- 8 hours ago
My Sexy Mentor Seduced Me [Full Movie] [Ranked]Full EP - Full
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Short filmTranscript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:20Look I
00:00:21Came to apologize
00:00:23You were right
00:00:25You mean that?
00:00:28I do
00:00:37Prove it
00:00:39Well the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:32Come on
00:01:33Brace over
00:01:34Sorry I got distracted
00:01:36That girl, who is she?
00:01:53God she is insanely beautiful
00:02:00A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:14What's next birdie
00:02:16Actually
00:02:18Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love
00:02:23Well, actually I have a better idea
00:02:26You know the fans are demanding a revival of stones fantasy and we're gonna give it to them
00:02:32Will birdie Edwards play Greta stone once again?
00:02:35Well better yet
00:02:35We are on the search
00:02:37For a new Greta stone
00:02:39And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:46It's time for birdie to
00:02:48Pass the torch
00:03:00Excuse me
00:03:03Yes you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:26You're filthy
00:03:31You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:36Which you were amazing
00:03:38By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah, I'm new
00:03:44Just moved here actually
00:03:46Another transplant
00:03:49Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:14You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions in that one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:33I...
00:04:34Could give it a try
00:04:37Alright
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:47Your eyes
00:04:48Worst color of brown
00:04:50Mud
00:04:51Dirt
00:04:52Broken clay
00:04:54And your big nose just
00:04:56Always pointing you north of nowhere
00:05:00But it's your mouth that I hate the most
00:05:03Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:07A smile
00:05:08And a smile
00:05:10And for someone that's not me
00:05:17Thank you
00:05:20Wow
00:05:21That face
00:05:22The cheekbones of Merrill
00:05:23The eyes of Hepburn
00:05:24That body
00:05:26Stop thinking with your dick for once, Mason
00:05:29Although
00:05:30She is better than anyone else we've seen
00:05:32But can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:43It was the craziest thing
00:05:45I mean, one minute I'm sweeping Raisinets
00:05:48And the next I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well, you're definitely beautiful enough to be an actress
00:06:04Kyle, I don't really think we should
00:06:06Thought you wanted to thank me for letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:42Well, it would really show me how grateful you are to me for...
00:06:46Getting you the job
00:06:47I was just kidding
00:06:50Hey, but...
00:06:51I mean, if you want to
00:06:53Okay, you...
00:06:54Had nothing to do with me getting that role
00:06:56Well, I got you the job at the theater
00:06:59So without me, you wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on, you talk way too much
00:07:05Okay, I said no!
00:07:17And...
00:07:18And not like a little girl, like...
00:07:20Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:28Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:34Why don't you two take five?
00:07:42She's far more green than I thought
00:07:45Maybe we recast
00:07:47It's too late for that
00:07:48It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put her up in a hotel for goodness sake
00:08:03We need to keep her close so she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:07You just want her close so you can sleep with her
00:08:10Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:47It's massive
00:08:51You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:34How about you?
00:09:42itor
00:10:09I don't know
00:10:12Vera. Oh, Mr. Edwards. Hi. Please call me Mason. Sorry. Don't apologize. So make sure that you're comfortable here and
00:10:23everything you need. Guest bedroom is the opposite way. Oh. Oh, can you have the maid steam this warm, ma
00:10:31'am? Sure.
00:10:46Sit here.
00:10:54One scoop of yogurt, a half a cup of berries, and a cup of green tea is what you'll have.
00:10:59What?
00:11:00From now on, you will eat what I tell you to eat, sleep when I tell you to sleep, and
00:11:05do exactly as I say for the next three months. Is that understood?
00:11:10Do I have a choice?
00:11:11Do you want to be a star?
00:11:13Yes. Of course.
00:11:15Good. Eat your breakfast, and then meet me in the living room for your first lesson.
00:11:23Don't disappoint me, Vera.
00:11:33I was rereading the script. I love the monologue in Act 2.
00:11:38Take off your clothes.
00:11:41Excuse me?
00:11:42Strip.
00:11:43Why?
00:11:44Our deal is that you do everything I say. Remember?
00:11:49If you're a man, I wouldn't.
00:11:51But I'm not a man. So what are you afraid of?
00:11:59You know what? No. I'm not going to let you humiliate me.
00:12:03You think your body is humiliating?
00:12:06Well, now I really have to see what's going on under there.
00:12:09You wouldn't get it.
00:12:10Try me.
00:12:12Because I can't stand to be looked at.
00:12:15I was teased a lot as a kid.
00:12:20An actor's job is to shed every ounce of inhibition in order to become a canvas for the character.
00:12:28Strike him.
00:12:42Tell me what you see.
00:12:45I don't know. I can't.
00:12:49Your long limbs
00:12:50that determine Josh are your strength.
00:12:54But your shy eyes believe an innocence you haven't yet lost.
00:12:59Your heaving chest
00:13:01and flushed cheeks say
00:13:03you're enjoying me looking at you.
00:13:06I am.
00:13:08Are you?
00:13:11That's enough.
00:13:13Wait.
00:13:14Don't stop.
00:13:16What about the rest of my body?
00:13:33You're firm and soft
00:13:35in all the right places.
00:13:39What's your posture need work?
00:13:41Strength comes from your core.
00:13:43Not only on the outside.
00:13:47But deep
00:13:49down
00:13:51inside.
00:13:55Do you like it when I touch you there?
00:14:02Do you like it when I touch you there?
00:14:09Hello?
00:14:11What is going on here?
00:14:13It's a disinhibition exercise.
00:14:15And it was working perfectly until you came stomping in, darling.
00:14:19Don't stop on my account.
00:14:21Please proceed.
00:14:23Can we help you with something?
00:14:25Yes, you can.
00:14:26I just want the two of you to know
00:14:28that the whole town is buzzing about the revival
00:14:31and your mentorship at the Bureau.
00:14:33Look out LA wants to do a cover story
00:14:36on the two of you.
00:14:37Hmm.
00:14:42Not without a little makeover first.
00:14:47Shall we?
00:14:47Watch me walk away
00:14:50Putting myself on display
00:14:52One, two, three a day
00:14:54I'm on my way, on my way
00:14:55I'ma have you on tiptoes
00:14:58Watching my diamond after blow
00:15:00I know you wanna take me home
00:15:02I'm on my way, on my way
00:15:14Now you're ready
00:15:15Say goodbye to Vera Gibson
00:15:18Say hello
00:15:20To Vera Grace
00:15:25Vera Grace?
00:15:27Something the matter?
00:15:29Nope
00:15:30Speak up
00:15:31Sorry, it's just
00:15:33It's all happening
00:15:34really fast
00:15:35You need to choose now
00:15:36Do you wanna be a star
00:15:38or not?
00:15:40I do
00:15:43Vera Grace
00:15:45Good
00:15:46Yes, do you have a say?
00:15:49I had no say in my name
00:15:51Bertie Edwards?
00:15:53I don't have an iconic name
00:15:56Not to me
00:15:58I don't want to take Mason's name
00:15:59Did you really have to?
00:16:02It's not really a thing anymore
00:16:05It was to him
00:16:06And the Edwards family
00:16:08Even in our prenup
00:16:09Never wanted to get married
00:16:13Mason practically forced me
00:16:15He controlled everything
00:16:17My name
00:16:18My image
00:16:19My career
00:16:20My diet
00:16:22Sounds familiar
00:16:24It was different
00:16:25It was different
00:16:26Believe me
00:16:28I lost control
00:16:31Fame came overnight
00:16:32I didn't have time to choose
00:16:34I just went along with it
00:16:37And now fast forward
00:16:39Fifteen years later
00:16:41I'm
00:16:42Really coming to grips with it
00:16:44Bertie
00:16:45Anyways
00:16:47We should go rehearse
00:16:52Okay Vera
00:16:53Try a sexy pout
00:16:56So much for the
00:16:57Next big starlet
00:16:58Huh?
00:17:00Maybe you just aren't good
00:17:01At your job
00:17:04Close your eyes
00:17:18Now stay focused on me
00:17:25Arch your back
00:17:26Yes
00:17:28Beautiful
00:17:28Let's get you up there
00:17:30With her
00:17:31Bertie
00:17:31Come on
00:17:42You two have an intense connection
00:17:44It's almost like watching a proud mother
00:17:47With her daughter
00:17:53What?
00:18:00I just want to be alone
00:18:01Just ignore him
00:18:02He's an idiot
00:18:03That's easy for you to say
00:18:05You're 23
00:18:06Yeah
00:18:06And you're one of those
00:18:08Beautiful women in the world
00:18:09Don't
00:18:10Make your eyes me, Vera
00:18:13I think
00:18:15You're the sexiest woman
00:18:16I've ever laid eyes on
00:18:23What are you doing?
00:18:25I
00:18:25I thought
00:18:26You thought what?
00:18:27I'm married
00:18:28But
00:18:29You've been flirting with me
00:18:30Since the day we met
00:18:31No I haven't
00:18:32It's called acting
00:18:35So
00:18:37You've just been stringing me along?
00:18:39I'm mentoring you
00:18:41This is what it takes
00:18:42To become a star
00:19:04I have to admit
00:19:07I've seen those photos of you over here today
00:19:10Very
00:19:11Very hot
00:19:26Ow, you're stubble
00:19:28You like it
00:19:29I don't actually
00:19:32Besides, you're reek of cheap perfume
00:19:34Come on, Bertie
00:19:35You know I only have eyes for you
00:19:37My wife
00:19:42I said I'm tired
00:19:49Wow, she's really making progress
00:19:52Great work, Bertie
00:19:53Okay, Vera
00:19:54Put your arms around Adam's neck
00:19:56Adam
00:19:56Hands on her waist
00:20:06Kendrick's sick
00:20:07You wanna step in?
00:20:08Sure
00:20:13Vera, put your arms around Bertie
00:20:16The torment of that woman's kiss
00:20:18Who makes us her footstool
00:20:21Her plaything
00:20:22Her toy
00:20:24Sorry, this just
00:20:25Isn't working without Kendrick
00:20:27You should be able to work with any scene partner
00:20:29Including a chair
00:20:31I'd take the chair over you any day
00:20:33Alright, let's take five
00:20:35We got back two after the break
00:20:40Can't talk to me like that
00:20:46I'm sorry I hurt your feelings at the photo shoot
00:20:50I overreacted
00:20:51It was just a misunderstanding
00:20:53Yeah
00:20:54It's all in my head
00:20:55Let's keep it professional
00:20:57Okay?
00:20:58You're making great progress
00:21:00I know you don't want to sabotage that
00:21:03I thought I told you water or green tea only
00:21:10You're acting like a child
00:21:14Put that soda down or
00:21:16Or what?
00:21:17I'll spank you
00:21:19Put that soda down
00:21:23Or there'll be consequences for breaking the rules
00:21:28Prove it
00:21:43Is this what you want?
00:21:45Answer me
00:21:47Yes
00:21:56Be quiet or I'll stop
00:22:10I think that's enough for today
00:22:13Give me the soda
00:22:17Good girl
00:22:22No
00:22:23That isn't how this is going to work
00:22:26You will follow my rules
00:22:29Do you understand?
00:22:32Yes, I understand
00:22:59Thanks
00:23:08Thirty-three
00:23:10Thirty-three what?
00:23:12Thirty-three blueberries make half a cup
00:23:15Okay
00:23:16You get off on having all the control I see
00:23:20I'm doing this for you
00:23:23Whatever you say
00:23:27Without restraint
00:23:28This industry will eat you alive
00:23:30Trust me
00:23:31Learn to submit here
00:23:33To me
00:23:34In a safe space
00:23:36Rather than submitting to the pariahs out there
00:23:40Submission is the only chance to understand true dominance of the stage
00:23:45And of yourself
00:23:47So
00:23:49Are you asking me to be your sub?
00:23:54This arrangement is for business
00:23:56Not pleasure
00:23:57What if someone catches feelings?
00:24:01As long as we follow the rules
00:24:02Everything will be fine
00:24:04The rules?
00:24:06Just do as I say
00:24:07It's that easy
00:24:11First rule
00:24:13No matter how edgy it gets
00:24:14You can always say no
00:24:16And two
00:24:18No kissing
00:24:20No sleepovers
00:24:21And no sex
00:24:24My purpose is to make a star
00:24:27Not a plaything
00:24:28Are you sure?
00:24:30You kind of seem to be enjoying this
00:24:33I enjoy doing my job
00:24:35Just business?
00:24:39Fine
00:24:45No, okay, that makes sense
00:24:47All right, I'm off
00:24:48Oh, see you at dinner?
00:24:50I forgot
00:24:51I have a late night meeting with a potential investor
00:24:54So can we reincheck it?
00:24:55Sure
00:24:56Okay
00:24:56Have a good day
00:24:57You too
00:25:02Shall we?
00:25:11I want you to look at me
00:25:13Like really look at me
00:25:15All of me
00:25:17Not like a little girl
00:25:19Like a woman that wants to be touched
00:25:21Stop
00:25:24Breathe
00:25:25Take your time
00:25:27Again
00:25:29I want you to look at me
00:25:32Like really look at me
00:25:35All of me
00:25:37And not like a little girl
00:25:40Like a woman
00:25:42That wants to be touched
00:25:48Better
00:25:49What does this have to do with the scene?
00:25:51Acting is all about submission
00:25:53In order to embody the character
00:25:55You must submit to their every fear
00:25:57Every pain
00:25:59And every desire
00:26:01Submission is when you fully trust
00:26:04Do you trust me?
00:26:06Yes, mistress
00:26:07Good girl
00:26:22I want you to use that on me
00:26:35I want you to use that on me
00:26:36Are you okay?
00:26:38Yeah
00:26:39Do you want more?
00:26:41Yes, please
00:26:43Good girl
00:26:46Oh
00:27:01Go
00:27:03I 1st
00:27:04Go
00:27:05Go
00:27:06screen
00:27:08Go
00:27:08Go
00:27:10Go
00:27:21Don't listen to that. It's not true.
00:27:23Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:34As the moon is my witness, I vow to never stop looking for you.
00:27:37The memory of your eyes, your lips, your touch will never fade into eyes.
00:27:43Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:56You sure?
00:27:56I think so.
00:28:03You think so?
00:28:07How can you act if you weren't committed to your motivations?
00:28:11You must have full conviction.
00:28:15Now tell me again, what is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:22It's about desire.
00:28:24Aren't love and desire the same thing?
00:28:28No.
00:28:31Love is what you feel here.
00:28:33But desire...
00:28:35is deeper.
00:28:39Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:46Now.
00:28:48I can't.
00:28:50Why not?
00:28:54Because...
00:28:56Because it's about you.
00:29:01For the purpose of this exercise, you should share it with me.
00:29:07Well...
00:29:08In my fantasy, we...
00:29:12go away together.
00:29:15Just the two of us.
00:29:16Some are quiet.
00:29:20Excluded.
00:29:22No interruptions.
00:29:25No one can find us.
00:29:28And then what happens?
00:29:32We'd open a bottle.
00:29:35Good Italian bread.
00:29:39Then we'd...
00:29:40play music.
00:29:42And I'd cook dinner for you as you...
00:29:46sat across the counter and...
00:29:48told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:54It's a fantasy to me because I'm breaking all your rules.
00:30:01We'd get a good day buzz on.
00:30:03And eat and drink.
00:30:06And laugh about how weird I was as a kid.
00:30:09And then you would confess that you were just as weird.
00:30:16And then I'd kiss you.
00:30:21Sweet.
00:30:22Soft at first.
00:30:25And long.
00:30:26And deep.
00:30:30Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked.
00:30:41So I could run my tongue down every crevice of your body.
00:30:47I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you.
00:30:55And I wouldn't stop.
00:30:57It's all right.
00:30:57That's enough.
00:31:08It's just doing as you asked.
00:31:10Great.
00:31:12Well, let's take the scene from the top.
00:31:19On behalf of Edwards Productions,
00:31:21please put your hands together for our very own Greta Stone,
00:31:25Vera Grace!
00:31:36Vera Grace, huh?
00:31:39Hi, Kyle.
00:31:40I don't even recognize you anymore.
00:31:43You've changed.
00:31:44It's just for the play.
00:31:46Birdie's really taken me under her wing.
00:31:50Oh, I know.
00:31:51What's that supposed to mean?
00:31:52Well, it seems to me that she's, uh, taking a liking to you.
00:31:58Well, the success of the play is riding on it.
00:32:00So, it's just business.
00:32:03You used to be so perfect before all this, you know?
00:32:08Birdie, you know, whatever it is you're doing with Vera, it's working.
00:32:13Yeah.
00:32:15She's really blossomed.
00:32:16I think she's ready.
00:32:18I think so, too.
00:32:20You know, for your next career move, you should really consider casting.
00:32:28That's a great idea, Cass.
00:32:30I'll consider it after you lose a few extra pounds.
00:32:51Everyone will be looking for you soon.
00:32:54I needed a break.
00:32:56It's a lot.
00:32:58Gotta get used to all that attention.
00:33:01That'll be your life soon.
00:33:03I'm not trying to replace you.
00:33:06You know that, right?
00:33:09I know you're not trying to.
00:33:11But it's happening.
00:33:14No matter what.
00:33:17It's just the way it goes.
00:33:20I'm sorry.
00:33:23Don't apologize for things you can't control.
00:33:30So, who's your friend in there?
00:33:33Who?
00:33:35Kyle?
00:33:37Yeah.
00:33:39I wouldn't exactly call him a friend.
00:33:42Oh.
00:33:43Are you together?
00:33:46Why are you asking?
00:33:51Wait a minute.
00:33:54Are you jealous?
00:33:59What?
00:34:00No, why would I be?
00:34:02Because I saw the way you were looking at me in there.
00:34:05Like how?
00:34:06Like I was your property.
00:34:09And, like, maybe you want my fantasy to come true, too?
00:34:19I am curious, in your fantasy.
00:34:26What are you making me for dinner?
00:34:28Pasta.
00:34:30From scratch.
00:34:33Maison's never cooked me dinner.
00:34:36Let alone pasta.
00:34:38Well, you deserve a big old bowl of pasta.
00:34:43That's definitely against the rules.
00:34:48It's my fantasy.
00:34:50Fuck your rules.
00:34:58Bertie Edwards?
00:34:59It's so dark in here.
00:35:00I could barely tell it was you two.
00:35:02Sorry to interrupt.
00:35:04Would you two mind doing an interview?
00:35:06Yeah.
00:35:07Absolutely.
00:35:08Let's start with you, Miss Farrah Grace.
00:35:10How has it been having the one and only Bertie Edwards training you?
00:35:14Well, it's been a lot of work, but I wouldn't want to learn from anyone else.
00:35:20She's the best.
00:35:22You two must be spending a lot of time together.
00:35:24You've grown close, would you say?
00:35:26Yeah, we've really bonded.
00:35:28Bonded.
00:35:30We've really been bonding over our love of the craft.
00:35:35Bertie, over 20 years ago, you boldly introduced us to the imitable Greta Stone, which made you
00:35:41a star.
00:35:41How would you say your Greta differs from Farrah's Greta?
00:35:46Well, I think my Greta was curious, but scared.
00:35:52Scared of what?
00:35:54To come out of her fantasy world.
00:35:57Because of fear, she missed out on true happiness.
00:36:01But I think Farrah's interpretation is definitely teaching the character to go after what she desires.
00:36:11Well, I think this new Greta Stone 2.0 wants more than to give in to her desires.
00:36:18She needs love.
00:36:23Chris Stone doesn't need anything.
00:36:32Ah, shit.
00:36:34What?
00:36:36I am so sorry.
00:36:38I didn't forget, but...
00:36:39But you forgot about our anniversary trip.
00:36:42I had this big investor meeting that got added to my schedule last minute.
00:36:46Is this investor another one of your young blondes?
00:36:50Bertie, why do you do that?
00:36:52Am I wrong to assume?
00:36:54You know what?
00:36:55It doesn't matter.
00:36:56Forget the cabin.
00:36:57No, no.
00:36:57Hey, hey, hey.
00:36:58You love the cabin.
00:36:59Why don't you and Vera go get a little R&R before opening night?
00:37:03You two have been working so hard lately.
00:37:08Actually, I would like to blow off a little steam.
00:37:10Yeah.
00:37:11You can make it a rehearsal immersion.
00:37:13I love it.
00:37:23Pack your bags.
00:37:25We're going on a trip.
00:37:27Wait, really?
00:37:29It's a work trip.
00:37:30Don't get too excited.
00:37:44My house staff must have gone to the wrong vacation home.
00:37:48You have more than one?
00:37:49Let me call them.
00:37:50Someone is getting fired today.
00:37:51No, no.
00:37:52Don't.
00:37:53Don't do that.
00:37:54Let's go.
00:37:54I can book us a hotel in town.
00:37:56We've been driving all day.
00:37:58Can we just stay...
00:37:59Here?
00:37:59Maybe I can hire someone I...
00:38:03Okay, but you need to relax.
00:38:05I got this.
00:38:07All right.
00:38:07Let's see what we're working with.
00:38:15Yeah, we're going to need to go get groceries.
00:38:18And get more wine.
00:38:20Stats.
00:38:26The thermostat's not working.
00:38:30I can call someone.
00:38:34No need.
00:38:35We can build a fire.
00:38:38It's not gas, though.
00:38:40Ooh, even better.
00:38:41You know how to build a fire.
00:38:44I can do a lot of things.
00:38:53I don't know how to do laundry.
00:38:58Well, it seems like I'll be teaching you a few things this weekend.
00:39:13Nothing tastes better than fresh pasta.
00:39:15Here, come.
00:39:17No.
00:39:17It's fun and it's easy, I promise.
00:39:20You can't eat it unless you help.
00:39:24You're just going to hold your hand here, like...
00:39:27Hold it out like this.
00:39:29Keep pulling so that there are no wrinkles.
00:39:34Perfect.
00:39:49All over my face.
00:39:52So, from that day on, I was known as Pie Face.
00:39:59Wow.
00:40:00I can't unsee it now.
00:40:05You know, I think this is the first time I've heard you laugh.
00:40:09I laugh all the time.
00:40:11You don't.
00:40:14You're right.
00:40:15I don't.
00:40:17Hmm.
00:40:19I like it.
00:40:22It suits you.
00:40:26I think I've had too much wine.
00:40:29There, I should go to bed.
00:40:35Great.
00:40:38Um...
00:40:45Thanks.
00:40:52Well, are you just going to stand there or are you going to help me?
00:40:56Actually, yes.
00:40:58I'm going to stand here and watch you.
00:41:06The sheets are all crooked there.
00:41:13Anything else, Your Highness?
00:41:15Yes.
00:41:17Bend over and do it again until I say it's perfect.
00:41:22Remember, I'm in charge.
00:41:37Take off your clothes.
00:41:39Do it now.
00:41:59You need to be punished for talking back to me.
00:42:02Lay on the bed.
00:42:03Now.
00:42:26Stop laughing.
00:42:28Stop laughing.
00:42:51wait where are you going you made the bed you should have it stay with me
00:42:59please
00:43:03that's against the rules
00:43:05fuck your rules
00:43:09you know you don't want to stop
00:43:18rules are rules
00:43:20it won't happen again
00:43:28you know you don't want to stop
00:43:58you're not paying attention
00:44:01did you just hear what i said
00:44:02sorry guess i'm still reeling from the mind fuck of yesterday
00:44:06we're actors
00:44:08it's what we do
00:44:09that definitely wasn't acting
00:44:16suddenly you're an expert
00:44:17i am on you
00:44:23your heart's pounding
00:44:26your hands are sweaty
00:44:31your cheeks are flushed
00:44:33you can lie
00:44:35but your body tells the truth
00:44:48i shouldn't have done that
00:44:50why not
00:44:51because i'm married
00:44:52to a man
00:44:54and he's not here
00:44:55but i am
00:44:57on your anniversary weekend
00:44:58this was his idea
00:45:00you know for someone that likes control
00:45:02you're a real sub when it comes to mason
00:45:05it's complicated
00:45:06you wouldn't understand
00:45:08mason made me what i am
00:45:09i
00:45:10can't just turn my back on him
00:45:12do you even love him
00:45:17of course i do
00:45:20you're lying to yourself
00:45:23again
00:45:25that's enough
00:45:25i'm done with this
00:45:26fine
00:45:28if you don't want me
00:45:29walk away
00:45:31then i can be done with this too
00:45:57i can be done with this too
00:46:00so
00:47:35What's so funny?
00:47:36Now that I've lived out my fantasy, I don't really know what to do next.
00:47:41Well, I'm sure you'll think of something.
00:47:45What's your fantasy?
00:47:48You'll laugh.
00:47:49I promise I won't.
00:47:53To write and direct my own plays.
00:47:56You would be amazing at that.
00:47:58Tell that to Mason.
00:48:00He thinks I should stay in my lane.
00:48:03And have you had other lovers?
00:48:07Mm-mm.
00:48:09Only you.
00:48:12Well, I hope I didn't disappoint you.
00:48:14Disappoint me?
00:48:16No.
00:48:18You set the bar, baby.
00:48:20That's all I'm going to think about.
00:48:31Birdie?
00:48:35Birdie?
00:48:37Mason.
00:48:38Mason.
00:48:40What are you doing here?
00:48:42Well, my meeting got pushed, and I felt so guilty about missing our anniversary.
00:48:47And I know that there's only one night left here.
00:48:49So I wanted to give you this.
00:48:53It's a clipping from your very first review of Greta Stone.
00:48:58Raving, of course.
00:49:00I just wanted you to know that you are and always will be my little star.
00:49:09Mason, this is beautiful.
00:49:13I don't know what to say.
00:49:15I love you, Birdie.
00:49:18Vera.
00:49:20Hey.
00:49:21Hope the two of you are enjoying the weekend so far.
00:49:24Yeah, we have been.
00:49:25Good.
00:49:25I'm starving.
00:49:26Is there anything to eat?
00:49:27In the kitchen.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:38It's not that easy.
00:49:39Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay, just until the show wraps.
00:50:06Tired of being on your carousel of men, Greta?
00:50:09Don't be silly, my love.
00:50:12Tired of it, too, Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:21Very good, Vera.
00:50:23Kendrick, you're still a little late on your queue, buddy.
00:50:31I gotta take this.
00:50:33It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:41Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47I can't stop thinking about you, either.
00:50:50Got any notes for me?
00:50:51Sure do.
00:50:52You gotta get a little bit closer.
00:50:54Oh, do I?
00:50:55Mm-hmm.
00:51:02You're gonna give me trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but, um, I need to talk to you about something.
00:51:15Yeah, I gotta get back to it.
00:51:17I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie's having an affair with your lead actress, Vera Grace.
00:51:28Okay, I-I don't know who you are, but I certainly don't need a janitor to tell me about my
00:51:32wife.
00:51:33I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager.
00:51:40What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing?
00:51:46In bed?
00:51:46What?
00:51:47On stage.
00:51:48Just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy.
00:52:06He's disrespecting the theater and my wife.
00:52:08Have him fired immediately.
00:52:10You're gonna regret this.
00:52:11Pretty soon, the whole world is gonna see what's right underneath your nose.
00:52:22Ahem!
00:52:23Oh, Aeson!
00:52:26Bertie was just giving me her insights on Greta's promiscuity and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave them a break so we could work some things out alone.
00:52:43Do you mind if I take the reins back?
00:52:45No, of course not.
00:52:46Sure.
00:52:51Why don't we show Vera the, uh, proper slow hands?
00:52:55Technique.
00:52:56Mm-hmm.
00:52:59Do you remember our wedding night?
00:53:01Mm-hmm.
00:53:11You're not wearing a new necklace.
00:53:13Oh, um, it was a little tight on my neck, so I took it off.
00:53:25Make sure you get used to it.
00:53:30Back to work?
00:53:32Mm-hmm.
00:53:33Gentlemen, from the top.
00:53:51I see you got your collar on, like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry, I know this isn't ideal.
00:54:07What?
00:54:08No, I, I personally love watching you be manhandled in public by her husband while I sneak around in the
00:54:13shadows.
00:54:14It feels like you're ashamed to be with me.
00:54:17What?
00:54:20No, I'm not.
00:54:21Hey, back in five.
00:54:24You okay?
00:54:26Yep, be right there.
00:54:31I promise, when this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:38Our way.
00:54:40I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:06I'm in charge tonight.
00:55:18I've never been to one of these before.
00:55:20What, a masquerade party?
00:55:22A lesbian party.
00:55:24You can be yourself here.
00:55:35I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:56:14Oh, my God.
00:56:15You look so familiar.
00:56:16You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh.
00:56:20I feel terrible.
00:56:22Can I buy you both a drink to make up for it?
00:56:25It's fine, really.
00:56:26Yeah, um, have a good one.
00:56:34Oh.
00:56:36I had a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:48No, you're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me want to be on martinis.
00:57:06I think we should just go to bed.
00:57:07We have a big day tomorrow.
00:57:09Oh, but I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:21No, of course not.
00:57:25But that was fantasy land.
00:57:27This is real life.
00:57:30So, real life means always having to hide who we are?
00:57:33Never actually being together?
00:57:35That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh, my God.
00:57:44It's always about the fucking play.
00:57:46Oh, your voice.
00:57:46Why?
00:57:47I'm not afraid to tell everyone who I love.
00:57:52Vera, what do you say?
00:57:54I love you, Birdie.
00:58:01Clearly, you don't feel the same.
00:58:03I'm such a lady.
00:58:07Don't...
00:58:09Don't...
00:58:10Don't touch me.
00:58:12Ever again.
00:58:13DIA It's always...
00:58:17I'm so sorry.
00:58:26Yes.
00:58:47Come in.
00:58:56I told you I didn't want to see you again.
00:58:59Why are you here?
00:59:04Because I wanted to let you know that I've been thinking, and, uh, Vera, I'm in love with you, too.
00:59:18You mean that?
00:59:20I do.
00:59:28On your knees.
00:59:45Bernie, what the hell are you doing?
00:59:48Mason, I can explain.
00:59:49No, don't bother. I already know about all your deviant behavior.
00:59:51She is not deviant.
00:59:54We're in love.
00:59:59You poor idiot girl. Do you honestly think that Bertie Edwards is in love with you? She only loves this
01:00:05spotlight. Oh, oh, oh, oh, oh. And the 10% cut that she's making off of you.
01:00:09How dare you? You don't know the first thing about her.
01:00:13Mason is right. But that was before everything.
01:00:18So it really was just business. It wasn't. Or at least not anymore.
01:00:24How am I supposed to believe anything you say?
01:00:27You can't.
01:00:27Why don't I help speed this up here?
01:00:42Bertie, what is it?
01:00:48you know the whole world knows about the two of you well done so what i'm not ashamed of who
01:00:54i
01:00:55am or who i love basin i am sincerely sorry we didn't want you to find out this way we
01:01:02never
01:01:02meant to hurt you but birdie and i just want to be together we should go to a press conference
01:01:08oh hey i want the world to know how i feel about you but you think that's a bit much
01:01:14i already
01:01:14contacted gwen's office we're meeting her tomorrow good she'll handle it wait what what is happening
01:01:22here who's gwen she's our publicist so you're just gonna have your publicist sweet this under the rug
01:01:28this is how celebrities handle crises what about starting our lives together living our truth
01:01:40it wasn't supposed to come out that way so what it's out i don't care how i just care about
01:01:46being
01:01:46with you it's complicated yeah it's complicated i'll say we've got less than 10 fucking minutes
01:01:57to open this show and every single member in that audience is going to know about this scandal
01:02:01and it's your job to fucking make them forget it show must go on right it's all you've ever cared
01:02:07about well good luck finding your new greatest stuff no vera you're not thinking clearly actually
01:02:14i've never felt more clear about anything in my entire life i see who you are a fame monster that
01:02:21he
01:02:21created always afraid to be honest show your true self you're living in a gilded cage birdie
01:02:30i mean if that's what being a star is then i don't want any part of it hey do you
01:02:36know how much time
01:02:37and money i've invested in you a million girls would die to be in your place you are an ungrateful
01:02:43brat you're a joke mason and a sham the only one with any real talent is birdie and you've been
01:02:50riding her coattails for years you may have convinced her that she needs you but you'll
01:02:57never convince me listen if you walk out that door you're never coming back
01:03:11come with me
01:03:15we can make our own art together just like we talked about
01:03:18please
01:03:21i love you
01:03:32good luck with the show
01:03:44ladies and gentlemen i regret to inform you that tonight's and all subsequent performances of
01:03:50stone's fantasy are canceled until further notice
01:04:09this is what we need to do lots of couples time and charity work in fact photos of you two
01:04:15doing charity work as a couple yeah i uh i used to volunteer at the children's hospital all the time
01:04:21so no you didn't
01:04:24well i i gave blood once or twice
01:04:30why are we doing this because if we don't turn this pr nightmare around and get the show back on
01:04:36its feet we will lose every cent we have birdie
01:04:41no
01:04:44i don't think it'll work trust me this is a tried and true strategy of many a floundering celebrity
01:04:49no i mean this won't fix what's wrong between us mason
01:04:58i'll give you two a moment
01:05:03haven't you caused enough trouble already
01:05:05just answer me one question
01:05:10are you happy
01:05:11what kind of question is that
01:05:13a simple one
01:05:15because i can honestly say
01:05:18i'm not happy
01:05:21i don't know if i've ever been
01:05:23how dare you
01:05:25i have given you everything that you ever wanted
01:05:31except love
01:05:34you're not leaving me
01:05:36because if you do
01:05:38i will take everything
01:05:40i know all about the other women mason
01:05:43you can have the house
01:05:45but i want the theater
01:05:48you owe me that much
01:05:51you'll never make you without me
01:05:55maybe
01:05:59but i'm going to try anyways
01:06:13the number you are trying to reach is no longer in service
01:06:16but i want to try right
01:06:46I've never felt this free before.
01:07:08Bertie, this is phenomenal.
01:07:15I was struck by inspiration, and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful, dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:34That's why I need you to tell me where she is.
01:07:37I'm sorry, I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number or nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do is take this broken heart and turn it into art.
01:08:25Bertie, you have a new play coming out, A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one
01:08:36I'm most proud of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:41You're quite the triple hyphenate.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:56You're the only one that knows me.
01:09:00All of me.
01:09:02There are parts of me that came alive because of you.
01:09:07I'm ready to make this fantasy a reality.
01:09:14I'm ready to make this fantasy.
01:09:16I'm ready to make this fantasy.
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