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00:00:00You
00:00:36Testing, Richard, can you hear me?
00:00:38Test, one, two, one, two, yes.
00:01:05Any time.
00:01:11Yeah, I know, I know, Richard, any time.
00:01:18Push me.
00:01:20Sorry, sorry?
00:01:21Push me.
00:01:26More.
00:01:34Attend the lords of France and Burgundy, Gloucester,
00:01:38and let not women's weapons, water drops, stain my man's cheeks.
00:01:45No, you unnatural.
00:01:48No, you unnatural hags.
00:01:55I will have some.
00:01:56I will have such revenges on you both.
00:02:03On the camera.
00:02:24It never gets any easier, does it, darling?
00:02:28It certainly never gets any easier to watch.
00:02:31What does that mean?
00:02:32The actress playing Goneril.
00:02:35That was an accent, right?
00:02:36Yes, Norwegian.
00:02:38Was that not a problem?
00:02:40Was that not pointed out as a problem?
00:02:42I mean, I don't mean to be politically incorrect,
00:02:45but what did King Lear adopt?
00:02:47It took me out of the play.
00:02:49It took me right out of the play, as did the set.
00:02:52No, not what I would have done.
00:02:54Well, we couldn't afford you, could we?
00:02:57Well, overall, though, you liked it.
00:02:59And by it, I mean, you know who?
00:03:01Darling, you were wonderful.
00:03:03The director, she could just get down on his knees.
00:03:05I wasn't pushing?
00:03:06Not at all.
00:03:07There was no effort.
00:03:09That's what was so effective.
00:03:11You looked so weak and sapped and broken.
00:03:15You made me cry.
00:03:16I'm sure anyone with a heart cried at the sight of that.
00:03:21I know you don't read reviews, but...
00:03:24No.
00:03:24No, no.
00:03:25No, Holly.
00:03:26No, I have to.
00:03:26I have raves.
00:03:28Can you believe it?
00:03:29Raves across the board.
00:03:31Except for the New York Times.
00:03:32Even the Times.
00:03:34I don't believe it.
00:03:36No.
00:03:36What is his name?
00:03:38Xerxes?
00:03:39Xander.
00:03:39Xander Young.
00:03:40Xander Young, yeah.
00:03:41I only skinned the review, but he clearly loved it.
00:03:45He said you were the anchor.
00:03:46The anchor?
00:03:47Yes.
00:03:47Wow.
00:03:49He...
00:03:49Hmm.
00:03:50He has liked me in ten years.
00:03:52He has not.
00:03:53No.
00:03:54Here's to small victories.
00:03:56Bastard.
00:03:59Can we go somewhere quiet?
00:04:00I can't bear this music.
00:04:02You know, we can talk about, you know, the play and...
00:04:05No, no, no, no.
00:04:06My performance.
00:04:07Darling, you cannot depend on your ex-wife for your social life.
00:04:10Anyway, I'm here with David.
00:04:13Even my colorist?
00:04:14No, God, no.
00:04:15Divorce the way of David.
00:04:17It's not a date.
00:04:18He wanted to see the play.
00:04:20I didn't want to come alone.
00:04:22David!
00:04:25David!
00:04:26Well, I want to put you in the hall of time.
00:04:28That was a really excellent play.
00:04:30Yes.
00:04:31I have no idea how you remember all those lines.
00:04:34Don't say that, David.
00:04:35Only idiots say that.
00:04:37Look at the time!
00:04:38Wow!
00:04:40I, uh, I have a, um, I've got a...
00:04:42Oh, oh, oh, what you've done?
00:04:44You see, you see, you see what you've done?
00:04:46Sorry.
00:04:47Easy, slow down, cowboy.
00:04:48Take it easy, darling.
00:04:49Okay, well, hello, everybody.
00:05:03Table for Xander Young.
00:05:04Mr. Young?
00:05:06We have your table ready for you.
00:05:08Right this way.
00:05:08Can I, uh, try something like that?
00:05:14Anything else?
00:05:15Here you are.
00:05:16All right.
00:05:17Enjoy.
00:05:18Enjoy.
00:05:20Mm-hmm.
00:05:21Mm-hmm.
00:05:25Mm-hmm.
00:05:27Mm-hmm.
00:05:28Mm-hmm.
00:05:28Mm-hmm.
00:05:29Mm-hmm.
00:05:30Mm-hmm.
00:05:30Mm-hmm.
00:05:30Mm-hmm.
00:05:30Mm-hmm.
00:05:32Mm-hmm.
00:05:33Mm-hmm.
00:05:36Mm-hmm.
00:05:38Mm-hmm.
00:05:45Xander Young?
00:05:46Yes.
00:05:47Richard Bean.
00:05:48I heard you liked my leer.
00:05:51I agree with you.
00:05:53I'm glad we're on the same page.
00:05:55At last!
00:05:56I can't talk to you.
00:05:57Why not?
00:05:58I can't talk to you about what I write.
00:05:59I'm afraid there are very strict rules.
00:06:02Journalistic ethics.
00:06:03Oh, well, I just wanted to swing by and tell you that, uh, I appreciate your support.
00:06:08I've waited a long time for it.
00:06:09But, um, truth be told, I haven't been a fan of your writing for quite some time.
00:06:15But, I'm starting to like it now.
00:06:18Did you read the review?
00:06:19Troy, no.
00:06:20I had it summarized for me.
00:06:22He loved the production.
00:06:23He didn't like you.
00:06:24Troy.
00:06:24I'm a little confused because he liked the production, but he didn't like the leer.
00:06:29Hmm.
00:06:29I don't think that's possible.
00:06:31Do you know how much shit he has to sit through every week?
00:06:32Troy.
00:06:32We do not engage.
00:06:33You're not engaging, Xander.
00:06:34I am engaging.
00:06:35Okay?
00:06:37I saw the show, too.
00:06:39And?
00:06:40Lifeless.
00:06:41Passionless.
00:06:42Ah, yes.
00:06:43I'm trying to process this.
00:06:45I was told that he said I was the anchor.
00:06:50Like an anchor.
00:06:52Dragging the whole thing down.
00:06:55That's very different.
00:06:56We can't discuss this.
00:06:58No, of course not.
00:06:58You can only slander me in print, but not to my face.
00:07:01It's not slander.
00:07:02It's an opinion.
00:07:03It's not an opinion.
00:07:04It's a megaphone.
00:07:07I have an opinion.
00:07:10I think...
00:07:11Troy.
00:07:12Troy is too young for you.
00:07:14But I'm not going to write a piece about it in the New York Times, because that would be rude.
00:07:18Do you know, he used to love you.
00:07:20He still talks about your Hamlet at some little theater in Pennsylvania.
00:07:24Wait a minute.
00:07:25You came and saw my Hamlet at the MFT.
00:07:28He wanted to see this kid that everyone was talking about, and he thought that he'd seen the future of
00:07:33American theater.
00:07:34We're leaving.
00:07:35But that Richard Bean is long gone.
00:07:37And now, you're here, on your own opening night.
00:07:40A sad old man drinking alone.
00:07:43Troy.
00:07:43A man more lost and defeated than King fucking Lear.
00:07:46There, I just summarized the review for you.
00:07:49You're welcome.
00:07:49Come.
00:07:53No.
00:07:55What the fuck?
00:07:57You are natural, Hank.
00:08:01No regrets.
00:08:02Were you drunk?
00:08:04No.
00:08:04Were you high?
00:08:05No.
00:08:05What I was was justifiably miffed at a dismissive, cruel review from a third-rate critic.
00:08:15And that's why you attacked him and his husband and called them, uh, unnatural hags?
00:08:21That's a quote from the play.
00:08:23Great.
00:08:23There is a whole subreddit, whatever the fuck that is, about you being a homophobe.
00:08:29Someone called it gay bashing.
00:08:30I'm a Broadway actor, okay?
00:08:32I'm as gay as a man can be without actually being gay.
00:08:36Know what I'm saying?
00:08:37So, you don't know.
00:08:39You weren't there.
00:08:40No, I wasn't.
00:08:41Luckily, there's video.
00:08:45Okay.
00:08:48But they shall be the terrors of the earth!
00:08:52You look deranged.
00:08:53No, I will not weep!
00:08:54King Lear's quite deranged at this point in the play.
00:08:57I see.
00:08:58Get away from me!
00:09:00Hold!
00:09:01I have away from me!
00:09:03Ha-ha!
00:09:03Go!
00:09:06Get off of me!
00:09:10Why is the table on fire?
00:09:12I don't know.
00:09:13I don't know.
00:09:13I must have left before any first responders showed up.
00:09:18This is a viral shitshow, Richard.
00:09:20Because it's taken out of context.
00:09:22I mean, I'm not saying it's a deep fake.
00:09:26Could we say it's a deep fake?
00:09:28Nah.
00:09:29I'm going to lean into the drugs and booze angle.
00:09:32Oh, good.
00:09:33I'll put up a statement.
00:09:34Yeah, but not an apology.
00:09:36Oh, you're filled with remorse.
00:09:38And regret.
00:09:39And shame.
00:09:40I'm not filled with any of those.
00:09:43I told a critic the truth.
00:09:46I have no remorse.
00:09:47I feel no shame.
00:09:48I'm a little embarrassed by the fact that I did launch into a verse of Edelweiss
00:09:54because I was trying to defuse the situation.
00:09:56But apologies, regret, no.
00:09:59So, you write whatever you want to write.
00:10:02I don't care.
00:10:03I have to go to the theater.
00:10:06Why?
00:10:07Because I thought maybe I'd do a matinee of King Lear.
00:10:11What the fuck?
00:10:12No, Richard.
00:10:13You have no matinee.
00:10:14You have no evening performance either.
00:10:17Father, the producers are putting you on hiatus.
00:10:20A forced hiatus.
00:10:21While I clear this shit up.
00:10:24I have to be on that stage.
00:10:25Every performance, people are going to think...
00:10:27What?
00:10:28That you had some kind of public breakdown?
00:10:30Well, you did, Richard.
00:10:32You had a small involuntary mental collapse,
00:10:36which I'm going to say was caused by mixing booze with medication you were taking for back pain.
00:10:41I'm going to need a month to clear this up, maybe two in the meantime.
00:10:47Leave.
00:10:48Leave?
00:10:49As in go somewhere else.
00:10:50And I don't mean Brooklyn.
00:10:51I mean like a remote island, another country, another state at the very least.
00:10:57So I'm being banished from Broadway for entertaining people.
00:11:04That's what I do.
00:11:07Okay.
00:11:08Okay.
00:11:08Okay.
00:11:12Hello?
00:11:13Mom's dead.
00:11:14Who's this?
00:11:15John.
00:11:17John who?
00:11:18Your brother.
00:11:19Oh, hi.
00:11:19Hi, John.
00:11:20This is my brother.
00:11:21Did you say Mom's dead?
00:11:25Yes.
00:11:30Did she read the review?
00:11:40He's coming tomorrow.
00:11:42He cannot go to the theater.
00:11:45Promise me.
00:11:46What do you want me to say?
00:11:48I don't know.
00:11:48Say anything.
00:11:49It's being fumigated.
00:11:51It's tented.
00:11:52Lie.
00:11:55Lie?
00:11:56God, why did you have to tell him?
00:11:58Why did I tell him his mother died?
00:11:59He has not seen her in three years.
00:12:01The only person he cares about is himself.
00:12:03You know that.
00:12:04He just beat up a critic.
00:12:05It's all over the internet.
00:12:06It's literally the most narcissistic thing a person can do.
00:12:09I will deal with him.
00:12:10I can't handle his crap right now.
00:12:13He's going to come back here.
00:12:14He's going to intone all over the place.
00:12:18Just in case you forgot, we are so financially fucked.
00:12:24What is that?
00:12:25A bijou.
00:12:26Oh, no.
00:12:27No.
00:12:28No, no, no.
00:12:28You cannot.
00:12:29You cannot ply me with alcohol.
00:12:30No.
00:12:33I feel so bad for your dad.
00:12:36I know you do.
00:12:39Oh, sweet Jesus.
00:12:40I don't know how you do it.
00:12:42It's about how you express the lemon.
00:12:44Mm-hmm.
00:12:45Mm-hmm.
00:12:45Mm-hmm.
00:12:47How the two of you came from the same parents, I will never understand.
00:12:51Richard has to pay for the funeral.
00:12:56I'll ask him.
00:12:56No, no.
00:12:57You will tell him.
00:12:58You will look him in the eye.
00:13:02Keep him away from the theater.
00:13:23Hey, pal.
00:13:25Oh.
00:13:26Oh.
00:13:28Oh.
00:13:38Good you're here.
00:13:42Glad to be here.
00:13:44Yeah, I got to.
00:13:45Oh.
00:13:46Thanks.
00:13:47Over.
00:13:47Over here.
00:13:52Wow.
00:13:52Changed a bit, huh?
00:13:57God, look at this.
00:13:58Everything.
00:13:59Everything's closed.
00:14:00Yeah, well, times are tough.
00:14:02Struggling.
00:14:03Like everywhere else.
00:14:05Still feels like home.
00:14:08I'd love to swing by the theater.
00:14:10No, no, that's not the...
00:14:12Let's go to Dad.
00:14:13Just for a minute, I have to stand on that stage.
00:14:15You know, I need the inspiration.
00:14:16Hey, no, hey, Richard, let's just, you know, let's focus on Mom and Dad today.
00:14:20Okay?
00:14:21Come on, I'll take you home.
00:14:22Okay, get set.
00:14:23Sure, you're right.
00:14:23Yeah.
00:14:24I'm glad she went quickly.
00:14:26No, she didn't, actually.
00:14:28No, she was sick for a while.
00:14:30Cool.
00:14:31I just saw her last spring.
00:14:32No.
00:14:34Yes, I brought her that ostrich egg from Harrod.
00:14:36No, no, that was three years ago.
00:14:37Three years.
00:14:38No, it was three years.
00:14:38Three years?
00:14:39Three years.
00:14:40Three years.
00:14:40This is me.
00:14:42How's Dad taking it?
00:14:44Well, he's, uh, coping.
00:14:47You know, it's hard.
00:14:57Listen, you need help with the funeral.
00:15:00Oh, I'll take care of it.
00:15:02I'll stage something theatrical but discreet.
00:15:06Death will be the theme, but it can't be all about death.
00:15:08It'll also be uplifting.
00:15:10But appropriately depressing.
00:15:13Music has to be there.
00:15:15Quintet, maybe.
00:15:16I meant paying for it.
00:15:17I know it's asking a lot, and I hate doing it, but maybe it'll help you with the guilt
00:15:24I hope you're feeling for not having seen her in all this time.
00:15:55Hey, here, here you go.
00:15:57You're not coming in?
00:15:58No, I would, but look, I've got a crazy afternoon.
00:16:01Miranda's there.
00:16:02She'll, uh, set you up.
00:16:03Miranda, great.
00:16:05Spends a lot of time with Dad.
00:16:06It's like two peas, those two.
00:16:08It's nice.
00:16:09She'll love seeing you.
00:16:10And I, her.
00:16:12Hey, hey, come by tonight.
00:16:15I'll make you dinner.
00:16:16Oh, great.
00:16:17I'll stop by the theater on the way.
00:16:18No, don't do that.
00:16:19Just spend time with Dad, okay?
00:16:22I'll come by and get you.
00:16:25Great.
00:16:26Oh, and Richard?
00:16:29Don't tell Dad about the, uh, the thing with Mom.
00:16:31What thing?
00:16:32The death thing.
00:16:33That she's dead.
00:16:34He doesn't know.
00:16:35He doesn't?
00:16:37Won't he, won't he sort of figure that out when he sees her in the coffin?
00:16:40Just don't.
00:16:40Okay?
00:16:41It'll upset him.
00:16:42He won't know how to process it.
00:16:43And this is a longer conversation.
00:16:45Just, he'll love seeing you.
00:16:46Okay?
00:16:46Just enjoy each other.
00:16:48Okay.
00:16:49I'll see you later.
00:17:01Dad?
00:17:05Miranda?
00:17:10Miranda?
00:17:15Dad?
00:17:25Dad?
00:17:27John, you sound like a woman.
00:17:29Speak from the diaphragm.
00:17:31It's Richard.
00:17:34Richard!
00:17:35My son!
00:17:36My star!
00:17:38Come on up.
00:17:39Wait, I'll push him around.
00:17:40I don't want to frighten you.
00:17:44Dad!
00:17:45You're home!
00:17:50Look at you.
00:17:52Uh-uh.
00:17:53Oh, wow.
00:17:54I'm a mess.
00:17:56I didn't know you were coming.
00:17:58I wanted to surprise you.
00:18:00You have been, uh, working very hard.
00:18:03Oh, yes.
00:18:04Oh, yes.
00:18:04Look at this gentleman here.
00:18:07Who is he?
00:18:08No, I know it's hard without the hair.
00:18:11It's, uh...
00:18:13You did his Ernest at MFT.
00:18:16Oh, Christ.
00:18:17Oscar Wilde of a living breeze.
00:18:20You see that?
00:18:20Yeah.
00:18:21Yeah.
00:18:22Dad, I'm sorry I've been away so long.
00:18:24Well, you're here now.
00:18:26Sit.
00:18:31You were only 23 years old when you did it.
00:18:35Ernest, I mean.
00:18:36That was the same year as we did much ado.
00:18:40So, have you two tied the knot yet?
00:18:43We two.
00:18:44You and Kristen.
00:18:45Uh, Kristen is married to John.
00:18:49But how does that work with both of you in New York?
00:18:52She's here.
00:18:53I'm in New York.
00:18:54Ah.
00:18:56This happy yoke pudding.
00:18:58So, tell us.
00:19:00How are things on the Great White Way?
00:19:03Oh, they're great.
00:19:05In fact, I just opened there in King Lear.
00:19:08Lear?
00:19:09Did you hear that, Bill?
00:19:12Why should a dog, a horse, a rat have life?
00:19:17And thou no breath at all.
00:19:20Thou shalt come no more.
00:19:22Never, never, never, never, never, never.
00:19:28How were the reviews?
00:19:31They were all raids, raids.
00:19:34Do you remember our Lear?
00:19:36You, Edmund, John as Edgar, you boys were terrific.
00:19:41And Ethel as regularly.
00:19:44She was terrifying.
00:19:45I built a theater, best in the country.
00:19:49But this is what I'm most proud of.
00:19:53My eldest.
00:19:55My artist.
00:19:56And if I play my cards right, I'll talk him into doing another play here with me soon.
00:20:02The two of us.
00:20:04Together again.
00:20:05You think about that.
00:20:06I will.
00:20:06I will.
00:20:07Hmm.
00:20:08There's something that I want to say, and I don't want you to respond to it.
00:20:15But I just want you to sit there and listen to me.
00:20:17Sure.
00:20:18Oh.
00:20:20Boy, this is harder than I thought it would be, and I don't know why.
00:20:26Here goes.
00:20:30I'm gay.
00:20:32Oh.
00:20:33I'm a gay man.
00:20:35I was always a gay man.
00:20:37But I just never allowed myself to be one.
00:20:39But now, in the twilight of my years, I'm motivated to tie up loose ends.
00:20:46Now, I want you to understand that this is not the dementia talking.
00:20:51Okay.
00:20:53I'm gay.
00:20:54I'm a gay man.
00:20:56I've always been a gay man.
00:20:57But now, in my twilight years, I...
00:21:04Didn't I say that already?
00:21:06You did, Dad.
00:21:07Yeah.
00:21:08That's the dementia.
00:21:10Well, I think that's wonderful, Dad.
00:21:12I'm so happy for you.
00:21:14I knew you would understand.
00:21:16Have you told John yet?
00:21:18Oh, hell no.
00:21:18I can't tell him anything.
00:21:20He worries.
00:21:21He thinks I'm losing my mind.
00:21:24Oh.
00:21:25There's one more thing.
00:21:26You must promise me something, Richard.
00:21:28You must promise me.
00:21:29I...
00:21:30What?
00:21:31You won't tell your mother.
00:21:35I won't.
00:21:46Uncle Richard?
00:21:50Oh, my God.
00:21:54Oh, you're all grown up.
00:21:57Don't cry.
00:21:58No, no, no, no, no.
00:21:59Please, if you start crying, I'll start crying.
00:22:00I know, I know.
00:22:02I just miss her.
00:22:03Well, we all do.
00:22:05Yes, I know.
00:22:06God, I'm so glad you're here.
00:22:08Are you okay?
00:22:09Oh, no.
00:22:10She had a good life.
00:22:12No, I meant with the review and the whole thing with the critic.
00:22:16Oh, that.
00:22:17Yes, well...
00:22:19You know, I'm kind of surprised it actually didn't happen after the Beckett.
00:22:21I actually managed to repress that one.
00:22:24Yeah, thanks for reminding me.
00:22:26How do you know about all that?
00:22:28Mom forwards me all your reviews.
00:22:30Really?
00:22:30What's that about?
00:22:31She's trying to discourage me, I think.
00:22:33From what?
00:22:34Being happy, I guess.
00:22:37I never had more fun than when I went to visit you in New York.
00:22:41Nana would take me to see your shows.
00:22:43You came a lot, yes, didn't you?
00:22:44Wait a minute, you were a child, what were you, eight when you came to see Virginia Woolf?
00:22:48I was so scared, but I loved it.
00:22:50I loved all of it.
00:22:51All the actors and shows and the parties.
00:22:54It was magic.
00:22:56How many funny shows did you actually see?
00:22:58A lot.
00:22:59Really?
00:22:59Yeah, because that was the one place she saw you.
00:23:02She had to die for you to come back.
00:23:05Don't say that.
00:23:08That's not true.
00:23:13It is true.
00:23:15I'm an asshole.
00:23:17Only sometimes.
00:23:18Oh, yeah.
00:23:21Anyway, I think I want to live in New York.
00:23:24Oh?
00:23:26I remember you said if I want to be an actress, I should be there.
00:23:29And I can help you.
00:23:30Really?
00:23:31There are calls I can make, strings I can pull.
00:23:35Maybe not as many strings as before.
00:23:37I saw the video.
00:23:40Behold, I have a weapon!
00:23:43Maybe.
00:23:44But still, don't rush to New York.
00:23:46You've got a perfect opportunity right here in Millersburg.
00:23:49You've got a theater in your backyard.
00:23:51It's where I learned everything I know about acting.
00:23:53At the Millersburg Festival Theater, it was the perfect place to start a career.
00:23:58When I played Hamlet, the acoustics and such, whatever it is, it's magical because it was
00:24:04a, it was a communal experience, you know what I mean?
00:24:10Have you been to the theater?
00:24:12About yet.
00:24:13You should go.
00:24:19No, leave it.
00:24:27Let's go.
00:25:02Let's go.
00:25:21Let's go.
00:25:32Let's go.
00:25:34Let's go.
00:25:36Let's go.
00:26:18Let's go.
00:26:23Let's go.
00:26:41Let's go.
00:26:48Let's go.
00:26:51Let's go.
00:26:53Let's go.
00:26:54Let's go.
00:27:02Let's go.
00:27:08Let's go.
00:27:11Let's go.
00:27:14Let's go.
00:27:22Let's go.
00:27:30Let's go.
00:27:34Let's go.
00:27:38Let's go.
00:27:41Let's go.
00:27:55Let's go.
00:28:03Let's go.
00:28:05Let's go.
00:28:06Miranda, why don't you take some duck up to your room, okay?
00:28:09Can I have some wine?
00:28:10No.
00:28:10No, you cannot.
00:28:11You cannot have any wine.
00:28:12You know, we can't afford to produce anything on our own, so yes, we are bringing in pre-packaged
00:28:19touring musicals because we're just trying to make sure this theater survives.
00:28:23We are serving food, we are serving alcohol, and let me tell you something.
00:28:27Forever Plaid and Nonsense saved our ass.
00:28:32You're gouging out the soul of this town.
00:28:34You do know that.
00:28:35What does the mayor have to say about this?
00:28:37She's the mayor.
00:28:38I'm the mayor.
00:28:39You're the mayor?
00:28:40Yep, I'm the mayor.
00:28:41Deal with it.
00:28:42Dark and Stormy's.
00:28:43I thought it was appropriate.
00:28:44It's usually ginger beer and rum, but I've added a little...
00:28:46Just give it to me.
00:28:47Make it more of an event.
00:28:48You've changed.
00:28:50Kristen, you have fundamentally changed as a human being.
00:28:53Oh, no, no, no.
00:28:54You don't get to tell me who I am.
00:28:55I'm not telling you who you are.
00:28:56I'm telling you who you were.
00:28:58You had very high ideals.
00:29:00You were an artist.
00:29:01You built a theater company with your bare hands in New York.
00:29:05No, we.
00:29:05Nothing.
00:29:06We built a theater company.
00:29:08You just stopped showing up.
00:29:10You still blame me because my career took off and yours didn't.
00:29:13Maybe that's because I was too busy taking care of you.
00:29:15Or maybe it was something else.
00:29:20No.
00:29:22No, I'm not gonna.
00:29:23What?
00:29:24Say it.
00:29:25Do I need to say it?
00:29:26Yes, you do.
00:29:27Absolutely not.
00:29:28Do not say it.
00:29:29Do not say it.
00:29:29Say it.
00:29:30Do not say it.
00:29:31I will say it.
00:29:32Please.
00:29:33You weren't as good as I was.
00:29:35You are such a dick.
00:29:37Well, at the time you weren't.
00:29:39You wanna know why?
00:29:40I wasn't able to go to auditions because the entire time I was there I was looking after you.
00:29:44Come on.
00:29:44Please, please.
00:29:46You know what kind of dick you are?
00:29:49Hey.
00:29:50Use the front door, you know.
00:29:51Yeah, you always used to say that I was super romantic and stuff.
00:29:54Hi.
00:29:57Whoa, what is up with the yelling?
00:29:59My mom and uncle are having an epic shit fight.
00:30:02I used to date like 20 years ago.
00:30:04Your mom dated your uncle?
00:30:06Mm-hmm.
00:30:06Oh, there's duck on the bed if you want some.
00:30:13Mm.
00:30:13Oh my God.
00:30:15So I finished our Miranda demo?
00:30:17Really?
00:30:17Mm-hmm.
00:30:18And?
00:30:19It's a total banger when you slay the fucking kingdom bit.
00:30:23Don't say slay.
00:30:33That's your voice.
00:30:34Jesus, smoke out the window.
00:30:37Sorry.
00:30:38You do sound pretty good.
00:30:43So I can get us gigs when you're at Penn.
00:30:46And I got a lead on an apartment in Brewery Town.
00:30:48It's $850 a month, which is sick.
00:30:51Could we chill for like five seconds?
00:30:53Yeah.
00:30:54Just know what we're doing?
00:30:55Yeah, it's just you're...
00:30:55I'm not accepted at Penn.
00:30:57I'm waitlisted at Penn.
00:30:58And you're talking about apartments.
00:30:59It's stressing me out.
00:31:00Penn would be crazy to not take you.
00:31:04I mean, you're the smartest, most talented, most wonderful person I've ever met.
00:31:07Thanks.
00:31:10Why am I even trying to go there?
00:31:14It's a great school.
00:31:15I know that's what my mom says, but...
00:31:20I don't know.
00:31:23My nana's gone.
00:31:26Might be moving away.
00:31:32Everything just happens so fast.
00:31:41Why?
00:31:44You're so hot.
00:31:48You called her a bad actress again.
00:31:51Why do you do that?
00:31:53She gets all self-righteous, you know, and just...
00:31:58Writes off my whole life.
00:32:00She gets in my head.
00:32:02To this day, when I'm trying to make a decision about something, I hear her voice judging me.
00:32:08You know, sometimes, when you talk about Kristen, it's like you think you're married to her.
00:32:14And I just want to remind you, she's actually my wife.
00:32:18Oh, I know.
00:32:19Yeah.
00:32:19I know.
00:32:20And she was a terrific actress in New York.
00:32:22She just didn't want to be there.
00:32:25Not with me.
00:32:29Mom's dead.
00:32:31She was always there.
00:32:35And now...
00:32:37She's not.
00:32:39To Mom.
00:32:41To Mom.
00:32:47I want you to know...
00:32:50I've decided to stay for the funeral.
00:32:53You know, attending your mother's funeral is not a noble thing.
00:32:58You...
00:32:58You make it sound...
00:33:00Noble.
00:33:01It's my voice.
00:33:03I'm gonna pay for the whole thing, every penny.
00:33:05Yes, you will.
00:33:07Yeah.
00:33:07I want to have it at the theater.
00:33:09The funeral?
00:33:10Yes.
00:33:10I want Mom on stage.
00:33:11One last time.
00:33:12In a coffin.
00:33:13Of course.
00:33:14Obviously.
00:33:17Invite the town.
00:33:20The theater will live.
00:33:21Again.
00:33:23If only briefly.
00:33:25Then...
00:33:26I'll be gone.
00:33:28It'll be my swan song.
00:33:32Isn't it Mom's swan song?
00:33:34Yes.
00:33:35Hers too.
00:33:39There's a restaurant.
00:33:41Mom's dead.
00:33:43I don't know if we can actually do that.
00:33:46Put a dead body in a restaurant.
00:33:48We're...
00:33:48We're gonna need to get a permit.
00:33:50I think you'll be able to make that happen.
00:33:52You know the mayor.
00:33:58It's a shitty apartment building.
00:34:00Where a lot of very lovely people live.
00:34:02And it's on a lot that is not zoned commercial.
00:34:04So, rezone it.
00:34:06Best Buy needs 5,000 square feet and I can't get that within the mall footprint.
00:34:09Well, I'm sorry but I can't keep going back to planning and zoning for you.
00:34:14People are not liking it.
00:34:15Best Buy.
00:34:16Best Buy.
00:34:17I mean, I'm bringing you a Best Buy title with a bow.
00:34:20I mean, look at me expanding your tax base.
00:34:23It's a gift.
00:34:25And I do not mean to sound ungrateful.
00:34:28But there are a lot of people in this town who were beginning to think that you're the...
00:34:32The Devil.
00:34:33Yeah.
00:34:34Yeah, because the devil comes to town in the dark of night and replaces a vape shop.
00:34:39Flowers by Barbara and a shitty residential building with a Best Buy.
00:34:44It's the worst Stephen King novel I can imagine.
00:34:47Flowers by Beverly.
00:34:49Her name's Beverly.
00:34:50And I'm really sorry for Beverly, but I didn't kill her business, COVID did.
00:34:57Look, conversations like this are happening all over this country and they're not easy.
00:35:01But you know, you can either cry for the florist or the vape shop or...
00:35:09You take my money.
00:35:10And you take it and you rebuild this town.
00:35:15Or don't.
00:35:17You know, just hold a candlelight vigil for the whole friggin' thing.
00:35:21If I go to P&Z for you, then I need to be able to tell them that you've committed
00:35:26to building some low-rent residential.
00:35:28At least 12 units. And in a better location.
00:35:31Why not?
00:35:32And...
00:35:33A $250,000 donation to the daycare center at the Y.
00:35:37Done.
00:35:43Oh, look at all, eh?
00:35:48You do cost me some money, but we're doing it.
00:35:52We're doing business.
00:35:54How's the theater?
00:35:56It's fine, fine.
00:35:57But it's a lot right now.
00:35:59I don't know if you know...
00:36:02My mother-in-law just died.
00:36:05Do you need help?
00:36:07Because, you know, if you help me with the taxes on 217, roll them all in...
00:36:11You need to go now.
00:36:13Should I, uh, cross the line?
00:36:16Hey, listen you. We're doing good work here.
00:36:18You should be proud.
00:36:20Oh, and if I am the devil, then maybe the devil is what Millersburg needs.
00:36:31Yes.
00:36:32Hey, Dad.
00:36:33Look at this.
00:36:35If John let your cape touch the floor even for a moment, you'd chase him around the room and beat
00:36:40him with your stick.
00:36:41Oh, yeah, I remember that.
00:36:44Two funny boys.
00:36:45Yeah.
00:36:46Your mother and I had a great laugh about that this morning.
00:36:49Did you?
00:36:50That's good.
00:36:52Speaking of mom, we're doing a thing for mom tomorrow at the theater.
00:37:01A show?
00:37:02It's a kind of show.
00:37:04Um, it's, it's a, it's a, it's a, it's just, it's a thing for, for mom. A celebration.
00:37:11Whoa, are you in it?
00:37:12Yeah, I have a part, but it's, it's, it's more of an ensemble kind of thing. Mom, in fact, is
00:37:19the star.
00:37:21Do you understand?
00:37:23I understand, but my sweet boy, it's not possible.
00:37:28It breaks my heart to say this, but she gave up her equity card years ago.
00:37:36I, I suppose if it's a one-off thing, the union would reinstate her.
00:37:41Uh, let me look into it.
00:37:44Mind you, if, if it's a comedy, maybe I could take her place.
00:37:49Remember my lady, Blacknell? I had her rolling in the aisles.
00:37:53It's more of a drama, Dan.
00:37:56Um, I'll call the equity people, I'll let you know what they say, okay?
00:38:00Okay, I'll see you later.
00:38:09I hope it's not inappropriate for me to say, but I'm a big fan of your work.
00:38:13Oh, no, never inappropriate.
00:38:16I followed your career. We actually worked together once, many years ago.
00:38:20Of course we did. Yes, yes.
00:38:24Yes, we did play together. You were, uh, oh, I remember, I know, I was somewhere with you.
00:38:28It was at the MFT.
00:38:29It was at the MFT, yes. What?
00:38:31Midsummer Nice Dream.
00:38:32Yes, of course. You were, you were Demetrius.
00:38:36I was Demetrius. You were Lysander.
00:38:39Kenny did the glitter makeup for the fairies.
00:38:42Oh.
00:38:43That's when the bug bit me.
00:38:45Uh-huh.
00:38:45I still do all my clients myself.
00:38:48Oh.
00:38:48No more glitter, though.
00:38:50You know?
00:38:50No.
00:38:51That's good.
00:38:52I mean, it is an art.
00:38:53I mean, simulating the glow of tissue flushed with blood and concealing scars and sutures
00:38:59so your loved one doesn't, you know, look like a mannequin.
00:39:04But the best moment that I've ever had in the theater is the two of you doing Our Town.
00:39:12Falling in love in the soda shop.
00:39:15You were so good together.
00:39:18So real.
00:39:20Now, shall we say hello to your mother?
00:39:23Yes.
00:39:25She's not finished, but I think you'll be pleased.
00:39:30Excuse me, Kenny? Kenny? When you say not finished, in what way not finished?
00:39:36Don't worry. She just looks like she's asleep. Like she could pop awake at any moment.
00:39:42Could you? Could you just give me a moment?
00:39:46Certainly.
00:39:51Wait, John.
00:40:00John's not very good with death.
00:40:02I know, I know.
00:40:04So I want to apologize for what I said at dinner last night.
00:40:07About my lack of talent?
00:40:10I was just...
00:40:12Kenny's right. You were good in Our Town. You were good in everything.
00:40:16I was good.
00:40:17Yeah.
00:40:22That was a long time ago.
00:40:32Richard.
00:40:33What is it?
00:40:37I'm sorry about Ethel.
00:40:41I really loved her.
00:40:43I know you did.
00:40:44She was like my mother, too.
00:40:51She wore this to your opening of Long Day's Journey.
00:40:54Oh, it's beautiful.
00:40:57But we're gonna put it on her and no one's even gonna see it, right?
00:41:00Mm.
00:41:01Yeah.
00:41:03Everything just feels so ridiculous and pointless.
00:41:07What do you mean? What do you mean by everything?
00:41:09Everything.
00:41:11They give birth astride of a grave.
00:41:13You're too young to quote Beckett.
00:41:16You've got your whole life ahead of you.
00:41:18What am I going to do with it?
00:41:19You're going to be an actor.
00:41:21Mom wants me to go to Penn.
00:41:23What do you want?
00:41:25I want to act.
00:41:27But I don't even know if I'm any good at it.
00:41:30Of course you're good.
00:41:31You're my niece.
00:41:32But maybe I only want to do it to piss Mom off because she doesn't want me to do it.
00:41:36I don't know.
00:41:37I have anxiety all the time and everything is just fucked up.
00:41:42Democracy is dying.
00:41:43People hate each other.
00:41:44The world is just falling apart.
00:41:46It's different than when you guys were young.
00:41:47We had the Cold War. We had the bomb.
00:41:49We had race riots.
00:41:50We had Richard Nixon.
00:41:53We had the Vietnam War.
00:41:55Did Papa or Nana ever tell you about the rock musical that they put on at MFT?
00:42:00No.
00:42:00Viet Rock it was called.
00:42:02Very controversial.
00:42:04They were picketing us.
00:42:05I had this song.
00:42:07Men Die Young was the name of the song.
00:42:10Don't put all your eggs in one basket.
00:42:13Baskets wear out and men die young.
00:42:16One night I was singing it.
00:42:18And I came face to face with this woman that I knew whose son had just gotten his orders for
00:42:24Vietnam just two weeks before.
00:42:26And I'm singing this right in her face.
00:42:28What did she do?
00:42:29She threw her arms around me and hugged me tight.
00:42:33I just kept singing.
00:42:36What can I do?
00:42:40Every night after the play the audience and the actors would gather together and talk.
00:42:45Anyway, we had our troubles.
00:42:52Yeah.
00:42:53We felt disenfranchised, angry as hell.
00:42:59But we had a place where we could commiserate and commune.
00:43:04Now that place is a dinner theater.
00:43:07Uh, yeah.
00:43:09But it's still a theater.
00:43:11So there's hope.
00:43:14Oh, yeah.
00:43:16Perfect.
00:43:20Good.
00:43:21Now the other one has to come in about three inches.
00:43:24How's it going?
00:43:25Oh, great.
00:43:26You know, I'm glad you're here.
00:43:27You can help me with the music cues.
00:43:29I'm going to have underscoring.
00:43:30You know, between.
00:43:32It's transitional.
00:43:33Why are you there?
00:43:37That's me and Hamlet.
00:43:38That was Mom's favorite.
00:43:39You can't do that.
00:43:41Why not?
00:43:42Because it's not your funeral.
00:43:44I'm shocked I have to remind you of that.
00:43:46I know it's not my funeral, but Mom loved that performance.
00:43:51It was her favorite.
00:43:52And the town will recognize it.
00:43:54Ties in the whole theater, Mom, the graveyard, death.
00:44:00The whole tragedy.
00:44:03Okay, fine.
00:44:04Nina, let's lose the photograph stage right.
00:44:08Put it downstairs.
00:44:09And replace it with Mom in Salome.
00:44:12No.
00:44:15Hold that thought.
00:44:17Mom in South Pacific.
00:44:19It's in the green room.
00:44:21Happy?
00:44:21Yes.
00:44:22Let's run the sound cues for Ethel's entrance, shall we?
00:44:25Yeah.
00:44:26We're going to run cue 14.
00:44:27Her entrance?
00:44:29Yeah.
00:44:30Start with number one, please.
00:44:32Whenever you're ready.
00:44:33Number one.
00:44:56Yeah, I get it.
00:44:57I get it.
00:44:58You're transfixed.
00:44:59You don't like it.
00:45:00I get it.
00:45:00I know.
00:45:00It's too much.
00:45:01It was just an idea.
00:45:03Reset 14.
00:45:05Reset 14.
00:45:06This next one is going to be entirely different.
00:45:08Much more lighthearted.
00:45:09More carefree.
00:45:10More whimsical.
00:45:10You'll recognize it.
00:45:12It's one of Mom's favorites.
00:45:15Number six.
00:45:16Number six.
00:45:18Going.
00:45:29What?
00:45:31Too light?
00:45:32Send in the clowns.
00:45:34Isn't that totally disrespectful?
00:45:35Is it just me?
00:45:37Yeah, it's just you.
00:45:38I said the same thing.
00:45:40Thank you, Randall.
00:45:41You're welcome.
00:45:42Thank you, Randall.
00:45:43Yes, and how many Tony Awards have you won?
00:45:45Remind me, please.
00:45:46Yeah, okay, I don't know what I'm doing.
00:45:47I mean, how would I...
00:45:48Hey, hey, hey, hey, take a breath.
00:45:49Take a breath.
00:45:49Hey, hey.
00:45:50Clearly, I know nothing.
00:45:52Listen, maybe, maybe, maybe, don't have to cough and descend.
00:45:58Just have it on the stage at the beginning.
00:46:02Nope, nope.
00:46:03Just got to have an entrance.
00:46:03Sorry, sorry, this is the theater that Mom built with Dad, and it's her last entrance,
00:46:09and it's got to be a big entrance, okay?
00:46:11Cue three.
00:46:35What the fuck?
00:46:38Okay.
00:46:39Go, go, go, go!
00:46:41I don't know what I was thinking.
00:46:43I'm sorry.
00:46:43I just am sacrificing everything for some cheap spectacle.
00:46:47I'm not trusting the material.
00:46:49It's a funeral.
00:46:51Everybody loved Mom.
00:46:52They're gonna be sad.
00:46:53Yeah.
00:46:54Yeah.
00:46:54I just want it to be perfect.
00:46:55That's all.
00:46:57I know you do.
00:46:58I know you do.
00:46:59It's gonna be great.
00:47:00Yeah.
00:47:01Hey, just the fact that it's here.
00:47:04In our theater.
00:47:05Of course, I know.
00:47:06You're right.
00:47:07It's your gift to her.
00:47:08Yeah.
00:47:09Thanks, John.
00:47:10You're right.
00:47:10Um, let's lose the fog machine, random.
00:47:14That's a mistake.
00:47:23Thanks, John.
00:47:24I got it, dude.
00:47:25Thanks for coming.
00:47:30You have the house.
00:47:34How's that?
00:47:39I'm in.
00:47:44Richard.
00:47:45Richard.
00:47:47Here I am.
00:47:48How are you doing, Dad?
00:47:49Fine, fine.
00:47:50John's taking good care of me.
00:47:52Good.
00:47:53Your mother is so looking forward to this.
00:47:58We're good.
00:48:00Would you help, Granddad?
00:48:05Hi, sweetie.
00:48:06That's right.
00:48:08What?
00:48:09Oh.
00:48:19Hi, everyone.
00:48:23It means so much looking out and seeing you all here.
00:48:28And I want to thank you for coming here today to help us celebrate the life of my mother,
00:48:34Ethel B.
00:48:35Me.
00:48:38A wife.
00:48:39An actress.
00:48:42And a friend.
00:48:43A friend to all of you.
00:48:48I'm sorry.
00:48:51I'm sorry.
00:48:55You okay?
00:48:55Yeah.
00:48:59Where were you?
00:49:02A friend to all.
00:49:04And Grandam of this, our family's theater.
00:49:08As some of you know, she was born in Dayton.
00:49:11And she worked her way through nursing school as an upholsterer's assistant.
00:49:15But the truth is, life for Ethel Harper Bean really didn't begin until she played Laura in the Glass Menagerie
00:49:23right here on this stage.
00:49:27With Linus there as her gentleman caller.
00:49:32Okay, I think I've got it.
00:49:34I'm good.
00:49:34I think I've got it.
00:49:37You know, my mother always dreamed of being an actress.
00:49:43But it took her a while to find a home.
00:49:45This place.
00:49:47This place was her home.
00:49:49The Millersburg Festival Theater.
00:49:52And it's her life in this place that she would want us to celebrate.
00:49:57Now we have a video for you.
00:49:59It was put together by Miranda and Randall.
00:50:02So, please.
00:50:27Horace Bandeguilder never tired of saying most people, people in the world.
00:50:33We're fools.
00:50:35And in a way I think he's right, isn't he?
00:50:40But there comes a moment in everybody's life when he must decide whether to live with human beings or not.
00:50:47Be a fool among fools or a fool alone.
00:50:51As for me, I've decided to live among them.
00:51:07Excuse me, is there a funeral happening in here?
00:51:09Yes, there is.
00:51:10Wait.
00:51:11You are he?
00:51:12What?
00:51:13You're from the movies, Connor.
00:51:15This is he.
00:51:16He's the one I tell you about.
00:51:18Oh, my God.
00:51:19What's your sign?
00:51:19What's your sign?
00:51:20Just one thing I have.
00:51:21Maybe a little bit.
00:51:22I'm so sorry.
00:51:22This is totally inappropriate.
00:51:23I'm Connor Boyle.
00:51:24I'm working with the mayor.
00:51:27You're a sister-in-law.
00:51:28No, I mean, you are...
00:51:29No, he's Richard Dean, you idiot.
00:51:31He's huge.
00:51:32Oh, you know, she's huge.
00:51:33Come on, look.
00:51:34Would you sign something, please?
00:51:37Of course.
00:51:38Shhh.
00:51:40It's nice, isn't it?
00:51:41All right.
00:51:43Put to Nadia.
00:51:46Nad...
00:51:47Nadia.
00:51:48Nadia.
00:51:49With great love and respect.
00:51:53And I...
00:51:55And don't ever...
00:51:56Don't ever give up on dreams.
00:51:59I won't.
00:51:59And then put...
00:52:00Your dreams will...
00:52:01Your dreams will come true one day.
00:52:04Your dreams?
00:52:04I hope so.
00:52:05I promise.
00:52:07Okay.
00:52:08Love always.
00:52:09Love always.
00:52:09I carry you in my heart.
00:52:12I've run out of room.
00:52:13And then you just put...
00:52:14Just put your name.
00:52:14Yeah, just great.
00:52:15Really appreciate it.
00:52:16Thank you very much.
00:52:16You don't know how much this means to me.
00:52:19You don't know how the theatre...
00:52:21It feeds me.
00:52:22I hope they haven't buried her yet.
00:52:24When you walk through a storm,
00:52:29Hold your head up high
00:52:33And don't be afraid of the dark
00:52:36At the end of the storm
00:52:40There's a golden sky
00:52:43And the sweet silver song
00:52:48Of a lark
00:52:50Walk on through the wind
00:52:55Walk on through the rain
00:53:00Though your dreams be tossed and blown
00:53:06Hello.
00:53:07It's your paid friend, Ali.
00:53:09Richard, are you there?
00:53:10Yes, I am.
00:53:11Here's the deal.
00:53:12They are willing to have you back at Liera,
00:53:14But you need to consent
00:53:15To a psychological evaluation
00:53:17And two weeks of anger management training.
00:53:20Walk on through the wind
00:53:21Yes?
00:53:22I'll have to think about it.
00:53:23I'll call you back.
00:53:25You'll never walk alone
00:53:42I have to admit, I thought this would be a train wreck.
00:53:45Oh, I gave him a few notes.
00:53:47It's kind of great.
00:53:53We are such stuff as dreams are made on
00:53:57And our little life is rounded
00:54:00The sleep
00:54:03Shakespeare's Tempest
00:54:05His last play
00:54:07And his farewell to the theatre
00:54:10Fitting words today as we say goodbye
00:54:13To my mother Ethel
00:54:14The founder of this
00:54:18This theatre
00:54:21It's difficult for me to explain
00:54:22What it was like
00:54:23Growing up in an atmosphere of creativity
00:54:25And free expression
00:54:27And the impact that it had
00:54:28On me
00:54:29And my brother John
00:54:31On Kristen
00:54:32And Miranda
00:54:35And this town
00:54:38There's Mrs. Wilkie
00:54:38My favourite algebra teacher
00:54:41And a brilliant Masha
00:54:43In the seagull
00:54:44Howard Frazier
00:54:45Who
00:54:46When the lights went out
00:54:47On our
00:54:47Morning Becomes Electra
00:54:49He ran out to his truck
00:54:50Hooked up our electrical system
00:54:52And in five minutes
00:54:54Presto
00:54:54The lights were back on
00:54:55He knew how important it was
00:54:57To keep the lights on
00:54:58In this theatre
00:54:59At that moment
00:54:59It was the most important thing
00:55:01In his life
00:55:01And it still is
00:55:03Important
00:55:04Because the Millersburg Festival Theatre
00:55:06Was not just my mother's home
00:55:08It was
00:55:09And is
00:55:10The soul
00:55:12Of this town
00:55:14Sadly
00:55:15I must report that
00:55:17Because of financial pressures
00:55:19And
00:55:21Misguided programming choices
00:55:24This theatre's in trouble
00:55:27It might even close
00:55:28That's right
00:55:29But we're not going to let that happen
00:55:33Are we?
00:55:34No
00:55:37I'm coming home
00:55:39To Millersburg
00:55:41I'm coming home
00:55:42And I swear to you
00:55:44That together
00:55:46I will restore
00:55:48The soul
00:55:50Of this town
00:55:51By producing
00:55:52And directing
00:55:53And maybe starring in
00:55:55The greatest production
00:55:57This country has ever seen
00:55:58Of a true
00:55:59American classic
00:56:01Thornton Wilder's
00:56:02Our Town
00:56:05My friends come home
00:56:18This is Mom's funeral, right?
00:56:20No, not anymore
00:56:21It's the Richard Bean Show
00:56:31John?
00:56:32John?
00:56:34Hey, listen to me
00:56:35Cover your ears!
00:56:36No, you have to tell him
00:56:37You have to tell him
00:56:38That if he goes through with this
00:56:39That theatre, it closes forever
00:56:43John!
00:56:44You don't want coffee?
00:56:44No, I'm already
00:56:45I'm seeing noises
00:56:47You have to talk to him
00:56:49Right?
00:56:49Now, this morning
00:56:50Okay, it might work better
00:56:51If we do it together
00:56:52I have Boyle in half an hour
00:56:54And then I have the
00:56:55Concerned Parents' book burning summit
00:56:57And besides, I might kill him
00:56:59So you have to do it
00:57:00Okay, okay, okay
00:57:00But just for the sake of discussion
00:57:02I mean, it is Our Town, right?
00:57:03There's no sets
00:57:04There's no props
00:57:05It's the mime, right?
00:57:07It's the cheapest show in the world
00:57:08It's the greatest Our Town
00:57:11But that's what he said
00:57:12This is going to be some
00:57:12Crazy Richard Bean shit
00:57:15That's going to just bankrupt all of us
00:57:16Well, we don't know that
00:57:17Yes, we do
00:57:18Because I know him
00:57:19Sir, we do not have the money
00:57:22For original productions of any kind
00:57:24We don't have any money at all
00:57:26Look, you have to talk to him
00:57:27You have to just
00:57:28Get him to go away
00:57:29I made bagels
00:57:30From scratch?
00:57:31Take him for lunch
00:57:33Take him for lunch
00:57:33I'll talk to him
00:57:35I'll talk to him
00:57:35You know
00:57:37He's probably forgotten about it already
00:57:38He gets swept up in the moment
00:57:41I mean, does he ever follow through with anything?
00:57:52What, uh, what are you doing?
00:57:54Uh, I made a great deal on some new theories
00:57:58Seats?
00:58:00221 upholstered flip-up seats from an old movie house in New Jersey
00:58:05And he said if I bought the whole lot
00:58:07I could get him for like $95 per unit
00:58:11Per seat?
00:58:12And free delivery
00:58:13Hold on, wait, hold on
00:58:14That's
00:58:15That's more than $20,000
00:58:17You can't
00:58:17Jesus Christ
00:58:18Richard
00:58:20We gotta talk
00:58:21Listen
00:58:21Listen
00:58:21I made a vow
00:58:22Over our mother's cold, dead body
00:58:25Okay, stop saying that
00:58:26That I would restore this theater to its former glory
00:58:30Yes, okay
00:58:30But this is a working theater
00:58:31We have another week of nonsense
00:58:33Don't remind me
00:58:33You can't just come in here and tear it all apart
00:58:35I know
00:58:35I'm not tearing anything apart
00:58:36Help me move these tables
00:58:37I'm just making a plan
00:58:38I'm helping you
00:58:39I'm keeping you comfortable
00:58:40You're not helping me at all
00:58:41Yeah, I feel weak
00:58:42Oh, you feel
00:58:43Hell, I know what this is
00:58:44This is your low blood sugar thing, right?
00:58:47Low blood sugar
00:58:48Low blood sugar
00:58:49Okay, I'm gonna make you a sandwich
00:58:50Thank you
00:58:51Yeah, I love you, brother
00:58:58Thank you
00:59:03The matinee special
00:59:05That's fantastic
00:59:06I take on a Reuben with a spicy pickle put in there
00:59:10No, but there's something in the bread
00:59:12Juniper berries
00:59:13I fold them in instead of caraway seeds
00:59:16You made the bread?
00:59:18Yes, I made the bread
00:59:19You could've gone to Subway
00:59:21On Main Street
00:59:21You're not gonna do that
00:59:22No, no, you're not
00:59:24And why?
00:59:25Because this sandwich
00:59:26Is a sandwich of a certain standard
00:59:29This is the Thornton Wilder
00:59:32Sandwiches
00:59:33People who have bite into this sandwich
00:59:35You're never gonna be satisfied with Subway
00:59:37Again, you see where I'm going with this?
00:59:39Maybe
00:59:40I see in our town
00:59:42It's completely new
00:59:45It'll have a real soda fountain
00:59:48It'll have a horse crossing the stage
00:59:51It'll have rain falling through the sky
00:59:54Like the sky is weeping
00:59:55Sounds very expensive
00:59:57It's my juniper berries
00:59:59See?
01:00:00Okay?
01:00:01Dad
01:00:03Can play the stage manager
01:00:04He can't do it
01:00:05Yes he can, he did it for me this morning
01:00:06Richard, Richard, you haven't been here
01:00:07He can do it
01:00:08You know, two weeks ago
01:00:09We found Dad walking down 3rd street
01:00:12In his slippers
01:00:13In one of Mom's hats
01:00:14He had no idea where he was
01:00:15Doesn't matter
01:00:16The play is locked in there
01:00:18Trust me
01:00:19It will be all of us
01:00:20As a family
01:00:22Telling great stories
01:00:24Yeah, that's what we do
01:00:27And the people who are lucky enough to be sitting
01:00:30In our new seats
01:00:32They're gonna remember it
01:00:34For a long time
01:00:40I'm so, so sorry
01:00:41I'm late
01:00:42I'm dealing with this small family thing
01:00:44And it's not really small
01:00:45It's suffocatingly large
01:00:48Actually, it's enormous
01:00:49But you know what?
01:00:50I'm getting a rash
01:00:51You wanted to talk about your payment?
01:00:55Yes
01:00:56I know we're already behind
01:00:58But we had to cancel several shows because of the funeral
01:01:02And there's this famous actor in the family
01:01:04And he has to make everything about a show
01:01:06So it's...
01:01:06So you're defaulting on the loan?
01:01:07No
01:01:09No, no, no
01:01:10No, no, no
01:01:12It's just about this month
01:01:19I'm only pulling your leg
01:01:22I know you're good for it
01:01:23Yeah, forget about this month
01:01:25We'll call it a payment holiday
01:01:27Oh God
01:01:29Thank you, thank you
01:01:31I promise we'll make it up next month
01:01:35Can we keep this between us?
01:01:37Yeah, dead on
01:01:38Oh, and in return
01:01:40Connor
01:01:41I cannot give you a quid pro quo
01:01:43I've told you that
01:01:44I've made it quite clear
01:01:45No, no, you're signed
01:01:46It's not about permits
01:01:47It's about dinner
01:01:53What?
01:01:55Yeah, would you mind inviting Nadia and Mia over for dinner?
01:02:00Oh, that's it?
01:02:01She's obsessed with the actor fella
01:02:03I mean, she said she used to watch him back in Russia
01:02:06You know, I don't know
01:02:07She said she wants to ask him some questions
01:02:08And you know, our hearts all flutter with this theater shite
01:02:11So, a dinner with him would make her happy
01:02:13I mean, if that's not a problem
01:02:15No, no
01:02:17Getting Richard Bean to talk about himself is not a problem
01:02:20Just don't count on an early night
01:02:22What is your obsession with fog?
01:02:25Fog? What do you mean?
01:02:26You wanted it at the funeral too?
01:02:28No, no, this is going to be a heavy fog that will drift off of the stage
01:02:31Into the audience, nestle at their feet
01:02:33And kind of invite them to be part of the action
01:02:36Okay, but it's a small space, so you have to be careful, right?
01:02:39You're worried about the CO2, are you?
01:02:41Well, yes, it is lethal, but that's only if the audience gets down on their hands and knees and tries
01:02:46to huff it
01:02:47Well, hi boys
01:02:48Hello
01:02:49How's it going?
01:02:50Three quarters full, Miranda's doing drinks
01:02:53Hello Richard, how are you?
01:02:56Well, I'm fine
01:02:58Well, what have you beans been up to?
01:03:02Well, Richard has been walking me through production design
01:03:05It's ambitious, but it's very cool, and I was about to tell him what you'd said
01:03:10What did you say?
01:03:12Well, I was going to say that I know whatever you come up with will be ambitious, but very cool
01:03:21Really?
01:03:22Yeah
01:03:22High praise coming from you
01:03:24I'll take it
01:03:25So, how ambitious?
01:03:27Just out of curiosity
01:03:28You want to know the cost?
01:03:29Well, I based my budget on a typical Broadway budget
01:03:35Why would you start there?
01:03:37I mean, this is Millersburg
01:03:40No, I know that, I know that
01:03:41Polly's going to oversee the whole design for free
01:03:44And she told me that if we don't use the Union crew for the load-in, that's $400,000 right
01:03:49there
01:03:50I beg your pardon?
01:03:51The $400,000 that we save
01:03:53Okay, they're all ship-faced, we can start
01:03:55Good
01:03:58What's that?
01:03:59Oh, this is my, our tone
01:04:02Just drawings and sketches, just thoughts, you know
01:04:05I'm so excited
01:04:07You know, I'm casting it with local actors, and I think I have something very nice for you
01:04:14You don't mean
01:04:15You don't mean
01:04:16I do
01:04:17Seriously?
01:04:19Yeah
01:04:22Okay, okay, enough
01:04:23Back to serving
01:04:24Thank you, I love you
01:04:25Is this a good go?
01:04:26Yes
01:04:26There we go
01:04:27Bye
01:04:28Hey
01:04:29Don't you think she'll make a wonderful Emily?
01:04:31I mean, she could be as good as you, she could be better than you
01:04:34Cut to the chase
01:04:35How much?
01:04:37All in
01:04:38If we pay the actors equity minimum, ballpark figure, it'd be $250,000 a week
01:04:46For our town?
01:04:47That's our operating budget for the entire year
01:04:50I've got some wiggle room, I can give up my waterfall, I can just get rid of the cornfield
01:04:56It's our town, there is no waterfall, or cornfield
01:05:01Okay, up front, it's more like $200,000
01:05:04And once we cover the nut, then the production pays for itself
01:05:09Oh, speaking of which, I bought 212 theater seats
01:05:14And I thought, since they're a permanent addition to the theater, that maybe you could expense it for me
01:05:20You bought? You didn't buy the seats?
01:05:23Yes, the guy told me I'd be an idiot not to buy them
01:05:26Those were his exact words
01:05:27No, but you didn't buy them
01:05:28Yes, I did, I told you I did
01:05:30No, you didn't tell me that, you told me you found them online, I told you not to buy them,
01:05:33I told you to slow down
01:05:34Oh my God, oh my God
01:05:35No, no, see this, no, I understand, I didn't know he bought them
01:05:39He told me he found them online
01:05:41What do you think, your seats are free?
01:05:42He didn't tell me he bought them, please, I didn't know
01:05:44I had a great deal, I don't know what you're talking about
01:05:46Okay, just do me a favor, go give those nuns their 15 minute call, please
01:05:49Okay, new seats, you lie
01:05:51Okay
01:05:51You have to sit somewhere
01:05:52So
01:05:53What's his problem?
01:05:54So
01:05:55What a worrier
01:05:56Um
01:05:57Yeah
01:05:57Why don't you keep this, just in case there's a problem, and you might, you might have to return them
01:06:02Well, no, no, this was a kind of final sale sort of deal
01:06:06Just in case
01:06:07You don't actually think I expect you to pay for the whole thing yourself, do you?
01:06:12What?
01:06:12I mean, my vision of our town, my rain and horses
01:06:18Rain? Horse?
01:06:20Because, you know, I do have access to angels, super angels, friends
01:06:23That is, in fact, very good to hear
01:06:26Now, I need you to do something for me
01:06:34Come to the house Thursday night
01:06:36I am, I'm having a dinner for a developer who is literally the only person in the world
01:06:42Who is putting money back into this town
01:06:44And, and for his wife, or girlfriend, or God only knows what she is
01:06:51But she is a big fan
01:06:54Oh
01:06:55Oh, a fan
01:06:56Yeah
01:06:58So, you'll come?
01:06:59No
01:06:59I'm kidding, of course I'll come
01:07:04And you'll, you'll act normal
01:07:07I'll give it a shot
01:07:08For you
01:07:10For the town
01:07:13Thank you
01:07:14Anything to help
01:07:17I'm gonna make a phone call or two
01:07:19Yeah
01:07:21Is Richard Bean calling with a proposal I'd like to make to James Davis?
01:07:26I'd say it's business and pleasure
01:07:29Yeah
01:07:30It's about, it's about a show
01:07:33Bean, B-E-A-N
01:07:35Like the legume
01:07:37Oh, she's not there
01:07:39Okay
01:07:40Uh
01:07:43If you let me speak to him, I think I can plead my case a little more, um
01:07:47Directly, you know what I'm saying?
01:07:49He just went to lunch
01:07:50It's externing
01:07:51What time is it where you are?
01:07:52Yeah, tell her it's the Beano
01:07:54That was her nickname for me, you see?
01:07:56Yeah
01:07:57Oh, she, oh she did
01:07:58I see
01:08:00Yeah, I wouldn't really call it a rampage
01:08:02I think that's a bit severe
01:08:04Yeah, no, my name is Bean
01:08:06Yeah, as in has been
01:08:11As a thought experiment, what would it take for me to finance this whole endeavour myself?
01:08:19Uh, a miracle?
01:08:21Why? Could you explain?
01:08:23Well, there's a lack of incoming funds, but you've still got your expenses, your mortgage, your maintenance fees, the alimony
01:08:29Yeah, I get all that, what can I put my hands on right now? What's liquid?
01:08:33I mean, I could mortgage the apartment?
01:08:35Could I?
01:08:36Are you familiar with the term upside down?
01:08:39Upside down, of course I am
01:08:40Yeah, but I suspect you're using it in some arcane financial context
01:08:49I can't do it, I can't make, I can't make the show happen
01:08:52No
01:08:53I've let everyone down
01:08:56Yeah
01:08:59You saw their faces at the funeral, they were all aglow, their eyes filled with tears
01:09:05You know, some of those tears were for Mom
01:09:09Well, yeah, even the standing ovation, partially for Mom, I'm sure
01:09:14What?
01:09:15Are you going to say something?
01:09:17It was a good idea, maybe this is just not the right time
01:09:20You know, maybe we plan this for some time in the future, the distant future, when you're back at work
01:09:26Yeah, there must be some place I can crawl to
01:09:30What are you doing tonight?
01:09:31Well, I'll probably be here drinking myself into a stupor
01:09:34No, we're going to a show
01:09:37Oh, please, John, not tonight, I'm not in the mood for nonsense
01:09:41No, it's Monday night, no nonsense
01:09:44You're going to love this
01:09:46Trust me
01:09:47Can I have one more of these, just to get me through the afternoon?
01:09:50As long as it's with you
01:09:57You can take the light away
01:10:02You can turn the sky to grey
01:10:07Give us time
01:10:10Give us time
01:10:11To look and find
01:10:12Give us time
01:10:30To look and find
01:10:59I'd just like to say a quick word about my favorite uncle, Richard Bean.
01:11:07He made a crazy promise, which some of you might have heard about, and it inspired all of us.
01:11:12And, well, it's not a big surprise because he's been inspiring me for most of my life.
01:11:19He's here, sitting there in the back.
01:11:22I swear this wasn't planned, but maybe we could get him to sing something.
01:11:27Oh, he's going all shy.
01:11:29No, I couldn't. I couldn't. I haven't prepared anything.
01:11:33He's actually sung on Broadway.
01:11:34Come on, you're never here.
01:11:37Uncle, uncle, uncle.
01:11:40Come on, man.
01:11:40That doesn't have your time.
01:11:41That's all right.
01:11:43Uncle, uncle, uncle.
01:11:49Very well.
01:11:51Mm-hmm.
01:11:52Mm-hmm.
01:11:53I haven't warmed up.
01:11:54I wasn't expecting this, brother.
01:11:55You know, I think it's going to be fine.
01:12:02I am Aidan Quixote, the lord of La Mancha.
01:12:07My destiny calls, and I go onward to glory.
01:12:15Oh, come on.
01:12:16No, I can't.
01:12:17Don't stop.
01:12:18You sound brave.
01:12:19You're very kind.
01:12:21You're not being kind.
01:12:22Come on, please.
01:12:22Keep going.
01:12:23You sound great.
01:12:25To dream the impossible dream
01:12:31To fight the unbeatable foe
01:12:37To bear with unbearable sorrow
01:12:42To run where the brave dare not go
01:12:48To right the unrightable wrong
01:12:53To love your own chase from afar
01:12:57To try when your arms are too weary
01:13:02To reach the unreachable star
01:13:07Sing it, brother!
01:13:08This is my quest
01:13:10This is my quest
01:13:11To follow that star
01:13:13To follow that star
01:13:14No matter how hopeless
01:13:17No matter how far
01:13:21And I know
01:13:22If I'll only be true
01:13:25To this glorious quest
01:13:30That my heart will lie peaceful and calm
01:13:36When I'm late to my rest
01:13:42And the world will be better for this
01:13:47That one man's born and covered with scars
01:13:54Still strove with his last ounce of courage
01:14:02To reach the unreachable star
01:14:22You have got to stay!
01:14:25I'm going to record I'll stay
01:14:31I wasn't sure about this Our Town thing
01:14:34But last night Miranda was so happy
01:14:38I've seen those kids
01:14:39They were excited
01:14:41I haven't seen so much happiness in years
01:14:45Yes, the fat faces all aglow
01:14:47Not that these kids were fat
01:14:48What does this fat think?
01:14:50I don't know
01:14:51It's just how I picture them
01:14:52The beauty is that by investing in the show
01:14:55We increase the value of the property
01:14:57So, you see, Jeff, the loan pays for itself
01:15:02It's just not possible
01:15:03The MFT sits on two and a half acres
01:15:05Of the most beautiful land in Millersburg
01:15:07It has to be worth a fortune
01:15:09It's not about the value of the property
01:15:10I know what it's about
01:15:11It's about the value that we bring to it
01:15:13It's about what the theater can provide to the town
01:15:16You simply have to embrace the power of the art form itself
01:15:22Show him
01:15:24Show him
01:15:24All right
01:15:26I'll give you an excerpt
01:15:29I have of late
01:15:33But wherefore I know not
01:15:35Lost all my mirth
01:15:39Forgot all custom of exercises
01:15:44Indeed it goes so heavily with my disposition
01:15:46That this goodly frame, the earth
01:15:49Seems to me a sterile promontory
01:15:54This most excellent canopy
01:15:56The air
01:15:58Look you
01:16:00This brave o'erhanging firmament
01:16:02This majestical roof
01:16:04Fretted with golden fire
01:16:08It appears nothing to me
01:16:10But a foul and pestilent congregation
01:16:13Of vapors
01:16:18What a piece of work
01:16:20As a man
01:16:22How noble
01:16:24In reason
01:16:25How infinite
01:16:27In faculties
01:16:28In form
01:16:30And moving
01:16:31How express
01:16:32And admirable
01:16:33In action
01:16:35How like an angel
01:16:36In apprehension
01:16:38How like a god
01:16:39The beauty of the world
01:16:42The paragon
01:16:43Of animals
01:16:47And yet
01:16:51To me
01:16:53What is this
01:16:57Quintessence
01:16:58Of dust
01:17:02Man delights
01:17:03Not me
01:17:07Anyway
01:17:08That's
01:17:09That's the gist of it
01:17:17That's the sort of thing
01:17:18Theater can provide
01:17:19What do you think
01:17:21I want to help
01:17:22I do
01:17:22But we don't control the mortgage
01:17:24On the theater anymore
01:17:25Kristen refinanced a few years ago
01:17:27You must know this John
01:17:28You do the books
01:17:29Well I write the checks
01:17:31Every month
01:17:31But you know
01:17:32Sometimes the names
01:17:33On the checks
01:17:34Don't always match
01:17:35The payee
01:17:36No
01:17:37I don't know that
01:17:38Well but you know
01:17:39What I'm talking about
01:17:40I mean sometimes
01:17:40It's a numbered corporation
01:17:42Or Bernie
01:17:43Who sells us our meat
01:17:44He likes the checks
01:17:45Made out to cash
01:17:46Wow
01:17:46That is just terrible
01:17:48Accounting
01:17:48Not knowing who you're paying
01:17:49Is just really
01:17:49So tell me
01:17:50Who owns the mortgage now
01:17:52I don't know
01:17:53Yeah well
01:17:56We're artists
01:17:56We know nothing
01:17:58We're idiots
01:17:59It must be Chase
01:18:00It must be Chase
01:18:01No I do remember
01:18:03Kristen
01:18:03She was looking for a better rate
01:18:05And she's very smart
01:18:06About that stuff
01:18:07I'm sorry
01:18:07Fine
01:18:08It's just the way it is
01:18:09You can't compete with the megabanks
01:18:10No
01:18:10No
01:18:11We understand
01:18:13Thank you
01:18:13Thank you
01:18:14For your time
01:18:14Thank you for the show
01:18:16I don't really know Shakespeare
01:18:18That was Shakespeare right
01:18:18It was just
01:18:21It was very moving
01:18:22Aw
01:18:23Well thank you
01:18:24Yes
01:18:25I'm so glad
01:18:26Good luck
01:18:27Thank you
01:18:28Just need a theater
01:18:29Thank you
01:18:31Listen I'm gonna ask Kristen
01:18:36There's more where that came from folks
01:18:37Just come to the theater
01:18:38The Millersburg Festival Theater
01:18:40Eight times a week
01:18:41I hope we'll be there
01:18:42Oh for a muse of fire
01:18:44I know
01:18:46I know
01:18:47I'm late
01:18:48As long as you have time
01:18:50To work your magic
01:18:51Alakazam
01:18:53Hey so
01:18:53I saw Jeff today
01:18:55Jeff?
01:18:57Yeah
01:18:57Jeff at the bank
01:18:58Bank Jeff
01:18:59Oh Jeff
01:19:00Yeah
01:19:01I haven't seen him in forever
01:19:02Yeah
01:19:03That's what he said
01:19:05He said
01:19:06They're not servicing
01:19:07The mortgage anymore
01:19:08You know they're here in an hour
01:19:09And I have to shower
01:19:10So can we just talk about this later?
01:19:12Well I was talking to Richard and Jeff
01:19:13And uh
01:19:14Why were you at the bank with Richard?
01:19:18You know you're right
01:19:18Let's talk after dinner
01:19:20I gotta get
01:19:21I love you
01:19:22Yeah I love you too
01:19:32Cucumber and crab vichyssoise with roasted chili oil and radish
01:19:36That's just the start
01:19:37Tell them what's coming
01:19:38Oh it's just my take on flounder mounier
01:19:41I dusted an almond flour
01:19:43And I finished it off with a brown butter thyme reduction
01:19:45And some boiled new potatoes with parsley and chive butter
01:19:48And then some asparagus with a lemon parmesan sauce
01:19:50And a simple little endive and tomato salad
01:19:54Bon appétit
01:19:57Oh my god
01:19:59That is what they must eat in heaven
01:20:04What's it like kissing him?
01:20:07I'm sorry
01:20:08What's it like kissing a man in a play
01:20:11When you are not gay?
01:20:13Because I see you in the normal heart
01:20:15And I know you are not a gay man
01:20:17Because I read everything
01:20:18I read everything
01:20:19But then I see him kissing Richard Thomas
01:20:21I think
01:20:22He is being gay so well
01:20:25How is he doing that?
01:20:27How do you do that?
01:20:29It's not that hard really
01:20:30You know
01:20:30Kissing a man
01:20:31It's like kissing a woman
01:20:32Only
01:20:34She's a man
01:20:35Listen to our honour
01:20:36Chef
01:20:38Enough of you slaving away in the bowels of that jerk joint
01:20:42A man of your gifts
01:20:43Deserves his own restaurant
01:20:45And a chance
01:20:46At his Michelin star
01:20:47Sláinte
01:20:48Excuse me
01:20:52Jerk joint
01:20:53The MFT
01:20:54Your brother is a wonderful cook
01:20:57He is
01:20:58And the food at the theatre is wonderful
01:21:00We can't afford to do this
01:21:02Every night
01:21:02Obviously
01:21:03Do you do your own wigs?
01:21:07No
01:21:07No
01:21:08Someone else does my wigs
01:21:09They have a mould
01:21:10Of my head
01:21:12So
01:21:13Mr. Boyle
01:21:14Connor
01:21:14Connor
01:21:15Kristen tells me that
01:21:17You're the saviour of the town
01:21:19No saviour Richard
01:21:20Just a businessman
01:21:22Well honestly
01:21:23There's an opportunity here for redevelopment
01:21:26I can make a wee bit of money as we go along
01:21:28And you know
01:21:28The town gets jobs in return
01:21:30You know
01:21:30Capitalism
01:21:32Have you heard of capitalism?
01:21:33Rings a bell
01:21:34Of course Richard
01:21:35Be knows capitalism
01:21:36Did you once
01:21:37Not on Broadway
01:21:38Do Willy Loman?
01:21:40I did?
01:21:40Yes
01:21:41You see
01:21:41I am doing the homework
01:21:43In Russia
01:21:44We love this Willy play
01:21:46Because
01:21:47We see the truth of this country
01:21:49Great America
01:21:50To throw out
01:21:52Worker
01:21:52Like old show
01:21:53To you
01:21:53You know
01:21:54My Nadia
01:21:55She has a heart like an artist
01:21:58She's a dreamer
01:21:59You must be a dreamer too
01:22:01I mean you must have a plan
01:22:02A vision for this whole town
01:22:04Let's just all enjoy this wonderful soup
01:22:06Shall we?
01:22:07Here is one thing
01:22:08To build a casino
01:22:11A casino
01:22:12I wasn't ready to talk about it
01:22:13Yes
01:22:14But you are these days
01:22:15You are talking of nothing else
01:22:16This is casino
01:22:17Well that is pretty much the truth
01:22:19Yes
01:22:19Well Connor
01:22:21Tell us about it
01:22:21Well
01:22:22It's more of an
01:22:24An entertainment complex
01:22:26You know
01:22:26With a shopping centre
01:22:28And a four star hotel
01:22:29And three swimming pools
01:22:31Oh
01:22:32I hope it's going to have
01:22:33One of those
01:22:35Spouting fountains
01:22:36Where the
01:22:36The lights and the music
01:22:38Are all synchronised
01:22:39To the spurts
01:22:40Why not
01:22:40And a five star restaurant
01:22:42For John to do his cooker
01:22:43Really
01:22:44Right here in Millersburg
01:22:45You know that came to me
01:22:46When I tasted this fucking soup
01:22:47So we're going to become
01:22:48A casino town
01:22:49With a restaurant
01:22:50For me
01:22:50It's the perfect location
01:22:52It will have a theatre
01:22:53It will have a big theatre
01:22:55For you
01:22:55Also
01:22:56Celebrity acts
01:22:57Right
01:22:57Big draws
01:22:58You know
01:22:59Like
01:23:01Barry Manilow
01:23:02You know
01:23:02Someone people will actually
01:23:04Pay money to see
01:23:05Did you know about this
01:23:07Dream of commerce
01:23:08I did not
01:23:09But it's still
01:23:10It's intriguing
01:23:11Why not
01:23:12Make Millersburg
01:23:13A destination
01:23:13For thousands of tourists
01:23:15To spend money
01:23:16And have a good time
01:23:17I mean
01:23:17Everyone wins
01:23:18Except most people
01:23:19Most people lose
01:23:20Miranda
01:23:21What
01:23:21She's right
01:23:22I mean
01:23:22That is how we make money
01:23:24I mean
01:23:24I'm not going to lie to you
01:23:25I fucking love craps
01:23:26Hey
01:23:27Who wants more wine
01:23:28Where are you thinking
01:23:29About building this
01:23:30Where are you building it
01:23:30Well I've looked at several
01:23:32You know
01:23:32Possible locations
01:23:33Oh yeah
01:23:34And I just bought
01:23:35That old hotel
01:23:36Up in
01:23:37Berryhill
01:23:38The Morrison
01:23:38That has a big enough
01:23:40Footprint for the main building
01:23:41The Morrison is a heritage building
01:23:43It's a landmark
01:23:44Mom
01:23:46Do you have a name
01:23:46For this in mind
01:23:47No
01:23:48Not yet
01:23:49Might I suggest
01:23:50The Golden Boyle
01:23:53Okay
01:23:54That's
01:23:55That's very funny
01:23:56You know
01:23:57I could
01:23:57Build it right
01:23:58In the heart of things
01:23:59I mean the MFT site
01:24:01Might just be big enough
01:24:02I got some surveying done
01:24:04When I took over the loan
01:24:04Oh
01:24:05Wait what
01:24:06What the fuck
01:24:07Not to go to the loan
01:24:08What
01:24:09You control the loan
01:24:10We refinanced
01:24:11Around two
01:24:13Two years ago
01:24:13And Mr. Boyle
01:24:14Was kind enough
01:24:15To give us
01:24:16This
01:24:16Theater
01:24:17Is our family's legacy
01:24:19And you sold it to a developer
01:24:20I did not sell it
01:24:21I renegotiated
01:24:23For a very
01:24:24Good rate
01:24:26I mean we
01:24:27We have to make payments
01:24:29Listen forget about
01:24:29It's the payments
01:24:30Just forget about them
01:24:31Let them go
01:24:32Listen why
01:24:33Why are you all killing yourselves
01:24:35You know
01:24:35I mean why don't you let me
01:24:37Build us a complex
01:24:38For a theater for you
01:24:40And a restaurant for John
01:24:42Let me make this as clear
01:24:43As I possibly can
01:24:45We're not letting anything go
01:24:47The theater
01:24:48Is not
01:24:49For sale
01:24:50It is
01:24:51Not Kristen's theater
01:24:53To sell
01:24:54It's our
01:24:56Family's
01:24:56Theater
01:24:57We own it
01:24:59Okay
01:24:59Kristen is an employee
01:25:01I am not an employee
01:25:02Richard
01:25:03You can't say that
01:25:03How dare you
01:25:04You didn't mean that
01:25:05But why didn't you tell me this
01:25:06What
01:25:07Why did not
01:25:08It was when we were
01:25:10Putting in the kitchen
01:25:11Did you not think
01:25:11I could handle this
01:25:12Is that what you thought
01:25:13No it was when we
01:25:14We were putting in the kitchen
01:25:15Our family's
01:25:16Oh my God
01:25:18I have been killing myself
01:25:19I know you have
01:25:20That's not what I'm saying
01:25:22I'm really sorry
01:25:23Listen to me
01:25:23Can you talk to me for a second
01:25:24No I'm not going to talk
01:25:25You can't
01:25:26Listen
01:25:26No you cannot talk to me
01:25:28For a second
01:25:28I'm very sorry
01:25:29I don't want to talk
01:25:29Serve the fucking flounder
01:25:31Tell me Richard
01:25:32How are you remembering
01:25:34All those lines
01:25:38Great question
01:25:39Great question
01:25:42Where's the flounder
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