- 4 hours ago
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00:00:30Good evening and welcome to The Great Inn and Company Show.
00:08:44We're going to be talking to you.
00:08:52Very much.
00:08:53I'd listen to him.
00:08:55We've heard of the songs...
00:08:56...but we heard of.
00:08:57We're talking about the songs of Madeer.
00:08:58...that...
00:08:59...that it's book.
00:09:08Given that David,
00:09:09... are being well done for your story...
00:09:12So, Varun, do you tell the film so much about it or do you say that Pornedas will get to
00:09:15it?
00:09:16Pornedas is very late. It's been 7.00 in the set.
00:09:20But do I ask too many questions?
00:09:23You don't get convinced. How can this happen?
00:09:26Because, sir, I'm just saying for example.
00:09:29I'm just doing a picture like Border.
00:09:30It's a very serious film.
00:09:32Thank you very much.
00:09:34In one shot, you've seen your work.
00:09:36Thank you very much.
00:09:38But I'm doing that cinema and I'm in the set.
00:09:40I'm in the set.
00:09:41Suddenly, you're saying, break the fourth wall.
00:09:43Oh.
00:09:44Talk to the audience.
00:09:45Now I'm talking about heroines.
00:09:47This is the tale.
00:09:48Let's see the audience.
00:09:49Let's talk about the audience.
00:09:51Lalla, lalla, lori.
00:09:52Doodh ki katoori.
00:09:53Now I'll tell you a couple of love stories.
00:09:56I'll tell you a couple of love stories.
00:09:58I'll tell you a couple of love stories.
00:09:58How do I forget?
00:10:00So, this cinema actually is a lot of cut-in.
00:10:03I'm sure the couple will agree with me.
00:10:05Because it's very difficult for someone to laugh.
00:10:06It's very difficult.
00:10:08Absolutely.
00:10:09Sir, and my gurus were Manmohan Desai.
00:10:12King of entertainment.
00:10:15And they taught me this scene.
00:10:20You feel this.
00:10:21It's convincing.
00:10:22The audience will get convinced.
00:10:24You feel it is okay.
00:10:25It's okay.
00:10:53But who wins then?
00:10:55Who is convinced, Varun?
00:10:56Do you get convinced by David?
00:10:58No, no.
00:10:59He performed and gives me a rehearsal.
00:11:01If I like it, it's fine, I said.
00:11:02There's no problem.
00:11:03I have to satisfy him.
00:11:05He's a director and I have to satisfy him.
00:11:06And he's a legend.
00:11:07I mean, forget that I'm his son.
00:11:09Absolutely.
00:11:10You're an actor on the set.
00:11:11I'll eat the most.
00:11:12That's the truth.
00:11:13You can ask anyone.
00:11:15Yeah.
00:11:15But...
00:11:17But artistically, I have a way to do a scene.
00:11:22How many films with Govinda sir have done?
00:11:25How many films with Govinda sir have done?
00:11:2617 films.
00:11:27Unbelievable.
00:11:29And they're all amazing.
00:11:3117 films.
00:11:32And I think one of the best actors I've worked with is Govinda.
00:11:36Absolutely.
00:11:40Every scene in every scene, he reminds me of Chichi.
00:11:44Chichi.
00:11:45How do you do Chichi?
00:11:46So, I would say that.
00:11:48Okay, but I do for my audience.
00:11:51They are also small.
00:11:53So, I have a very tall order to live up to.
00:11:55So, I always say that Salman, Chichi, Anil.
00:12:02So, I have to find myself.
00:12:04How do I do Varun?
00:12:06See, but I'll tell you one thing.
00:12:09I've worked with one actor.
00:12:10Brilliant actor.
00:12:12And he also learned a lot.
00:12:13His name is Rishi Kapoor.
00:12:15Oh wow.
00:12:16Oh wow sir.
00:12:17Wow.
00:12:17His name is Rishi Kapoor.
00:12:18He was one of the best actors.
00:12:19He said,
00:12:20Okay, why do I do this?
00:12:22Now, I have to convince him.
00:12:24Sir, I have to convince him.
00:12:25Sir, I have to convince him.
00:12:26Okay.
00:12:28I will tell you that.
00:12:30Okay.
00:12:31And his name is Rishi Kapoor.
00:12:32If it's 7, it's done.
00:12:35So, I have to convince him.
00:12:37My wife's story is a little bit too.
00:12:38Yeah.
00:12:39But there's a little story.
00:12:42I've told her,
00:12:43the editor,
00:12:44the story I have come here.
00:12:45He told me,
00:12:46go to the shooting.
00:12:47Then, then,
00:12:47sit in my van and sit in the house.
00:12:49And I'll watch you through the road.
00:12:51And the car starts the story.
00:12:53And he started, the first shot he said,
00:12:56this is the time of night, this is the time, this is the time.
00:12:59He said, stop it, stop it, stop it.
00:13:01He said, stop it, stop it, stop it.
00:13:03He said, I don't want to film in the night.
00:13:05He gave it to me.
00:13:10But today's generation actors,
00:13:12they ask a lot of questions.
00:13:15They ask a script, yeah, yeah.
00:13:16Give a script, what is the beginning.
00:13:18I want to read, go through the script.
00:13:20I have given me a script.
00:13:21You understand?
00:13:23Our old ones are on the phone.
00:13:26Yeah, I'm doing it.
00:13:28Just say, it's okay in the phone.
00:13:29Sanjidat said, what do you want to do?
00:13:31Let me tell you about it.
00:13:32Send me.
00:13:41I want to tell you one thing,
00:13:42because I work with the directors of today's today.
00:13:46Today's a very polite time.
00:13:47I want to tell you,
00:13:48you can't make a lot of noise on the set.
00:13:51I don't want to tell you.
00:13:52Because there isn't a lot of friends, right?
00:13:53Yes, so it's a kind of work.
00:13:54But if someone has done good acting on the set,
00:13:57then he'll tell you in the mic.
00:13:58He's a bad actor, bad actor.
00:14:00What's going on?
00:14:02I mean, if you're bad acting,
00:14:04then you're done.
00:14:04And you can do anyone.
00:14:06What happens sometimes?
00:14:07The hero is the line.
00:14:11The character artists are the best.
00:14:13Kadar Khan, Shakti Kapoor, Anupam Kher, Satish Kaushik.
00:14:18You know, Paresh Rawal.
00:14:20Unbelievable.
00:14:21Ian, I want to tell you about Govinda.
00:14:23Sir, people say, it's late.
00:14:25Who is late today?
00:14:26Let's leave.
00:14:27When he comes, he'll finish the work.
00:14:29And you won't believe it.
00:14:31He said, what was the scene?
00:14:33It's a 4-panne page scene.
00:14:34I saw it.
00:14:35I saw it.
00:14:36So I was taking a shot.
00:14:37So I said, don't take a shot.
00:14:39So do it.
00:14:40Give it the scene map.
00:14:41But I said, you see.
00:14:42I'll give it in one shot.
00:14:44Wow.
00:14:44He was in a partner.
00:14:46Where is he going?
00:14:47He goes up, he goes up, he goes up, he goes up,
00:14:48he goes up, he goes up, he goes up, he goes up, he goes up.
00:14:50Wow.
00:14:50You can't imagine, man.
00:14:52He said, take the cuts out of him.
00:14:54Unbelievable.
00:14:55Oh, yeah.
00:14:56Govinda, sir, what's the matter?
00:14:57Govinda, sir.
00:14:57Govinda, sir.
00:15:00Do you know, when my favorite film is my favorite, David, sir?
00:15:05Kamal film.
00:15:07Okay, when it was released,
00:15:09it was released with another film.
00:15:11Something happens?
00:15:11Something happens.
00:15:12So Varun, who left his father's film,
00:15:14he went to watch the film.
00:15:16Varun was the only reason that he said,
00:15:18go, now you're going to launch it.
00:15:19Karan Johari will launch it.
00:15:22I want to know that in your house,
00:15:25there's such a legendary director,
00:15:26David, sir.
00:15:27David, sir, what was the reason
00:15:28that this film came from the dharma?
00:15:31He was studying abroad,
00:15:33and he was studying abroad,
00:15:35and I asked him to ask him,
00:15:40what is he going to do about it?
00:15:42He thought that he will take a job in the bank,
00:15:45and he will do something.
00:15:46Oh, my God.
00:15:46I didn't know you.
00:15:47Really?
00:15:48Yeah, I swear on you.
00:15:49He said that I have to assist Karan.
00:15:52I didn't know.
00:15:53He said his mother.
00:15:54And he went and met.
00:15:55And then he assisted Karan.
00:15:58What was the film?
00:15:58My name is Khan.
00:15:59My name is Khan.
00:16:00Okay.
00:16:01He did that.
00:16:02He did that.
00:16:03He did that.
00:16:03I was very busy.
00:16:05I was working on two or three teams.
00:16:09I was working on two teams.
00:16:09So what happened one day?
00:16:12Karan came to the house.
00:16:13Oh.
00:16:14And he said, I want to launch him.
00:16:17Oh.
00:16:18Oh.
00:16:19He came to the next time,
00:16:20he took photos.
00:16:21He saw Siddhartha and his photo session.
00:16:24He saw photos.
00:16:25And this is the pair.
00:16:27Alia was also here.
00:16:28He was also here.
00:16:29Now he doesn't know who the director is.
00:16:30He said that he will produce.
00:16:32Right.
00:16:33And in the end, he came and said I'm going to direct this.
00:16:36Oh.
00:16:37So we were so happy.
00:16:38He's got a break from a right place and all.
00:16:41No, but this story,
00:16:43they just told us.
00:16:44His twist is that when I was acting,
00:16:48I was in 8th or 9th.
00:16:49I knew that my dream was that I had to go to the front page of Times of India.
00:16:53Oh.
00:16:54What a lie, man.
00:16:56My birthday was on April 24th.
00:16:58And you know who was born on April 24th.
00:17:00I know, Sachin Tanduka.
00:17:01Exactly.
00:17:02So Sachin Sir always comes to the photo of the cake.
00:17:05And I always tell my mom,
00:17:07they told me that my mom will take a photo of the cake.
00:17:10So my brother would always enjoy it.
00:17:12Either you go to jail,
00:17:13that's why the photo will come.
00:17:15Or you will do something big.
00:17:18It's fun.
00:17:19So my mom told me that they never launched anyone.
00:17:25Whether it's a hero or a big man.
00:17:28He doesn't believe in that.
00:17:30I need to be ready.
00:17:33He was very high-standard.
00:17:35So I said, how is this?
00:17:35How did I break it?
00:17:37No, you broke it, Guru.
00:17:38Then I told you...
00:17:39I told you that children and young people,
00:17:40who are teenagers,
00:17:42their heartthrob is their heartthrob.
00:17:45Heartthrob.
00:17:46I guarantee that.
00:17:47Or the youngsters adore you.
00:17:49Adore you.
00:17:52I don't have any credit.
00:17:54But I can't take any credit.
00:17:54Like my mom came, that's the same.
00:17:56I only learned that in my school,
00:18:00comedy, entertainment, scenes.
00:18:03That's the same thing.
00:18:04That's the same thing.
00:18:05That's the same thing.
00:18:06That's why I always challenged myself.
00:18:08You can't do this.
00:18:10It's not going to happen.
00:18:10You're too spoiled.
00:18:12You're my father, you can do this.
00:18:14So these lines were very vague.
00:18:16They were very vague.
00:18:17So there was a film of Akshay Paji's time.
00:18:19You've seen your pictures?
00:18:21So I always laugh at that.
00:18:23Because I felt like this is happening.
00:18:26So I...
00:18:27I mean, he would not say,
00:18:29but they would think that...
00:18:30I mean, we all would feel like
00:18:32he's the black sheep of the family.
00:18:34He's the black sheep of the family.
00:18:35But it's good.
00:18:36But David had meant to do this for Pradlapur?
00:18:39Yes, I meant to.
00:18:40But it is one of your finest performance.
00:18:42But again, it's a challenge, you know?
00:18:44Finest.
00:18:44I had to phone him too.
00:18:45Yes, yes.
00:18:46It's a big deal.
00:18:48He comes to the house.
00:18:49He doesn't talk to him.
00:18:50He goes to the room.
00:18:51I said, what happened to this?
00:18:53After Pradlapur, you changed your mind.
00:18:56Definitely what a performance I said.
00:18:58I was very happy gradually, you know?
00:19:00With him.
00:19:01But he was working.
00:19:02Now he's like,
00:19:04I've seen my wife's border.
00:19:06So I've cried so much in that picture.
00:19:09I cannot tell you.
00:19:10I came back.
00:19:11And I was so proud of him.
00:19:13I tell you, the first time,
00:19:15that I've said,
00:19:17in such an artist's beast.
00:19:20You could stand your own and prove yourself.
00:19:23And the director really used him very well also.
00:19:26Millionth, I mean.
00:19:27I'm so proud of him.
00:19:28I'm so proud of him.
00:19:29David, sir,
00:19:29you've seen a change in Varun in Varun,
00:19:32when he became a father?
00:19:33Very much.
00:19:34You can't know that...
00:19:35I always tell him,
00:19:36and sometimes I tell him,
00:19:37I tell him what he's saying.
00:19:39Lali, what he's saying.
00:19:41what he's saying.
00:19:42Now he's born with a daughter,
00:19:43he knows what he's saying.
00:19:45Yeah.
00:19:46True.
00:19:49No, 100%.
00:19:50I think it's a lot of pain.
00:19:51My wife also goes to my wife.
00:19:53Definitely.
00:19:53She taught me a lot after marriage.
00:19:58But my mom, you know, touchwood,
00:20:01she always takes my wife's side.
00:20:06She's a whole family.
00:20:07She's a whole family.
00:20:09So I didn't take it.
00:20:10I don't know.
00:20:11I mean, I've got a little
00:20:12back in that place.
00:20:15But I'm happy that eventually,
00:20:18success, I feel,
00:20:19that's the family's family.
00:20:21First of all,
00:20:22it was a joke that
00:20:23Papa, why can I go out at night?
00:20:25I came at 2 o'clock at night,
00:20:26so I didn't go outside.
00:20:27I got to get my friends.
00:20:28Why are you awake?
00:20:29Because they were standing at night.
00:20:31We are so worried.
00:20:32We were going to call the police.
00:20:33I said,
00:20:33I'm a mobile.
00:20:35Let me do that.
00:20:36One time,
00:20:37this house is not coming.
00:20:38It's a lot of time.
00:20:39One time.
00:20:40One time.
00:20:42This house was a small house.
00:20:44This house was going to be a party.
00:20:46So the music was going to go inside.
00:20:49Yes.
00:20:49It was a party.
00:20:50It was a little girl.
00:20:51This house was there.
00:20:52We didn't find it.
00:20:54Where did it go?
00:20:54I don't know.
00:20:56My big brother,
00:20:57Rohit.
00:20:58He was going to go inside.
00:21:00He asked him.
00:21:01Watchman told him.
00:21:03He was going inside.
00:21:04He was going to kill him and kill him.
00:21:30He was dancing with girls inside and all.
00:21:34He was not in that family.
00:21:35He was a very strong father.
00:21:36He was my father,
00:21:39he was dancing with me.
00:21:40I just want to be dancing with him.
00:21:44I was like that.
00:21:46He was dancing with me.
00:21:47He used to be dancing with me.
00:21:49He was dancing with me.
00:21:51I didn't do it for him.
00:21:51He didn't take my hands anymore.
00:21:52Mom, Mom has done it for me.
00:21:53Mom has done it for me.
00:21:56Mom has done it for me.
00:21:58It's a думelous.
00:22:02Mom has done it for me.
00:22:03I was standing up and I was standing up with my chasmete.
00:22:05So I was standing up and standing up with a boxer boxer shorts.
00:22:08I was watching them and I was watching them.
00:22:10But I was watching them on the other side.
00:22:13So I was watching them and I was watching them on the day.
00:22:15I was watching TV and I was watching them.
00:22:16I was watching them and I was watching them.
00:22:17So in the beach they would have shot me.
00:22:20He wanted to slap him but he slapped me.
00:22:23Because he was big.
00:22:24Rohit had already become big and I was still smaller.
00:22:27And I remember my specs fell down.
00:22:29And I picked up the specs and I was like,
00:22:31What the hell?
00:22:33What the hell?
00:22:34No, no, no, no.
00:22:35It's not happening.
00:22:36When did you kill Lali?
00:22:37But one thing I want to tell you.
00:22:39You kill Lali.
00:22:40Lali is Lali.
00:22:42You know, Lali is one who keeps the family together.
00:22:46She is one of the strongest women I've known.
00:22:49If you don't believe me, we all stay together.
00:22:52This is on the floor.
00:22:54I and Rohit and everyone are eating.
00:22:56We call them, come up and come up.
00:22:58We eat together at times.
00:23:00We have to watch the match.
00:23:01We have to watch the match.
00:23:02We have to watch the final.
00:23:03We have to watch the semi-final.
00:23:04We have to see together.
00:23:04When I was a bachelor's house, I said,
00:23:09You know, I need space and all that.
00:23:11It happens to be successful in every person's mind.
00:23:14I need privacy and everything.
00:23:16So, I started to watch the place in the house.
00:23:18Suddenly, they are like,
00:23:19We have to watch the house.
00:23:20We have to watch the house.
00:23:21I said, where is it?
00:23:22One floor below.
00:23:23I said, but I have to buy a house from my own.
00:23:25No, no.
00:23:26It is not available.
00:23:27The house is not available here.
00:23:28I said, the house is not available in the bomb.
00:23:31Lali is not available in the bomb.
00:23:31He said, one house is available below.
00:23:33You know, he told me, you know what?
00:23:35He told me, is it emotional reasons you want to?
00:23:38I said, yeah.
00:23:39It is emotional.
00:23:40I remember one of my aunty's parents.
00:23:43I remember one of my parents.
00:23:44That's all.
00:23:45One more time.
00:23:45We went to Marriott and I was swimming.
00:23:50So, my parents came and asked me,
00:23:53What's going on?
00:23:54They said, madam ring.
00:23:55I said, auntie was a bit hard.
00:23:56They said, yeah, it was diamond ring.
00:23:58I said, where did I go?
00:23:59So, they were swimming and I left.
00:24:00I said, okay.
00:24:01He fell in the pool.
00:24:02I said, auntie, I am going to go.
00:24:04I am going to go for a few hours.
00:24:06I am going to go into her.
00:24:07I am going to go into the water.
00:24:08I am not getting the ring.
00:24:08I am going to go into the pool.
00:24:09I am going to go home and I am going to go home.
00:24:11Then, auntie I am going to go.
00:24:13I am going to go home and I am going to go back again.
00:24:14I said, auntie, you are going to ring.
00:24:15I said, no, no.
00:24:16He got to get the ring.
00:24:16I will keep it there.
00:24:19I am going to keep it there.
00:24:20We know, it is correct.
00:24:26But, my mom keeps doing this all.
00:24:27One time, she was going to do the club.
00:24:31In Mumbai, she was there.
00:24:33Hrithik Roshan had not been launched.
00:24:35Their phone was the same.
00:24:37So, they took the phone with Hrithik Roshan.
00:24:43Then I think Rakesh Roshan called Dad,
00:24:45and then Hrithik came to the house to take the phone.
00:24:48I mean, Hrithik was not Hrithik,
00:24:50but then he was good looking.
00:24:53So, when I was eating food,
00:24:54Hrithik said, hello, auntie.
00:24:59How is it?
00:25:01Hey, auntie.
00:25:04What?
00:25:05Hey, you're doing that.
00:25:07Once again, once again.
00:25:09Once again.
00:25:12Once again.
00:25:14It was very embarrassing because he was in a t-shirt.
00:25:18Without a t-shirt,
00:25:19he was in a t-shirt with a mommy,
00:25:21and there was Hrithik Roshan.
00:25:22Yeah, yeah.
00:25:23Big tall guy like that, full.
00:25:26Huh?
00:25:27Hey, auntie!
00:25:32And Dad was there and he called Uncle David, Uncle David, I think you got my phone.
00:25:39So, Mom said, yeah, Hrithik, you know, by mistake, you're such a sweet boy and all that.
00:25:43And I and Rohit, I'm just watching him.
00:25:46Thank you, folks, I'll remember that.
00:25:52Superb, man.
00:26:03But genuinely, I think Hrithik, I think, when I saw him, I said, how can he be so perfect?
00:26:10Then I also had a tension, that, Sala, this is so good, how will my launch be?
00:26:16I'm just coming to his camera.
00:26:22I think that my childhood was very funny.
00:26:26He was doing things like that.
00:26:28But one thing I want to tell you, like David Sir, there are many actors in the house.
00:26:33When I go to school, I think, I'll write a book, write a book, write a book, write a book,
00:26:37write a book, write a book, write a book.
00:26:38I'll show you a legendary director, you'll show your career, you'll show your career.
00:26:45I'll launch it in the film and then I'll do it.
00:26:47And then, in his book, how do you feel like that?
00:26:50I'll tell you, because Drishir was not the legendary director in the house.
00:26:54He was sitting in the house.
00:26:56So, I and Rohit, it was embarrassing to me that he had to call a girl or to call a
00:27:02friend.
00:27:03We'll meet him in the house.
00:27:06He's sitting in the house.
00:27:08He's sitting in the house.
00:27:10He's sitting there.
00:27:10Then, I thought, mother would say, David, this is not right.
00:27:13Kids get people home.
00:27:15You're roaming around and they're running in Lungi.
00:27:17So, next day, there was some friends, and she entered the room.
00:27:21And, this time, it's not in Lungi.
00:27:23There are Jordan's shots.
00:27:25Jordan's shots.
00:27:27But bare body.
00:27:29Bare body.
00:27:29Bare body.
00:27:30I don't know what to do.
00:27:37I'm sorry.
00:27:38I'm sorry.
00:27:39You're going to understand it.
00:27:40Maybe I'm going to get married now.
00:27:44So I'm going to wear a t-shirt now.
00:27:47What a matter of that.
00:28:07I can't walk with my dad.
00:28:11Come here.
00:28:12Look there.
00:28:14You are the hero here.
00:28:16Yes.
00:28:18Yes.
00:28:20Hello.
00:28:21How about people?
00:28:24Come with your vegetables?
00:28:28Yes.
00:28:29Your hands are empty, Mother.
00:28:32Your hands are empty, but my feet are also empty.
00:28:36Four more of my hands are empty.
00:28:39I'm not going to be a jerk.
00:28:42Why do you want your hands to be empty, Mother?
00:28:46What do you want to say, Mother?
00:28:48Mother, you're going to get a bite.
00:28:50Mother, I'm going to take a bite.
00:28:52I'm going to take a bite, Mother.
00:28:54Come on, come on.
00:28:54You're going to see me.
00:28:56Yes.
00:29:00I'm going to take a bite, David.
00:29:03What year is it?
00:29:04It's not a year, it's a month.
00:29:06Yes, it's a baby.
00:29:08It's a baby.
00:29:09It's a baby.
00:29:10What are you doing?
00:29:11And how are you doing?
00:29:11Are you all right?
00:29:13You're very good.
00:29:14Why are you asking them?
00:29:15I'm sitting here, I'm going to ask you directly.
00:29:17Mother, you ask me directly,
00:29:19then you'll call me to my mother,
00:29:20and then you'll talk about the hero.
00:29:25What do you think?
00:29:26I'm going to take a bite.
00:29:27Now, what I am going to do...
00:29:28I'll do this with you.
00:29:29I'm going to talk directly.
00:29:31I'll talk with you.
00:29:31I'm going to ask them that I'll ask you directly.
00:29:33That's fine, Mother.
00:29:35Do you want me to take your t-shirt?
00:29:37Take your six pack and show them your six packs.
00:29:40Take yours.
00:29:43Take yours.
00:29:45Take your outfit.
00:29:46Take yours.
00:29:47Take your outfit.
00:29:51What are you doing?
00:29:52Do you not, why did you open it?
00:29:54Do you open it?
00:29:56To open it and to listen?
00:29:58No.
00:29:59It's beenفسing to be a question to him.
00:30:04I will tell him how much you will do this.
00:30:07You won't come to it.
00:30:08I'll call you your mother.
00:30:10Mom, don't call her.
00:30:11Don't call her, mom.
00:30:14She's in hospital,
00:30:15she's in operation and now her eye operation happened.
00:30:17The eye operation happened?
00:30:18Yes.
00:30:19First of all, there was an operation of the stone.
00:30:22Yes, Mama Ji was in the hospital,
00:30:23and there was a operation of the stone.
00:30:25She was taking off the stone,
00:30:26and she was watching the stone,
00:30:27and she was watching the stone,
00:30:28and she was watching the stone.
00:30:32Let's go and ask.
00:30:34Ask, Mama Ji.
00:30:36Hello, sister.
00:30:38How did you send this girl?
00:30:41There are people who are sitting here
00:30:43and they are watching the biscuits.
00:30:45You are watching the cake.
00:30:46You are watching the cake.
00:30:49Why are you asking me to ask me?
00:30:51You should ask me to ask me.
00:30:53Yes.
00:30:54Let's see the next time.
00:30:56Yes.
00:31:00You have to ask, Mama Ji.
00:31:04That's the right thing.
00:31:05You have to ask.
00:31:07I have to ask.
00:31:08I have to ask.
00:31:09David Ji, how is the situation?
00:31:10How is the situation?
00:31:13I am standing in the hospital.
00:31:15Do you have to ask my husband?
00:31:16Is that okay?
00:31:17Why do you go to my house here?
00:31:20I have to ask you.
00:31:25I am going to sit here.
00:31:26I am sitting here.
00:31:26I am so love to you.
00:31:27What am I saying?
00:31:29I do.
00:31:29Yes, Mama Ji.
00:31:29You have to ask, is that a bow?
00:31:30Yes, look at that bow.
00:31:30There it is.
00:31:31It is a bow.
00:31:33There the bow.
00:31:34I am so proud of you.
00:31:47Thank you. Thank you.
00:32:08Barunji.
00:32:09Uh-huh.
00:32:11You see your picture, the horse, I remember.
00:32:13What?
00:32:16What happened?
00:32:16Our bhaiins was very scared.
00:32:18Yes, that day I was very scared.
00:32:21I was saying, Mom, I'm something else.
00:32:28You said bhaiins?
00:32:31Don't you go, they have bhaiins.
00:32:33That's what I was saying.
00:32:35Hey, Mom-me-ji.
00:32:37Hey, look.
00:32:39Yes, yes, yes.
00:32:41Yes, yes.
00:32:42David-ji has got a gift for our lalla.
00:32:47We didn't have a gift for our lalla.
00:32:50This is...
00:32:54This is what?
00:32:55This is a grandfather.
00:32:57We will buy a gift for our sister.
00:32:58We will buy gifts for our music.
00:33:00We will buy so many many people,
00:33:01they will buy a gift for our sister,
00:33:03and we will buy a couple of u-n-n-n-n-n-n-n-n-n-n-n-n
00:33:04-n-n.
00:33:07Yes, I will give them so much!
00:33:09You will give them, Mom-me-ji.
00:33:11There's a third class gift for our mama.
00:33:16But it's a third class.
00:33:16Yes, that's true.
00:33:17A gift in no class happens.
00:33:19A gift is given,
00:33:21it is given a first class,
00:33:22and it is given the love that people give them.
00:33:24But there are victims of violence.
00:33:25Mum is giving him give him.
00:33:27He gave him give him and he gave him.
00:33:31He gave him to us and let him take him.
00:33:33And I'm going to leave him.
00:33:33I think he gives him give me how we are.
00:33:41I've given this gift!
00:33:44I've given this gift!
00:33:45I won't give him give him!
00:33:49He'd say he's giving him give him.
00:33:50He'd say that he's giving him продus.
00:33:51When you come on, come on in third class.
00:33:53And you mother...
00:33:56Don't let me phone.
00:33:56No, no, no, don't.
00:33:57Mom, no, don't let me phone.
00:33:59Mom, don't let me phone.
00:34:01Mom, my GP, my GP...
00:34:03Bye.
00:34:04Don't let me phone.
00:34:05Mom, don't let me.
00:34:07It's a GP.
00:34:08For a GP, she's like, isn't it?
00:34:12I'm sending a phone.
00:34:17I gave a gift for you.
00:34:19What's my name, Mother?
00:34:22I don't understand the Buddha.
00:34:25I will give them a gift.
00:34:27It will be a good relationship.
00:34:30It will be a good relationship.
00:34:31It will be a good relationship.
00:34:32You will take a heroine in the next film.
00:34:39I don't want to be a heroine in the film.
00:34:41I don't want to be a heroine in the film.
00:34:43Why?
00:34:44You don't want to be good acting.
00:34:45You don't want to be a heroine in the film.
00:34:46If you do something by a heroine,
00:34:49you can do something and go to a national class.
00:34:52So you don't want to be an actor's actor.
00:34:55I can't win acting.
00:34:56That's right.
00:34:58Isn't that right?
00:34:58To have reason I have seen that.
00:35:00Every human being is seen a boy.
00:35:03I mean, a man should do nothing.
00:35:07I don't like that.
00:35:08I have seen a son's work from my family.
00:35:09I don't want a son's work.
00:35:11It's a son's work from my family.
00:35:13I got a job.
00:35:14I got a job.
00:35:15I sat in a minute and I got a job.
00:35:18I got a diver.
00:35:19I got a diver.
00:35:20I got a bed.
00:35:21I'm asking a bed.
00:35:22Mommy doesn't help?
00:35:23I don't help.
00:35:24I didn't.
00:35:24I just sat in my second.
00:35:26I was 5 years old.
00:35:27I got a bed in front of her pants.
00:35:29She went to the glaring.
00:35:34I'm going to see what I'm going to do.
00:35:35I'm going to see what the problem is.
00:35:40I'm not going to do this.
00:35:41She's famous.
00:35:43She's coming to the podcast.
00:35:49She's got a good idea.
00:35:52She's got a good idea.
00:35:54Who would listen to the girl's story?
00:36:01She's not doing this.
00:36:03She's doing it.
00:36:05She's doing it.
00:36:06She's doing it.
00:36:07She's doing it.
00:36:07She's doing it.
00:36:11She's doing it.
00:36:12She's doing it.
00:36:13She's doing it anyway.
00:36:15She's doing it.
00:36:16She's doing it.
00:36:17You're doing it.
00:36:18You're doing it.
00:36:19She's doing it.
00:36:20I don't know if you're not like this.
00:36:21Here you go, what's this story?
00:36:21We're going to make it.
00:36:22This story was another before her dad.
00:36:23She was just eating it.
00:36:24Now she's still eating it.
00:36:25She's the truth.
00:36:27And she's trying to make it.
00:36:57I'm meeting
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00:59:38Yadokna Baapu Surzameen Hai,
00:59:40Jiske Oupar
00:59:42Aulaad Naam Ki Fusil
00:59:43Ko Baap Apeni Qurbaniyou Se
00:59:45Pani Dita Hai
00:59:48Chubel Laga Dita Hai
00:59:49Ye Baat Yadokna
00:59:52Yai Kitaab
00:59:54Fusil
00:59:55Yai Kitaab
00:59:56Yai Kitaab
00:59:56Yai Kitaab
00:59:56Yai Kitaab
01:00:06Yai Kitaab
01:00:08Baap
01:00:09I a
01:00:10E kurat
01:00:12Menendina
01:00:14Yaiay
01:00:20Aaar Kitaab
01:00:23Our
01:00:23Aish
01:00:23Aish
01:00:28accusations
01:00:36I
01:00:37a beta other chai head above us could do pretty a bit of this could have to pop
01:00:43country a bit about you know beta other train it about party with a normal head
01:00:49above the tree wow trains with what you don't get my butt car over it
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