- 34 minutes ago
Two worlds collide when a wealthy financier returns home to find his country house has been occupied by squatters.
Category
🎥
Short filmTranscript
00:00:28Transcribed by ESO, translated by —
00:00:58Transcribed by —
00:01:28Transcribed by —
00:01:59Transcribed by —
00:02:29Transcribed by —
00:02:58Transcribed by —
00:03:08Transcribed by —
00:03:10Alonzo says hello.
00:03:11—
00:03:13—
00:03:25—
00:03:33—
00:03:45—
00:04:13—
00:04:43—
00:04:45—
00:04:56—
00:05:05—
00:05:07—
00:05:36—
00:05:37—
00:05:51—
00:05:55—
00:06:15—
00:06:21—
00:06:22—
00:06:51—
00:07:04—
00:07:30—
00:07:35—
00:08:00—
00:08:10—
00:08:16—
00:08:17—
00:08:47—
00:08:48—
00:08:51—
00:08:56—
00:08:57—
00:08:59—
00:09:00—
00:09:06—
00:09:14—
00:09:14—
00:09:14—
00:09:43—
00:09:45—
00:09:58—
00:10:14—
00:10:15—
00:10:16—
00:10:16—
00:10:52—
00:10:52—
00:10:52—
00:10:55—
00:10:55—
00:10:55—
00:11:50—
00:11:52—
00:11:52—
00:11:53—
00:11:54—
00:12:22—
00:12:22—
00:12:52—
00:12:52—
00:13:22—
00:13:23—
00:13:52—
00:13:52—
00:14:22—
00:14:22—
00:14:52—
00:14:52—
00:14:52—
00:14:52—
00:15:23—
00:15:24—
00:15:52—
00:15:52—
00:15:52—
00:15:52—
00:15:52—
00:15:53—
00:16:01—
00:16:27Ah!
00:16:30Ah!
00:16:33Ah!
00:16:34Ah!
00:16:35Ah!
00:16:37Ah!
00:16:38Ah!
00:16:53Let's go.
00:17:22Luke, no.
00:17:26No, no.
00:17:28No.
00:17:31No.
00:17:37No, Luke, no.
00:17:41No, you're going to make it.
00:17:43You're gonna make it.
00:17:44No, please don't.
00:17:45No, my please, it's not my fault.
00:17:57No.
00:18:43No, my please.
00:19:03You know what I was thinking?
00:19:06We need a calling card.
00:19:08Eh, something with style.
00:19:12All the great killers, they got calling cards.
00:19:15Something they say to a dude before the cap is ass.
00:19:20That's the kind of thing that gets you a rep.
00:19:22And when you get a killer rep, you get respect.
00:19:24Am I right?
00:19:27One problem.
00:19:30What?
00:19:32The guy's dead.
00:19:34I'm so.
00:19:40Let me ask you this, Einstein.
00:19:42How can it be your calling card if there's no one around to tell the story?
00:19:48Let's go.
00:19:51You got work to do.
00:20:01Name's Angel.
00:20:02And that's the last word you're ever going to hear.
00:20:09Nah, that sucks.
00:20:33Hey.
00:20:35Hey.
00:20:58All right.
00:21:00So how was the opening?
00:21:04The opening was fine, Hannah.
00:21:07The opening was great.
00:21:08Thank you very much for being there.
00:21:10James.
00:21:11No, no.
00:21:11This is the same thing over and over again.
00:21:13I mean, it's getting absolutely ridiculous.
00:21:19Hannah, what's wrong?
00:21:24Why don't you sit down?
00:21:38What's wrong with you?
00:21:42Luke is dead, James.
00:21:45Oh, Hannah, I'm sorry.
00:21:47He's dead.
00:21:50I'm sorry.
00:21:52I didn't know.
00:21:53I was just at the cemetery.
00:21:55No.
00:21:58How did this happen?
00:22:00No, I...
00:22:00I...
00:22:01I don't.
00:22:02Okay.
00:22:03All right.
00:22:03We don't have to talk about it.
00:22:09Why don't I, uh...
00:22:12Why don't I go get us some food?
00:22:13And, uh...
00:22:15You just...
00:22:16Just...
00:22:16Just sit and relax for a minute, okay?
00:22:19Shh.
00:22:19Okay.
00:22:24Uh, I could go get us a movie or something.
00:22:26Say, um...
00:22:28Uh, The Princess Bride.
00:22:30Uh, with, uh, Billy Crystal, Robin Wright,
00:22:33Uh, Andre the Giant.
00:22:37James.
00:22:39Hurry back, okay?
00:22:41As you wish.
00:22:47It's still feeling strange somehow
00:22:52If you really wanna know
00:22:57It's been hard
00:23:04Never been the preacher
00:23:07Never been the crowd
00:23:08Never been the receiver
00:23:10Of miracles
00:23:11When they're around
00:23:13Just the curiosity
00:23:15Of feelers
00:23:17I've been touched
00:23:18I've been bled
00:23:22And it's still hard
00:23:25So hard
00:23:45Back off.
00:23:47Back off.
00:23:56Ah!
00:23:57viu
00:24:06Uh!
00:24:07Oh!
00:24:22Uugh!
00:24:25Aah!
00:24:36Come on!
00:24:55Oh, my God.
00:25:48Hannah?
00:26:36No way, Hannah.
00:26:38You ain't seen anyone.
00:26:38Not now.
00:26:39Look.
00:27:04Jesus Christ!
00:27:34What the hell are you?
00:27:36Why'd you kill Luke?
00:27:38Who?
00:27:38It's a simple question, Alonzo.
00:27:40I want a simple answer.
00:27:42Who gave you my name?
00:27:45Your boy Angel, for starters.
00:27:48Angel?
00:27:48That moron.
00:27:49I haven't used him for months.
00:27:53He's freelance now.
00:27:55Are you crazy or are you serious?
00:27:58Yes, I'm crazy.
00:28:01Him and Franco have been working together for a while.
00:28:04We haven't seen those boys in a long time.
00:28:07Franco's a dead man.
00:28:09His life ain't worth the cost of a bullet.
00:28:12If anyone's using that joker for jobs, it's because they don't know him.
00:28:16So where do I find Franco?
00:28:19You can try the girls on the east side.
00:28:22Low class.
00:28:23That's more his sp-
00:28:26I guarantee you, if he's making money, he'll be down there pissing it away.
00:28:31Hey, baby, you look a little eyestrung.
00:28:35Why don't you let me loosen you up a little?
00:28:36Come over here.
00:28:42Sorry about your nose.
00:29:09Let's do this.
00:29:15Let's do this.
00:29:49Let's do this.
00:30:16Let's do this.
00:30:17Let's do this.
00:30:18Let's do this.
00:30:18Let's do this.
00:30:19Let's do this.
00:30:21Let's do this.
00:30:23Good evening, Franco.
00:30:25Fellas, you guys looking for a little action?
00:30:28A little action?
00:30:29You know, a little advice.
00:30:33I'd lose the suits next time.
00:30:35Kind of makes you look like cops.
00:30:37Real joker, eh?
00:30:44Take a hike.
00:30:46Time for a little chirp, Franco.
00:30:47You go.
00:30:47Yeah.
00:31:06Jesus.
00:31:28So you kids want a drink?
00:31:37I'll tell your boys, music's since the king died, man.
00:31:40It's crap.
00:31:42Now, I'm not talking about when he was in Vegas taking pot shots at TVs and stuff.
00:31:48I'm talking about the man.
00:31:51Oh, hey.
00:31:52In his prime.
00:31:54You two Elvis men?
00:31:58Sit up, Franco.
00:32:00Hey.
00:32:02Relax.
00:32:04Now, is it done?
00:32:05Where's my money?
00:32:07Jackson, the cash.
00:32:11I don't know what you guys are so worked up about.
00:32:14It's like fishing a barrel.
00:32:15Hey, you've always been clueless, Franco.
00:32:22I didn't know this was gonna be an official visit.
00:32:25Well, I just wanted to shake the hand of the man who killed two of the greatest assassins since Lee
00:32:29Harvey Oswald.
00:32:31Yeah, well, if you want a job done right, you get the best.
00:32:35You just let me know if any more of your boys get out of line.
00:32:39So?
00:32:40So what?
00:32:43Are you gonna make me a happy man, Franco?
00:32:45I told you I could handle it.
00:32:47Luke's dead.
00:32:49The girl?
00:32:51We missed the opportunity.
00:32:54Look, it's no big deal.
00:32:55I sent Angel to take care of it.
00:32:57He should be back any time.
00:32:58You just relax, have a drink.
00:33:01Don't worry.
00:33:04Anyway, she's a throw-in.
00:33:06My gift to you.
00:33:07No charge.
00:33:10I hate you hear that fella's a girl as a gift to us.
00:33:15Listen, I don't know what to say.
00:33:16You shouldn't have.
00:33:18And Moses, is he a gift as well?
00:33:19Well, no.
00:33:21I mean, the guy's gotta make a living, right?
00:33:24You guys understand that.
00:33:26Nice try, though.
00:33:29You ever ask yourself, Franco, how a screw-up like you could get two of my best men?
00:33:39No?
00:33:40Because they were set up, Franco.
00:33:43They were sent there.
00:33:44I sent them there.
00:33:45You wanna know why, Franco?
00:33:47I have a feeling you're gonna tell me.
00:33:49Because they were loose ends, Franco.
00:33:53And you...
00:33:57You...
00:33:59are...
00:33:59my last.
00:34:16You know, it's almost criminal that this scum...
00:34:19bag nailed Luke and Moses.
00:34:22Now, all we have to do is find his little friend.
00:34:25Prep the place.
00:34:26Let's get out of here.
00:34:27This punk is already starting to stink.
00:34:30But you were not using an alarm, but you were not dead.
00:34:30No, it's just a real cephal.
00:34:33It's just a real pock.
00:34:41It's just a real quicky.
00:34:43No, I'm sorry.
00:34:45No, I'm sorry.
00:34:46No, I'm scared.
00:34:47I'm scared.
00:34:51I'm scared.
00:34:57You're not a freak.
00:34:58No, you're not a freak.
00:34:59No, you're not a freak.
00:35:13What was that?
00:35:14It's a girl, sir.
00:35:48Hey, what the hell are you doing here?
00:35:50What the hell am I doing here?
00:35:51I'm not the one sneaking into the back of my apartment.
00:35:53What the hell happened?
00:35:53I mean, I come back, my place is trashed, you're gone.
00:35:56What am I supposed to think?
00:35:57James, not in.
00:35:58What do you mean, not now?
00:36:00Jesus Christ, Hannah, would you talk to me?
00:36:02Freeze!
00:36:03Hands up against the wall, right now!
00:36:05Guys, it's not what you think.
00:36:06It's just a little disagreement, Hannah.
00:36:07You can tell them.
00:36:08You guys are good.
00:36:09Where'd you come from?
00:36:10Hey, Jesus.
00:36:11Hey, would you relax there, Serpica?
00:36:12Ah!
00:36:13Oh!
00:36:56James!
00:36:59Are you okay?
00:37:19We gotta go.
00:37:25We gotta go.
00:37:48I don't feel well.
00:37:50Can you pull over?
00:37:51We now join him live.
00:37:53Clearly the deficit is not going to vanish overnight folks.
00:37:56And of course, vote for me.
00:37:58Let's try to keep a proper perspective on these things.
00:38:01I guarantee you this whole thing will turn around.
00:38:04Vote for me.
00:38:05My budget proposal is just a starting point.
00:38:09Of course, vote for me.
00:38:10We work together and stay on course.
00:38:14All I ask for is that the American public be patient.
00:38:19And of course, vote for me.
00:38:20I guarantee you.
00:38:22Of course, vote for me.
00:38:25Thank you very much ladies and gentlemen.
00:38:26Martin, you are looking just exquisite.
00:38:29Thank you very much ladies and gentlemen.
00:38:30That will be all the questions for today.
00:38:32Bye.
00:38:33Bye.
00:38:34Bye.
00:38:43Where's the girl?
00:38:44We're working on it sir.
00:38:48What did you say?
00:38:49Sir?
00:38:51I dare you to say that again.
00:38:56I don't need to remind you what it would mean if that girl were to see the light of day.
00:39:02You find her and you finish her.
00:39:26Thank'em.
00:39:47What are you going for?
00:39:49Are you gonna kill me now, too?
00:39:50James, take a look at this gun.
00:39:57Look at it.
00:39:59It doesn't have a serial number on it.
00:40:02James, they weren't cops.
00:40:05Jesus Christ, is that supposed to make it easier?
00:40:09James, I...
00:40:10You're what? You're sorry that I just killed somebody?
00:40:16What the hell happened back there?
00:40:17You're like...
00:40:18You're like Jackie Chan or something.
00:40:20I mean...
00:40:22Who are you?
00:40:27I don't even know.
00:40:33James.
00:40:37Luke was an assassin.
00:40:41A paid killer.
00:40:44And so am I.
00:40:49I never knew my mother because she died in a car crash when I was really young.
00:40:56Luke was my father's best friend in the war.
00:40:59And before he died, he made him promise to take care of me.
00:41:04You know what? I don't want to hear it.
00:41:07James.
00:41:23Hey. You two okay?
00:41:25Yes, sir. I was just, uh, feeling a little carsick.
00:41:29Is that so?
00:41:31Where are your two kids from?
00:41:33The city.
00:41:34You don't say.
00:41:36What might be your business in these parts?
00:41:40Just passing through.
00:41:43Just passing through, huh?
00:41:45How about some ID?
00:41:47You all have that in the big city, don't you?
00:41:51It's, uh, in the car.
00:41:59Now if I were to punch up your license plate here, I wouldn't find out.
00:42:04Your names are Bonnie and Clyde?
00:42:05Something like that now, would I?
00:42:09What the?
00:42:12Whoa, whoa, wait a second. Officer, it's not what you think.
00:42:14No, no, you tell me just what am I thinking.
00:42:16Hannah, hold on here.
00:42:18Drop it, lady.
00:42:22Put it down.
00:42:23I said put it down.
00:42:24Everybody just chill, okay? Take a moment here.
00:42:28Put it down.
00:42:29No way, lady. Not gonna happen.
00:42:32Look, uh, Officer Wiley. Listen, Officer Wiley.
00:42:36Clarence.
00:42:36What?
00:42:39Everybody calls me Clarence.
00:42:40No one calls me Officer Wiley.
00:42:43Okay.
00:42:44Look, Clarence.
00:42:46You don't wanna get shot, do you?
00:42:50Neither do I.
00:42:53So please put the gun down.
00:42:55How come you're not asking her to put the gun down?
00:42:58Because.
00:43:00I got a pretty good feeling about you, Clarence.
00:43:02You seem like a pretty sensible guy to me.
00:43:05Her?
00:43:10Jesus.
00:43:14Look, Clarence.
00:43:16Do you have any kids?
00:43:19Look at me.
00:43:21I asked you if you had any kids.
00:43:25Yeah, two.
00:43:28Just think about your kids, Clarence.
00:43:31Okay?
00:43:31They deserve to have their father around.
00:43:37Take it easy, man.
00:43:40I'm just gonna take this.
00:43:42Everything's gonna be cool, okay?
00:43:47I promise you, Clarence.
00:43:49No one's gonna get hurt.
00:43:53It's okay.
00:43:54It's okay.
00:43:55It's okay.
00:44:05It's okay.
00:44:09What are you gonna do with me?
00:44:20Okay now, Clarence.
00:44:21I'm just gonna leave your keys by the front tire.
00:44:23All right?
00:44:24You okay?
00:44:24You're not too cold, are you?
00:44:28Okay.
00:44:28Roger, thank you.
00:44:31What about the radio?
00:44:34What's that?
00:44:35Can I listen to the radio?
00:44:38Sure, Clarence.
00:44:43You take it easy.
00:44:50You make a pretty good team, huh?
00:44:54Look, James, I know this is a lot to swallow.
00:45:00Christ, I know how twisted this all sounds, but you don't understand.
00:45:04You have to find them before they find us.
00:45:07And then what?
00:45:08Then that's it.
00:45:10It's over.
00:45:13It's just...
00:45:19Look, I understand if you want to leave.
00:45:23Where to?
00:45:25What?
00:45:27Where to next?
00:45:30Oh.
00:45:32Oh.
00:45:46What?
00:45:47Lonesome train.
00:45:54Lonesome train.
00:45:56Lonesome train.
00:45:56Lonesome train.
00:46:00Lonesome train.
00:46:01Ozzie! Ozzie!
00:46:03Hello, beautiful.
00:46:07Who's Ozzie? He's like family.
00:46:12I've known him since I was a little girl.
00:46:14He's taking care of the boat here for the winter.
00:46:19Are you a sight for sore eyes?
00:46:21Oh, it's good to see you.
00:46:22Alright.
00:46:25This is James.
00:46:27What brings you to this lovely corner of the world?
00:46:32Oz.
00:46:33We're in trouble.
00:46:35Yeah, what else is new?
00:46:38Oh, baby.
00:46:40What you got here, girl?
00:46:43I think they're feds.
00:46:45Oz.
00:46:46Look, Oz, I don't know what the hell's going on here.
00:46:50Are you okay?
00:46:55Oz.
00:46:58Luke's dead.
00:47:02What happened?
00:47:04The last hit, we were set up.
00:47:10Look, Oz, do you think we can go in and clean up?
00:47:14It's been a really long day.
00:47:15Of course.
00:47:16Yes.
00:47:21But let me borrow the kid here.
00:47:23I can use some help with your friends in the trunk.
00:47:32Hannah.
00:47:34I'm sorry.
00:47:36Thanks, Oz.
00:47:40What are you going to do with me?
00:47:48So, kid, what's your story?
00:47:51Not much to tell, really.
00:47:54Frustrated artist, tired of being told he'll never make it.
00:47:57Wakes up one morning and finally believes it.
00:47:58So he takes a job in a small but funky gallery downtown
00:48:01and spends his days hanging other people's dreams on the walls.
00:48:05Not much of a headline.
00:48:07So, what the hell are we doing now, Oz?
00:48:10I don't think it'd be in my best interest
00:48:11to be driving around town
00:48:13in a stolen vehicle
00:48:15with two bodies in the trunk.
00:48:17So, we gotta move bodies now.
00:48:20Great. Just great.
00:48:39So, James.
00:48:40What are your intentions with Hannah?
00:48:44Don't worry, I'll have her home by midnight.
00:48:46How long have you two known each other?
00:48:48All her life.
00:48:50God.
00:48:51It seems just like yesterday.
00:48:53She was just a little girl.
00:48:56She was brought up by her grandparents and then Luke.
00:48:59Who's he like?
00:49:01Who, Luke?
00:49:01Yeah.
00:49:02He was one of the best friends a guy could have.
00:49:05I met him in Nam.
00:49:07We were in the same unit
00:49:09for a while before he joined the team of special ops.
00:49:12The thing was, when they asked him to join,
00:49:14they didn't mention what he had to give up.
00:49:17You see, what these guys were doing
00:49:20was secret.
00:49:22I mean, I could tell you,
00:49:24but then I'd have to kill you secret.
00:49:27Nobody could know where he was,
00:49:29but what he was doing.
00:49:31So they reported him MIA.
00:49:35Intercepted all his mail going both ways.
00:49:38He never even knew he had a baby girl waiting for him
00:49:41when he came back.
00:49:45He never even knew his sweetheart had been killed in a car accident.
00:49:50Geez.
00:49:51So Luke was...
00:49:55Man, why are you telling me all this?
00:49:56Because you're all she's got.
00:49:59Her family life hasn't exactly been a bed of roses.
00:50:03I'm not trying to make excuses for her.
00:50:06I'm just trying to give you a little insight.
00:50:11We better get this car back.
00:50:12Come on, kid.
00:50:25The legend goes that the blues is the devil's music.
00:50:29In the crossroads, that's where you're supposed to meet the devil,
00:50:31get the 12th tune.
00:50:34Is this some sort of bonding thing?
00:50:37It seems our friend here had never heard of Robert Johnson.
00:50:41Probably thought the blues began and ended with Stevie Ray Vaughan.
00:50:45Ozzy gets a little testy when it comes to the blues.
00:50:47Thinks he knows everything under the sun.
00:50:49How many albums you got now, Oz?
00:50:512,000 and counting.
00:50:54On vinyl like they were meant to be.
00:50:56None of this compact crap.
00:50:59Yeah, I gotta agree with you there, Oz.
00:51:01I mean, you ever seen the compact version of Sticky Fingers?
00:51:03It kind of defeats the purpose.
00:51:06Andy Warhol did better to cover it.
00:51:08I'm aware.
00:51:10Hey, Oz, what's this?
00:51:15Goddamn!
00:51:16I am a handsome man.
00:51:19Is that Luke?
00:51:20No.
00:51:21Bob Rio.
00:51:22That's Luke.
00:51:24This guy here is Keith Kurtz.
00:51:27We used to call him Moses on account of him being so religious.
00:51:30We started with holy Moses.
00:51:32Moses?
00:51:32Yeah, Moses.
00:51:34The guy was a real Bible thumper.
00:51:37Tell me more about Moses.
00:51:39That's him there.
00:51:41He joined our platoon about two...
00:51:44Stronghead.
00:51:45Moses.
00:51:47The guy who killed Luke mentioned a Moses.
00:51:53What was that first guy's name again?
00:51:56Bob Rio?
00:51:58Bob Rio.
00:51:59No, I don't remember that name.
00:52:02You know, I remember this.
00:52:04We were saying goodbye.
00:52:08These three, real Luke and Moses, were being transferred.
00:52:13It's the last time I saw them in country.
00:52:16Why them?
00:52:18They were the snipers in our battalion.
00:52:20Black ops.
00:52:22What?
00:52:23It's what Ozzy told me.
00:52:25Special unit in Vietnam.
00:52:28Jesus.
00:52:30Guns with no serial numbers.
00:52:32Black operations.
00:52:34Ozzy, what the hell have we gotten ourselves into here?
00:52:40Is anyone else hungry?
00:52:41I'm starved.
00:52:43There's a burger place just a few miles down on the right.
00:52:46Take my car.
00:52:47The keys are in it.
00:52:48All right.
00:52:48I'm on it.
00:52:54What did you tell him?
00:52:57What he needs to know.
00:52:59He's a good kid.
00:53:00Yeah.
00:53:01He is.
00:53:03He's a big boy.
00:53:05He can take care of himself.
00:53:08Oz, I'm really tired.
00:53:10It's been a hell of a day.
00:53:11I'm gonna go lie down.
00:53:14Okay, baby.
00:53:15Get your rest.
00:53:16Thanks, Oz.
00:53:31Sir.
00:53:36Sir, we have no word for Reynolds and Jackson.
00:53:39We've been trying to trace them, but we've come up empty handed.
00:53:42And what about the girl?
00:53:43Have you been able to track her down?
00:53:46She seems to have disappeared as well.
00:53:50Let me get this straight.
00:53:52You have access to state-of-the-art tracking devices,
00:53:58satellites, computers,
00:54:00and you can't even find two of your own field agents.
00:54:05Yes, sir.
00:54:09Okay.
00:54:11There you are.
00:54:13Why don't you get the hell out of here?
00:54:17And if you value your life, even a little bit, you'll find that girl.
00:54:29Yes, sir.
00:54:42So, Van Gogh cut his ear off and then he mailed it to her.
00:54:45Why?
00:54:46He was a tortured artist.
00:54:48He was deeply in love.
00:54:50Yeah.
00:54:51And he was quite insane.
00:54:53That's besides the point.
00:54:54Hey, Sunshine.
00:54:55What time is it?
00:54:56How long have I been out?
00:54:58A couple hours.
00:54:59Feels like a couple days, though.
00:55:01The kid here has been talking my ear off.
00:55:04You like that one?
00:55:05Talking my ear off.
00:55:07Yeah, that's a good one.
00:55:09You okay, darling?
00:55:12Yeah, I'm fine.
00:55:14So, tell me more about the black ops.
00:55:17There's nothing to tell, really.
00:55:18Just rumors.
00:55:20Assassination type stuff.
00:55:22They were real cloak and dagger.
00:55:24Had their own agenda.
00:55:26And they didn't discriminate, if you know what I mean.
00:55:30Charming.
00:55:31So, who would want them dead?
00:55:33And why?
00:55:34I think the question you should be asking is not why,
00:55:38but why now?
00:55:40Luke knew he was living on bore of time.
00:55:44They all did.
00:55:46So, how do I find out more about the black ops?
00:55:50Maybe they've got a website.
00:55:59Newman.
00:56:00Yeah, this is, uh, George Henderson from the, um,
00:56:04Leiden County Police Department.
00:56:05What is it?
00:56:06Hey, are you driving right now?
00:56:08You know you're not supposed to talk on the phone and drive, right?
00:56:10You better pull over if you want to continue this conversation.
00:56:12What the hell do you want?
00:56:13Hey, there's no need to get testy with me, sir.
00:56:15We got that information you requested.
00:56:17You were looking for two men and-
00:56:18Get on with it!
00:56:20Well, it seems one of our boys found that car a few hours ago.
00:56:23Well, and-
00:56:24Well, I hope you're sitting down.
00:56:35I think I can get Luke's email from here.
00:56:42Bingo. Here it comes.
00:56:44What?
00:56:44What are we looking for?
00:56:49This.
00:56:51This was sent to Luke the same day we were set up.
00:56:55It's a friggin' nursery rhyme.
00:56:58The answer's gotta be here somewhere.
00:57:05Wait a second, go back.
00:57:07That's not how it goes.
00:57:08What?
00:57:09The rhyme.
00:57:10It's been changed.
00:57:13This isn't a message.
00:57:15This is a warning.
00:57:17Someone was trying to warn Luke.
00:57:20Damn it.
00:57:21I gotta find out who sent this.
00:57:24You can check the code.
00:57:25The computer code.
00:57:27Just here.
00:57:33You can trace the email using the graphic code.
00:57:38Voila.
00:57:45This could take some time.
00:57:48Look, James, I'm gonna get our room ready.
00:57:50You let me know the second anything comes up, okay?
00:57:53What?
00:58:20Kensington Public School.
00:58:22Sorry?
00:58:23The message.
00:58:24It came from Kensington Public School.
00:58:26It's in a little town about an hour north of here.
00:58:30Well, at least we have a destination, huh?
00:58:32I don't suppose there's any merit in telling you how insane this is?
00:58:37I mean, you have considered the possibility that this is, you know, another set up, right?
00:58:44I'm just tired of running.
00:58:47I mean, you're not used to running.
00:58:52Yeah, I took the liberty of drawing us a map.
00:58:56Look, James, when this is over...
00:58:58When this is over, I'm gonna take you out of this stupid one-horse town.
00:59:04See the world first-hand.
00:59:07Sistine Chapel, Lisa.
00:59:09The statue of David?
00:59:10Of course she wants to see the naked man.
00:59:13James, I don't deserve you.
00:59:15That is true.
00:59:20Come on, talk dirty too.
00:59:36Come on, talk dirty too.
00:59:37Come on.
00:59:57Looking for these?
00:59:59Busted.
01:00:02So, what do you want me to tell him?
01:00:05Tell him I'll be home soon.
01:00:07You be careful.
01:00:09Always.
01:00:25I'll check with the chain.
01:00:27Hold on for a second, dear. What is it?
01:00:29We just got word from a sheriff that ID'd the girl.
01:00:32Where?
01:00:32She and her companion overpowered him at the junction of I-5 and Highway 89.
01:00:37I've got to go, honey. I'll talk to you later, okay?
01:00:39Bye.
01:00:41Sir, there's still no word from Reynolds and Jacks.
01:00:44Jane, did you get my dry cleaning?
01:00:45Yes, sir. Picked it up on Thursday.
01:00:47Okay.
01:00:48Send out two teams. I'm sure they couldn't have gotten far.
01:00:51Yes, sir.
01:00:54Sir?
01:00:58We'll take my car.
01:01:12I'll get my car.
01:01:13By the way, go out of the car.
01:01:15I'll do with you later.
01:01:25Yeah, he'll be back and drastic when you need to manage the car at number 4.
01:01:26And then stretch every line.
01:01:26No, they're smells bad.
01:01:29There are Rupees in the car.
01:01:35Hey Oz, it smells good man, what are you cooking?
01:01:38Eggs, bacon, and a little blues.
01:01:43It's the breakfast of champions.
01:01:45That's right.
01:01:46So where's Hannah?
01:01:51Oh come on, she didn't.
01:01:53She can take care of herself.
01:01:56Are you insane?
01:01:58I gotta go after her.
01:01:59What you got to do is sit your ass down and eat these goddamn eggs.
01:02:03Now sit down.
01:02:04Sit.
01:02:16Besides, she took the car.
01:02:21Son, I'm gonna introduce you to my special recipe.
01:02:26Ozzy's Eggs Tequila.
01:02:29Here you go.
01:02:36Up.
01:02:57Here you go.
01:02:58See you.
01:03:39You don't recognize me, do you, Hannah?
01:03:43We can't talk here.
01:03:58Who are you?
01:04:01How did you find me?
01:04:03Answer the question.
01:04:05I knew Luke.
01:04:07Name's Bob.
01:04:09Bob Rio.
01:04:11You sent the email, didn't you?
01:04:13Three little pigs.
01:04:15And remember, one got away.
01:04:18They'll find you, Bob.
01:04:20I did.
01:04:22They can't find what they're not looking for.
01:04:24Fifteen years ago, a chopper went down over Nicaragua.
01:04:28All hands, bodies were never recovered.
01:04:33Never appeared in the news because it never officially happened.
01:04:37You were on that flight, weren't you?
01:04:39Really, did they?
01:04:40I killed Bea before they could.
01:04:44How did you know that they were going to kill Luke?
01:04:51I knew it was the best I saw that.
01:04:56Boy, if I have learned anything in my 55 years on God's green earth,
01:05:04it is not to try to understand the mind of a woman.
01:05:09Amen.
01:05:10You can't live with them.
01:05:11And you can't shoot them.
01:05:13I beg to differ.
01:05:17They got Luke?
01:05:19What about Moses?
01:05:21Did they get him too?
01:05:23Dead?
01:05:27Prince of lies.
01:05:29El Diablo.
01:05:31The devil himself.
01:05:34Senator Harmon.
01:05:36After what we did, Luke should have known Harmon was going to come knocking.
01:05:40Bob, what did you do?
01:05:46Tell me.
01:05:48I'm not going to ask you again.
01:05:53Only the most notorious assassination of all time.
01:06:03Hey, Sherlock.
01:06:04Next time, park your car in the back.
01:06:10Okay, that's it.
01:06:11I'm definitely not voting Republican now.
01:06:14Okay.
01:06:26I'm definitely not voting Republican now.
01:06:49Gentlemen, I'm a busy man.
01:06:53I have a dinner engagement with the Speaker of the House
01:06:56and a late-night interview with City Line
01:06:58and my little baby girl can't get to sleep without me reading her a bedtime story.
01:07:01So, as you can see,
01:07:04I'm a little pressed for time.
01:07:05Where does she go?
01:07:10Come on, Bob.
01:07:11We're going on a little trip.
01:07:12No way, lady.
01:07:14I ain't going anywhere.
01:07:15Bob, this is bigger than the both of us.
01:07:16People need to know.
01:07:18Now, that's crap.
01:07:21Nobody's going to believe us.
01:07:23That's what keeps them safe.
01:07:25Look, Bob.
01:07:27Why did you try and get in touch with Luke?
01:07:30I told you, to warn him.
01:07:33He doesn't need warning.
01:07:35Tell me the real reason, Bob.
01:07:39It's because you can't stay out of the game, right?
01:07:43Here you are,
01:07:44in the middle of nowhere.
01:07:47Harmon thinks you're dead.
01:07:49You've won.
01:07:52But you risk everything
01:07:53to warn somebody who doesn't need it.
01:07:57Am I right?
01:08:00Helping Luke
01:08:01was just one last little screw you
01:08:03to get to Harmon.
01:08:05Come on, Bob.
01:08:07Let's get personal.
01:08:11You know Harmon well.
01:08:13What's that supposed to mean?
01:08:15Once he finds out you're alive,
01:08:17he will travel to the ends of the earth
01:08:18to find you.
01:08:20The way I see it,
01:08:21we got one chance.
01:08:23We find him first.
01:08:25Where did she go?
01:08:30Well, then, um,
01:08:31when is she coming back?
01:08:45Now do I have your attention?
01:08:49What are you protecting her for?
01:08:51What did she ever do for you
01:08:52except get you mixed up in all of this?
01:08:54I didn't kill Ozzy.
01:08:56Your girlfriend did.
01:08:58That's how you gotta look at it.
01:09:01Yeah, my girlfriend's gonna kick your ass.
01:09:03Oh, thank you for telling me
01:09:06what I need to know.
01:09:09Newman,
01:09:11go rig the ship.
01:09:13We can't afford to take any chances
01:09:15since his girlfriend's coming back
01:09:17to kick my ass.
01:09:19Yes, sir.
01:09:39I know, I know.
01:09:41Oh, isn't that insane?
01:09:42Not the phone company.
01:09:44That's way too obvious.
01:09:45Who invented the internet?
01:09:47I'll tell you who it was.
01:09:48The government.
01:09:50Why?
01:09:51Global village?
01:09:52Information sharing?
01:09:54I think not.
01:09:56I'll tell you who you're sharing information with.
01:09:58And you invited them into your home.
01:10:02What is it?
01:10:02What's wrong?
01:10:04The ladder to the boat's up.
01:10:05So?
01:10:08Something's not right here, Bob.
01:10:11Harmon.
01:10:15You're okay, kid.
01:10:16Too bad you're not batting on the winning team.
01:10:18But then, uh, you're not a player, are you?
01:10:20You're an artist.
01:10:27I'm a bit of an artist myself.
01:10:31You know what I like to do?
01:10:36I like to think of paint.
01:10:40When is she coming back?
01:10:51Well, have faith, kid.
01:10:54Didn't Matisse paint with his mouth at the end of his career
01:10:57when he could no longer use his hands?
01:11:07Sir.
01:11:08You're not going to believe this.
01:11:13Target has returned.
01:11:16Want me to take her out?
01:11:18Oh.
01:11:21Oh, hold your fire.
01:11:25You gave your girlfriend too much credit.
01:11:27She's coming straight to us.
01:11:29Williams, get the girl.
01:11:31Phillips, you hold your position.
01:11:32Roger that.
01:11:40It's going to be interesting.
01:11:43Let's go, Picasso.
01:11:45It's game time.
01:11:47Hmm.
01:12:11Let's go, Picasso.
01:12:15I'll see you next time.
01:12:20She's clean.
01:12:23Thanks for making it so easy.
01:12:26James, you okay?
01:12:27I'm okay.
01:12:29Let him go, Harmon.
01:12:31He has nothing to do with this.
01:12:33Oh, no, no, no.
01:12:34Your artist friend is a featured player.
01:12:36Thanks to you.
01:12:37Why, Harmon?
01:12:39Why now?
01:12:40Well, that's a million-dollar question, isn't it?
01:12:43You see, Hannah?
01:12:45The world is not black and white.
01:12:47There are no more walls, no more clear enemies.
01:12:49Me, I'm just changing with the times.
01:12:52Adapting, if you will.
01:12:54For that, I need a...
01:12:55Clean slate.
01:12:57Give the girl a prize.
01:12:59You see, I'm the new enemy.
01:13:03The one you can't find, even though he's standing right in front of you.
01:13:07I have power, Hannah, but not the kind of power that comes with the backing of the American public.
01:13:12I've started wars.
01:13:14But like my daddy used to say, don't start things you can't finish.
01:13:18One day when I'm president, I'll have the power to finish them.
01:13:24You're insane.
01:13:25No, no, no, no, no, no, no, no, no.
01:13:27I'm opportunistic.
01:13:28The ship's rigged a blow, Hannah.
01:13:31Well, that's too bad.
01:13:33Just when things were getting interesting, too.
01:13:36Cut the crap, Harmon.
01:13:37Time to lay the cards on the table.
01:13:40I've got Bob.
01:13:43Bob Rio.
01:13:45Bob Rio is...
01:13:47I know.
01:13:48Died in a helicopter crash in Nicaragua.
01:13:51Just got to ask yourself how I know.
01:13:55What's the matter, Harmon?
01:13:56You don't look too good.
01:13:59One man who can bring your house of cards crashing down, loose on the town.
01:14:04How do I know you have Bob Rio?
01:14:07That's a question on everyone's mind.
01:15:19Two down, three to go.
01:15:23Sorry, honey.
01:15:25My day's done.
01:15:27Damn it.
01:15:30I'm gonna need some cover.
01:15:31Can you manage?
01:15:32I ain't dead yet.
01:15:36On three, ready?
01:15:37One, two, three.
01:16:01Looks like you're stuck with me.
01:16:03No, you're stuck with me.
01:16:06Fifteen in the mag, one in the pipe.
01:16:08You take him on board now.
01:16:10You take him on board now.
01:16:24Where is the last time?
01:16:25Don't go out.
01:16:27You take him on board now.
01:16:40Now he's still stuck with me, I'll go.
01:16:40Come on.
01:16:49Let's go.
01:17:10Let's go.
01:17:53Let's go.
01:18:19Let's go.
01:18:40Let's go.
01:19:23Let's go.
01:19:35Let's go.
01:19:39Let's go.
01:19:41Let's go.
01:19:52Let's go.
01:20:07Let's go.
01:20:10Let's go.
01:20:13Let's go.
01:20:19Let's go.
01:20:22Let's go.
01:20:22Let's go.
01:20:24Let's go.
01:20:41Let's go.
01:20:49Let's go.
01:21:06Let's go.
01:21:15Let's go.
01:21:17Let's go.
01:21:19Let's go.
01:21:21Let's go.
01:21:22Let's go.
01:21:36Let's go.
01:21:40Let's go.
01:21:51Hannah.
01:21:53Hannah, he's up.
01:21:56It's over.
01:22:04Remind me never to piss you off.
01:22:33Gosh, you know, I miss him already.
01:22:51So where to?
01:22:54Anywhere.
01:22:54It's a clean slate.
01:22:56No more secrets?
01:22:58No more secrets.
01:23:01I got just one.
01:23:03I collect comic books.
01:23:06No, I think I want to draw them.
01:23:08I'm not kidding.
01:23:09I got this one idea for this character, see?
01:23:11She's an assassin.
01:23:14Oh, no.
01:23:14Yeah, no, she works undercover.
01:23:15And her boyfriend, he's this kick-ass kung-fu expert.
01:23:18The comic's really more about him, yeah.
01:23:21I remember summer's day
01:23:24I went to ride an airplane
01:23:26Will it be my brother?
01:23:28Pilots is what we would want it to be
01:23:31And mama took the time and paid attention to our dreams
01:23:43Now we're driving the 401
01:23:47And Steely's on the radio
01:23:48And we're smoking and laughing
01:23:50It's a great escape
01:23:52Look at what we've shun
01:23:54It's a bad man
01:23:55It's a bad man's summer morning
01:23:56With a TV kiss and sun
01:23:58With a deep kiss and sun
01:23:59Oh, oh, oh, oh
01:24:05The sun and shining
01:24:09And chasing point of smiling
01:24:12For my wonder
01:24:13But the feeling
01:24:15And don't sleep alone
01:24:18Let you go
01:24:42Ways are breaking
01:24:44Sales are full
01:24:46And growing up Canadian
01:24:48Well, it makes you stronger
01:24:50A band on ship
01:24:51Eight hands in the cooler
01:24:54We're keeping with tradition
01:24:56But it feels for few
01:25:05Tempted by glamour
01:25:07Dead by flesh
01:25:08Foundation keeps growing
01:25:10So we keep it solid
01:25:12Cause candy coating
01:25:14Sprank and lose the flavour
01:25:16Like 60s architecture
01:25:18Nothing but the savour
01:25:27If the sun had shiny
01:25:30It makes it more
01:25:33You're smiling
01:25:34All I want
01:25:35I'm feeling
01:25:37And I'm constantly
01:25:39Who won't let you go
01:25:43Oh, oh, oh, oh, oh, oh
01:25:49I would let you go
01:26:05I would let you go
01:26:18Water