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DHURANDHAR 2: The Revenge movie part 1
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00:00Cuando estaba viendo en Jio Plaza, ahora hay unos 20 minutos de ades, unos 20 minutos de intervalo, 4 minutos
00:04de 14 minutos de estar en el título, en el título se está mostrando un montaje de su entrenamiento y
00:10no uno de los chicos estándar, solo una persona que está en la lengua, solo una idea de la lengua
00:16de la lengua de la lengua de la lengua de la lengua de mi imaginación.
00:21Y creo que el trabajo de la lengua de la lengua de la lengua de la lengua de la lengua
00:24de la lengua de la lengua de la lengua de la lengua.
00:25Correcto, yes, better I don't is the right word, this is how it should be done, better it looks like
00:32compassion, 30% better, 50% better, no, and also if you look at those directors when they give interviews
00:38and all that, what do they say?
00:41Ah, it's coming, they are going to fuck the box office, that is the level of the...
00:56Hi sir, so we are here to talk about Durandar 2, you obviously have loved it.
01:01I would say I want to marry it, I don't think I love it, yeah, yeah.
01:06What was your first reaction when you walked out of the theatre?
01:10See, I mean, on a cumulative level, I don't know if I can describe it, I kept on reacting at
01:18multiple places in the film,
01:21so I would rather think that is a more truer kind of a reaction, I would say.
01:27But okay, if I have to sum up, I will say that, you see, it is not, I will say,
01:32film has a story, you know,
01:34then there is a way you tell a story and there is something which the industry over so many decades
01:40had felt that this should be the structure of how to tell a story on film.
01:45Now, every one of those are broken, you know.
01:49And when they are broken, you, especially as being a filmmaker, you get startled first, you get, what, what, you
01:56know.
01:56But at the same time, you are still, because over the years, I look at the craft more than maybe
02:04the effect of the film,
02:06like a normal audience would, I am not very sure I can do, see a film like that.
02:11But it is keeping on grabbing me again into the story.
02:14And at a point of time, I am thinking about the craft and then this, you know.
02:18More than anything else, I feel, in a nutshell, if I have to say,
02:25what Hamza did in Pakistan to the terror networks, destroying all of them, Aditya Dhar has done to the industry.
02:35Aditya Dhar is a real Hamza, you know, and the terror network is Indian film industry.
02:41That is what I feel, you know.
02:45So, people will be confused.
02:48Now, imagine, I mean, I am not getting into details, but after the climax is over, the film is going
02:56for 40 minutes.
02:57What the hell is that?
02:58Because hero killing the villain is what we consider the climax.
03:02And after Almas killing the main villain after a long extended fight,
03:06the very next scene, he gets beaten up like a dog.
03:09So, there is not a single thing which is a pattern
03:12of exactly what we are used to seeing so many after, I mean, for so many decades.
03:18Decades, yeah.
03:20So, I think, yeah, and it is like, it is like a fireside tale.
03:26When you tell the main story, then there will be a lot of questions in the,
03:30what happened to that character?
03:32What did this guy do?
03:33And to round up the story, after telling the story is over,
03:38he took 40 minutes and nobody binded.
03:42When I was watching in Jio Plaza, in IMAX screen,
03:46now there are 20 minutes ads, some 20 minute interval,
03:484 hour 40 minutes sitting,
03:51in the end titles, he is just showing a montage of his training
03:54and not one guy is getting up.
03:57Exactly, exactly.
03:58Not one guy I saw getting up after sitting for 4 hour 40 minutes.
04:02Same in my theater.
04:03Yeah, yeah.
04:03Same in my theater.
04:04500 seater auditorium, house full,
04:08not a single person got up during the training montage.
04:11Doing the rolling credits.
04:13Yeah.
04:14That's insane, right?
04:15Yeah, yeah.
04:16That's a dream for any filmmaker.
04:17The story is over, but still people are invested in the story.
04:21And when you say that people are still watching it and the film goes on and on,
04:28even after the climax is done, he doesn't let you go even till the last second,
04:34which is he shows that one scene where Omar is confronting his chief about how could you let Hamza go.
04:41He didn't even leave that thread because he would obviously feel, right?
04:44Okay, there was one sincere guy in LTF who was adamant about capturing Hamza and what about him?
04:52And Aditya Dhar is answering that also.
04:54So, it's like he wants to round off every little thing and doesn't want to leave any blanks.
05:01So, that to be was astonishing.
05:03See, tying the loose ends, it took 40 minutes.
05:06Yeah, yeah, 40 minutes.
05:06Loose ends is the word.
05:08Yeah, yeah.
05:08It's what we normally think.
05:10Yeah.
05:10And when you say you were reacting to the film differently during multiple sequences,
05:15what are some sequences that, what do you call, inspired you?
05:19It will start with the post-climax fight, him being beaten up and he is being saved by a random
05:25phone call from coming from India.
05:27Yeah.
05:28Where there is no heroism.
05:29I wanted to talk to you about it.
05:30Yeah, you know.
05:31Yeah, yeah.
05:32And what if that call didn't come, I love all this.
05:35And then at a point of time, suddenly Rakesh Bedi becomes the main hero of the film.
05:41Yeah.
05:43Jamil.
05:43That almost for me had this moment of, in Oppenheimer, when Truman talks to this guy, Oppenheimer.
05:52No one cares a fuck about who made the bomb.
05:56They care about who dropped it and I did.
05:58You know.
05:59And he looks as big as the hero of the film in that one moment, Jamil.
06:04Yeah.
06:05So, I think that then, and this one thing, when he is burning the photo of her and the son,
06:12because that chapter of his life is over, I literally had a lump in my throat.
06:20You know.
06:21So, I am normally a very emotional as cold-blooded guy.
06:24You know.
06:24So, for me to feel that, you see, Aditya basically has a, what shall I say,
06:33he's got an extraordinary sensitivity and respect towards the characters he's dealing with.
06:39No matter how small, they could be villains, they could be other bad guys or good guys.
06:45Everybody has got the same sensitivity and respect, which is so evident.
06:51Yeah.
06:51You know, in a point of Ujair Baloch, where Sears is the head and plays football and that scene completely
06:58belongs to him,
06:59almost where Ranveer Singh is a bystander in the scene.
07:03And then after that, and then with such cold-bloodedness, he will take his name in the climax.
07:09Yeah.
07:10You know.
07:11I say, who do I blame this on, Ujair Baloch?
07:14And I made him survive only for that.
07:16For that, for this day.
07:17Yeah.
07:18And that is cold-bloodedness at another level.
07:20Yeah.
07:21You know.
07:21But it doesn't seem to be a difference because they're all caught in a certain situation where betrayals,
07:31loyalties and constant shifting stances has to be the order of that world.
07:37It's normal.
07:38It's normal.
07:39It's normal.
07:39In fact, when Omar tells SP that he had doubt on Hamza right from the beginning, it's not a surprise
07:47to SP.
07:48Correct.
07:48Because they have been traveling together for more than a decade now.
07:52Yeah.
07:52If you have doubt, go and investigate.
07:54It's very matter-of-fact thing.
07:55Correct.
07:58The phone call that you mentioned, the one that Madhavan's Ajay Sanyal makes,
08:04I love the staging of that scene, like it's, he's holding his grandchild in his arms, sleeping in his arms,
08:10and he's making a very simple phone call.
08:12It's actually a very heroic moment, but it is presented as a very regular thing.
08:17Just another day in his job.
08:20There is no drama, no tension, nothing.
08:23And when you talk about power play and all, that conversation, it really stuck with me because
08:30when he makes that phone call, that ISI guy has the upper hand because he's the one holding, capturing Hamza.
08:40So the conversation begins with Ajay Sanyal saying, Salam Walaikum, and it ends with that guy saying, Namaskar.
08:47Yeah.
08:47Correct.
08:47So the power dynamics have shifted in one phone call and it is communicated so superbly.
08:53And the other point is Uzair Baloch, like he is this intimidating, wild, brutal guy at one point in the
09:01film.
09:02And he's a clown by the end of the film.
09:04Yeah.
09:04Like when Hamza takes his name, people in theatre were laughing.
09:09Yeah.
09:09Like Uzair, when he said Uzair.
09:11And he became a clown.
09:13So what he managed to do with these many characters and every character having an arc,
09:19to me that is, that's a dream for any, it's a textbook for any aspiring writer or film writer.
09:26See, like coming back to what I said that this guy is done to the film industry,
09:31what Hamza has done to the Tabev network.
09:34If you look at it, I think all the filmmakers will be confused.
09:39They won't know what hit them or what stabbed them, I would say.
09:43You know, because you're so used on a template, first scene, hero, introduction comes at that.
09:50I have a full background score and just play a trope, papers, coins, whatever.
09:56And there's no celebration.
09:57Yeah.
09:58There is no celebration of any character in the film.
10:01You know, if at all you think there is,
10:04there's more celebration for all the other characters including Atif Ahmed.
10:08The way he's introduced.
10:10Slow-mo.
10:11Yeah, yeah, yeah.
10:14And then constantly breaking the structure.
10:18So the twists are so many,
10:21not inherently only because of the script has them,
10:25it also is breaking the pattern of how you're used to watch films.
10:28It's a double whammy.
10:29Yeah.
10:30Yeah.
10:31Inherent twists in the story is different
10:33and the director has made the change in the pattern,
10:36it's even more shocking.
10:37Yeah.
10:38Yeah.
10:38This is harder to explain.
10:40Yeah, correct, correct.
10:40This is harder to explain in my sense of.
10:42So tomorrow, if you want to basically, because of the huge collections,
10:47you have no choice but to take it seriously.
10:50Absolutely.
10:50It is not like a highly appreciated film.
10:52It is not that.
10:53It is a blockbuster, biggest hit of all time.
10:56Money talks.
10:57Yeah, no, yeah.
10:57And now, if you want to have an intention also to do something like this,
11:04organically it came from Aditya.
11:07You try to imitate it, you can fall very badly on your face.
11:11It will be a very difficult choice for anyone to take.
11:14Yeah, yeah.
11:15You need to have the intensity of this guy, his understanding of the subject matter.
11:20It is not like a script on paper, where anybody can do it.
11:25There are so many subjects in their expressions and X and Y,
11:29all that is not going to be easy for anyone to capture.
11:32Yeah.
11:33But now there will be two things.
11:35One is, they will be scared whether that kind of an old school will work or not,
11:39you don't know.
11:40Because before Durandar, there was no benchmark.
11:43Now there is a benchmark set.
11:45How action can be, how characters can be,
11:47how the depth of the character is not about hairdos and costumes.
11:51There has to be something internal which will reflect even in a silent close-up.
11:57This kind of a thing, who can do it?
12:00And now you don't know if you don't do that, will they work?
12:03Yeah.
12:05It's too big to not take seriously.
12:06It is impossible.
12:07Yeah.
12:09Now I am not, I don't have anything against that,
12:13but okay, I might have, I might like this kind of film more.
12:18But I am very keen to know, after seeing Durandar,
12:23and Durandar 2 of course,
12:26if a film comes like Pushpa 2,
12:30and someone flying in the air and biting people like Dracula,
12:33will they see a fight like that?
12:35I am very curious actually.
12:37You know, now that is one part.
12:39Now forget the collections.
12:41Always we talk about collections of a big film.
12:44Which is the last film in the last 40 years,
12:46people discussing characters,
12:48people discussing moments,
12:49shots,
12:51scenes,
12:51some background score.
12:53I think, probably two characters,
12:54but the visual kind of shots and all the...
12:56See, the difference for me,
12:57see, probably is a spectacle.
12:59It's like a sput in a period,
13:01kings and this,
13:02and that is a world which you are not a part of.
13:04Right.
13:05Yes, the characters, sentiments,
13:06you connect to.
13:08This is not that.
13:10Durandar is a today scene,
13:13whether it's set in 2000, 2009,
13:15that is not the point.
13:15It is about people who it relates to
13:18on everyday life.
13:20Whether it's a mafia or a terror network
13:23and we've seen all these incidents of Durandar
13:25happened in our lifetime,
13:27in the last 10 whatever years,
13:28which is not the case of Bhavali.
13:30So I think the comparison is wrong.
13:32Okay.
13:33Yeah.
13:34Firstly, did you expect it to have a happy ending?
13:37I mean, by happy ending,
13:39I mean,
13:39Hamza returning back to India.
13:41Did you expect that?
13:42I expected that only because
13:45I felt that would have been the victory.
13:47I mean,
13:48this is such a patriotic film
13:49in terms of these tremendous sacrifices
13:52and what all he's gone through.
13:54For him to have a tragic ending,
13:56I think would be a kind of a letdown,
13:59which is the reason I expected.
14:00You know?
14:01Because he tend to,
14:02most of these films end on a sacrificing note only.
14:05That was a surprise to me.
14:07So I'm very happy that he got a happy ending.
14:09And I think the happy ending worked
14:11because of the extended time he took.
14:13Yeah.
14:13See,
14:14if it's a happy ending,
14:16right,
14:16just the moment he gets a call,
14:18he's left,
14:18and after that,
14:19he's left it out being very abrupt.
14:21Yeah.
14:22Yeah.
14:22Yeah.
14:22Speaking of celebration,
14:23coming back to that,
14:24when he returns back,
14:26all Ajay Sanyal tells him is,
14:30Jaskirath,
14:30you did a good job.
14:31You did good.
14:33That's it.
14:33That's it.
14:34There isn't a single extra dialogue saying that,
14:36you saved our country.
14:38I almost was upset at that time.
14:41I wish he said something fantastic for something.
14:44He did good.
14:45He deserves it.
14:46Yeah.
14:46Because I've seen what he's done,
14:48what he's gone through,
14:49and everything.
14:50And good.
14:54Nothing like,
14:55we are all proud of you.
14:56The country is indebted to you.
14:58Nothing.
14:58So,
14:59it felt like,
14:59and
15:00nobody would have questioned him also,
15:02right?
15:02Nobody would have questioned Aditya,
15:03if a very highly
15:06decorated intelligence officer
15:07is coming and appreciating him.
15:09But Aditya,
15:11he never
15:12goes for those things.
15:14Like,
15:14he never even tries to
15:17glorify
15:17the hero.
15:19Because that's the most
15:20easiest thing to do.
15:21Because what we do in our films
15:23is we'll have 10 people.
15:24See,
15:24if that scene
15:25what you mentioned,
15:26you would have gotten up
15:27and come and hugged him
15:29and kiss him
15:29and this
15:30and you were a pride of India.
15:31India.
15:32That is what you would expect.
15:33Yeah,
15:34that's the problem.
15:34Correct.
15:35And it is actually
15:37deserving also.
15:38Correct.
15:39And nobody would have problem.
15:40Nobody would have had a problem with it.
15:42He would have been happy actually
15:44seeing him.
15:44I actually got angry
15:46with Rajis in here
15:47at the time.
15:49Yeah.
15:50And
15:50to me,
15:52when we talk about
15:52mass and all,
15:53the shot of
15:54Ajay Sanyal
15:56standing outside the plane
15:57and lighting a cigar
15:59because
15:59lighting a cigar
16:00has always been
16:01this Indian hero
16:02thing,
16:04right?
16:04He is also doing that
16:05but the context to it
16:07is so bloody different
16:08because
16:09this is a context
16:10that was established
16:11in the opening scene
16:12of Durandar
16:14and by then
16:15I think we are
16:16six or seven hours
16:18into storytelling.
16:19You are getting a payoff
16:20seven hours after that
16:22after seven hours
16:23of storytelling
16:23and that to me
16:25is the most
16:26massiest
16:27or
16:27most heroic
16:28thing about
16:30this film.
16:31So what are some
16:31of your favorite
16:32moments
16:33if you had to point out?
16:34I mean the side
16:35way big thing
16:35and two main villains
16:36like I said
16:37I can't get over
16:38the photo shot
16:39burning the photo
16:41and then
16:42that scene
16:43after
16:45the main villain
16:46climax is over
16:48he held on
16:49to
16:50both Sarah and
16:51both of them
16:51were not talking
16:52to each other
16:54they were just
16:54waiting for each
16:55one to say
16:56something
16:57and
16:58holding on
16:59to them
17:00for such a
17:00long time
17:01I find
17:02in fact
17:02I was asking
17:03him and his
17:04editor
17:04I just find
17:05it very difficult
17:06to believe
17:06on editing table
17:07to take a
17:09decision like
17:09that
17:10you know
17:11how long
17:11can you hold
17:12see that
17:13will only happen
17:13in the process
17:15of an audience
17:16watching
17:17for the first
17:18time
17:18for four hours
17:19connecting
17:20on editing table
17:22yeah
17:22so and
17:23then of course
17:24like whether
17:25it is
17:26him killing
17:27Binda
17:27there is
17:33and you see
17:34because
17:35when you are
17:35developing
17:36the relationship
17:36and then
17:37when he sees
17:38his old friend
17:40coming from
17:41the airport
17:41see they are
17:42like real life
17:43things
17:43all of us
17:44go through
17:45certain such
17:46moments
17:46where you
17:47come from
17:47and to
17:49milk the emotion
17:50is holding
17:50the shorts
17:51for such a
17:51long time
17:52yeah
17:52holding
17:53yeah
17:53holding it
17:54yeah
17:54that is because
17:55Aditya Dar
17:56is a very
17:57emotional person
17:59it is him
18:00coming through
18:00because I
18:02spent time
18:02with him
18:03you know
18:03sir
18:03that is
18:04anybody
18:05will say
18:05ach achalo
18:06you register
18:07here
18:08cut karlo
18:10you know
18:11see
18:12then
18:12there is
18:13shock
18:14cut
18:14he came
18:16and he is
18:18going on
18:18looking
18:18he is going
18:19on walking
18:20he is going
18:20on looking
18:20and you get
18:21into his
18:22mindset
18:22he is
18:22completely
18:23you get
18:23into
18:24possessing
18:25his mind
18:25and what
18:26is going
18:26on
18:27in
18:27through
18:27that I
18:28think
18:28is extremely
18:30I mean
18:31rare
18:32a direct
18:33of having
18:34that kind
18:34of a depth
18:35yeah
18:35I am so
18:36happy that
18:36you mentioned
18:37how he
18:38holds
18:38shorts
18:40the final
18:41conversation
18:42with his
18:42wife
18:43he asks
18:44should I
18:44tell you
18:45my real
18:45name
18:45before he
18:46says his
18:47real name
18:47there is
18:47a 10
18:48to 12
18:48second
18:48pause
18:49we are
18:50already
18:50following
18:50the
18:51conversation
18:51the
18:51emotion
18:52is already
18:52established
18:53but then
18:53revealing
18:54his real
18:54name
18:55to his
18:55wife
18:55is a
18:56very big
18:57deal
18:57for this
18:57guy
18:57it marks
18:58the end
18:59of
18:59what he
19:01has spent
19:01for the
19:01last
19:02say 15
19:0320 years
19:04and in
19:05that when
19:06he kills
19:06Pinda
19:07he has to
19:08go inside
19:09right he
19:09has to
19:09go into
19:11the bathroom
19:11everyone
19:11runs
19:12this guy
19:13waits for
19:1310 to
19:1415 seconds
19:14he just
19:15stands there
19:16for a
19:16while and
19:17then goes
19:18because he
19:18knows what's
19:19going to
19:19happen
19:19he knows
19:20that he
19:20has to
19:21go and
19:21kill his
19:21brother
19:22like
19:22figure
19:23so he
19:24holds
19:24yeah
19:24correct
19:25that has
19:25to be
19:26insanely
19:28insane
19:29sense of
19:30security
19:30as a
19:31as a
19:31storyteller
19:32see
19:32the
19:33for me
19:34it's like
19:34you know
19:34for example
19:35when he
19:37when he
19:38throws
19:39something
19:39now I
19:40can
19:40understand
19:41you know
19:41see
19:42in the
19:42initial
19:43stages
19:43major
19:44evolve
19:44I felt
19:46it's also
19:47it's being
19:48functional
19:48and then
19:50you have
19:50to flip
19:51him to
19:51become
19:51the main
19:52guy
19:53just that
19:54tongue
19:54sequence
19:55that one
19:58idea of
19:59holding
19:59the tongue
20:00suddenly
20:00built him
20:01up beyond
20:02my
20:03imagination
20:03you know
20:04beyond my
20:05thing
20:05and suddenly
20:06he became
20:06the main
20:07guy
20:07with that
20:07one shot
20:08him just
20:09shooting
20:10or killing
20:10wouldn't have
20:11worked
20:12suddenly the
20:13brutality
20:13of major
20:14Iqbal
20:15comes like
20:15a thing
20:15and which
20:16will justify
20:16the entire
20:17sequence
20:18after that
20:19and the
20:20violence
20:20in this
20:20film
20:21was so
20:21like you
20:22could feel
20:22it
20:22this is
20:22something
20:23that you
20:23mentioned
20:23in one
20:25of your
20:25posts
20:26that the
20:27violence
20:27like you
20:28can really
20:29feel the
20:30danger in
20:31it
20:31see
20:31yes also
20:32if you
20:32look at
20:33the usage
20:33of kind
20:34of a
20:35pop songs
20:36in violence
20:36it is like
20:37celebrating
20:38the violence
20:39you know
20:40if you
20:41see
20:41like
20:42when
20:42this
20:43Aslam
20:44Jowdhury
20:44is going
20:45and before
20:46his death
20:46you hear
20:47a song
20:49you will
20:50never think
20:51of a song
20:51like that
20:52in a
20:52sequence
20:53like that
20:53you know
20:54it is
20:55almost like
20:55I am saying
20:57subconsciously
20:57it is making
20:58you celebrate
21:00it is very
21:01strange
21:01it is almost
21:02like a
21:02psychedelic
21:03trance
21:03it is
21:03actually
21:04because
21:05what you
21:05are seeing
21:06is extremely
21:06violent
21:07and what
21:07you are hearing
21:08is a
21:09pop song
21:09thumping
21:10beat
21:12the last
21:13time I
21:14saw something
21:14like that
21:15was in
21:15Oliver Stone's
21:15films
21:16like
21:16Natural
21:16Bond
21:17Killers
21:17and
21:17you know
21:18where the
21:19music is
21:19kind
21:20actually
21:20going
21:20opposite
21:21to
21:21what
21:21you
21:21are
21:22seeing
21:22instead
21:23of
21:23supporting
21:23it
21:24yeah
21:24correct
21:24and
21:25one of
21:26the reasons
21:26I think
21:26Durandar
21:27works so
21:27well
21:27is
21:27it is
21:28very
21:28satisfying
21:28in a
21:29level
21:30where
21:30we
21:30as
21:30human
21:31beings
21:31we
21:32derive
21:32lot
21:33of
21:33pleasure
21:33in
21:33seeing
21:33evil
21:34getting
21:35punished
21:35right
21:36so
21:36in
21:36that
21:36sense
21:37this
21:37film
21:37gives
21:38that
21:38emotional
21:39outlet
21:39to
21:39every
21:40viewer
21:40because
21:41every
21:41person
21:41who
21:41is
21:42getting
21:42harmed
21:42in
21:42this
21:42every
21:43person
21:43whom
21:43the
21:44hero
21:44is
21:44taking
21:45revenge
21:45on
21:45we
21:46see
21:46them
21:46as
21:46figures
21:47of
21:47evil
21:47and
21:48this
21:48guy
21:49is
21:49going
21:49them
21:49and
21:50killing
21:50them
21:50in
21:50the
21:51most
21:51brutal
21:51ways
21:52like
21:52the
21:52guy
21:52beside
21:53Iqbal
21:53the
21:54one
21:54who
21:54burns
21:54the
21:54Sardar
21:55and
21:55his
21:56wife
21:56he
21:57gets
21:57such
21:57a
21:58gory
21:58death
21:59usually
21:59you
21:59wouldn't
22:00think
22:00that
22:01a side
22:01character
22:01like
22:02that
22:02would
22:02be
22:03given
22:03such
22:03a
22:03brutal
22:04punishment
22:05but
22:05his
22:05hand
22:05is
22:06pierced
22:06and
22:06his
22:07knife
22:07his
22:07eye
22:07is
22:08pierced
22:08with
22:08the
22:08same
22:09knife
22:09and
22:09then
22:09he's
22:09thrown
22:10along
22:10with
22:11the
22:11table
22:11his
22:11body
22:12is
22:12crushed
22:12it's
22:13very
22:14satisfying
22:15because
22:15it's
22:16all
22:16happening
22:16to
22:18bad
22:18guys
22:19so
22:19did
22:20you
22:20have
22:20any
22:21of
22:21those
22:21moments
22:22where
22:22that
22:23gave
22:23you
22:23that
22:24adrenaline
22:25rush
22:25maybe
22:25didn't
22:26do
22:26it
22:26physically
22:27but
22:27I
22:28think
22:28in
22:28my
22:28mind
22:29is
22:29all
22:29the
22:29time
22:30jumping
22:30so
22:30even
22:31the
22:31shot
22:31of
22:31in
22:32the
22:32beginning
22:32stage
22:33when
22:33he
22:33sets
22:34fire
22:34to
22:34that
22:35woman
22:35is
22:35trying
22:36to
22:36protect
22:36him
22:37and
22:37then
22:37he
22:37burns
22:38them
22:38alive
22:39now
22:40that
22:40guy
22:42and
22:43these
22:43both
22:43are
22:43talking
22:44in
22:44a
22:44balcony
22:44Major
22:45Iqbal
22:45and
22:45this
22:46guy
22:46you
22:47know
22:48Aslam
22:48Chaudhary
22:49so
22:49the
22:50whole
22:50thing
22:51without
22:52like
22:52you
22:53said
22:53overstating
22:54it
22:54it
22:55made
22:55it
22:55even
22:55more
22:56impactful
22:57we'll
22:58always
22:58have
22:59a
22:59tendency
22:59to
22:59overstate
23:00those
23:00things
23:01the
23:01contrast
23:02of
23:02the
23:02deadpan
23:03expression
23:03Major
23:03Iqbal
23:04and
23:04this
23:05guy
23:05the
23:06brutality
23:06of
23:07somebody
23:07being
23:07burnt
23:08alive
23:08that
23:09juxtaposition
23:09is
23:10water
23:10you
23:10see
23:11it's
23:12like
23:12you
23:12know
23:12if
23:13you
23:15look
23:15at
23:16it
23:16if
23:17you
23:17for
23:18one
23:18second
23:18take
23:19away
23:19the
23:19point
23:20of
23:20he's
23:22working
23:22for
23:22India
23:23you
23:24know
23:24as
23:24a
23:24spy
23:25and
23:26because
23:26of
23:27that
23:27you
23:27think
23:27he's
23:28the
23:28protagonist
23:28now
23:29the
23:29protagonist
23:30does
23:30as
23:30many
23:31sins
23:31as
23:32the
23:32villains
23:32I
23:33don't
23:33see
23:33a
23:34difference
23:34if
23:35you
23:35take
23:35the
23:36camera
23:36from
23:36their
23:36side
23:37he
23:37looks
23:37as
23:38villainous
23:38in
23:39the
23:39context
23:39as
23:39any
23:40of
23:40them
23:40as
23:40any
23:41of
23:41them
23:41yeah
23:41you
23:42know
23:42what
23:43Adik
23:43Tader
23:43does
23:44to
23:44make
23:44even
23:45simple
23:45scenes
23:45more
23:46interesting
23:46is
23:46that
23:46he
23:47creates
23:47these
23:47micro
23:48moments
23:48of
23:49tension
23:49and
23:50suspense
23:50like
23:50very
23:50small
23:50moments
23:51generally
23:52generally
23:52generally
23:52say
23:53people
23:53get
23:53at
23:54least
23:54even
23:54me
23:55even
23:55I
23:55get
23:55frustrated
23:56when
23:56the
23:56story
23:56is
23:57not
23:57moving
23:57forward
23:57and
23:57people
23:58are
23:58just
23:58talking
23:58to
23:58each
23:59other
23:59but
24:00Durandain
24:00is
24:00one
24:00of
24:01those
24:01films
24:01where
24:01I
24:02was
24:02enjoying
24:03people
24:04talking
24:04to
24:04each
24:04other
24:05as
24:05much
24:05as
24:05people
24:06killing
24:06each
24:06other
24:07on
24:08screen
24:08see
24:09now
24:09see
24:10the
24:10extreme
24:11subtle
24:12details
24:12for example
24:13something
24:14like
24:14the
24:14cellote
24:16closer
24:17to
24:17cellote
24:17it
24:17becomes
24:18a
24:18character
24:18in
24:19the
24:19context
24:19of
24:19it
24:20also
24:20is
24:21creating
24:21an
24:21emotion
24:21in
24:22the
24:23thing
24:23those
24:24things
24:25are
24:25very
24:26very
24:26I
24:27mean
24:27I
24:28don't
24:28know
24:28how
24:28to
24:29describe
24:29it
24:29also
24:30what
24:30is
24:30required
24:31in
24:31a
24:31director
24:32and
24:33it
24:33is
24:33so
24:33complex
24:34but
24:34to
24:35look
24:35at
24:35it
24:35it
24:35is
24:35a
24:35very
24:36commercial
24:36template
24:37film
24:37the
24:38hero
24:38coming
24:39for
24:39the
24:39good
24:39is
24:40doing
24:40this
24:40do
24:40that
24:41and
24:41at
24:42the
24:42most
24:42all
24:42the
24:43films
24:43we
24:43saw
24:43so
24:44far
24:44and
24:44I
24:44am
24:44sure
24:45many
24:45of
24:45the
24:45films
24:45are
24:45being
24:46made
24:46they
24:47will
24:47have
24:47elevation
24:48shots
24:48and
24:49there
24:49won't
24:49be
24:49a
24:50mind
24:50neither
24:51to
24:51the
24:51villains
24:51nor
24:52to
24:52the
24:52hero
24:53so
24:54he
24:54has
24:55made
24:55the
24:55mind
24:56more
24:56violent
24:57more
24:57dangerous
24:58than
24:58actual
24:59physical
24:59action
25:00there
25:01were
25:01times
25:01when
25:02maybe
25:02you
25:02might
25:02feel
25:03the
25:03physical
25:03action
25:03a
25:04little
25:04going
25:04too
25:05long
25:05but
25:06you
25:06don't
25:06find
25:06that
25:06in
25:07the
25:07scenes
25:07at
25:07all
25:07in
25:08terms
25:08of
25:09the
25:09hold
25:10on
25:10to
25:10the
25:10emotions
25:11and
25:11the
25:11long
25:11pauses
25:13you
25:14are
25:14just
25:15mesmerized
25:15because
25:16you
25:16can't
25:16have
25:16enough
25:17of
25:17it
25:17I
25:18remember
25:19when
25:19someone
25:19told
25:20me
25:204
25:20hours
25:21and
25:217
25:21when
25:22you
25:22watching
25:22it
25:23you
25:23don't
25:23want
25:23it
25:23to
25:24end
25:25you
25:25actually
25:25get
25:26disappointed
25:26when
25:26it
25:26is
25:26over
25:28there
25:28are
25:28so
25:28many
25:29moments
25:29of
25:30tiny
25:31tension
25:31which
25:32makes
25:32even
25:33simple
25:33scenes
25:34very
25:34tense
25:35like
25:35for
25:35instance
25:36that
25:36Rizwan
25:37guy
25:37the
25:38spy
25:38in
25:38Arshad
25:39Papu's
25:39gang
25:40he
25:41comes
25:41to
25:41inform
25:42Uzair
25:42that
25:43Arshad
25:43Papu
25:43is
25:43the
25:43one
25:44who
25:44baited
25:45Rahman
25:46Dakar
25:46in
25:47that
25:47scene
25:47Uzair
25:48is
25:48there
25:49and
25:49he
25:49calls
25:50him
25:50and
25:51you
25:51really
25:51don't
25:51know
25:52what
25:52he
25:52is
25:52going
25:52to
25:52do
25:52when
25:53he
25:53takes
25:53the
25:53gun
25:54he
25:55could
25:55either
25:55shoot
25:55him
25:56or
25:56he
25:57could
25:57hand
25:57over
25:57the
25:57gun
25:58so
25:59there
25:59is
25:59a
25:5910
25:59seconds
26:00of
26:00tension
26:01there
26:02like
26:02what
26:02this
26:02guy
26:02going
26:03to
26:03do
26:03otherwise
26:04it's
26:04a
26:04very
26:04simple
26:05scene
26:05right
26:05it's
26:05a
26:05very
26:07functional
26:08scene
26:08where
26:09a
26:09character
26:10is
26:10knowing
26:10and
26:10information
26:11but
26:11he
26:11creates
26:12a
26:12moment
26:12of
26:12tension
26:12there
26:13also
26:13I
26:13saw
26:14one
26:14post
26:14that
26:15people
26:15are
26:15not
26:15complaining
26:16about
26:16Durandar
26:17Durandar
26:18or Durandar's
26:18runtime
26:19because
26:20in a way
26:21OTT
26:22has
26:22made us
26:22all
26:23accustomed
26:24to
26:24the
26:25binging
26:26culture
26:26my
26:26view
26:27on
26:27this
26:28is
26:28first
26:28of
26:29all
26:29I
26:29do
26:29not
26:30believe
26:30there
26:30is
26:30such
26:31thing
26:31as
26:32too
26:32long
26:32a
26:32film
26:32because
26:33the
26:34film
26:34is
26:34boring
26:35it
26:35will
26:35bore you
26:35in
26:3515
26:36minutes
26:37it
26:38holds
26:38you
26:38it
26:39will
26:39hold
26:39you
26:39forever
26:39you
26:40know
26:41so
26:41even
26:42at
26:42time
26:42when
26:43narcos
26:43came
26:43people
26:44binge
26:44watched
26:44it
26:44for
26:45two
26:45days
26:45both
26:46the
26:46seasons
26:47so
26:47the
26:47point
26:48is
26:48holding
26:48you
26:49or
26:49not
26:49I
26:49don't
26:49think
26:49it
26:50is
26:50about
26:50you
26:50got
26:50accustomed
26:51even
26:51I
26:51remember
26:51when
26:52in
26:52college
26:52time
26:53we
26:53never
26:54used
26:54to
26:54have
26:54a
26:54complaint
26:54with
26:55length
26:55because
26:56we
26:56go
26:57to
26:57see
26:57the
26:57film
26:57and
26:58the
26:58film
26:58is
26:58doing
26:58something
26:59better
26:59than
27:00what
27:00is
27:00happening
27:00in
27:00real
27:01life
27:01so
27:02we
27:02always
27:02be
27:02disappointed
27:03when
27:03the
27:03film
27:03is
27:03over
27:03because
27:04we
27:04have
27:04to
27:04come
27:04back
27:04to
27:04the
27:05of course
27:05today
27:06there is
27:06a
27:06choice
27:06all
27:07that
27:07is
27:07there
27:08but
27:08the
27:08point
27:09is
27:09about
27:09the
27:09whole
27:10I
27:10don't
27:10think
27:10it's
27:10about
27:11the
27:11length
27:13like
27:13what
27:13we
27:13discussed
27:14in
27:14the
27:14beginning
27:14of
27:14the
27:14interview
27:15after
27:154
27:15or
27:1540
27:16minutes
27:16everybody
27:16is
27:17getting
27:17up
27:18which
27:18means
27:19they
27:19want
27:19to
27:19just
27:19dwell
27:20and
27:20immerse
27:20themselves
27:21in
27:21this
27:21world
27:22already
27:22created
27:22did
27:23you
27:24feel
27:24that
27:24Durender
27:24had
27:25a
27:25bit
27:25of
27:26episodic
27:27touch
27:27especially
27:29for
27:29me
27:30what
27:30happened
27:32whenever
27:32he
27:33says
27:33a
27:33chapter
27:34is
27:34coming
27:34I
27:35felt
27:35it
27:35has
27:36a
27:36reset
27:38it's
27:38like
27:38I
27:39got
27:39over
27:40one
27:40it's
27:40like
27:40when
27:40you
27:40reading
27:40a
27:41novel
27:42the
27:43novel
27:43is
27:43a
27:43continuous
27:43story
27:44but
27:44the
27:44moment
27:45a
27:45chapter
27:45ends
27:46and
27:46chapter
27:473
27:47something
27:47comes
27:48it
27:49strangely
27:49it
27:50gives
27:50my
27:51mind
27:51a
27:51reset
27:52so
27:52I
27:52want
27:52to
27:53enjoy
27:53it
27:53again
27:54once
27:54especially
27:55back
27:55into
27:56the
27:56story
27:56it
27:56is
27:56a
27:56kind
27:57of
27:57slight
27:57respite
27:59respite
28:00is
28:00not
28:00really
28:00interval
28:00it
28:02is
28:02just
28:03about
28:0330
28:0320
28:04seconds
28:04gap
28:04or
28:05something
28:06but
28:06in
28:06your
28:06mind
28:07it
28:07takes
28:07you
28:08away
28:08and
28:08then
28:08pulls
28:08you
28:08in
28:09I
28:10think
28:10that
28:10is
28:10what
28:10it
28:11is
28:11that
28:11also
28:11works
28:12very
28:12different
28:12episode
28:13by
28:13episode
28:13but
28:14in
28:15the
28:15same
28:15flow
28:16same
28:16chapter
28:17I
28:17think
28:17it
28:17works
28:17a
28:18very
28:18different
28:18way
28:20I
28:22think
28:23an actor
28:24that
28:24really
28:24defines
28:25the
28:25success
28:25of
28:25any
28:26film
28:26is
28:27if
28:27you
28:27are
28:27still
28:28thinking
28:28about
28:28the
28:28characters
28:29after
28:30the
28:30credits
28:31roll
28:31like
28:32if
28:32you
28:32think
28:32what
28:32their
28:32life
28:33is
28:33going
28:33to
28:33be
28:33after
28:34the
28:35film
28:35is
28:35over
28:35I
28:35think
28:36it
28:36is
28:36the
28:37truest
28:37form
28:37of
28:37success
28:38for
28:38storytelling
28:39and
28:39I
28:40think
28:40Durandar
28:40does
28:40it
28:41beautifully
28:41because
28:42this
28:42man
28:42Hamza
28:43or
28:43Jaskirad
28:44he
28:45has
28:45gone
28:45through
28:45a
28:45lot
28:46he
28:46has
28:46endured
28:46a
28:46lot
28:47by
28:47the
28:47time
28:48the
28:48film
28:48ends
28:48you
28:49are
28:49really
28:49curious
28:50to
28:50know
28:51what
28:51is
28:52next
28:52for
28:53this
28:53guy
28:53like
28:54what
28:54his
28:54life
28:55is
28:55going
28:55to
28:55be
28:56like
28:56after
28:57being
28:57through
28:58so
28:58much
28:58like
28:58he
28:58spent
28:59decades
28:59and
28:59decades
29:00building
29:01an
29:01identity
29:01and
29:02in
29:02a
29:02single
29:02day
29:02all
29:02of
29:03it
29:03is
29:03gone
29:03and
29:03he
29:03has
29:04to
29:04let
29:04go
29:04off
29:04that
29:05and
29:05move
29:06on
29:06that
29:07to
29:07me
29:07purely
29:08from
29:08a
29:09psychological
29:09point
29:09of
29:10view
29:11that
29:11is
29:12a
29:12damn
29:15difficult
29:15situation
29:16to be
29:16in
29:16right
29:17yeah
29:17I mean
29:18see
29:18yeah
29:19that goes
29:20without
29:20saying
29:21I think
29:21yeah
29:21so
29:24see
29:24if you
29:25look at
29:25it also
29:25in the
29:26treatment
29:26you
29:27very
29:27rarely
29:28in the
29:28film
29:29hear
29:30what
29:30Hamza
29:31is
29:31thinking
29:33all
29:34the
29:34others
29:34you
29:34very
29:34clearly
29:35hear
29:35them
29:35you
29:36don't
29:36hear
29:36actually
29:37what
29:37Hamza
29:38most
29:38of
29:39the
29:39time
29:39it
29:39is
29:39inferred
29:40what
29:40you
29:40supposed
29:41to
29:41think
29:42about
29:42it
29:42when
29:43Sarah
29:44holds
29:44a
29:44gun
29:46and
29:46when
29:46he
29:47comes
29:47in
29:48and
29:48yes
29:48he
29:49is
29:49an
29:49Indian
29:49agent
29:50she
29:51came
29:51to
29:52know
29:52she
29:52probably
29:53might
29:53shoot
29:53but
29:54him
29:55coming
29:55holding
29:55the
29:56foot
29:56and
29:56putting
29:56on
29:57his
29:57forehead
29:57the
29:58confidence
29:59and
29:59his
30:00understanding
30:00of
30:01her
30:01as
30:01a
30:01human
30:01being
30:02you
30:03know
30:03so
30:04the
30:04important
30:04thing
30:05I want
30:05to
30:05say
30:05Hamza
30:06never
30:06explains
30:06himself
30:07and
30:07never
30:07defends
30:08never
30:08defends
30:09never
30:09explains
30:09his
30:10motives
30:11or
30:11whatever
30:11to
30:11anybody
30:12whether
30:13Rajin
30:13Sanyal
30:14or
30:14whoever
30:16so
30:16I
30:17think
30:17that
30:17is
30:17ultimate
30:18thing
30:19for me
30:19you
30:20know
30:20it is
30:21partly
30:21in
30:22the
30:22design
30:22and
30:22extraordinary
30:23performance
30:23of
30:26Ranveer
30:27Singh
30:27and
30:29the
30:30whole
30:30of
30:31the
30:31thing
30:31comes
30:31from
30:32even
30:32the
30:33flashback
30:34when
30:34the
30:34film
30:34opens
30:35with
30:35him
30:35you
30:36know
30:36his
30:37close-up
30:37he already
30:38pulled
30:38into
30:38the
30:38story
30:39I
30:39don't
30:40remember
30:40feeling
30:41that
30:41ever
30:41it
30:42is
30:42not
30:42like
30:43he's
30:43not
30:43being
30:43introduced
30:44like
30:44a
30:46happy
30:46go
30:46lucky
30:47guy
30:47he
30:47he
30:47he
30:47he
30:48he
30:48he
30:48he
30:48just
30:49already
30:49you
30:49already
30:50you
30:50hit
30:51in
30:51the
30:51film
30:51and
30:52they
30:53look
30:53like
30:53they
30:53stepped
30:53out
30:54of
30:54light
30:54they
30:54don't
30:55really
30:55step
30:55out
30:55of
30:55the
30:55makeup
30:55man
30:56how
30:56can
30:57you
30:57have
30:57that
30:57intensity
30:58of
30:58the
30:58beginning
30:59frame
31:00of
31:01a
31:01scene
31:01is
31:01something
31:02beyond
31:02yeah
31:03since
31:04you
31:04mentioned
31:04the
31:05opening
31:05scene
31:05one
31:06thing
31:06that
31:07really
31:08intrigued
31:08me
31:09was
31:09the
31:09day
31:10Durandar
31:14crude
31:15way
31:15in a
31:16way
31:16that
31:16it
31:16was
31:16trying
31:17to
31:17milk
31:17our
31:18our
31:19sentiment
31:19in
31:20this
31:20even
31:20though
31:20horrible
31:21things
31:21have
31:21happened
31:22to
31:22them
31:22it
31:23doesn't
31:23really
31:23get
31:24into
31:24that
31:25and
31:25there
31:25is
31:25one
31:25shot
31:26of
31:26the
31:26sister
31:26crying
31:27crying
31:28in
31:29that
31:29in
31:29that
31:29pump
31:30room
31:30and
31:31her
31:31scream
31:32kind
31:32of
31:32gives
31:33you
31:33the
31:33same
31:33impact
31:34see
31:34not
31:34going
31:34into
31:35the
31:35names
31:35the
31:36difference
31:36I
31:36feel
31:37here
31:37the
31:38genuineness
31:38of
31:39emotion
31:39the
31:40pain
31:40and
31:40the
31:40trauma
31:41seen
31:42in
31:42the
31:42sister
31:42and
31:43in
31:43his
31:43reaction
31:43to
31:44the
31:44whole
31:44thing
31:46those
31:46kind
31:47of
31:47directors
31:47they
31:48will
31:48just
31:48inform
31:49and
31:49they
31:49will not
31:50feel
31:50what
31:51the
31:51pain
31:51of
31:52that
31:52is
31:52and
31:52visually
31:53they
31:53try
31:53to
31:53make
31:53it
31:54horrific
31:54and
31:55that's
31:55how
31:55exactly
31:56it
31:56will
31:56come
31:56out
31:58so
31:58I
31:59felt
31:59this
32:00film
32:00focused
32:00more
32:01on
32:01the
32:01impact
32:01not
32:02on
32:02the
32:03sensation
32:03see
32:04this
32:04has
32:05happened
32:05see
32:05how
32:06look
32:07at
32:07the
32:07cruelty
32:07that
32:08was
32:08infected
32:08on
32:08them
32:09no
32:09all
32:10of
32:10that
32:10has
32:10happened
32:10you
32:11just
32:11feel
32:11the
32:11impact
32:12you
32:12just
32:12feel
32:12the
32:13horror
32:13of
32:14what
32:17do you
32:18think
32:18should
32:18be
32:19the
32:19take
32:19away
32:19from
32:20Durandar
32:21see
32:22to
32:22start
32:23with
32:23I
32:23think
32:24it
32:24is
32:24a
32:24very
32:25very
32:25loud
32:26wake
32:26up
32:26call
32:27where
32:28the
32:30when
32:30you
32:30wake
32:31up
32:31because
32:32of
32:32an
32:32alarm
32:33you
32:33put
32:33this
32:34alarm
32:35sound
32:35will
32:35shatter
32:36their
32:36eardrums
32:37to
32:37start
32:37with
32:38but
32:39the
32:39problem
32:39is
32:40after
32:40waking
32:40up
32:40they
32:41won't
32:41know
32:41what
32:41to
32:41do
32:43see
32:44if
32:44you
32:44wake
32:44up
32:45and
32:45you
32:45are
32:45clear
32:45about
32:46what
32:46you
32:46wanted
32:46is
32:47different
32:47but
32:47what
32:47is
32:47the
32:48point
32:48of
32:48waking
32:48up
32:48if
32:49you
32:49don't
32:49know
32:49what
32:49to
32:49do
32:50next
32:51because
32:51you
32:51are
32:52not
32:52able
32:52to
32:52get
32:52a
32:53kind
32:53of
32:54a
32:54command
32:54or
32:55sensibility
32:56or
32:56sensitivity
32:56and
32:57anything
32:59and
32:59I
33:00think
33:00it
33:00will
33:01disturb
33:02and
33:02now
33:07can
33:07be
33:07made
33:08what
33:08are
33:08you
33:08saying
33:09it's
33:09a
33:10wake
33:10up
33:10call
33:10even
33:10for
33:11the
33:11audience
33:11so
33:12they
33:12will
33:12feel
33:13are
33:13you
33:14making
33:14us
33:15fools
33:15or
33:15what
33:16all
33:16this
33:16time
33:17this
33:18is
33:18what
33:18you
33:19think
33:19the
33:19Indian
33:19audience
33:20want
33:20and
33:21this
33:21is
33:21what
33:21we
33:22are
33:22making
33:22is
33:23what
33:23the
33:24constant
33:25argument
33:25or
33:26constant
33:27explanation
33:27we
33:28have
33:28been
33:28hearing
33:28and
33:29they
33:29suddenly
33:30took
33:30over
33:30the
33:30rug
33:30and
33:31you
33:31fallen
33:32down
33:32on
33:32your
33:32face
33:34so
33:34in
33:36comparison
33:36to
33:37Durandar
33:37the
33:38effect
33:38audience
33:39are
33:39feeling
33:39and
33:40giving
33:40it
33:40so
33:41much
33:41of
33:41love
33:42people
33:43are
33:43scared
33:43to
33:44come
33:44and
33:44stand
33:45next
33:45it's
33:46after
33:46a
33:47beautiful
33:48woman
33:48comes
33:49and
33:49in
33:50a
33:50contest
33:51comes
33:51and
33:52the
33:52second
33:52woman
33:53who is
33:53nowhere
33:53near
33:53she
33:54will
33:54be
33:54scared
33:54to
33:54come
33:55and
33:55on
33:55to
33:55the
33:55stage
33:58so
33:58I
33:58think
34:00all
34:01the
34:01films
34:01which
34:01are
34:02being
34:02made
34:02in
34:03the
34:03process
34:03of
34:03being
34:04made
34:04all
34:04these
34:04hundreds
34:05of
34:05course
34:05of
34:05films
34:06they
34:06are
34:06all
34:06planned
34:06on
34:06the
34:07same
34:07template
34:07of
34:08what
34:08has
34:08been
34:08working
34:09before
34:09Durandar
34:11now
34:11if
34:11the
34:12audience
34:12has
34:12a
34:12reset
34:13button
34:13of
34:14how
34:14they
34:14want
34:14to
34:14see
34:15hero
34:15how
34:15they
34:15want
34:16to
34:16see
34:16drama
34:17how
34:18they
34:18want
34:18to
34:18see
34:19realism
34:19and
34:20a
34:20storyline
34:21with
34:21so
34:21much
34:22of
34:22depth
34:22and
34:23nuance
34:23and
34:23whatever
34:24now
34:25to
34:25see
34:25those
34:26fake
34:26films
34:27how
34:27they
34:27will
34:27feel
34:29you
34:29know
34:30there
34:31is
34:31an
34:31argument
34:32that
34:32all
34:32kinds
34:32of
34:33films
34:33work
34:33but
34:34I
34:34think
34:34there is
34:34a
34:34difference
34:35here
34:35see
34:36it is
34:36not
34:36like
34:36one
34:37of
34:37Kashmiri
34:37Files
34:37or
34:38one
34:38of
34:38something
34:39else
34:39kang
34:39or
34:40some
34:40love
34:40story
34:40like
34:40Sayara
34:41this
34:42is
34:42the
34:43same
34:43template
34:44what
34:44they
34:45have
34:45already
34:45been
34:45doing
34:46but
34:46this
34:46one
34:47does
34:47so
34:47much
34:48better
34:49I
34:52be
34:52done
34:53better
34:53it
34:53looks
34:54like
34:54comparison
34:5530%
34:56better
34:5650%
34:57better
34:57no
34:57I
34:58think
34:58that is
34:58an
34:58insult
34:58it redefines
34:59basically
34:59it redefines
35:00redefines
35:01the template
35:01it redefines
35:02reprojects
35:03and actually
35:04this is
35:05what you
35:05have to
35:06see
35:06fuckers
35:06it is
35:07actually
35:07saying
35:08that
35:08it is
35:09what
35:09cinema
35:09is
35:10it is
35:10what
35:11is
35:11is
35:12you know
35:13so
35:14that stark
35:15difference
35:15between
35:16that style
35:17of films
35:17and this
35:18I believe
35:19it is
35:19going to
35:20be
35:20long
35:20long
35:21time
35:22the
35:22existing
35:23filmmakers
35:23whether
35:23they
35:24can
35:24adapt
35:24whether
35:25they
35:25and
35:27at the
35:27most
35:28they
35:28can
35:28hope
35:29something
35:29like
35:29that
35:29will
35:30come
35:30and
35:30again
35:30beat
35:31this
35:31but
35:32I
35:32don't
35:32think
35:32it
35:32will
35:32happen
35:32but
35:33you
35:33think
35:33people
35:34will
35:34try
35:34to
35:34imitate
35:36they
35:36will
35:36see
35:37but
35:37that
35:37is
35:37a
35:37problem
35:38with
35:38this
35:38one
35:38see
35:39the
35:39imitation
35:39like
35:40I said
35:41now
35:42it is
35:42very easy
35:43to say
35:43long
35:44pause
35:44but
35:45long
35:45pause
35:46is
35:46coming
35:46from
35:47in
35:48the
35:48overall
35:49thing
35:49of
35:51when he
35:51sees
35:52him
35:52at
35:52the
35:52airport
35:54and
35:55the
35:56scene
35:56there
35:57and
35:57the
35:57whole
35:58journey
35:58of
35:59him
35:59being
35:59introduced
36:00coming
36:00out
36:00of
36:01the
36:01airport
36:01and
36:02his
36:02expression
36:02there
36:03are
36:04so
36:04many
36:04things
36:05together
36:05happening
36:06I
36:07will
36:07give
36:07an
36:07example
36:07in
36:09Shiva
36:09there
36:09is
36:09a
36:09scene
36:11when
36:12this
36:12guy
36:13Chakri
36:14looks
36:14at
36:14opening
36:15sequence
36:15and
36:16he
36:16just
36:16does
36:16that
36:17just
36:18gives
36:18a
36:18nod
36:19see
36:19we
36:19are
36:19here
36:20kind
36:20of
36:20a
36:20thing
36:20a
36:21silent
36:21communication
36:21you
36:22know
36:23now
36:24one
36:24actor
36:25told
36:25me
36:25after
36:26that
36:28some
36:28other
36:28director
36:29saying
36:29so
36:30he
36:30said
36:30that
36:31Shiva
36:32just
36:32nods
36:33do
36:34that
36:34he
36:34said
36:35so
36:36that
36:36guy
36:37did
36:38that
36:39cut
36:39why
36:40are you
36:40not
36:40doing
36:41no
36:41sir
36:41did
36:41it
36:41no
36:42no
36:42no
36:42that
36:42is
36:43you
36:43have
36:43to
36:43do
36:43little
36:44more
36:44and
36:44then
36:45the
36:45second
36:45day
36:46a
36:46little
36:47more
36:47he
36:47said
36:47no
36:48no
36:48that's
36:48not
36:48enough
36:48and
36:49finally
36:50he
36:50said
36:52so
36:53when
36:54you
36:54don't
36:54feel
36:54it
36:55you
36:55won't
36:55be
36:55able
36:55to
36:55imitate
36:56it
36:56you
36:57might
36:57have
36:57the
36:58idea
36:58so
36:59if
36:59you
36:59say
36:59put
37:00a
37:01long
37:01pause
37:01like
37:02Duranda
37:02but
37:03if
37:03the
37:04face
37:04does
37:04not
37:05carry
37:05the
37:05emotion
37:05it
37:06will
37:06backfire
37:07the
37:08long
37:08pause
37:08you
37:09know
37:10and
37:11also
37:11if
37:11you
37:11look
37:11at
37:11those
37:12directors
37:12when
37:12they
37:12give
37:13interviews
37:13and
37:13all
37:14that
37:14what
37:14do
37:14they
37:15say
37:15I
37:16am
37:16coming
37:17fuck
37:18the
37:18box
37:18office
37:19that
37:19is
37:19their
37:20level
37:20of
37:20depth
37:22my
37:23hero
37:23is
37:24my
37:25life
37:26is
37:26only
37:26for
37:26him
37:27once
37:27his
37:27hand
37:28you
37:28know
37:28these
37:28kind
37:29of
37:29slavery
37:30oriented
37:30directors
37:31are
37:32going
37:32to
37:32I
37:33mean
37:33they
37:34are
37:34going
37:34to
37:35be
37:35exposed
37:35so
37:35badly
37:37he
37:37is
37:38the
37:38first
37:38guy
37:38I
37:39have
37:39seen
37:39I
37:40mean
37:41maybe
37:42Christopher
37:42Nolan
37:42does
37:43that
37:43Christopher
37:44Nolan
37:44never
37:44talks
37:44about
37:45the
37:45box
37:45office
37:47Aditya
37:48never
37:48talked
37:48about
37:48the
37:48box
37:49office
37:49he
37:49talks
37:49about
37:49the
37:50film
37:50he
37:51talks
37:51about
37:51the
37:51subject
37:52and
37:53maybe
37:53sometimes
37:53a
37:54character
37:54or
37:54two
37:55so
37:55that
37:56maturity
37:57and
37:57that
37:58kind
37:58of
37:58intelligence
37:59and
37:59that
37:59kind
37:59of
38:00sensitivity
38:00and
38:01that
38:01kind
38:01of
38:01dignity
38:02in
38:02the
38:02person
38:03how
38:03will
38:03you
38:03get
38:04it
38:04if
38:04you
38:04don't
38:04have
38:04it
38:06so
38:07you
38:07can
38:07imitate
38:08the
38:11so
38:12narrator
38:12you
38:12throw
38:13hundreds
38:13of
38:14crores
38:14into
38:14it
38:15and
38:15all
38:15the
38:15technicians
38:16they
38:16will
38:16do
38:16item
38:17songs
38:17they
38:17will
38:17do
38:18this
38:18they
38:18will
38:18do
38:18that
38:18but
38:19to
38:19do
38:20Durandar
38:20you need
38:20brings
38:21you need
38:22depth
38:22you need
38:23sensitivity
38:25you need
38:25a dignity
38:27all these
38:28elements
38:28are going to
38:29come once in
38:30a blue moon
38:31it is not like
38:31you will have
38:32but what it
38:33can do
38:34it can
38:35inspire
38:35now this will
38:36become a
38:36benchmark
38:37they inspire
38:37a lot of
38:38younger guys
38:38and people
38:39are coming
38:39now
38:40are just
38:40starting off
38:41you know
38:41Durandar
38:42will become
38:43the new
38:43benchmark
38:44the guys
38:45who are already
38:46in production
38:47who we
38:47thought
38:48are the
38:48top directors
38:49charging 20
38:50crores
38:50and all
38:51that
38:51they are
38:52going to
38:52be in
38:52deep
38:52trouble
38:53yeah
38:53yeah
38:54exposed
38:55yeah
38:55they get
38:56exposed
38:56yeah
38:57because right
38:58after Durandar
38:59I was just
39:00thinking about
39:01some of the
39:01films that I
39:01have actually
39:02enjoyed
39:02all of them
39:04feel very
39:04basic
39:04actually
39:05yeah
39:06you
39:06compared this
39:07to Mahabharata
39:08in our
39:08previous
39:09yeah
39:09I think
39:10with the
39:11inclusion of
39:11Dawud
39:12that becomes
39:13much more
39:14interesting
39:15because this
39:15film is like
39:17a myth building
39:19exercise
39:19like we have
39:20nobody knows
39:22what actually
39:22Dawud is
39:23like today
39:23right
39:24all of us
39:24have an
39:25image of
39:25somebody like
39:26Dawud
39:26this guy
39:27this evil
39:27guy
39:28this terrorist
39:29who has been
39:29doing all
39:31kinds of
39:32terror shit
39:33we have an
39:34image of
39:34that
39:34but then
39:35what the
39:36film does
39:37with him
39:37I think
39:38that
39:39adds
39:39way more
39:41satisfaction
39:42and it's
39:43like bringing
39:44a lore to
39:44life
39:45reminds me
39:45one thing
39:46when people
39:46when they say
39:47it is a
39:48propaganda film
39:49it's a
39:49right wing
39:50thing
39:50it is going
39:51to show
39:52so and so
39:53in a very
39:53good light
39:54and all that
39:55see first of
39:56all what is a
39:56propaganda film
39:57it's a point
39:58of view
39:58it is a
39:59belief
39:59all of us
40:00have propagandas
40:01in life
40:01when I say
40:02something
40:03I am trying
40:04to push
40:04my point
40:05across
40:05you do
40:05the same
40:06everybody
40:06does the
40:06same
40:07so our
40:08beliefs
40:09to achieve
40:10a target
40:10if Adityadhar
40:12wants to
40:13make a
40:13point
40:13it's about
40:14his belief
40:15for whatever
40:15reasons he
40:16has
40:16you know
40:18now
40:18this is not
40:20the truth
40:20somebody says
40:21who knows
40:21the truth
40:22I have
40:23very different
40:24understanding
40:25of what
40:25Dawud is
40:26for example
40:26do I know
40:28him
40:28did I ever
40:28meet him
40:29no
40:30Adityadhar
40:31has a
40:31different
40:32viewpoint
40:32could be
40:33from sources
40:34what he
40:34heard
40:35could be
40:35from sources
40:36what I
40:36heard
40:36they could
40:36be
40:37different
40:37and they
40:38could be
40:38different
40:38at different
40:39stages
40:40and time
40:41periods
40:41and all
40:42that
40:42but at the
40:43end of
40:43the day
40:45if you are
40:45going to argue
40:46with him
40:47about this
40:47is not
40:48how it
40:48happened
40:49accuracy
40:49you are
40:50actually
40:50trying to
40:51manipulate
40:51it for
40:52a certain
40:52purpose
40:53the only
40:54way you
40:54can
40:54debug that
40:55is to
40:56make
40:56another
40:56film
40:57and show
40:58your
40:58reality
40:59and then
40:59let it
40:59be a
41:00bigger hit
41:00than
41:00Durundal
41:01then we
41:02will see
41:03otherwise
41:04it is
41:04just an
41:05opinion
41:05you are
41:05expressing
41:07see the
41:08truth
41:09even
41:09Daudibam
41:10cannot
41:10tell
41:10because
41:11Daudibam
41:11says also
41:12you might
41:12not
41:12believe
41:12in
41:15everyone has
41:16an agenda
41:16everybody wants
41:18to have
41:18propaganda
41:18you know
41:22I think
41:24we can
41:24end the
41:25conversation
41:25on that
41:26no no
41:26this is
41:27this is
41:27this
41:27I know
41:28you have
41:29seen the
41:29whole film
41:29you like
41:30you want
41:31to marry
41:31Duraddar
41:33name
41:33name your
41:34top
41:34three
41:34characters
41:35from a
41:36writing
41:36point
41:37of view
41:37I
41:38definitely
41:39believe
41:40Hamza
41:40because
41:41for me
41:42the point
41:42that he
41:43silently
41:43doesn't
41:43explain
41:44is
41:44something
41:44I
41:45never
41:45ever
41:45experience
41:46I
41:47don't
41:47remember
41:47a
41:47single
41:48whenever
41:49I see
41:49a
41:49film
41:49I
41:49have
41:50a
41:50reference
41:50okay
41:50there's
41:51something
41:51like
41:51that
41:51there's
41:51something
41:52like
41:52this
41:52so
41:53there's
41:53a
41:54Michael
41:54Corleone
41:54there's
41:55a
41:55there's
41:56some
41:56Rambo
41:57Bruce Lee
41:57there's
41:58something
41:59I
41:59don't
42:00have
42:00a
42:00reference
42:00point
42:01for
42:01Hamza
42:03even
42:04if
42:04I
42:04see
42:05something
42:05like
42:05a
42:05Munich
42:07Spielberg
42:07you know
42:08coming
42:08I
42:09don't
42:09feel
42:09the
42:10same
42:10about
42:11this
42:11is
42:11far
42:12superior
42:12in
42:12the
42:13same
42:13context
42:14you
42:14know
42:16and
42:16second
42:17character
42:17is
42:18I
42:19like
42:19Uzer
42:19Baloch
42:20you
42:21know
42:24but
42:24to be
42:24fair
42:25I
42:25really
42:25don't
42:26know
42:26everybody
42:27like
42:27absolutely
42:28know
42:28but
42:28that's
42:29a
42:29difficult
42:29question
42:30so
42:30at
42:31a
42:31certain
42:31point
42:32of
42:32time
42:32especially
42:33Durandar
42:34II
42:34I
42:35felt
42:37Jami's
42:38character
42:38is looking
42:38a little
42:39too
42:39loose
42:40I
42:40didn't
42:40lose
42:41I
42:42didn't
42:42like
42:42the
42:42greens
42:43and
42:43the
42:43park
42:43and
42:44was
42:44sitting
42:44with
42:44garden
42:44the
42:45garden
42:45and
42:45all
42:45that
42:46I
42:46thought
42:46the
42:46whole
42:46thing
42:47is
42:48going
42:48little
42:48against
42:49the
42:49rest
42:49of
42:50the
42:50template
42:50of
42:51the
42:51color
42:51palette
42:52of
42:52the
42:52film
42:52psychologically
42:53also
42:57he
42:57is
42:58in
42:58the
42:59car
42:59I
43:00got
43:00a
43:00fucking
43:00punch
43:01in
43:01the
43:01stomach
43:01and
43:02I
43:02believe
43:02that
43:02also
43:02is
43:03because
43:03of
43:03those
43:03scenes
43:03because
43:04psychologically
43:05stopped
43:05taking him
43:06seriously
43:06after
43:06some
43:07time
43:07and
43:08then
43:08suddenly
43:08he
43:08becomes
43:09a
43:09main
43:09guy
43:10I
43:11mean
43:11if
43:11it
43:12worked
43:12or
43:12if
43:12that
43:13also
43:13Aditya
43:14thought
43:14is
43:14genius
43:15I
43:15know
43:15I
43:15am
43:15saying
43:16sometimes
43:16it
43:16can
43:16work
43:17just
43:17unexpectedly
43:18which
43:19you
43:19did
43:19not
43:19intend
43:20you
43:20know
43:21and
43:21yeah
43:22so
43:22many
43:23characters
43:24some
43:25when
43:25I
43:25like
43:26I
43:26mentioned
43:27if
43:27Major
43:28Iqbal's
43:29character
43:29I
43:30thought
43:30it's
43:30okay
43:30it's
43:30functional
43:31he's
43:31coming
43:31and
43:32going
43:32and
43:32this
43:32and
43:32that
43:32and
43:33then
43:33suddenly
43:33the
43:34tongue
43:34scene
43:34he
43:34became
43:35my
43:35favorite
43:35character
43:37so
43:37it
43:37is
43:38not
43:38like
43:38consistently
43:39one
43:40two
43:40three
43:40lot
43:41of
43:42them
43:42individually
43:43became
43:44that
43:44I
43:45saw
43:45an
43:45appreciation
43:46post
43:46for
43:47that
43:48rebel
43:48from
43:49Baloch
43:50the
43:51bad
43:51guy
43:51with
43:52beard
43:53he's
43:54on
43:54screen
43:55for
43:55hardly
43:55six
43:56or
43:56seven
43:56minutes
43:57just
43:58a few
43:58shots
43:59but
43:59people
44:00are
44:00even
44:00stanning
44:01his
44:01character
44:01so
44:02that
44:03to
44:03me
44:04is
44:04like
44:04it's
44:05the
44:05achievement
44:05of
44:06great
44:06writing
44:06great
44:07casting
44:07great
44:08acting
44:08everything
44:09has
44:09come
44:09together
44:09but
44:10I
44:10believe
44:10it
44:10has
44:11to
44:11start
44:11with
44:11writing
44:11so
44:12in
44:13that
44:13sense
44:13Durandar
44:14is
44:14a
44:14I
44:15don't
44:15think
44:15it's
44:15just
44:16a
44:16blockbuster
44:16I
44:17don't
44:17think
44:17it's
44:17just
44:17a
44:17blockbuster
44:18that
44:18will
44:18make
44:18I
44:19feel
44:20it
44:20is
44:21too
44:22limited
44:23to
44:23calling
44:23a
44:24blockbuster
44:24I
44:25think
44:25is
44:25an
44:25insult
44:29Durandar
44:29should
44:29be
44:30celebrated
44:31by
44:31Indian
44:32cinema
44:34because
44:34it has
44:36woken
44:36us up
44:37into
44:37a new
44:37world
44:38of
44:38films
44:39this is
44:40what it
44:40can be
44:41like
44:41to quote
44:41Ayn Rand
44:42it's not
44:43about what
44:44it is
44:44it is about
44:45what it
44:45could be
44:46and what
44:46it should
44:47be
44:47that is
44:48what
44:48Durandar
44:48has done
44:49you know
44:50so I
44:51think
44:51the
44:52impact
44:53of it
44:53on what
44:54cinema
44:55can be
44:55is very
44:56different
44:56from just
44:57hearing
44:57collections
44:58all the
44:59films which
44:59has done
45:00500
45:00700
45:01800
45:01you never
45:02really spoke
45:03about
45:03the characters
45:05what it
45:05is and
45:06what it
45:06has done
45:07to its
45:07intention
45:08of elevating
45:09the Indian
45:10agencies
45:10and patriotism
45:12the depth
45:12of it
45:13what it
45:13created
45:14I do not
45:14believe
45:15there is a
45:15single film
45:16anywhere near
45:18so the
45:18fact
45:19a director
45:20with such
45:21little experience
45:22has done
45:22hardly one or
45:23two films
45:23he has managed
45:24to do that
45:25I think it is a
45:25wake up call
45:26for all the
45:27senior directors
45:29and it will
45:30inspire so many
45:31whether they will
45:31be able to
45:32make it or not
45:33the time
45:33time relative
45:34so I think
45:36it
45:37it should be
45:38celebrated
45:39by India
45:40not just
45:41about the
45:42audience
45:42or the
45:43film industry
45:44okay
45:45film industry
45:45will be super
45:46jealous and
45:47their only
45:47hope
45:48is again
45:49one of
45:49those old
45:50templates
45:50coming and
45:51working
45:52but even
45:52if it
45:53works
45:54they will
45:54have to
45:54remember
45:55it won't
45:56be discussed
45:57impact
45:58impact
45:58impact on
46:00the audience
46:01you know
46:02and it
46:03will
46:03yeah
46:04that is
46:04what they
46:05think
46:05see like
46:05when I said
46:06when I just
46:06said you
46:07are laughing
46:07I will
46:08come
46:09and bloody
46:09hit the
46:10box office
46:10this
46:11festival
46:12is ours
46:13just wait
46:14it will
46:14start with
46:15those
46:16kind of
46:16superficial
46:17guys
46:18I think
46:19are going
46:19to have
46:19very tough
46:20time
46:20after the
46:20world
46:21you have
46:22quoted
46:22Ayn Rand
46:23also
46:23so this
46:23conversation
46:24feels
46:24complete
46:25now
46:25so thank
46:26you so
46:26much sir
46:27loved
46:27talking to
46:28you
46:28because
46:28I absolutely
46:29loved
46:29this film
46:29and I
46:30know
46:30that
46:30when you
46:31love a
46:31film
46:32talking to
46:33you
46:33is a
46:34super
46:34happy
46:35exercise
46:35so thank
46:36you so
46:36much
46:37thank
46:37you
46:37thank
46:37you
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