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Young Sherlock S01E07 (2026) [Full Movie] [Trending]Full EP - Full
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00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58What's that four?
01:00What's that four?
01:00No, no, no.
01:01No, no, no, don't go.
01:02Find me, Sherlock.
01:04Find me, Sherlock.
01:06That's all right.
01:07That's all right.
01:09That's all right.
01:11Shut up.
01:13Shut up!
01:14Shut up.
01:14Hey.
01:17John, you're alright now.
01:19You're alright?
01:21I've got to...
01:22You know I'm getting shot, eh?
01:24That was a terribly stupid thing to do.
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31And we have to stop her.
01:32I'm not leaving you down here.
01:33Shut up!
01:35Oh, he's bleeding.
01:37Say, I think that has something to do with the bullet in his abdomen.
01:39Yes.
01:39I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have him.
01:48Go, James, go!
01:50Now, you listen to me.
01:51We are going to get this fixed up.
01:53Are you crying?
01:53No.
01:55Why not?
01:57One, two, three.
02:02He's been shot.
02:04Oh, my poor boy.
02:06We have to find a hospital.
02:07Their dash of open would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:22And sadly, it's where the gunfire was coming from.
02:34All right.
02:35Put him down.
02:40Yep.
02:56What are you doing?
02:57Give me that.
02:58I'm stopping you from shooting that man.
03:00Why?
03:00Because that's Sherlock's father.
03:03That's his father.
03:05I didn't know.
03:06Is it?
03:06Is it?
03:10I'll be taken there.
03:12Thanking you kindly.
03:17Up we go.
03:18Over the top.
03:22Right in the back.
03:23Where are we going?
03:24I'm afraid we're going to have to go the long way round, Bella.
03:27All aboard.
03:28Off we go.
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in a favor, everyone, huh?
03:35Because you shot Sherlock.
03:37Not intentional.
03:38Oh, right.
03:38It wasn't intentional.
03:39I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:53Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:59And Sherlock has a rather stubborn habit of finding people.
04:01There's only one hospital still open in Paris.
04:03That's where my craft will take him.
04:07Come in.
04:08Hey, don't be a bus stop.
04:09Don't be a bus stop.
04:35You had no choice.
04:37There'll be more of them.
04:39James, we need to go.
04:46James, we need to go.
04:54James, we need to go.
05:28James, we need to go.
05:59James, we need to go.
06:02James, we need to go.
06:04Inferniere, prepare a patient for a surgical operation.
06:07James, we need to go.
06:09James, we need to go.
06:10James, we need to go.
06:11Let him work, let him work.
06:13Let him work, let him work.
06:21He's stubborn as a mule.
06:22Yes, he is. He will be up and drowning us both mad in no time. You watch.
06:49I suppose no news is good news.
06:51Absolutely.
07:06How is he?
07:08Well, I've done my best, but...
07:11I'm going to fight now.
07:13Thank you, sir.
07:14Thank you, sir.
07:15Thank you, sir.
07:18Darling.
07:52Let's go, dude.
07:52Come on, Sherlock.
07:53Come on.
07:53Find.
07:54Come on, Sherlock.
07:57Come on, Sherlock.
08:01Let me go.
08:10Mother.
08:14My darling boy, Sherlock.
08:19Oh, there he is, my little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes, please.
08:29Ah, he's too stubborn to die.
08:31James, where on earth have you been? Are you alright?
08:36Are you alright?
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only missing, Mrs. Holmes.
08:57It's good to see you.
09:02Did you?
09:04Stop her.
09:05I did.
09:09And I brought her here.
09:11Now don't piss your bedpan.
09:14She's allowed.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah!
09:30Well that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:35James?
09:36Why is she here?
09:38Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Tai'an and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:29A private buyer.
10:32My father.
10:34Yes.
10:40I am so profoundly sorry.
10:44It's not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents.
10:57Double our chances of tracking him down.
11:00Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11Oh, after that you can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:36Esad...
11:37Cascali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners.
11:51An intersection?
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was sat, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any dress in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:42Hello.
12:44You could make you so rich.
12:50I'm not ready.
12:59It's an old dress.
13:02Excuse me.
13:03What?
13:04Have you found this one?
13:07No.
13:08Sorry.
13:10It's impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:21Maybe it means something?
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:39Napoleon's hat.
13:42Famous bicorn.
13:43It has two corners.
13:44Leg les l'olives.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:53It's only fitting that we should meet at the famous two corners where you can contact Mr. Essa Kashka.
14:00You're a genius.
14:01You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:14Yes.
14:15No, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:29The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:55Try not to die in my absence, would you?
14:58Reasonable request, mother?
14:59Thank you, darling.
15:04No sign of Issa.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time.
15:35How did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:44And now I live with it.
15:49Strange.
15:53I don't feel any of that.
16:21As said, Kashkali has a regular table at a brasserie called The Eagle.
16:24And The Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence.
16:32No, I'm afraid not.
16:34This is also.
16:36So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:45Please don't mind your stitches.
16:48I'm alright.
16:48I am alright.
16:53This is what we are going to do.
17:14Sorry, madame.
17:15It's occupied.
17:15I'm expecting something.
17:17Yes.
17:18Oui.
17:19Madame Dormant.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24Enchantée.
17:24What if he recognizes you with them with Sunk?
17:31Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur.
17:40Le Duke de Mont.
17:42Cecil Fillimont.
17:43I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money,
17:48which James will deliver to my mother, allowing us to finance stage two of the operation.
17:59I'm so glad you asked.
18:00What is stage two of the operation?
18:01I'm so glad you asked.
18:04I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:18Well, then, a little bit of music to get in front.
18:20I don't know, I have something like...
18:22Talking about my ch-ch-ch-ch generation.
18:26Keep moving.
18:28Yeah, it's not exactly like that.
18:30I'll give you my toothbrush.
18:32Bonjour.
18:33And, voilĂ .
18:34You know, tell us where Beatrice is.
18:37That's it.
18:38What could possibly go wrong?
18:40The key to being successful confidence men...
18:43And women?
18:44The key to being successful confidence men and women is confidence.
18:52I love the eye patch.
18:57Hello.
19:01Hello.
19:03Excuse me, Monsieur.
19:06Excuse me, Monsieur.
19:08The Duke Dormont.
19:11Cecil Fillemont.
19:16So...
19:18Where is Mr. Cosgarly?
19:20I do hope you understand, Duke,
19:22the unexpected events of our demonstration
19:24have forced us to change our plans.
19:27My instructions were to hand the money
19:29only to Mr. Cosgarly himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey,
19:38I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct,
19:45you will have to come back another day, understood?
19:48Understood.
19:49Then I shall take your advice.
19:52It would be remiss of me not to inform you
19:55that the incident in the tunnels
19:57has only, in fact, proven the potency of our product.
20:00We're selling out fast.
20:02The real, Monsieur.
20:03It's usually an absolute loop.
20:05If you delay,
20:06you would risk missing out altogether.
20:13Have a good day, sir.
20:14Why don't you eat?
20:19I'm out of here, I'm out of here!
20:23Come on, you look, wait!
20:24Is that you?
20:25Come on!
20:25You're going for God!
20:26Come on!
20:26Go try!
20:27Go look at your back!
20:28Look at it!
20:28A good day!
20:30It's a good day!
20:31Abortive.
20:31Dessolent.
20:33J'ai dit que je suis désolée.
20:43Permettez.
20:47Burgundy, 57.
20:48Some people say that you had a 62.
20:50But for me, if I wanted that much oak, I would eat a tree.
20:56So, tell me what you think of my proposal.
21:00You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:10Voila.
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
22:00If you please.
22:04Monsieur.
22:12So, we both know you are not the Duke's wife.
22:17Who are you really, Madame?
22:21Do you doubt my monies?
22:25Pardon?
22:26Do you doubt the value of my money?
22:27Do you believe it's real?
22:30It looks real.
22:32You are correct.
22:33I am not Madame Dormand, and I do apologize for the deception.
22:38But now that I have your attention, I should like to inform you that I am working on behalf of
22:44a very prominent British investor who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg.
23:02Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me, and let this golden opportunity slip through your fingers, or you can simply
23:18introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:27I will give you an answer to the patron.
23:29I will give you an answer to the patron.
23:31Baron, we need to meet a quick quick.
23:33Yes, sir.
23:37Come back here tomorrow at the same time, and I will have an answer for you, Madame.
23:42Thank you, sir. I am much obliged.
24:06He is sending a telegram to Silas.
24:12He is sending a telegram to Silas.
24:30I will go ahead, cause a distraction.
24:31No, no, no, no, no, no, no, no destruction.
24:33How about this time we don't do one of your clever little scams, or pickpocket dances?
24:39Just let me try something.
24:45I will give you an answer to the question.
24:46Hello, sir.
24:46Hello, sir. What do I do for you?
24:48This man was here, and he was given a few hours.
24:52I will see what he sent you.
24:55Well, sir.
25:01For your pain.
25:05Would you prefer to take the rest of me?
25:07Sir?
25:10Sir?
25:16What's that?
25:28Mrs. Holmes, her husband is in Constantinople.
25:41I need to see the Ambassador, Mycroft Hodes.
25:46The point is, Ambassador, I now know who sabotaged our government's secret weapons program, and
25:51indeed I know who stole the weapon.
25:54Yes, yes, well go on.
25:56Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:15Yes?
26:16Well, quite.
26:18Quite.
26:18I shall wire the Foreign Secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:33Oh.
26:55Apologies for the wait.
26:56Not at all, sir.
26:57I have a reply from the Foreign Secretary.
27:00He informs me that you are in disgrace,
27:02and in fact no longer work for Her Majesty's Guard.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption,
27:10if you are prepared to walk it.
27:13Now listen, carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details, are you relevant?
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass,
27:58and muscle,
28:00and reach.
28:04All of which you have over me,
28:05and yet I've bested you in every encounter.
28:09Why?
28:12Because the real strength comes from here.
28:16and here.
28:20Oh.
28:23James.
28:24Mother.
28:25You found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother.
28:35Well, you met with success?
28:37I was.
28:38The British government
28:39has offered her full support
28:41in helping to bring fathers to justice.
28:44Excellent.
28:46So, this is what it's come to.
28:47So, this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet a friend of mine.
29:17Mrs. Emine, she has agreed to help us.
29:21Welcome to my city.
29:31Come on!
29:32Sherlock!
29:33Show her the photo.
29:43Have you seen this man?
29:46No.
29:46Oh, yeah.
29:55Andy, I'm going to push you to rest on the key.
29:58I'll do it now.
30:00It's up.
30:03That small child is going to find our father, is he?
30:06The lowly status of the street urchin is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They're irregulars.
30:28They are looking for you.
30:40Sir, they are looking for you.
30:52Sir, I'm going to thank you, Burak.
30:57Sir, I'm waiting for you.
31:25They have found your father.
31:28he knows you're here with me how it seems our street telegraph works both ways
31:36he wants to see you alone well darling i have to come with you he was quite specific
31:43if you want to see your sister you come alone very well
31:53Sherlock good luck
32:09is he bragging
32:11do you know why magic is so beguiling Sherlock
32:18no when something seems to defy rational explanation wonder the impossible impossible
32:46is she still alive please sit i'd rather not what you did back in england solving all this
32:54finding me here so clever i'm proud of you my son not natural for a father to leave
33:00his boy for dead now is it
33:02Sherlock what are you talking about in the tunnel i was shot you ran i ran because that crazy
33:11woman was trying to kill me i was the one under attack remember you really think i'd want
33:17any harm to come to you
33:23harm
33:27you've done nothing but harm look at me you broke my heart you broke
33:33my mother's heart and only god knows what you've done with my sister so i ask you politely please
33:38tell me is my sister still alive
33:49beatrice is fine
33:51i made sure she was looked after
33:57where is she
34:00i still love you you know i'm still the man who raised you you're a monster
34:05oh Sherlock don't be so simple we're all of us capable of good and evil even if it helps
34:13to call it that you included whether you realize it or not tea no i acted in my best interest
34:23of course i did but i also acted in yours you think you would have become the man you have
34:30had you not been tested in the fire i can't listen to this and yet you can't leave can you
34:35i can't
34:35leave because you won't tell me where my sister is where is she she's here in constantinople with me
34:47you can see her tomorrow if you like but
34:53i request something in return
34:59she wants me dead and if she kills me well then you'll never find beatrice
35:07our futures are intertwined bring juan tomorrow the square same time and i'll give you your sister
35:16well then the choice is not choice at all you really find it that easy condemning someone to
35:22death you owe sure nothing no i don't find it easy but if it was my sister then i wouldn't
35:27have the
35:27slightest breath of hesitation don't think you should either am i interrupting not at all
35:35no cracks a noble hat good night sweet prince and flights of angels sing thee to thy rest
35:54i'm pleased for you that your journey ends well that you're your sister
36:02thank you afterwards your father is mine to do with as i see fit
36:08i realize this is hard for you but we had an agreement i want what's mine and you shall have
36:13it
36:14you have my word the porter and the princess
36:30scout
36:33never made it to the illustrious position of border and i was never princess only shall we
36:50do you feel how am i supposed to feel how do you want for you however i'm supposed to
36:58you are a work in progress sherlock
37:03you are a work in progress sherlock
37:31i think just me and mother from here
37:52i don't trust him i'll be fine mother you wait with marcroft
37:56you are a work in progress
38:12silas
38:13how do you call me father
38:18i can't see my sister
38:20do you know this city was built to rival the majesty of rome
38:26it had the most sophisticated defense fortifications in antiquity it has survived foreign empires brutal wars disease
38:39just about anything human history could throw at it this city has endured
38:47a lovely lecture is it finished
38:53she doesn't exactly look ready to surrender shirley she is
38:58she just doesn't know it yet
39:01what are they talking about
39:03what are they talking about
39:07you expect
39:11now as you can see i'm ready to deliver
39:15so
39:17now as you can see i'm ready to go
39:45where's my sister
39:46what are they talking about
39:53my darling
39:55your move my boy
39:57i've missed you
40:02silas
40:03son
40:05you know what troubled me the more still killing that soldier
40:10i might have got a taste for her
40:12move
40:21let me see your face
40:24shirley
40:31i find myself up and lost for words
40:34which would be a first
40:37what's the matter mother
40:40it's not her
40:42mother
40:46silas
40:46trust me
40:49it's not beatrice
40:52how about him princess
40:53thank you james
41:01you're not my daughter
41:03you're not my daughter
41:04oh
41:09man
41:13find her
41:15lady thank you
41:17i knew you'd betray me sherlock
41:19are you not my son after all
41:24hello mother
41:29bee
41:30bee
41:39sherlock
41:42mycroft
41:44raise your hands
41:47if you'd be so kind
41:52me too brother dear
42:00isn't this nice
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