- 10 hours ago
56 Days S01E05 (2026) [Full Movie] [Recommended]Full EP - Full
Category
đĽ
Short filmTranscript
00:13To be continued...
00:30How did you sleep?
00:33Not as good as you did, I think.
00:36Yeah.
00:37What did you dream about? Do you remember?
00:39Uh, no.
00:41You.
00:42Oh, really?
00:44No. I don't remember.
00:59No. I don't remember.
01:39No. I don't remember.
01:45I was wondering where that was.
01:46I stole it from your drug drawer and I was saving it for a very special occasion, but I thought
01:51today...
01:52I don't know. St. Patrick's Day, Boston, it qualifies.
01:59Organic panic. Psychedelic chocolate will melt your mind.
02:04One square, relaxation, two disinhibition, three introspection, four revelation.
02:14I don't know, I feel like we should be trying for revelation.
02:18Have you ever done it before?
02:22Psilocybin?
02:23Oh, um, a couple of times.
02:26I don't know, I feel like it's good for opening the mind a little bit and, uh,
02:31loosening up some boundaries.
02:34I don't know, we can be psychonauts together.
02:38We'll launch into the deep space of our brain and see what we find.
02:44Um, I usually microdose.
02:45Yeah, but, I mean, if we're going to do it, we should really do it, right?
02:52Go on.
02:53Don't you want to revelate with me?
02:55That's not a word.
03:00Fuck it. Fine.
03:04Cheers.
03:05Cheers.
03:15Where are you, Jane Miller?
03:19Why don't you ask Elliot Brerhain?
03:21He was her landlord.
03:23Oh, because Elliot Brerhain isn't speaking to the police.
03:28Hey, maybe I could be like a middleman.
03:29You know, just smooth things over.
03:31We'll call you if we need you.
03:33Get him out of here.
03:34See you later, man.
03:35Okay.
03:36All right.
03:36All right, I got you.
03:37But, look, if you need anything, you know where to find him?
03:39Yes, sir, we do.
03:42You know, he's right.
03:43We would be further ahead if we hadn't lost Brerhain as a witness.
03:46We don't need him to tell us that she didn't move out.
03:48All her shit's still here.
03:50What we need to do, maybe we should call CSR and get the text in here before we romp and
03:55tromp all over the place.
03:56This could be a secondary scene.
03:58Could be primary.
04:01He could have killed her here, brought her back to his place to melt her down.
04:05What?
04:07That theory has some issues.
04:10You have issues.
04:11You have issues.
04:15What?
04:56I didn't know that you were microdosing every day.
04:58I didn't say every day.
05:00No, I didn't say every day.
05:01I just said some days.
05:02My therapist gave it to me for my anxiety.
05:05Yeah, this helps me focus on stuff.
05:08Makes sense.
05:09I'm going to be honest.
05:10I'll have to tell you something.
05:11I can feel a revelation coming on.
05:12What do you have to reveal?
05:18Yeah, it's good.
05:19I've seen it, though.
05:19I've seen it before.
05:20Yeah, but they haven't.
05:21It's going to spread the wealth.
05:45It's going to spread the wealth.
05:52That's it!
05:53That's it for the dance stage!
05:54I'm going to fall!
06:01Oh!
06:05Oh!
06:06Oh!
06:12Oh!
06:13Oh!
06:13Okay!
06:15Hey!
06:18Oh!
06:19Oh!
06:19Oh!
06:22Oh!
06:29Oh!
06:30Oh my god!
06:30This is how I die!
06:32Oh!
06:37Wow!
06:41Oh!
06:43Oh!
06:44Oh!
06:45Oh my god!
06:46You're so pretty!
06:47Oh!
06:48Oh!
06:49Oh!
06:57Everybody wants to be so bad right now.
06:59Yeah, I'm a very lucky man.
07:00Yeah, I know.
07:01They're all really jealous.
07:11Let's go here.
07:16I made so many friends.
07:22Good morning.
07:23You ready?
07:25It'll start soon, but I've got to stop and get those eye drops.
07:27Who's driving?
07:29Liz is picking us up.
07:33What if your dad is there with what's-her-face?
07:36He hasn't been there in years.
07:37Why do you show up now just to piss me off?
07:42Look, fuck him, okay?
07:44We don't care.
07:47Well, all right, I'm going to change.
07:49My skirt looks cheap, and it wasn't.
07:52You look fine, ma.
07:54I love you.
08:03Holy fucking shit.
08:09Look at this, what ugly thing.
08:11Looks like a lady.
08:14Carl, come in here.
08:16I'm just getting started out here.
08:17No, I mean it.
08:18You really want to see this.
08:19Okay, I will.
08:29Can I help you?
08:32Licka's not dead.
08:35I'm a freelance reporter.
08:38I'm working on a story about Oliver St. Ledger and the context of his extended family.
08:42Yeah, so what was the angle here?
08:44Kill a rich kid, pays his way out of justice, where is he now, sort of thing?
08:48Something like that, yes.
08:50In 16 years, Oliver's never spoken to the press.
08:53It's giving him a chance to speak for himself.
08:56Now, I saw your car in the garage, so I'm going to assume that interview didn't go too well.
09:01He's a psychopath.
09:04Still waiting for a windshield, so no, I never got my interview.
09:08Why did you think that the best way to get the interview was to drop off an anonymous letter?
09:14I dropped two anonymous letters, actually.
09:16Oh, even better.
09:18There was no way he'd say yes to an interview, but if he felt like the grace period of his
09:22anonymity was coming to an end,
09:24he might be more susceptible to my suggestion that he control the narrative himself.
09:28See, I call that poking a bear.
09:31Unorthodox.
09:32Did you go to journalism school, Ms. Miller?
09:33I don't know which one of you I find more offensive.
09:35Yes.
09:36Yes, I got my master's at BU.
09:39Is that where you learned to employ paranoia as a professional strategist?
09:42It's not paranoia.
09:42It's allowing the subject to speak their truth.
09:44And how'd that work out for you and that fiat?
09:47Better my windshield than my face.
09:49Oh, yeah, but you do have a point.
09:50You ever meet his girlfriend?
09:52Yeah, a couple times.
09:55Her name was Ciara.
09:57Ciara.
09:58I don't know.
09:59She didn't say.
10:01She's very pretty.
10:03Dark hair.
10:06Strangest eyes.
10:07It's like she sees through you.
10:09Which is ironic, considering their whole relationship was a lie.
10:13She's a con artist.
10:17Why would you say that?
10:18She was after him for his money.
10:20I don't blame her.
10:21Why else would you date him?
10:23I don't know.
10:23Maybe she found him attractive.
10:28Intelligent, funny, good sex.
10:30I don't know why people date each other.
10:31Regardless, she knew who he was and she stayed with him.
10:37But he didn't know she knew.
10:41It's like they were living in this warped, double lie.
10:45A fugitive.
10:47A con artist.
10:49Obsessed with each other.
10:52I'm not sure which one of them was more demented.
10:56I don't know.
10:58I gotta take this.
10:59Hold that thought, please.
11:03Kyle, Lee.
11:04See the news?
11:05Yeah, I'm sitting there at home on my ass watching TV like you told me to.
11:09They are really out to get us today.
11:11I don't want to waste your time, but Linus Finch?
11:13Get a chance to talk to Lee?
11:15Yeah.
11:16Yeah, yeah.
11:17She explained it all to me.
11:19Remember that case a couple months back?
11:22Albanian kid?
11:2350-gallon drum and a shitty alibi?
11:26I remember the shitty alibi.
11:27Well, it turns out Finch was a witness.
11:31He agreed to talk, but he didn't want to come in, so I said to meet him at the zoo.
11:37That's all you got from her?
11:38What else you want?
11:40It's thought to be a bitter story.
11:42But if that's it, I'll take it.
11:44By the way, that's ought to make you happy.
11:47That claptrap who got her hands on your weapon has 36 unpaid parking tickets and skip jury duty.
11:52So we put out a warrant.
11:59Did I lose you?
12:01I know, Sergeant.
12:03I'm still here.
12:06Do you think there's a world where Oliver found out Ciara knew his secret?
12:12And he killed her for her?
12:13Yeah.
12:14I do.
12:16He's clearly invested in his lies.
12:19And you know about his boss's wife.
12:23Um, Allison Meadows.
12:25I know she died a few weeks ago.
12:27The ME ruled it.
12:28An accident.
12:28It wasn't an accident.
12:31I'm pretty sure he killed her, too.
12:41Is this where we're going?
12:43Huh?
12:44Yeah, it could be.
12:44Uh, you want a drink?
12:46I can use a drink.
12:48I don't know if, like, a crowded bar full of fucking leprechauns is where I want to trip
12:52my balls off.
12:53You know what I mean?
12:54You don't feel it yet?
12:55No.
12:56Yeah.
12:56I am.
12:57I am.
12:57I'm kidding.
12:58Okay, so what else is fun?
12:59We could stand on the edge of the Grand Canyon, maybe?
13:02Or we could look at each other in the mirror?
13:05Or we could stare directly into the sun?
13:09I feel like these are bad ideas.
13:12Hey.
13:13Look who's here.
13:15Fuck.
13:15Fuck.
13:16Hey, Elliot.
13:17Or am I the last idiot you expected to see here?
13:20Huh?
13:21Uh, yeah.
13:22No, uh, sorry.
13:23No.
13:23Uh, this is, uh, Ciara.
13:24You know Ciara.
13:25Ciara was.
13:25Hi, Elliot.
13:26I love your little hat.
13:28Oh, thank you.
13:29Hey, you want to grab a drink?
13:31No, no, no, no.
13:32I think, I think it's too crowded.
13:33No, no, no.
13:34Come on.
13:34Come on.
13:34Just one.
13:35You got a table.
13:36Huh?
13:36You'll be all four hours later.
13:38Fuck.
13:39I'm so sorry.
13:46I think it's starting to kick in a little bit too hard.
13:48Yeah, close, yeah.
13:50If it makes you feel any better, I think your balls is definitely half of you.
13:52Hey, honey.
13:53Look who I ran into.
13:55Huh?
13:57Hi.
13:59Hi, Allison.
14:00Hi.
14:01This is our friend Jane, and, uh, this is Ciara.
14:06Hi.
14:07It's so nice to meet you both.
14:09You too.
14:10Uh, Elliot's told me so much about you.
14:13Ciara, did you say?
14:15Yeah, exactly.
14:16You look familiar.
14:18That's so funny, because I was just about to say that you look familiar.
14:21I think I've seen you where I'm staying.
14:23At the crossings.
14:25You're staying at the crossings.
14:27Yeah, just temporarily.
14:28I'm here for work, and Elliot was kind enough.
14:30You don't have to let me squat in one of the unit scenes.
14:33Oliver's in the other one.
14:36So, uh, how do you guys all know each other?
14:38We met after this big forgery scandal at the museum a few years ago.
14:43She saved our acquisition staff from buying a fake Basquiat.
14:48Ah.
14:49That's good.
14:50So you, uh, you work at the museum?
14:53She's a reporter.
14:57Hey, uh, Ollie, uh, go get us another picture, would you?
15:01Elliot, honey, you're not the boss here.
15:04Go help him.
15:05No, that's okay.
15:06That's okay.
15:06I think, uh, I think we're gonna go, right?
15:08Okay, just have a one drink.
15:12Uh, why, would you just grab me whatever you think?
15:16Yeah.
15:28Are you okay?
15:31Yeah.
15:33Why do you ask?
15:34Your boyfriend isn't who you think he is.
15:36Oliver Kennedy isn't his real name.
15:39He's dangerous.
15:40And I know this isn't the time or place to talk about it, but...
15:47He killed someone.
15:49I know.
15:52What?
15:53I...
15:54How can you be with him?
15:56I don't understand.
15:57No one's asking you to.
15:59No one's asking you to.
16:04All I was told was Jane needed a place to stay.
16:07She's, uh, researching stories.
16:09The story's me.
16:10Elliot, I'm the fucking story.
16:12Come on.
16:13No, she's stalking me?
16:14In my home, on the street, at the gym?
16:22Right now, she's talking to Ciara, and she's probably fucking talking about me.
16:26Fuck.
16:29Ollie,
16:31if you want to build a real relationship,
16:34you're gonna have to tell her sometime.
16:36Yeah, well, I did that last time, and it didn't go so well.
16:41When Allison told me that he was here in Boston working for Elliot,
16:44I came to tell the story about the murder he committed, and they're against it.
16:48And the massive cover-up.
16:50His family is just as fucked up as he is.
16:53He's been evading responsibility for years.
16:56I'm trying to give him the chance to change that by telling his story in his own words,
17:00but he's not interested.
17:05Maybe you could tell him to talk to me.
17:07Are you trying to get her killed?
17:09You know, you're not the first girl to get caught up in this.
17:12No, he had a serious girlfriend in London, Lucy Hargrove.
17:16They dated for almost a year.
17:18I found her in Wales, tried to get her to talk.
17:22She completely shut me down.
17:23Yeah, because she's terrified.
17:26Oliver told Elliot he was planning to propose,
17:29and he wanted her to know the truth.
17:31So he told her everything,
17:34and she freaked out.
17:36She ran for her life,
17:37and he was devastated,
17:39but what did he expect?
17:41He told her everything.
17:43About the murder.
17:45He killed his classmate at Bridgefield Prep.
17:49Paul Sparling.
17:52Why?
17:53What did he tell you?
18:06Stop looking over there.
18:08You look like you're losing now.
18:16Hey, come on.
18:17Listen to me.
18:18Really.
18:20I didn't know what was happening here.
18:22And I know Alison has treated you unfairly in the past,
18:25but I agree this costs a lot.
18:26Well, I will talk to Jane myself
18:31and tell her to back off.
18:32And if she doesn't like it, she can leave.
18:36You know, the reason I asked you to come here to Boston
18:40is because I promised your father before he died
18:44that I'd always keep an eye on you,
18:47protect you.
18:49So when I tell you I got your back,
18:52I mean it.
18:57I just want you to be happy.
19:04I'm sorry.
19:04I'm sorry.
19:05It's okay.
19:06It's okay?
19:08It's okay?
19:08Elliot?
19:26What the fuck is this?
19:28What's it look like?
19:29A hundred grams can't be right, Mick.
19:31But it is.
19:32I promise.
19:34This is insane.
19:35The Narrow River Memorial Fund?
19:37Wait, you really think the St. Ledger's are just, you know what, considered a contribution
19:41or something?
19:41This is like a drop in the bucket to him, Shiloh.
19:44He has so much money, he's not going to care.
19:45He's not even going to notice.
19:46He's been in hiding for so long.
19:48He goes by Oliver Kennedy now, and he has no life.
19:52What are you talking about?
19:53How do you even know that?
19:56Because I know him now.
19:58What do you mean, know him?
20:00Because I met him.
20:01Because I know him now, okay?
20:05And by the way, he's not what you think.
20:08He's exactly what I think he is.
20:13I'm going to puke.
20:15Mom's going to die.
20:16Don't tell Mom, dude.
20:17I'm going to tell Mom, because I'm the one who got this money.
20:20You stole it.
20:21No.
20:22I earned it.
20:23Oh yeah?
20:24By doing what, Meg?
20:25Are you fucking a killer?
20:27Yeah.
20:29I am.
20:30And I'm also living in the city.
20:32And I'm day drinking with people who went to college.
20:35Instead of working my ass off for good at fucking Denny's.
20:37Or whatever it is you're doing now.
20:39I'm on my way to fucking church to pray that you go to hell.
20:58I should've known.
21:00The money.
21:02It all makes so much sense.
21:12I want you to get what you want.
21:16But I want me to get what I want to.
21:19I need a reputable source.
21:20On the record, Oliver himself would've been my preference.
21:25And that's not going to happen.
21:28But I'm more than willing to settle for you.
21:31I fell in love.
21:33With a narrow river killer.
21:36I had no idea who he was, and when I found out, it was too late.
21:41He'll be famous.
21:44First my story, then the book.
21:46The podcast.
21:48Then the movie.
21:50Everyone will love you.
21:53She's so beautiful.
21:55She's so strong.
21:57For sharing her drama.
22:00This is an opportunity for you to reinvent your life.
22:03On your own terms.
22:05It's the best one you're ever going to get.
22:08But if that doesn't appeal to you, I will call the police.
22:11And you will go to prison for embezzling from the richest, most psychotic family in America.
22:22You're bad at your job.
22:25Okay.
22:28But your skin is nice.
22:31I try.
22:37Off the record.
22:39I fell in love with the narrow river killer.
22:45But he didn't tell me anything.
22:48Because I knew so much already.
22:50I knew every city.
22:52I knew every alias.
22:54I knew his social security number.
22:56I knew his mother's maiden name.
22:58And today, he's going to tell me what happened that day that Paul Sparling died.
23:06And when he does, I promise, I am never going to tell you.
23:15Who are you?
23:17Who should, let me be active.
23:17Whole female.bright
23:17bag. Karl.
23:37tired g
23:38I think it's the time to call it. Now?
23:41Baby,
23:42I'm on a row.
23:43We have to go. Please.
23:46What's wrong?
23:47Stop, stop, stop.
23:50You told Jane Oliver was here, didn't you?
23:54You made this whole mess.
23:55She said she was in a career slope.
23:58She needed a story.
24:01Are you kidding me?
24:03How could you do this?
24:04The world deserves to know.
24:06And I don't care
24:08that he's your godson
24:10or how much you
24:11fucking loved
24:13his fucking father.
24:15Okay, this was not your hat to make.
24:17It wasn't yours either.
24:20Okay, I've told you
24:22and told you
24:23over and over
24:25how uncomfortable I am
24:28with this entitled
24:30asshole in our lives
24:31and you never listened.
24:34You just
24:35dismissed my concern
24:37like I'm a child.
24:39You're not a child.
24:41Which is why I expect you
24:43to find some nuance,
24:44some compassion here.
24:46He made a mistake.
24:47Oh, it wasn't a mistake, Elliot.
24:50I've made plenty of those.
24:51Okay, I cheated on my driver's test.
24:54I fucked my roommate's brother.
24:56But I have never
24:58killed a one.
24:59And if I did,
25:01I wouldn't expect
25:03the pathetic
25:04BFF
25:05of my billionaire daddy
25:07to help me cover my tracks.
25:11You really are an ugly drunk.
25:13I'd say
25:14Do you have any trouble?
25:16Do you remember?
25:19Do you remember?
25:22Do you remember?
25:22I, you, you, you,
25:36it was a pretty big
25:37Yeah.
25:37One of the things
25:39that had been
25:39There were
25:40some of the things
25:42that had been
25:45What did that woman say to you?
25:51I think you know.
25:54I don't know, so please, you have to tell me.
26:01You want to go outside?
26:13Shit.
26:26He was staring at Allison the whole time, making her so uncomfortable, like he was on drugs.
26:32I think they both were.
26:34You know, he was fucked up when he killed that kid in high school, too.
26:40Where's your partner?
26:41He's still on a call.
26:43Um, listen, I don't discount your concern over your friend's death, but my job is to investigate the incident that
26:50occurred here.
26:50Inspector Reardon, I need to speak to you for a minute.
26:53Wait right here.
26:57Hey.
27:07Is that Russo on the phone?
27:08Yeah, yeah.
27:09It's all good.
27:10Check this out.
27:11What the hell?
27:11She's a kind of bank robber?
27:15Did she pull the alarm?
27:18She's the Bobby Goblin.
27:19That's what I'm saying.
27:24This is the coat.
27:27Oh, hey.
27:27Did you see the stalker real?
27:29Oh, I saw it.
27:30Look at this.
27:33This is the crime scene.
27:35Yeah.
27:35She took a picture of a dead body.
27:37What the fuck kind of shit is that?
27:40Explains why she didn't return my calls.
27:42She is telling a very morbid story here.
27:45Yes, she is.
27:46And people like that shit for some reason.
27:49Okay, we've got the false alarm, Miss Prison of Felony.
27:52Don't be any.
27:53I'm calling it burglary.
27:55Burglary.
27:56We like burglary.
27:57Okay, this is big.
27:59I'm gonna tell CSR.
28:02You're right.
28:03People do like morbid stories.
28:05Yeah, I know.
28:05And it's like, it's my job, but I do not like that shit.
28:08Oh, yeah?
28:08Well, we can't all be porn addicts like you.
28:11Have you ever taken a picture of your titties and sent them to somebody?
28:14Once.
28:16On a...
28:17On a Xerox machine.
28:19This was before after 9-11.
28:22On the day of, that's how I remember it.
28:31Hey, um...
28:33What did you say to Russo?
28:35Oh, I just told her that Linus Finch was one of our witnesses on that Albanian case last year.
28:40Okay.
28:45Thanks, I really didn't.
28:49Right?
28:52God, I forgot all about the Albanian.
28:54That was a blip.
28:55Yeah.
28:56That's me.
28:56I don't remember.
28:58Does it involve a copier?
29:02I don't wanna know.
29:03Hmm?
29:09The ground is moving.
29:10Can you feel...
29:10Can you feel it?
29:12Don't look at the ground.
29:12Why don't you look at me?
29:14I can't...
29:14I can't...
29:15I can't look at you.
29:16I can't talk to you.
29:17I can't tell you.
29:18I can't tell you.
29:18Yes, you can.
29:19Yes, you can.
29:19You know why?
29:20Because we need to get past this, okay?
29:23So, if...
29:24If you don't wanna go, maybe I go.
29:25I can go first.
29:26No.
29:26No, I don't want...
29:27I don't want...
29:28Because if you say something...
29:29I don't...
29:30Because if I tell you...
29:32If I tell you...
29:34Then...
29:35Then what?
29:36What'll happen if you tell me?
29:38What'll happen?
29:39Hey.
29:39You'll hate me.
29:40I'm not gonna hate you.
29:41You're gonna hate me.
29:41Oliver.
29:42Oliver.
29:42I'm not gonna hate you.
29:45I'm not gonna hate you.
29:48Yes, you will.
29:50You'll hate me and then you will leave.
29:52And I can't...
29:53I don't want that.
29:54And I...
29:54Whatever you have to say to me, don't say to me.
29:56Just...
29:57Just don't say it.
29:58And then we can just keep it...
29:59The same...
30:00As it is.
30:01I can't...
30:14Okay.
30:14Come here.
30:15Come here.
30:16Come here.
30:17Hey.
30:18Look at me.
30:19Okay?
30:20Breathe.
30:21Let's breathe, okay?
30:29Okay.
30:30It's okay.
30:31Stay with me.
30:53Okay.
30:56Can you hear me?
31:04Okay.
31:14My name is not Ciara
31:17My name is Megan
31:20And we did not meet on accident
31:28I came here
31:30To find you on purpose
31:33To take what you owe me
31:36And my family
31:40Because I thought I knew what happened in that river
31:43But I don't know, maybe I don't
31:48And I grew up believing that you were a monster
31:51And now I don't know that either
31:54Maybe you're not
31:55I don't know
31:57I can't tell
32:04What if you could have
32:06If you could have just been honest with me
32:11If we could have
32:14Talked about it
32:17I really
32:18I really think
32:19That I would have found a way to understand you
32:23I really do
32:26Somewhere
32:30This became really real for me
32:32This was real for me
32:41And I
32:43I think I wanted to believe
32:45I think
32:46I wanted us
32:48I wanted us
32:50To work
32:53Somehow
32:53I don't know
32:55I thought we could work
32:58But now
32:59I see
33:00I know
33:01We can't
33:02I know we can't
33:07And that's really sad
33:17Because
33:22I really
33:25Could have loved you
33:33I really wanted to love you
34:15Jesus Christ
34:17Kevin
34:33It's been a long day
34:47Hey bro
34:48Please
34:48Go home
34:50I appreciate it
34:51See you there
34:52What was that?
34:54Medical examiner
34:54Autopsy begins in 90 minutes
34:56We're almost headed
34:57We've got to make sure
34:58CSRs get to go
34:59And file charges
35:00Alright well
35:01I'll file
35:02You reach out to detects
35:03You know
35:04Unless I might drop you off
35:05At the Emmy in 40 minutes
35:06You got the key
35:09You got the key
35:09You got the key
35:12I don't know
35:13You got the key
35:17I don't know
35:20What do you want
35:22You got the key
35:33I want
35:38To manage
35:49Hey, Allison.
35:50What do you want?
35:50Is Ciara in there?
35:52No idea.
35:53Maybe.
35:54She ran for her life.
35:56That's what she should do.
35:57Wait, why?
35:58Why?
35:58Why should she do that?
35:59Fuck!
36:00Why do you hate me?
36:01Allison, what have I ever done to you?
36:05You are a parasite on my husband.
36:08Your father was a user, too.
36:11And I fucking hated him.
36:14And you are exactly fucking like him.
36:23That's what this is about, huh?
36:28Elliot loved my father.
36:30So you're jealous?
36:32Of a dead man?
36:33Yeah, you're jealous of him, and you're jealous of me.
36:38Yeah.
36:41I wish I were an isolated, lonely millennial living under a fake name, because I'm so ashamed of who I
36:51really am.
36:52That sounds awesome.
36:55I can't wait until the whole world knows everything about you.
37:04And you have nowhere left to hide.
37:06Yeah, but even if that does happen, Elliot will never love you the way that he loved my father.
37:13The way he loves me.
37:20In case you didn't know, your girlfriend is a liar, too.
37:27You deserve each other.
37:29It's time we love you.
37:31It's time for him.
37:50It's time for him.
37:57It's time for him to meet with orphanage.
39:05We're almost taking good time.
39:11Allison!
39:14Allison!
39:18Hey!
39:24Allison!
39:25Hey!
39:30Oh, shit!
39:32Oh, shit!
39:33Oh, shit!
39:36Oh, shit!
39:50Oh, shit!
39:55Oh, shit!
39:56I'm alive!
39:59I'm alive!
40:02What I'm losing?
40:05Oh, shit!
40:06When you're in trouble,
40:10out of your sleep,
40:44Where do you want to go?
40:46Nowhere.
41:19Oh, Dr. Hippoly.
41:21First of all, I was very happy to hear that this case was in your very capable hands.
41:24What is the time frame that we can expect?
41:28The prelim will be in early next week.
41:30Why?
41:31How are we, Doc?
41:31Please.
41:32I've rarely seen this level of disarticulation.
41:34There's little I can do to rush the process.
41:36Okay, okay, okay.
41:36Please.
41:37What do you see?
41:40Is there anything you can give me?
41:47Based on the partial skull mastoid process, in comparison between second and fourth digits
41:52on the articulated hand, I can draw a fairly certain conclusion.
41:56The victim is male.
42:21I'll tell you the truth.
42:21The victim is male.
42:23The victim is male.
Comments