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In Other Words, I Love You [Full Movie] [Watch Free Online]Full EP - Full
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00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:33what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're joking I don't find
00:03:01bullies attractive hey be careful we're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's tried to get close no
00:03:15one can get past his ego you're not the first to get nice okay first of all I wasn't iced
00:03:21it's more
00:03:21like a mutual decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making honestly I just think he's lonely and
00:03:36kind of pathetic what no go on you were saying I'm lonely and pathetic next time read the room
00:03:59before opening your mouth American we're not Kansas anymore Alice hey how was your first day I good
00:04:25anything exciting happen not really super uneventful really how's your new job yeah all right get this
00:04:34they said we can stay in the servants wing seriously hmm apparently the young master won't mind the
00:04:40company the young master this is your boss's house yeah that's not credible I mean I wouldn't call it a
00:04:50house it's a museum with better landscaping wait here I'll talk to the butler wow rich people you've topped
00:05:10yourself again Stephen King first edition breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you said you were trying what is
00:06:04wrong with
00:06:04you funny I was about to ask you the same thing what are you doing in my house you wait
00:06:13your house my
00:06:15house my library and now apparently my unwanted guest ah master Charles must be miss Alice and daughter
00:06:26she said she said you'd be moving in today she what there there's been some kind of misunderstanding you
00:06:32see I'm not actually moving in that's up yeah I'm not staying here like at all that's a shame you
00:06:40must
00:06:40seem quite pleased with the arrangement well I just don't think it's appropriate well you're sure then
00:06:46absolutely not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:04and actually dead just trying to figure out how exactly my life went off the rails get it together
00:07:18Alice Keaton you've been through hell actually no this is hell good morning
00:07:46Alice Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:59okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:07okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:20what what are you doing here didn't you already leave
00:08:26wait did you come back for me relax I forgot my textbook don't flatter yourself wait
00:08:39since you're already here maybe you could be a decent person and give me a ride
00:08:48no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me
00:08:58to live in
00:08:59his house unbelievable
00:09:13Ashford Institute please thank you
00:09:20who needs an entitled brat anyway sir you called the cab why not just give miss Keaton a lift
00:09:32why not just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:04Mr Kenwood care to share what you found so amusing
00:10:08not particularly oh I insist you seem very entertained by Golding
00:10:14I'm not entertained by Golding sir on the contrary I think his ending is weak
00:10:22wait wait do I actually read it quiet
00:10:28that's an interesting take explain
00:10:32he had the set up for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island force them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong
00:11:02literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keeter you still think it's a harsh critique
00:11:53in some ways but not harsh enough yes it's a critique of toxic masculinity but still Golding
00:12:02sympathize with them and the civilized world toxic violent he didn't call that out nearly as much
00:12:07so yeah I don't think Golding pushed far enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keeter well said anyone else
00:12:23both opinions are valid okay that's kind of epic Golding faced major backlash when he first published
00:12:30the book good literature will always divide what's happening to me
00:12:43okay what is going on why is everyone staring at me well you're new and apparently had a thing
00:12:49with Charles oh what now you two are in the middle of this epic feud as your teen in years
00:12:56we're not
00:12:56even fighting well according to everyone you confessed your love on day one got rejected
00:13:01begged to sit next to him got rejected again and today in class you broke down crying about not
00:13:08believing in happy endings and stormed out in tears you were there Sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless
00:13:23untouchable wow is massage any like a rich kid thing or is a British specialty honestly both but
00:13:31seriously Alice some people already see you as a threat okay loaded it's like the new girls in for a
00:13:46rough
00:13:47first semester hello hello is somebody out there
00:14:08oh come on fine
00:14:24fine
00:14:38seriously
00:14:42oh shit
00:14:48what the hell
00:14:51Anne I thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girls in for a rough first semester
00:15:09shit
00:15:14Alice
00:15:15Alice
00:15:16Mr Pelton Charles Kenwood here I was wondering if I could get the timetable for Alice Keaton
00:15:21she hasn't come home she hasn't come home I'll have it sent over check the common room in the library
00:15:26I'll take the rest
00:15:30Alice
00:15:44come on Alice close your eyes and jump it's fine you're fine
00:16:00you're fine
00:16:15Alice
00:16:16Alice
00:16:17Alice
00:16:17Alice
00:16:19Are you happy with how we ended?
00:16:25What are you doing here?
00:16:29Can you get off me first?
00:16:40You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:12No.
00:17:14But I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think golden boy?
00:17:20Don't worry I can handle it.
00:17:22You shouldn't have to.
00:17:26I'm...
00:17:27Sorry.
00:17:34Sorry.
00:17:40Did you just...
00:17:41apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:49I can't.
00:17:50I can't.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:57Yeah.
00:17:57I just...
00:17:59took a weird shower.
00:18:00Tap exploded.
00:18:03Come on.
00:18:04Let's go.
00:18:04There you go.
00:18:15Alice's cheating right?
00:18:17I heard she staged the whole thing for attention.
00:18:43I know how this place works.
00:18:45If you don't do anything about it...
00:18:47it's only going to get worse.
00:18:50I'll look into it.
00:18:53Charles.
00:18:55Good on you.
00:18:56How many here would speak up?
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust fans.
00:19:11Well, for what it's worth...
00:19:12I heard Charles looked pretty freaked out when he ran out last night.
00:19:17Please.
00:19:17He just didn't want a lawsuit.
00:19:36Being a scholarship student has its perks.
00:19:39Like saving a fortune on tuition.
00:19:41And getting into schools that normally wouldn't even let you pass the gates.
00:19:46Hey! We miss you in Paris!
00:19:49Though there are enough Americans to remind us of you.
00:19:52But sometimes, being here means staying behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:10The trip cost 20 grand in pounds.
00:20:13Which translates to...
00:20:15Mom's salary for half a year.
00:20:17So yeah.
00:20:18I didn't go.
00:20:40What are you doing here? Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This... this is not even your kitchen.
00:20:50And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't look. Go away.
00:20:57Hard not to.
00:20:58And you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:03Um... buzzkill... cock block.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what? I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:14Why do you think?
00:21:21Where would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:26Florence.
00:21:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:32Or Tiziano, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal
00:21:39and getting lost in the most confusing city on Earth.
00:21:42The next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked. Ancient people had plumbing.
00:21:48The final stop...
00:21:50Harry.
00:21:51The ultimate city of romance.
00:21:54And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's... word for word.
00:22:03I told you.
00:22:04I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels.
00:22:23No, thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:30One word of advice?
00:22:31Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You didn't have to come.
00:22:47Don't tell me what I have to do.
00:22:57Master Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:00Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:29I've got it sorted.
00:23:31You'll survive.
00:23:33I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:45I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight.
00:23:53I'm buying dinner.
00:23:57Did you seriously think I'd spend a hundred pounds on-
00:24:00No, I'm- I-
00:24:01Jesus.
00:24:02Wait.
00:24:04You think I'm not worth one hundred pounds?
00:24:07I'm not spending one hundred pounds to snort Chewbacca.
00:24:10You know what?
00:24:11Dinner's cancelled.
00:24:15Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir-fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this'll do.
00:24:31It's...
00:24:31Good.
00:24:38Was that a compliment?
00:24:40Although...
00:24:41I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:49You should read more.
00:24:52Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair.
00:24:59You make it very easy.
00:25:01It's only easy because it cost you a hundred pounds.
00:25:05You know, if you'd ask for more, I probably would've given it to you.
00:25:07I'll make sure about it.
00:25:10I've got plenty of questions for you.
00:25:14Oh!
00:25:23I've got plenty of questions.
00:25:23Okay, Alice, it's fine.
00:25:25You're fine.
00:25:339-1-1, what's with your emergency?
00:25:399-1-1, what's with your emergency?
00:25:41It's my dad. He needs help. He just had a stroke.
00:25:44Okay, miss. Hurricane's constant traffic shut down.
00:25:47Get to you as soon as we can.
00:25:48Please, he's not well.
00:25:50I understand. Can you confirm your address?
00:25:54Daddy, yes, I'm right here.
00:25:56All right. My daughter.
00:26:00Please, stay with me, Dad. Please.
00:26:07No. Please, wake up.
00:26:13Dad, please. Please don't leave me.
00:26:27No. Please, wake up.
00:26:29No. Please, wake up.
00:26:36Bye.
00:26:36No.
00:26:42No.
00:26:43No.
00:26:44No.
00:26:45No.
00:26:45No.
00:26:47You... what are you doing here?
00:26:54You were crying. Loudly. Kind of hard to ignore.
00:27:00Right. Sorry for the night.
00:27:04Wait, you know Snarky come back?
00:27:06Not tonight, I'm too tired. If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:17Hurricane hit New York. Power went down, traffic froze.
00:27:22Dad had a stroke, but he couldn't get help in time.
00:27:28I sat there with a candle while he laid there.
00:27:36Peaceful, like he was asleep.
00:27:39But he wasn't.
00:27:44So that's why you and your mum moved here?
00:27:47This used to be our hometown.
00:27:50After dad left, we had nowhere else to go.
00:27:59What are you doing?
00:28:04Come on.
00:28:20Wait, I thought the power was out.
00:28:23It is. We have our own generator.
00:28:26Wow. Rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:34You can call this place your house. So enjoy it.
00:28:38Stephen King's first edition.
00:28:39Alan Gisberg's handwritten letters.
00:28:42Jane Austen's notes.
00:28:43All yours.
00:28:49This is your home.
00:28:51Alice Keaton.
00:28:57Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Don't push it.
00:29:02Okay then.
00:29:06I have...
00:29:08One request.
00:29:11What is it?
00:29:19Are you ever going to make a move?
00:29:21Wait.
00:29:22Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm,
00:29:30inside a literal mansion,
00:29:32you chose chess.
00:29:34Yeah. Got a problem?
00:29:36It's just so cool.
00:29:37Like, spies or genius villains in movies.
00:29:41It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait. Does the knight go diagonally?
00:29:47For the tenth time,
00:29:49it moves in an L shape.
00:29:52One.
00:29:53Two.
00:29:54Then turn.
00:29:56There.
00:29:58Happy?
00:29:58Ecstatic.
00:30:01You know.
00:30:02That's suicide.
00:30:04Or a brilliant long-term sacrifice.
00:30:06You are playing checkers at a chess board.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:14Oh my-
00:30:15No.
00:30:16Why? What's going on with that?
00:30:17You-you can't do-you can't do that.
00:30:18No, no.
00:30:19Oh my god.
00:30:40Maybe,
00:30:41he's not so awful after all.
00:30:51um who are you what are you doing here well your parents said you were still at
00:31:00home thank god you skipped that boring grand tour who needs italy and France
00:31:04again right when did you get back last night from Zurich you didn't answer my
00:31:12messages I missed you anyway thought I'd come surprise you apparently I'm
00:31:18transferring to Ashford your parents are so thrilled they didn't tell me about
00:31:22this I wanted to deliver the happy news myself they said it'd be lovely for us to
00:31:26reconnect you know considering the engagement and all
00:31:34oh did no one tell you he's promised old money stuff very retro I didn't agree
00:31:41to that you didn't have to it's never up to us
00:31:45where did you find this little toy Serena oh an American how refreshing
00:31:59goodbye wait
00:32:16where are you going you still owe me breakfast you only paid for dinner
00:32:21I had homework goodbye
00:32:26your little toy has quite the temper Serena can you please just stop what teasing
00:32:31the help
00:32:38that's her that's the one from Kenwood's house was she like the maid or
00:32:45that's the one from Kenwood's house
00:32:59oh my god what's wrong with people they're saying you live with Charles oh and
00:33:04Serena what about her apparently she told everyone you were caught sneaking into
00:33:09his room of course she did
00:33:24careful Alice you're starting to look desperate
00:33:37I'm sorry
00:33:38I'm sorry
00:33:38I'm sorry
00:33:38I'm sorry
00:33:38can you help me
00:33:39I'm sorry
00:33:401066
00:33:41come to the music room
00:33:43urgent
00:33:44I just remembered I need to check something you guys go ahead
00:33:47yeah okay
00:33:54help
00:33:55is someone there
00:33:56is someone there
00:33:57seriously
00:33:58this is getting old
00:34:12wait music room what
00:34:16James
00:34:17was anybody in here earlier just miss Serena said she was waiting for you
00:34:23sir
00:34:25sir
00:34:25sir it's raining
00:34:26sir it's raining
00:34:36come on Alice you're fine
00:34:40you're not that girl again
00:34:48wait can you remind me one more time
00:34:50okay
00:34:51okay
00:34:52rooks move in straight lines
00:34:54yeah
00:34:55bishops move diagonally
00:34:57and knights
00:34:58the knights the weird one
00:35:04rooks
00:35:06straight lines
00:35:08bishops
00:35:10diagonally
00:35:12hello
00:35:31the text
00:35:32the text
00:35:33are you okay
00:35:34are you hurt
00:35:36I'm okay
00:35:37I
00:35:38I saw the text and I thought
00:35:40I didn't see the message
00:35:42Serena took my phone
00:35:43I didn't know
00:35:44I'm sorry
00:35:45I'm
00:35:45okay
00:35:48you're gonna catch a cold
00:35:49you're freezing
00:35:50you didn't have to come
00:35:53don't tell me
00:35:55what I have to do
00:35:56give me hope that feels like hope
00:36:19that wasn't a mistake if that's what you're about to say
00:36:24I wasn't going to
00:36:31you
00:36:32I'm really bad at this you know
00:36:40what kissing
00:36:41hiding feelings
00:36:42I don't want to
00:36:44I want to
00:36:44like that
00:36:45I
00:36:45I
00:36:48I
00:36:49I
00:37:04Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:10Seriously, it's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:24Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:36You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:53That's where I'll see your face.
00:37:58And have you with me.
00:38:03It may seem dark.
00:38:07But you always like my spark.
00:38:18You're welcome.
00:38:23They're either enemies or secretly married.
00:38:26Honestly, both.
00:38:28I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time pan new.
00:38:45Everything's so different now.
00:38:48So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird.
00:38:56And I like weird.
00:39:06Check.
00:39:06Check.
00:39:12You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:20I will be before you all day.
00:39:23I'll be in the dark and space.
00:39:28I'll hold you in my arms.
00:39:30Charles!
00:39:32We need to talk.
00:39:40I expected poor judgement.
00:39:43But this in my house?
00:39:45It isn't what it looks like.
00:39:46No?
00:39:48Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:53We came back tonight after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:59She isn't just...
00:40:01You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of her.
00:40:10That's enough.
00:40:14Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:21We think.
00:40:22She does not belong in your world.
00:40:28Then maybe I don't either.
00:40:31You're ready to give up everything.
00:40:33For a girl you barely know?
00:40:38Yes.
00:40:38Yes.
00:40:39Then...
00:40:40Are you sure...
00:40:42She's ready?
00:40:48I'm asking you.
00:40:50Do you think she's ready?
00:40:52To lose everything, regardless of how little that is, just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:04Pelton.
00:41:05It's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:10If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant
00:41:18a review?
00:41:20Yes, sir.
00:41:23So.
00:41:25Answer me again.
00:41:27Do you think she's ready to lose everything just to be with you?
00:41:41Charles.
00:41:42What happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:46Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:56So are you.
00:41:57Wait, what?
00:41:58Why?
00:41:59Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything-
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card.
00:42:10No trust.
00:42:11No support.
00:42:13Nothing.
00:42:14Then...
00:42:15Then we'll figure it out.
00:42:17We don't need all that.
00:42:18We can-
00:42:19Do you really think I'm going to live like that?
00:42:24So that's what this was?
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:38They just reminded me of what's real.
00:42:40No.
00:42:44Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:00You think you know me.
00:43:03Or what I have.
00:43:04You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:18I was bored into this.
00:43:19I am not choosing between this and something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33Look, it was fun.
00:43:34But you?
00:43:37You don't compare to what I own.
00:43:41I'll survive the loss.
00:43:44Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:11No, I'm not.
00:44:12At last night.
00:44:12Your house is home.
00:44:13Are you a little bit different than I expected.
00:44:18I'm not sure.
00:44:20My friend is the only place.
00:44:24This is so hard to find out.
00:44:30This is a problem.
00:44:31I know.
00:44:32My friends, my friends, you know.
00:44:42Oops.
00:45:00Oh, sorry. Didn't see that.
00:45:03Then again, nobody does.
00:45:05Move, please.
00:45:06Hmm. Try begging.
00:45:14You know what? Keep it.
00:45:20Poor thing. So dramatic.
00:45:24Don't.
00:45:26Excuse me?
00:45:27I warned you. Walk away, Serena.
00:45:37You know what?
00:45:56You know what?
00:45:58You know what?
00:46:05My voice better have it.
00:46:07I couldn't stay. I couldn't wait.
00:46:09I thought that you should know that I would have.
00:46:14You know what?
00:46:14Our essay explored what happens when two fundamentally different voices meet.
00:46:19Like logic and chaos, or silence and noise.
00:46:23Different worlds, different rules.
00:46:28At first glance, they clash.
00:46:30But what makes the story interesting is what happens next.
00:46:34Confusion, curiosity.
00:46:36But in the end, some stories aren't about staying.
00:46:40And yes, there is no such thing as a happy ending.
00:46:55Is she still talking about the essay?
00:47:01Miss Keaton?
00:47:03Dramatic as always.
00:47:05Alright.
00:47:06Thank you, Alice.
00:47:07That was...
00:47:09Laid.
00:47:11Are you okay?
00:47:12A reminder that good literature always stirs something.
00:47:19Hello?
00:47:20Hi, here's Alice Keaton.
00:47:21This is Whitmore Press.
00:47:22We've been following your work.
00:47:24We'd like to offer you a long-term publishing contract.
00:47:26Name your price.
00:47:27We'll make it work.
00:47:28Sorry, what?
00:47:29What?
00:47:33That's...
00:47:34Kind of...
00:47:35Insane.
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous.
00:47:40Can...
00:47:41Can I meet them?
00:47:44I want to.
00:47:45Please.
00:47:46Or at least tell me a name.
00:47:51Sorry, they wish to stay in office.
00:47:53So they're only interested in whether it's another person.
00:47:55I'd really like to meet them.
00:47:57Oh, I'm sorry.
00:47:57I'm sorry, Miss Keaton.
00:47:58Name was very sweet.
00:47:59I think it's the most jealous one we've ever given a disability right now.
00:48:03I see.
00:48:04Congratulations again.
00:48:09You got the interview!
00:48:10It's just an interview.
00:48:11I haven't gotten it yet.
00:48:13Still, Alice Keaton at Oxford.
00:48:16That's iconic.
00:48:25You okay?
00:48:27Yeah.
00:48:28I'm so excited!
00:48:42I'm so excited!
00:48:42It's done, Mr. Kenwood.
00:48:44Miss Keaton signed the contract.
00:48:47Good.
00:48:48It's a generous deal.
00:48:49You sure you don't want it to know?
00:48:52No.
00:48:54No.
00:48:54No, it's better if I stay out of her life.
00:49:05Congratulations, Alice Keaton.
00:49:08Go live the life you were always meant to.
00:49:15Your engagement announcement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London reception.
00:49:26It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:36I'll go check on him.
00:49:42What's your problem, Charles?
00:49:47This engagement is not happening.
00:49:50It's not up to you.
00:49:51You know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:02I've lost my attention.
00:50:02You've changed everything.
00:50:04No you don't want it to be.
00:50:07I have to have a dream to grupo.
00:50:16You're leaving!
00:50:16No you don't want it.
00:50:20I have to have to have a dream.
00:50:20You've ever been to live a dream.
00:50:20No!
00:50:20No.
00:50:22You don't want it.
00:50:23No.
00:50:26No!
00:50:27Nothing.
00:50:29Tals!
00:50:31You're the sponsor.
00:50:32You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything?
00:51:15No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:28She said she was prepping all evening.
00:51:34James.
00:51:35Track someone for me.
00:51:38Wait.
00:51:39Where are you going?
00:51:47Chill, okay?
00:51:48We won't hurt you.
00:51:50Yeah.
00:51:51We're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:00Shit.
00:52:02Come back.
00:52:10Come back.
00:52:40Hey, hey, hey, Alice, Alice.
00:52:43Alice, stay with me, stay with me, stay with me, Alice, Alice.
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic.
00:52:58Passer-by brought you in.
00:53:01Passer-by?
00:53:02He found you on the side of the road.
00:53:04He had to leave, he didn't leave a name.
00:53:08Oh.
00:53:10The interview, what time is it?
00:53:12Easy, it's okay.
00:53:14Someone already contacted the university and sent in your writing samples.
00:53:18They've rescheduled your interview for tomorrow.
00:53:20Wait, what, who?
00:53:21No idea, but it's all taken care of.
00:53:27What did you say?
00:53:29Nothing.
00:53:30I just had a dream.
00:53:43I got him!
00:53:45Oh, I knew it!
00:53:50Oh, too bad Charles isn't here to watch you crush it.
00:53:53He's not here.
00:53:55Oh, you didn't know?
00:53:58Know what?
00:53:59He left.
00:54:00A few days ago, yeah, everyone doesn't really know where he went.
00:54:04Honestly, Astra's been quieter without him.
00:54:07It's probably for the best.
00:54:08Come on.
00:54:09I couldn't stay.
00:54:11I couldn't wait.
00:54:13I thought that you should know where I would have.
00:54:16And hang around.
00:54:18The summer I met Charles Kenwood was loud.
00:54:22Chaotic.
00:54:24Unexpected.
00:54:27And with his absence.
00:54:29Come on!
00:54:31It ended quietly.
00:54:34Like summer's always do.
00:54:48And joining us today, the Dake's most unexpected literary phenomenon, Alice Keaton.
00:54:55Thank you for having me.
00:54:56No, your words moved millions.
00:54:59They say your stories feel real.
00:55:03Especially the ones about love.
00:55:05Which brings us to the most obvious question.
00:55:08How's your dating life like these days?
00:55:10No comment.
00:55:11A little bird told me that the past four years has been just writing and working.
00:55:16Not even a single date.
00:55:18Let me guess, a bird named Sherry.
00:55:19She caught me.
00:55:20Still no comment.
00:55:22All right, all right.
00:55:23No matter what you say, you write love like someone who's lived it.
00:55:28If you're so real.
00:55:30Because once, I did.
00:55:31This is why today we're here sharing the story behind Alice Keaton's love.
00:55:36And no one ever quite matched the light after that.
00:55:38And let's give it up for Alice Keaton one more time.
00:55:52Congratulations, Alice.
00:55:54The numbers just came in.
00:55:55You broke your own record.
00:55:58That's incredible.
00:56:00We're thinking celebration, press, photos, maybe tonight.
00:56:04Actually, there's something I'd rather do.
00:56:08I'd like to meet with the person who believed in me first.
00:56:12My sponsor.
00:56:14You're sure?
00:56:15Yeah.
00:56:16Just once.
00:56:17Tonight, 7pm.
00:56:29Good evening.
00:56:34Good evening.
00:56:38May I sit?
00:56:43Hey, Mr. Nonchalant.
00:56:48Hi.
00:56:50Hi.
00:56:52You look well.
00:56:56And you look like you just stepped out of a GQ cover.
00:56:59You always did.
00:57:01You were expecting someone else.
00:57:05I was...
00:57:06Hoping.
00:57:08But I guess I always knew.
00:57:10I didn't come here to confuse you.
00:57:13Or to reopen anything.
00:57:16I just wanted to say congratulations.
00:57:20Oh.
00:57:22Thanks for keeping it so much.
00:57:24I didn't know you were still reading.
00:57:26You were rich enough not to do so.
00:57:29Always.
00:57:31Either way, your sponsorship started my career, so...
00:57:35No.
00:57:36No, you earned everything.
00:57:41Every word.
00:57:43Every page.
00:57:45Every reader.
00:57:47That's what I came to say.
00:57:49I'm sorry.
00:57:53It was good to see you again.
00:57:54I hope.
00:57:55Charles.
00:57:57Can you just...
00:58:00Wait a little longer?
00:58:07I think I knew it was you.
00:58:10There was one email.
00:58:13You said something.
00:58:15It felt familiar.
00:58:16Really?
00:58:17Kind of had that...
00:58:18Rich asshole with a conscience energy.
00:58:21Very on brand.
00:58:23I should have anonymized my grammar.
00:58:25Too late.
00:58:26Your semicolon usage gave you away.
00:58:28Still the only girl I know who flirts through punctuation.
00:58:31Still the only guy I know who uses wiles unironically.
00:58:37You've changed.
00:58:40But...
00:58:41Not really.
00:58:43You haven't changed.
00:58:46But maybe you've grown into who you really were.
00:58:51But...
00:58:51Anyway...
00:58:52I wanted to say...
00:58:57And...
00:58:58Thanks for being here tonight.
00:59:00You didn't have to come.
00:59:02Don't tell me what I have to do.
00:59:07you didn't have to come
00:59:09don't tell me
00:59:11what I have to do
00:59:31if you could go back
00:59:33if you had the chance to do it all again
00:59:35would you do anything differently
00:59:42no
00:59:47no
00:59:52I see
00:59:56I know my answer now
00:59:57I didn't have the power back then
01:00:00not enough to protect you
01:00:02I couldn't watch you get crushed
01:00:03because of me
01:00:05because of my name
01:00:07my family
01:00:10I didn't want to be the reason
01:00:11you lost everything
01:00:13so you just disappeared
01:00:14without a word
01:00:18if you had the chance to see the world
01:00:20without me weighing you down
01:00:23if you still chose me after that
01:00:29you keep saying you wanted to give me a choice
01:00:32but you made a choice for me
01:00:36did it ever cross your mind
01:00:38that maybe
01:00:41I would have chosen you anyway
01:00:48I didn't think I was the smart choice
01:00:51you weren't
01:00:54but I never claimed to be that smart
01:01:04this is me
01:01:05right
01:01:14I'm still mad at you
01:01:18I'm still in love with you
01:01:19you know
01:01:28do you want to come in for a bit
01:01:32you're asking your ex
01:01:34who you haven't seen in four years
01:01:36to come into your hotel
01:01:38at approximately 11pm
01:01:41you were right
01:01:43you never were that smart
01:01:45you don't have to come
01:01:47don't tell me
01:01:48what I have to do
01:02:03stop quoting yourself
01:02:04I recycle
01:02:05it saves energy
01:02:07this feels wildly irresponsible
01:02:10you sound like a disclaimer
01:02:11you're the one who once called romance a distraction
01:02:14I said that
01:02:15yeah
01:02:15before calling Wuthering Heights overrated
01:02:18still is
01:02:20you're lucky you're a good kisser
01:02:25that is cute to me
01:02:27don't you dare quote poetry
01:02:29what's it going to
01:02:30I forgot all over the day you left
01:02:33then shut up
01:02:35and prove it
01:02:41I still can't believe this is happening
01:02:43I told you
01:02:44that you're the worst enemies
01:02:46or secretly married
01:02:47and I told you
01:02:47they're both
01:03:14I vowed to always tell you the truth
01:03:18except for when you ask how your cooking was
01:03:21then I lie
01:03:23respectfully
01:03:25I vow to keep choosing you
01:03:28loudly
01:03:29quietly
01:03:31always
01:03:33even when you forget to do the laundry
01:03:58if she quotes Austen in this toast
01:04:00I'm out
01:04:00no you're not
01:04:01you're gonna cry harder
01:04:25I can't believe you picked Paris
01:04:27I can't believe you picked Paris
01:04:33relax
01:04:33relax
01:04:34relax
01:04:34just don't dress like a walking inheritance
01:04:36and you'll be fine
01:04:39you are not wearing that on our honeymoon
01:04:43please Alice go change
01:04:45don't tell me what I have to do
01:04:51no
01:04:52no
01:04:52no
01:04:53no no no no no
01:04:53that is not an invitation
01:04:54do not take off these clothes
01:04:56I'm overroared
01:04:57you look much better without them
01:05:05to the ones who loved in silence
01:05:07in chaos
01:05:08in chapters
01:05:10you will find your way home
01:05:12sometimes I want to be on my own
01:05:18but I don't want to die alone
01:05:21God
01:05:21God
01:05:22God
01:05:22God
01:05:23God
01:05:23God
01:05:25God
01:05:26God
01:05:26God
01:05:27God
01:05:27God
01:05:28God
01:05:29God
01:05:30God
01:05:30God
01:05:31God
01:05:33God
01:05:34God
01:05:34God
01:05:34God
01:05:35God
01:05:38God
01:05:39God
01:05:39God
01:05:39God
01:05:46God
01:05:46God
01:05:46God
01:05:47God
01:05:47God
01:05:47God
01:05:47God
01:05:47God
01:05:47God
01:05:48God
01:05:48God
01:05:49God
01:05:52God
01:06:03You