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Transcript
00:00Hi, sorry, I had a Q&A, I didn't want to talk about Sankrantar, but I didn't want to talk
00:05about it, but now, if you want to talk about the film, I would like to talk about it, because
00:12they were asking me to talk about it, so I didn't want to talk about it.
00:16So, you guys know, I wanted to talk about it, so I didn't want to talk about it, so I
00:22wanted to talk about it, so I'm concerned about it, because I didn't want to talk about it.
00:26But if you look at the trailer, usually there's a coach, but I also want to talk about it, but
00:33if you want to talk about it, you want to be a coach.
00:53This film is about, this is a story about a father and a son, and first Indian motocross film.
01:05The reason is, because the action sequences that we shot, it's not an easy thing.
01:26It's not an easy film, but it's not an easy film.
01:43It's not an easy film, but it's not an easy film, but it's not an easy film.
02:30It's not an easy film, but it's not an easy film, but it's not an easy film.
03:01It's not an easy film, but it's not an easy film.
03:02It's my turning point in my life.
03:05It's not a personal personality change, it's not a health change.
03:13It changed me a lot in different ways.
03:27So, we need to work hard, and he was very particular.
03:33And I have promised that if there is this film, it's not an easy film.
03:38So, if I shoot a shot and break a shot, it's not an easy character.
03:45Actually, in Sharwagar's cinema, there's a lot of romance.
03:48It's very subtle.
03:49But in this film, there's a lot of wild scenes.
03:55It's a lot of impossible things, but on the other hand, it's not a very good film is an easy
04:01film.
04:01You can do that.
04:02We don't think that's why.
04:05We can do that.
04:09I've got a trailer.
04:11I need to cover international standards.
04:14I've seen that because of the projection of the comparisons.
04:17I will show you how to do this.
04:21Do you have a comparison?
04:24Yes, I will.
04:26Definitely, I will compare you to F1.
04:32But 60% of you shoot the F1.
04:36But I am so glad that you also compare you to F1.
04:40So you will have a sound design.
04:43The quality will reach that.
04:44I will show you how to reach out.
04:47Avilashkar.
04:48Sir, this kind of movie, like a span of movies,
04:52if you have any production house, it will be set out.
04:55If you have any production house,
04:57you will be able to support you.
04:59This is not a regular kind of cinema.
05:01Do you have any picture in the production house?
05:04Yes, definitely.
05:05If you have a race track, you will be set out.
05:09It is not in India, it is in Indonesia.
05:11I will shoot you in the area.
05:14I will show you the terrain.
05:15Why do you have any support of funds?
05:19I will show you the terrain.
05:20I will show you the terrain.
05:21You have a terrain.
05:22I will show you the terrain.
05:27I will show you the terrain.
05:30The terrain is moving and the terrain is moving.
05:38Yes, it is in Indonesia.
05:43You have a terrain.
05:45so ankle fracture
05:47three and a half months
05:48and then
05:51echo shape
05:54yes
05:56yes
05:57yes
06:04yes
06:05yes
06:08yes
06:09yes
06:13yes
06:14yes
06:26yeah
06:26that is the support i got from uv filmmaker
06:28creations
06:28i would put
06:31reward
06:31ok
06:32Refreshing on the screen of the backdrop, the racing world, the perfect term and the energy generated.
06:44Wish you all the best.
06:51Thanks, sir.
06:51Okay.
06:52You're a lot of driving skills.
06:54I've seen the many driving skills.
06:57I've been in this video for you.
07:14I'm a good driver.
07:17I never met this film.
07:22I never met him.
07:23But I never met him.
07:24I never met him.
07:26But I never met him.
07:32From happy and responsible, all because of him, so happy and happy, it was nice.
08:21He's good and he's hard-working.
08:29Very hard-working.
08:31I'm a man who is a man who is a man who is a man, I'm a KBR park walking,
08:41I'm a jogging, so I'm doing it.
08:48So he's hard-working.
08:52He's very hard-working.
08:55Malavika, when you are in the first film, you have a strong characterisation of your performance and scope of your
09:04performance.
09:05So, in the day of the day, you have seen two or three shots, and you have seen a lot
09:09of cinema later.
09:11But you have seen a performer, an actor and a scope of your experience.
09:20There is a lot for me to do, and you will see me in a very different look.
09:24In the trailer, because there is so much of the story that is left to be said.
09:30And a sportsman movie, a partner perspective, maybe they are sacrificing a lot.
09:36There is a lot of people who are angry.
09:38But in the day of the day, he picked up a slot for me.
09:45But it is beautiful, it is beautiful.
09:48It is unusual, fresh dynamic between a couple.
09:55First of all, congratulations sir, advance congratulations.
09:59Thank you brother.
10:00So, when I realized, you needed a trailer of my performance, I had a question.
10:06When you asked the physical, it became a biopicture.
10:12When you were afraid that you were in the day of the night, you were in the day of the
10:18night,
10:18or the physical part of the night, it became a biopicture.
10:20My opinion is that it is a sports subject without a touch.
10:24There are many questions, and you are going to raise sports,
10:27and you will then act the biopicture as well.
10:29I want the GPS so in me me allos in the game me opinion and change in the
10:33abyshio not the leader any but Roe Sharma Roe Sharma no but
10:39I don't think so definitely story is definitely as an inspiring story so
10:46them are up to Jodham yeah be this day definite thank you sir
10:50Sharona last two questions and I know I know Roe Sharma it and I know okay
11:00MS Dhoni okay yeah Sharona there basically I put in the local by car
11:06butty Chalamand the youngsters are bike drivers on taro chala accidents
11:09manon do so under regular frequent so Wallachy me room inside into me
11:13it's already one traffic police alumana
11:19traffic awareness program so it's the biking is not about speed it's about
11:28direction going in the right direction so helmet will tapakona betkone
11:34helmet helmet and
11:38temple siri betkone and anirgul follow on the partitioning yeah don't drink and
11:45drive yes final question yeah shiragar first of all congratulations I hit
11:52wipes countries today and until like me comedy timing and a chala bound to
11:57and day and day and day up you know she a punch way salipo taro chalamandhi
12:01telli do but either chase a serious subject father and son emotions so under
12:07like yentavarku me comedy timing is involved on to know the complete the
12:10different shiragar ni juice thama complete different shiragar ni juice thama
12:13and this genre itself is a different genre
12:15uh kachitanga hollywood standards thakko kunda on today okay thank you thank you all the
12:20of the western malli kals kunda manam saksas me taro vata anyhow q and day on to
12:24the nasharagar chappada
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