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00:00Last time on the Harry Hill Show.
00:02This is Andrew Williams. Why are you picking on Amanda?
00:07Harry Hill Show!
00:10Hello there. I'm Harry Hill and this is my show.
00:13It's the Harry Hill Show!
00:15Hello and welcome to the Harry Hill Show.
00:18Now we're... Oh, you must excuse me.
00:21Hello? Oh, okay, yes. No, I'll tell them, yes.
00:26Okay, thanks for letting me know.
00:27Our product recall seems there's a problem with the Dyson Cucumber Dispenser.
00:34The Dyson Cucumber Dispenser, I think we've got one of those.
00:38Not quite sure what the problem...
00:43The guest is here, Daddy!
00:44What's that, Gary?
00:46I said, the guest is here, Daddy!
00:51Oh, well, we'd better welcome our guest.
00:56Welcome to...
00:57John Cooper Clark.
00:59John, welcome.
01:01Dr. John Cooper Clark, of course.
01:04One medical practitioner to another.
01:06Thank you very, very much, Harry.
01:09I don't think it's a medical doctor that you are, is it?
01:12Could have fooled me.
01:15I think you still have to do the five years.
01:17Listen, I can pull off the odd emergency tracheotomy at the drop of a hat, if necessary.
01:25Yeah.
01:26Have you got a Dyson Cucumber Dispenser?
01:28I haven't.
01:30Yeah, well, if you had one, you better take it back.
01:33Now, so, John...
01:35By the way, I love that signature to you, Larry.
01:38That's good, isn't it?
01:38That's terrific.
01:39You know what?
01:40I love a circular conversation.
01:42We were just talking about your choice, your record choices on Desert Island Disc recently.
01:47And it reminded me of the Electric Six.
01:50They do a great job of that.
01:52They do, yeah.
01:53Harry Hill Show.
01:54Yeah.
01:55Yeah, they would, wouldn't they?
01:56They would, wouldn't they?
01:57In the high-voltage voice.
01:59Yeah.
02:00The Harry Hill Show.
02:02I like that.
02:02Yeah.
02:04I'm not sure what happened to Electric Six.
02:06So, if you're watching Electric Six, and you probably are, do let us know.
02:10What are you up to?
02:11Send us an email.
02:12High-voltage.
02:14High-voltage.
02:15I was surprised.
02:16You know, I recently came to see you, John, on your sort of tour thing.
02:21I said, well, it was a tour.
02:23I don't know why I said tour thing.
02:24At Herm Bay.
02:26I was surprised when I heard you singing with the Stranglers.
02:31Oh, with Cue Conwell, yeah.
02:33But you have a lovely, sort of, what's it like, almost like a sort of doo-wop voice.
02:38Thanks very much.
02:40It means a lot, Harry.
02:42Yeah, well, I always like to think I could carry a tune.
02:47What was the song that I'd heard?
02:48What must have been the song that I heard?
02:50It was a sort of crooning.
02:52Yeah, I prefer myself on the ballads.
02:54You know, we did a few rock and roll R&B classics, you know, Love Potion, No. 9.
03:00But I like the mid-tempo and the smoochy stuff, you know, Spanish Harlem, that Ricky Nelson tune.
03:08What was that one?
03:09Yeah.
03:10Sweeter Than You.
03:11Right.
03:11But my favourite is, check it out, the album's called This Time It's Personal, Hugh Cornwell
03:19and Dr. John Cooper Clark.
03:20Yeah, I didn't expect a full show, because you had, like, four other poets on before you.
03:28Herm Bay, is this the Herm Bay thing?
03:30Is that a normal thing, regular thing you do?
03:32Well, I'm really kind of proud of the fact that we're selling out large halls with an
03:40entirely, entirely, an evening of poetry.
03:44Yeah.
03:44You know, which I can't think of another period where that ever happened.
03:49No, it reminded me a bit of when I first came to London, used to go and see what was
03:53called alternative cabaret.
03:55And there would be comics and there'd be maybe a juggler, but there would often be a poet.
04:02You know, it was the sort of, it was alternative cabaret rather than alternative comedy.
04:06Now, if you go to those same clubs, it's all, it's all comics.
04:09We do have a mascot for the show.
04:13John, would you like to meet our mascot, Licky, the Harry Hill Show mascot?
04:17Why not?
04:18Come on out, Licky.
04:21Oh, excuse me.
04:23Hello?
04:24He's what?
04:25Just one moment.
04:29No, Licky.
04:29No, Naughty.
04:31Get back in there.
04:34Licky, Licky, Licky, the Harry Hill Show.
04:36Hey, that's a big mascot, man.
04:38It's Licky, though.
04:39Previously had a job, but I've got Licky, Licky, Licky.
04:45He wants to shake your, I think he wants to shake your hand, John.
04:53It's just, it's just.
04:54Oh, he wants to lick my hand.
04:55Yeah, it's just, it's just awkward.
04:58Well, the clue is in the name.
05:01Go on, just, yeah.
05:03Just get out of here.
05:05I'm so sorry about that.
05:07What do you think of AI, John?
05:09AI?
05:10It's, well, I mean, I don't approve of any of this digital kind of thing yet.
05:18In fact, I've said it before, I'll say it again.
05:23I'm subject to the thousand daily punishments visited upon the analogue community.
05:32I'm their only voice.
05:34I'm the only member, I think, anyway.
05:36But I don't even, I don't go to the auto checkouts.
05:40Yeah.
05:40I'm going to get serious.
05:41I don't go to the auto checkouts.
05:42Why do you want to render that woman unemployed?
05:45Yeah, but also.
05:46Why do you want to do that?
05:47Yeah.
05:47If Mr. Tesco came up to you and said, listen, I made a shitload of money last year, but I
05:54want to make more this year.
05:56The only way I can think of them doing that is if I sack those seven women and have you
06:02do their job for me instead for nothing.
06:08What do you like to eat, John, while we're on that subject?
06:11What do I?
06:12What's your favorite sort of foods?
06:15I eat pies quite a lot.
06:20That's good.
06:21Pies.
06:21Chicken.
06:22Chicken pies.
06:24I like the endangered Alaskan salmon as well.
06:27That's fantastic, that.
06:29I thought I didn't like salmon till I ate that.
06:32Yeah.
06:32I like.
06:32Fantastic.
06:33I like trap caught duck.
06:36Duck.
06:39I like.
06:40Yeah.
06:41I'll only eat hand strangled bacon.
06:44Yeah.
06:47I can see you're a foodie.
06:48Yeah.
06:49Absolutely.
06:50Yeah.
06:50It's particular.
06:51I mean, I always think people go on about surf and turf, but I like pond and nest.
07:01That's my favorite.
07:03But yeah, there's, I've only got, I think, five forbidden food groups.
07:08Oh.
07:11Flapjacks.
07:14Falapples.
07:16Yes.
07:16Flamingo.
07:17Tripe.
07:18Tripe.
07:19Tripe.
07:20Yeah.
07:20And mayonnaise.
07:22Yeah.
07:23That's very difficult to avoid mayonnaise.
07:25It's very difficult to avoid all of those in any one day.
07:30So listen, we've actually harnessed AI for good.
07:33We have our own AI bot.
07:35It's going to come out and tell us a little bit about you.
07:37Come on out.
07:38Sarah, the AI bot.
07:42Is she there?
07:43Yes, she's here.
07:45Well, I am.
07:45Yeah.
07:48It's a computer AI bot.
07:50Sarah, synthetic animatronic robot and helper.
07:54Sarah, say hello to John Cooper Clark.
07:56Hello, Clarkie.
07:57Me name's Sarah.
07:58Not being funny, but you look like you could do with a couple of days on a sunbed.
08:03Love your stuff.
08:04I want to be your vacuum cleaner breathing in your dust.
08:07I want to be your Ford Cortina.
08:08I will never rust.
08:09If you like your coffee hot, let me be your coffee pot.
08:11You call the shots.
08:11I want to be yours.
08:12I want to be your raincoat for those frequent rainy days.
08:14I want to be your remote when you want to sail away.
08:15Let me be your teddy bear.
08:15Take me with you anywhere.
08:16I don't care.
08:16I want to be yours.
08:17I want to be yours.
08:17I want to be yours.
08:17I want to be yours.
08:18I want to be yours.
08:20Sorry about that, John.
08:21It should have been done like that in the first place.
08:23You do do it pretty quick.
08:27So Sarah's going to tell us a little bit about you.
08:29Sarah, off you go.
08:30Here goes.
08:33John Cooper Clarke is an English performance poet and comedian who styled himself as a
08:38punk poet in the late 1970s.
08:41Early life and education.
08:42John Cooper Clarke was born in Salford and became interested in poetry after being inspired
08:48by his English teacher, John Malone.
08:50One of his early inspirations was the poet Sir Henry Newbold.
08:53His first job was a laboratory's technician at Salford Tech.
08:57So Salford back then was very different to it is now, I guess.
09:02Well, that's right.
09:02In fact, I had loads of jobs before I was a technician at Salford Tech.
09:08Apprentice motor mechanic printer.
09:12Yeah.
09:12Works in the rag trade for a bit as a trainee cutter.
09:17Loads of jobs actually before.
09:18Right, right.
09:19And were you writing poetry?
09:22Yeah, yeah.
09:23Well, I always went seeking out jobs where I just had to be there, really.
09:28I saw a bit.
09:30There's this thing on YouTube.
09:31I don't know if you've seen it.
09:32It's called Celebration.
09:35Do you know about that?
09:36It's like a 25-minute long thing.
09:37It was made in the 1980s.
09:39It's on YouTube.
09:40Yeah.
09:41And it's got a bit of you as a lab technician.
09:44Oh, what's up?
09:45So you just look like a normal person.
09:49You look like a normal person.
09:51It's quite shocking to see you, you know, with like regular glasses and jeans.
09:58Yeah, yeah, yeah.
09:58I think you've got pink since, but yeah, yeah, yeah.
10:02Polo neck junkie.
10:04That's it, yeah.
10:05Yeah, it's very strange.
10:06Because weirdly, you look older in that.
10:09I was so much older then.
10:10I'm younger than that now.
10:13And what was this John Malone, what was he, how did he encourage you?
10:19Well, he read it aloud.
10:21That was the difference, you know.
10:23I heard it instead of reading it in a book.
10:28Right.
10:28You know, silently to myself, you know.
10:31Well, he read out your books.
10:32No, he read out books from the Palgrave's Golden Treasury.
10:36It was full of good stuff, you know.
10:38It was jam-packed full of classics.
10:43And, I don't know, he just made it come alive when hearing somebody recite them
10:47as opposed to, you know, as I say, reading them silently to yourself in a library or at home.
10:53But especially, you know, things like Tommy Atkins, you know,
11:00loads of Rudyard Kipling, you know, which really benefits from, you've got to hear it.
11:05Yeah, sure.
11:06Yeah.
11:07It's horrific stuff.
11:08And that, what was it about Sir Henry Newbolt that you, uh...
11:12Well, you know, all story stuff and all that.
11:15It was about a world I didn't know nothing about, really.
11:17It was obviously from the point of view of somebody that went to a public school,
11:21you know, with all the emphasis on cricket and references and what have you, you know.
11:26Empire.
11:27It was, yeah, it was real kind of gentleman's poetry, you know.
11:31But, you know, he made it swing, you know, very story stuff.
11:35The sound of the desert is sodden red, red with the wreck of a square that broke.
11:40The gatling is jammed and the colonel dead, the regiment blind with dust and smoke.
11:47The river of death has brimmed its banks and England's fire and honour and name.
11:54But the voice of a schoolboy rallies the ranks.
11:58Play up, play up, and play the game.
12:02Yeah.
12:02Henry Newbolt.
12:04Henry Newbolt.
12:04Vitae Lamparder.
12:06Yeah, I like those, uh, uh, narrative, like those long narrative poems.
12:11Oh, yeah, yeah, but the Lady of Shiloh.
12:14Yeah.
12:14Yeah, that's good.
12:15Yeah, the rhyme of the ancient mariner and...
12:17Yeah, well, fab, now you're talking.
12:19Kubla Khan.
12:20Yeah, yeah, fabulous.
12:21Yeah.
12:22I nearly changed my name to John Kubla Khan on the strength of that.
12:28A damsel on a dulcimer in a vision once I saw.
12:32Marvel.
12:33Um, cool.
12:34What else have you got to say about John, Sarah?
12:37Career.
12:38Clark began his performance career in Manchester folk clubs, where he began working with Rick
12:44Goldstraw and his band The Ferrets.
12:46His debut LP was OU Graves' La Maison de Fromage.
12:49Clark has attributed his early success in part to the influence of the English poet Pamayes.
12:54Her run of success on the British TV show Opportunity Knox led both Clark and his mother
12:59to believe that he could make a living at poetry.
13:02He toured with Linton Quessie Johnson and performed on the same bill as bands such as
13:06The Sex Pistols, The Fall, Joy Division, Buzzcocks, Suzy and the Banshees, Elvis Costello, and
13:14New Order.
13:15But it was Pamayes that made you do it.
13:18I was always convinced of my ability to drag poetry into the world of entertainment and
13:26showbiz miscellaneous.
13:27I thought that there's always been a kind of a place for it.
13:30If you look at the musical and even further on than that in variety, you know, people
13:37like Stanley Holloway, Rex Harrison really didn't sing, did he?
13:42He just kind of spoke with a musical backing.
13:45Yeah.
13:45I mean, the last time I saw.
13:46So I thought there was a place for it.
13:47Yeah.
13:47The last time I saw Ken Dodd, he would do The Road to Mandalay.
13:51All right.
13:52There you go.
13:52Yeah.
13:53Good, good, good example.
13:55On the road to Mandalay.
13:56Anyway, but Pamayes, yeah.
13:58I mean, people forget, but she was massive.
14:01Yeah, mega.
14:02In the 70s.
14:02Well, I didn't get any encouragement from anybody that had any, had my best interests
14:09at heart.
14:10They all were very discouraging about this choice of career for reasons such as, you know,
14:19nobody likes poetry, was the main thing.
14:25Yeah, but it wasn't, I mean.
14:26But I figured, you know, there was a, there was a, you know, what is like Albert and the
14:30Lion or, or Woodman Spare That Tree.
14:34That was a big influence.
14:35Woodman Spare That Tree by Phil Harris.
14:38Oh, Phil Harris.
14:38Have you ever heard that one?
14:39Well, I know, I don't know that one, but I know Phil Harris.
14:43Goldshop a birch and elm are a pine.
14:45It's about this guy who's, uh, realizing this one tree in his yard to escape his wife
14:51when she's angry, you know, he can, he can climb this tree which she can't climb it.
14:55You know, it's a very precious tree to him and the verse is, uh, uh, it's about a guy
15:02coming round volunteering, it's a shot down tree, she goes, uh, Woodman, Woodman, Spare
15:07That Tree, cut not a single bough.
15:11Five years it has protected me and I'll protect it now.
15:15Go chop a birch, an elm or a pine, but leave all slippery there, that's mine.
15:21That's the only tree my wife can't climb, Mr. Woodman.
15:26Spare it for me.
15:29And then you were on these bills, these fantastic legendary names.
15:35Oh, what, the punk rock explosion.
15:37Yeah, well, that was very obvious and very important to me, but getting back to Pam, you
15:41know, she, that put a stop to that, I said, you know, she, she's, uh, she's pissing all
15:48over the opposition here on a weekly basis, you know, they've had some good people on,
15:53you know, Tony Monopoly and people like that.
15:57Yeah.
15:57People that went on to have even careers, but they, you know, she kept winning, I think
16:02for a year, it seemed like a year.
16:04Yeah, it was Opportunity Knocks, we should explain, Opportunity Knocks was like one of
16:07those proto-talent shows.
16:09Yeah, yeah, oh, that's right, yeah, we should explain that to the young people.
16:12Did you, um, but you weren't tempted to enter yourself?
16:17No, I didn't, no, no, I didn't think about that, honestly, I thought of it, it was a
16:22pretty, I was surprised that they had a poet, any kind of poet on, actually, you know, it's,
16:26it's pretty kind of.
16:28Did you ever meet Pam?
16:30Do you know, I've never met her.
16:32No, me neither.
16:32But I really wanted to, uh, I did a, a pro, a program with the, uh, called Chain Reaction
16:39for Radio 4, you know, yeah, yeah, I did that, where you meet someone, yeah, they, somebody
16:46picks you to interview, and then you pick somebody else, and, uh, who picked you, uh, Peter
16:51Rook, okay, yeah, it was a no brainer, straight away, Pam, I thought we're never going to run
16:58out of anything to talk about, you know, we're in the same business, you know, it's going
17:03to fly past, but she didn't, I imagine she's easy company, she comes across as being a nice,
17:09lady, yeah, I mean, that was part of her charm, wasn't it, she was.
17:13Oh, yeah, absolutely, yeah, that was very much part of her charm, and actually, I could
17:17point at her success and say, you know, people, what's all this, people don't like poetry
17:22business.
17:23When I did it, I, uh, I, uh, I chose, uh, Tim Vine, uh, and so Tim came, I can't
17:30remember
17:30who chose me, but, um, I chose Tim Vine, so we were chatting, and I said to him afterwards,
17:35I said, you know, you're going to have to choose someone, uh, to, I said, who are you
17:40going to choose, and he said, uh, Chuck Berry, I said, there's just no way, you're going to
17:45get Chuck Berry.
17:46It was on Radio 4.
17:51So in the end.
17:52He'd want the money up front as well.
17:54Yeah.
17:54And in the end, Tim did, uh, Ken Dodd.
17:58Oh, wow.
18:00He did Ken Dodd, right?
18:02How many hours did that last?
18:04Yeah, exactly.
18:05So basically, Tim says, oh, uh, Ken, it's nice to meet you, and then Ken talked for an
18:13hour and a half, and then they had to, well, after Ken Dodd had gone, they re-recorded some
18:19bits where Tim asked him some questions.
18:25Sarah, have you got any, uh, anything further to add?
18:28Clark made an appearance in two UK adverts for Sugar Puffs, taking second billing to the
18:33Honey Monster.
18:34Clark's recording of evidently Chicken Town from his album Snap.
18:38Crackle and Bop was also featured prominently in the closing scene of The Sopranos episode
18:43Stage 5.
18:44His I Wanna Be Yours poem was adapted by the Arctic Monkeys and frontman Alex Turner for
18:49the band's fifth album.
18:50In November, 2019, Clark was a participant, alongside Phil Jupitus, in BBC Celebrity Antiques
18:58Road Trip.
18:59Four of Clark's five lots made a loss, giving a total loss of £233.54.
19:06Clark was awarded an Honorary Doctorate of Arts by the University of Salford and was honored
19:10by Salford City Council with the city's highest honor, being made an Honorary Freeman of the
19:15city that's it.
19:16You're up to date with Johnny Clark, the face behind the hairstyle.
19:20I may be wrong, or I may have told it badly, but it struck me as being extremely ludicrous.
19:26Thank you, Sarah.
19:27Thank you, Sarah.
19:28Do you recognize that last line?
19:31I may be wrong, or I may have told it badly, but it struck me as being extremely ludicrous.
19:36It's from a Henry Newbolt.
19:38Is it really?
19:39Yeah.
19:39A letter from the front.
19:40That's very modern sound.
19:43Isn't it?
19:44It's a great line.
19:46It is a great line.
19:46Fantastic.
19:47I didn't spoil it, though.
19:48So, what went wrong on Celebrity Antiques Road Trip?
19:51Oh, it never stopped hurting.
19:53I thought I was a gentleman, East Thief, you know.
19:58In fact, I was an avid watcher of the program, even before I was on it, you know.
20:02And to be honest, I'll get to that later.
20:05But, do you know, I have nothing but admiration for those people that do it regularly, you know.
20:09James Braxton, Anita Manning.
20:13I'm not as familiar with the show as you.
20:15I'm a regular.
20:15I watch it every night.
20:17It's on tea time every night of the week.
20:21And, you know, how I made such a loss, I don't know.
20:25But I think it's in the Antiques world.
20:28As everywhere else.
20:32It's just as bad being too early as too late.
20:37There are fashions in the Antiques world.
20:40You think it's just old stuff.
20:41Oh, that's an Antiques world.
20:43Get it in there.
20:44That's old.
20:45But it ain't as simple as that.
20:47And I got this, it was a running dog, a crudely made.
20:54It had been made with an axe.
20:56A wooden running dog off of a carousel.
21:01So it was about, you know, it was that thick, but it was the size of a large dog.
21:07Large enough for a child to sit on a merry-go-round.
21:11Right, right.
21:11So it wasn't rounded off or contoured or anything.
21:15It was just a flat piece of, you know, wood.
21:18So it had eyes on either side.
21:22So it was incapable of...
21:24But in case you saw it from the front, it had eyes on the front.
21:28So it had four eyes because of the angle.
21:32It had to look like a dog from the front as well as the side.
21:35Yeah.
21:36Two sets of canine teeth.
21:41You get the picture, it's black and white, crudely painted, black and white, patchy, you know.
21:46I thought it was going to clean up, but I thought this is going to clean up.
21:50But anyway, nothing.
21:52Folkart.
21:52I mean, you were thinking Folkart.
21:54Well, exactly.
21:55But that term didn't exist then.
21:57Thank you, Harry.
21:59Folkart.
22:01That term didn't...
22:02Since then, it's been showing up all over the place.
22:05It's motorbikes, all done in this crew made with an accident of motorbikes,
22:11even airplanes, merry-go-rounds.
22:13So I was two weeks too early, a fortnight too early for this.
22:18Otherwise, I'd have pissed all over.
22:20It'd be worth a fortune now.
22:22Metaphorically speaking.
22:25Financial.
22:26Financially speaking.
22:28And what was the Honey Monster like to work with?
22:31Oh, dream.
22:33Yes.
22:35He wasn't allowed to say anything.
22:37There was nothing you could fall out about.
22:38Yeah.
22:39He was just there doing what was required.
22:42We were talking a bit earlier about how...
22:45But they were great, weren't they?
22:46Yeah.
22:46Their adverts were great.
22:47They were great.
22:48It was before, you know, kind of CGI or anything like that.
22:52And they had the same guy.
22:53The guy that directed them was the guy that directed Got My Mind Set On You video.
23:01Oh, yeah.
23:02George Harrison.
23:02You know, where all the furniture comes to light.
23:05The clock and the...
23:06Yeah.
23:06Yeah, yeah.
23:07And they got him on it.
23:07And it was one way.
23:08We were gardening.
23:09Me and the Honey Monster are gardening.
23:11And I get flattened with this roller, you know, one of them big...
23:16Steam roller.
23:18...screw new concrete rollers, like.
23:20And I get flattened, totally flattened, like in Tom and Jerry, you know, like.
23:25And then in the next clip, I'm like, I get up and just sort of, you know, I'm all right.
23:32So they were great.
23:32We did about four of them.
23:34They won awards and that.
23:36Yeah.
23:36In fact, they rang me up to say that the chief of...
23:40The head honcho at Quakers reckoned they couldn't produce enough sugar puffs because of that campaign.
23:50To keep up with the mind.
23:52Yeah, I can't help feeling partly responsible.
23:55Yeah.
23:56But I think we were talking about this earlier, but in the sort of 70s, I suppose that's the 70s,
24:02wasn't it?
24:02Yeah.
24:0270s, early 80s.
24:0380s, not the 80s.
24:04In the 80s.
24:05There was a kind of cross-pollination between, you know, you would see, you know, someone like yourself on a...
24:13Basically advertising a thing for kids, right?
24:16And kids shows, you'd see Mark Bolin, you'd see...
24:20You know, before it all came, it all started to sort of narrow down so all these things would be...
24:25Tribalized.
24:26Yeah, it would be sort of niched off.
24:27Yeah, yeah.
24:28Into their own little ghettos.
24:31It's a strange thing that.
24:32And I'm not sure, not sure why, but it worked really, it did work really well.
24:37I mean, that must, it must have been someone probably on the ad agency who was a big fan of
24:42yours.
24:42It's a young couple, actually, that were real hot shots at that particular advertising agency, Young and Ruby Cam.
24:50Right.
24:51And they were in that, the GLC transport offices in Camden, you know, that big white place that had been
24:57sectioned off into various businesses.
25:01They were very successful with other campaigns.
25:05So, I owe it all to them, really.
25:08Young married couple, they're only about 25 or something.
25:11Right.
25:11But they were real hot shots and it was a real successful campaign.
25:15I've done loads of adverts since then as well.
25:17I love doing adverts.
25:19Yeah, me too.
25:20Fantastic.
25:20Never, for ages.
25:23I like it when you write for them.
25:25I wrote for a load of, you probably know about this, for a, I got a gig from an insurance
25:31company.
25:32And I was in the States at the time.
25:35And as long as it took to fly from Los Angeles to Seattle, no, Portland, Oregon.
25:43But I can't remember how long, but I had 13 jingles, selling insurance.
25:49I could do it in my sleep.
25:51What do you do to sell insurance?
25:53You scare people.
25:56If it's not a legal requirement, like driving a car or something, it's because you've got some sort of anxiety
26:04at best.
26:06Yeah, you're worried you're going to get ill, you're going to die, you're going to house, it's going to burn
26:09down.
26:09Absolutely.
26:10So, with that in mind, I come up with 13 smash-a-roos.
26:13He's like, uh, the banana skin on the high wire, the puncture in the spare tire, the danger of a
26:22deep fat fryer fire, you need insurance.
26:29A piece of ice about the size of a pie hits your face from out of the sky.
26:35That's exactly why you need insurance.
26:39I had 13 of them in that vein.
26:43Do you know what?
26:43They didn't want them.
26:45They didn't want them.
26:46Do you know what they said?
26:47They actually said to me, you're going to scare the customers off.
26:49I said, no, I'm going to scare the customers on.
26:54What business college did you attend?
26:57How do you feel about a comedian's poetry?
27:01Oh, yes, usually it's great.
27:04Oh, you like it?
27:05Oh, it is.
27:06You know, when I do that 8 out of 10 cats does countdown, for instance, you know, they all do
27:10a really good job.
27:12You know, it's...
27:13I've written a poem, John.
27:14Have you?
27:15Come on, let's have it.
27:17Would you give me some marks?
27:19Let's have it.
27:20So this is about...
27:22What's her face?
27:23If it's any good, I'm going to swipe it.
27:25This is about Mary Berry.
27:29Bake Off.
27:29Yeah, Bake Off, Mary Berry.
27:32She's, you know, she's about 90, about your age.
27:36Sorry, John.
27:38And this was...
27:39Yeah, she's in my catchment area.
27:42It's based on this.
27:43I did a painting.
27:44I like to do a bit of painting in my spasm.
27:46We did a painting of Mary Berry, Glazed Duck Breasts, which was a recipe that she was recommending.
27:54And this is a poem that I'd like you to mark for me.
27:58So it's called Glazed Duck Breasts.
28:00A lady stands at the cooker, an orange in her hand.
28:04Whack, whack, quack, quack, Mallard's last stand.
28:07Quick as a flash, the wings and legs are severed with an axe.
28:10Then all in a pot with some stock as she imparts nutrition-related facts.
28:14Who is this brutal pensioner, the savage OAP, who takes a birdie from the pond and cooks it for her
28:21tea?
28:22It's a bit pammy, isn't it?
28:23How cruel to stick it in her mouth when it was planning to fly south.
28:28If you had feathers, lady, you would not say with such zest, glazed duck breast.
28:35Very, very, very good.
28:37Yeah?
28:37Yeah, I wish I had written that, yes.
28:41You're not just saying that.
28:42Yeah, no, no, I'm not just saying it.
28:44Well, I am just saying it, but I mean it, man.
28:46I mean it, man.
28:47Yeah, no, that's great.
28:48And the picture, the picture's fantastic.
28:50Did you paint that?
28:50I painted it.
28:51Oh, incredible.
28:53I've got more.
28:54No, that's great.
28:55I've got more, but we haven't got time.
29:02If you enjoyed Slurpee Derp, why not try new Canine Slurpee Derp?
29:08Make your best friend's mealtime ring with eating noises like
29:14and
29:16and
29:19and
29:22simply add half a pint of Slurpee Derp chunks to your dog's regular can of food.
29:27Sit back and enjoy the sounds of simple happy slurps as your dog tucks in.
29:31They cause aggression, bad breath, irrational behaviour and explosive diarrhoea.
29:35Check label for details.
29:36Keep out of the reach of cats.
29:38Regency Innovations.
29:39Brinsley Interventions in an uncaring world.
29:44It's time for our theme of the week.
29:51Flies.
29:53Flies.
29:54And we're joined by Erica McAllister,
29:57who is the principal curator at the Natural History Museum
30:01and an expert in flies
30:03and author of two books,
30:05The Inside Out of Flies
30:06and The Secret Life of Flies.
30:09Not to be confused, of course.
30:12Welcome.
30:14Welcome, Erica.
30:15And this is Dr. John Cooper Clark.
30:19Hello, everyone.
30:19Hello.
30:20Yeah.
30:20Big fan.
30:22I just had to get that in.
30:23Yeah, we all are.
30:24Yeah.
30:24Yeah.
30:26Yes, you didn't mention it about me.
30:29Okay, so, John, do you know much about flies?
30:34Nothing that nobody else knows.
30:36I'm not parted to any arcane knowledge on the front.
30:39Yes.
30:41Luckily, we've got an expert with us.
30:43So, Erica, I always like to start with a very basic question.
30:46What is a fly?
30:47They're a type of insect.
30:49So, like all insects, three pairs of legs, generally,
30:53two wings, generally, and a suctorial mouth part.
30:56Well, they'd have to have wings, right, to be a fly?
30:58No, not all flies have wings.
31:00So, sorry.
31:01I know.
31:02It's a problem with them.
31:02It makes no sense.
31:04Yeah.
31:04Well, do they have propellers?
31:07No, they're just walks.
31:09Really?
31:09They've just got no wings.
31:11Get out of there.
31:12Yeah.
31:13But they still call them flies.
31:14Yeah.
31:15And why do they, what defines them as a fly, then?
31:19Well, they all start off with maggots.
31:21Oh, that's the thing.
31:22So, there is, yeah.
31:23So, they've, you know, we've traced them, and their features, we know that a lot of them
31:26are similar to other flies.
31:28They've just, some of them will copulate and rip their wings off then, or some of them
31:32just won't bother to grow them in the first place.
31:35They copulate and rip their wings off then.
31:38Sorry, just checking, I heard that right.
31:41Yeah.
31:41Yeah.
31:42Well, I don't know.
31:42Yeah, yeah.
31:45Tell me about that.
31:47Well, I don't know personally.
31:49But it's a whole family of flies, and this one family, they basically do everything.
31:53They're called forids.
31:54I got a jar of them.
31:56And when they, the females, when they have, they have sex midair, and the male will carry
32:03her to where she wants to find a body underground.
32:06So, they live in coffins and things like that.
32:09Oh.
32:09And so, when, when they've had sex, he drops her, and she's like, okay, done my bit now.
32:14She rips her wings off, and then she buries underground to find the corpse.
32:18Oh, I see.
32:19And how would they, so they would be flying over, and he, and she'd say, look, there's a
32:23graveyard.
32:24Yep.
32:25Well, they'd smell the body.
32:26They'd smell the body.
32:27They're very good at smelling out bodies.
32:29From that distance.
32:29We use them for forensics.
32:30Yeah.
32:30And then it would burrow what they would burrow under.
32:33Yeah, she digs down.
32:34She digs down to find the corpse, and then she has multiple generations in there, and then
32:38off they come again, up to the surface.
32:40What a life.
32:41I know.
32:41What a life.
32:44We're getting slightly ahead of ourselves, but you did say that you had a jar of those
32:48flies.
32:49Yes.
32:50Can we, can we see that?
32:53What's that?
32:54Yes, we can.
32:54And why have you got it?
32:55Well, I'm going to go and meet a man in Cambridge.
32:57There's a fly conference.
32:59A fly conference.
33:00So lots of us are all meeting up, discuss flies, and these flies I caught in West Sussex,
33:06and they're all this family, foreheads.
33:08Look how big they are.
33:09Foreids.
33:10How are we spelling that?
33:11P-H-O-R.
33:12Yeah.
33:13You're not going to open that eye, Erica.
33:14Well, they're all dead.
33:16Yeah.
33:16Are they?
33:18So they have some of the most extraordinary genitalia.
33:21I'm just going to say that.
33:23So he's going to, he's going to, it's true.
33:26In what sense?
33:27Uh, it's a lot more developed than mammal genitalia.
33:31It's got a lot more bits to it.
33:34Right.
33:34Some of them have got all sorts of strange adaptations, but yeah.
33:37So there's a man in Cambridge who's going to identify these for me.
33:41He does the recording scheme of the UK.
33:43I see.
33:44So when you say there's a fly meeting, what is that, in a pub?
33:48I mean, how many people will be at the?
33:52Between 50 and 100.
33:54Oh, wow.
33:54There's only a little one, this one.
33:55That's a big community of fly experts to me.
33:58Well, there's hundreds of us, but we generally hide behind the scenes.
34:02You're fairly solitary, I imagine.
34:03We, yeah, yes.
34:05Yeah.
34:06And when you say you've gathered those in West Sussex, you, how did, how would you gather
34:10such a?
34:11So these are collected from the Nepri Wilding Estate.
34:13So we put up a little tent and then we let the flies come to the alcohol and they killed
34:18themselves, which are very nice.
34:20Thanks, flies.
34:21Or we go around with a net, like gaily sweeping around the countryside, shoving our heads in
34:27nets.
34:27Or we put little pots out and we bait.
34:30So we can bait with all sorts of different things.
34:32Like in Costa Rica, I used to bait with chicken and feces, which is nice.
34:35Yes.
34:36It was a great, great field trip, that one.
34:38And we tried to...
34:39That's why you lost your hygiene style.
34:41Yes.
34:45What, but shouldn't we be preserving, everyone's saying you should be sort of preserving insects
34:50and not in jars.
34:51No.
34:52So when we're collecting a tiny, tiny, tiny amount and we need...
34:56Oh, that's okay, is it?
34:56Yeah, well, yeah, most people just squat them or swap them or whatever and get rid of them.
35:01So we're trying to figure out what we've got.
35:03So the UK is the most described country in the world and still we don't know what's going
35:08on.
35:08And a lot of these things are just names.
35:12So we don't know anything what they get up to.
35:14Right.
35:14So we need to figure out the next step.
35:15It's like, what sort of craziness do they do?
35:18Yeah.
35:18And how would you do that?
35:20You'd follow one?
35:22Yes.
35:23Would you?
35:24Would we put a little camera on its head?
35:25Oh, we've done that?
35:27Yeah.
35:27Yeah, we have done that.
35:28Or I've studied...
35:30So you're going to love this because I'm so...
35:32It's talking about feces.
35:33So we have like observed what goes on.
35:36I love the person who wrote first off about the dung pack community was a guy called Peter
35:42Skidmore, which was amusing.
35:45Sorry.
35:46But so we were studying...
35:49Yes.
35:50And so for example, I made a dung compaction unit so I could see how firm the dung was.
35:55Dung compaction unit.
35:57It was just basically a syringe with an elastic band.
35:59But I was able to measure the firmness of the pack so we can find out when they like
36:04going to it.
36:05So there's people like me all over the world doing different things.
36:09Some of them are much nicer environments than me.
36:11Can we say what the average life cycle of a fly is?
36:15So some...
36:17So it's the born-eat-shag dye.
36:20So they've got basically...
36:21And the eating bit...
36:22Well, that goes for all species, doesn't it?
36:24Yeah, but we do way more of the dung stuff.
36:27We have jobs, podcasts, that sort of thing.
36:30That sort of thing.
36:31So a life cycle of a fly may be 90% the larval stage and then a couple of weeks,
36:38maybe hours.
36:39Oh, really?
36:39As an adult.
36:40But then you've got the others that as a larval stage, they can take 13 years because
36:45they go to sleep.
36:47Yeah.
36:47So just 13 years desiccated to 3% of your original body weight.
36:52That is startling, isn't it?
36:55How does that...
36:56I can't really get my head around that.
36:59How does that work?
37:00Well, we don't quite know.
37:02What's the stimulus to get out of that sort of desiccated pellet thing?
37:08So it's an environmental thing.
37:10These live in the African sub-Saharan deserts.
37:14So when it's really bad condition and they're like, okay, let's just ride this out.
37:17Desiccate your body.
37:19But it's not a conscious thing, is it?
37:21Well, they will know because there's an environmental change in there.
37:24So their physiology will go, oh, let's do this.
37:27Let's desiccate.
37:28So NASA's looking at animals like that going, okay.
37:32And they can, because they can, you know, to desiccate to 3% of your body weight.
37:37Yeah.
37:38So anabolically, they're just stopped and then they can start themselves up again, which
37:43is a bit crazy.
37:45So, yeah.
37:47So we have the larval stage.
37:49So that, yes, because we define being sort of alive or our life, shall we say, as being
37:57from when we're born, don't we?
38:00Because that's the majority of it.
38:02But what you're saying is the majority of it, we should be really thinking about that.
38:07Their life as being, if they're 13 years desiccated, they're spending a lot more time.
38:14Well, we don't know how to do it with those sort of things.
38:17Yeah.
38:17Because it's like, there's, we know that there's some flies in the UK and they eat spiders.
38:22They eat the insides out of spiders.
38:23And if the spiders are immature, they again go to sleep and they wake up when the spider
38:29matures.
38:30Oh, really?
38:31Which is quite fun.
38:32Yeah.
38:33So, yeah, there's all sorts of things.
38:35We're just beginning to understand.
38:37I'd never heard of a fly eating a spider.
38:40There's flies that eat the insides out of tarantulas.
38:44Sorry, I shouldn't say that so gleefully.
38:46Sounds like something that would happen on the planet Bizarro where Lex Luthor is good
38:52and Superman is bad.
38:54Yeah.
38:55Why do you think everyone hates flies?
38:57Because there is this association with filth.
39:00Now, of the 185,000 described species of flies, less than 5% of that.
39:07And the reason they like filth is because we produce filth.
39:11So, they hang around us.
39:12The rest of it are out there doing wonderful things.
39:15So, they're really, really important.
39:17Pollinators.
39:18You wouldn't have chocolate if it wasn't for flies.
39:20Coffee, tea, carrots, mangoes.
39:23You know, they're out there.
39:25Mangoes I could live without.
39:26I hate mangoes, to be fair.
39:27And I don't like chocolate.
39:28But there is that faecal dimension that is hard to get past.
39:35Well, come to the faecal dimension.
39:37But there is something really cool about this.
39:39Because they have to have some of them, only a few of them.
39:42A, we need them to recycle.
39:44Because you can imagine, if they didn't get rid of the faeces,
39:47we'd be swimming in a quagmire of it.
39:49So, we need them to get rid of this.
39:51But also, we've now realised they don't get ill living in faeces.
39:56Which I know sounds a really weird thing to say.
39:58But so, we're now looking at the coat, the exoskeleton of a maggot,
40:02and seeing why they don't get these infections when we do.
40:06And what we're learning is we're learning to coat tablets and pills
40:11in the structure of their exoskeleton.
40:13So, we can now store pills in hot countries and cold countries
40:18without having to refrigerate them to saving huge amounts of money
40:23and ensuring that people can have medicine in environments they couldn't before.
40:27Admirable, yeah.
40:28Yeah.
40:29So, it's that little maggot doing that.
40:30Like a maggot skin coat.
40:34Yeah.
40:37So, they help us.
40:38You're saying they help us more than hinder us, I think.
40:41Yeah.
40:42We have debridement therapy on the NHS.
40:44So, if you have a big gaping wound, you can get maggot therapy.
40:49So, I know they did a few experiments to figure out how to get this correct.
40:54There was a little bit of carnage to start with.
40:57But they're the only, because like things like MRSA,
41:00they're the only things that can get rid of it.
41:02So, they eat away at the bacteria.
41:04They eat away in necrotic flesh.
41:06And they also release an enzyme that binds your wounds better.
41:10So, they're, you know, the idea you can get them on the NHS is really cool.
41:14Yeah.
41:14Crikey.
41:16Something to look forward to.
41:17They actually come in little teabags now, so you can't see them,
41:20because people did get upset about maggots crawling around on them, weirdly.
41:25Right.
41:26And I made a series of TV shows, fly versions of TV.
41:31Have you ever seen those?
41:32I have.
41:33Oh, you have.
41:33See, this is the, this is, I bet all the fly people, they think,
41:36oh, I love, when Harry used to do those fly.
41:39We loved it.
41:40We did like a TV, we did the fly, the cruise, version of the cruise.
41:45Instead of Jane MacDonald, it was a fly.
41:48And we did fly blind date.
41:50It was a wasp with three flies behind the sliding door.
41:55But the difficulty was wrangling the flies.
41:59This lady would bring us a sock of, a sock full of flies.
42:03I don't know quite where she'd gone from.
42:07Sounds like you're on terms with our exoskeletal overlords.
42:16And as a public figure, you could prove useful to them in recruiting fresh slaves to toil in their underground
42:25sugar caves.
42:28They haven't got very nice faces, though.
42:31I've never really sort of checked them out until I saw, well, the fly starring Vincent, Vincent Price.
42:41Vincent Price, when, you know, when he gets into a kind of sub-molecular transportation device.
42:48Yeah.
42:49A fly gets in between him and the other.
42:53You can do that.
42:54He finishes up with a fly's head.
42:56A fly's face, Jeff Goldblum, yeah.
42:58And he's sort of stuck.
42:59I'm thinking of the original, though, with Vincent Price.
43:03Both very good, not very accurate.
43:05And it's sucking up sugar from that hideous proboscis.
43:10Proboscis.
43:11No wonder his wife goes off him.
43:13I think you can achieve the same thing by connecting two microwave ovens together.
43:20You put a mouse in one and you put a fly in the other.
43:24That's what I heard.
43:25Have you got any questions for Erica, John, about flies?
43:31No, I mean, I've had the answers.
43:33I've just had a bunch of answers to questions I didn't even ask.
43:41Sorry.
43:42No, it's very, very smashing.
43:45They've gone up in my estimation.
43:46Yeah.
43:47Erica, that's fantastic.
43:49There are these two books, Inside Out of Flies and Secret Life of Flies by Your Good Self.
43:53Is there a website or something we could...
43:55Just look up Erica Flies.
43:58Yeah.
43:58Yep.
43:59And find out more about flies.
44:00And thanks so much for joining us.
44:07It's time for Name the Seed.
44:10Name the Seeds
44:15Hello John
44:16Harry
44:17Harry Hill
44:17You're here to play Name the Seeds
44:21That's what I'm here to do
44:22Do you have a garden at home?
44:25Yeah
44:25You take an interest in that garden?
44:29Sure, why not
44:30In the summer months
44:31You plant seeds?
44:33It's a nice
44:34I don't actually do any of the physical stuff
44:37I leave that to my wife who's very good at it
44:39Right, okay
44:40Perhaps we should have asked her on instead
44:42Now, you can probably see a sealed bag here
44:47With a box
44:48And in that box I have got a number of seeds
44:53Can you see how many seeds?
44:56This goes well
44:568,000
44:57Over 8,000 seeds now
45:01They're all in different sachets
45:03What I'm going to do is select a sachet at random
45:07And it's your job to see if you can name the seed
45:12Okay
45:15If at any point you decide you're not happy with this particular seed
45:19You can opt to change the seed
45:20You can only do that once, John
45:23The one pass only
45:24Yeah
45:24Is that quite clear?
45:26Yes, of course
45:26Okay, I'm going to place the seed on the seed display unit
45:29That will rise up and go back down
45:32And that is the time
45:33At the end of that is the
45:35Anyway, you've got to just name the seed
45:37Ready?
45:38Yeah
45:47Fennel
45:47No, not yet
45:48Not yet
45:49Not yet
45:50You've got until it goes all the way down
45:53And then there will be your opportunity to
45:55I'm ahead of you
45:56Name the seed
45:57Do you want to describe the seed to a
46:02Yes, it's vaguely bullet shaped
46:07I'm not good with colours
46:09But I think it's green
46:11I'm going to say
46:12Do you want me to tell you what kind of seed that is?
46:15Are you happy with that seed
46:17Or do you want to change the seed?
46:21No, I'm happy to commit myself to this one
46:28Name the seed
46:29Fennel
46:30It's not Fennel, John
46:32I'm very sorry
46:34It's not
46:36For anyone watching who doesn't want to know what the seed is
46:38Look away now
46:39We'll flash that up on the screen
46:41John, I'm going to give you that seed
46:43Thanks a lot
46:44Take that home
46:45Plant the seed
46:46And then you'll find out
46:47What that seed is
46:49Have I got enough years?
46:51Is it?
46:53Yeah, yeah
46:53Yeah?
46:54Yeah
46:54Yeah
46:55Okay
46:58Poppets
46:59Park it
47:00Yeah, poppets somewhere safe
47:01That was Name the seed
47:03Name the seed
47:12Gary's Joke Corner
47:14It's Gary's Joke Corner
47:16Have you met my son, Gary, John?
47:18Hello, Gary
47:18Hello, John
47:19I'm a big fan
47:25Don't make that noise, Gary
47:26It'll limit your appeal
47:27Now
47:28As you know
47:29I'm handing the business over to my son, Gary
47:32In 2030
47:35He's not a natural comedian
47:37He does need jokes
47:38Okay
47:39Do you have a joke that perhaps Gary might be able to use?
47:42Oh, I got a million of them
47:43But it's a family
47:44It's a family-friendly program
47:48So I'm going to keep it
47:49In fact, I can't decide
47:51Can I give you two?
47:52You can give us as many
47:53Can I give you two?
47:54Okay
47:54Well, this is one that I heard from a comedian
47:58First heard from a comedian that I greatly admire
48:01Who's still doing the shows even now
48:04Mick Miller
48:05Oh, Mick, yes
48:06Mick Miller
48:08Great comedian
48:08Great comedian, Gary
48:09Mick Miller
48:10Ask him a bit
48:11Ask your dad about it
48:12Mick Miller
48:13It's about a guy that's driving home from the office party
48:19In a very unruly fashion
48:22Police flag him down
48:24Okay
48:25What have you had to drink?
48:28Three pints of Snakebite
48:30Four vodka martinis
48:32And a gallon of baby sham
48:35Give or take the odd can of Stella Artois
48:39Right
48:40Blow into this bag
48:42Why?
48:44Don't you believe me?
48:51Do you want the other one?
48:52Yeah, yeah, go on
48:53The other one is
48:54I love jokes
48:55I love jokes
48:56Guy in the Sahara Desert crawling across there
48:59Dying of thirst
49:01Water, water
49:02To nobody at all
49:04Water, water
49:05And finally he finds a cluster of tents
49:08Different coloured
49:09Pastel coloured tents
49:11And he thinks
49:13Is this one of those mirages
49:14I've heard about
49:15Or is it simply
49:17The relentless heat
49:18Of the merciless sun
49:19Pulsating on the top of my head
49:21That's sending me crazy
49:23Anyway
49:24I'm going to crawl towards them
49:26So he crawls towards this cluster of tents
49:29To discover that
49:30Yes, it's actually there
49:31It is a cluster of tents
49:33So he stumbles into the first one
49:35Water, water
49:37Sorry, no water
49:39Only jelly and custard
49:40Oh, that's no good to me
49:42So he stumbles into the next tent
49:44Water, water
49:45For heaven's sake
49:46Please
49:47I'm dying here
49:48Water
49:48No water
49:49Only jelly and custard
49:50He gets to the last tent
49:53Water
49:53Water
49:54Water for the love of all
49:55That is holy
49:56Please
49:56Water
49:57Yes, certainly sir
49:59Don't drink it too quickly
50:00It'll make you sick
50:01Okay
50:02Glug, glug, glug
50:03Thank you very much
50:04You've undoubtedly saved my life
50:06He says
50:07Every other tent
50:08All they've got is jelly and custard
50:10How weird is that?
50:12Well, it is a trifle bazaar
50:22It's tickled gas
50:25Have you got a joke for us, Gary?
50:27Yes, I've got a joke for you, Daddy
50:28I wrote it today
50:30Daddy, Daddy, Daddy
50:31I was walking through the woods
50:32With a blonde-haired lady broadcaster
50:36Really, Gary?
50:37Yes
50:37Did I mention I was wearing shorts?
50:40Yes
50:40Well, you didn't, but you were
50:42Yes, I was wearing shorts
50:43Walking through the woods
50:44With a blonde-haired lady broadcaster
50:46In shorts
50:47Anyway, the forest floor
50:49Was covered in those plants
50:50That reproduce fire spores
50:54And have neither seeds nor flowers
50:56Very specific, Gary
50:57It's almost as if you're trying to say something
50:59But not saying it
51:00And because I'm only small
51:02One of them worked its way up my shorts
51:05And touched my all-natural fibre pants
51:07Fern, cotton?
51:09No, Gabby Roslin
51:14Well, that's the sound that tells me
51:16That that's the end of our podscarf
51:18If you want to get in touch
51:19Do send an email to podcast
51:21At harryhill.co.uk
51:22In the meantime
51:23All that remains is for us to thank our expert
51:25Erica McAllister
51:27And our special guest
51:29Mr. John Cooper-Clark
51:34Butterfly in blue jeans
51:37Hamster in a chiffon top
51:39Puppy in a poncho
51:42Floppy duckling with a bob
51:46Butterfly in blue jeans
51:49These are the things of our dreams
51:56These are the things
51:59Thanks for watching
52:01See you next time
52:02Of our dreams
52:12Please
52:13Thanks, John
52:13Hey, thank you, John
52:15Thanks, David
52:15Great to see you
52:18Harry Hill Show
52:27Harry Hill Show
52:30Harry Hill Show
52:31Harry Hill Show
52:37Hahahaha!
52:40Harry Hillshaw!
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