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00:09Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:31Sit down.
00:35The man with the bird's claw. Did you say those words to anyone else?
00:38No.
00:39You didn't tell anyone apart from me and Mycroft.
00:42I tried to tell you, he's coming back for me.
00:46Who's he?
00:47They're listening.
00:50The whirring, always the whirring.
00:55I couldn't understand why you wouldn't believe me.
01:08Can you hear it now?
01:19I do. I hear it.
01:28Shut up!
01:32What in God's name?
01:36Oh, what fun?
01:50What is it?
01:54Some sort of listening device.
02:00You were right, Papa.
02:04Someone has been recording you.
02:08Open the door!
02:10Time to leave.
02:12Open up!
02:16Mr. Hopes!
02:18Wait!
02:26Shut up!
02:41Shall we take the floor?
02:47No.
02:48I never was very good at this.
02:50You did try to teach me.
02:52You always had two left feet.
02:54Still do.
02:55One, two, three.
02:57One, two, three.
02:58One, two, three.
02:59One, two, three.
03:00One, two, three.
03:00Look at me, Mother.
03:02Just us.
03:03You, me, and the music.
03:05Here come right here.
03:07Oh my god.
03:09Oh my god.
03:10What the heck?
03:13Oh my god.
03:24What?
03:25What?
03:29Oh my god.
03:32Oh, god!
03:41See how you like it.
03:44I think he likes it.
03:53Are we making an escape?
03:58Yes.
04:07You've got an appointment, Princess.
04:12Yes, sir, lads!
04:14Yes, sir, lads!
04:16Yes, sir, lads!
04:17Yes, sir, lads!
04:20Yes, sir, lads!
04:22No good, Mr. Stubborn!
04:25In the back!
04:30So, what's yours?
04:31What?
04:32Your wine.
04:32Just approximate.
04:34To the drop.
04:36Because if the rope's too short,
04:38then your neck won't snap,
04:39and then you'll be left slowly choking.
04:41It's a rather undignified way
04:43to shuffle off this mortal coil,
04:44wouldn't you agree?
04:45Einstein, I'd guess.
04:47Seven-foot-ten-inch drop.
04:49Did you know that the first account
04:51of execution by hangings
04:52in Homer's Odyssey?
04:53No, I did not know that, sir.
04:55Fascinating.
04:56Is this supposed to intimidate me?
04:57No, it's supposed to kill you.
04:59I know about British justice.
05:00You're not allowed to play both judge and executioner.
05:04No.
05:10In five.
05:12In four.
05:13Are you counting down?
05:14Are you killing my scientists?
05:17In three.
05:19Handler!
05:21I work through a handler.
05:24What do you work for?
05:25Not my place to ask.
05:27Only my place to light defuser.
05:28Walk away.
05:29In two.
05:30I receive instructions.
05:32I'm a hired gun.
05:34That is all.
05:35Then you're of no further use to me.
05:37In one.
05:37What the hell are you doing?
05:39I think you'll find I don't answer to you, Mycroft.
05:41We don't torture prisoners, sir.
05:44There are rules.
05:45Protocol.
05:46This woman is trying to destroy me and I will have my satisfaction.
05:51And you have every right, sir.
05:53Every right.
05:54But consider this if you would.
05:56You're out of favour with the foreign secretary, are you not?
05:59Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
06:04May I remind you, she is our only link to whoever is killing your scientists, sir.
06:12I was merely endeavouring to loosen her lips.
06:14But we are Englishmen.
06:17It has to mean something.
06:18And in a changing world, how much do you think you're going to achieve with the Queensbury rules?
06:22Your absurd sense of fair play, hmm?
06:29Loosen the roads.
07:02Ebb acontecer
07:05Alas, poor meonic.
07:08I'm the mayor of Horatio.
07:37I'm afraid there's going to have to be some changes around here.
07:42I'm needed abroad on an expedition in Mycroft.
07:46I've arranged a government clerkship for you in London.
07:50Thank you, Father.
07:54Sherlock, I know you're not going to want to hear this,
07:57but your mother and I think it's best if you went to boarding school.
08:06I don't want to leave!
08:11Be strong, my boy.
08:24Mother?
08:26We're here.
08:28Oh.
08:37Oh, you brought me home.
08:45You're safe now.
08:58Yes, let's get you sat down and I'll light the fire.
09:00Oh, who's that?
09:01Mother, mother.
09:02This is James, James Moriarty. He's a friend of mine.
09:05Hello.
09:06Oh, I'm so glad.
09:08Darling, Sherlock never had any friends.
09:11Oh, really?
09:14Well, it's a pleasure to meet you, Mrs. Holmes.
09:17Darling, can you hear that music?
09:21Oh, that sound.
09:25That's you!
09:35You!
09:37Me?
09:38Oh, Beatrice.
09:41Oh, my darling.
09:52That's beautiful.
09:55Bye, sweetheart.
09:59Why are you running away from me?
10:03V!
10:04Bea, where are you running off to?
10:08I want to crown you.
10:11I want to crown you, come!
10:19Beatrice!
10:20Bea? Beatrice?
10:25Perhaps...
10:26Perhaps we should sit down for a moment, Mother.
10:29All right, let's take a seat.
10:43She is absolutely exhausted.
10:45Will you like to fire? She needs warmth, rest and food.
10:48Yes, Sherlock, where is your father in all of this?
10:51This shouldn't all be on your shoulders.
10:53He's in Vienna. He's a busy man.
10:55It's all right. I'm here, and I'm dealing with this.
10:59What? We're breaking her over in the asylum.
11:03Mother.
11:03They were recording her in there, James.
11:05They were listening to every single word she said.
11:07I had no choice, and Shuan knew about it.
11:09There's a man with a bird's claw.
11:10He's coming back for me.
11:13How did she know?
11:17Sherlock!
11:20Mother?
11:27Mother!
11:29Mother!
11:43Mother!
11:45Mother!
11:46I don't know who you are.
11:51No, no, no.
11:52No, no, no, darling.
11:53I have to find her.
11:54Visit your door.
11:55She's not him.
11:57She's not him in the door.
11:58She's taking them.
12:00I need to bring her.
12:01She's taking her.
12:12Well done.
12:14Let's get you warm and dry.
12:20Stop right there.
12:21You are not taking her past our homes.
12:25Crowell, I do apologize.
12:27I heard the commotion.
12:28Yes.
12:29Mrs. Holmes.
12:31Mr. Crowell, it's so delightful to see you.
12:33You too, Mrs. Holmes.
12:35We weren't expecting you.
12:36We would have had the house ready.
12:38Tell me, does Dr. Maltby still live in the village?
12:41He does, yes.
12:42Would you fetch him, please?
12:42How is Mrs. Crowell?
12:44Oh, she's well, thank you.
12:45Right away, please, Crowell.
12:46I rather need his help.
12:47Of course.
12:54For your head.
13:01What?
13:02What trouble is she's worth?
13:04Electric shock has clearly fried your faculties, Philbot.
13:08No Cordelia Holmes, no money.
13:11I rather like money.
13:14Do you follow?
13:20Find her.
13:22And quickly.
13:25As you wish.
13:28Sir.
13:35Razor talons, sharp as knives, so vivid.
13:43Sweetheart, there is nothing you can do.
13:46He is coming back for me, the man with the bird's claw.
13:49Who is it, you're talking about?
13:50Mrs. Holmes.
13:52Right, stand back, please.
13:54Let's, um, not grab a patient.
13:57Aha.
13:59Hello, Cordelia.
14:01I'll tell you how pleased I am to see you again, even in such circumstances.
14:05But don't you worry, we're going to get you writer's reign.
14:08Do you know what she was prescribed at the asylum?
14:11Alkaloids, I believe.
14:12Ah, right, yes.
14:13Well, she's obviously suffering from withdrawals.
14:16Perhaps I could give you something else, something to clear the fog a little.
14:19It's all right, Mother.
14:20He's not like the others.
14:21He's here to help you.
14:22Right, Cordelia.
14:24I want you to take two of these with some water, please.
14:30Here we go.
14:31Down the hatch.
14:37Your mother's in trouble, Sherlock.
14:39She'll get better?
14:40Yes, I believe that she will, but that's not what I'm referring to.
14:43She-Man knows about those recordings.
14:45Now, we don't know whether she's responsible for them, but either way, this does connect your
14:48mother to the murders in Oxford.
14:50So how can we say that she's safe here?
14:54We can't.
14:55The man with the bird's claw.
14:56You have no idea what she means.
15:01My mind is blank.
15:04Well, then maybe it's not a person, hmm?
15:06Bird's claw, it's a phrase, or a place, or a thing.
15:17Perhaps it's some sort of crest, the bird's claw.
15:20Good, good.
15:21So whose crest?
15:23Someone at the asylum?
15:24Or someone at Oxford.
15:33I've got nothing.
15:36Perhaps I was wrong.
15:37Words I never thought I'd hear you say.
15:39No, perhaps I was wrong about the crest.
15:41Perhaps it's some other sort of symbol.
15:44The answers to many of life's problems lie at the bottom of the glass.
15:51The best thing in nature for drowning your sorrows, or arisen your joy.
16:12God knows I wonder if lightning and thunder were made from the thunder of love.
16:31I've seen it somewhere.
16:33Where am I seeing it?
16:45It's Professor Malik.
16:46Well, go on.
16:47Professor Malik has a cane.
16:50Yes.
16:50And his cane...
16:51Yes.
16:52...has a bird's claw.
16:55All right.
16:57Bravo.
16:58So if I am correct, if it is Malik, what's his business with my mother?
17:02What's his why?
17:03What's his incentive?
17:04Well, she well knows about those recordings.
17:07So perhaps she can answer that.
17:08So perhaps you need to ask her.
17:12I took the liberty of rustling a little something up, Master Holmes.
17:16I thought you'd be hungry after the night you've had.
17:19Yes, thank you, Mrs. Crow.
17:21That's very, very thoughtful.
17:22But we need to pop into town for a few hours, so I'll need you to look after my mother.
17:25She'll want for nothing, Master Holmes.
17:29There's ammunition in my father's study.
17:31Don't let anyone into this house.
17:34Understood.
17:36And if you need to send word, you can reach us at Oxford Police Station.
17:40James?
17:41A man can't think on an empty stomach.
17:44Thank you, Mrs. Crow.
17:45Thank you, Hedgen.
17:47Thank you, Mrs. Crow.
17:49Stolen.
17:51Or road.
17:53It's lovely.
17:54From the asylum.
17:56I'm starting to appreciate your thieving ways, Sherlock.
17:58Get on!
18:00It's far away from a pocket watch.
18:09Would you stop creeping up on me?
18:13Well, what is it?
18:17You did what?
18:18She is at home, and she is safe.
18:20Mrs. Crow is looking after her.
18:22They were recording her, Mycroft.
18:23I don't know what you expected me to do.
18:24How about not breaking her out of the asylum, for starters?
18:28How about going one single day without breaking the law?
18:31Sounds a very disappointing life.
18:33I can't imagine what father's going to say.
18:34I would imagine he'd be pleased at one of us showing some initiative.
18:37We should wire him.
18:38He could sort this out.
18:39Are you quite well?
18:40Hmm?
18:40Have you fallen down and bumped your head on something hard?
18:43Professor Malick was at the asylum.
18:45He must have been the one recording her.
18:46Mother gave me a description.
18:48Of him?
18:49Of his cane, the man with the bird's claw.
18:50You were there, Mycroft.
18:51Sherlock, she rambles.
18:53There's always an outside chance she's going to accidentally say something half plausible.
18:57Apis melephora.
18:57No, no, no, no.
18:58The honeybees.
18:59Yes, I know about the honeybees.
19:00The honeybees.
19:00Yes, I know about the honeybees.
19:01I don't.
19:09When we were little, we had a hive.
19:11Apis melephora.
19:12I watched the bees, and I told Mycroft that I'd seen them dancing.
19:16And you called me foolish.
19:17Witless was the word I used.
19:18I then went and checked with father.
19:20And he said that honeybees do a little circling dance to communicate with each other.
19:24It's called the tarantella.
19:25And you called me a half-wit.
19:27Witless was the word he used.
19:30Well, I wasn't witless, because I was right.
19:32Glad to see you're not holding on to a grudge there, Sherlock.
19:34This is the honeybees all over again, Mycroft.
19:37Just because something appears to be random, it doesn't mean that it is.
19:40Mother said that they were listening to her.
19:42They were.
19:43She's mentioned the man with the bird's claw.
19:45Professor Malik has a cane with a bird's claw.
19:48Yes, but it's not exactly case closed, is it?
19:51Tell me.
19:54Where is Professor Malik now?
19:58Well, we are not exactly sure.
20:00He seems to have vanished after last night's events.
20:03Why would he vanish?
20:04If Xiuan is in a cell, if the threat is gone, then why would he vanish?
20:21Ten minutes with Xiuan.
20:25No.
20:26Nine minutes.
20:33Sherlock!
20:33Now, Mr. Patton.
20:35What are you in for this time?
20:36I'm just visiting today.
20:38Remember, prison is in here.
20:41He's very, uh, I don't know, Mycroft, what's the word?
20:45Bothersome.
20:48Vexatious.
20:51Unbarren.
20:52I could empty the dictionary.
20:53Oh, no, no, no.
20:54I was thinking he's very intense.
20:58Hmm.
21:00What was he like?
21:01He was a small boy.
21:04Well, growing up in the same house.
21:09Yes, I can only imagine.
21:15No, actually, I can't.
21:18Tell me.
21:19Put it this way.
21:21I took a job in the foreign office in pursuit of an easier life.
21:25Wars.
21:26Famine.
21:27That sort of thing.
21:31I wondered when you and I would be seeing each other again.
21:34I must admit, life has become somewhat tepid without you.
21:39You mind if I sit?
21:40Please, take the royal throne.
21:46Thank you, princess.
21:51Thank you, princess.
22:03Very touching.
22:04How did you know what she said to me in the asylum?
22:06First principles.
22:07The likeliest explanation is always the simplest.
22:10The likeliest explanation would be that you heard her say it.
22:15The recordings.
22:18You had access to them.
22:19Oh, lightning fast.
22:23Professor Malik.
22:25Is there a question there?
22:26Why did he visit my mother?
22:28How do you know it was him?
22:29The man with the bird's claw.
22:31Clearly a reference to his walking cane.
22:34That was Malik.
22:38There's a place where I met my handler.
22:40A safe house.
22:42And his people are wearing all the time.
22:45There's a man with the bird's claw.
22:47He's a man.
22:49This safe house.
22:51Do you think it's possible Malik is still there?
22:53Imagine if we combined our talents.
22:57You want Malik?
22:58I want him too.
23:00For very different reasons.
23:03I want to find out why he was recording my mother.
23:06You, on the other hand, want to kill him.
23:11Then let's help each other.
23:14The final act we can debate later.
23:20Where is this safe house?
23:23You are going to have to give up something.
23:27I very much doubt Hodge is going to let you out of here until you do.
23:31But that is preposterous.
23:34Slanderous.
23:34Professor Malik works for me.
23:35Why would he be at this...
23:37Safe house, sir.
23:38Safe house.
23:39There was nothing in Malik's file to suggest any nefarious activity.
23:43All I know is what I saw.
23:44Should have hanged you this morning.
23:45Get her out of here.
23:46Hold on.
23:49I didn't see him at the gala.
23:51Who?
23:52Professor Malik.
23:54When I came through the wall at the gala, I didn't see him.
23:56All of the other professors were there at the table except him.
23:59You have to...
24:02He left.
24:10For Her Majesty's Empire.
24:12Don't take the Empire for granted.
24:15Remain.
24:16Live to regret it.
24:17Sharing your speech, sir.
24:19I thought it hard at the time.
24:20Why would anyone leave my speech?
24:23It seemed the poor fellow had bladder issues.
24:25Were you given an exact time to carry out the explosion?
24:28Eight o'clock.
24:29My instructions were quite explicit on that point.
24:32Unless Malik had a conveniently life-saving desire to urinate,
24:36I think it fair to say he knew the bomb would go off at it.
24:38If he is in this safe house, sir,
24:40and if he is indeed working against your interests,
24:43wouldn't you rather know?
24:46Let's go, Councillor.
24:48Front and back doors are sealed with plate metal.
24:50Baths on the windows half an inch thick.
24:52Basement has a coded lock.
24:54I want an officer by her side at all times.
24:56I'll take Sherlock.
24:57You think she gets to choose who babysits her?
25:00No, sir.
25:01No, sir.
25:02Sherlock or no one.
25:05Or send me back to my cell.
25:06And you can find Malik yourself.
25:24Why are you doing this?
25:26Because there's a chance he keeps me alive.
25:28No, why are you after Malik?
25:30Why are you killing professors?
25:32It's what I'm paid to do.
25:34I don't believe that.
25:36Do you trust me?
25:38Of course I don't trust you.
25:39You know I don't trust you.
25:42And nor I you.
25:47The code is Hydras.
25:50Seventeen stars in the southern sky.
26:11I don't trust you.
26:28All yours.
26:34You'll force my hand.
26:38Right.
26:39Come on.
26:42No, thank you.
26:45Malik.
26:57My brother!
26:59Gilman!
27:02Throw crazy.
27:03Take holy rice!
27:05Take holy rice!
27:08Bring me'm parasites!
27:10the hell we 1941 have!
27:11Your highness.
27:14May I present it to you
27:15The real Princess Shua.
27:19Your Highness Serbiussephalus Hodge, I only wish that our first meeting had been under more salubrious circumstances.
27:25Trust me when I tell you that I have spent no expense in my search for you.
27:29O'Shea, send a wire immediately to the Foreign Secretary.
27:33O'Shea, be sure to tell him what I found her.
27:37Yes, sir.
27:38This is where I saw Professor Malik listening.
27:45Sherlock, your mother, all of her recordings.
28:02I had a little pony. His name was Dapple Grey.
28:05I lent him to a lady to ride a mile away. She whipped him and she blasted him.
28:27I'm so sorry.
28:29Why would anybody want to do this?
28:32While you were detained by these nefarious individuals, did you by any chance happen to see this man?
28:43No.
28:44You see, I knew he would never have been embroiled in this unsavory business, Mycroft.
28:49You see, unlike you, Professor Malik understands the meaning of loyalty.
28:53You recognize his name?
28:54Yes, they mentioned him.
28:55Perhaps you misheard.
28:56I did not. Only yesterday they talked of visiting him.
28:59Your Highness, did they say where?
29:03At Abton. Behind the locks.
29:07That's all I heard.
29:12Sherlock, all of these are transcripts of the recordings.
29:17Her entire life is laid out in here.
29:20This is a record of her visitors.
29:22Myself, my brother, my father.
29:27There's a Lawson Jaggers, a lawyer.
29:30Is that someone you know?
29:31No.
29:32When did Jaggers' last visit?
29:34Friday, August 11th, 10 o'clock.
29:37So, like, that page has been torn out of the transcriptions.
29:40August 11th, 10 o'clock?
29:43Yes.
29:51Mr. Jaggers, here to see you.
29:55Yes, sir.
29:57I'm charming to see you again.
29:59I'll leave you two to talk.
30:02Hmm.
30:04What rooms I see?
30:06Very nice.
30:08Now, as you might continue with our previous matter of business,
30:21it's been scratched.
30:22The cylinder is sabotaged.
30:24Someone must have been rather keen to make sure we don't find out what's on there.
30:28Ah, Sherlock.
30:29What's all this?
30:37They're recordings.
30:39Of our mother.
30:41All of them.
30:46Well, why would someone do this to us, Sherlock?
30:49We are working on that.
30:50We have a lead on the potential whereabouts of Professor Malick.
30:54Um, obviously, Hodge wants to pursue it himself, but...
30:57No, you find Professor Malick.
30:59Right.
30:59You find out why he's been doing this, Mycroft.
31:01You have my word.
31:02And we will pay a visit to this Lawson Jaggers fellow
31:05and see what business he's had with our mother.
31:07Wait, who's...
31:07Where is she?
31:09Suano.
31:10Not the hell her real name is, were she?
31:16She...
31:16She was here just a moment ago.
31:18Tell me, Holmes, if she's escaped, you'll be held personally responsible.
31:21Well, I have men and all the doors.
31:23It's no way to look at it.
31:24How could she possibly slip weight?
31:27Oh, she...
31:28Consider yourself my hunting hand.
31:30Don't bring her back.
31:46This is why she brought us here.
31:48You're an idiot, Holmes.
31:50She duped you.
31:52Get out of the way!
31:55Wait!
31:56Stop!
31:59No!
32:00Out of the way!
32:12Stop right there!
32:41There is no Abdon on the map.
32:42She said behind the locks, now could it be somewhere on the canal?
32:46Could Abdon be the name of the boat?
32:49We keep a register of boats and vessels somewhere.
32:51But where is O'Shea?
32:52He hasn't reported back yet, sir.
32:53This is becoming a bloody fiasco!
32:55Find Professor Malik, damn it, man!
32:58Thinks he can betray me or rip his bloody head off?
33:00Might I ask exactly what the princess said, sir?
33:02She said they were meeting Professor Malik at Abdon, behind the locks.
33:08Abdon and Sennin.
33:10They're ancient Catholic martyrs.
33:13If I may.
33:14There's a ruined medieval abbey not far from Oxford.
33:17It was once dedicated to them.
33:18Behind the locks?
33:20The locks of Marian.
33:23An old relic believed to have been kept at the abbey.
33:26According to legend, it was the hair of Mary, mother of Jesus.
33:30Well, I know very dear. How did you know this?
33:31My father encouraged me to read, sir.
33:35Why don't you know this, Mycroft?
33:38A little scratchy on my esoteric Christian martyrs, sir.
33:44Where is this ruined abbey?
33:47There, sir.
33:48Shuan's making a good habit of beating you.
33:50Nonsense.
33:51As a matter of fact, I think you'll find I helped her to regain her liberty.
33:56Oh, I see.
33:56So you knew about the passenger.
33:58You knew she was going to escape.
33:59I simply decided the world was a more interesting place with her in it.
34:03Mm-hmm.
34:05What a load of shite.
34:13Ah, nasty juggers, I swear.
34:24Smells interesting.
34:37Are you all ready?
34:43There's more than one way to skin a cat, James.
34:46Well, this is how I like to skin my cats.
35:07Oh, dear lord.
35:10Mr. Larson Jaguars, Esquire.
35:12This is her.
35:13Her charming suit.
35:19What's that blood?
35:22Sign of a struggle?
35:25You got in the scrap.
35:31So someone erases his conversations with my mother.
35:34And then he finds himself unceremoniously erased.
35:37A rather convenient suicide, don't you think?
35:41Diaries.
35:42I tell you what business he had with your mother.
35:44I am going to report this.
35:46To the police?
35:47Yes.
35:48And do their jobs for them.
35:49Because I have been suspected of murder before,
35:51and I would rather it didn't happen again.
35:53The syndicate says the problem with this life
35:55is not that it's short.
35:57It's that we waste an awful lot of it dicking about.
36:30I'd like to report a death.
36:33Lawson Jaguars.
36:35Solicitor?
36:36For Alba Lane.
36:38And you are?
36:39Sherlock Holmes.
36:41Holmes?
36:42We have a wire for you.
36:46Sherlock?
36:56Sherlock!
37:01Sherlock!
37:04Sherlock!
37:05Sherlock!
37:06Sherlock!
37:06Sherlock!
37:09She requires help.
37:10She needs to be somewhere she can be cared for.
37:12I'm so sorry Sherlock.
37:13I was only gone for a moment.
37:14Don't worry Karl.
37:14They won't be taking her anyway.
37:15I believe you'll find I have jurisdiction over her.
37:19And I believe you'll find I have jurisdiction over this.
37:29Is the double barrel 12-bore hammer gone not persuasive enough for you?
37:34Let her go.
37:36We're only acting in her best interests.
37:41You knew, didn't you?
37:43You knew about the recordings about Professor Malik.
37:47Why did he do it?
37:48You'll have to ask him.
37:50I was merely paid to look the other way.
37:54I am so sorry, Mother.
37:56I am so sorry.
37:59Can I respectfully suggest that you'll fuck off?
38:22You're quite sure this is the place?
38:24Quite sure, sir.
38:33Mr. Stroud, I wanted on the record that I was the one who blew this case wide open.
38:37Yes, of course, sir.
38:40I think I saw movement by the church, sir.
38:50I wish to be the one to apprehend him.
38:52Very good, sir.
39:20I wish to be the one who died.
39:42What do you do, Persephalus?
39:44Kishore Malik?
39:46Oh, it's true.
39:48My very own personal Judas.
39:50There is nothing that can't be sacrificed in the pursuit of science.
39:54Knowledge is the wing wherewith we fly to hell.
39:57Don't croak the bard at me, sir.
39:59Don't dress up your grubby greed in noble sentiment.
40:01You were going to sell my project to the highest bidder.
40:04What was it? I wasn't paying you enough?
40:07Greed.
40:08Very simple.
40:09As if you stand for anything else.
40:10I stand for queen and country, sir.
40:12To be an Englishman is to win the lottery of life,
40:15something I remind myself of each and every day.
40:17Can I help it if I stand to make the odd penny from my tireless dedication to the court?
40:21I did not betray you, sir, for money.
40:23I betrayed you because what I discovered could change the world entirely.
40:28And I couldn't bear to see you take credit for my discoveries.
40:32For history to forget me.
40:34Nobody will, sir.
40:35No, I will go down as the man who built the Empire.
40:36You, on the other hand, will be forgotten even by your own mother.
40:41Oh, just one request before I bid you adieu.
40:46I mean, if you'd be so accommodating.
40:48Who did you betray me for?
40:50The Prussians?
40:51The Ottomans?
40:54Take your hand out of your pocket, man.
41:06There's a podge.
41:08PODGE!
41:13Right, man out!
41:15The planet can't have gone far!
41:17Man out!
41:18Man out!
41:20Has he been shot?
41:22There's no blood.
41:26There's no bullet hole, nothing.
41:28So be yourself, miss.
41:30Oh!
41:33He's not...
41:34He's not breathing.
41:38He's dead.
41:45Guns and hot toddies.
41:47Jesus, you're a woman after my own heart, Mrs. Crow.
41:51Mrs. Crow.
41:54You're welcome.
41:58Must have felt very good, that slap.
42:01Oh, James.
42:04It was such a tonic.
42:07So what now?
42:10I'm still no closer to figuring out why you were involved in any of that.
42:17The likeliest explanation is always to suppose.
42:20I don't know.
42:21I don't know.
42:21He's coming back.
42:21I don't know.
42:23I don't know.
42:23I don't know.
42:23I don't know.
42:24I don't know.
42:27I don't know.
42:33Don...
42:40Sherlock, my boy, I heard you had a spotted bother.
42:47There's a man.
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