- 16 hours ago
In Other Words, I Love You - Full HD Movie | English Sub
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Short filmTranscript
00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:06influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:32the
00:02:33what he's talking about their experience of the time
00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're
00:03:00joking I don't find bullies attractive hey be careful you're talking about the
00:03:05king of Ashford the what his family basically own the school and the town maybe even the country yeah
00:03:13everyone's tried to get close no one can get past his ego you're not the first to get nice okay
00:03:19first of all I wasn't iced it's more like a mutual decision and second I think he's arrogant cold
00:03:27thinks he's untouchable but if you really look at Charles he just seems isolated like he's making
00:03:33you know honestly I just think he's lonely and kind of pathetic what no go on
00:03:48you were saying I'm lonely and pathetic
00:03:55next time read the room before opening your mouth American
00:04:04we're not in Kansas anymore Alice
00:04:22hey how was your first day I good
00:04:25I'm excited Kevin not really super
00:04:28uneventful really how's your new job yeah all right get this is that we can stay in the
00:04:36servants wing seriously hmm apparently the young master won't mind the company the young master
00:04:44this is your boss's house yeah it's not credible I mean I wouldn't call it a house it's a museum
00:04:54with
00:04:55better landscaping wait here I'll talk to the butler
00:05:07wow rich people you've topped yourselves again
00:05:14Stephen King first edition
00:05:26breaking and entering now how American of you
00:05:52you can get up now
00:05:54I... I'm trying.
00:05:56Wait!
00:05:58Are you serious?
00:06:00Well, you said you were trying.
00:06:03What is wrong with you?
00:06:05Funny.
00:06:06I was about to ask you the same thing.
00:06:08What are you doing in my house?
00:06:11You...
00:06:12Wait.
00:06:13Your house?
00:06:15My house, my library,
00:06:17and now, apparently,
00:06:19my unwanted guest.
00:06:22Ah, Master Charles.
00:06:24You must be Miss Alice, Anne's daughter.
00:06:26She said you'd be moving in today.
00:06:28She what?
00:06:29There... there's been some kind of misunderstanding.
00:06:32You see, I'm not actually moving in.
00:06:35Is that so?
00:06:36Yeah, I'm not staying here, like, at all.
00:06:39That's a shame.
00:06:39Your mother seemed quite pleased with the arrangement.
00:06:41Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:49Come on, Alice.
00:06:51You must stay.
00:06:54It'll be fun.
00:06:57My dear classmate.
00:07:01I'm dead.
00:07:02Like, mentally, socially,
00:07:05and actually dead.
00:07:12Just trying to figure out
00:07:14how exactly my life went off the rails.
00:07:17Get it together, Alice Keaton.
00:07:20You've been through hell.
00:07:24Actually, no.
00:07:27This is hell.
00:07:28But, baby, you saved me.
00:07:30Uh, good morning.
00:07:33Good morning.
00:07:39Wow.
00:07:46So, is that Miss Keaton?
00:07:49What thing doesn't know?
00:07:51That's what's been closed for months.
00:07:52She's going to be late.
00:07:59Okay.
00:08:00How long is this thing gonna take?
00:08:02Maybe I'll just walk?
00:08:03Five miles to school.
00:08:07Okay.
00:08:08If I sprint, maybe I'll make it before first period.
00:08:12Or die of exhaustion on the way.
00:08:17Or die of exhaustion on the way.
00:08:21What are you doing here?
00:08:23Didn't you already leave?
00:08:26Wait.
00:08:27Did you come back for me?
00:08:31Relax.
00:08:32I forgot my textbook.
00:08:34Don't flatter yourself.
00:08:36Wait.
00:08:39Since you're already here,
00:08:41maybe you could be a decent person
00:08:44and give me a ride?
00:08:47No.
00:08:49Seriously?
00:08:50Your car is huge.
00:08:52Yeah.
00:08:53And I'm not a fan of sharing.
00:08:56Says the guy who forced me
00:08:58to live in his house.
00:09:04Unbelievable.
00:09:14Ashford Institute, please.
00:09:20Who needs that entitled brat anyway?
00:09:23Sir, you called the cab.
00:09:25Why not just give Miss Keaton a lift?
00:09:32Why not just give Miss Keaton a lift?
00:09:33And have the whole school go crazy.
00:09:36She's new.
00:09:37Everybody's already talking.
00:09:39So you're worried about her?
00:09:41You're overthinking.
00:09:43I just don't like drama.
00:09:50Asshole.
00:09:52Who?
00:09:53Morning, Clos.
00:09:56Back to Golding.
00:09:57Remind me what he's saying
00:09:59through Lord of the Flies.
00:10:04Mr. Kenwood.
00:10:06Care to share what you found so amusing?
00:10:08Not particularly.
00:10:10Oh, I insist.
00:10:12You seem very entertained by Golding.
00:10:15I'm not entertained by Golding, sir.
00:10:17On the contrary.
00:10:19I think his ending is...
00:10:22Weak.
00:10:23Wait, wait.
00:10:25You've actually read it?
00:10:26Quiet.
00:10:28That's an interesting take.
00:10:30Explain.
00:10:33He had the set-up for something brutal.
00:10:35Something honest.
00:10:37In the end, he backed out.
00:10:39He could have left the boys on the island.
00:10:41Forced them to confront the collapse of vulnerability.
00:10:43Let them choose survival.
00:10:45Or death.
00:10:46But instead, he gave them a rescue boat.
00:10:49Slapped a happily ever after on a book about savagery.
00:10:56It's a waste.
00:10:57Don't you think?
00:10:58I'm delightfully surprised, Charles.
00:11:00Didn't think you had such strong literary opinions.
00:11:03I'm always a model student, sir.
00:11:06Let's not get ahead of ourselves.
00:11:09So.
00:11:10A critique of Golding's mercy.
00:11:13Anyone disagree?
00:11:29I think Golding knew exactly what he was doing by ending the book that way.
00:11:33It's not mercy, it's irony.
00:11:35How so?
00:11:39The rescue isn't a happy ending.
00:11:41You don't just walk back into society and forget you're a monster.
00:11:45Golding didn't save them.
00:11:46He left us with the discomfort of pretending they could be saved.
00:11:49That's an interesting take, Miss Keeter.
00:11:51You still think it's a harsh critique?
00:11:53In some ways.
00:11:55But not harsh enough.
00:11:57Yes, it's a critique of toxic masculinity.
00:12:00But still, Golding sympathized with them.
00:12:03And the civilized world?
00:12:05Toxic.
00:12:06Violent.
00:12:06He didn't call that out nearly as much.
00:12:08So, yeah, I don't think Golding pushed far enough.
00:12:10But I think it's unfair to call it a happy ending.
00:12:16Thank you, Miss Keeter.
00:12:18Well said.
00:12:20Anyone else?
00:12:23Both opinions are valid.
00:12:25Okay, that's kind of epic.
00:12:27And let's not forget, Golding faced major backlash when he first published the book.
00:12:30Good literature won't always divide opinion.
00:12:36What's happening to me?
00:12:43Okay, what is going on?
00:12:45Why is everyone staring at me?
00:12:47Well, you're new.
00:12:48And apparently had a thing with Charles.
00:12:51A what now?
00:12:52You two are in the middle of the most epic feud at your team in years.
00:12:56We're not even fighting.
00:12:57Well, according to everyone, you confessed your love on day one.
00:13:00Got rejected.
00:13:02Begged to sit next to him.
00:13:04Got rejected again.
00:13:05And today in class, you broke down crying about not believing in happy endings.
00:13:10And stormed out in tears.
00:13:13You were there, Sherry.
00:13:14That is not what happened.
00:13:17Doesn't matter.
00:13:18People believe what they want to believe.
00:13:20And they want Charles to be flawless.
00:13:22Untouchable.
00:13:24Wow.
00:13:25Is misogyny like a rich kid thing or just a British specialty?
00:13:28Honestly, both.
00:13:30But seriously, Alice, some people already see you as a threat.
00:13:42Okay.
00:13:43Loaded.
00:13:45Looks like the new girl's in for a rough first semester.
00:14:01Hello?
00:14:05Hello?
00:14:07Is somebody out there?
00:14:09Oh, come on!
00:14:24Fine.
00:14:38Seriously?
00:14:41Oh, shit.
00:14:47What the hell?
00:14:50Anne, I thought you were having dinner with Alice.
00:14:53Alice.
00:14:53She hasn't come home.
00:14:54Her phone is off.
00:14:55Maybe you've seen her this evening?
00:15:00Yikes.
00:15:00Looks like the new girl's in for a rough first semester.
00:15:09Shit.
00:15:14Alice!
00:15:15Alice!
00:15:16Mr. Pelton, Charles Kenwood here.
00:15:18I was wondering if I could get the timetable for Alice Keaton.
00:15:21She hasn't come home.
00:15:23I'll have a sent over.
00:15:25Check the common room in the library.
00:15:27I'll take the rest.
00:15:30Alice!
00:15:44Come on, Alice.
00:15:46Close your eyes and jump.
00:15:49It's fine.
00:15:51You're fine.
00:15:55You're fine.
00:16:14Hey, Mr. Nonchalant, are you happy with how we ended?
00:16:25What are you doing here?
00:16:29Can you get off me first?
00:16:41You're welcome.
00:16:43I didn't say thank you.
00:16:44I figured saving your life might earn me basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:00I wouldn't recommend it.
00:17:01You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:13No.
00:17:14But I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:27I'm sorry.
00:17:34I'm sorry.
00:17:40Did you just apologize to me?
00:17:43Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:56Yeah.
00:17:58I just took a weird shower.
00:18:00A tap exploded.
00:18:03Come on.
00:18:04Let's get you home.
00:18:15Alice Keaton, right?
00:18:17I heard you staged the whole thing for attention.
00:18:43I know how this place works.
00:18:45If you don't do anything about it, it's only going to get worse.
00:18:50I'll look into it.
00:18:54Charles, good on you.
00:18:56How many here would speak up?
00:19:02I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust flags.
00:19:11Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:16Please.
00:19:18He just didn't want a lawsuit.
00:19:21Please.
00:19:41He just didn't want a lawsuit.
00:19:46Hey!
00:19:47We miss you in Paris.
00:19:49Though there are enough Americans to remind us of you.
00:19:52But sometimes, being here means staying behind.
00:19:55And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:11The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:20:17So yeah, I didn't go.
00:20:40Uh, what are you doing here?
00:20:42Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This...
00:20:49This is not even your kitchen.
00:20:51And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't look.
00:20:56Go away.
00:20:57Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:03Um...
00:21:04Buzzkill...
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people lived for that kind of thing.
00:21:15Why do you think?
00:21:21Where would I go?
00:21:23I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:32Or Titian, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked. Ancient people had plumbing.
00:21:48The final stop, Harry.
00:21:51The ultimate city of romance.
00:21:54And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's... word for word.
00:22:04I told you.
00:22:05I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels?
00:22:23No, thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27Well, that's unfortunate. It's a very chaotic city.
00:22:30One word of advice? Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You didn't have to come.
00:22:47Don't tell me what I have to do.
00:22:57Master Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:01Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:18Jesus, what are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:25What deal?
00:23:25You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:33I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:45I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:52The staff's off tonight.
00:23:53I'm buying dinner.
00:23:57Did you seriously think I'd spend a hundred pounds on-
00:24:00No, I-
00:24:01I- I-
00:24:01Jesus.
00:24:03Wait.
00:24:04You think I'm not worth one hundred pounds?
00:24:08I'm not spending one hundred pounds to snort Chewbacca.
00:24:11You know what?
00:24:11Dinner's cancelled.
00:24:15Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this'll do.
00:24:31It's...
00:24:32Good.
00:24:38Was that a compliment?
00:24:40Although...
00:24:41I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:49You should read more.
00:24:52Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair,
00:24:59you make it very easy.
00:25:02It's only easy because it costs 200 pounds.
00:25:05You know, if you'd ask for more, I probably would've given it to you.
00:25:07I'll make sure of that.
00:25:23Hey Alice, it's fine.
00:25:25You're fine.
00:25:339-1-1.
00:25:34What's with your emergency?
00:25:399-1-1.
00:25:40What's with your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:47We'll get to you as soon as we can.
00:25:48Please, he's not well.
00:25:50I understand.
00:25:51Can you confirm your address?
00:25:53Dad.
00:25:54Dad.
00:25:55Yes, I'm right here.
00:25:56Hi.
00:25:58My daughter.
00:26:00Please stay with me, Dad.
00:26:01Please.
00:26:06No.
00:26:08Please wake up.
00:26:13Dad, please.
00:26:15Please don't leave me.
00:26:16Mimi.
00:26:21Mom.
00:26:48What are you doing here?
00:26:54You were crying. Loudly. Kind of hard to ignore.
00:27:00Right. Sorry for the noise.
00:27:04Wait, no snarky comeback?
00:27:07Not tonight, I'm too tired. If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:17Hurricane hit New York. Power went down, traffic froze.
00:27:22Dad had a stroke, but he couldn't get help in time.
00:27:28I sat there with a candle while he laid there.
00:27:35Peaceful. Like he was asleep.
00:27:39But he wasn't.
00:27:44So that's why you and your mum moved here?
00:27:47This used to be our hometown.
00:27:50After dad left, we had nowhere else to go.
00:27:59What are you doing?
00:28:04Come on.
00:28:21Wait, I thought the power was out.
00:28:23It is. We have our own generator.
00:28:26Wow. Rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:34You can call this place your house.
00:28:37So enjoy it.
00:28:38Stephen King's first edition.
00:28:40Alan Gisberg's handwritten letters.
00:28:42Jane Austen's notes.
00:28:43All yours.
00:28:48This is your home, Alice Keaton.
00:28:57Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:05I have one request.
00:29:11What is it?
00:29:19Are you ever going to make a move?
00:29:21Wait.
00:29:22Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm,
00:29:30inside a literal mansion,
00:29:32you chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool.
00:29:37like spies or genius villains in movies.
00:29:41It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait.
00:29:46Does the knight go diagonally?
00:29:48For the tenth time,
00:29:49it moves in an L shape.
00:29:52One.
00:29:53Two.
00:29:54Then turn.
00:29:56There.
00:29:58Happy?
00:29:59Ecstatic.
00:30:01No.
00:30:02That's suicide.
00:30:04Or a brilliant long-term sacrifice.
00:30:05You are playing checkers at a chess board.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:15Oh my.
00:30:15No.
00:30:16Why?
00:30:16What's wrong with that?
00:30:17You can't do that.
00:30:19Oh my god.
00:30:20What's up, you guys baby?
00:30:21You had to shop a trip went about it all wrong,
00:30:24tried to pull you in close.
00:30:26As we locked on my phone.
00:30:28Fine, you sound good
00:30:29Cause I'm movin' on.
00:30:31Who you that?
00:30:33Showing up at the door.
00:30:37Holding your hart there inside your hands.
00:30:40Maybe...
00:30:41He's not so awful after all...
00:30:51um who are you what are you doing here well your parents said you were still at home thank god
00:31:01you
00:31:02skipped that boring grand tour who needs Italy and France again right when did you get back
00:31:07last night from Zurich you didn't answer my messages I missed you anyway thought I'd come
00:31:15surprise you apparently I'm transferring to Ashford your parents are so thrilled they didn't
00:31:21tell me about this I wanted to deliver the happy news myself they said it'd be lovely for us to
00:31:26reconnect you know considering the engagement and oh oh did no one tell you he's promised old money
00:31:39stuff very retro I didn't agree to that you didn't have to it's never up to us where did you
00:31:46find this
00:31:46little toy Serena you know oh an American how refreshing goodbye wait
00:32:16where are you going you still owe me breakfast you only paid for dinner I had homework goodbye
00:32:26your little toy has quite the temper Serena can you please just stop what teasing the help
00:32:38that's her that's the one from Kenwood's house was she like the maid or something
00:32:59oh my god what's wrong with people they're saying you live with Charles oh and Serena what about
00:33:06her well apparently she told everyone you were caught sneaking into his room of course she did
00:33:24careful Alice you're starting to look desperate
00:33:41come to the music room
00:33:43urgent I just remembered I need to check something you guys go ahead
00:33:47yeah okay
00:33:54hello is someone there seriously this is getting old
00:34:12wait music room what James is anybody in here earlier just miss Serena said she was waiting for you
00:34:24sir sir sir it's raining
00:34:36come on Alice you're fine you're not that girl again
00:34:48wait can you remind me one more time okay rooks moving straight lines bishops move diagonally and night the night's
00:34:58the weird one
00:34:59joy roll
00:35:04talk
00:35:10hello
00:35:13um
00:35:15okay
00:35:23uh
00:35:27okay
00:35:31the text
00:35:33are you okay
00:35:34are you hurt
00:35:36I'm okay
00:35:37I saw the text and I thought
00:35:40I didn't see the message
00:35:42Serena took my phone, I didn't know
00:35:44I'm sorry
00:35:45I'm okay
00:35:48you're gonna catch a cold
00:35:49you're freezing
00:35:50you didn't have to come
00:35:54don't tell me what I have to do
00:35:56give me hope that feels like hope
00:36:19that wasn't a mistake
00:36:20if that's what you're about to say
00:36:22I
00:36:24wasn't going to
00:36:37I'm really bad at this
00:36:39you know
00:36:40what, kissing?
00:36:41hiding feelings
00:36:42I don't like that
00:36:44do you wanna dance?
00:36:45turn out rhythm of her heart
00:36:47this is not the beginning
00:36:49I'm going to be under
00:36:51tell me what you said
00:36:53tell me where you wanna go
00:36:55get me out of your heart
00:37:04dump those Ewok pyjamas
00:37:06oh you wish
00:37:09seriously
00:37:11it's a cock block
00:37:12you kissed me
00:37:15that's basically consent to everything
00:37:24dangerous words
00:37:25Keaton
00:37:25I might hold you to that
00:37:36you'll be working in pairs on your comparative essays
00:37:39the list is on the board
00:37:421, 2, 3, 4
00:37:45paper planes
00:37:48are you okay?
00:37:49fly me to outer space
00:37:53that's where I'll see your face
00:37:57and have you with me
00:38:03it may seem dark
00:38:09you're distracting
00:38:18you're welcome
00:38:22they're either enemies or secretly married
00:38:25honestly
00:38:27right
00:38:28I was sure I'd never find someone
00:38:33to make my head spin around
00:38:35no one's ever gonna be the thing I need
00:38:37they all just let me down
00:38:39but baby
00:38:40you saved me
00:38:42time been new
00:38:45everything's so different now
00:38:48so
00:38:49the night goes in an L shape, right?
00:38:53why is that the only one you remember?
00:38:55because it's weird
00:38:56and I like weird
00:39:06check
00:39:12you're cheating
00:39:13I'm winning
00:39:15there's a difference
00:39:16you are very distracting
00:39:18and you like it
00:39:20I will be there for a young day
00:39:23I'll be there in the dark and space
00:39:28I'll hold you in my arms
00:39:30Charles
00:39:32we need to talk
00:39:40I expected poor judgement
00:39:42but this in my house
00:39:44it isn't what it looks like
00:39:46no?
00:39:47kissing a servant's daughter
00:39:49in the family library
00:39:51enlighten me then, Charles
00:39:52we came back tonight
00:39:54after speaking with Serena
00:39:55imagine our surprise
00:39:57walking in on
00:39:58this
00:39:59she isn't just
00:40:00you have no right
00:40:02to barge in
00:40:03on my property
00:40:07I care about her
00:40:09I'm not ashamed
00:40:10that's enough
00:40:14why do you care?
00:40:15we're protecting our son's future
00:40:17and our name
00:40:19you think this protects me?
00:40:21we think
00:40:22she does not belong
00:40:24in your world
00:40:28then maybe I don't either
00:40:31you're ready to give up everything
00:40:33for a girl you barely know
00:40:38yes
00:40:38then
00:40:40are you sure
00:40:42she's ready?
00:40:48I'm asking you
00:40:50do you think she's ready
00:40:51to lose everything
00:40:53regardless of how little
00:40:54that is
00:40:55just to be with you?
00:40:56what are you talking about?
00:40:58you left us no choice son
00:41:00you shouldn't disobey your father
00:41:04Pelton
00:41:05it's Frederick Kenwood
00:41:07ah Mr. Kenwood
00:41:09how can I help?
00:41:10if a scholarship student
00:41:11were to violate
00:41:13our behavioural code
00:41:14in a public setting
00:41:16with photographic evidence
00:41:17would that warrant a review?
00:41:20yes sir
00:41:23so
00:41:25answer me again
00:41:27do you think she's ready
00:41:28to lose everything
00:41:29just to be with you?
00:41:41Charles
00:41:42what happened?
00:41:43did your parents say something?
00:41:44are they mad?
00:41:44is everything okay?
00:41:47pack your things
00:41:49you can't stay here anymore
00:41:51what?
00:41:53my parents fired your mother
00:41:55she's leaving
00:41:56so are you
00:41:57wait what why?
00:41:59is it because of us?
00:42:00we can fix this
00:42:01I'll get a job
00:42:02stop stop it
00:42:03you don't get it
00:42:05if I don't walk away from this
00:42:06they'll cut me off
00:42:07okay?
00:42:09no card
00:42:10no trust
00:42:11no support
00:42:13nothing
00:42:13then
00:42:15then we'll figure it out
00:42:16we don't need all that
00:42:18we can
00:42:19do you really think
00:42:20I'm going to live like that?
00:42:24so that's what this was
00:42:26just fun
00:42:27until it got inconvenient
00:42:30what did they promise you?
00:42:34nothing
00:42:38they just reminded me
00:42:39of what's real
00:42:44Charles
00:42:44I'm not stupid
00:42:46you don't just turn into a cold stranger
00:42:48because of one conversation
00:42:49what did they threaten you with?
00:42:56what did they threaten you with?
00:42:58this is the difference between me and you
00:43:00what?
00:43:01you think you know me
00:43:03or what I have
00:43:04you don't
00:43:06Alice
00:43:07you're still lying
00:43:08I'm not
00:43:08Alice
00:43:09look around you
00:43:11this mansion
00:43:12you thought was a museum
00:43:14it's
00:43:14my
00:43:15house
00:43:16my
00:43:17world
00:43:17I was bored into this
00:43:20I am not choosing
00:43:21between this
00:43:24and something I picked up
00:43:26for a moment
00:43:27of fun
00:43:30don't do this Charles
00:43:31you don't mean it
00:43:33it was fun
00:43:34but you
00:43:37you don't compare to what I own
00:43:41I'll survive the loss
00:43:45right
00:43:47I should have known
00:43:50guys like you
00:43:51don't end up with girls like me
00:43:55you play with them
00:43:56then you throw them away
00:43:59go to sleep Alice
00:44:11this fall is a little more than I expected
00:44:18in so deep I can barely see myself
00:44:24yeah around me feels so heavy but depleted
00:44:30but I find this place to test myself
00:44:42oops
00:44:59oh sorry
00:45:01didn't see that
00:45:02then again nobody does
00:45:04move please
00:45:06hmm
00:45:07try begging
00:45:14you know what keep it
00:45:20poor thing
00:45:22so dramatic
00:45:24don't
00:45:25excuse me
00:45:27I warned you
00:45:28walk away Serena
00:45:50last week's group assignments were
00:45:53mostly forgettable
00:45:54but one pair surprised me
00:45:56in a good way
00:45:57Charles Kenwood
00:45:59and Alice Keaton
00:46:00would you mind giving us a short summary
00:46:03she loves the sound of her own voice
00:46:05better have it
00:46:14our essay explored what happens
00:46:17when two fundamentally different voices meet
00:46:19like logic and chaos
00:46:21or silence and noise
00:46:23different worlds
00:46:25different rules
00:46:28at first glance
00:46:29they clash
00:46:30but what makes the story interesting
00:46:32is what happens next
00:46:34confusion
00:46:35curiosity
00:46:36but in the end
00:46:37some stories aren't about staying
00:46:40and yes
00:46:41there is no such thing as a happy ending
00:46:52and yes there is no such thing as a happy ending
00:46:56is she still talking about the essay
00:47:01miss Keaton
00:47:03dramatic as always
00:47:05all right
00:47:06thank you Alice
00:47:07that was
00:47:09layered
00:47:11you're okay
00:47:12a reminder
00:47:13that good literature
00:47:15always stirs something
00:47:19hello
00:47:20hi this is Alice Keaton
00:47:21this is Whitmore Press
00:47:22we've been following your work
00:47:23we'd like to offer you a long-term publishing contract
00:47:26name your price
00:47:27we'll
00:47:27we'll make it work
00:47:28sorry what
00:47:33that's
00:47:33kind of
00:47:35insane
00:47:35who's behind this
00:47:37your sponsor wishes to remain anonymous
00:47:39can
00:47:41can I meet them
00:47:44I want to
00:47:45please
00:47:47or at least tell me a name
00:47:52sorry
00:47:52they wish to stay in office
00:47:53since they're only interested in work
00:47:55not the person
00:47:55I'd really like to meet them
00:47:57I'm sorry
00:48:03I see
00:48:03congratulations again
00:48:09you got the interview
00:48:10it's just an interview
00:48:11I haven't gotten it yet
00:48:13still
00:48:13Alice Keaton at Oxford
00:48:15that's iconic
00:48:25you okay
00:48:27yeah
00:48:29I'm so excited
00:48:42it's done Mr. Kenwood
00:48:44Miss Keaton signed the contract
00:48:47good
00:48:48it's a generous deal
00:48:49you sure you don't want it to know
00:48:52no
00:48:54no
00:48:54no it's better if I stay out of her life
00:48:56I will be there for you
00:49:01I'll be there in your darkest days
00:49:06congratulations Alice Keaton
00:49:08go live the life you were always meant to
00:49:15your engagement announcement
00:49:17should align perfectly
00:49:18with the Foundation Gala
00:49:20and the Browns already offered
00:49:22to host the London reception
00:49:25it's all coming together
00:49:27beautifully
00:49:31I've lost my appetite
00:49:36I'll go check on him
00:49:42what's your problem Charles
00:49:48disengagement
00:49:49it's not happening
00:49:50it's not up to you
00:49:51you know that
00:49:52Serena we're not doing this
00:49:55you've changed
00:49:59or maybe I finally just stopped
00:50:01pretending
00:50:28Tals
00:50:30you're the sponsor
00:50:32You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything? No?
00:51:17She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night. She said she was prepping all evening.
00:51:34James, track someone for me.
00:51:38Wait, where are you going?
00:51:47Chill, okay.
00:51:48We won't hurt you.
00:51:50Yeah, we're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:02Oh shit.
00:52:02Come back!
00:52:06I'm back!
00:52:07I'm back.
00:52:14I'm back!
00:52:31I remember how it meant
00:52:35Didn't need a second guess
00:52:41Hey, hey, hey, Alice, Alice
00:52:43Alice, hey, hey, stay with me, stay with me, stay with me, Alice
00:52:46Alice
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic, passerby brought you in
00:53:01Passerby
00:53:02He found you on the side of the road
00:53:04He had to leave, he didn't leave a name
00:53:08Oh
00:53:10The interview, what time is it?
00:53:12Easy, it's okay
00:53:14Someone already contacted the university
00:53:16and sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of
00:53:27What did you say?
00:53:29Nothing
00:53:29I just
00:53:32Had a dream
00:53:43I got him!
00:53:48Oh, I knew it
00:53:50Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:55Oh, you didn't know
00:53:57Know what?
00:53:59He left
00:54:00A few days ago, yeah
00:54:02Everyone doesn't really know where he went
00:54:04Honestly, Ashford's been quieter without him
00:54:06It's probably for the best
00:54:08Come on
00:54:08I couldn't stay
00:54:10I couldn't wait
00:54:12I thought that you should know
00:54:18The summer I met Charles Kenwood was loud
00:54:22Chaotic
00:54:23Unexpected
00:54:27And with his absence
00:54:29Come on
00:54:31It ended quietly
00:54:34Like summers always do
00:54:48And joining us today
00:54:50The decade's most unexpected literary phenomenon
00:54:54Alice Keaton
00:54:55Thank you for having me
00:54:56Now, your words moved millions
00:54:59They say your stories feel real
00:55:02Especially the ones about love
00:55:04Thank you
00:55:05Which brings us to the most obvious question
00:55:07How's your dating life like these days?
00:55:10No comment
00:55:11A little bird told me that the past four years
00:55:14Has been just writing and working
00:55:16Not even a single date
00:55:18Let me guess a bird named Sherry
00:55:19She caught me
00:55:20Still no comment
00:55:21Alright, alright
00:55:22No matter what you say
00:55:24You write love like someone who's lived it
00:55:28If you're so real
00:55:29Because once
00:55:30I did
00:55:31With someone who felt like chaos and clarity
00:55:35And no one ever quite matched the light after that
00:55:38And let's give it up for Alice Keaton one more time
00:55:52Congratulations Alice
00:55:53The numbers just came in
00:55:55You broke your own record
00:55:56You broke your own record
00:55:58That's incredible
00:55:59We're thinking celebration
00:56:01Press
00:56:01Photos
00:56:03Maybe tonight
00:56:03Actually
00:56:05There's something I'd rather do
00:56:08I'd like to meet with the person who
00:56:10Believed in me first
00:56:12My sponsor
00:56:13You're sure?
00:56:15Yeah
00:56:15Just once
00:56:17Tonight
00:56:187pm
00:56:30Good evening
00:56:34Good evening
00:56:35Good evening
00:56:38May I sit?
00:56:39Good evening
00:56:40Good evening
00:56:42Good evening
00:56:43Good evening
00:56:43Hey, Mr. Nonchalant
00:56:47Hey, Mr. Nonchalant
00:56:48Hey, Mr. Nonchalant
00:56:49Are you happy with?
00:56:50Hi
00:56:52You look well
00:56:56And you look like just stepped out of a GQ cover
00:57:00You always did
00:57:02Did I ask you to mind?
00:57:05I was
00:57:06Hoping
00:57:08But I guess I always knew
00:57:11I didn't come here to confuse you
00:57:12Or to reopen anything
00:57:17I just wanted to say congratulations
00:57:21Oh, thank you
00:57:24Didn't know you're still reading
00:57:26You're rich enough not to do so
00:57:30Always
00:57:31Either way, your sponsorship started my career
00:57:34So...
00:57:35No, no, you earned everything
00:57:41Every word
00:57:43Every page
00:57:46Every reader
00:57:47That's what I came to say
00:57:53It was good to see you again, I hope
00:57:55Charles
00:57:57Can you just
00:58:00Wait a little longer
00:58:07I think I knew it was you
00:58:10There was one email
00:58:13You said something
00:58:15It felt familiar
00:58:16Really?
00:58:17Kind of had that
00:58:18Rich asshole with a conscience energy
00:58:20Very on brand
00:58:23I should have anonymized my grammar
00:58:25Too late
00:58:25Your semicolon usage gave you away
00:58:28Still the only girl I know who flirts through punctuation
00:58:31Still the only guy I know who uses wiles unironically
00:58:37You've changed
00:58:39But
00:58:41Not really
00:58:43You haven't changed
00:58:46But maybe you've grown into who you really were
00:58:51Anyway
00:58:52I wanted to say
00:58:54Thank you
00:58:56And
00:58:58Thanks for being here tonight
00:59:00You didn't have to come
00:59:03Don't tell me what I have to do
00:59:07You didn't have to come
00:59:10Don't tell me what I have to do
00:59:32If you could go back
00:59:33If you had the chance to do it all again
00:59:35Would you do anything differently?
00:59:42No
00:59:47No
00:59:48No
00:59:52I see
00:59:56I know my answer now
00:59:57I didn't have the power back then
01:00:00Not enough to protect you
01:00:02I couldn't watch you get crushed because of me
01:00:05Because of my name
01:00:07My family
01:00:10I didn't want to be the reason you lost everything
01:00:13So you just disappeared
01:00:14Without a word
01:00:18If you had the chance to see the world
01:00:20Without me weighing you down
01:00:23If you still chose me after that
01:00:29You keep saying you wanted to give me a choice
01:00:32But you made a choice for me
01:00:36Did it ever cross your mind that maybe
01:00:41I would have chosen you anyway
01:00:48I didn't think I was the smart choice
01:00:51You weren't
01:00:54But I never claimed to be that smart
01:01:05This is me
01:01:06Right
01:01:14I'm still mad at you, you know
01:01:18I'm still in love with you, you know
01:01:28I'm still in love with you, you know
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex
01:01:34Who you haven't seen in four years
01:01:37To come into your hotel
01:01:38At approximately 11pm
01:01:41You were right
01:01:43You never were that smart
01:01:45You don't have to come
01:01:46Don't tell me what I have to do
01:02:03Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:08This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who once called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:20You're lucky you're a good kisser
01:02:25That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:33Then shut up
01:02:35And prove it
01:02:36You don't want to come
01:02:41I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:48They're both
01:03:15I vow to always tell you the truth
01:03:18Except for when you ask how your cooking was
01:03:21Then I lie
01:03:23Respectfully
01:03:25I vow to keep choosing you
01:03:28Loudly
01:03:30Quietly
01:03:31Always
01:03:33Even when you forget to do the laundry
01:03:37Is he actually good at this?
01:03:39I mean
01:03:40He did beat her at sarcasm
01:03:45I vow to argue with you at least twice a week
01:03:47Especially over Shakespeare
01:03:50I vow to write you into every story
01:03:53Even when I say I didn't
01:03:55You will always be part of my life
01:03:58If she quotes Austin in this toast
01:04:00I'm out
01:04:01No you're not
01:04:01You're going to cry harder
01:04:05, the rest of life
01:04:07If she wants to velocity
01:04:09While you have a voice for you
01:04:09Right
01:04:20If she passing out
01:04:22I woke up to the smell of roses
01:04:25I can't believe you picked Paris
01:04:28It's such a cliché honeymoon destination.
01:04:31Guard your phone.
01:04:33Relax, just don't dress like a walking inheritance and you'll be fine.
01:04:39You are not wearing that on our honeymoon.
01:04:43Please, Alice, go change.
01:04:45Don't tell me what I have to do.
01:04:51No.
01:04:52No, no, no, no.
01:04:53That is not an invitation to...
01:04:55Do not take off these clothes.
01:04:56Overruled.
01:04:57You look much better without them.
01:05:05To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:05:15Sometimes I want to be on my own, but I don't want to die alone.
01:05:46It's up to us to make sure that we can gain what's been passed away.
01:05:51We can go through these books.
01:05:52Help us develop, learn, and grow.
01:06:02Wow, that's great.
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