- 2 days ago
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Short filmTranscript
00:00TARAK MEHTA KA ULTHA TASHMA
00:30Mujhe lagai Bapuji ki yeh dhwai meh chocolate ka shwaad kaan se hai
00:35Hoi puchli meh wapas hai, toh pata chala ki
00:38Yeh dhwai ki guli toh thi nahi
00:42Yeh toh chocolate ki guli hi thi, toh chocolate ka shwaad toh aay gai na
00:46Eh bai, bapu ko dhantane ki bajaye ushe thank you bol
00:50Hale usne tujhe bhewkoof bana ya, lékin tere man mein se yeh dardt ka bhoot toh utar ga ya na
00:56Ho, varnab chhote bachche ki dhara ghootan ko pampaare raha ho ta
01:00Tu kya mujhe sachma itna bhewkoof samaj rahi hai, ki mujhe itna bhi na pata chalai
01:05Ki aad tak dunia mein aasi koi guli nahi nahi hai
01:08Jho peth mein pahunchi, nahi pahunchi, ki dardgai bohja hai
01:12Aray ghootan mein dard toh abhi bhi hai
01:13Yeh toh tu mere liye itna pyaar sa dhwai le ke aai
01:16Toh tera man rakhne ke liye mein hai bhol diya, ki ghootan mein dard nahi hai
01:21Sorry, meh abhi aapke oon baam laga dhe tiyun aur garam paani ka saak kar dhe tiyun
01:26Thank yuu, apne jo chocolate ki goli khi lahi na, usmah sab aagiya, haa?
01:33Na, te. Tagu soda pike. Aray gutnolome itna dard dhe toh soda pinne ka jhani dhe na, aramkar
01:40Ay, bapuji, itna bhi dard nahi hain
01:43And if you don't want to go, it'll be fine.
01:48I'll drink soda.
01:49And what's up, Papa? I'm going to go.
01:52Where are you drinking soda?
01:54Dibu, we're going to meet our family.
01:57Okay.
01:58Come, Baba Ji.
01:59Stop. I'll also come.
02:01You're drinking soda?
02:02Yes, I was going to drink soda for a long time, so I'll drink it.
02:06You, son, I'll come and take it. What will I do for you, Baba Ji?
02:10Why? I'll come with a problem.
02:13No, no, it's not a problem.
02:15Yes, you won't be able to talk about it, right?
02:19No, I'm not.
02:21There's no such thing, Baba Ji.
02:23Go, go. I was just enjoying it.
02:25I don't drink soda.
02:26Oh, okay.
02:28If you come, it's just enjoying it.
02:31No?
02:34Okay, then.
02:35Let's go.
02:38Let's go.
02:43Let's go.
02:45Hey, Nautengi.
02:46Go, go.
02:47Go, go.
02:48I'm going to sleep.
02:53You're serious.
02:55You're going to be on the dog's butt.
02:57Let's go.
03:01Good morning.
03:03I was here.
03:07Mommy.
03:08Mommy, good morning.
03:09Good morning.
03:09Good morning, son.
03:11Mommy, where is Papa?
03:12Oh, nice.
03:13Papa!
03:14Yeah, say it to me.
03:15Papa, I'm going to school.
03:17Jai Jilindra.
03:18Yeah, Jai Jilindra.
03:18Hey, Tappu, son.
03:19It's sunny.
03:20You're late in school, right?
03:22Yes, mommy.
03:23I'm late.
03:23I'm from my extra classes.
03:26Yeah.
03:26Tappu, why didn't you tell me yesterday?
03:28I didn't make a mask for you.
03:31Mommy, it's okay.
03:32I don't want to make a mask.
03:33Stop.
03:34I'm going to make a mask for you.
03:37No, mommy.
03:37Mommy, mommy.
03:38Mommy, I'm not really hungry.
03:39Tappu, son.
03:41I've never had a mask for you.
03:44Have you seen it?
03:45I'm telling you.
03:47I'm not really hungry.
03:49Mommy.
03:49Tappu.
03:50Mom, you're right.
03:55In the morning, to make a mask is good for your health.
03:59Oh, yeah, son.
04:00And Tappu, do you know why they call the mask of the morning morning?
04:07Why, daddy?
04:08Because after eating at night, we don't eat anything at night.
04:13In our body, we don't eat any more.
04:16That's why we keep the mask.
04:18That's why we call the mask in English.
04:20And when we wake up at night, we break the mask of the mask.
04:26That's why we call the mask of the mask.
04:29Do you understand?
04:30Yes, daddy.
04:30I don't know.
04:32Oh, oh, oh, Papuji.
04:33You know from this place.
04:35Wow, wow.
04:36Our young girl group has a doctor.
04:38He told us that the morning, the skin is burning down from the morning.
04:42And the skin is burning in the body.
04:43Oh, oh.
04:44Mom, for me, I have a glass of warm water.
04:47And an apple a day keeps the doctor away.
04:49Huh?
04:52Now, with a apple, we keep the doctor away from us.
04:56So, my brother, I have two apples here.
04:59So, two doctors will stay away from us.
05:02Daddy, my mom is a little too.
05:04She always puts her logic and gives me more.
05:07So, that's right.
05:08She's your mom.
05:09And, good boy.
05:11You go to school for breakfast today.
05:13Yes, daddy.
05:14Mommy, hurry up!
05:16Come, my brother.
05:17Come, come.
05:18Come, my brother.
05:19And, you have two apples.
05:20And, you have two apples.
05:21And, you have two apples.
05:28Thank you, mommy. Love you.
05:30Come.
05:31Hey, Tappu, wait a minute.
05:32Oh.
05:33I'm leaving Tappu to the temple to the temple.
05:35Yes, Papuji.
05:36Huh.
05:37And, listen.
05:38Take a place.
05:39Oh, Papuji.
05:40He's gone.
05:41He's gone.
05:41He's gone.
05:43He's gone.
05:44Wow.
05:46He's gone.
05:46He's gone.
05:47Hmm.
05:48Come, come, Tappu.
05:49Come, let's go.
05:50Let's see.
05:50What kind of place is the world from the temple?
05:52Haha.
05:53Come, come, come.
05:56Come, come.
05:56Come, come.
05:57Hey, daddy.
06:01Hey, daddy.
06:02Hey, daddy.
06:03Hey.
06:04Hey.
06:05Hey.
06:06Hey.
06:06Hey.
06:06Hey.
06:06Hey.
06:11Hey.
06:18Hey.
06:26Hey.
06:26Hey.
06:27Hey.
06:27Say.
06:34Hey.
06:38Hey.
06:39There are two times here, and there are two times here.
06:42That's so small.
06:44Do you think this is a perfume called Kodak?
06:47Kodak?
06:47Yes, like Kodak Chai is called Kodak Perfume.
06:51Kodak Perfume.
06:53Let's go, let's get some nice tea.
06:55I want to go to the shop quickly.
06:57Only tea?
06:58We don't have to do back fast.
07:01Oh, oh, madam.
07:03Today we have made a back fast.
07:07Yes.
07:09Okay, Papa, why do you say back fast in the morning?
07:15Because he can't speak lunch. That's why.
07:18No.
07:19So?
07:20Listen.
07:21Listen.
07:23After eating at night,
07:26we don't eat anything until morning.
07:29Our...
07:30What?
07:31What?
07:32We don't eat any meat in our stomach.
07:36Okay.
07:53It is...
07:55Okay, now it says...
08:01that in the morning, we are going to break the rest of the night
08:05so we are going to break the rest of the night.
08:09Do you understand, Papa? Do you understand?
08:15You understand and we don't understand how many happened.
08:18Yes, it happened.
08:20What?
08:22What was that?
08:24I liked the name of the Backpass.
08:28Yes, I liked it.
08:29What are you talking about?
08:33With making food, you have also opened your mind's house.
08:37Yes.
08:39You should keep growing up in your life.
08:42I think that every morning,
08:43my mother gave this backpass.
08:46No, no.
08:49I didn't give it to my mother.
08:51I gave this knowledge to me.
08:55Oh!
08:58See?
08:59If you have a mother, then I will have a father.
09:02Oh!
09:02Oh!
09:05Oh!
09:28Oh!
09:34Oh!
09:34Oh!
09:36Oh!
10:06Oh!
10:15Oh!
10:17Oh!
10:17Oh!
10:19Oh!
10:20Oh!
10:21Oh!
10:22Oh!
10:45Oh!
10:47Oh!
10:48Oh!
10:48Oh!
10:49Oh!
11:17Oh,
11:18Why is your house coming?
11:20No!
11:21Look, Hans has not gone to the bathroom and the water is closed.
11:27Goman, is your water coming?
11:30No, Anjali, there is no water coming.
11:33Hey, God.
11:35Tarak has not gone to the bathroom and the water is closed.
11:39Same here.
11:40Oh, my God.
11:41I'm going to kill you, Baba.
11:42How did the water come again?
11:44Yes, Roshan, there is no water in my house.
11:46Yes?
11:46Oh, M?
11:48I haven't even come to my house.
11:49M?
11:50Oh, boy.
11:51Why the water is closed?
11:53My dad is stuck.
11:55Oh, dear, dear, dear, dear, dear.
11:58I'm going to die.
11:59I'm going to die.
12:00Let's get to know why the water is coming here.
12:02Babita, are you not going to die in your house?
12:04No.
12:05Kedalala, can I tell you now?
12:08Yes, I think you are doing it.
12:11Kedalala, you are late here.
12:13At this time, I will come to the bathroom and enjoy it.
12:17Sorry, sorry, sorry.
12:19Babita, I'm going to give you some water for drinking.
12:22I will give you some water for drinking.
12:23I'm going to give you some water for drinking.
12:25No, no.
12:26No, no.
12:26For drinking, no.
12:27No, no.
12:28No.
12:29I'll take two more water.
12:31What?
12:32Father, Papa.
12:33In our kitchen and bathroom,
12:35the water is closed.
12:36Come.
12:39Oh, that's also gone.
12:41It's gone.
12:41Why you asked me to drink and put water into our house?
12:45Sorry.
12:46Did you get a drink with water?
12:48Well, what kind of wedding?
12:50Come on, why doesn't you know why water not coming from here?
12:57holy shit.
12:58Oh, I have to do it too. I'll be late too.
13:03Anjali!
13:05Anjali!
13:10What happened, Tarabh?
13:11You know, why is the water closed?
13:13Tarabh, there's no water in society.
13:15All of them are in my house, Anjali.
13:18Why are you angry at me? I've been angry at you.
13:20I'm angry at you. I'm not angry at you.
13:22I'm going to go to the office now.
13:25Oh, man.
13:27I'm angry at you.
13:32Chita, brother.
13:33Why is the water not coming?
13:35No, Anjali.
13:36I'm asking Tarabh, Tarabh.
13:38Yes, yes.
13:40Hey, Tarabh?
13:42Oh, Tarabh.
13:43Tarabh, Tarabh.
13:44As far as there's something in society,
13:46the Tarabh is standing in the house.
13:48And if it's been in the house,
13:49the Tarabh is not coming back.
13:50What's happening all this?
13:52Tarabh!
13:53Oh, Tarabh!
13:55My secretary is coming out.
13:58Tarabh!
13:59Hey, what's going on, Anjali?
14:02Tarabh!
14:02What's going on, Tarabh?
14:04Oh, my God,
14:05you're going to have a water in the house.
14:08No, Tarabh.
14:12So,
14:13I'm going to call the Tarabh?
14:14No.
14:15He's not at home.
14:19My God, where did you go to the house?
14:21He's gone, Tarabh.
14:24Tarabh!
14:24Tarabh!
14:24Tarabh!
14:27Why did you go to the house?
14:29No, no, Chacha,
14:31it's not.
14:32It's not.
14:33It's not.
14:33It's not.
14:34It's not.
14:35It's not.
14:37It's not.
14:44It's not.
14:46It's not.
14:47It's not.
14:48It's not.
14:49It's not.
14:51It's not.
14:53It's not.
14:55It's not.
14:56You don't need water, isn't it?
14:58It's a bug.
14:59It doesn't make food.
15:02Madhavi Baba, when will you come back from Bidha Vashi?
15:05Yes.
15:06I don't know, Popad Baba Ji.
15:08I'll be standing with a dog.
15:10I don't know.
15:13Anjali.
15:15Let's go, I'm going to the office. I'm already late.
15:17I'm right, sir.
15:19You don't want to go without you?
15:20Why don't you want to go without you?
15:22But if you don't have water, what do you do?
15:23If you don't have water from Adi Balty, take your hand and take your hand.
15:28Let's go, let's go.
15:30Bye.
15:31Bye-bye.
15:33I can't even go to Adi Balty.
15:36I'm going to go without you.
15:39How are we going to go without you?
15:44Sorry.
15:46What happened to you, Popo Ji?
15:49Yes, that's what I'm going to go of.
15:51I want to go do the water on you get to the top of the terrace.
15:53Let's go and check the water on you.
15:57Of course, it's ok.
15:59That's it for me, Popo Ji.
16:00I won't go below the terrace on you.
16:03We'll go to the terrace on you.
16:03See that I'm going to go below.
16:03The terrace on you are getting to the terrace.
16:06Oh.
16:08Your mother is saying the terrace on you is still over.
16:12Yes, I'm listening to you.
16:14Please tell me what will I do?
16:16Hey, what are you doing?
16:18Hey, tell me a phone to the girl and ask her when she's coming.
16:21Yes, yes, yes.
16:23A phone?
16:24A phone?
16:25A phone?
16:26One minute.
16:27I don't have anything to do with the mobile.
16:29This is a phone call from home.
16:31Hello.
16:34You took your phone call, but who took your phone call?
16:36This is not a real thing.
16:38This should happen to be a person.
16:39Who?
16:41Papoji, what are you doing?
16:42Your phone call from home.
16:44What did you say?
16:45Hey, see.
16:46You're good.
16:48How are you looking at me?
16:48I'm being married.
16:50Can I hear you?
16:51Oh, I didn't hear you.
16:53Oh, you heard me.
16:53I didn't hear you.
16:56Don't you hear me.
16:56What am I doing?
16:59This has been a problem.
17:03Oh, no problem.
17:05It's a problem.
17:07It's a problem.
17:07It's a problem.
17:10It's a problem.
17:11It's a problem.
17:12Oh, you're not a problem.
17:13Papoji.
17:15I've heard you.
17:16I've heard you.
17:16No, no.
17:17It's a problem.
17:19It's a problem.
17:23What happened?
17:26What happened?
17:35What happened?
17:38But what happened?
17:42What happened?
17:44The water was from the dead.
17:50Oh, no.
17:50I don't know.
17:51What happened?
17:52What happened here?
17:53You said what happened?
17:55Oh, you said what happened?
17:57You said that?
17:57Oh.
17:57I know.
17:59What happened?
18:01that the whole society of the water will go out there.
18:05Babita Ji.
18:07Ayyad, what are you saying?
18:09Babita was enjoying it.
18:23Water came.
18:24He came.
18:24I mean, the master came.
18:35Back, back to A.V.E.N.
18:39Aagumi, come.
18:41Nashreeb came quickly.
18:43He came.
18:45How are you, Jaja Ji?
18:48Nice.
18:50Nice.
18:51Nice.
18:52Aage, aage, aage, aage, aage, aage, aage, aage, aage, aage.
18:56Bars, Bars, Bars, Bars.
18:56Bars, Bars, Bars, Bars, Bars.
19:02How much, man?
19:05300, sir.
19:07360.
19:09You have 350.
19:1410.
19:19Are there a mask on your mask?
19:21How many vegetables?
19:22No vegetables, Aati.
19:24I've got a Nembu.
19:25How many Nembu?
19:30Yes, it's going to be a season, right?
19:32To make a meal.
19:34Bheera, what did you get this Nembu?
19:37I got 25 bucks.
19:40Oh, wow.
19:41And the Holster Market,
19:42I've got 2,000 Nembu.
19:46Wow, 2,000 Nembu.
19:48Oh, Bheera, in the New Mumbai,
19:51there's a lot of vegetables.
19:53Oh, what does that mean?
19:5415 rupees of butter.
19:5710 rupees of 1.5 rupees of tomatoes.
19:59And there's also a Bengal.
20:00Tell me.
20:02Oh, wow.
20:04Oh, wow.
20:04Bheera, you want to take all of them?
20:06Yes, go.
20:08Yes, Bheera.
20:09There's so much vegetables.
20:10If you took them all,
20:11we would take them a little bit.
20:13Oh, Anjali, Bheera,
20:14this is so much of a problem
20:15that you don't even want to buy them.
20:18Bheera.
20:19the next time,
20:20when we're going,
20:21we'll take our order
20:22too, please.
20:23Bheera, Bheera.
20:24Yes, sure, sure, sure.
20:26Yes, Bheera.
20:28Bhabita,
20:29put the vegetables,
20:30and put the water in the water.
20:32Oh, yes.
20:32What's that?
20:33Asma Ram,
20:34the water is closed.
20:36What's that?
20:37What's that?
20:37Oh, boy.
20:38What's that?
20:39What's that?
20:41What's that?
20:44What's that?
20:45What's that?
20:47What's that?
20:48What's that?
20:48Tell us,
20:49how is the water in the society?
20:51Yes.
20:51Yes, Bheera.
20:52You don't even have to go to the office.
20:55Bheera,
20:56you've given the water bill
20:58at the time, right?
20:59I always give the water bill
21:01and the electric bill
21:02and the property tax
21:03and the due date.
21:05How did the water cut from society?
21:07How did it happen?
21:08But, Bheera,
21:09there's no water in any house.
21:10Hmm.
21:11Give me the answer, Bheera.
21:13Who is that?
21:13Who is that?
21:14Yes.
21:14Bheera,
21:15society's committee member
21:16has made me right now
21:18and I'll ask
21:19how the water of society
21:19will be cut.
21:20The water of society
21:22has not been cut.
21:24What happened?
21:25The water of municipality
21:25has changed.
21:28I told Abdul
21:29that I was going to go
21:30to the terrace
21:32municipality
21:32and start the water.
21:33Oh,
21:34the water of the water
21:34will probably forget
21:35the water of the water.
21:36Hey, Bheera.
21:38Bheera,
21:38it's time to time.
21:41Look, Abdul is coming
21:43and they ask him.
21:44Yeah.
21:47What's that?
21:48Abdul,
21:49you went to the terrace
21:50to the terrace, right?
21:52No.
21:53Hey?
21:54Abdul,
21:55you told me
21:55that today
21:56you went to the terrace
21:57to the terrace
21:58to the terrace.
21:59Did you say it?
22:00Yes.
22:01Why did you say it?
22:03Why did you say it?
22:03later I told you
22:05to the terrace
22:05to the terrace
22:06to the terrace
22:06that I'm late.
22:08That's why you start
22:09with the terrace.
22:10Yes.
22:14Oh, God.
22:15it came from the terrace
22:17to the terrace
22:17in the terrace
22:19and it blew out
22:21Here
22:21the water
22:22is closed.
22:23I'm sorry.
22:24I'm wrong.
22:24I'm sorry.
22:26I'm wrong.
22:28What do you mean?
22:29You know how much the whole society has affected you?
22:33The whole society will go without a new office.
22:38And I'm going to get up with Adi Dadi.
22:41And my husband will go to the bathroom without a new office.
22:49Sorry, sorry.
22:51Atmaram has been affected by this time.
22:53First of all, I have been affected by this time.
22:55Let's go to the bathroom.
22:56Yes, brother.
22:57You're right, brother.
22:58You should get the first prize to the bathroom.
23:03Let's go to the bathroom.
23:04You've got your daughter's house.
23:06So why do you think you have fun?
23:07Sorry, brother.
23:09Sorry, brother.
23:10Now you're here.
23:11Now you're going to start with Abdul.
23:14So you're going to take a shower.
23:16You're going to take a shower.
23:18You're going to do it.
23:20Brother, first of all, tell me
23:22that the terrace is going to take a shower.
23:25Yes, I wanted to take the terrace one too.
23:28Yes?
23:30Then I can call people
23:32That, brother, you're still here.
23:34You're there, that terrace is going to take a shower.
23:38But Chapo's dad is getting the back of the bathroom.
23:44Brother, I'm standing.
23:46Why did you take the terrace?
23:46Give me a house!
23:46Why did the terrace take the bath into your wife?
23:48Why did you go there?
23:49Huh?
23:50I didn't go there, Popat Nal.
23:51I have a chabi.
23:52Everyone has chabi.
23:54But on the safer side,
23:55I have kept chabi's second set in society office.
23:59What's your chabi's second set?
24:01I have it.
24:03Go.
24:08What was the second set of chabi's second set?
24:11This is the same thing, dear master.
24:13You made food.
24:14We called all of them.
24:15And put the food in the fridge and lock it up.
24:20Oh, man.
24:22What do you mean?
24:24This is a very wrong thing.
24:25What do you mean?
24:27This is not a bad thing.
24:28This is not a bad thing.
24:29Come on, come on.
24:30Come on, come on.
24:32The bindi master is also a human.
24:35And the wrong thing is a human.
24:37Abdul,
24:38take this bindi master and go to the terrace.
24:42Okay.
24:43Abdul,
24:43go to the porch and let the water go.
24:47Go.
24:48Bindi?
24:49I'm going up top,
24:50leave the nimbu.
24:51Oh,
24:52Abdul is so strong.
24:55No,
24:55first, you take the water go.
24:56No, I take the nimbu.
24:58First, you take the water go.
24:59No, you take the nimbu.
25:00No, I leave the nimbu.
25:00First, you take the water go.
25:01First, we take the nimbu.
25:03Before the water, the nimbu.
25:05First, the water.
25:05Water.
25:06Water.
25:07First, the nimbu.
25:08Let's go.
25:14Oh!
25:19Hijo!
25:20Oh, no!
25:41Oh, no!
25:43Oh, no!
25:44I've been working on Mumbai in the water.
25:47Oh, my God!
25:48Everything is dry and dry.
25:49Nimbu...
25:51I'm going to start the water.
25:53First of all, Nimbu?
25:54No, no.
25:55I'm going to start the water.
25:56First of all, Nimbu?
25:58Nimbu!
25:59Nimbu!
26:00Nimbu!
26:00Nimbu!
26:00Nimbu!
26:00Nimbu!
26:01Nimbu!
26:03Nimbu!
26:08Nimbu!
26:09Nimbu!
26:09Nimbu!
26:10Nimbu!
26:13Get up and run on the water.
26:15Nimbu!
26:15Come on!
26:16Get up and run!
26:17No!
26:31Let's help her!
26:32ah
26:35uh
27:13Oh, here's Dhali.
27:15How will these Dhali come?
27:18Oh, good.
27:24Hey, Master, you got this bag.
27:26There will come all the Dhali.
27:28And this won't cut...
30:12Thank you very much.
30:13Thank you very much, everybody.
30:14And once again, sorry.
31:09Come on, come on!
31:11Come on!
31:14What the hell?
31:17Come on!
31:19Hey, brother!
31:21Come on!
31:23Come on!
31:24No!
31:25Come on, come on!
31:27Come on!
31:30I'll get to know my brother.
31:31I'll get to know my brother.
31:36Hey, brother!
31:38Hey, brother!
31:48Oh, the time is over.
31:49Abdull did not start drinking water yet?
31:52Huh?
31:53Hey, brother.
31:54There's no shower here in society.
31:56How do you understand this?
31:59You'll get to know my brother.
32:02That's a good story.
32:04Koma,
32:05you'll get to know the water coming.
32:07Yes.
32:08Come on!
32:09Come on!
32:10Come on!
32:12Come on!
32:13Come on!
32:13Come on!
32:14Come on!
32:14Come on!
32:16What happened?
32:17You're not worried.
32:18What happened?
32:20You're not worried.
32:21Come on!
32:21Come on!
32:22Come on!
32:22Tell him!
32:23Say it!
32:27Tell him!
32:29Hey, brother.gia.
32:32Terrace.
32:32Terrace.
32:33Terrace.
32:34mindset. Lock.
32:35He gave
32:36me it
32:37as a messenger. Yes. But...
32:39Movie has
32:40filled in
32:40his pocket. How can he find
32:44it from inside? Someone has theorized
32:48enthusiasm-
32:49lock.
32:50What a girl!
32:51What a girl!
32:52What a girl!
32:53How did the girl go inside?
32:57How did the girl go inside?
32:59She had cut the door.
33:01My brother!
33:02I had cut the door.
33:04I never told you to open the door.
33:07But she didn't have to open the door.
33:11She told me,
33:13you go!
33:14I won't open the door!
33:14I won't open the door.
33:17What's the problem?
33:19This is great.
33:20Some young girl has reached our terrace.
33:23She broke the door.
33:24But we don't know.
33:26All of these terraces left the terrace
33:28and went to Nabi Mumbai,
33:29there was a problem.
33:32Why did Nabi Mumbai go inside?
33:35Don't go to life.
33:36Don't go to life.
33:38If you don't have a girl,
33:40you won't have to stop the water.
33:41You won't have to stop the door.
33:43Yes!
33:43You're talking very well.
33:47I think that in Dubai,
33:49there was a gang of four boys
33:51who went through the water.
33:53Then they will export the water.
33:58What are you talking about?
33:59Why would the girl stop the water?
34:02What's the difference between you?
34:03What's the difference between your girl?
34:05Little girl,
34:06let's do your fun and stop it.
34:09Chacha ji.
34:12Stop talking and stop talking.
34:13Let's go up and see.
34:15Who is the girl?
34:16Come on, come on.
34:17Come on.
34:26Let's go up and see.
34:27Look, the house was falling off.
34:29I'm looking so excited.
34:31How was the house?
34:32What's the house?
34:35I don't have to see the house about the house.
34:38Why are you walking into it?
34:39You really feel like that?
34:39Why are you walking in the house?
34:40What?
34:47Who is going on?
34:48Where is your house?
34:48There is only a house,
34:48The house is so cool.
34:51What's up?
34:52This is blue.
34:53Put it on the paper.
34:55It will go all over.
35:01What are you doing?
35:02What are you doing, son?
35:05Put this bag on your back.
35:08Why did you put this bag on your back?
35:10Why did you put it on your back?
35:10Why did you put it on your back?
35:13Why did you put it on your back?
35:13She didn't have to wear it.
35:17Sorry, Jaja Ji. Sorry. Very sorry.
35:20What were you talking about now?
35:21Yes, son. I was saying this.
35:24Put it on your back.
35:25Put it on your back.
35:27Don't you throw it on your back.
35:30Who?
35:37Hey, son. First of all, tell me
35:39that who will put it on your back in society?
35:43Who will put it on your back?
35:43You're a man.
35:46You're a man.
35:48Oh, man.
35:49You're a man.
35:50You should have seen this.
35:52Why are you putting it on your back?
35:53I'm not a man.
35:57I'm a man.
36:02How about this?
36:04Put this piece of paper and how to open the door, think about it.
36:08Yes, correct.
36:09Okay, I'll see you.
36:10One minute.
36:12There's a girl in the inside, right?
36:13I talk about it.
36:15Hey, brother.
36:16If that girl came out of her husband,
36:17then her husband will give you two of them.
36:21Why don't you get angry about her?
36:24Jethalal is talking about her husband.
36:26I'm talking about her husband.
36:28You have to talk about her husband.
36:33I'm talking about her husband.
36:38Why are you laughing at Nabi Mumbayi's Bhaji Market?
36:41Why are you laughing at Nabi Mumbayi's Bhaji Market?
36:44No, child.
36:45Nabi Mumbayi's Bhaji Market, there's no reason to laugh.
36:47There is a lot of work.
36:50You're not going to Nabi Mumbayi's Bhaji Market.
36:52See?
36:53I'm talking about her husband.
36:55Why are you listening to us?
36:58Why are you talking about us?
36:59Are you talking about us or can you speak to Popat?
37:01I'm talking.
37:04Why are you talking about us?
37:05What's your house?
37:05What's your house?
37:06What's your house?
37:08Jethalal, you're not a house.
37:09I'm talking about the house.
37:12Your house is home.
37:13Don't you stay.
37:15Popat, you talk.
37:16Hey, look.
37:17I'm talking about you.
37:19I'm talking about Goku's name.
37:20I'm a secretary.
37:21Are you listening to my voice?
37:22How are you listening to me?
37:25Hello?
37:27Hello?
37:29Hello?
37:30Are you going to open the door?
37:31Open the door?
37:33What are you doing?
37:35What are you talking about?
37:35You're going to open the door.
37:37Oh, that's the father's open.
37:38You're going to open the door.
37:40Hey.
37:41Chacha ji, you're going to open the door.
37:43How can you open the door from inside?
37:45Oh, Chacha ji.
37:47Bapu ji has open the door.
37:48How are you open the door?
37:50I'm sorry.
37:51You're going to open the door.
37:53Hello?
37:54Hello?
37:55Hello?
37:57Hello?
37:59Hello?
38:00Hello?
38:00Hello?
38:00The phone is cut.
38:02The door is closed, right?
38:04The tower will not be found.
38:07No, no.
38:08The tower is not a problem, Papa.
38:10The other brother has spoken to the phone at home.
38:17Chacha ji.
38:19You go to the door.
38:20Sorry.
38:21Sorry, Bapu ji.
38:22Bapu ji, I'm going to take care of you.
38:23Keep calm.
38:24Sorry.
38:25I'm going to take care of you.
38:28Hey, what are you sitting here?
38:29Do you talk?
38:30Yes.
38:32Look.
38:33You're not doing this right now.
38:34I'm telling you again.
38:36You open the door.
38:37Look.
38:39Look.
38:39You're not going to go outside on any other society.
38:42You're not going to go outside.
38:45I'm sorry.
38:46I'm sorry.
38:47I'm sorry.
38:50I'm sorry.
38:51I'm sorry.
38:52I'm sorry.
39:22Hey!
39:23Hey!
39:24We are in Mumbai.
39:26You're going to turn the door and open the door.
39:29What's that, Chajaj?
39:30This time, nobody's open the door.
39:33Someone's gone on our terrace.
39:34When did he come to this house?
39:37I'm going to die.
39:38Wow, wow, Babitha Ji.
39:40Wow.
39:40It's like Babitha Ji.
39:42Babitha Ji, you're talking exactly.
39:45Someone's gone on the house.
39:48What's that, Chajaj?
39:49Oh, my God.
39:51It's not unauthorized.
39:52It's unauthorized.
39:54Wow.
39:55Did you understand?
39:56Did you understand?
39:57No, no.
39:58So, in our society, there was a gullab.
40:00He said that the gullab was prepared.
40:04That's why.
40:05That's the gullab.
40:06Hey, brother.
40:08What's going on here?
40:09And where are the gullabes?
40:11Yeah, yeah.
40:12Babitha Ji.
40:14Hey, man.
40:15But, how can someone put a terrorist on our society?
40:19What a hell of a bitch, man.
40:20Hey, brother.
40:21You're a secretary of society.
40:22You talk about it.
40:24What do you talk about, Chajajji?
40:25Tell me something.
40:27Tell me about it.
40:28Tell me about it.
40:28You've also sung the song.
40:29You're not a bitch.
40:32You're a bitch.
40:34You're a bitch.
40:34You're a bitch.
40:35You're a bitch.
40:36Babu Ji.
40:37What do you talk about?
40:39Yes, Dad Babi.
40:40You talk about it.
40:41Maybe listen to the ladies' voice and talk about it.
40:43Good idea.
40:46Try it.
40:47Try it.
40:47Try it.
40:47Try it.
40:50There's someone inside.
40:52Huh?
40:54Yes.
40:54No, no, no, no, no.
40:55Look.
40:55I've said it.
40:57There's no ladies' voice.
41:00Can you say it?
41:01He said it.
41:02That's Abdul.
41:03Yeah.
41:03Yeah.
41:06This area is the same place.
41:06Whatever comes from here, the same place.
41:11It makes the same place.
41:13Come on.
41:14Come on.
41:17What's inside?
41:19Baisa, Benji.
41:21Don't be scared.
41:23Open the pledge.
41:25We are all Gopal and Sosini.
41:28Nothing will happen to you.
41:32Open it.
41:33Open it.
41:35This is all your fault.
41:37My.
41:38Why did you put so bad on society's terrors?
41:40Why did you put so bad on society's terrors?
41:43If you put so bad on society's terrors,
41:45then you can't break it or go inside.
41:50With society's security,
41:52this is a big problem.
41:55And if you want to be a secretary,
41:57give me the answer to this problem.
41:59Why did you put so bad on society's terrors?
42:01I have to know this problem.
42:03What are you talking about?
42:06How can you put your secretary's responsibility?
42:07How can you put so bad on society's terrors?
42:09That's it.
42:10So,
42:11I'm going to take a look at this one of Gokulam Society's secretary.
42:15Today,
42:17I'll give you a name from society's secretary.
42:19I'll give you a name from society's secretary.
42:22What are you talking about?
42:26What are you talking about?
42:29What are you talking about?
42:30What are you talking about?
42:32What are you talking about?
42:32One minute, one minute.
42:33Baisa was just keeping your thoughts.
42:35What are you talking about?
42:36What are you talking about?
42:37I'm talking about your thoughts and we'll get to sit on your house.
42:40We don't have to eat your thoughts.
42:43Admaram,
42:44you can't resign that.
42:47Yes, brother.
42:47You take the same for yourself.
42:50I'll give you a name from the king.
42:50Jethalal,
42:51I'll give you a name from the king.
42:52My decision is final.
42:54And now,
42:55you will see the secretary,
42:57I'll be part of the king.
42:58I'll be able to do it in the same way.
42:59What do I say?
43:01Oh, boy!
43:03Papaji, one minute.
43:07Oh, boy, I'm bored.
43:10How are you bored?
43:13Look,
43:15this time
43:16is the society's time.
43:19Hey!
43:19Look at that.
43:22It's the society's time.
43:24It's the society's time.
43:24It's the society's time.
43:27If we have a terrorist
43:30on this,
43:32we should have to give a different person.
43:35We should have to face it.
43:37And at this time,
43:38you will see the right name
43:39and stand up like this.
43:42It's good.
43:44Popat Lal, sorry for something, brother.
43:47Brother, I'm sorry.
43:49I'll take my thoughts back.
43:51You can cancel your right name.
43:53I'll cancel it.
43:54What?
43:55What do you do like this?
43:58It's good.
43:59It's good.
44:02It's good.
44:05Look, brother.
44:06You have given me the right name.
44:10You have given me the right name.
44:11We all have members of the society.
44:16I'll cancel it.
44:17Listen to me, brother.
44:19And now,
44:20all the society members
44:21are standing here.
44:23They stop on the secretaries.
44:27Say it, brother.
44:29It's good.
44:35Come on.
44:37Let's go!
44:37Go on!
44:38Look!
44:38Go on!
44:39And now,
44:40let us do this society meeting.
44:45There's no need to be done.
44:46There's no need to be done at the same time.
44:48Anyone within there,
44:50if you are listening to this conversation
44:52If you listen to the terrace and you don't know what to do,
44:55then we can get in the door of the police.
45:00Hey, brother, don't you talk about it?
45:02How many times have I talked about it?
45:04I've talked about it, I've talked about it.
45:05There's no answer to it, so what do you do?
45:07Hey, brother, let's open the door.
45:10Hey, wait a minute.
45:14Look, there's no need to open the door.
45:17We have to go to the terrace,
45:18so we can go from the other wing.
45:19We can go from the terrace, so we can go from the terrace.
45:21What happened?
45:23Yes, the story is very, very, very.
45:27Let's go, let's go to the terrace.
45:30Let's go, let's go.
45:36This is very, very, let's go to the terrace.
45:40Adi, where are you going?
45:42Where are you going?
45:43They're going to the other way, go, go, go.
45:51What are you going to the terrace?
45:53What are you going to the terrace?
45:53Hans, the terrace is not open to the terrace.
45:55So we'll go to the terrace.
45:57Come fast.
45:58Come fast.
45:58Let's go, I'll come.
46:11Let's go.
46:14Oh, my God.
46:15I'm sorry, my hands.
46:16Oh, my girl, here's the terrace,
46:19not open the terrace.
46:21We're going to the other wing on the terrace.
46:22You should come, I'll come.
46:27If we could also close the terrace wall in that wing, then...
46:32Hello?
46:34Hello?
46:35Yes, what's up?
46:36Yes, I'm going to get late in the shop.
46:38Then, you can take the shop.
46:41I'll tell you all about that.
46:43Okay?
46:44Okay.
46:45Yes, Abdul, you know the terrace?
46:47No, my brother is here.
46:48Yes, my brother.
46:49What are you doing?
46:50My brother.
46:53My brother!
46:54My brother!
46:54My brother!
46:58What are you doing in that area?
47:02Who was working in that area?
47:03Your brother?
47:05I was working in that area.
47:07But in this area, you were running.
47:09You were running.
47:13The terrace wall, right?
47:15Yes, let's go, let's go, let's go.
47:23I was working in that area.
47:24Let's go!
47:25Let's go.
47:26Let's go, let's go.
47:28Let's go.
47:31Let's go.
47:40Don't go in here, people can no-wate.
47:43Ah!
47:44I can't go in, man.
47:45Yeah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:46Ah!
47:47Our society will shut down every wing of the terrace.
47:50Oh my god!
47:52This is a joke!
47:53And everyone is standing outside of the terrace!
47:57What are you saying, Daya?
47:59What do you mean by saying that we will go outside of the terrace?
48:05And until we go outside of the terrace, we will not.
48:09And until we go outside of the terrace, we will not.
48:11How do you go outside of the terrace?
48:13It's a joke that we will go inside of the terrace.
48:17If we break the terrace, then we will all go inside of the terrace.
48:26Sorry, sorry, Bapuji.
48:27No, we will be together.
48:30We will not break the terrace.
48:33We will not break the terrace.
48:36Just a job.
48:37Everyone will come.
48:38We will take a break and we will break the terrace.
48:41We will take a break and we will break the terrace.
48:42We will not break the terrace.
48:43We will manage the terrace.
48:47Let's go!
48:49Bapuji!
48:54Oh my god!
48:56Oh my god!
48:58I tried it, but you didn't open it.
49:00It's going to be a jam.
49:01But how do you think it's going to be a jam?
49:03I'm not going to be a jam.
49:03It's going to be a jam.
49:04The door is open, so go inside.
49:06Sit down and sit down and sit down.
49:07Sit down and sit down and sit down.
49:09Sit down and sit down for the terrace.
49:26I am the Centauri.
49:32Sit down!
49:35Sit down and sit down.
49:41Sauthanis, come on.
49:43Come on, Jadalal.
49:44How are you scared?
49:46Okay, let's go.
49:47Let's go.
49:50Jadalal, I mean, if you say this,
49:52you will be scared of us.
49:55What?
49:55What?
49:56What?
49:59Okay, okay, no offense.
50:03Sauthanis, yes.
50:04Babita Ji, Babita Ji, what are you doing?
50:13Okay, okay, sorry.
50:20Let's go.
50:20Come on.
50:25Ahh!
50:38Instead of
50:40What?
50:51What?
50:52Sorry, sorry.
50:56Done?
50:56Yes, that's right.
51:10I can't see anyone.
51:13First, my eyes are eyes.
51:15Daddy, I'm seeing you.
51:17Daddy!
51:19I can't see anyone.
51:20I can't see anyone.
51:22I can't see anyone.
51:35Papa!
51:36Papa!
51:37Come here.
51:38Come here.
51:40Look at this.
51:42Oh, god.
51:51Look at that.
51:52The other one.
52:02Two chappals.
52:04Two chappals.
52:05One chappals.
52:20One chappals.
52:22Confirmed there are ladies.
52:23Wow.
52:28Don't know, don't know.
52:29Don't know, don't know.
52:30This chappals is here.
52:35One chappals.
52:35What is this?
52:37This is the one.
52:37This is the one.
52:59One chappals.
53:01Friends.
53:03Why?
53:03Let me go.
53:03Let me go.
53:05And now, it's time to get back to my house!
53:10My parents!
53:11What are you doing?
53:13What are you doing?
53:15Why do you go to the house?
53:19Why are you doing this?
53:19I'm not going to be a kid.
53:21I'm not going to be a kid.
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