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00:28The End
00:38The End
01:07The End
01:36The End
01:42The End
01:51The End
02:03The End
02:19The End
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02:29The End
03:09The End
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03:58The End
04:00Come on
04:15That man is really frightened
04:19An organization bookkeeper
04:21who testifies against the organization
04:22that's good reason to be frightened
04:34come on, come on, you know, come on and say, come on, you get the whole place of yourself, you
04:36can pace around as much as you want.
04:41What kind of a place is this anyway?
04:43It's better than what you had in a big place, isn't it?
04:47Yeah.
04:49Yeah, any place is better than that.
04:52You want any magazines or any kind of food?
04:54I'll see if I can have it sent in to you.
04:57No, no, I...
05:00Ever since I told him I was willing to testify in exchange for my release,
05:06I haven't been able to eat, sleep, or do anything.
05:10Let me know if you'd change your mind.
05:13Yeah.
05:57Nobody on this floor unless they've been searched and cleared.
05:59I want a man in the ante room at all times watching Saul.
06:02Is that clear?
06:02Yes, sir.
06:03Lieutenant?
06:04What?
06:05Have you any idea why Saul decided to testify now?
06:09Fifteen years in prison and all of a sudden a switch.
06:12How come?
06:13He's dying, Gillis.
06:14Doesn't want to die behind the walls.
06:16Let's go.
06:51Mr. Saul, with love.
07:16Hi. Anybody call?
07:19No, you expecting anything?
07:22Oh, Riker's going to nail me to the wall if I don't check out those passes.
07:28Seems some yo-yo photographer got into the compound today and almost blew the whole thing.
07:33Mayor had to call the editor of the paper, make sure he'd kill a story, and...
07:37So Riker's now got me in charge of who's been cleared, who hasn't been cleared, and why and why not.
07:44Sergeant Tompkins, please.
07:49How was your day?
07:52Well, uh...
07:53Sergeant Tompkins?
07:54Yeah, this is Officer Danko.
07:57Fine, thank you.
07:59Lieutenant Riker asked me to call you in regards to a pass you issued, to a David Fenner to tour
08:03the prison facility.
08:05Yeah, well, it seems we're going to have to renege.
08:07Happy birthday.
08:10Yeah, well, I know it's a little late in the day, but that's the word.
08:14Hey, happy birthday, Mike.
08:16I'm on the phone.
08:19Yeah, okay.
08:20Look, I'll be down there tomorrow morning around 10 o'clock.
08:25Yeah.
08:26Okay, fine.
08:30What's the matter?
08:57I'm sorry.
09:09We've been so involved with Saul, and...
09:15It's no excuse.
09:19But I am sorry.
09:22I miss you, Mike.
09:24I miss us.
09:27What is that supposed to mean?
09:31Well, it means that you've been working 18 hours a day, and I never see you.
09:36When I do, I'm either going to the hospital or...
09:39You're so tired, you can't see straight.
10:00Hello?
10:02Yeah, he's here.
10:04Mike, it's Lieutenant Riker.
10:24Yeah, hello.
10:26Danko, I got a call here from Sergeant Tompkins about denying a pass to somebody named Fennett.
10:35Tompkins says that we ought to reconsider.
10:37You know anything about this?
10:39Just that he's public relations, and he doesn't like to get anybody mad at the department.
10:45All right, I'll see you in the morning, and I'll explain the situation to this Fennett guy.
10:50Good deal.
10:52Goodbye.
10:54Goodbye.
10:55Goodbye.
11:03Now, look, I had permission.
11:05I went through all the right channels.
11:07You cannot pull the rug out from under me now.
11:09I'm sorry, Mr. Fennett, but circumstances won't permit.
11:11What circumstances?
11:12I'm not at liberty to say.
11:14Look, today's Sunday.
11:15Maybe we can set it up later in the week for you.
11:17Later in the week is no good.
11:19Why not?
11:19What difference will a couple of days make?
11:22Look, I don't know if you guys understand how universities work in this day and age, but there is a
11:26saying.
11:27You publish or you perish.
11:29Now, unless I get this paper on phenology finished in time to be published, I will be out on my
11:33ear.
11:34I've got a whole timetable set up.
11:36I've got to go to Utah and tour a prison there.
11:38Then I've got to go to New Hampshire.
11:39I cannot wait till later in the week.
11:41No, Mr. Fennett, I'm sorry.
11:43That's it.
11:43You're sorry?
11:45Well, that's terrific.
11:46A fat lot of good that does me.
11:47You guys, you're always doing numbers on how the great new things you're doing here in the police department.
11:51Well, I tell you, one thing hasn't changed.
11:53You're still up to your tails in red tape.
11:59He's right.
12:05Look.
12:08I'm sure you've got your reasons.
12:10But you see, I've worked such a long time to set this all up, and isn't there something you could
12:16do?
12:18No, Mr. Fennett, there's no way.
12:20I'm still sorry, and it's still fine.
12:24Well, you're in charge.
12:27Except, Lieutenant, well, there is a favor you could do me.
12:33What's that?
12:38Well, you see, I'm afraid I have been doing a little bragging with a few people up at the university,
12:44and, well, the head of the department is flying in here today to meet with me.
12:51It would be a great help if one of you guys could be there to explain why the tour has
12:56been canceled.
13:00He's arriving by charter plane in an hour, and, well, it would be a great favor, Lieutenant.
13:10All right, Danko, I'll drive him out.
13:13Well, hey, thank you.
13:15Okay.
13:27Well, where didn't you tell you're going?
13:28That's my part of the country.
13:30I don't know yet.
13:32You don't know?
13:33I...
13:34Oh, I thought you said you had this big itinerary all set up.
13:38Oh.
13:39Oh, you see, this guy, he is meeting me in Salt Lake City and in the prison.
13:42I know, it's way far out in the country somewhere.
13:44Oh, that would be the county.
13:45That would only be about 15 miles outside of town.
13:49Oh, look, I think this is the charter service.
13:52Okay.
13:56Yeah, you'll like it up there.
13:57That's pretty country.
13:59I'm looking forward to it.
14:04Look, that's the gate I'm moving.
14:06Okay.
14:21I got a guy here who's supposed to meet an incoming passenger.
14:25You want to let us in, please?
14:28Okay, thank you.
14:36Throw the gun in the seat with your left hand.
14:40Very slow.
14:41Like the Westerns say.
14:50Now the bell.
14:52Just as slow.
15:11Now, I wouldn't take anything away from you
15:14without giving you something to replace it with.
15:17So, uh, here.
15:20Put this on.
15:33Go on.
15:43Catch.
15:55Now, this gizmo in my hand
15:58is a microwave transmitter.
16:01That little thing on the front of your belt
16:05is the receiver.
16:07The other stuff
16:08is plastic explosive.
16:11Now, I want you to understand
16:14that when I press this button,
16:21nothing is going to happen to you.
16:24It's when I take my finger off
16:26that the explosives go.
16:28So,
16:29if you try to knock me out
16:31or shoot me
16:31or anything,
16:33you will be
16:34in so many pieces
16:35they will have to pick you up
16:37with a straw
16:38and carry you home
16:39in an air sickness bag.
16:41Do you hear me,
16:42Officer Danko?
16:45Yeah, I hear you.
16:48Fine.
16:50Get in.
16:51Let's go.
16:52Let's go.
16:54Let's go.
16:54Let's go.
16:54Let's go.
16:55Let's go.
16:58Let's go.
16:59Let's go.
17:00Let's go.
17:04Let's go.
17:05Let's go.
17:05Drive straight into that hangar.
17:07Slowly.
17:28Okay, now stop.
17:36Get out.
17:37Slowly.
17:40Hey, Officer.
17:41I don't want to be hard
17:42to cut along with,
17:43but you can't park this thing
17:45in the middle of a hangar like that.
17:46I say he can.
17:47And I would take it most kindly
17:49if you would line up over there.
17:53Come on.
17:54You two guys, come on.
17:56Do what he says.
17:57It means business.
17:59Follow him.
18:03Come on.
18:06You two, come on.
18:07Over here.
18:09Drop those tools.
18:13You.
18:14Hand up him.
18:15Hand behind the back.
18:19Anyone in your pilot?
18:20Nope, they're all mechanics.
18:22We service these birds.
18:23We don't fly them.
18:25Very well.
18:26You are now all expendable.
18:28But there are more of you
18:29than I have time to expend,
18:31so, uh...
18:34Get in there.
18:35Come on, I'm briskly.
18:38Move, you slap-sarget.
18:41Cretans, move!
18:49Now, close that door.
19:10And now, Officer Danko,
19:12I would like you to give me
19:13one of those radio code numbers
19:15that you use.
19:17Which one?
19:18The one that means
19:20officer needs help.
19:24Because you do.
19:33Fantastic.
19:35Exactly what, my good man,
19:36is the secret of this dish.
19:37Well, my good man,
19:38I will tell you.
19:39Fresh mushrooms.
19:40What?
19:41Green peppers.
19:44And half a cup of stale beer.
19:46Oh, well, let me assure you
19:47that that secret is safe with me.
19:49Oh.
19:50You do a chipper this morning.
19:52Well, you spent eight hours
19:53in that jail,
19:54and you'd be amazed
19:54at how good it feels to be out.
19:56Yeah, it's pretty bad, huh?
19:58Mm.
19:58I forget who it was who said,
20:00stone walls do not a prison make.
20:01Well, I guarantee that it'll do
20:03till something else comes along.
20:05Richard Lovelace.
20:06Lovelace, the phone?
20:08Oh, I'll get that.
20:08Why don't you get the phone?
20:09Okay.
20:13Hello.
20:14Gillis, this is Riker.
20:15Get in here.
20:16We got troubles.
20:17What is it, Lieutenant?
20:18Somebody's taken Danko hostage.
20:20They're holding him
20:20until we turn over Saul.
20:22The rest is complicated.
20:23You'll get it when you get in here,
20:24so move it, will you?
20:25Lieutenant.
20:26What?
20:27Um, Jill is here with us right now.
20:31What do we tell her?
20:34Tell her what I just told you
20:37and bring her in here with you.
20:39Yes, sir.
20:42See, here we are.
20:43It's on the last part
20:45of this obstacle course.
20:46And Riker's up in this tower
20:48where he can look
20:49out over everyone, right?
20:51Now, my shoe decides
20:52in falling off,
20:53and I don't know what to do.
20:54He spots me.
20:56He starts yelling at me,
20:57Webster, what do you mean?
20:58Slowing up.
20:59Move it, move it.
20:59It's up.
21:01Jill, that was
21:02Lieutenant Riker on the phone,
21:03and he wants you
21:04to come with us
21:04down to the precinct.
21:05Right away.
21:08What for?
21:11Somebody's taken Mike hostage.
21:15They're holding him
21:16in exchange for Saul.
21:20I'm still waiting, boys.
21:22What do you got in mind?
21:23What off should I go on?
21:25No, no.
21:27No, you guys know
21:29all those 10-10 things.
21:31You know, I mean,
21:32you might even start
21:33talking a deal
21:34while I'm listening.
21:36And that wouldn't be polite.
21:37Or wise.
21:39How do we know
21:40he's still alive?
21:41Well, why don't you
21:42come out here and see?
21:43Standing right here.
21:45Oh, yeah,
21:46and when you come,
21:48bring a pilot
21:49who's checked out
21:50on twin-engine jet
21:51and four parachutes.
21:53Got it.
21:54I hear you.
21:56Good.
21:57Now, this is going
21:58to be my last transmission
21:59because there's no good
22:00talking anymore
22:01until you're out here
22:02with all the things I want.
22:03So, um,
22:05hasta la vista.
22:06Fener, listen to me.
22:08Fener?
22:14Well, here we are.
22:16You're wasting your time.
22:17They won't bargain with you.
22:19No, it's you
22:21they're bargaining with.
22:23Your life.
22:25Even if they do
22:26bring Saul out here,
22:27they'll track that airplane
22:29and follow those chutes down.
22:32Well,
22:33let me put it this way.
22:34Right now,
22:35I like my chances
22:37a great deal better
22:38than I like yours.
22:45Yes,
22:46everything he says
22:46is theoretically possible.
22:48No question of that.
22:50So no sharpshooters,
22:51nothing like that?
22:52That's out?
22:52I'd say so.
22:54By reversing the action
22:55of the switch,
22:56he's definitely protected himself
22:57against any physical assault.
22:59If the transmitter is real,
23:01I mean.
23:02Is there any way
23:02we can tell if it is real?
23:04If I can see
23:05what it looks like.
23:06We got a chopper up
23:07with a photographer.
23:08If they get a good close shot
23:09at that transmitter,
23:10can you tell if it's real?
23:12Possibly.
23:12I could probably tell you
23:13if it was a bad imitation.
23:15But about all the picture
23:16would tell me
23:17is the frequency
23:17of the transmitter
23:18from the length
23:19of the antenna.
23:21Is that any use to us?
23:22I don't see how.
23:24Now look, Parks,
23:25you're the expert.
23:26You're the one
23:26that's supposed to know
23:27all about this.
23:28Now help us, will you?
23:29What would you do
23:29if you were in charge?
23:32I'd turn over
23:32Mr. Saul, Lieutenant.
23:37Lieutenant?
23:41Mrs. Danko,
23:41why don't you wait
23:42in my office?
23:42We're still trying
23:43to get all the facts on this.
23:45As soon as I know
23:45the exact situation,
23:46I'll be in
23:47and I'll let you know.
23:48Oh, Lieutenant,
23:49is there any way
23:50that I could talk to Mike?
23:51I'm afraid not.
23:55Jill, let's go get
23:56some coffee, okay?
23:59See you in a few minutes.
24:27See you in a few minutes.
25:19See you in a few minutes.
25:46See you in a few minutes.
26:14Feenner is intelligent.
26:16He's trapped out there
26:16as long as we don't
26:17give him a means of escape.
26:18We can assume that...
26:19We can't assume anything.
26:21Fetters in too deep to back out.
26:23Webster, when you took the oath to become a policeman,
26:25you made certain commitments.
26:26And one of them wasn't assuming things
26:28when someone else's life was on the line.
26:30Lieutenant, we want to go out there.
26:33Gillis, there's nothing that can be accomplished out there.
26:36We've already sealed off the airport.
26:38And I can assure you we're not going to do anything out there.
26:40We haven't already decided in here first.
26:42Sir, we are not going to let Mike get killed for no reason.
26:45But there is a reason.
26:46And Saul, he may be scum, but that doesn't matter.
26:49We are sworn to protect everyone, including Saul.
26:52Well, that's great for textbooks.
26:54But the day I have to stand by and see Mike die for some
26:57syndicate bookkeeper, that's the day I stop playing cop.
26:59No, sir, you don't stop playing cop.
27:01You start playing God.
27:02Nobody gets condemned around here without a trial.
27:05You mean like the trial Mike had, Lieutenant?
27:09Is that the way it is?
27:11Gentlemen, this is Officer Danko's wife.
27:13Who still doesn't have an answer to a question.
27:16Well, if I may rephrase the question.
27:18Does a police officer always get a fair shake?
27:21Well, the answer is no, Mrs. Danko.
27:23It always has been.
27:26Yeah.
27:27Commissioner Riley for your lieutenant on line three.
27:32Yes, sir.
27:34Yes, sir.
27:35I thought so, too.
27:41Yes, sir.
27:50The commissioner has just left the mayor's office.
27:53He is sorry, but there will be no negotiating.
27:55No pilot, no parachutes, no nothing.
27:58We'll do everything we can to free Officer Danko,
28:01but we will not negotiate on Fenner's terms.
28:13May I ask a favor, then, Lieutenant?
28:16Of course.
28:18Would it be possible for you to arrange for me to talk to Mr. Saul?
28:43Mrs. Danko, I'm afraid you're going to have to leave your purse here, ma'am.
28:57If you'll follow me, please.
28:59If you'll follow me, please.
28:59Let's go.
29:33Hi, baby. Hey, fellas, look. Where you going, baby? Hey, what you in for?
29:57This is Mrs. Danko. The matrons are downstairs. Thanks. Good luck. Right this way. Sorry about
30:06Mike, Mrs. Danko. He's in a rocket and we'll get him out. Yeah, I'm sure he will.
30:17Mrs. Danko.
30:25Mrs. Danko.
30:26Mrs. Danko.
30:27Mrs. Danko.
30:32Mrs. Danko.
30:54Who are you? What do you want?
30:58I'm Jill Danko, Mr. Saul.
31:01I've got nothing to say to you. Leave me alone.
31:12Mr. Saul, my husband...
31:14Len. They told me about your husband. And I'm sorry about your husband, but I'm sorry for myself. So leave
31:22me alone.
31:44Look, he's a nice-looking man. Nice guy and all that.
31:47But don't you see if I go down to that airport, they're gonna kill me? I know too much. Don't
31:53you understand that?
31:55Mr. Saul, I came here to tell you that I love my husband very much. And to ask you to
32:00help me keep him alive.
32:02And get killed myself?
32:06No, look, I'm sure the police can work out some sort of a plan.
32:10Look, you're not sure of anything. You're asking me to trade my life to save your husband. Isn't that the
32:16truth?
32:16Yes, it's true. I trade your life for his because I trade my life for his. Because I love him
32:23that much.
32:26Now, you probably don't know what it means to love anybody that much. Or to be loved that much.
32:33What the hell kind of a thing is that to say? Of course I loved. And there are plenty of
32:38people that love me.
32:39That's past tense.
32:40Look, I spent fifteen years in prison. Fifteen! My son got killed in the army. My wife died. You know
32:49what that does to you?
32:50How? But I'll know by tomorrow unless you help me help him.
32:55Look, I got three, four months to live. That's it. Period. You're asking me to trade that for three or
33:02four hours?
33:03Well, that's crazy. And I'm not crazy. Now, get out of here.
33:09Get out of here, I said! Get out!
33:14Guard! Get her out of here! Get out!
33:22Hold it!
33:23Hold it!
33:28There's your picture.
33:30Yeah, well, you keep it.
33:56Keep it up!
33:59Keep it up!
34:01Get out!
34:01Keep it up!
34:02I got caught!
34:03He's gonna die!
34:05I'll be seeing you!
34:08May you frighten up my day to beat the man!
34:11Wait down, Gimwitty!
34:13Your husband's gonna die!
34:15Keep it up!
34:20Open it, please!
34:22Open it!
35:04Well, the transmitter looks real.
35:07The film doesn't show very much detail, of course, but I'd hazard to say it's not a dummy.
35:13Antenna tell you anything?
35:15From its length, I'd say it's operating in the area of 1700.
35:19It's a standard kind of range.
35:21And is there any way of putting out a commission?
35:25None that I've ever heard of.
35:39Yeah?
35:40Lieutenant, we've got Fenner on line two.
35:44Put it through.
35:48Hello?
35:49I haven't heard from you, Lieutenant, and I'm getting lonely out here.
35:53I don't like that.
35:54I want to see a pilot.
35:57A pilot and Saul, remember?
35:59We don't know if Danko is still alive since you moved inside.
36:02Let me talk to him.
36:04The guy at the precinct wants to talk to you.
36:07Now, you've got five seconds.
36:08Five.
36:10No 10-10s, no code numbers.
36:12Nothing.
36:13Can you follow?
36:14Yeah.
36:15Okay, I'm putting him on.
36:16Now, you've got five seconds.
36:20Mike, how's he treating you?
36:22Is this transmitter and bomb thing for real?
36:25Yeah, it's real, all right.
36:28He's making this a home away from home, Lieutenant.
36:31Just a home away from home.
36:33All right.
36:34Now, here's how I'm treating you.
36:35Unless all my demands are met within one hour,
36:39he is going to be a statistic.
36:43I told you they wouldn't make a deal.
36:46Oh, they're bluffing.
36:49They can't let it get down to the wire.
36:54They can't.
36:59All right, all of you draw riot gear.
37:01We've got one hour to deploy around that hangar.
37:03Uh, listen.
37:06Yes, sir, what is it?
37:07Um, I was wondering,
37:09does anyone know if Officer Danko
37:11has had any experience
37:12with electronic procedures or devices?
37:15Well, he had a long hitch in the Air Force.
37:18Missile silo technician.
37:20What is it, Pox?
37:21We don't have time to waste.
37:23You know, there's a chance
37:24that it just might work.
37:26I don't know what you're talking about.
37:28What might work?
37:30Home away from home.
37:41Don't you say a word.
38:00Off's it, Danko.
38:01Hmm.
38:13You must not be a very good cop.
38:15How do you figure?
38:17Well, you're 31, 32 years old.
38:21You're still a patrolman.
38:25Why would any guy ever want to be a cop?
38:28Why would anyone want to be what you are?
38:31Oh.
38:32Well, I happen to be one of the best
38:35in the world at what I do.
38:37Paid killer?
38:40Well, I prefer to think of myself as, uh...
38:43Well, a kind of surgeon.
38:46Removing troublesome growths
38:47before they become too troublesome
38:49for the people who employ me.
38:52Still a paid killer.
38:55So what are you?
38:59I mean, if you shoot some
39:00pathetic little creature
39:01for stealing a loaf of bread,
39:03they still send you your check
39:04at the end of the month, don't they?
39:07Yeah.
39:10You would kill
39:11if the conditions were right.
39:14I would.
39:15And as far as you're concerned,
39:17the conditions could get right
39:18pretty quick.
39:37All right, let's show them
39:38what we're talking about.
39:40I know what you're talking about.
39:42You're talking about
39:43turning me over to save that cop.
39:45No, I'm talking about
39:46saving both of you,
39:47and we only have about
39:4730 minutes to do it,
39:48so you just shut up and listen.
39:50Go ahead.
39:51Mr. Saul, you and I will arrive
39:52at the hangar by helicopter.
39:54Now, where I'm pointing
39:56indicates where we'll be
39:57when the chopper lands.
39:59We walk from here
40:00to this twin jet,
40:01and you wait
40:02at the bottom of those steps.
40:03I'll be dressed to look
40:04like the pilot,
40:05and I'll go into the plane.
40:06Look, no ambush
40:08is going to work.
40:09Mr. Saul,
40:10it's not going to be an ambush.
40:12Mr. Parks here
40:13will have this instrument
40:14with him,
40:14which is a panoramic indicator.
40:17Now, it is designed
40:17to tell us exactly
40:18what frequency
40:19the microwave transmitter
40:20is broadcasting on.
40:22Well, what does that accomplish?
40:23Once we have the frequency,
40:25the exact frequency,
40:27we can use a more powerful unit
40:28on the same frequency.
40:30You mean like
40:31jamming it?
40:32No.
40:33You see,
40:34the strongest signal
40:35will capture the receiver.
40:36Hopefully,
40:37that means that it won't
40:38respond to Fenner's transmitter,
40:39only to ours.
40:40Hopefully?
40:41But you're not sure.
40:43We can't be sure.
40:44But it's theoretically sound.
40:50Whose idea was this anyway, huh?
40:53Officer Dankos.
40:54Home away from home.
40:56Take the signal
40:57away from Fenner
40:58and replace it
40:59with a more powerful one.
41:01If,
41:02if I go along with this
41:03and it didn't work,
41:06how far away would I be
41:08when the bomb goes off?
41:11Well, sir,
41:14the closer that
41:16Officer Dankos
41:17can get to that plane,
41:18the better chance
41:19we'll have of getting
41:20a precise reading
41:21on the frequency.
41:24Look out.
41:24There should be.
41:25There should be.
41:27There should be.
41:28There should be.
41:46Well, sir.
41:47Here should be.
41:49There should be.
41:50Let's see.
41:51What's your first name?
41:53Jill.
41:56You a good cook, Jill?
42:00Well, I'm pretty good, I guess.
42:02What's your best dish?
42:07Well, I make kind of a chicken and rice dish Mike likes.
42:13Sounds good.
42:15How would you like to make it for me and your husband tonight?
42:22Okay.
42:27Let's put this show on the road.
42:50Come on, come on, come on.
42:52Come on.
43:19Come on.
44:57Wouldn't make a deal, eh?
44:58Is that what you said?
45:00Well, take a look, friend.
45:03They're dealing.
45:04Good evening.
45:04Good evening.
45:05Good evening.
45:18Good evening.
45:20Let's go.
45:21Let's go.
45:21Let's go.
45:21Let's go.
45:45Let's go.
45:50Okay, we're in position.
45:53Good.
46:13Here they come.
46:25I'm getting a reading.
46:2917...
46:3217...
46:3217...
46:35No, it's more than that.
46:3817...
46:38Hold it.
47:0717...
47:2917...
47:3417...
47:355...
47:375...
47:3817...
47:3817...
47:3917...
47:4115...
47:41Are you locked in?
47:44Locked in.
47:49Mike!
47:51We've captured the frequency.
47:53Don't think the receiver will work.
48:15Go!
48:59Okay, boys.
49:06Well, I still think it would have been nicer at our apartment.
49:09Nicer, yes. Legal, no.
49:11Mr. Saul is still in custody until he testifies.
49:14I had enough trouble getting them into the precinct for three hours, let alone to your place.
49:18Well, your efforts are very much appreciated, Lieutenant.
49:21All right, all right, huh? Let's see, huh?
49:23You can't taste food right unless you concentrate on it.
49:32You want to know the truth?
49:36It's not so hot.
49:38It's not?
49:39You're kidding.
49:41Read this stuff all the time. I think it's terrific.
49:43Well, it's terrific for you, but for me it stinks.
49:47Well, at least I'm honest about it.
49:49You're not kidding, are you? You really don't like it.
49:52Listen, fella.
49:53When you get to my age, you can see what you think.
49:56And that's just what I did.
49:59And I'm going to do the same thing.
50:04Mr. Saul, do you remember when we talked?
50:07Hmm?
50:07And you talked about people who had loved you?
50:10Yeah.
50:12You don't have to use a past tense anymore.
50:18You know something?
50:21This stuff kind of grows on you.
50:24It's not so good.
50:26But it ain't bad either.
50:28Stop.
50:29That's it.
50:46You don't have to use a past tense before.
50:47But you're going to go I just felt like a past tense.
50:47There's going to be a past tense.
50:52Oh, w interference.
50:55There's going to be a past tense.
50:56There's going to be a future hasn't been here yet.
50:56I'm okay.
50:57Oh, yeah.
51:02You
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