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Royal Cinema House
  • 21 hours ago
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Transcript
00:00:16Thank you for listening.
00:03:02Hi, Mom.
00:03:04Yeah, I miss you, too.
00:03:07I've just been busy nonstop.
00:03:11I'm going to be home for Christmas, I promise.
00:03:14My flight is at 6 a.m.
00:03:18Mom, Mom, listen.
00:03:20I'm exhausted.
00:03:21I want to have some tea, get something to eat.
00:03:23I'm going to get my stuff ready.
00:03:26All right.
00:03:27Love you, too.
00:03:29Bye-bye.
00:03:30I don't know.
00:03:37Bye-bye.
00:03:41I don't know.
00:03:44I don't know.
00:03:46I don't know.
00:03:47No!
00:03:49No!
00:04:11No!
00:04:25Help!
00:04:29No!
00:04:36No!
00:04:56No, no, no, no, no, no, no.
00:05:20Oh, the exposure under the city lights
00:05:29Live in the dream, or is it just a lie?
00:05:38Don't mind to lose your soul, cause baby, it's got to know
00:05:46I'm your thorn and you're my rose
00:05:51And now, baby, you've been overexposed
00:06:02Yeah, you've been overexposed
00:06:10In the city
00:06:16Your head up high, you're a fancy lipstick girl
00:06:24Get your plastic in hand and your vile of powder
00:06:35Don't mind the old man, and he doesn't mind the whore
00:06:42You're his dose, and he your dose
00:06:47So, baby, you've been overexposed
00:06:59Yeah, you've been overexposed
00:07:04In the city
00:07:12Guess what's in this heart
00:07:19Brewing up its leaves
00:07:22Oh, baby, it's a trick, alright
00:07:26You've been overexposed
00:07:29One you won't foresee
00:07:37You've been overexposed
00:07:45Yeah, you've been overexposed
00:07:53Yeah
00:07:55You've been overexposed
00:08:01Yeah, you've been overexposed
00:08:03I'm overexposed
00:08:09You've been overexposed
00:08:15I over-explore your heart
00:08:21Yes, I
00:08:24You've been never exposed
00:08:30I've seen the reason you've had
00:08:34I'm a fancy, fancy girl
00:08:42I still can't pretend you're like I'm yours
00:08:51Don't mind you, don't mind you
00:08:55And you doesn't mind the whore
00:08:59You're his dove, isn't he?
00:09:03You don't, you're so, baby
00:09:07You've been overexposed
00:09:11You've been overexposed
00:09:33You've been overexposed
00:09:43No smiling
00:09:45This isn't say cheese for the camera
00:09:51I thought I told you no smiling
00:09:54Sorry, James, I can't help it
00:09:57Stop the smiling or I'm calling your agency
00:09:59And having your place with a model
00:10:01That can follow instructions
00:10:07Devin, could you bring me the 85 lens?
00:10:09I want to go a little bit wider
00:10:10And, uh, Natasha, could you touch your nose up a little bit?
00:10:13It's a little shiny
00:10:20Thanks, Devin
00:10:24That's good, Natasha
00:10:25Thank you, darling
00:10:30Alright, now turn your hips a little more to the camera
00:10:34And put your hand a little closer to your face
00:10:38Alright, perfect
00:10:39There you go
00:10:41Good
00:10:42Good
00:10:44Well, that'll be all for today
00:10:46Thank you
00:11:04That was a great shot, James
00:11:05A good shot
00:11:06The one we just did
00:11:08Thank you
00:11:08You did great today, too
00:11:10Hi, I'm Detective Sanchez
00:11:11This is Detective Feeney
00:11:13This is James Romero in
00:11:14Do you know this woman?
00:11:17Yeah, that's Cella
00:11:18She's a really good model
00:11:19When was the last time you saw her?
00:11:36Last night, we worked a little late around 8pm
00:11:37Did she say where she was going when she left here?
00:11:40She was going home
00:11:41She had to catch her early flight to LA
00:11:42Did she mention if she was meeting anyone?
00:11:44No
00:11:45What about jealous ex-boyfriends?
00:11:47Our interaction was mostly professional
00:11:48So what, you banged her?
00:11:50Come on, man
00:11:51We've hung out a few times
00:11:52Are you saying you never had sex with her?
00:11:54No, I mean
00:11:55We've hooked up
00:11:56But it was just having a little bit of fun
00:11:57A little fun, huh?
00:11:59Look, gentlemen
00:12:01I'm a fashion photographer
00:12:02I meet lots of beautiful women
00:12:04Who want to sleep with me
00:12:05I didn't know it was a crime
00:12:06To have recreational sex
00:12:08We just want to know
00:12:09What kind of relationship
00:12:10The two of you had
00:12:11Why don't you just ask her all these questions?
00:12:13We would, but she was murdered last night
00:12:16Jesus
00:12:18How'd it happen?
00:12:18They tossed her off the balcony
00:12:20Oh my god
00:12:22Well, who did it?
00:12:23That's what we're trying to find out
00:12:25So, is there anything else you want to tell us?
00:12:27Because as far as we know
00:12:28You were the last person to see her alive
00:12:30No, I can't really think of anything right now
00:12:34Thank you very much, Mr. Romero
00:12:35That'll be all for now
00:12:36But if you think of anything that can help us
00:12:38Give us a call
00:12:39Thank you for watching
00:12:42Thank you
00:12:42Thank you
00:12:47Thank you
00:12:54Thank you
00:13:12Well, that was a great spread you did for the spring issue.
00:13:18James, do you ever listen to anything that I say?
00:13:24Hello?
00:13:26Yeah, sorry, Alana, I heard you, I was just checking my email.
00:13:29That photo's one of the best you've ever done for the magazine, darling.
00:13:32Yeah, it was okay, I needed some better girls.
00:13:35Always a perfectionist, aren't you?
00:13:39What, you didn't get to fuck any of those models on the shoot?
00:13:43No, I didn't fuck them.
00:13:45Oh, come on, darling, you don't have to lie to me.
00:13:47I know you're out every night with the new little model slut.
00:13:50Are you spying on me?
00:13:51I know everything that goes on in this town.
00:13:57Remember that tomorrow night is the fundraiser at the Kermada Gallery?
00:14:01You do remember that, don't you?
00:14:03Shit, I forgot all about that.
00:14:06Can't you just ask Marisa to go with you?
00:14:08No, I told you a month ago.
00:14:10I hate going to those things.
00:14:11I really wanted to Photoshop some pics tomorrow night.
00:14:13You're coming with me as my day tomorrow night, and don't make me say the magic word.
00:14:18You always do, Alana.
00:14:21What time do I come over?
00:14:236.30pm sharp.
00:14:34Can you come by another time?
00:14:36Lorna, we need to talk.
00:14:38Look, I can't talk about this right now.
00:14:41Lorna, we need to talk.
00:14:41Now.
00:14:42Come by the office.
00:14:43No, no, no, not in the office.
00:14:44Now.
00:14:44I can't.
00:14:45No.
00:14:45No, I can't.
00:14:46I gotta go.
00:14:52Well, that was a quick shower.
00:14:54Who was that?
00:14:55Is everything okay?
00:14:56Everything's okay.
00:14:57It was just some curry.
00:14:58He brought some bad papers from the office.
00:15:00They were wrong.
00:15:01Don't worry about it.
00:15:02He seemed pretty upset.
00:15:03Is he one of your boy toys?
00:15:04James, you're always thinking about sex.
00:15:06You and your vivid imagination.
00:15:08Things aren't always the way they appear to be.
00:15:12Look.
00:15:13Watch me.
00:15:15The matches are there on the table.
00:15:17Please?
00:15:30Thanks, dear Alwes, gentlemen.
00:15:32Oh, God.
00:15:33I gotta make a call.
00:15:34Where is my phone?
00:15:36I'm in.
00:15:38I'm in.
00:15:38I'm in.
00:15:39I'm in.
00:15:40I'm in.
00:15:40I'm in.
00:15:40I'm in.
00:17:44Alright, that guy right there just bought you guys and now I'll do shots.
00:17:48Go.
00:17:55Who's that?
00:17:55How's my old buddy David?
00:17:58How you doing man?
00:17:59What's up?
00:17:59Avril, this is David.
00:18:00David's Avril.
00:18:03Shots.
00:18:03Let's go.
00:18:05Cheers.
00:18:05Cheers.
00:18:10Hey dude, sit here.
00:18:11I'll be right back, right?
00:18:13Alright.
00:18:14So, do you travel a lot tomorrow?
00:18:16Yeah.
00:18:17Seems like I'm in a different city every week.
00:18:40Hey tiger.
00:18:42Freak me out for a second.
00:18:43Come on in.
00:18:45My guy just dropped off some shit and I thought you were the cops.
00:18:48I think that shit's making you paranoid.
00:18:50And how dare you bring that little tramp into the club tonight.
00:18:53I thought you'd like her.
00:18:54She's not my type.
00:18:55Too skinny.
00:18:56I like them with big fat tits.
00:19:00No, no, no, no, no.
00:19:01Thanks.
00:19:02I'll pass this time.
00:19:03Since when?
00:19:04You've never said no.
00:19:05This stuff makes me nuts.
00:19:06I started drinking a lot and I started doing a bunch of stupid shit I don't remember.
00:19:16It looks like you've already been drinking a lot tonight.
00:19:19Come on, don't be a pussy.
00:19:22No, thanks.
00:19:23I'm good.
00:19:24More for me.
00:19:30You know, I'm glad you came to see me tonight.
00:19:36I'm only doing a few more shows after this and then that's it.
00:19:39What, you're retiring?
00:19:40Yep.
00:19:41I'm going to Seattle next week to do a deal and then my girlfriend and I are on the first
00:19:44plane to France.
00:19:44So I won't be able to see your pretty face ever again?
00:19:47Not in America.
00:19:48You're going to have to come visit me in Europe.
00:19:50I'm done with this country and this town.
00:19:53Fuck, Miami.
00:19:55Fuck Miami.
00:19:56Fuck Miami.
00:19:58Fuck Miami.
00:20:03Fuck Miami.
00:20:10What the hell does the last intentional shit happen?
00:20:13Luck insert.
00:20:18Fuck Miami.
00:20:33I'm going to move here now.
00:20:42Wait, wait, wait.
00:21:19Wait, wait, wait.
00:21:43Wait, wait, wait.
00:26:58And we are going to be watching you.
00:27:00We're going to be snooping all over Miami until we catch our killer.
00:27:03Suggest you do the same for your sake.
00:27:05And remember, Florida has a death penalty.
00:27:09We're going to ask you not to leave town for the next couple of weeks until we know for sure
00:27:13it's not you.
00:27:19Well, the police asked me a lot of questions about you when they came over to me when they came
00:27:23over to my office today.
00:27:25Yeah, they really think I did it.
00:27:27Well, if you're going to go to the next couple of years, but we're going to go to the next
00:27:28couple of years.
00:27:28Well, if you ask me, that little cop or admiral deserved to die.
00:27:31Well, if you ask me, that little cop or admiral deserved to die.
00:27:59Yeah, everything's going to go to the next couple of years, we're going to go to the next couple of
00:28:00years.
00:28:02Everything's going as planned. It's all set.
00:28:06Hey, we've got to go. We're running late for the fundraiser. Don't worry. You have my lawyer. He's the best
00:28:11there is. He's on your side, okay?
00:28:29The artist's work. Our minds is almost, in an apostrian sense, the images of our childhood.
00:28:35He's a very important artist now, and his art sells at Christie's and Sotheby's very, very well.
00:28:43Well, I think his work is just brilliant. Love it. Put a red dot on it for me.
00:28:48Thank you, Lana, for your generous donations. And thank you for attending, Mr. Romero.
00:28:52Oh, please call me James. It was my pleasure.
00:28:54It's just a wonderful thing you're doing, Christophe, spending all that time and energy on your charity.
00:29:00Haiti is our neighbor, and our people need our help more than ever.
00:29:05Sometimes we must open our hearts and our wallets for a good cause.
00:29:09Please excuse me. I must make my rounds. The other guests are waiting.
00:29:14It's been real.
00:29:16Marcel!
00:29:17Jesus Christ, I thought he'd never shut up. Listen, I'm going to go powder my nose, and you don't go
00:29:22anywhere. I'll be right now.
00:29:32Someone has your baby pet.
00:29:33Ten peace.
00:29:37Have a great day.
00:29:52Don't quite know.
00:29:54Oh, my gosh, my options.
00:29:56Please help us wash us together.
00:29:59A Riss for 14 minutes.
00:29:59May your hand is broke.
00:29:59Well, my last week before he spinal byます quiet place.
00:30:23Is this a fabulous show?
00:30:24Excuse me, excuse me.
00:30:25Mauricio, tell Lana I had to go and it's an emergency, but I'm going to call her later.
00:30:28But you be pissed, you left her, you know how she gets when she gets mad.
00:30:33Quiet, muchachos, you don't mean.
00:31:23Too nice in a row, huh?
00:31:24Hey man, what's up? Is Candy working?
00:31:25No, she's off. The usual?
00:31:27Usual.
00:31:27No, she's off.
00:31:30No, she's off.
00:31:34I'm not going to call her.
00:31:36No, she's off.
00:31:40No, she's off.
00:31:42No, she's off.
00:33:03Disgusting.
00:33:04Dave, the hot lesbians making out right there in front of us.
00:33:07They do it to torture us, man.
00:33:09They know it drives us crazy.
00:33:19I heard the cops think you're a murderer.
00:33:21Is that why you summoned me here?
00:33:22No, man.
00:33:23I'm just another pervert here looking for some fun.
00:33:27The text.
00:33:27You just sent me a text.
00:33:28Fuck no, man.
00:33:29I'm the last guy holding down the fort.
00:33:31They're not going to enslave me to the grid.
00:33:33No, Big Brother's watching us.
00:33:35Stop fucking with me, man.
00:33:36You're telling me you didn't send me a text to meet you here at 10.
00:33:38Relax, man.
00:33:39What's got it into you, James?
00:33:41It's me, your old pal, David.
00:33:43All right.
00:33:44Yeah.
00:33:45I'm sorry about that, bro.
00:33:46As you can tell lately, I've been a little bit on the edge.
00:33:48The cops got it all wrong.
00:33:49I know you didn't kill those women.
00:33:50And then I got a text tonight from a number I don't know.
00:33:52Tell me to meet me here at 10.
00:33:54Well, how do you know who to meet?
00:33:55Well, they said they come to me.
00:33:57Oh, well, I'd better run along because I don't want to spook away whoever you're supposed
00:34:02to meet here.
00:34:02By the way, man, I loved the photos in the spring issue.
00:34:07One day, I'm going to be on your level.
00:34:10Take care, man.
00:34:11It was good seeing you.
00:35:14I'm going to be on your level.
00:35:29Hey, I just found this on the other side of the bar.
00:35:58Hey, I'm going to be on your level.
00:36:05Hey, I'll be on your level.
00:39:28Candy, it's James.
00:39:31Candy?
00:39:46I didn't do it, okay? I walked into it.
00:39:49Go see, what's going on?
00:40:23I'll see.
00:40:39I'll see you next time.
00:41:06What's up bro, shoot!
00:41:31Please don't hurt me!
00:41:32Who are you and what do you want from me?
00:41:33I want to know who killed my sister Stella.
00:41:36So why were you outside my studio?
00:41:37Please don't kill me.
00:41:38I'm not a murderer right?
00:41:39I didn't kill your sister, I didn't kill anybody.
00:41:41Someone's trying to frame me.
00:41:43How about the two women tonight?
00:41:44I followed you there.
00:41:45I was set up.
00:41:47And how long have you been following me?
00:41:49Since you left here earlier and went to the burlesque club.
00:41:52Were you the one who sent me the text message to meet you there?
00:41:54No.
00:41:54When the police told me that you were their prime suspect, I decided to follow you.
00:41:58What's your name?
00:41:59Rachel.
00:42:00Rachel, I know you don't know anything about me, but I really need your help.
00:42:04I promise you, I'm going to find your sister's killer.
00:42:08All Stella ever wanted to do was be a model.
00:42:10Back home in Ohio, it's all she ever dreamed about.
00:42:13When she was a little girl, she'd always be posing in front of the mirror, acting like she was Cindy
00:42:17Crawford.
00:42:18I never thought that when she moved to Miami to pursue her dreams, she would end up dead.
00:42:25I'm really sorry.
00:42:27But the cops are probably going to be looking for me soon.
00:42:29It's going to be any minute before the show appear.
00:42:31So we got to get out of here.
00:42:39According to our witness, she says she saw a guy covered in blood leaving the scene.
00:42:45And he fits the fashion photographer's description.
00:42:48No shit.
00:42:49Well, we got enough fingerprints around here to finally lock his ass up for good.
00:42:52The thing is, she said as he ran out of here, he kept saying he didn't do it.
00:42:57Goddamn sickles, they're all the same.
00:42:59Always in denial, even when you catch their hands in the cookie jar.
00:43:02I don't know.
00:43:03I got a hunch he didn't do it.
00:43:05Come on, don't tell me you're falling for his pretty boy looks.
00:43:08Come on, what are you, a fag?
00:43:10You know my hunch?
00:43:11He's guilty as fuck!
00:43:13We'll see.
00:43:14You know, I'm kind of in the mood for some spaghetti and meat sauce.
00:43:18You read my mind.
00:43:20Randazzo's Little Italy?
00:43:21No, you're talking Sanchez.
00:43:23Yeah.
00:43:47Thanks for abandoning me at the gallery.
00:43:49You're in a lot of trouble, darling.
00:43:51Where are you?
00:43:52I'm at a friend's house.
00:43:54Someone's trying to frame me.
00:43:55Who, darling?
00:43:56I don't know.
00:43:57I want to find out.
00:43:59I need to meet you somewhere.
00:44:00I really need your help.
00:44:01James, dear, you know that I adore you, but I think it's best that you play along.
00:44:06Give yourself in to the police and let them-
00:44:08I'm not going to turn myself in.
00:44:10I'm not a murderer.
00:44:10I'm innocent.
00:44:11I can't help you, dear.
00:44:13I have a very high-profile life, and all that bad publicity around me would be atrocious.
00:44:19Can I at least contact your lawyer?
00:44:20Sorry, James.
00:44:21It's just very bad PR for me.
00:44:24I'm afraid you're going to have to figure this one out for yourself.
00:44:27Good night, darling.
00:44:33A couple nights ago when I went to the burlesque club, I remember having a moment of deja vu when
00:44:37I was on my way to Candy Cane's dressing room.
00:44:38Who was Candy Cane?
00:44:39She was one of the girls who was murdered the night.
00:44:41So you and her were friends?
00:44:43Old friends.
00:44:44She was actually the only reason I would go to the burlesque club.
00:44:46I was just so wasted.
00:44:47I can't remember anything.
00:44:49Was it someone you saw?
00:44:51I'm not sure.
00:45:12The bald guy, the guy with the cab, it's the same guy.
00:45:15Alright, this may take long, but yesterday afternoon I was at Lana's apartment.
00:45:19That girl I was just on the phone with, and that bald guy was there, and they were having an
00:45:22argument about something.
00:45:23And...
00:45:24And...
00:45:25I just...
00:45:26They were...
00:45:30The bald guy.
00:45:30Of this woman.
00:45:31Let's go...
00:45:39Look.
00:45:46At the moment on the street?
00:45:46To be honest.
00:45:50I could start!
00:45:52I've seen an accident before I was trying to get back to the Apple.
00:45:52It's crazy.
00:45:52It's crazy.
00:45:52Well, you're�� side of my car.
00:45:53You're so Merry.
00:45:54You're so Merry.
00:45:55It's crazy.
00:45:55It's crazy.
00:46:01Do you know James Romero?
00:46:03He's an asshole.
00:46:04I take you didn't have a good relationship with him.
00:46:07We used to be best friends.
00:46:08He had a studio next door.
00:46:10Were you two ever romantically involved?
00:46:12That's private.
00:46:13James Romero is wanted for murdering four women.
00:46:16We're just trying to figure out how someone who can have any woman he ever wants
00:46:20somehow end up a serial killer.
00:46:22That's what I heard.
00:46:23I mean, I thought the guy was capable of anything, but not murder.
00:46:27Was he ever violent with you?
00:46:28He didn't hit me, but he could get pretty abusive with his words.
00:46:32Sometimes he'd have mood swings and watch out because if something was bothering him,
00:46:38he would take it all out on me and say the meanest and most degrading things.
00:46:42So you're saying he wasn't a violent person?
00:46:44Not physically, but his words can be just as destructive.
00:46:47So how long did you see him for?
00:46:49Look, I don't know why you're asking me this.
00:46:51Why don't you go ask some of the other girls?
00:46:52There's not one here that he didn't fuck.
00:46:58Look, he told me that he loved me.
00:47:01And then I found out that he's a liar.
00:47:03He was dating not one, not two, but three girls here in the same place at the same time.
00:47:09Are any of them here now?
00:47:10No.
00:47:11They all gave up art and left Miami.
00:47:13So when did James leave the art center?
00:47:14It seems he skyrocketed to success from here.
00:47:17Yeah, he's not exactly a starving artist anymore.
00:47:19I would be too if I had a sugar mama like that.
00:47:22You mean Lana Sinclair?
00:47:23She met James at a group show that he had with another photographer, David Streeter.
00:47:29David Streeter, is he another artist here?
00:47:31Not anymore.
00:47:32He does a lot of testing.
00:47:33Testing for what?
00:47:34Testing is what they call when a photographer shoots photos of a model for her portfolio.
00:47:39I mean, it's not big money like James, but you can make a living.
00:47:44They used to be best friends.
00:47:45James and David?
00:47:46Until they had their falling out.
00:47:49Over what?
00:47:50A little over a year ago, James and David, both being artists here, had a group show at the
00:47:54Feinberg Gallery.
00:48:04You know, I really like this one.
00:48:07It's like you can see into a soul.
00:48:10Remarkable.
00:48:12You know, you should really come and see me sometime.
00:48:15Thanks.
00:48:16I'm sorry, I didn't get your name.
00:48:18I'm David.
00:48:18Lana Sinclair.
00:48:20From Sinclair Model Management.
00:48:21I knew you looked familiar.
00:48:22I've done testing for a couple of your models.
00:48:25Yes, I've heard your name around the agency quite a lot.
00:48:28How fantastic that we finally meet.
00:48:30You've got to meet my friend, James.
00:48:33James, come over here for a second, buddy.
00:48:35I've got somebody I want you to meet.
00:48:44He's a popular guy.
00:48:48I'm really sorry, I'm just taking care of the train.
00:48:51Hi, sorry about that.
00:48:52James, I'd like you to meet Lana.
00:48:54Lana, this is James.
00:48:55Pleasure to meet you.
00:48:56James Romero.
00:48:58My, you are so charming, James.
00:49:03Excuse me one second.
00:49:04I don't mean to be rude, but I have to take this call.
00:49:06I'll be right back.
00:49:08James, is this photograph on the right yours?
00:49:11Yeah, I was bored.
00:49:13I went up for a walk and I just found her there.
00:49:14What is she looking at?
00:49:16Under the horizon.
00:49:17She could be thinking about her future.
00:49:19Maybe where her life might take her.
00:49:21Well put.
00:49:24I can see that.
00:49:39Listen, I'm going to call you back.
00:49:44Where'd Lana go?
00:49:45She said she had to go to another art gallery like she was running late or something.
00:49:48But she didn't even say goodbye.
00:49:52So that was it.
00:49:53Those two pretty much couldn't look at each other the same after that day.
00:49:57It ended their friendship.
00:50:00Lana, she set James up.
00:50:02She pretty much made him this big time fashion photographer.
00:50:06But in return, he had to become her bitch.
00:50:09David, he always felt like James stole what was rightfully his.
00:50:13He always thought he was more talented than James.
00:50:16Is he?
00:50:17David, no.
00:50:19You know of anyone James could be staying with?
00:50:20He's been on the lambs since yesterday.
00:50:23Are you kidding me?
00:50:24I haven't talked to that asshole in over a year.
00:50:27I could care less if the guy dropped dead.
00:50:30All right.
00:50:30If you hear of anything that can help us out, give us a call.
00:50:33Sure.
00:50:35You know, aiding and abetting a criminal is a crime in itself, Miss Blaze.
00:50:38Yes, I know.
00:50:39Thank you for your time.
00:50:43Fucking pigs.
00:50:54You see anybody come out yet?
00:50:56Not yet.
00:51:02Wait.
00:51:04The bald man.
00:51:05It's him?
00:51:06Yeah.
00:51:25Quick duck duck.
00:51:28Good.
00:51:40What?
00:51:52Amy?
00:51:55What?
00:51:56What?
00:51:56What?
00:53:07Rachel, stay here. I've got to get a closer look.
00:53:09Wait. What if something happens to you?
00:53:11Look, I'll be fine. Just stay low so no one can see you.
00:53:14And if anything bad happens, get out of here. Fast.
00:53:17Be careful.
00:53:17Be careful.
00:53:45Miss you. Miss you.
00:53:48Miss you.
00:53:52Miss you.
00:53:53Miss you.
00:53:54Miss me.
00:53:55Haha.
00:53:57Hey, I don't mean nothing.
00:54:01Come on.
00:56:53Yes?
00:56:53Are you David Streeter?
00:56:55Yes, I am.
00:56:56Can we come in and talk to you for a few minutes?
00:56:58Well, do you have a warrant?
00:56:59We don't want to search the place.
00:57:00We just want to ask you a few questions.
00:57:02Uh, sure.
00:57:04Give me one minute.
00:57:07Do you think he's hiding evidence?
00:57:09Maybe.
00:57:11That was a good lunch we had, huh?
00:57:13I got a hand to you, Sanchez.
00:57:15You were right.
00:57:16That's the best ceviche in town.
00:57:17Right?
00:57:18And wait till tomorrow when we go try that little Brazilian rodízio place I was telling you about.
00:57:23Is the picanha any good?
00:57:24Ooh, is it good?
00:57:26Is Castro a communist?
00:57:27Why don't you try the vassi?
00:57:30Come in.
00:57:50Thanks, Climber.
00:57:53Great shoot.
00:57:55Seems like photographers have all the fun.
00:57:57We work too sometimes.
00:57:59What can I do for you?
00:58:00How long have you known James Romero?
00:58:02Since high school.
00:58:04About six years.
00:58:05You consider him to be a good friend?
00:58:07Yeah, I trust that man with my life.
00:58:09I love him like a brother.
00:58:11So you two are still good friends?
00:58:13Yeah.
00:58:14I mean, we drifted a little in the last year, but listen, James didn't murder those girls.
00:58:20How well did you know Stella?
00:58:22Well, I did some photographs of her.
00:58:24Looks like you photographed all the murdered girls.
00:58:27Even Candy Cane, look.
00:58:30Yes, I photographed them.
00:58:32I'm a photographer.
00:58:33I also have photographed hundreds of other models.
00:58:36Now, unless you guys have a search warrant, I suggest you put down my photos and leave.
00:58:44Oh, what's the matter?
00:58:45You got something to hide?
00:58:46Yes, traitor.
00:58:47Why is it touchy?
00:58:48I just know my rights.
00:58:50Good day, gentlemen.
00:58:53You did give us consent and entry, but that's okay.
00:58:56We'll leave now anyways.
00:58:57But we'll be back, shutterbug.
00:59:53What the fuck are you?
00:59:54What am I?
00:59:57What am I?
01:00:16What am I?
01:00:44James.
01:00:48Is it okay if I call you James?
01:00:51Why are you trying to frame me?
01:00:53Fritz!
01:00:56James, why were you inside my business?
01:00:58To steal from me.
01:00:59To steal from me?
01:01:00I wasn't trying to steal. I thought you were framing me.
01:01:03Liar. I know you stole my merchandise after you killed the girls.
01:01:09Why do you mutilate my mules? Why do you do this to me?
01:01:13Fritz!
01:01:20We found these in your pocket. What do you know about St. Mark?
01:01:25Nothing. I got those matches from Lana.
01:01:27Did Lana send you on this mission? Is she trying to cut me out?
01:01:30I don't know what you're talking about. I came here on my own.
01:01:32Tell me the truth, you piece of shit, you shy girl!
01:01:37I'm telling the truth.
01:01:38My friends downtown told me there was no cocaine found at the crime scene.
01:01:45But you take me for that idiot, the clown?
01:01:47Fritz!
01:01:51James, my friend, Mr. Playboy, you think you're the big shot, Miami?
01:01:57Fucking all the girls running around the town.
01:02:00Mr. Big Shot you are, huh?
01:02:02See all these pretty girls? Each and every one of them. Look at them. Look how pretty. The little coke
01:02:13whores. The little sluts. I fucked them all.
01:02:18With what, old man?
01:02:20Lustig, lustig, funny, funny. My crap gets harder than yours. I get these little sluts to do anything for the
01:02:30cocaine. Eat each other's pussy. Fuck them in the ass. Whatever I want, they will do for me!
01:02:37And your sugar mama, Lana. She's my bitch, too. She's got nowhere to go. You see, my friend? Everybody in
01:02:47this city has to play by my rules to fix up!
01:03:15Just let me go and I won't say anything, alright? I'll cut a deal with it.
01:03:17Verdant normal bargaining is a luxury you do not have!
01:03:29Before I went to your warehouse, I told the cops you're framing me, alright? They're probably on their way right
01:03:32now.
01:03:33Oh, I'm so afraid!
01:03:35Fritz, take the schwein and let's stick him in there!
01:03:51James, tomorrow is going to be a smoldering hot day here in the tropics. You will be roasting like the
01:03:59schwein you are. You will die tomorrow, you schwein!
01:04:03Fuck you, you Nazi prick!
01:04:05SHUT IT!
01:04:40James!
01:04:41James!
01:04:41It's me, Rachel!
01:04:43Rachel!
01:04:44Don't worry, I'll get you out.
01:04:46Check the stable house. There should be some tools in there. We gotta cut this chain.
01:04:49Okay, I'll be right back.
01:04:56This is the next step.
01:04:57I'll be right back.
01:04:57And I'll get you down.
01:05:08I'll be right back.
01:05:08That's the first step's running.
01:05:08This is the second step's running.
01:05:09This has become its real power.
01:05:09This is a wonderful thing.
01:05:10How dare you be?
01:05:10A special step is to get you down.
01:05:13This is the second step.
01:05:13I'll be right back.
01:05:13This is the second step.
01:05:14Amante, it's the first step.
01:05:14I knew that you go.
01:06:34I gotta get back in there and get my gun back.
01:06:36Are you crazy?
01:06:37You'll get killed.
01:06:38Schultz showed me a book in there that describes his whole entire operation.
01:06:40It has pictures of your sister, the girls that were murdered, and other models.
01:06:43What?
01:06:44He used your sister and other models to move cocaine around the country on made-up photo
01:06:47sheets.
01:06:47If I can get that book, I can prove I'm innocent.
01:06:49So let's go.
01:07:12Hi, babe.
01:07:15Yes, babe.
01:07:15I know I had arranged me to come to have dinner with you tonight, but I'm not going to make
01:07:19it tonight.
01:07:19I have to work late.
01:07:22Babe, I know.
01:07:23I'm sorry.
01:07:24I know we had plans.
01:07:27No, babe.
01:07:28I'm not at a strip club.
01:07:29I'm working late.
01:07:31What do you want me to do?
01:07:32Um, the boss has me on duty late, so I gotta stay.
01:07:37Listen, babe.
01:07:37You don't gotta get like that.
01:07:39You don't have to yell, okay?
01:07:41I will make it up to you.
01:07:43I promise.
01:07:45Babe, what do you want me to do?
01:07:46How about if I don't come home?
01:08:09What do you want?
01:08:10I told you.
01:08:13Wait right here.
01:08:26Oh, my kleine Schneckelein.
01:08:43James, get out!
01:08:48Oh, my God.
01:09:21First message.
01:09:22James, darling, I'm so sorry I blew you off.
01:09:25I don't know what I was thinking.
01:09:26Call me.
01:09:27Come on.
01:09:28I'll...
01:09:29End of message.
01:09:30Next message.
01:09:31James, darling, call me.
01:09:33Of course I'll help you.
01:09:34End of message.
01:09:41Detective Feeney.
01:09:41Detective, this is James Romero.
01:09:43James, how nice of you to call.
01:09:44Where are you?
01:09:45I'm around.
01:09:46Around where?
01:09:47We'll come and get you.
01:09:48Look, I'm innocent and I can prove it.
01:09:50I have evidence linking Christoph Schultz to the murders.
01:09:52As well as this cocaine distribution network.
01:09:55What kind of evidence?
01:09:56I have this book that I took from him.
01:09:57This book has info on all the operations,
01:10:00including pictures of the models that used to help him move below all across the country.
01:10:03Bring me that book.
01:10:05Better yet, where are you?
01:10:06We'll come and get you.
01:10:08I'll call you later and I'll let you know.
01:10:14James, darling, where are you?
01:10:16Are you okay?
01:10:17I'm worried sick.
01:10:18I'm okay, Lana.
01:10:19I'm really sorry for letting you down.
01:10:21I don't know what I was thinking.
01:10:23I don't have a lot of time to talk.
01:10:24I need Christoph Schultz's cell number.
01:10:26What for, dear?
01:10:27You told me about everything.
01:10:29Your whole operation.
01:10:31I didn't have a choice.
01:10:33Look, I know.
01:10:34But what if I told you you didn't have to worry about him anymore?
01:10:36How?
01:10:37I'll explain everything to you later.
01:10:39Just text me his number.
01:10:40Right away, darling.
01:10:41Call me. Bye.
01:10:50Yeah.
01:10:51I have your book.
01:10:52I know.
01:10:53I have your girlfriend.
01:10:55Let her go.
01:10:56Listen, you piece of shit.
01:10:58I should have killed you right away.
01:11:00I'm not fucking around.
01:11:01Bring my book back or the girl dies.
01:11:04How do I know you haven't even killed her yet?
01:11:07Put her on the phone.
01:11:08Help me, James.
01:11:09Please, they're going to kill me.
01:11:12Sarah, is that good enough?
01:11:14Look, if you heard her, I swear to God, I'll give the book to the cops.
01:11:17Fuck you.
01:11:18Bring my book now or the girl dies.
01:11:20This book is filled with incriminating evidence against you.
01:11:23I'm sure the cops will love to get their hands on.
01:11:25So I'll trade you the book for the girl, alive.
01:11:28Meet me at midnight tonight at the Grove Key Marina.
01:11:30No!
01:11:31Who the fuck do you think you are dealing with?
01:11:34You tell me where you are now or the girl dies.
01:11:37Look, if the girl dies, I'm going to give the book to the cops.
01:11:40I'm sure you wouldn't want them to know your entire operation.
01:11:43You fucking swine, you!
01:11:46Okay.
01:11:47James, I'll meet you at midnight.
01:11:49You better not be fucking around and call the cops.
01:11:52If you try anything sneaky, I'll cut the girl's throat.
01:12:24You better not be around and call the cops.
01:12:43You better not be around and call the cops.
01:13:01You're early, Schultz.
01:13:02I thought you'd be running on Keepentown like everybody else in Miami.
01:13:05Cut the bullshit.
01:13:06Where's the book?
01:13:07I've hidden it somewhere around here.
01:13:08Well, go and get it!
01:13:09Release the girl, let her walk over to me, and I'll tell you where the book is.
01:13:13If I kill you both, I don't need the book.
01:13:16Well, you do if you want to get it before the cops.
01:13:18Because I called them up and I told them where it is.
01:13:20You piece of shit.
01:13:21Tell me where it is now or I'll kill her!
01:13:24Let her go!
01:13:24I'm running out of patience here.
01:13:27Kill her!
01:13:30The show's over.
01:13:32We'll take it from here.
01:13:33You have no idea who you're dealing with.
01:13:36Am I supposed to be scared?
01:13:43You see, my friend?
01:13:45Everyone works for me.
01:13:47Now give me my book now.
01:13:49So you're a lowlife also.
01:13:51After 30 years, they cut my pension.
01:13:53So crime does pay.
01:13:55Where's the book?
01:13:56Let her go, and I'll tell you where the book is.
01:13:57I'm so sick and tired of you.
01:14:05Lana, I'm so disappointed in you.
01:14:08Is that how you treat a friend?
01:14:10I'm not your friend, and you're not going to use me anymore, Ashlo.
01:14:15Feeny, shoot the cunt.
01:14:23Arrest that man.
01:14:24Where's the book?
01:14:25It's right there, underneath the pail.
01:14:26I'm innocent.
01:14:27I'm a model citizen and a community leader.
01:14:30You have not seen the end of me, Mr. Romero.
01:14:33In a few hours, I will be out, and I will hunt you down.
01:14:42Thanks to you, buddy, Schultz will be going away for a long time.
01:14:45Free to go, right?
01:14:46Yep.
01:14:47Schultz murdered those poor women because they got too close,
01:14:49learned about his operation, and they became a liability.
01:14:51The minute they would agree to work for him, it was a death sentence.
01:14:54We had you under surveillance for quite some time now
01:14:56because of your involvement with Anna St. Clair.
01:14:59Miss St. Clair, I'd like to ask you some questions now.
01:15:04Thanks, man.
01:15:04That's what friends are for.
01:15:05So I call you, and you bring the whole cavalry.
01:15:07I've been helping the feds out for some time.
01:15:09My suspicions were right about Schultz using Lana and the girls.
01:15:12I had to get that son of a bitch after what he did to Candy Cane.
01:15:15And Stella.
01:15:372,000, 2, 8, 5.
01:15:39I don't think so.
01:17:21Good.
01:17:22That was perfect.
01:17:22We're done.
01:17:55Hello?
01:17:58Rachel?
01:18:04Rachel?
01:18:12Who are you?
01:18:23Just show me your face!
01:18:31Rachel?
01:18:33Why do you play with women's emotions?
01:18:35Do you see them as your toy?
01:18:37I don't understand what you mean.
01:18:38You don't care about hurting them.
01:18:39You don't ever think about the consequences of your actions.
01:18:42Rachel, I've done nothing to you.
01:18:44Do you remember Gladys Middleton?
01:18:46No, I don't know Gladys.
01:18:48Let me refresh your memory.
01:18:50A little over a year ago, you met her at the art center.
01:18:53She asked you to help her out with her art project.
01:18:55An installation piece with slide projectors.
01:18:57Her name wasn't Gladys, it was Jade.
01:18:59Jade was her middle name.
01:19:01She never did like being called Gladys.
01:19:03Yeah, I remember Jade, I didn't do anything to her.
01:19:05Nothing?
01:19:06You think getting her pregnant and telling her to deal with it is nothing?
01:19:09I wasn't ready to be a father.
01:19:11And I gave her money for the abortion.
01:19:13Yes, you did.
01:19:15But when it didn't go well, she came to talk to you,
01:19:17and you acted as if you didn't know her.
01:19:28I mean, I couldn't talk to her then, I was in the middle of a show.
01:19:31She left and called you later that night.
01:19:33But your phone was disconnected.
01:19:35My phone got disconnected all the time because I was broke.
01:19:38What did she have to do with you?
01:19:39My sister wasn't Stella.
01:19:41It was Gladys.
01:19:44After Gladys' failed abortion, she got so infected that doctors had removed her uterus.
01:19:48She spiraled into a deep depression and then committed suicide.
01:19:53I'm sorry, I didn't mean to hurt her like that.
01:19:55I lost my sister because of you.
01:19:57So you murdered all those girls to get back at me?
01:19:59Yes.
01:20:01And now I'm gonna kill you.
01:20:05You're never gonna hurt another woman.
01:20:08Ever again.
01:20:09No.
01:20:11The hell?
01:20:12No?
01:20:12No.
01:20:12No.
01:20:13No.
01:20:15No.
01:20:30No, no.
01:20:31Oh?
01:20:32Oh, you're right.
01:20:39I'm unhappy.
01:20:50Oh, the exposure
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