- 36 minutes ago
A Parish Councillor and criminal take refuge at a remote countryside Inn, unaware that flesh-hungry werewolves inhabit the surrounding woodlands and are ready to feed.
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00:07:19And a couple of
00:07:22And a couple of
00:07:43And a couple of
00:08:41The bar's closed
00:08:45And a couple of
00:09:11And a couple of
00:09:41The only crack you're going to see is the crack of dawn.
00:09:50And cut! That'll do.
00:09:53Body double!
00:09:53Are you sure, Derek? I can do it again.
00:09:55No, honestly, you can't possibly improve on that.
00:09:59It's more than can be said for Peter's choice of my stunt double.
00:10:03I grant you he's the right age, but the man's barely five feet tall.
00:10:07He was the only local who'd come out tonight.
00:10:09Right. And if you hadn't chased off your original double, you wouldn't have needed him.
00:10:13An amateur, Darnie. An amateur with a big nose. No, no, good riddance.
00:10:31Okay, reset.
00:10:34Oh, Jesus Christ.
00:10:41Okay. Action.
00:10:49It'll simply be over.
00:10:52Think of the credit.
00:10:55Oh, yeah, but it is the sort of credit you want.
00:10:57Oh, my God.
00:11:00You okay?
00:11:01Oh, yeah.
00:11:03Personally, I jumped at the chance to work with an old idol of mine.
00:11:07And action.
00:11:08They say you should never meet them.
00:11:11Yeah, all work with children.
00:11:14Luckily, reset.
00:11:17This is work.
00:11:19And I don't want to thank you for all the tremendous support you've given me throughout the shoot.
00:11:27And action.
00:11:28I know it's not being easy.
00:11:31The, um...
00:11:32I mean, the reality is the first idea is the hardest job on the set.
00:11:37Everybody hates them.
00:11:39And settle.
00:11:41Oh.
00:11:46And action.
00:11:55See, Ian?
00:11:58Is that you?
00:12:00Yeah, we're still shooting.
00:12:01Just checking your ETA.
00:12:03On our way up from the pub.
00:12:05Nice touch for the signage, by the way.
00:12:08Having a taxi driver to refuse to go any further towards the manor was perhaps a set-up too far.
00:12:14Even for a showman like you, Peter.
00:12:17Oh, very nice.
00:12:19Close enough to hear your effects.
00:12:21Be with you in minutes.
00:12:24Just another of Peter's stunts.
00:12:28I can see lights from the manor.
00:12:30Why don't we just cut across the grass?
00:12:31I see no reason not to follow...
00:12:49I think I've shooted myself.
00:12:50I think I've shooted myself.
00:12:53I am.
00:12:54I've shooted myself.
00:12:55Help me.
00:12:58Help me.
00:12:59Help me.
00:13:18Help me.
00:13:21Help me.
00:13:23Help me.
00:13:24Help me.
00:13:44Oliver's quite drunk, so I'm going to go over there.
00:13:47Yeah, yeah, we'll do some nice shots and keep going until they chuck us out.
00:14:03Hey, keep Oliver busy until they show up. Make up some shots if you have to. Do anything
00:14:08to keep him from sneaking off and grabbing a drink.
00:14:13Where is he?
00:14:14He sneaked off.
00:14:16Christ! Just find him!
00:14:20Thank you very much.
00:14:29Thank you very much.
00:15:04Thank you very much.
00:15:07Thank you very much.
00:15:20I'm going to take a look.
00:15:24I'm going to take a look.
00:15:32Looks promising.
00:15:37Oh.
00:15:39And vodka.
00:15:40So, in course.
00:15:42I'm trying.
00:15:44This is more like it.
00:15:47This is more like it.
00:16:05This is more like it.
00:16:11It's more like that.
00:16:16Oliver?
00:16:26Keep looking.
00:16:28Why why?
00:16:43it's all right it's okay it's all right why is it all right i'm on my way to my stash
00:16:49in the
00:16:49stable block dropped off earlier you know figure this actual lark's just standing around doing
00:16:55nothing so i thought why not well i like a man who knows his trade and plants ahead sorry read
00:17:05on
00:17:05macduff oh oh oh very good yes yes i i've played macbeth at the brigham rocks open air theater
00:17:14perhaps you saw it the critics loved it of course but there's always the threat of rain
00:17:20uh which pays havoc with one's makeup and in my case frankly a spiteful lady mcbeth
00:17:27who was more interested in flirting with the stagehands than giving her fellow actors the correct
00:17:32cues and another thing about working in the open air i realize is how wildly inaccurate the weather
00:17:40broadcasting good god what on earth is this doing here and what on earth are you doing there
00:17:51we're getting over a rather nasty shock actually peter you've got to get this special effects chap in
00:17:56hand i could have broken my neck effects come here oliver i need you on your best behavior
00:18:04the reporters will be here any minute reporters and they specifically want to see you in action
00:18:10and we don't want to let the press down do we oliver lawrence has never let anyone down
00:18:16they've been quite afraid
00:18:25i didn't know we had severed limbs in the pick
00:18:37we don't
00:18:41we don't want to let's see you in action
00:18:48in
00:18:49Oh, my God.
00:21:00No, I'm sorry, I just can't wear these.
00:21:03Can't wear what?
00:21:06You've worn the teeth for the whole film, Oliver, and every time you've played this
00:21:11part, which is seven times now.
00:21:13Seven times, isn't it?
00:21:14I suppose I have rather made the role my own.
00:21:18And it's been fun, uh, reviving it, hasn't it?
00:21:23One more time, hasn't it, darling?
00:21:26Oh.
00:21:28Buy me a new boy, though.
00:21:30Yes.
00:21:31Pay for my new hip.
00:21:33Oh, no, I'm so sorry.
00:21:35Oh, Derek.
00:21:36Dear old Derek.
00:21:39We have heard the chimes at midnight, have we not, old friend?
00:21:43But you know, these fangs, they really are f***ing unbearable.
00:21:46And as for the contact lenses, don't get me started on the contact lenses.
00:21:49No, no, no.
00:21:50We've agreed about the contact, so we let you drop them, Oliver, remember.
00:21:56But you're playing a vampire, and vampires have banks.
00:22:01Yes, but do they?
00:22:02See, I'm not sure why.
00:22:04It was...
00:22:05He's European nobility, living incognito, and he could certainly afford cosmetic dentistry.
00:22:10Peter, I'm just saying, I don't see why I have to wear these teeth.
00:22:13These are the last pick-ups of the film, Oliver, darling, so please, just wear the teeth,
00:22:17and get on with it, and then who knows, we could all go home.
00:22:22Excuse me.
00:22:24Come on.
00:22:25You've got this.
00:22:26You can do this.
00:22:26We've done this.
00:22:27You can do this.
00:22:37Where exactly did you get this?
00:22:41Excuse me.
00:22:42I said where...
00:22:42Yes, I tripped over it on the drive.
00:22:45If you're insinuating that I've been writing through your stuff, is that what you're suggesting?
00:22:49Oh, it isn't mine.
00:22:50No.
00:22:50But these bloody teeth are, they're awful.
00:22:53Yeah, speaking of bloody, yeah.
00:22:57I'll just taste this.
00:22:59What the f*** is wrong with you?
00:23:02Hmm.
00:23:02I thought vampires love this stuff.
00:23:04Derek, Derek, I don't have to put up with this glorified makeup man
00:23:08and assorting me with these floppy props.
00:23:10No, I mean, you're absolutely right.
00:23:11That's absolutely a problem.
00:23:12I'm so sorry.
00:23:14Listen, can you serve some f***ing spout of that to some...
00:23:17F*** off!
00:23:18Well, no, no, it's no good.
00:23:19No, no.
00:23:19No, I need five minutes to compose myself.
00:23:23Five minutes.
00:23:23Drink yourself steady one minute.
00:23:27Right, everyone.
00:23:28I think let's all take five.
00:23:30I think we're all feeling a bit frazzled, and it's been a very long shoot.
00:23:35And if we can just hold it together, all of us, just for one more night,
00:23:40and then we can all go home.
00:23:43Come on, we can do this and chin up everybody.
00:23:52All of us.
00:23:55Hey.
00:23:57Can I ask you to just come outside for a sec?
00:24:00I'm knackered, I'm hungry, and I'm fed up of that old hack.
00:24:03One thing I'm not is horny.
00:24:05Oh, no, no, it's not that.
00:24:06It's this.
00:24:06I think it might be real.
00:24:09No moves.
00:24:10Honest.
00:24:11Okay, look.
00:24:13No hands.
00:24:15All right.
00:24:17All right.
00:24:17No hands.
00:24:27Let's go.
00:24:55Let's go.
00:25:17Well, I wouldn't have got married without him.
00:25:19I thought he was dead.
00:25:20Oh, well, vampires never die, you see.
00:25:21They just reappear in remakes.
00:25:23I could kill him myself sometimes.
00:25:24You know, I don't know how Fiona hasn't.
00:25:26She's got some weird soft spot for him.
00:25:29Horror fan, you see.
00:25:30Back in the day, my mum had more than a soft spot for him.
00:25:33Used to think he was dead sexy.
00:25:37Oh, hey, I've got a signal.
00:25:38Lucky you've been offline most of the bloody shoot.
00:25:42Are you okay?
00:25:44Oh, we've got a problem.
00:25:47Wrong film.
00:25:48Right genre.
00:25:51This is wrong.
00:25:55This is just wrong.
00:25:59A little masterpiece.
00:26:00Oh, please.
00:26:04Owen.
00:26:06Who?
00:26:08Owen.
00:26:14Don't look around.
00:26:19Oh.
00:26:23Oh.
00:26:40You could be kidding.
00:26:56Oh.
00:26:58Oh.
00:27:02Oh.
00:27:06Oh.
00:27:09Oh.
00:27:15Oh.
00:27:17Oh.
00:27:18Oh.
00:27:24No!
00:28:08You've not come to save me, have you?
00:28:13You've not got a gun?
00:28:15You've got a gun?
00:28:17Tell me that you've got a phone.
00:29:04You've got a gun.
00:29:09You've got a gun.
00:29:10You've got a gun.
00:30:02You've got a gun.
00:30:21You've got a gun.
00:30:22You've got a gun.
00:30:23You've got a gun.
00:30:35Help me.
00:30:37Please.
00:30:39Help me!
00:30:40What are you doing?
00:31:17Oh, you've got the booze here?
00:31:19Oh, yes. It's just that I didn't want it to drink out of the...
00:31:22straight out of the bottle like some common derelict.
00:31:27So?
00:31:29This is where old Maskellini stuff ended up, is it?
00:31:33I think I met him once.
00:31:35Got a flat tire going through the village.
00:31:39Helped him with his spare, but didn't say thank you.
00:31:44Been almost 20 years since he disappeared.
00:31:47Well, he's not dead, then?
00:31:49Vanished on tour in Eastern Europe.
00:31:54Trustees keep the place up, you know.
00:31:56Rents out to the odd people like you lot.
00:31:59Pay for the upkeep, I suppose.
00:32:02But never for the full month.
00:32:06I think I'm getting the hang of this.
00:32:08I was always very good with props.
00:32:12Was it the Carpathians?
00:32:16The Carpathians, where Maskellini disappeared.
00:32:20It's just that it's beginning to sound a bit like a backstory of one of my films.
00:32:23No offence, but no one's really interested in backstory.
00:32:26It's best to keep them brief and vague.
00:32:34That, having been said, we don't have anything else to talk about, so please carry on.
00:32:39Not much more to continue it, really.
00:32:43Just saying nonsense, you know, in hills like these.
00:32:46Nonsense?
00:32:48Stories.
00:32:49A lot of dead sheep.
00:32:51Sheep, yes.
00:32:52Bit of a cliché.
00:32:54But, er...
00:32:55Any odd person.
00:32:57I was at a full moon.
00:33:08Oh, erm...
00:33:08You're wanted on set ASAP.
00:33:10Your fall wasn't quite the fall they were after.
00:33:19Although I think you might nail it this time.
00:33:22Er...
00:33:22I'll come and get you when you're needed.
00:33:24Thank you, darling girl.
00:33:25I need the time to compose myself.
00:33:27I remember old Barbara, who used to be the stage doorkeeper at the theatre.
00:33:31She always used to say to me...
00:33:34Yes, quite right, darling.
00:33:37Old Barbara was a boring, depressing old cow.
00:33:45Oh.
00:33:49Forty wings, I think.
00:34:00Bloody reporters haven't shown up.
00:34:02Oh, just as well.
00:34:03Oliver needs a little more time to compose himself.
00:34:06Why do I do it?
00:34:07Do what?
00:34:08Provide all of you with wonderful career opportunities.
00:34:11While I take all the shit.
00:34:13I don't know why I bother.
00:34:16Because you're a money-grabbing toad.
00:34:18It would...
00:34:18...
00:34:20...
00:34:22...
00:34:29...
00:34:34...
00:34:35...
00:34:44I don't know.
00:35:08No, no, no, no, tiny little feet.
00:39:23Well, let's hope that's them.
00:39:47What did he say?
00:39:48It sounded like there's a wolf.
00:39:51I heard, where's a wolf?
00:39:52Do you know what the f***ing wolf's around here?
00:39:54Just ask him.
00:40:00No point.
00:40:02He won't be saying anything.
00:40:05Ever.
00:40:05Ever.
00:40:07What, he's dead?
00:40:10What are we supposed to do?
00:40:16We should probably cover him up.
00:40:17Not with the costumes, please.
00:40:19No, absolutely not.
00:40:20Curtains?
00:40:23Yeah.
00:40:24Literally.
00:40:32It's all right.
00:40:33I'll do it.
00:40:43We should probably call the police.
00:40:45I should probably call the police.
00:40:46Just a minute.
00:40:48Let's think about this.
00:40:50If they come, I'll shut us down.
00:40:54How many shots left?
00:41:00Fiona?
00:41:01How many shots are left, lovely?
00:41:04Fiona?
00:41:06How many shots are left, lovely?
00:41:09No signal.
00:41:16I'd say our final death scene is somewhat lacking by comparison.
00:41:19It's funny.
00:41:21I've just waited to set something up with the press.
00:41:24The press?
00:41:25Where are the f***ing men who need them?
00:41:27Well, I think we know where one of them is.
00:41:29Oh, sorry.
00:41:37Something out there did something like this.
00:41:48Wait.
00:41:49I need a signal.
00:41:51Oliver's right.
00:41:52Something out there did something like that.
00:41:55Then we need to call the police.
00:41:56They're not from out there.
00:41:58Surely, stay in here where it's safe.
00:42:00And then we'll quickly finish the shop list.
00:42:02I got a signal in the top bedroom a couple of days ago.
00:42:05It was weak, but it'll do.
00:42:54It...
00:42:56...it'll...
00:42:56Ah...
00:42:57I...
00:42:57I'm...
00:42:57I may have it.
00:43:00They shoot mad dogs, don't they?
00:43:03And there are always guns on a film set like this, aren't they?
00:43:09Right, have you actually read the script?
00:43:12Yes, yes, I've read the script.
00:43:15Well, I've read my lines.
00:43:18With a film like this, I find it's best not to let yourself know what you've signed up to.
00:43:22It keeps the work fresh. That's how I like to do it.
00:43:26Well, we're making a vampire film.
00:43:29That's right.
00:43:29So you're killed with a stake to the heart or sunlight.
00:43:37I don't think that's going to work.
00:43:41No.
00:43:43Actually, maybe it will.
00:43:48We've got these.
00:43:57Straight through the heart?
00:43:58Yes, yes, that might work.
00:43:59That might work.
00:44:07You would have to get rather close.
00:44:19In the meantime, what are we supposed to do?
00:44:22Um, we make sure whatever's out there stays out there.
00:44:27All right.
00:44:29Yeah.
00:44:30We'll lock everything down.
00:44:31Okay, people, let's do it.
00:44:33Doors and windows, arseholes and elbows.
00:44:35And the light.
00:44:38Beasts of the night don't like light.
00:44:45Okay.
00:44:48Okay.
00:44:49So we put out all the lights in the place, inside and out.
00:44:53Great idea.
00:44:54Lights on!
00:44:57With the lights on, inside and out.
00:45:00Beasts of the night don't like light.
00:45:03It's a local saying.
00:45:05From where?
00:45:07I don't know.
00:45:09It's this.
00:45:11Look it up, aren't we?
00:45:12I don't know.
00:45:36Emergency.
00:45:37Which service?
00:45:38Police and ambulance, please.
00:45:40There's been a death.
00:45:42Someone just died?
00:45:44At Talbot Manor.
00:45:45Is that where you're calling from?
00:45:47Yeah, Talbot Manor.
00:45:48It's in the hills south of Bridge North.
00:45:50And the person is definitely dead?
00:45:53Yes.
00:45:54Yes, very much so.
00:46:33We want to enter, don't we?
00:46:34Here, here, here, here, here.
00:46:36Yes, best be thorough.
00:46:39Doubles first.
00:46:45Oh.
00:46:46Oh, it's very steep.
00:46:49What can you see?
00:46:54Hello.
00:46:56You remind me of a young Caroline Gatwick.
00:47:01She was a reckless Desdemona.
00:47:05I kissed thee, and I killed thee.
00:47:08No other way but this.
00:47:10Killing myself to die upon a kiss.
00:47:15Or, you know, my old friend, Liza Harrogate.
00:47:20You knew Liza?
00:47:21Oh, yes, I knew her very well.
00:47:24Very beautiful and talented woman.
00:47:26Although she had terrible arthritis,
00:47:32which she successfully hid from the camera.
00:47:36She's in a care home now, in, uh, Eastbourne.
00:47:41She still sends me a Christmas card.
00:47:44Of course, there have been many, many, many, many, many,
00:47:48many, very, very, very many others since, but, uh...
00:47:52In fact, I think, uh, I rather think our lovely first AD
00:47:55has got a bit of a thing for me.
00:47:57I may have to find time to give her a private performance.
00:48:04How?
00:48:06No, no, no, a gentleman never reveals that sort of thing.
00:48:32Oh, God.
00:48:33Oh, no, you found a bottle, all of you.
00:48:37I'll, um, see you on set when you're ready, then.
00:48:42Ooh.
00:48:56It's only for the hours before the police turn up.
00:48:58Hours?
00:48:59Half-term staff shortages.
00:49:01They're all not, are they?
00:49:02They were their kids.
00:49:03Train wreck in Ludlow.
00:49:04Serious incident in Selford.
00:49:06And this isn't a serious incident.
00:49:08Yeah, but he's already dead, isn't he?
00:49:10So it's classed as a nun urgent.
00:49:12Non-urgent?
00:49:13There's a wolf out there somewhere.
00:49:15Nah, it's a big dog, maybe.
00:49:17Not a wolf.
00:49:18Big dog.
00:49:20That's a bloody big dog.
00:49:22And if it's a big dog,
00:49:23then we can handle it ourselves, can't we?
00:49:25Instead of handling it,
00:49:27maybe some of you could distract it away,
00:49:29and one of us
00:49:31gets to a car, you know?
00:49:33and goes for help.
00:49:35If you like.
00:49:38Or we could just stay here
00:49:41and wait for the police to arrive.
00:49:44Fiona, what do you think?
00:49:45Anyone's seen Ellie or Owen?
00:49:48Who?
00:49:50You've been living and working with them for four weeks.
00:49:55What do they look like?
00:49:56Oh, for fuck's sake.
00:49:58Boom and effects.
00:50:02Well...
00:50:03Actually, I haven't seen them either.
00:50:06Not since the body doll shot.
00:50:09Yeah.
00:50:10About half an hour ago.
00:50:13Heading out.
00:50:18What?
00:50:20Out there?
00:50:23We'd better go and look for them.
00:50:25What? Out there?
00:50:26They could be injured.
00:50:28They could be injuring themselves.
00:50:29They could be anywhere.
00:50:31Quite.
00:50:32And these grounds are
00:50:34absolutely enormous.
00:50:37We could put the spotlight on the roof.
00:50:47Steve.
00:50:48You work the light
00:50:50and if you see anything of Ellie or Owen
00:50:52call it in
00:50:52and we'll head out.
00:50:54OK.
00:50:55You set it up.
00:50:56I'll work the spot.
00:50:58I'm allergic to dogs.
00:50:59I get terrible hives
00:51:01and I'm pulling rank.
00:51:06Hey.
00:51:07So you've found a drink?
00:51:10So much blood.
00:51:12Are you alright?
00:51:14I've lost my walking stick.
00:51:16I think it's in the cellar.
00:51:18He took his head clean off.
00:51:20One stroke.
00:51:23My double.
00:51:25I think he's dead.
00:51:27So much blood.
00:51:30Your body double.
00:51:32Harry.
00:51:34Was that his name?
00:51:35Poor Harry.
00:51:36He's in the cellar.
00:51:42I need you to help me
00:51:43check on something.
00:51:44Why?
00:51:45What about Dad?
00:51:46What are we doing?
00:51:52I'm going to go down there.
00:51:55But I need you to stay here.
00:51:57OK?
00:51:59Yeah, I will do.
00:52:00What?
00:52:06Sorry.
00:52:07What?
00:52:13What?
00:52:15What?
00:52:16What?
00:52:18What?
00:52:21What?
00:52:45Oh, you fucking bastard.
00:52:57Oh, you fucking bastard.
00:53:37Ah!
00:53:39Ah!
00:53:43Ah!
00:53:45Ah!
00:53:47Ah!
00:53:47Ah!
00:53:47Oh, my God!
00:53:49Oh, my God!
00:53:52Ah!
00:53:53Ah!
00:53:55Ah!
00:53:59Ah!
00:54:00Ah!
00:54:01Ah!
00:54:01Ah!
00:54:02Ah!
00:54:02Ah!
00:54:04Oh, thank God you were all right, Fiona.
00:54:06I don't know what happened.
00:54:07It just seems to have got stuck.
00:54:08You old f***er.
00:54:11I'm really sorry.
00:54:12I'm so, so...
00:54:14Oh, God.
00:54:17You look like I need a drink, Derek.
00:54:19Come with me.
00:54:20Ah!
00:54:21Ah!
00:54:25Ah!
00:54:26Ah!
00:54:39Ah!
00:54:42All good to go.
00:54:43Spotlight's on the roof.
00:54:44Should work.
00:54:46Isn't that Owen's coat?
00:54:49I...
00:54:49I know.
00:54:50I'm...
00:54:50I'm taking it out of there, poor one.
00:54:54What's going on?
00:54:56I'll tell you later.
00:54:58I need a drink.
00:54:59Yeah.
00:54:59Cheers.
00:55:00Cheers.
00:55:00Sanse.
00:55:01Good health.
00:55:02And good luck.
00:55:04Uh...
00:55:04Oliver.
00:55:06Here's your stick.
00:55:07Mm-hmm.
00:55:08Johnny.
00:55:33Peter.
00:55:35You ready?
00:55:35See?
00:55:37Lighting up now.
00:56:01I see something.
00:56:03You see it?
00:56:04No.
00:56:05No.
00:56:05No.
00:56:05It's...
00:56:07The Boone Girl.
00:56:09Billy.
00:56:10She's alive.
00:56:13Yeah.
00:56:15But very badly hurt.
00:56:18She's crawling towards you around the back.
00:56:22There's no sign of the mad dog, so you're good to go.
00:56:26Oh, she really needs your help.
00:56:28So chop chop.
00:56:31And while you draw the thing to you, I'll nip round the front and be gone.
00:56:42Okay.
00:56:43I'll take care of the dog.
00:56:45You take care of Ellie.
00:56:47Mm.
00:56:48No.
00:56:49I'll take care of the dog.
00:56:52And if these don't work, then...
00:56:57I'll piss on it.
00:57:00Weird.
00:57:01Okay.
00:57:02Peter?
00:57:02We still all clear?
00:57:04I have a clean view, and it's all safe.
00:57:06You're all clear.
00:57:09Okay.
00:57:10Just let us know when you're ready.
00:57:12You can count on it.
00:57:42Okay.
00:57:43Let's go.
00:57:45Look.
00:57:47Darling, someone's got to stay in case, er...
00:57:50a telegram arrives or the police turn up and I can explain the situation and sign a few autographs
00:58:25oh shit fuck hello Monty
00:58:42I'll call you back
00:58:52Peter
00:58:56Peter she's dead
00:59:00Peter are you there
00:59:02she's dead
00:59:12oh my gosh
00:59:25oh
00:59:26oh
00:59:26oh
00:59:26oh
00:59:26oh
00:59:27oh
00:59:34Steve
00:59:36help
00:59:37What the f**k?!
00:59:56Nice ducky!
00:59:59Big d**k!
01:00:14Big d**k!
01:00:18Big d**k!
01:00:37Big d**k!
01:00:49Big d**k!
01:01:05That is not a big dog.
01:01:09It's not a wolf either.
01:01:11What is it?
01:01:13What's happened?
01:01:15Peter screwed up.
01:01:20He said that Ellie was alive,
01:01:21but she couldn't have been.
01:01:22Why would he say that she was alive?
01:01:31Peter, are you there?
01:01:41Fiona, I'm going to find Peter
01:01:43and see what the hell he's playing at.
01:01:45Forget Peter.
01:01:47Call the police.
01:01:51And turn the light off.
01:01:54Ah, now, I've been told
01:01:57beasts of the night don't like the light.
01:02:04Just turn it off.
01:02:26Oh, shit.
01:02:30Oh, shit.
01:02:34Peter.
01:02:38Peter.
01:02:43Stay there, Peter.
01:02:59Where are you, P-sir?
01:03:18Oh my god, it's, it's in the house.
01:03:30Right, come on.
01:03:32Can't we just boat ourselves in and wait for the police to come?
01:03:35No, it's the first A.D.'s job to get the actors where they need to be,
01:03:39when they need to be there.
01:03:41So get the f*** up.
01:03:43Okay.
01:03:44Okay.
01:04:20Throw the bottle, Oliver.
01:04:23No, no, no, we need this.
01:04:25Throw the bottle, Oliver.
01:04:27Well, we're the film people.
01:04:32We mean you no harm.
01:04:35I'm Oliver Lawrence.
01:04:36This is, uh...
01:04:38Just keep him talking to me.
01:04:40The show must go on.
01:04:47Please.
01:04:49Please.
01:04:55Please.
01:04:56Please.
01:05:05Please.
01:05:09Please.
01:05:11Please.
01:05:13Please.
01:05:49Let's go.
01:06:15To every man upon this earth, death cometh soon or late.
01:06:22And how can man die better than facing hopeful odds?
01:06:27For the ashes of his fathers and the temples of his gods.
01:06:37En garde.
01:07:02That's an antique, actually.
01:07:09Let's go.
01:07:10Let's go.
01:07:12Let's go.
01:07:12Let's go.
01:07:21Let's go.
01:07:36Let's go.
01:07:38Let's go.
01:07:40Let's go.
01:07:43Let's go.
01:07:45I don't know.
01:08:35That's interesting.
01:08:46I don't know.
01:09:15Excuse me.
01:09:18I'm sorry.
01:09:19I fell asleep.
01:09:23Ah.
01:09:24How am I going to get home?
01:09:27Well, you can come with me, darling.
01:09:36They always wanted to meet you.
01:09:38Really?
01:09:39That's sweet.
01:09:41God, what a mess they've made.
01:09:44Well, quite.
01:09:45It reminds me of a production I was once in.
01:09:48You see, it had been raining all afternoon and the stage was like an absolute ice rink.
01:09:53The actress, playing Sabina Severus, slipped and sustained quite a serious concussion.
01:09:59But during my final speech to the people and senators of Rome, two St. John's Ambrose paramedics came and said,
01:10:05I don't know what to do in the streets of which you live in.
01:10:07So, I'm going to go and start to go.
01:10:09And that's the theatre.
01:10:12Do you get to the theatre, would you say?
01:10:13No, sometimes not that.
01:10:16I'll tell you what I have got.
01:10:19Two complimentary tickets to the Brigham Rocks and Opener Theatre Garden.
01:10:23I'll tell you what I have got.
01:10:55I'll tell you what I have got.
01:11:44I'll tell you what I have got.
01:11:57I'll tell you what I have got.
01:11:59I'll tell you what I have got.
01:12:13I'll tell you what I have got.
01:12:31I'll tell you what I have got.
01:12:37I'll tell you what I have got.
01:12:43I'll tell you what I have got.
01:12:48I'll tell you what I have got.
01:12:56I'll tell you what I have got.
01:13:11straight
01:13:13Yeah
01:13:15You got your cake
01:13:19Checking
01:13:21You're back to straight
01:13:25Checking
01:13:26You're back to straight
01:13:26Checking
01:13:27You're back to straight
01:13:31Ah
01:13:33Ah
01:13:34Ah
01:13:35Ah
01:13:36Ah
01:13:41Ah
01:13:42Ah
01:13:44Ah
01:13:47Ah
01:13:48Ah
01:13:48Ah
01:13:49Ah
01:13:52Ah
01:14:01Ladies and gentlemen
01:14:03For my next trick
01:14:05I require a volunteer
01:14:07From the audience
01:14:13Ah
01:14:13Ah
01:14:15Ah
01:17:14You will know how to use it if the time comes?
01:17:18I've used something similar before.
01:17:29Thank you for your hospitality and your sanctuary and your generous gift, dear lady.
01:17:39But I'd better be off.
01:19:32Arrgh!
01:19:33Arrgh!
01:20:03Arrgh!
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