- 48 minutes ago
Después Del Divorcio, La Heredera Recupera Todo - Doblada al español - Película Full HD
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02:12Oh my god, oh my god, I just, so Dorothy just pushed Stephanie into the pool.
02:16What?
02:23Quick, save Stephanie, she's carrying this baby.
02:29Quick, get in there.
02:41Help, help, help, help.
02:43He chose Stephanie over me.
02:49My baby, my baby is gone.
02:52Why would you do this to me?
02:55How dare you?
02:57You push Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:03I didn't do it.
03:04I know you don't want me here.
03:06I told you whatever happened between me and Drake is in the past.
03:09¡No puedo hacer nada más!
03:10¡CANO ¿Para qué tan cruel?
03:12¡No me voy a matar mi childo!
03:14¡No, no!
03:15¡No haría nada que para Stephanie!
03:18Aparece a Stephanie.
03:21¡No se lo agradece por algo que no me llame!
03:23Aparece a Stephanie o se acuerda ya o voy a divorciar.
03:32Divorce.
03:34Si ahora pones a agradecer no...
03:37... boatos a traerle una vez.
03:42¡Suscríbete al canal!
04:09Has he ever even touched you?
04:10He doesn't even want to look at you.
04:15Fine.
04:17Let's get a divorce.
04:25There's nothing left in my heart.
04:28Drake's nothing without me.
04:32My ring!
04:34My ring is gone.
04:36Well, you must have taken it.
04:37Why would I take her ring?
04:39Well, look how quickly you packed your suitcase.
04:41You're probably seeing someone else.
04:43Dorothy.
04:45Yes.
04:46We were married for three years.
04:48Were you seeing someone else?
04:49Of course she was.
04:51She'd probably been cheating on you for a really long time.
04:53Couldn't wait for the divorce.
04:55So, what if I was, huh?
04:58And what about you?
04:59Still hung up on your so-called sister-in-law?
05:01What gives you the right to talk about me?
05:04I only look after Stephanie because she's my brother's widow.
05:08But you actually seeing someone else?
05:10Who is he?
05:11Big talk!
05:12Don't bring me down to your level.
05:15I'm not like you.
05:17Since your sister-in-law lost her ring,
05:22why don't you take...
05:29this one?
05:32You've been waiting for this for a long time, haven't you?
05:45And so I left.
05:50This is ridiculous!
05:52We, the Bennett family,
05:54are one of the four major production companies in the world.
05:56I let him marry my daughter
05:58and even invest it in his business.
06:01How dare that Drake do this to my daughter!
06:04Look, it's actually good from Dad.
06:08Now we know who he really is
06:10and he has no idea who I am.
06:12Still, you're my daughter.
06:14I can't let him do this to you.
06:16If it weren't for you,
06:17I would not have considered investing in his company.
06:20We're going to pull our investment immediately.
06:22Yes, it's time to cut him off.
06:24He doesn't deserve you.
06:26I'm over Drake.
06:28If we withdraw the funds now,
06:30it's going to hurt the family business.
06:32He's not worth it.
06:35Honey,
06:38why don't you just take a vacation?
06:40Just put all this aside
06:42and take some time out for yourself.
06:44Yeah.
06:47No.
06:51I've wasted too much time with Drake
06:53over the three years.
06:55You know, now I want to focus on something
06:58that actually matters.
07:00You know, Christopher has been saying
07:02that many people want to buy the movie rights to Liar's Game.
07:07Universal, Paramount,
07:08every major studio wants this.
07:13Liar's Game.
07:13Your story on the big screen.
07:16If you're in,
07:17I'd be happy to be the one headlining it.
07:19Oh.
07:20So that's why they're making it.
07:21Because of you.
07:22I'm sorry, Christopher Santoro.
07:25See?
07:25They're not funding the film.
07:27They're funding you.
07:30They're funding the story.
07:32It's more than good.
07:34It's phenomenal.
07:36Christopher is right.
07:38I'm taking my life back.
07:44I'm going to adapt to myself.
07:46You are?
07:48Yes.
07:49I will.
07:51Good for you.
07:53I won't tell anyone I'm asking you.
08:04Congratulations to Aria Wong
08:06for winning the best director.
08:12This is my close friend from college.
08:15Aria, I need your help.
08:17I want to adapt the Liar's Game myself.
08:19And I want you to direct it.
08:22Of course.
08:24All right.
08:25Okay.
08:26There's just one thing.
08:27I want to keep my identity as the writer a secret.
08:31I don't want anyone to know,
08:34especially not the team.
08:35SQ.
08:36Are you sure?
08:37But why keep it a secret?
08:38I just want people to focus on the story itself.
08:42Got it.
08:43Your secret's safe with me.
08:45Hey.
08:46Oh my God.
08:48That's not weird.
08:50Jeff.
08:51It's a bit weird.
08:54Ever since news got out about our movie,
08:56my phone has not stopped ringing.
08:58Really?
09:05It's Stephanie.
09:06It's Stephanie.
09:09Yeah, just take it.
09:14Hello?
09:15Hello, Miss Wong.
09:16I've heard Liar's Game is being made into a movie.
09:19I'm interested in playing the lead.
09:21Can we arrange an audition?
09:25I'll speak to the writer and I'll let you know.
09:28Thank you, Miss Wong.
09:31What do you think?
09:34Anyone can audition, right?
09:36As long as they're right for the role.
09:39What happened between me and Stephanie is not important here, so...
09:43Okay.
09:45I'll call her back and let her know.
09:47Mm-hmm.
09:56What about me?
10:00Can I be your hero?
10:05Oh, you mean, uh...
10:07A film, right?
10:10I...
10:10I've never considered anyone else.
10:15I have to take this.
10:17Hi.
10:23You know, I'm not just talking about the film, Dorothy.
10:27It's okay.
10:29I can wait.
10:32Waited this long.
10:37Well, well, well.
10:39Look who it is.
10:43Why are you here?
10:45Oh, I see.
10:46You're the production assistant.
10:49Well, do your job.
10:51Get me your water.
10:54Stephanie.
10:56Get your own water.
10:57I'm not your PA.
10:59Look.
11:00It's my first day on set
11:01and I want to buy coffee for the crew.
11:04Why don't you be a doll and mark down everyone's order.
11:08Are you deaf?
11:09I'm not a PA.
11:12Here's your tip.
11:13Go on.
11:15Show some respect, Stephanie.
11:18Do you know who she is?
11:21What are you doing?
11:23Oh, no.
11:24She can't know.
11:25I'm asking you.
11:28I want to keep my identity as the writer a secret.
11:32I don't need anyone to know,
11:33especially not the team.
11:38What do you mean?
11:40Who is she?
11:43No one but a lower PA, I'm sure.
11:49Isn't that right?
11:50Well, actually, she's...
11:55She's...
11:55Just a PA.
11:57You're right.
11:59So why don't you show me a lower PA,
12:02your acting skills?
12:03Maybe I'll be impressed even by who the coffee's myself.
12:07Watch this.
12:13I loved you once.
12:16Or so I thought.
12:18But now I see that it was all just a lie.
12:22A beautiful...
12:26Painful lie.
12:30You took everything from me!
12:34My dreams!
12:36My future!
12:40See?
12:42There's no soul.
12:43That's not acting,
12:45it's just...
12:45reciting lines.
12:48Why don't you show her how it's done?
12:50What?
12:51Go on.
12:55Go on.
13:16I loved you once.
13:20So I thought.
13:23But now I can see.
13:25It was all a lie.
13:28A beautiful, painful lie.
13:30You took everything from me.
13:36My heart.
13:39My dreams.
13:41My future.
13:43And for what?
13:46For your own personal gains.
13:59How is that possible?
14:02Dorothy, that was perfect.
14:05The role is yours if you want it.
14:08No!
14:09This role is mine.
14:11This role is mine.
14:12I'm the one with the investment.
14:14Without me, there's no funding for this movie.
14:16Your investment?
14:17Do you even know who she is?
14:20Who is she?
14:25Who is she?
14:26As you know, no one but a PA.
14:31Dorothy, this movie is important to Stephanie.
14:33I mean, why are you here?
14:34You're not a real actress.
14:36What are you doing?
14:36You're trying to ruin her career.
14:37You're trying to get back at me by ruining her career.
14:39I'm not ruining anything.
14:41If she can't handle the role,
14:44that's on her, not me.
14:45You can't blame this on anyone else.
14:47You embarrassed her in front of everyone.
14:50I mean, I know what you're doing.
14:51You're the one pulling all the strings here.
14:53You're trying to make her fail so you can take her place.
14:56She's using this whole thing to get to you, Drake.
14:58She's been jealous from the start,
15:00trying to ruin my chance just to get back to you.
15:02Okay, no.
15:03I don't want to fight anymore.
15:04Well, let's just take a look at the script
15:06and maybe we can work something out.
15:09You were just so damn selfish!
15:12You only care about yourself!
15:14Just give Stephanie her role back.
15:16You know what?
15:19I don't want to do this,
15:20but I will.
15:22I'll take the role.
15:24I'll play the lead.
15:28I'll play the lead.
15:29No way!
15:30You can't be serious!
15:31She's not even a real actress!
15:36Dorothy's performance was far stronger than yours.
15:38Everyone in the room can see it.
15:42I'm so glad you've agreed to do the role.
15:46Right, it's settled then.
15:48The lead roles go to Christopher and Dorothy.
15:52I will double my investment
15:56if you give Stephanie a role.
16:01I never thought I'd see the day my ex-husband would go this far
16:05for his sister-in-law.
16:07I can always count on you, right?
16:13I will double my investment if you give a role to Stephanie.
16:17You two are just such...
16:22Okay, look.
16:24If the money's on the table, there's no reason to turn it down.
16:26Let's just give her a part.
16:29We have nothing to lose.
16:30I guess that'll be fine.
16:33I'll talk to SQ.
16:40Your father's production company is already the biggest investor in your movie.
16:43So why take Drake's money?
16:45You don't...
16:46You don't still have feelings for Drake, do you?
16:49No!
16:50He's an asshole!
16:53Come on.
16:54I've got an idea.
16:57Why don't we just give her a character?
16:59That'll make her miserable.
17:03Wow, Mr. Sontaro.
17:04I feel bad now.
17:11I only wish you didn't have feelings for Drake anymore.
17:16How did she land herself the role?
17:19She's practically a nobody.
17:20No fan base, no real experience.
17:22Just one good scene.
17:25It doesn't make sense.
17:28Find out everything you can about Dorothy.
17:31I want all the dirt.
17:39Director, there must be a mistake.
17:41I'm only a side character and not even in the main scene.
17:44You wanted a role.
17:46We gave you a role.
17:47I came in with an investment.
17:51Well, you're more than welcome to take it back and leave the set.
17:56Even a small role in SQ's film is going to do great things for your career.
18:00Now is not the time for you to be messing around.
18:04Fine.
18:11Two, take one.
18:12Action.
18:14Lily, you are my best friend.
18:15How could you do this to me?
18:16I'm sorry, but this is...
18:20What the hell are you doing?
18:22It's part of the scene!
18:27Okay, take it again from the slap.
18:30Action.
18:35Cut!
18:37Stephanie, why aren't you saying your lines?
18:39You have to keep going in the scene.
18:42I think you've had enough for today.
18:44We'll just try again tomorrow.
18:53Did you see her face?
18:56Absolute gold.
18:57I mean, she got what she wanted.
18:59She asks for a role and that's what we gave her, so...
19:02Seriously, her performance is all over the place.
19:05Maybe we should just cut down on her screen time.
19:09We all know the film's better without her slowing us down.
19:13You're right.
19:15I'm not going to let anyone ruin your story.
19:22So if you can just give me something that's a bit more...
19:33What's going on with my scenes?
19:35Why have so many of them been cut?
19:37It's a collective decision.
19:41Fuck that.
19:42Let me talk to the writer.
19:44The writer is SQ, and as you know, they never show their face, so their decision is final.
19:51I'll see you on set in five.
20:05Now it all makes sense.
20:14That's the head of the production company.
20:17No wonder she got the role.
20:19Let's see how John's wife feels about that.
20:30Everyone, I have an announcement to make.
20:33Today will be Stephanie's last day on set.
20:41You really think I don't see through your little gaze.
20:44Somebody will be walking out that door today, but it won't be me.
20:49You really think you can get away with this?
20:52You really think you can get away with this?
20:52Sleeping your way up?
20:56John's wife is on her way.
20:58Let's see how you talk your way out of this one.
21:00Slut.
21:05That's enough!
21:10So were you the one who was stalking and secretly taking photos?
21:14What?
21:14Scared the truth is going to come out?
21:16Someone had to expose her for who she really is.
21:19So you admit it.
21:21You did it.
21:22Damn right I did.
21:24And I'd do it again if I had to.
21:27You don't know who you just crossed!
21:29Oh, I know.
21:31Just some rich old bastard throwing a tantrum.
21:34I sent those photos to your wife, too.
21:36And now your mistress is about to be exposed.
21:40Yeah.
21:41Security.
21:43Stephanie is banned from the studio.
21:45Make sure she never sets foot here again.
21:47You can't just do that.
21:49Oh, this is insane!
21:50What?
21:50I have rights!
21:51I was only telling you the truth!
21:53She is a mistress!
21:54A loose woman!
21:55A lady of the night!
22:04Is it true that Dorothea is John's sugar baby?
22:06Well, otherwise, why would he come onto the set and get me banned from the movie?
22:11That's unbelievable.
22:12And he humiliated me.
22:14He had me dragged off the set like a criminal.
22:16You should have seen it.
22:17I'm not gonna let her just ruin her reputation like this.
22:21I mean, this whole mess is just making us look like fools.
22:26Dorothy's always been trouble.
22:28I mean, first she goes off with a married man, and now this.
22:32I don't know how you put up with her for three years.
22:34You should have got a divorce earlier.
22:38Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:43It's the only explanation!
22:44She's clearly nothing but a slut!
22:47Oh!
22:48Drake, Stephanie is your sister-in-law.
22:53Now you need to take care of her and forget about Dorothy.
22:56Can't you see she's the one behind all of this?
22:59She was sleeping her way to the top.
23:02Killing Stephanie's unborn child.
23:05And John dragging her off the set.
23:07You should be sticking up for Stephanie.
23:13I'm not gonna let her do this to you.
23:29Do you think you can just walk away from what you did like nothing happened?
23:32I didn't walk away from anything.
23:34You did.
23:35You chose Stephanie over me.
23:36Remember this one?
23:37And she's my sister-in-law.
23:39I'm so sick of hearing this.
23:42You have feelings for her and I'm just tired of it.
23:45You are out of your mind if you think I'm gonna let you get away with this.
23:48You do what you want to do.
23:51But for now, get out!
23:53Why?
24:00We were married for three years.
24:02And we never...
24:02Oh, your damn fucking mind!
24:04Let go of it!
24:14No wonder you want me to go!
24:17Just look at yourself.
24:19You're not half the man Christopher is.
24:23Get out.
24:24Or I will call the cops.
24:27Just go!
24:36Are you okay?
24:43Dorothy?
24:44Yeah?
24:45Remember, safety first.
24:47The lifeguard's right there if you need him.
24:49Okay.
24:52Anything you need, let the AD know.
24:54Okay.
24:54Got it.
24:55Got it.
25:04Here's a coffee for you.
25:05Thank you.
25:06It's still early before the shoot.
25:08Take your time.
25:1610 minutes.
25:27All right.
25:28Nice stuff.
25:29Then I was like...
25:29I like the touts.
25:291 night at the moment
25:39Come and close.
25:41First, getting served on the damn sous печage.
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31:30The original film documentary chronicling the creative journey of none other than herself, legendary screenwriter, Margaret Lane.
31:40$50,000.
31:42What's she doing here?
31:45I don't know.
31:47I'm not going to let her win this.
31:49$60,000.
31:54$70,000.
31:57$100,000.
32:01This is my grandmother's documentary.
32:04It's her legacy.
32:05She's the one who inspired me to become a screenwriter.
32:09I can't let her fall into the wrong hands.
32:13$500,000.
32:23$500,000.
32:27I'm trying to get you your role.
32:29Don't worry.
32:30I've got it covered.
32:31Ladies and gentlemen, we are down to the final bid.
32:35Standing at a whopping $500,000.
32:39$500,000 going once.
32:42$500,000 going twice.
32:45Sold.
32:46To the lady in the blue dress.
32:55I can't believe this.
32:58You have no right to take that film reel with you.
33:05You have no right to take that film reel with you.
33:16Ladies and gentlemen, I've just been informed, Miss Dorothy is in fact not an invited guest.
33:24Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
33:30This is ridiculous.
33:32I was invited.
33:33Well, in that case, may I see your invitation?
33:42I did have it.
33:43I swear.
33:43I'm sorry, Miss Dorothy.
33:45If you do not have the invitation at hand, the documentary reel has to go to the second
33:49highest bidder.
33:50This is the protocol.
33:51Oh, you don't understand.
33:52Do I?
33:52I'm sorry.
34:11I'm sorry, these are the rules, the documentary reel will go to the honourable couple.
34:23Thank you.
34:35Stephanie, wait.
34:38Just sell it to me.
34:40Name your price.
34:41I'll pay you anything you want.
34:42It's really important to me.
34:44Why are you doing this?
34:46Are you just trying to get my attention by going after something that Stephanie wants?
34:51No, you don't understand.
34:53Just let me buy this.
34:55Whatever it takes.
34:58Dorothy.
34:59You think this is about money?
35:01Please.
35:02This isn't something you can just buy.
35:05Dorothy, what the hell do you do?
35:07Why do you always have to go against her like that?
35:09This reel is important to Stephanie.
35:11She can use this to help her career.
35:13Her career?
35:16Is this about your role being cut from the head?
35:19Is that why you're doing this?
35:23I'm the writer.
35:25I'm gonna fix this.
35:26Then you write the story and bring your character back.
35:29Just...
35:30Just let me have the real things.
35:32You're the writer.
35:34Are you telling me that you're SQ?
35:40You're the writer SQ.
35:42Can you give us a break?
35:43Look, this reel is important to Stephanie.
35:47End it.
35:48Don't make this harder than it has to be.
35:51You've been with Dorothy for so long, and you don't even know her!
35:55Oh, and you do!
35:56Yeah!
35:56A hell of a lot more than you!
35:57What the fuck do you think you are?
35:58Both of you, come down!
35:59No!
36:00No!
36:01No!
36:13Scratched!
36:14All over!
36:14It's ruined!
36:15Not even fit to be a gift anymore!
36:18I can fix this.
36:19Stephanie, I know someone who can restore it.
36:21Just sell it to me.
36:22Please, just name your price.
36:26Even if I had no use for it, I'd never give it to you.
36:56I want to be a writer like you, Grandma!
36:59I want to make movies like you do.
37:02This reel has more than pictures and sound on it.
37:07Really?
37:08An entire world I've captured.
37:11But it's just one way of seeing things.
37:14The magic is creating it yourself.
37:18And someday you will.
37:18Let's do.
37:34Let's do it now.
37:41Let's do it!
37:45Let's do it now.
37:48Let's die.
37:49Look Dorothy, let's be real here. Without Stephanie, Barry's going to invest. Even the production company will call out if
37:59they hear that she's not involved anymore. Her name carries weight. Let's not pretend that your reputation is exactly stellar
38:04right now. Christopher's fans hate you, Stephanie's fans hate you. Even if you actually make this film, no one's going
38:13to support you. You won't beat Barry.
38:17If you apologize to Stephanie now, I can help you. I can control the press. I can control the narrative.
38:26I can actually give you a chance.
38:30What's so funny?
38:33What's so funny?
38:36Your funding. Do it. You'll see it does nothing for the movie.
38:40Okay. So what if I tell the production head to pull his funding too?
38:46Didn't I tell you that I know Mr. Bennett?
38:48No. Go ahead. Try it.
38:52You want me to call?
38:53Mm-hmm.
38:55Fine.
38:59Hi, Mr. Bennett. It's Drake. Drake Mossbutcher.
39:03Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing. I've seen it
39:06and it's a sinking ship.
39:07Ha, ha, ha, ha, ha, ha, ha.
39:10You're pulling up? Great. I'll take full control of the investment. Not a problem.
39:21So you start with him?
39:25That's why he's supporting you, isn't it?
39:30Is this how you see me? The type of woman who would use her body to get what she wants?
39:33What other explanation do you have?
39:36You know nothing about Dorothy.
39:41Apologize to Stephanie. Cut ties with Mr. Bennett and end this.
39:45Dorothy, come back to me. Whatever he's offering you, I'll match it. I'll double it.
39:49You must be out of your fucking mind.
39:52What makes you think I would ever go back to that living hell?
39:56Living hell?
39:56You heard me.
39:58Being married to you was a fucking nightmare.
40:01You made me believe you loved me.
40:05And then you had me waiting in vain for three years, Drake.
40:09You said you'd always protect me, but then when I need you the most, just touch your back on me.
40:16You chose your sister-in-law over your wife.
40:21I've had enough, Drake.
40:23You were my prison.
40:24So just go back to your precious Stephanie.
40:32Let's just go.
40:42Why are you hurt?
40:43Are you okay?
40:50What is Steph? What are you doing?
40:52Well, you want me, don't you?
40:53Just kiss me. I'm all yours.
40:55Steph!
40:56You're Nick's wife. I've always thought of you like a sister.
41:00Sister?
41:02Funny.
41:03Don't you remember when you came to me the night Nick and I got married?
41:05Don't you remember what you said?
41:09Remember this?
41:10Yeah. Why not marry Stephanie?
41:13God.
41:14You were practically begging me not to marry Nick.
41:16No, I shouldn't have said that. I shouldn't have said that.
41:17Don't I see that?
41:21What's that?
41:22Oh, it's nothing.
41:23What is that?
41:24No, Drake, no.
41:25Please.
41:28You lied about this.
41:32You lied about this.
41:36You said that Dorothy pushed you into the water, but this shows you shoving her in.
41:41It's a glitch.
41:43A glitch.
41:44So, do you actually expect me to believe that?
41:47What's this?
41:50Find pills off the black market.
41:53Did anyone hit your pregnancy?
41:55It was me.
41:56This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:01Please, no, you have to believe me.
42:03I didn't...
42:04Do you know what?
42:04I've always thought of you like a sister.
42:07I've always taken care of you.
42:08I even thought that I loved you once, but that was before you were Nick's wife.
42:13You've changed.
42:17You've changed.
42:19You're not the person I thought you were.
42:23I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
42:29I guess there's no need to look after you anymore, huh?
42:32What does that mean?
42:34You're just going to throw me away?
42:36I'm not going to throw you away, but this is my house.
42:41When I'm back, I hope you'll be gone.
42:44But you can't just walk away from me like that.
42:46I've said everything that I need to say.
42:48Now I'm going to go find the person that I actually care about.
42:55Don't worry.
42:56This is all your fault.
43:01Let's take this bitch down.
43:14Do you want to say please?
43:20No.
43:22I was wrong.
43:25I misunderstood everything about you and about us.
43:32Can you please just hear me now?
43:34You think you can just come here and apologise?
43:37After everything?
43:39I didn't mean to hurt you.
43:42Look, I understand what I did.
43:43It was just because it was definitely an anyone.
43:46Can you please just forgive me?
43:49I don't need your apology, Drake.
43:51You let me down.
43:53You abandoned me.
43:55When I needed you the most.
43:57You used me.
43:59Manipulated me.
44:00And now you beg for my forgiveness.
44:03Oh God, please just don't show me out.
44:05I can fix this.
44:07I can fix it.
44:07I can do anything, Dorothy.
44:09Please, just...
44:10No.
44:12You were never the person who thought you were.
44:16And I'm not either.
44:18I've moved on.
44:21I don't need you.
44:25Not like I used to.
44:28Just like that.
44:29After everything.
44:30Yeah, that's it.
44:43I deserve better than this.
45:04You did it.
45:11Before you all celebrate this movie,
45:13there's something you should know.
45:16Dorothy.
45:17It's nothing but a homewrecker.
45:18What's going on?
45:20A glorified mistress
45:21who's been playing the part
45:23of a wonderful actress
45:24when all she's really done
45:25is ruin lives.
45:29This is true, Dorothy.
45:30We're involved with a married man.
45:32What's your response to Stephanie's claim?
45:37This is ridiculous.
45:38Let's talk about how she got here.
45:41Shall we?
45:42She didn't get here off her talent.
45:44Oh, no.
45:45She got here by clinging to powerful men.
45:49No real experience.
45:50No skill.
45:51Just a man's name
45:53and a man's money.
45:54Security!
45:55Get her out of here.
45:56Wait.
45:57If she has something to say,
45:59let's hear it.
46:00Dorothy, it's a trap.
46:02I'm not afraid of the truth.
46:05Let's see what she's got.
46:09What's going on?
46:11So tell us, Dorothy.
46:13How did you get here?
46:15Did you use your relationship
46:16with John Bennett
46:17to land the part?
46:35Homework, are you saying?
46:36Is there something wrong
46:37with me appearing
46:38with my own dad?
46:39You're the one
46:40who sent me this photo, right?
46:42How about you take another one?
46:43This time,
46:44of my lovely family of three.
46:46Dorothy.
46:47Dorothy, Dorothy.
46:48Are you really
46:49John Bennett's daughter?
46:50Yes.
46:50I bet you never ask
46:51my last name.
46:53It's Bennett,
46:53either way.
46:56So, Dorothy
46:57is the producer's daughter.
47:00Dorothy,
47:00so,
47:01did you use your father
47:02to get the part?
47:03Ah,
47:04so it's just nepotism,
47:06then.
47:10Well, even if she didn't
47:11fuck her way to the top,
47:12she still only got here
47:13through her connections.
47:14Whether you like it or not,
47:15my performance speaks for itself.
47:17And everyone here
47:18saw it.
47:19She was actually really good.
47:21Yeah,
47:21she handled the mobbing.
47:22Oh, are you saying
47:23that everyone here is wrong?
47:25You think you're so clever,
47:27don't you?
47:28Fine.
47:29You can act
47:29a little bit,
47:31but let's be real.
47:32You didn't land
47:33this role on your own.
47:34You just snapped
47:35your bony little fingers
47:36and let daddy
47:36give you a role.
47:37How else
47:38would a nobody like you
47:40have landed yourself
47:40the lead otherwise?
47:42Dorothy isn't just
47:43a nobody.
47:46She wrote
47:47Liar's Game.
47:49She is SQ.
47:54Dorothy is SQ.
47:56How can that
47:57be possible?
47:58Liar's Game is a masterpiece.
48:00There's no way
48:00you could have written it.
48:01You don't have to
48:02believe me.
48:03Just let the credit
48:04speak for itself.
48:08How can this be true?
48:16Dorothy Bennett,
48:16you're the daughter
48:17of the producer
48:18and the famous writer
48:19SQ.
48:19Why did you keep
48:20your identity a secret
48:21so long?
48:24Why did you keep
48:25your identity a secret
48:26so long?
48:27Stephanie Marsbecker,
48:28Linda Marsbecker
48:29and Ellie Marsbecker,
48:30I'm arresting you
48:30on suspicion of defamation.
48:32No, no, no,
48:33I didn't do anything wrong.
48:34This was all Stephanie's idea
48:35I didn't do anything.
48:42This whole time
48:44she was actually
48:45telling the truth.
48:47Dorothy's SQ.
48:49She's genius.
48:52That's why she always
48:53had a book in her hand.
48:56Always writing something
48:57on her laptop
48:58always lost in her thoughts.
49:02Didn't even see her.
49:05I guess I was blind
49:06all along.
49:08I don't deserve that.
49:28I've missed this place.
49:31Don't you remember?
49:33Of course I do.
49:35We saw so many films here.
49:37We would just
49:38stay in our seats
49:39and talk
49:41about life and everything.
49:44But you just made me feel
49:45like I could face
49:46more anything, really.
49:51God, I used to be so nervous
49:53back then
49:54about everything
49:55about the future.
49:59But you just made me feel
50:00like I could face
50:01more anything, really.
50:04No.
50:05Someone had to be there
50:06to make sure you didn't
50:07have to think everything.
50:09I remember you used to
50:10unpick every little detail
50:11like it was a life
50:12or death situation.
50:17You know, Dorothy,
50:21life's not been the same
50:22without you.
50:26Even when we parted ways,
50:29I always knew
50:30that we would
50:30find each other again.
50:34I don't care
50:34what we've been through.
50:37I don't care
50:37what's happened.
50:38All I know
50:41is that I need you now
50:44more than ever.
50:57I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:58I don't care what's happened.
50:59Gracias.
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