- 7 hours ago
In Other Words, I Love You Full Movie
Category
🎥
Short filmTranscript
00:00:02I've always described the world in words.
00:00:06People, moments, places.
00:00:09But in that moment, I forgot them all.
00:00:12Be careful. We're talking about the king of Ashton.
00:00:15He's cool.
00:00:16I don't find bullies attractive.
00:00:19Good morning!
00:00:20He's lonely and kind of energetic.
00:00:22Breathe the room before opening your mouth.
00:00:25American.
00:00:26She said you'd be moving in today.
00:00:29There's been some kind of misunderstanding.
00:00:31I'm not staying here.
00:00:33You must stay.
00:00:35I heard you say to the whole thing for attention.
00:00:40Charles, we need to talk.
00:00:42If you don't do anything about it,
00:00:44it's only going to get worse.
00:00:47You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:14Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:19Almost there.
00:01:20You excited for your first day?
00:01:21She calls this a fresh start.
00:01:23I call it...
00:01:31You've got this.
00:01:32Just for yourself.
00:01:34That's...
00:01:35Kind of the problem.
00:01:43I'm stuck in space.
00:01:46Got a daydream running through my brain every day.
00:01:53Heaven in my dead now.
00:01:55World's up.
00:01:57You're okay?
00:02:03Okay.
00:02:06Morning, class.
00:02:09And you're not seated because...
00:02:12I...
00:02:13don't have a seat.
00:02:15Ah!
00:02:15A new transfer.
00:02:17Alice Keaton, right?
00:02:18Let's see.
00:02:22There's a spot.
00:02:24Next to Charles.
00:02:24Charles.
00:02:26Charleston's cherry.
00:02:27Seriously?
00:02:28A charity case sitting next to Charles?
00:02:30God.
00:02:31What is she?
00:02:32Quiet!
00:02:33Charles.
00:02:37I've always had words for everything.
00:02:40But in that moment...
00:02:43I forgot them all.
00:02:54Charles.
00:02:55Move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:03:00From what?
00:03:01Sleeping.
00:03:03From everything.
00:03:04If anything, Charles.
00:03:05Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir.
00:03:12Her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:20She can sit here.
00:03:22It's fine.
00:03:25Back to Golding.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the other teachers.
00:03:34What she's talking about their experience of the time.
00:03:40Wait.
00:03:41You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, knew it.
00:03:45Don't take it past me.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone comment this?
00:03:56I...
00:03:57I've seen Connor.
00:03:58He's not my type.
00:04:00You're joking.
00:04:01I don't find bullies attractive.
00:04:03Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:07The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:13Yeah.
00:04:13Everyone's tried to get close.
00:04:15No one can get past his ego.
00:04:17You're not the first to get iced.
00:04:18Okay, first of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:24And second, I think he's arrogant, cold,
00:04:27thinks he's untouchable.
00:04:29But if you really look at Charles,
00:04:31he just seems isolated, like he's faking out.
00:04:34Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:41No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:56Next time,
00:04:58read the room before opening your mouth, American.
00:05:04We're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:26Anything exciting, Captain?
00:05:27Not really, super uneventful.
00:05:30Really?
00:05:31How was your new job?
00:05:33Yeah, alright.
00:05:34Get this?
00:05:35They said we can stay in the servant's wing.
00:05:37Seriously?
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:47Yeah?
00:05:48Isn't it credible?
00:05:49I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:08Rich people.
00:06:09You've topped yourselves again.
00:06:14Stephen King.
00:06:16First edition.
00:06:27Breaking and entering now.
00:06:28You are.
00:06:29How American of you.
00:06:31I...
00:06:52You can get up now.
00:06:54I... I'm trying.
00:06:56Wait.
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:06I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:12Wait.
00:07:13Your house.
00:07:15My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice.
00:07:25Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:35Is that so?
00:07:36Yeah.
00:07:36I'm not staying here.
00:07:38Like, at all.
00:07:39That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:49Come on, Alice.
00:07:51You.
00:07:52Must.
00:07:53Stay.
00:07:54It'll be...
00:07:56Fun.
00:07:57My dear...
00:07:59Classmate.
00:08:01I'm dead.
00:08:02Like mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:20You've been through hell.
00:08:24Actually, no.
00:08:25Don't be the thing I need.
00:08:26They all just let me...
00:08:27This is hell.
00:08:30Hi.
00:08:31Good morning.
00:08:39Wow.
00:08:46So, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:51That's what's been closed for months.
00:08:53She's going to be late.
00:08:59Hey.
00:09:00How long is this thing going to take?
00:09:02Maybe I'll just walk?
00:09:04Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:18Or die of exhaustion on the way.
00:09:21What...
00:09:22What are you doing here?
00:09:23Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for... me?
00:09:31Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here, maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge!
00:09:52Yeah.
00:09:54And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house!
00:10:01Now, I think we're very comfortable.
00:10:06We can't let them go!
00:10:14We can't do it.
00:10:15We can't do it.
00:10:16We can't do it.
00:10:19We can't do it.
00:10:20We can't do it.
00:10:23No, you like to cry for me.
00:10:24Why don't just give Miss Keaton a lift?
00:10:32Why don't just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new. Everybody's already talking.
00:10:39So you're worried about her?
00:10:41You're overthinking.
00:10:43I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:52Hey.
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:05Mr Kenwood.
00:11:06Care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:15I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is...
00:11:22Weak.
00:11:23Wait, wait.
00:11:25You actually read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:32He had the set up for something brutal.
00:11:35Something honest.
00:11:36In the end, he backed out.
00:11:39He could have left the boys on the island.
00:11:41Forced them to confront the collapse of vulnerability.
00:11:43Let them choose survival.
00:11:45Or death.
00:11:47But instead, he gave them a rescue boat.
00:11:49He slapped a happily ever after on a book about savagery.
00:11:56It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So.
00:12:10A critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:29I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:51You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world?
00:13:05Toxic, violent, he didn't call that out nearly as much.
00:13:07So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:23Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinion.
00:13:36What's happening to me?
00:13:43Okay, what is going on? Why is everyone staring at me?
00:13:46Well, you're new, and apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of this epic feud I should've seen in years.
00:13:56We're not even fighting.
00:13:57Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:05And today in class, you broke down crying about not believing in happy endings, and stormed out in tears.
00:14:12You were there, Sherry, that is not what happened.
00:14:16Doesn't matter.
00:14:18People believe what they want to believe.
00:14:20And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:25Is massaging like a rich kid thing, or just a British specialty?
00:14:28Honestly, both.
00:14:29But seriously, Alice, some people already see you as a threat.
00:14:42Okay, loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:15:01Hello?
00:15:03Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:23Fine.
00:15:38Seriously?
00:15:41Oh, shit.
00:15:47What the hell?
00:15:50Anne!
00:15:51I thought you were having dinner with Alice?
00:15:52She hasn't come home.
00:15:54Her phone is off.
00:15:55Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Mr Pelton!
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:23I'll have it sent over.
00:16:25Check the common room in the library.
00:16:27I'll take the rest.
00:16:28Hey!
00:16:30Alice!
00:16:44Come on, Alice.
00:16:46Hold your eyes and jump.
00:16:49It's fine.
00:16:50We're fine.
00:16:51I'll see you.
00:16:52Help me.
00:16:53Help me.
00:16:58Help me.
00:16:58Help me.
00:16:59Help me.
00:17:02Help me.
00:17:14Hey, Mr. Nonchalant.
00:17:19Are you happy with how we end?
00:17:25What are you doing here?
00:17:29Can you get off me first?
00:17:33Did I ask for two months?
00:17:38Isn't my fault I thought we would pray?
00:17:41You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might only be basic manners.
00:17:47Someone just dumped swamp water on me.
00:17:50Excuse me if I'm not feeling very polite.
00:17:52You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:01You're heavier than you look.
00:18:04I hope you pull your shoulder.
00:18:11Are you okay?
00:18:12No.
00:18:14But I will be.
00:18:16Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:22You shouldn't have to.
00:18:27I'm sorry.
00:18:34Sorry.
00:18:39Did you just apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:47Alice?
00:18:48Over here.
00:18:50Oh my god.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah, I just took a weird shower.
00:19:00Top exploded.
00:19:03Come on.
00:19:03Let's go.
00:19:04You have.
00:19:14Alice Keaton, right?
00:19:17I heard you say to the whole thing for attention.
00:19:43I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:50I'll look into it.
00:19:53Charles?
00:19:55Good on you.
00:19:56How many of you would speak up?
00:20:02I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:08They're busy protecting their golden boys and trust funds.
00:20:11Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:20:17Please, he just didn't want a lawsuit.
00:20:36Being a scholarship student has its perks, like saving a fortune on tuition and getting
00:20:42into schools that normally wouldn't even let you pass the gates.
00:20:46Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:52But sometimes, being here means standing behind.
00:20:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:21:02Have fun.
00:21:04Bring me something overpriced and unnecessary.
00:21:11The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:21:17So, yeah, I didn't go.
00:21:41What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable.
00:21:47You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:51And this is not even your house.
00:21:53And yet, you're here, dressed like this.
00:21:56Just don't, look, go away.
00:21:58Hard not to, when you're walking around dressed like that.
00:22:01What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:10You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people lived for that kind of thing.
00:22:15Why do you think?
00:22:22How would I go?
00:22:22I could practically recite the itinerary in my sleep.
00:22:27Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:22:33Or Titian, if you want to sound extra pretentious.
00:22:37Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli, marvel at Pompeii, pretend you're shocked, ancient people had plumbing.
00:22:49The final stop, Harry, the ultimate city of romance.
00:22:54And naturally, Woody Allen's favourite city outside of New York.
00:23:02That's word for word.
00:23:04I told you.
00:23:05I've done this tour so many times, I could run it.
00:23:08Okay, but still, it's Europe.
00:23:10Most people would kill for that chance.
00:23:12Most people haven't had their phones stolen in Paris.
00:23:15Twice.
00:23:16Also, I hate the accommodations.
00:23:19Aren't they all five-star hotels?
00:23:21Standard rooms in five-star hotels?
00:23:23No thank you.
00:23:25Wow, some were born in Rome, huh?
00:23:28Well, that's unfortunate.
00:23:29It's a very chaotic city.
00:23:31One word of advice?
00:23:32Shut up.
00:23:32That's two words.
00:23:36You're weird.
00:23:37You're loud.
00:23:37You're annoying.
00:23:38You're in my kitchen.
00:23:39You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:44Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:47You didn't have to come.
00:23:48Don't tell me what I have to do.
00:24:05I've got it sorted.
00:24:19Jesus, what are you doing?
00:24:21Relax.
00:24:24I'm here to make a deal.
00:24:25What deal?
00:24:26You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:40I'm not selling my body.
00:24:45Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:53The staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think I'd spend 100 pounds on...
00:25:01No, I'm...
00:25:02I...
00:25:02Jesus.
00:25:04Wait.
00:25:05You think I'm not worth 100 pounds?
00:25:08I'm not spending 100 pounds to snort you back up.
00:25:12You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:18Are you sure about that?
00:25:19I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:26Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this will do.
00:25:32It's...
00:25:33It's...
00:25:33Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46it's American and french fries likely born in South America you should read
00:25:51more put it down I paid for it you really just have to win every argument
00:25:58don't you to be fair you make it very easy it's only easy because it cost 200
00:26:05pounds you know if you'd ask for more I probably would have given it to you
00:26:23okay Alice it's fine you're fine
00:26:34911 look for your emergency
00:26:41911 what's with your emergency it's my dad he needs help he just had a stroke
00:26:45okay miss the hurricane constant traffic shutdown we'll get you as soon as we can
00:26:49easy not well I understand can you confirm your address
00:26:55yes I'm right here all right my daughter please stay with me dad please
00:27:13dad please please don't leave me
00:27:22me
00:27:50What are you doing here?
00:27:55you were crying loudly kind of hard to ignore right sorry for the night wait no snarky come back not
00:28:09tonight i'm too tired if you're here to argue knock yourself out you were calling for your dad right hurricane
00:28:19hit new york power went down traffic froze
00:28:24dad had a stroke but he couldn't get out in time i sat there with a candle while he laid
00:28:34there peaceful like he was asleep but he wasn't
00:28:45so that's why you and your mom moved here this used to be our hometown after dad left we had
00:28:55nowhere else to go
00:29:00what are you doing
00:29:06come on
00:29:23wait i thought the power was out it is we have our own generator wow rich people houses her just
00:29:31for tonight i'll allow it
00:29:35about what you can call this place your house so enjoy it stephen king's first edition alan gisberg's handwritten letters
00:29:43jane austen's notes all yours
00:29:50this is your home alice keaton
00:30:00careful almost sounded sweet don't push it okay then
00:30:07i have one request what is it
00:30:21are you ever going to make a move wait give me a second i'm thinking
00:30:26you had one wish anything in the world and in the middle of a thunderstorm inside a literal mansion
00:30:34you chose chess
00:30:36yeah got a problem
00:30:38it's just so cool like
00:30:40spies or genius villains in movies
00:30:42it's literally a board game
00:30:44says the guy who owns a custom set
00:30:47wait does the knight go diagonally
00:30:49for the tenth time
00:30:51it moves in an l shape
00:30:53one
00:30:55two
00:30:56then turn
00:30:58there
00:31:00happy
00:31:00excited
00:31:03you know that's a suicide
00:31:05or a brilliant long term sacrifice
00:31:07you are playing checkers at a chess board
00:31:10still beating you in sarcasm
00:31:11you literally haven't won any past arguments
00:31:13golding disagrees
00:31:15it's going to be a long night
00:31:16oh my no
00:31:18you can't do that
00:31:35you can't do that
00:31:42maybe
00:31:43maybe
00:31:43he's not so awful after all
00:31:52um who are you
00:32:00what are you doing here
00:32:01well your parents said you were still at home
00:32:03thank god you skipped that boring grand tour
00:32:05who needs italy and france again
00:32:07right
00:32:08when did you get back
00:32:09last night
00:32:10from zurich
00:32:11you didn't answer my messages
00:32:15i missed you
00:32:16anyway
00:32:17thought i'd come surprise you
00:32:18apparently
00:32:19i'm transferring to ashford
00:32:21your parents are so thrilled
00:32:23they didn't tell me about this
00:32:25i wanted to deliver the happy news myself
00:32:27they said it'd be lovely for us to
00:32:29reconnect
00:32:30you know
00:32:31considering the engagement
00:32:32and all
00:32:33engagement
00:32:36oh
00:32:36did no one tell you
00:32:38he's promised
00:32:40old money stuff
00:32:41very retro
00:32:42i didn't agree to that
00:32:43you didn't have to
00:32:44it's never up to us
00:32:47where did you find this little
00:32:49toy
00:32:50serena
00:32:51i can hear you you know
00:32:52oh
00:32:53an american
00:32:54how
00:32:56refreshing
00:32:59goodbye
00:33:01wait
00:33:17where are you going
00:33:19you still owe me breakfast
00:33:21you only paid for dinner
00:33:23i have homework
00:33:24goodbye
00:33:28your little toy has quite the temper
00:33:30serena can you please just stop
00:33:32what
00:33:33teasing the help
00:33:40that's her that's the one from kenwood's house
00:33:44is she like the maid or something
00:34:01oh my god what's wrong with people
00:34:04they're saying you live with charles
00:34:06oh and serena
00:34:07what about her
00:34:08apparently she told everyone you were caught sneaking into his room
00:34:13of course she did
00:34:26careful alice you're starting to look desperate
00:34:29oh
00:34:41yeah
00:34:41how do you help me about my accident
00:34:42i know it's 1066 this is good
00:34:44come to the music room
00:34:46urgent
00:34:47i just remembered i need to check something
00:34:49you guys go ahead
00:34:50yeah okay
00:34:57hello
00:34:58is someone doing this
00:34:59No! Seriously! This is getting old!
00:35:15Wait... Music room? What?
00:35:19James? Is anybody in here earlier?
00:35:22Just Miss Serena. Said she was waiting for you.
00:35:26Sir?
00:35:28Sir, it's raining!
00:35:40Come on, at least you're fine. You're not that girl again.
00:35:51Wait, can you remind me one more time?
00:35:53Okay. Rooks moving straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally. And knights...
00:36:01The knight's a weird one.
00:36:07Rooks.
00:36:09Straight lines. Bishops.
00:36:13Diagonally.
00:36:14Hello?
00:36:35The text...
00:36:36Are you okay?
00:36:38Are you... Are you hurt?
00:36:39I... I'm okay. I...
00:36:41I saw the text and I thought...
00:36:43I... I didn't see the message.
00:36:46Serena took my phone. I... I didn't know. I'm sorry.
00:36:49I'm... okay.
00:36:51You're gonna catch a cold.
00:36:53You're freezing.
00:36:54You didn't have to come.
00:36:57Don't tell me what I have to do.
00:37:00Give me hope that feels like hope...
00:37:23That wasn't a mistake, if that's what you're about to say.
00:37:27I wasn't going to.
00:37:41I'm really bad at this, you know.
00:37:44What? Kissing?
00:37:45Hiding feelings.
00:37:47I don't like that.
00:38:08Dump those Ewok pyjamas.
00:38:11Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:17You kissed me.
00:38:19That's basically consent to everything.
00:38:27Dangerous words, Keaton.
00:38:29I might hold you to that.
00:38:40You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:47One, two, three, four.
00:38:50Paper planes.
00:38:52Are you okay?
00:38:53Fly me to outer space.
00:38:57That's where I'll see your face.
00:39:02And have you with me.
00:39:07It may seem dark, but you always like my spark.
00:39:16In my heart, since the spark.
00:39:22You're welcome.
00:39:26They're either enemies and we're secretly married.
00:39:30Honestly?
00:39:32Faith?
00:39:34I was sure I'd never find someone to make my head spin around.
00:39:39No one's ever gonna be the thing I need.
00:39:41They all just let me down.
00:39:43But baby, you saved me.
00:39:46Time pen new.
00:39:49Everything's so different now.
00:39:52So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird.
00:40:00And I like weird.
00:40:16You're cheating.
00:40:17I'm winning.
00:40:18There's a difference.
00:40:20You are very distracting.
00:40:22And you like it.
00:40:23I will be there for you, babe.
00:40:27I'll be there for your darkest days.
00:40:32Hold you in my arms.
00:40:34Charles.
00:40:35We need to talk.
00:40:44I expected poor judgment.
00:40:46But this, in my house?
00:40:49It isn't what it looks like.
00:40:50No.
00:40:51Kissing a servant's daughter in the family library.
00:40:55Enlighten me then, Charles.
00:40:56We came back tonight after speaking with Serena.
00:41:00Imagine our surprise walking in on this.
00:41:03She isn't just...
00:41:05You have no right to barge in.
00:41:07On my property.
00:41:11I care about her.
00:41:13I'm not ashamed of that.
00:41:14That's enough.
00:41:17Why do you care?
00:41:19We're protecting our son's future.
00:41:22And our name.
00:41:24You think this protects me?
00:41:25We think she does not belong in your world.
00:41:31Then maybe I don't either.
00:41:35You're ready to give up everything.
00:41:37For a girl you barely know.
00:41:41Yes.
00:41:43Then, are you sure she's ready?
00:41:53I'm asking you.
00:41:54Do you think she's ready?
00:41:56To lose everything, regardless of how little that is.
00:41:59Just to be with you.
00:42:00What are you talking about?
00:42:02You left us no choice, son.
00:42:04You shouldn't disobey your father.
00:42:08Peltan, it's Frederick Kenwood.
00:42:11Ah, Mr. Kenwood.
00:42:13How can I help?
00:42:14If a scholarship student were to violate our behavioral code
00:42:18in a public setting with photographic evidence,
00:42:21would that warrant a review?
00:42:24Yes, sir.
00:42:27So, answer me again.
00:42:31Do you think she's ready to lose everything just to be with you?
00:42:46Charles, what happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:49Is everything okay?
00:42:51Pack your things.
00:42:53You can't stay here anymore.
00:42:55What?
00:42:57My parents fired your mother.
00:42:59She's leaving.
00:43:01So are you.
00:43:01Wait, what?
00:43:02Why?
00:43:03Is it because of us?
00:43:05We can fix this.
00:43:06I'll get a job.
00:43:06Stop, stop it.
00:43:07You don't get it.
00:43:09If I don't walk away from this,
00:43:11they'll cut me off.
00:43:12Okay?
00:43:13No card.
00:43:14No trust.
00:43:15No support.
00:43:17Nothing.
00:43:18Then,
00:43:19then we'll figure it out.
00:43:21We don't need all that.
00:43:23Do you really think I'm going to live like that?
00:43:28So that's what this was?
00:43:30Just fun until it got inconvenient.
00:43:34What did they promise you?
00:43:38Nothing.
00:43:42They just reminded me of what's real.
00:43:48Charles, I'm not stupid.
00:43:49You don't just turn into a cold stranger
00:43:52because of one conversation.
00:43:53What did they threaten you with?
00:44:01What did they threaten you with?
00:44:03This is the difference between me and you.
00:44:05What?
00:44:06You think you know me.
00:44:07Or what I have.
00:44:09You don't, Alice.
00:44:11You're still lying.
00:44:12I'm not, Alice.
00:44:14Look around you.
00:44:16This mansion you thought was a museum.
00:44:18It's my house.
00:44:21My world.
00:44:22I was bored into this.
00:44:24I am not choosing between this
00:44:26and something I picked up
00:44:30for a moment of fun.
00:44:35Don't do this, Charles.
00:44:36You don't mean it.
00:44:37It was fun.
00:44:39But did you?
00:44:41You don't compare to what I own.
00:44:45I'll survive the loss.
00:44:49Right.
00:44:51I should have known.
00:44:54Guys like you don't end up with girls like me.
00:44:59You play with them, then you throw them away.
00:45:03Go to sleep, Alice.
00:45:16This fall is a little more than I expected
00:45:22In so deep I can barely see myself
00:45:28Yeah, around me feels so heavy but depleted
00:45:34But I find that's the place to test myself
00:45:46Oops.
00:46:04Oh, sorry.
00:46:06Didn't see that.
00:46:07Then again, nobody does.
00:46:10Move, please.
00:46:12Try begging
00:46:18You know what?
00:46:20Keep it
00:46:25Poor thing
00:46:26So dramatic
00:46:29Don't
00:46:30Excuse me
00:46:31I warned you
00:46:33Walk away, Serena
00:46:55Last week's group assignments were mostly forgettable
00:46:59But one pair surprised me
00:47:01In a good way
00:47:03Charles Kenwood
00:47:04And Alice Keaton
00:47:06Would you mind giving us a short summary?
00:47:09She loves the sound of her own voice
00:47:10Let her have it
00:47:18Our essay explored what happens when two fundamentally different voices meet
00:47:24Like logic and chaos
00:47:26Or silence and noise
00:47:28Different worlds, different rules
00:47:32At first glance, they clash
00:47:35But what makes the story interesting is what happens next
00:47:38Confusion
00:47:39Curiosity
00:47:41But in the end, some stories aren't about staying
00:47:44And yes, there is no such thing as a happy ending
00:47:57And yes, there is no such thing as a happy ending
00:48:01Is she still talking about the essay?
00:48:06Miss Keaton
00:48:09Dramatic as always
00:48:10All right
00:48:11Thank you, Alice
00:48:12That was
00:48:14Lated
00:48:16You're okay?
00:48:17A reminder
00:48:18That good literature
00:48:20Always stirs something
00:48:24Hello?
00:48:25Hi, this is Alice Keaton
00:48:26This is Whitmore Press
00:48:27We've been following your work
00:48:28We'd like to offer you a long-term publishing contract
00:48:31Name your price
00:48:32We'll make it work
00:48:33Sorry, what?
00:48:44That's kind of insane
00:48:47Who's behind this?
00:48:48Your sponsor wishes to remain anonymous
00:48:52Can...
00:48:52Can I meet them?
00:48:55I want to
00:48:57Please
00:48:58Or at least tell me a name
00:49:03Sorry, they wish to stay in office
00:49:05So there are any interest in words, not the person
00:49:07I'd really like to meet them
00:49:09I'm sorry, Miss Keaton
00:49:10They were very good
00:49:11I think the most jealous of all we've ever given is a new answer
00:49:15I see
00:49:16Congratulations again
00:49:21You got the interview
00:49:22I think it's just an interview I haven't gotten in yet
00:49:24Still, Alice Keaton at Oxford
00:49:27That's iconic
00:49:36You okay?
00:49:38Yeah
00:49:40I'm so excited
00:49:54It's done, Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:59Good
00:50:00It's a generous deal
00:50:01You sure you don't want her to know?
00:50:04No
00:50:05No, it's better if I stay out of her life
00:50:08I will be fine
00:50:12I'll be there in your darkest days
00:50:16Congratulations, Alice Keaton
00:50:19Go live the life you were always meant to
00:50:28Your engagement and announcement should align perfectly with the Foundation Gala
00:50:33And the Browns already offered to host the London reception
00:50:38It's all coming together
00:50:41Beautifully
00:50:44I've lost my appetite
00:50:49I'll go check on him
00:50:55What's your problem, Charles?
00:51:00This engagement
00:51:02It's not happening
00:51:03It's not up to you
00:51:04You know that
00:51:04Serena, we're not doing this
00:51:08You've changed
00:51:09Or maybe I finally just stopped pretending
00:51:41Charles
00:51:43You're the sponsor. You've been funding Alice Keaton this whole time.
00:51:50So?
00:51:51You lied to everyone, including her.
00:51:55I protected her.
00:51:58You loved her.
00:52:00Still do.
00:52:02Let it go, Serena.
00:52:06There's no point.
00:52:15I need a favour. Find out when the Oxford interview is.
00:52:20And make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:30She's not answering. The interview's almost over.
00:52:33Well, she won't just not show up. Something's wrong.
00:52:37Where's Alice? When was the last time you heard from her?
00:52:41Last night, she said she was prepping all evening.
00:52:48James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay? It won't hurt you.
00:53:04Yeah, we're just supposed to keep you awake from the interview, that's it.
00:53:11No!
00:53:15Shit! Come back!
00:53:17No!
00:53:19No!
00:53:24No!
00:53:25No!
00:53:26No!
00:53:28No!
00:53:29No!
00:53:32No!
00:53:33No!
00:53:34No!
00:53:36No!
00:53:38No!
00:53:44I remember how I met
00:53:48Didn't need a second guess
00:53:55Hey, hey, hey, Alice, Alice
00:53:58Alice, stay with me, stay with me, stay with me, Alice
00:54:00Alice
00:54:07You're awake
00:54:10Where, where am I?
00:54:11A local clinic
00:54:13Passerby brought you in
00:54:15Passerby?
00:54:16He found you on the side of the road
00:54:18He had to leave, he didn't leave a name
00:54:22Oh
00:54:24The interview, what time is it?
00:54:26Easy, it's okay
00:54:28Someone already contacted the university
00:54:30And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow
00:54:34Wait, what, who?
00:54:36No idea, but it's all taken care of
00:54:41What did you say?
00:54:43Nothing
00:54:44I just
00:54:46Had a dream
00:54:58I got him!
00:54:59Oh, I knew it
00:55:05Too bad Charles isn't here to watch you crush it
00:55:08He's not here
00:55:10Oh, you didn't know
00:55:12Know what?
00:55:14He left
00:55:15A few days ago, yeah
00:55:17Everyone doesn't really know where he went
00:55:19Honestly, Asher's been quieter without him
00:55:21It's probably for the best
00:55:22Come on
00:55:23Come on
00:55:29Alice?
00:55:30Alice?
00:55:33The summer I met Charles Kenwood was loud
00:55:37Chaotic
00:55:39Unexpected
00:55:42And with his absence
00:55:43Come on
00:55:45It ended quietly
00:55:49Like summers always do
00:56:03And joining us today
00:56:05The decade's most unexpected literary phenomenon
00:56:09Alice Keaton
00:56:10Thank you for having me
00:56:11Now, your words moved millions
00:56:14They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you
00:56:20Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:25No comment
00:56:26A little bird told me that the past four years
00:56:29Has been just writing and working
00:56:31Not even a single date
00:56:33Let me guess a bird named Shiri
00:56:34She caught me
00:56:35Still no comment
00:56:36All right, all right
00:56:38No matter what you say
00:56:39You write love
00:56:41Like someone who's lived it
00:56:43If you're so real
00:56:44Because once
00:56:45I did
00:56:46With someone who felt like chaos and clarity
00:56:49And no one ever quite matched the light after that
00:56:53And let's give it up for Alice Keaton one more time
00:57:07Congratulations, Alice
00:57:08The numbers just came in
00:57:10You broke your own record
00:57:13That's incredible
00:57:14We're thinking celebration
00:57:16Press
00:57:16Photos
00:57:17Maybe tonight
00:57:18Actually
00:57:20There's something I'd rather do
00:57:23I'd like to meet with the person who
00:57:25Believed in me first
00:57:27My sponsor
00:57:28You're sure?
00:57:29Yeah
00:57:30Just once
00:57:31Tonight
00:57:337pm
00:57:44Good evening
00:57:49Good evening
00:57:52May I sit?
00:57:57Hey Mr. Nonchalant
00:58:03Hi
00:58:04Hi
00:58:07You look well
00:58:11And you look like you just stepped out of a GQ cover
00:58:15You always did
00:58:17You were expecting someone else
00:58:19I was
00:58:22Hoping
00:58:23But I guess I always knew
00:58:26I didn't come here to confuse you
00:58:28Or to reopen anything
00:58:32I just wanted to say congratulations
00:58:35Oh
00:58:36Thank you
00:58:37Thanks for keeping me
00:58:39Didn't know you were still reading
00:58:41You were rich enough not to do so
00:58:45Always
00:58:45Either way
00:58:47Your sponsorship started my career
00:58:50So
00:58:50No
00:58:51No
00:58:52You earned everything
00:58:56Every word
00:58:57Every page
00:59:00Every reader
00:59:02That's what I came to say
00:59:08It was good to see you again
00:59:09I hope
00:59:10Charles
00:59:12Can you just
00:59:15Wait a little longer
00:59:23I think I knew it was you
00:59:26There was one email
00:59:29You said something
00:59:30Felt familiar
00:59:31Really
00:59:32Kind of had that
00:59:33Rich asshole with a conscience energy
00:59:36Very on brand
00:59:38I should have anonymized my grammar
00:59:40Too late
00:59:41Your semicolon usage gave you away
00:59:44Still the only girl I know
00:59:45Who flirts through punctuation
00:59:47Still the only guy I know
00:59:48Who uses wiles unironically
00:59:53You've changed
00:59:55But
00:59:57Not really
00:59:59You haven't changed
01:00:01But
01:00:02Maybe you've grown into who you really were
01:00:06Anyway
01:00:07I wanted to say
01:00:10Thank you
01:00:12And
01:00:13Thanks for being here tonight
01:00:16You didn't have to come
01:00:18Don't tell me what I have to do
01:00:19You didn't have to come
01:00:25Don't tell me
01:00:26What I have to do
01:00:46If you could go back
01:00:48If you had the chance to do it all again
01:00:50Would you do anything differently
01:00:57No
01:01:03No
01:01:08I see
01:01:12I know my answer now
01:01:13I didn't have the power
01:01:14Back then
01:01:16Not enough to protect you
01:01:18I couldn't watch you get crushed
01:01:19Because of me
01:01:21Because of my name
01:01:23My family
01:01:26I didn't want to be the reason
01:01:27You lost everything
01:01:28So you just disappeared
01:01:30Without a word
01:01:34If you had the chance to see the world
01:01:36Without me weighing you down
01:01:39If you still chose me after that
01:01:44You keep saying you wanted to give me a choice
01:01:48But you made a choice for me
01:01:52Did it ever cross your mind that maybe
01:01:56I would have chosen you anyway
01:02:04I didn't think I was the smart choice
01:02:07You weren't
01:02:10But I never claimed to be that smart
01:02:21This is me
01:02:22Right
01:02:30I'm still mad at you
01:02:31You know
01:02:34I'm still in love with you
01:02:35You know
01:02:44Do you want to come in for a bit
01:02:48You're asking your ex
01:02:49Who you haven't seen in four years
01:02:52To come into your hotel
01:02:54At approximately 11pm
01:02:57You were right
01:02:59You never were that smart
01:03:01You don't have to come
01:03:02Don't tell me
01:03:04What I have to do
01:03:05It's almost like you say
01:03:08Less things come to go
01:03:19Stop quoting yourself
01:03:21I recycle
01:03:21It saves energy
01:03:24This feels wildly irresponsible
01:03:26You sound like a disclaimer
01:03:27You're the one who wants called romance a distraction
01:03:30I said that
01:03:31Yeah
01:03:32Before calling Wuthering Heights overrated
01:03:35Still is
01:03:36You're lucky you're a good kisser
01:03:42That is cute to me
01:03:43Don't you dare quote poetry
01:03:45I wasn't going to
01:03:47I forgot all of it the day you left
01:03:49Then shut up
01:03:51And prove it
01:03:58I still can't believe this is happening
01:04:00I told you
01:04:01They're either worst enemies
01:04:02Or secretly married
01:04:03And I told you
01:04:04They're both
01:04:09It's more than a naked body
01:04:14The world makes me want to stay calm
01:04:19It's enough to let folks let it be
01:04:32I vow to always tell you the truth
01:04:35Except for when you ask how your cooking was
01:04:37Then I lie
01:04:39Respectfully
01:04:42I vow to keep choosing you
01:04:45Loudly
01:04:46Quietly
01:04:48Always
01:04:50Even when you forget to do the laundry
01:05:01I vow to argue with you
01:05:03At least twice a week
01:05:04Especially over Shakespeare
01:05:06I vow to write you
01:05:08Into every story
01:05:09Even when I say I didn't
01:05:11You will always be a part of my life
01:05:14If she quotes Austen in this toast
01:05:16I'm out
01:05:17No you're not
01:05:18You're going to cry harder
01:05:19For the rest of life
01:05:23For the rest of life
01:05:37I can't believe you picked Paris
01:05:45Such a cliche honeymoon destination
01:05:48Guard your phone
01:05:50Relax
01:05:50Just don't dress like a walking inheritance
01:05:53And you'll be fine
01:05:56You are not wearing that on our honeymoon
01:06:00Please Alice
01:06:01Go change
01:06:02Don't tell me what I have to do
01:06:08No
01:06:09No
01:06:09No
01:06:10No
01:06:10No
01:06:10No
01:06:10That is not an invitation
01:06:11Do not take off these clothes
01:06:13Overruled
01:06:14You look much better without them
01:06:21To the ones who loved in silence
01:06:24In chaos
01:06:25In chapters
01:06:27You will find your way home
01:06:33Coming up
01:06:34Goodbye
01:06:36Stop
01:06:36But I want to die alone
01:06:38Oh
01:06:39God
01:06:40God
01:06:42What do you mean
01:06:42I'm great
01:06:43I'm great
01:06:43How are youying
01:06:43the morning I
01:06:49I
01:06:51I
01:06:52I
01:06:55I
01:06:56Like
01:06:56I
01:06:56I
01:07:03It's up to us to make sure that we can gain what's been passed through these books.
01:07:09Help us develop, learn, and grow.
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