Watch the complete **Odyssey 5 (2002)** full series in HD — one of the most underrated sci-fi time travel TV shows ever created.
After a mysterious explosion destroys Earth, five astronauts aboard a space shuttle are sent back in time exactly five years before the disaster. With the fate of humanity in their hands, they must uncover the truth and stop the apocalypse before it happens.
⭐ Starring Peter Weller, Sebastian Roché, and Christopher Gorham
⭐ Genre: Sci-Fi, Time Travel, Mystery, Drama
⭐ Year: 2002
If you enjoy mind-bending stories, conspiracy theories, and suspenseful sci-fi like classic early 2000s shows, Odyssey 5 is a must-watch.
📺 Subscribe for more classic TV series and rare sci-fi content
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#Odyssey5 #SciFiSeries #TimeTravel #FullSeries #ClassicTV #Dailymotion
After a mysterious explosion destroys Earth, five astronauts aboard a space shuttle are sent back in time exactly five years before the disaster. With the fate of humanity in their hands, they must uncover the truth and stop the apocalypse before it happens.
⭐ Starring Peter Weller, Sebastian Roché, and Christopher Gorham
⭐ Genre: Sci-Fi, Time Travel, Mystery, Drama
⭐ Year: 2002
If you enjoy mind-bending stories, conspiracy theories, and suspenseful sci-fi like classic early 2000s shows, Odyssey 5 is a must-watch.
📺 Subscribe for more classic TV series and rare sci-fi content
👍 Like, Comment & Share to support the channel
#Odyssey5 #SciFiSeries #TimeTravel #FullSeries #ClassicTV #Dailymotion
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TVTranscript
00:02We saw the Earth destroyed, and in a heartbeat, everything and everyone we knew was gone.
00:14There were five of us, the crew of the Space Shuttle Odyssey, and we were the only survivors.
00:25A mysterious being, who called himself the Seeker, rescued us, and sent us back in time.
00:39And now we have five years to live only. Five years to discover who or what destroyed the Earth. Five
00:48years to stop it from happening...
00:50...again.
01:28The man assured health officials that his member got caught in the vacuum during an unfortunate incident while housecleaning, and
01:35not intimacy with an appliance.
01:37This is morning breath. Houston's got...
01:41... …
01:57I'm so tired...
01:58...
01:58...
02:15Dear Kat, you only use ice when you're drinking, so I assume you're in a phase of slow self-destruction.
02:22Funny, don't you think?
02:23After all you've done to fuck up your life, it's left to me to give you this warning.
02:28But then no one loves you like I do.
02:30You better read this carefully, Kat, if you want to keep on living.
02:43So I found this website that specializes in black projects.
02:46There's this guy out in California, collects government documents.
02:48He's got over 10,000 of them online, so I'm hoping I can get a hit on Bright Sky.
02:53Y'all still waiting on the fellow with the urine?
02:54Honey, this here table's growing weeds.
02:56I want to order some food.
02:57All right, honey.
02:58All right.
02:59So today's special is a mother and child reunion.
03:02What?
03:03It's chicken and eggs.
03:04Speak of the devil.
03:06Oh, there he is.
03:08Who's that with him?
03:09It's, uh...
03:11Oh, is that who I think it is?
03:12What?
03:12I think so.
03:14She wins again.
03:16The Queen of Sater, Carina.
03:27Oh, my God, it is.
03:29That's, that's Carina.
03:31I'll give you all a moment.
03:32It's Carina.
03:33Hello, everyone.
03:34Everyone.
03:35This is Karen Rains, Sarah Forbes, Neil Taggart, Angela Perry.
03:39And, of course, Roger Ramjet, hero of our nation.
03:41Charmed.
03:42Nice to meet you.
03:43I need cigarettes.
03:45Of course you do, darling.
03:46Here.
03:48Here.
03:51Ugh.
03:51Get her room.
03:56Is that Carina?
03:57Not yet.
03:58She will be.
03:59I told you.
04:00At the present moment, she's a waitress at Sizzler of all places.
04:02Carina, what's that, a shampoo?
04:04She says Queen of Sater, or she will be.
04:07Sater?
04:07Now, what are we talking about?
04:08Passover?
04:09Last supper?
04:09What?
04:09You know what, Chuck?
04:10It's hip to be square, except in your case.
04:12It's a South American techno rep, Dad.
04:14It's gonna sweep the planet in a couple years.
04:16Techno what?
04:17Rap.
04:17Techno rap, and you're looking at her new manager.
04:20Jesus, Kurt, what are you doing?
04:21I'm gonna launch the Sater craze now.
04:23Isn't that brilliant?
04:24Very soon, that girl's gonna be worth a hundred million dollars.
04:26Oh, that's right, I forgot.
04:27That's why the Seeker sent us down here, to get rich.
04:30What's wrong with smelling a little solid gold along the way, Chucky?
04:33Well, I don't know about you, Kurt, but I'm in it for the long haul, not the short bet.
04:36Look around, Chuck.
04:37We're a long way from the fucking odyssey.
04:39I think you lost your memory, Kurt.
04:40That's not my luck.
04:41We were trying to save the world, and I don't find that frivolous.
04:44What I don't find making money and living well frivolous.
04:47You're making an ass out of yourself.
04:49Are you actually dating this girl?
04:50I think you said I've had a gravy.
04:52You know me, I never go for half measures.
04:54We got married this weekend.
04:57Didn't we, darling?
04:58Yes, we did.
04:59Yeah.
05:04So I thought you said they were your best friends.
05:06Let's not talk about them, shall we?
05:08Let's talk about how much I love your voice.
05:15Yeah, but what were you saying about my look?
05:19We're gonna have to work on your body art.
05:20You're gonna be known for it, you see.
05:22Let's start a new trend.
05:25Thousands of people will want to copy every symbol you wear.
05:29You always talk about these things like they've already happened.
05:32In my mind, they have.
05:34What do you mean?
05:36Trust me.
05:36I don't know, Kurt.
05:38You seem to have a lot of faith in me.
05:41I just hope I don't let you down.
05:45Believe me, darling.
05:46The day will come when you can't even go to the 7-Eleven without causing a riot.
05:51Every woman will want to be you.
05:53Every man will want to make love to you.
05:55And they'll be eating their hearts out because I'm the one who gets to do it.
06:02Life can be so beautiful.
06:17You know these guys?
06:19No.
06:22Hello.
06:47It's called Betagenics. It's a multinational conglomerate. Its main office is in Urbana, Illinois.
06:52They just applied for a patent for a new gene therapy procedure.
06:57Okay.
06:58Earth to Angela.
07:01Sorry.
07:03It's Kurt, isn't it?
07:04No.
07:04Oh, please.
07:05I saw your face when he waltzed in the bar with that young chippy.
07:08Oh, you're reading way too much into this.
07:11Mm-hmm.
07:11Kurt and I had a thing in the distant past.
07:14Trust me, he's way too draining to be with.
07:16Oh, God, I can imagine.
07:18He's such a little boy.
07:19A brilliant little boy, but a little boy nonetheless.
07:23That new girl, she's just his boy toy.
07:25She's his wife.
07:27That's a reality.
07:29I'm gonna get some coffee.
07:32Oh.
07:33What's wrong?
07:35I don't know.
07:35I just got a little dizzy.
07:37Maybe I'm coming down with something.
07:42Well, they didn't get any hits on Bright Sky specifically, but there's something going on at Douglas Aimwright.
07:46They just got the contract for the new orbital propulsion system.
07:48I heard.
07:50Yeah.
07:50Well, there's more to it than that.
07:51I found some documents on this website that suggest there might be a black project hidden in that contract.
07:56I'm gonna need a couple more days to figure it all out, so...
07:58In the meantime, I have a trig test to study for.
08:03What are you suggesting?
08:04I leave?
08:05Let me tell you.
08:06Taking these high school exams again is like the classic bad dream, and I'm not waking up.
08:11Well, wake up to this.
08:13Why don't you go clean up the garage like your mother said?
08:16She did?
08:17Yeah.
08:18I don't remember.
08:19What's this?
08:21That's not mine.
08:22Forget it.
08:23I'll give you a hand.
08:27Rule one, you never want to piss your mother off.
08:30And regarding the garage, you always want to do a little maintenance control, so...
08:43This is a Euro 250.
08:45That's right.
08:46Wait a minute.
08:46Is this the bike that was in the window at Widman's?
08:48Yes, sir.
08:49This is the one...
08:49This is the one your mother did not want you to have because you're such a reckless youth.
08:55What?
08:56What?
08:57A bike.
08:58You don't like it?
08:58What?
08:59No.
08:59Yeah, Dad.
08:59It's a great bike.
09:01It's just...
09:01Just what?
09:03It's the great bike I wanted when I was 17.
09:06Shhh.
09:06And I'm 22.
09:07Remember, we worked together.
09:08I got a condo, a portion of Harley, so...
09:10I had a condo, a portion of Harley.
09:12Well, look son, your mother ain't ever gonna let you have a Harley Davidson.
09:15I mean, get that straightened out.
09:16I give you a Harley Davidson, I have to head for the tall grass.
09:18You know what I'm saying?
09:19So let's just start with the 250 and build back up to the Harley Davidson.
09:24Meanwhile, you're gonna have the garage.
09:25Yeah.
09:28I love the smell of a woman's sweat in the morning, muscles ripping, pecs flexing.
09:34I think you need a new line there, buddy.
09:36My God, darling, the music business is the 10th circle of hell.
09:39You'd think they'd recognize talent when they see it.
09:42All they are is afraid of their own shadows.
09:45Yeah?
09:46You in the music business?
09:47So does Pete.
09:48Trying to launch Corona is like pushing public enemy at Woodstock.
09:51The right sound at the wrong time, believe me.
09:53Good luck with that.
09:54Sounds like you'll need it.
09:56All right, you're upset.
09:57I guess I don't blame you.
10:00Why would I be upset?
10:01Come on, I'm not an idiot.
10:03You're pretty convincing.
10:06Is it the way I broke the news about Karen and I?
10:09Is that it?
10:11Look, am I supposed to know what you mean?
10:12Stop playing dumb now.
10:13Look, I wasn't trying to be a jerk.
10:15I know I shouldn't have sprung it on you like that, but come on.
10:19Whatever you say.
10:20Angela.
10:21Hey, get your hands off me.
10:25How do you know my name?
10:27If this is a joke, it's not funny and I don't get it.
10:30I'm not laughing.
10:31Is this guy bothering you?
10:32Mind your own business, Conan.
10:34We're having a conversation.
10:35No, we're not.
10:35Yes, we are.
10:36Stay out of my face.
10:37All right, let's go.
10:39Take your hands away from me.
10:42Angela, why are you doing this?
10:44Do you know this loser?
10:46I've never seen him before.
10:48What?
10:51Don't ever touch a woman you don't know.
10:54The next one might make you a soprano.
10:59The exit, this way.
11:04Shit.
11:10The entire world's at stake and you don't call that frivolous?
11:14I call it saving my insanity.
11:16I got a new distributor cap and a damn boost won't sit.
11:19I have no idea what that means.
11:20Chuck?
11:21Yeah.
11:23Something's wrong.
11:23Yeah.
11:24It's about Angela.
11:25I'm really worried about her.
11:26What about her?
11:27I went to see her at her gym.
11:29She had no idea who I was.
11:31At first I thought it was a put-on, that she was pissed off at me or something, but I
11:35was
11:35wrong.
11:35It was completely real.
11:38What the hell do you think it is?
11:39I don't know.
11:40Maybe some lingering effect from a concussion, maybe something more serious.
11:44Well, maybe she's just getting your goat.
11:45You know, she likes to push your buttons.
11:46I know, but I think you should see for yourself.
11:49Would you do that for me?
11:51I'll give it a whirl.
11:52So how's your first hundred million going, Mario?
11:54I'm working on it.
11:57How's married life?
11:58Oh, heaven on earth.
11:59She wants to go to Epcot for the honeymoon.
12:00The mere mention of the word Orlando gives me nightmares.
12:03I think I would have had to put my foot down if she insisted on Legoland.
12:07You know, despite what you think, I'm all for saving the world.
12:09I just want to have a little fun while doing it, that's all.
12:35It's good to have you back, dude.
12:36Where'd I go?
12:37You tell me.
12:38When you started hanging out with those computer geek twins and getting good grades, for fuck's
12:42sake.
12:42You had me worried, man.
12:44Yeah, it's all kind of a haze.
12:45But this bike definitely redeems you, my friend.
12:49It's the shit, isn't it?
12:50Yeah.
12:50Yeah, it's the shit.
12:51Yeah, it is.
12:52Hey, you remember old evil Kniepel days, jumping Mr. Bentley's hedges on our 10 speeds?
12:56Yeah.
12:57Yeah.
12:57See if this doesn't bring back some memories.
12:59Whoo!
13:01Whoo!
13:12Whoo!
13:12Whoo!
13:13Whoo!
13:15Whoo!
13:18Whoo!
13:18Yeah!
13:18It does, dude.
13:19You never made it over Bentley's hedges either.
13:22Whoo!
13:22Whoo!
13:24Whoo!
13:39Kids buy records they can dance to.
13:42No one will dance to this stuff.
13:44It's too tribal, too non-urban.
13:47Really, Nostradamus.
13:48Well, what if I were to tell you that Sator's going to become the biggest thing since hip-hop?
13:52Worldwide, huge beyond belief.
13:54Sator music?
13:55It's short for South American Techno, right?
13:57Listen, uh, Mandel?
13:58Mandel.
13:59Mandel.
14:00Yeah, yeah, Mandel.
14:00Don't get me wrong, okay?
14:02I mean, the girl's got some ability, pleasant voice, limited range.
14:06You know, not bad, but nothing special.
14:08Nothing special?
14:09Perhaps you shouldn't have come to L.A.
14:12Take her to Nashville.
14:12Try the country scene.
14:13That might be more up her alley ride.
14:18Irregardless.
14:18There's no such word.
14:21Irregardless, we're simply not interested.
14:23Okay.
14:25Why, you listen to me.
14:27You don't know it yet, but your label's in big, big trouble.
14:30Oh, is it?
14:31Yes, it is.
14:32Chantel, though the great Chantel's star, is secretly obsessing about her weight.
14:36She's headed to rehab, addicted to laxatives.
14:38It would almost be funny if it weren't so tragic.
14:40Mr. Mandel.
14:41Dr. Mandel, thank you.
14:43Spaghetti hair there.
14:44Rod Gross.
14:44Rod Gross, yes, an appropriate name.
14:46He's going to choke on his own vomit.
14:47He's going to go from gross to gone.
14:49It gets worse.
14:50Two of the members of the bus from Tumble Boys are about to come out of the closet.
14:53No more big TV spots, no more million-dollar endorsements.
14:57Irregardless of what you and your alphabetically challenged team may think, you need to take
15:01a chance, sign Carrena, and you may save your label.
15:10Trust me, I know what I'm talking about.
15:13You know you were here, right?
15:21Well, if this ain't the apotheosis of every parent's bad dream, see the kid in jail.
15:27Any cuts, any bruises, um...
15:29No, fine.
15:30You get me out of here?
15:31Yeah, he's doing the paperwork.
15:32That was a pretty stupid stunt.
15:34Yeah, spare me the light.
15:34What happened?
15:35I'm 22, not 17.
15:36I got a Porsche, a condo.
15:38I got a Harley Davidson.
15:39Harley.
15:40Yeah, I wish.
15:41You wish?
15:42Look, I learned my lesson.
15:43Okay, Dad, can we just go home?
15:45Listen, we got a bigger problem.
15:47I talked to Kurt, and for once he's right.
15:49It seems that Angela's got a little brain damage.
15:51I mean, she doesn't remember him.
15:53She doesn't remember Kurt.
15:54She doesn't remember the Odyssey.
15:56Doesn't remember the mission.
15:57Nothing.
15:57What mission?
15:59Kurt's mission.
16:01My mission.
16:02Angela.
16:06All right.
16:08Listen, I'm going to hold off on that custody release order.
16:10What?
16:11I'll just get back to you about it.
16:13What?
16:14I know, I know you're going to hate hearing this, but you will thank me one day.
16:20I promise.
16:20What?
16:21Are you shitting me, Dad?
16:23Oh, God.
16:26Come on!
16:30Chuck.
16:31Taggart.
16:31Wow, I've got to tell you.
16:33Thank God.
16:34Because I know it's going to sound a little nutty, but I'm really happy that you know who I am.
16:38Because, I mean, you're not surprised to see me, are you?
16:40Well, yeah, I am a little surprised to see you here.
16:43Sure.
16:44Here.
16:44Oh, right.
16:46Is Paul here?
16:47No, he's not.
16:48The coast is clear.
16:50Come on in.
16:53Corey.
16:54Hey, this is Chuck Taggart.
16:56He's an astronaut.
16:57For real?
16:58He goes to space and stuff?
16:59Yeah, I go into space and stuff.
17:01You want to go into space with me?
17:02Can I, Mom?
17:03Not today, honey.
17:04Well, I'll tell you what, champ.
17:05We'll take a rain check.
17:06But then you can go into space.
17:07Maybe one day when Mom says it's okay.
17:09Okay?
17:09Okay.
17:11Okay.
17:13He looks strong.
17:14He looks healthy.
17:14He's great.
17:15He's strong already.
17:16He just broke my vase.
17:17Listen, Sarah, we got a big problem.
17:20We got some big glitch with the Odyssey.
17:23The Odyssey?
17:24As in Homer Ulysses' Odyssey?
17:28Homer.
17:31You know, when I came through that door just then, I mean, you really knew me, right?
17:36I mean, you didn't know me because you're a television personality.
17:38And I've been on television, or did you?
17:40You knew me personally, right?
17:41Yes, I know you personally.
17:43We met each other last summer at NASA when I was doing that piece on the budget cuts.
17:47Shit.
17:49Chuck, why did you come here?
17:56I gotta go.
18:10What the fuck is that?
18:20What the fuck is that?
18:31Karen?
18:34I'm home.
18:43Hey, honey, you're just in time.
18:45We're celebrating my non-success.
18:48Hello, darling.
18:49What the hell's going on here?
18:50Don't worry, baby.
18:51It's just a little tea party.
18:53Some old friends drop by.
18:54Those over there.
18:55Those are my boys.
18:56The boys, yes.
18:57When I wrote you on Northwise's biography, they must have left out a lot of shit.
19:01What?
19:02Nothing, nothing, darling, nothing.
19:03You know, they hated my demo in LA, didn't they?
19:06It's only a couple of record companies in LA.
19:08There's many more where they came from.
19:09That way.
19:10Why don't you just give up?
19:11Because I'm never going to make it, okay?
19:13I am no star.
19:14I don't even sing that well.
19:15You're the only one who thinks I sing very well.
19:17It's not going to be that way for long, I promise.
19:19But you have to work with me.
19:21What else am I supposed to do?
19:23Well, you can start by telling these multiple felons to get the fuck out of my house.
19:27Yo, you should tell them yourself.
19:28No, I ain't going to tell nobody.
19:30Chavo!
19:31Chavo D, this is my old man.
19:34This is Kirk.
19:35Chavo D, pleasure.
19:37It doesn't surprise me that you marry an old man, Karen.
19:40You didn't know she was into amtees?
19:42But I mean, I least figured he'd be rich or handsome or some shit.
19:46You're welcome.
19:47I'm going to go get a drink if you'd excuse me.
19:54He's like that.
19:55He's like that, huh?
19:57Well, I don't like that.
20:01Oh, hello.
20:06So, Karen tells me you got some kind of freakish gift.
20:10Some shit about you can see the future?
20:12Well, yeah, she's a very excitable girl.
20:14I wouldn't take anything she says too literally, really.
20:17Says you're a big gambling man.
20:18Haven't lost a football bet all year.
20:20Well, again, something of an exaggeration.
20:24You might have impressed Karen with your big words and your fancy car.
20:28But let me tell you something.
20:30It's time to impress me.
20:33Get my drift?
20:34Yes, Crystal.
20:36Any friend of hers is a friend of mine.
20:38What can I do for you?
20:39I want you to use your psycho powers.
20:40I believe a psychic is the word you're looking for.
20:44I'm in the hole and I need a big win.
20:46You understand?
20:47Yes.
20:47One game Sunday.
20:49A sure winner against the spread.
20:51And don't get it wrong.
20:54Right.
20:55Let's see.
20:56Let's see.
20:57Sunday week eight.
20:59The Falcons.
21:00The Falcons.
21:01Yes.
21:01The Falcons will crush the Saints.
21:03The fucking Falcons.
21:05They haven't crushed anybody.
21:07You better not be yanking my chain.
21:08Use your two points.
21:10I'm sure of it.
21:12It's a bit.
21:13Trust me.
21:14Well, if it ain't Mr. Frivolacy.
21:16Here comes the candlery.
21:18I'm dropping five bills on your Falcons.
21:22So you better have it right for your sake.
21:25Huh?
21:26Right.
21:26Right.
21:27Right.
21:31We go way back.
21:32So I see.
21:33What the fuck are you doing here?
21:34You look like a cop.
21:35Hell, I just slid in on the deal, brother.
21:37What do you think?
21:38I'm a fucking square?
21:39We got bigger problems.
21:40Bigger than you think.
21:41We gotta talk.
21:42I would talk.
21:43Here?
21:44Where everybody's too...
21:45Jesus!
21:45Where everybody's too busy destroying the place to pay any attention to us.
21:48Shoot.
21:48Well, listen.
21:49They've all forgotten it.
21:50They've all forgotten the jumping time.
21:52Neil, Angela, Sarah.
21:53All of them.
21:54I had to watch what I was saying.
21:55They'd have thought I lost my marbles.
21:57Well, if it's happening to three of us, then you and I...
21:59Shut them!
21:59Wait, wait, wait, wait, wait, wait, wait, wait, wait, right, just...
22:05Just...
22:05Chuck.
22:07Chuck.
22:07Chuck.
22:08Chuck.
22:08What?
22:09What?
22:09Yeah, well, it's got something to do with this download five years ago of our consciousness
22:13of five years in the future to now, which is now.
22:16It's got to do something with time traveling and hell, that ain't my meta.
22:19That's your specialty.
22:20It's not my specialty.
22:21I'm a geneticist.
22:22I don't know anything about time travel.
22:24Besides, time travel isn't a science.
22:26It's a fiction.
22:26Fiction? Your whole goddamn life's a fiction, man!
22:30Jesus Christ!
22:34We need to do something here. We're the only two left. You get that?
22:37You gotta think.
22:38I do know this one guy. He's a theoretical physicist.
22:41His specialty is time travel. His name is Casper Van Dyke.
22:45Van Dyke? He's a painter?
22:46No, no, he's not the painter. His name's Smith.
22:48Anyway, he's a pompouson. He's really quite brilliant.
22:52I've done three conferences with him. He may be the man.
22:54Anything. Let's just get the fuck out of here.
22:56You lead the way. Come on.
23:00They played the Saints twice this year.
23:02And you know what? I think I might have gotten my games mixed up.
23:04So please tell your charming friend, Charvo, not to wage on the Falcons.
23:08Please. It's hard to explain, but it's very important.
23:11Very important.
23:13All right, bye, darling. Bye.
23:15The hell is this?
23:16So I call Van Dyke and told you we're working on a time travel novel together.
23:19A time travel novel?
23:20Like what happened to us, except I changed the names and called it Odyssey Five.
23:24There's five of us who were on the Odyssey.
23:27I get it. I get it.
23:28So we're coming to him because we're hitting a wall and we need to work on key story points.
23:32Like memory loss. Why, why, why, why that's happening?
23:34Bingo. Welcome to the tortured world of writer's block.
23:36I see.
23:37NASA, blame costume, dude.
23:40Charming.
23:41Yeah, so what the hell is a theoretical physicist doing in a joint like this?
23:44Well, there's something I neglected to mention. He's not actually a practicing physicist.
23:48He's more of a science fiction writer, an award-winning science fiction writer.
23:52Wrote such successes such as Time Square, Two Times Two, things like that, you know.
23:57Sweet Jesus.
24:00You have to face reality, people. Time travel as a concept is right out there with, um, warp drives, beam
24:08me up, teleportation and UFOs.
24:11All stories of time travel, my novels included, are exercises in mental masturbation.
24:17Real world physics simply doesn't allow for it.
24:19Just trust me.
24:21Yes.
24:22Your novel, Time Marching On, is plagued by fallacies and inconsistencies.
24:27Fallacies and inconsistencies?
24:28Page 43. Two theoretical mistakes. On one page. I mean, come on!
24:35You got Addison Barnes just walking right into the temporal access port without even switching on his...
24:41Perhaps. If you spend a little more time reading carefully and a little less time trying to grow a mustache,
24:46we wouldn't be having this discussion.
24:48I'm just trying to keep your work honest. I wrote you a letter.
24:51My work is infinitely better than your taste in flood pants. And I got your letter. There were chocolate stains
24:57in the margins.
24:57Are we in hell?
24:59Check your convention brochures. It says, acclaimed lecturer Casper van Dijk. Last time I looked, that was me.
25:06Unless you wish to correct me, of course. Some of you may subscribe to the tenant that everyone is entitled
25:12to an opinion, but not while I'm on stage.
25:16Right. Back to reality. As I was saying, time travel, simply not possible.
25:53So, I have fans at NASA. Doesn't surprise me.
25:54It's NASA Space Center.
25:56Yes, and share of the royalties.
25:57My usual consultant split?
25:59Yes.
26:00Okay, how can I help?
26:01It's a problem concerning the transfer of future consciousness.
26:04And this problem is?
26:05Well, as I told you, if two astronauts lose their future memories like the others, there'll be no one left
26:10to stop the Earth from being destroyed.
26:12And the question you need answered is? What is causing the memory loss?
26:17Right.
26:18Yeah.
26:20I'm telling you, lose the seeker completely. He takes up way too much time in the story.
26:26And this whole business of aliens assuming human form, I mean, come on.
26:31It's the oldest trope in the genre. The kind of stuff they pull in TV when they want to save
26:35money on makeup.
26:37The seeker is the goddamn story. Deal with it!
26:42Excuse me, F. Scott Buzz Aldrin.
26:45Casper, we need to focus on what causes the memory loss.
26:48What's the fly in the ointment concerning the consciousness transfer?
26:52Why are these people losing their future memories?
26:55You are asking me to ignore one monumental flaw and concentrate on another monumental flaw.
27:00No, I have to look at the whole picture.
27:02I haven't begun to address the concept of how an orbital shuttle in low Earth orbit could possibly survive the
27:08turbulence caused by planetary collapse.
27:11The gravitational flux alone would be enough to cause every single person in that spacecraft to turn into jello!
27:18Would you get this dork back on track before I kill him?
27:22Hey, I am sitting right here.
27:24Gee, I'd have never noticed. Listen to this egghead is giving me worms.
27:29Casper, just listen.
27:30No, I don't work with maniacs.
27:31Casper, Casper!
27:33Cut him some slack.
27:35Between you and me, he's coming up to the end of his career.
27:38He's nursing days in London.
27:39This novel writing thing is all he's got left.
27:41It's pathetic.
27:43All right.
27:43So, why wouldn't the future consciousness hold what could disrupt it?
27:50What if the seeker...
27:52Does he have to be this old man, the alien as God's thing?
27:54Yes, but I'm going to strangle you!
27:56Suppose the seeker was actually the force behind the destruction of the world.
28:02And he used the astronauts as puppets to start the whole thing five years ago.
28:08What's that got for you?
28:10I haven't figured that out yet.
28:13Chuck?
28:14Hey, what the hell are you doing?
28:15No one touches my computer!
28:17Chuck!
28:18Chuck!
28:19Chuck!
28:25Why did you do that?
28:26What does it mean?
28:28I don't know.
28:29It was a sudden urge, like when you quit smoking, you have a big meal and you want a cigarette.
28:37Neil.
28:39What about him?
28:40I saw these symbols on Neil's computer, but I went to the jail and he had his future memory
28:46lost.
28:47Who's Neil?
28:48One of the characters from the novel.
28:50You guys are taking this thing way too seriously.
28:54Yeah.
28:54Snap out of it.
28:55Chuck, come on.
28:56Come on.
28:57Yeah.
29:00Come on.
29:00Yeah.
29:01Are you alright?
29:02Yeah.
29:03Right.
29:04We may only have a few minutes or days before you lose your memory.
29:08Just hang in there.
29:08We need to compare these symbols to the ones on Neil's computer.
29:11Right.
29:11Can I ask you something?
29:12Yes.
29:12Where in the world did you meet that dipshit?
29:15Oh, it's a long story.
29:16Not.
29:17Oh God.
29:19Not now.
29:21Nice paint job, Mario.
29:22Well, well.
29:23Look here, y'all.
29:24If it isn't a psychic hotline asshole.
29:27I take it my wife never reached you.
29:29Falcons 10, Saints 28.
29:32And I gave three points thanks to you asshole.
29:35That's why they call it gambling.
29:37Well, now I'm at five grand, so what do you call that?
29:39Losing.
29:42You know, I'm just gonna cap this one head, but I think you need a trip to the morgue too,
29:46Grandpa.
29:50My, my.
29:51Just look at the low lights you two attract.
30:00You know this ain't done yet.
30:07Right.
30:12By the way, if any of my ideas accidentally show up in your book, my lawyer will be contacting you.
30:19Wonderful.
30:21I think we need a better drive.
30:24Right.
30:26The symbols that you and Neil type must be some kind of unconscious response.
30:30They must be part of a larger key.
30:31They have to be.
30:32I need it.
30:33I need some aspirin.
30:35Get me a crate of it.
30:37Yeah.
30:38Chuck, this is remarkable.
30:40Both texts are nearly identical.
30:42Like pieces of the same binary puzzle, but incomplete somehow.
30:46You should come see this.
30:47It's really quite remarkable.
30:52Who are you?
30:54I beg your pardon?
30:56What are you doing in my house?
30:57You're letting me in.
31:00You don't remember?
31:06No.
31:09And then there was one.
31:18Chuck.
31:19Sit down.
31:21Sit.
31:22Down.
31:27You are sitting in my son's room.
31:30In front of my son's computer.
31:33In my house.
31:35And you're a Texas boy.
31:37I'd be well within my rights to shoot you where you sit.
31:40You don't want to shoot me with your granddad's pistol, do you, Chuck?
31:44I know you've wanted to kill me from time to time, but I don't think you'd really pull that trigger.
31:50How'd you know it was my granddad's gun?
31:52You told me in the car, remember?
31:53Pancho Villan, called .45, around Chandra's place.
31:57I ain't never been with you in my car.
32:01You got to give me a good reason not to pull this trigger.
32:04Of course.
32:06Well, because I hate to admit it, but I'm your friend.
32:14And because I'm your only hope now.
32:20But if I'm wrong, if you do shoot me, then you're going to have to shoot me in the back.
32:30And that's not your style, Chuck.
32:35I'm going to go out.
32:41And I'll make a rose to Texas as far as I can see.
32:49The end of the rise of Texas is the only for me.
32:55The end of the rise of Texas as far as you can see.
33:01The end of the rise of Texas is the only for me.
33:08Kurt, I'm waiting for you for two hours.
33:10We're supposed to be that party in, like, 15 minutes.
33:13I'm not going to the party.
33:19Did you hear what I said?
33:21I said I'm not going to the fucking party.
33:23Well, you're the one that said that we should go for my career.
33:27It's an industry party, blah, blah, blah.
33:30Right, your career, yes.
33:32What are you doing?
33:33Trying to save six billion people, that's all.
33:36This has to be it.
33:37What the fuck does it mean?
33:39Hey, dude, you are cracked.
33:41And you know something?
33:41I'm starting to feel a little sorry for you.
33:44Yeah, I feel sorry for me, too.
33:45The future survival of the human race rests on Kurt Mendel's head.
33:50Fuck me.
33:50I don't need the pressure.
33:51Because it's always about you, isn't it?
33:53Look, Karen, I can't talk right now.
33:58I just want you to go to that party, have fun.
34:02I need to figure things out.
34:04I need to concentrate, okay?
34:07Well, maybe I need to figure a few things out for myself.
34:10Then do it the fuck somewhere else!
34:16Okay?
34:30You don't even love me, do you?
34:33You're in love with the idea of what I might become.
34:37You know what?
34:38You may be right.
34:39I'm sorry.
35:08I'm gonna go.
35:11It's just the symbols that are inside my fucking head!
35:23I said I'm leaving.
35:40What the fuck does that mean, huh?
35:44What the fuck does that fucking mean?
35:48What the fuck?!
36:09What the hell happened here?
36:35What the fuck is this?
37:06The man assured health officials that his member got caught in the vacuum during an unfortunate incident while housecleaning and
37:13not intimacy with the appliance.
37:16This is morning breath.
37:18Jesus...
37:26Dear Kurt.
37:28Funny, don't you think?
37:29After all you've done to fuck up your life, it's left to me to give you this warning.
37:33But then no one loves you like I do.
37:36You better read this carefully, Kurt.
37:37If you want to keep on living.
37:39If you want to keep on living.
37:39P.S.
37:41Go immediately to the bottom.
37:42Dress a drawer.
37:43Do not pass go.
37:45Do not collect $200.
38:10I assume you'd recognize your handwriting, but a picture is worth a thousand words.
38:17Yes, it's me.
38:19Yes, it's me.
38:19Several days ago.
38:20You don't remember, do you?
38:21But there's a reason for that.
38:24I don't have much time.
38:27I'm about to tell you the strangest story you've ever heard.
38:30It starts five years from now in a shuttle far, far away.
38:49Hello?
38:52I just came to get a few of my things.
38:57You know, Karen.
38:59My wife.
39:01Not for long.
39:03I got a lawyer.
39:04It'll be cheap and easy.
39:06Cheap and easy.
39:07There's so many lovely ladies I know.
39:09Present company excluded, of course.
39:12Whatever.
39:14They're really beautiful.
39:22You're really living like a pig, aren't you?
39:25I guess I'm lost without you.
39:28Yeah?
39:29Well, I'm not.
39:30Chavo's my manager now.
39:33I've got a couple gigs lined up, so.
39:35Good.
39:35I wish you luck.
39:36Truly.
39:37Would you look at yourself?
39:39You're sitting exactly where I left you last week.
39:42You're glued to your dumbass computer with all your stupid MIDI code.
39:45Kurt, you need to get a life.
39:48What did you say?
39:49I said get a life.
39:50No, no, no.
39:51Before that.
39:51The MIDI...
39:53It's MIDI code.
39:54Don't you even know what you're writing?
39:55MIDI code?
39:56Musical instrument?
39:58Digital interface?
39:59What is that?
39:59Tell me.
40:00What?
40:00Oh, good God.
40:01Are you that old?
40:02Look, modern music, synth, trance, hip-hop, take your pick, can be made using a little
40:07contraption we call a computer.
40:09Yeah, yeah.
40:09Well, don't be a smile.
40:10Go on.
40:11Come on.
40:12Go on.
40:12Tell me.
40:13Please.
40:13Please.
40:13Please.
40:15A musician has to talk to his instrument, right?
40:17Right.
40:17And not in the same way that Pete Townsend or any of those dinosaurs you idolized do it.
40:23But now we can lay strand upon strand of musical info inside your computer using digital interface.
40:29Yes.
40:29Those are the symbols you've been typing.
40:31Yes.
40:31Yes.
40:32Yes.
40:33Yes.
40:33Oh God, of course.
40:34This code we've been typing, it's some kind of sound.
40:38God, I could almost kiss you.
40:41There was a time I would have wanted you to do that.
40:53That was then.
40:58I think you know how the rest of that goes.
41:00Look, Kurt.
41:03Just have a nice night.
41:15You too.
41:19All right.
41:20Here goes nothing.
41:27Oh.
41:30Oh.
41:35Oh.
41:38Oh.
41:39Oh.
41:45Oh.
41:46Oh, my God.
42:20Oh, my God.
42:49Oh, my God.
42:56I'm back.
42:58Oh, my God.
43:10Oh, my God.
43:21Oh, my God.
43:28Oh, my God.
43:30Oh, my God.
43:33Oh, my God.
43:35Oh, my God.
44:08Oh, my God.
44:18Oh, my God.
44:18Oh, my God.
44:18Oh, my God.
44:26T- You got it.
44:51No, no, no.
44:52Oh, that's crazy.
44:52O-oh, the baby.
44:52O-oh, the baby!
44:55Walk away. Walk away, buddy.
45:01Can't take it.
45:03Push it out.
45:04All right.
45:04All right.
45:44All right.
45:55All right.
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