43:12What do you do?
00:43:13What do you do?
00:43:14He is a director.
00:43:16If he doesn't enjoy the line, he doesn't force it.
00:43:20He doesn't force it.
00:43:20He doesn't force it.
00:43:24Without line, you can create it.
00:43:26If he doesn't get it, he doesn't get it.
00:43:30But there are actors who can really do it.
00:43:35David Sir, your craft,
00:43:37by your edit and script,
00:43:39he doesn't force it.
00:43:41But human management is different.
00:43:44Every person is different.
00:43:46Every person is different.
00:43:47The whole cast is different.
00:43:49It's different.
00:43:51It's difficult.
00:43:52I have done a double film.
00:43:56Salman and Akshay Kumar were in this picture.
00:43:59They married me.
00:44:01It's not easy to work with them.
00:44:02It's different temperament.
00:44:05Akshay's habit is something to do in the scene.
00:44:07I said to him,
00:44:08I don't want to touch his hands.
00:44:13But I used to manage a lot.
00:44:15Sanjid and Salman.
00:44:16Sanjid and Salman are the best.
00:44:19They have to do both acting.
00:44:25That's outstanding.
00:44:27Salman and Sanju are the best pairings.
00:44:30Very good.
00:44:30Very good.
00:44:31Today, our legendary director, David Sir.
00:44:35Varun is here.
00:44:36And Pita Putr too.
00:44:37We were talking about this time.
00:44:39Pita seems to me that my son is not able to understand me.
00:44:43And his son also seems to me that
00:44:45we are today's generation.
00:44:46Pita is not able to understand us.
00:44:48Whatever they want to talk about in this time,
00:44:49they can stand up with their hands.
00:44:49They can stand up with their hands.
00:44:51David Sir.
00:44:52I will do this.
00:44:53Yes.
00:44:55This is my son.
00:44:57Hello.
00:45:00Hello.
00:45:04Hello.
00:45:05Hello.
00:45:05My name is Lokesh Vijayavargi.
00:45:06I have come from India.
00:45:08Jaihin, Kapil Sir.
00:45:10Jaihin Sir.
00:45:11David Sir.
00:45:11Varun Sir.
00:45:12I am retired from B.S.F.
00:45:13Oh wow.
00:45:14And I have a little bit of advice.
00:45:17That's why I want to talk about that.
00:45:19If I am PuraB,
00:45:20this is Pashchim.
00:45:21If I am Uttar,
00:45:22this is Dakhshin.
00:45:23Okay.
00:45:24I have to take that too.
00:45:26But this is far from all these things.
00:45:29It means that the LC type...
00:45:30It means that the LC type...
00:45:34That it weird just little.
00:45:37That's not a bad feeling here...
00:45:37Okay, morestenge kasar.
00:45:41I am telling you...
00:45:41This is my mother.Жithira
00:45:43- Loganpr is wherever you afford. Now let the
00:45:47LC type out. What is how
00:45:50Then you
00:45:51are already
00:45:51other members. This isими'
00:45:53you carried away your father and you are angry. Everybody is very certain.
00:45:57Some of them sat down
00:45:57again and today, all are just sitting online.
00:46:00And this is turning around.
00:46:01How could I found that after?
00:46:03I don't know what the hell is that you're going to get in the middle of the day.
00:46:06What are the reasons?
00:46:07I mean, I don't know.
00:46:08I don't know.
00:46:09I'm not sure about this.
00:46:10Yes, the girl comes to婚 tomorrow, she'll hear, but you don't know.
00:46:13I've told her before.
00:46:15But, the father is telling me, that's a good thing.
00:46:17But you're going to get in the middle of the day?
00:46:19That's the middle of the day.
00:46:20That's the middle of the day.
00:46:21That's the middle of the day.
00:46:22How many times are there?
00:46:23Saturday, Sunday, sir.
00:46:24That's Saturday.
00:46:25That's the middle of the day.
00:46:27What do you do, brother?
00:46:28Sir, I'm doing MBA.
00:46:30I'm doing Mumbai first job.
00:46:31Hello, how are y'all?
00:46:33What's your family doing?
00:46:33She was a family, but there's no family.
00:46:36Well, you're my family.
00:46:38But, you're your parents, your family, don't come here?
00:46:39Oh.
00:46:39Hello, hello, hello.
00:46:41Who do you think?
00:46:42Is your son or your son of your son?
00:46:44Who do you think you think?
00:46:49Hello.
00:46:50Sir, I'll tell you both about him.
00:46:52I'm not sure of all that.
00:46:54I've seen a son of mine.
00:46:55But it seems a lot of great things.
00:46:58But your son is also a son of mine.
00:47:00That's very nice.
00:47:30This is also a very few people who get close to it.
00:47:32Sometimes we think about it later.
00:47:34Because I feel like when I lost my father, I was 22,
00:47:38a father is your hero first.
00:47:40You have to learn from him.
00:47:41So I didn't get that time.
00:47:44But I say that the lucky people in their homes
00:47:48have to sit with them,
00:47:50learn from them.
00:47:51Give them time.
00:47:53This is a very right thing.
00:47:56I want to tell you something about my life.
00:47:58My father retired.
00:48:00He was in banking.
00:48:02Very well posted and all.
00:48:03Everything is my life.
00:48:05He, after retirement,
00:48:08I started working.
00:48:09So he used to come and stay with me also at times.
00:48:12And I'm not going to sit and go and meet my dad.
00:48:16I couldn't give him time.
00:48:18And I realized now.
00:48:20I feel guilty about this.
00:48:25It's all about this, David Sir.
00:48:28It is, you know, I know what it is.
00:48:30When he came from Hong Kong,
00:48:33he went back to the posting.
00:48:35He retired.
00:48:36I worked as an editor.
00:48:38I didn't have a home.
00:48:47You won't believe it. In his provident fund, he took out the money and bought me a small house, but
00:48:53he bought me the house.
00:48:54He bought me the house, and he bought me the house, and he bought me the house.
00:49:09Love you, David, sir. You love me.
00:49:14You love me. But all that struggle period, my wife was like a rock of Gibraltar with me.
00:49:24She started working so that we could manage.
00:49:27We were little kids, and she used to take them.
00:49:31They used to play cricket and eat.
00:49:34She used to also work.
00:49:39She used to work. She used to make furniture.
00:49:42But she has, you know, that's how we both came up.
00:49:49Sir, you can't think about how many people will change their lives.
00:49:55How many people will get to know that this is a song.
00:49:59But one thing I know is that I don't want to talk about this conversation.
00:50:03It's the same.
00:50:05Sir, you have a salute.
00:50:07Yes, sir.
00:50:08In my family, my brother, my brother, my dad, all the forces.
00:50:12And BSF's job is so difficult.
00:50:17We did it, but we saw it.
00:50:20I also did it for BSF.
00:50:22That's a different story.
00:50:24But a salute to you, sir.
00:50:26Please, come on, please.
00:50:27Come on, please.
00:50:28We have a special hope for you.
00:50:29Come on, please.
00:50:37Come on.
00:50:39Good.
00:50:39Good morning.
00:50:40You will see Go Ibibo.
00:50:41For a trip of Thailand.
00:50:42For your family.
00:50:46See the world in your family.
00:50:48Well, see your family and our show.
00:50:49Thank you very much.
00:50:50Thank you very much.
00:58:23Why do you want to tell about that boy such a father?
00:58:25Don't be my father, they have a son sorry like that...
00:58:30oh
00:58:31oh
00:58:32I will select you
00:58:33okay
00:58:34I will let you get angry
00:58:40oh
00:58:41oh
00:58:43oh
00:58:43oh
00:58:44oh
00:58:46oh
00:58:47oh
00:58:48oh
00:58:48oh
00:58:48oh
00:58:48oh
00:58:54oh
00:58:59Come on
00:58:59My my little kid about who?
00:59:15My little kid about
00:59:16All it Bob
00:59:23Oh my God.
01:00:01Oh my God.
01:00:05Oh my God.
01:00:08Oh my God.
01:00:19Oh my God.
01:00:22Oh my God.
01:00:23Oh my God.
01:00:24Oh my God.
01:00:28Oh my God.
01:00:29Oh my God.
01:00:30Oh my God.
01:00:47Oh my God.
01:00:48Oh my God.
01:00:50Oh my God.
01:00:53Oh my God.
01:00:54Oh my God.
01:00:56Oh my God.
01:01:03I'll talk to you later, I'll talk to you later.
01:01:06Take it, take it.
01:01:07Take it, take it, take it.
01:01:09Take it.
01:01:11My brother.
01:01:14What a girl is looking for.
01:01:16No, no, Serji.
01:01:17What a girl is looking for.
01:01:19No, no, no.
01:01:22Serji, Serji, Serji, Serji.
01:01:24Serji, Serji, Serji, Serji.
01:01:26The girl is not there.
01:01:27The girl is here.
01:01:30Serji.
01:01:31Hey, come here.
01:01:37Come here.
01:01:41Come here.
01:01:43Come here.
01:01:44Come here.
01:01:45Come here.
01:01:45Come here.
01:01:45Come here, come here.
01:01:48Come here.
01:01:51Why are you here?
01:01:52Why are you here?
01:01:53Why do you kill me?
01:01:55Serji, Serji, what is this?
01:01:57Look, it's a proper thing.
01:02:00It's proper two.
01:02:02It's some of it.
01:02:04It's a proper, it's proper one.
01:02:07facebook, it's proper seven.
01:02:15Is your career path?
01:02:21It's not a proper two.
01:02:24It's proper one.
01:02:25But still, it's perfect one.
01:02:26There's completely better one.
01:02:27Süd ki earlier.
01:02:28Your tasks are often directly rude.
01:02:28I understand.
01:02:28oval or not.
01:02:57perfect
01:02:58you can't do it
01:02:59you can't do it
01:03:01here
01:03:02here
01:03:04before
01:03:06I'm going to take you
01:03:11I'm going to talk about it
01:03:12I want to talk about it
01:03:16one minute
01:03:16you
01:03:18can't eat
01:03:22you
01:03:22can't eat food
01:03:24I can't eat food
01:03:27I can't eat
01:03:29a little
01:03:29you
01:03:30I
01:03:30I
01:03:31I
01:03:35don't
01:03:40I
01:03:41I
01:03:44I
01:03:45I
01:03:46I
01:03:46I
01:03:50Oh
01:03:57I'm
01:04:01I'm trying to do
01:04:03I'm gonna play like a boy
01:04:05I'm gonna yeah that's it
01:04:07I live my baby banana
01:04:09Time of other you would you kiss man?
01:04:11Look, maybe you're trying to get no person
01:04:13I don't know if you can make tea, the family will be cancelled.
01:04:16My son will not be cancelled.
01:04:20If you make tea, I will give you my daughter to you.
01:04:25I will go.
01:04:29Come here.
01:04:31The family will be cancelled.
01:04:33Come here, come here.
01:04:35Come here, come here.
01:04:36Why come here?
01:04:38I want you to complete ten thousand steps.
01:04:54Come here.
01:04:55Come here.
01:04:56Go.
01:04:57Come here.
01:04:57Come here, come here.
01:04:58Your son's son's son is cancelled.
01:05:01Yes, that's right.
01:05:01I don't know.
01:05:01You're making a mistake.
01:05:03I'm making a mistake.
01:05:05Yes.
01:05:07Hey, you're making a mistake.
01:05:10Two thousand words.
01:05:12note i are duty road guy down were item but didn't put on a samba right
01:05:20I have to sound like a talk with a buddy
01:05:23I'm so sorry.
01:05:25I'm sorry.
01:05:27What are your thoughts?
01:05:29What are your thoughts?
01:05:29What are your thoughts?
01:05:30What are you saying?
01:05:31Come here.
01:05:39I'm not a father.
01:05:42I didn't have a marriage.
01:05:44I was like this.
01:05:45I was like this.
01:05:49What are you talking about?
01:05:51What are you talking about?
01:06:01What are you talking about?
01:06:04Mind blowing.
01:06:05One more time,
01:06:06David sir.
01:06:08It was fun.
01:06:10Thank you for coming.
01:06:11Thank you so much.
01:06:14How many times in the show?
01:06:15It's fun.
01:06:15It's fun.
01:06:16I want to say that
01:06:23before I was an actor,
01:06:24I would go to my father,
01:06:26and people would like to play him.
01:06:28When I was an actor,
01:06:29I would say,
01:06:31when people would like to play me?
01:06:33But today,
01:06:34I'm not an actor.
01:06:38I'm so happy that you all
01:06:40play for my father.
01:06:45Thank you, David sir.
01:06:45Thank you, Varun.
01:06:47And thank you to all your friends.
01:06:49Friends, if you're talking to your friends,
01:06:52then you'll come back to your family.
01:06:54And you'll feel great.
01:06:56And you'll feel great.
01:06:57And you'll feel great.
01:06:59And you'll feel great.
01:07:03Thank you very much for the love.
01:07:04Thank you very much.
01:07:05We'll see you again.
01:07:06We'll see you again,
01:07:07and we'll see you again.
01:07:10We will see you again.
01:07:14We'll see you again.
01:07:19Kupratri, thank you.