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Tum Larkay Bhi Na - Episode 27 - 17 Mar 2026 - [ Aina Asif _ Ali Dayyan ] - HUM TV(720P_HD)

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TV
Transcript
00:00There is an award for this year
00:03What's written by Mirza Bilal?
00:05When did you become Mirza?
00:07Mirza, we didn't become. We were born.
00:09Mirza, we were born.
00:10Our video is viral.
00:12Two, four shares, and you said,
00:14You're a fan, you're a fan.
00:16I asked what I wrote.
00:18I said, what I wrote.
00:19I said, Shabana's number is written.
00:20You have to be your talent, right?
00:24You have to blame yourself.
00:26You have to blame yourself.
00:27You have to blame yourself.
00:29You have to blame yourself.
00:31You have to call me two or three times.
00:34What?
00:37I thought we would have to blame ourselves.
00:42Only Shabana, Day Smart,
00:44Peer & Mangal,
00:46at 8am.
01:02What?
01:03You are very happy with shirts that didn't get me out.
01:06Of course, it was very easy.
01:08I do remember.
01:11I cannot tell you of your expressions.
01:15You need to leave your children emotionally blackmailing.
01:18And what you're doing is old-fashioned.
01:21I'll tell you, Mary and Zohan, you've got a lot of big fights.
01:25You've got a lot of moves.
01:26And how do you look at it?
01:28I don't understand why Zohan seems to be angry with a little girl.
01:33I don't have a full girl.
01:36You're not funny.
01:41You give a hero vibe.
01:43Now, when we're going to do short films, we're going to do acting.
01:47I'm like a child.
01:49We're going to go all together.
01:51There's a great good food.
01:53You've got something out there.
01:54No, no.
01:55I went to the Empress Market.
01:56I got a very good food.
01:58I made a good food.
01:59You've got a good food, right?
02:01Yes, but you know, it's a shame.
02:02You've got a good food.
02:04I don't know.
02:05Where did you get a burger from all our brothers and sisters?
02:09It's a very good apartment.
02:11Nazish, I thought it was very good.
02:14Luckily, it's a furnish.
02:15Yes, Aamir.
02:16Look, how beautiful you are.
02:18You know, people are very good.
02:20Yes.
02:21And a big surprise.
02:25...
02:26...
02:27...
02:27...
02:27Amir...
02:28Take the liquid and powder with sweet hebben.
02:32She's bringing up no plants.
02:34Go here...
02:35Go please...
02:37Thanks, brother...
02:38There is
02:39You'll be horsia.
02:54The police will be dirty.
02:55You will be seated.
02:56You have to listen to this very often.
02:58I'll be stuck with it.
02:59One minute.
03:15Today it's going to be in the real world.
03:17If not, I've been stuck so many times in the back of the door.
03:20You are sitting here?
03:23Okay.
03:24Tell me this.
03:26How are you feeling?
03:28I'm feeling very well.
03:29I'm feeling very good.
03:31It's like this is my second child.
03:36Your children, what kind of life you are taking away from your children?
03:40That's the house that you had so much in your heart.
03:43That's the house that you left here in the flat.
03:46I don't understand that every single person
03:48you don't understand.
03:49Why do you understand your thoughts?
03:53What do you have to be alone?
03:55You don't have to be aware of yourself.
03:56You left the house and left the house.
03:59The children of the jungle have made a way to go.
04:02I was in the kitchen.
04:04I saw that my brother in the kitchen
04:07and I was in the kitchen.
04:08And the house that was so like so.
04:09As you were in the kitchen.
04:11I was in the kitchen.
04:13I was in the kitchen.
04:15I was in the kitchen.
04:16I was in the kitchen.
04:16But when I had to go to here,
04:17I was in the kitchen.
04:20I was looking for the home.
04:22I felt like I had to be in the kitchen.
04:33You know, everyone has the right to live on their own.
04:37Children and mother.
04:46Don't worry about me. It's okay.
05:13It's okay.
05:13We're wrong. If it's you, it's me, Rashid.
05:17Sorry.
05:26You can't make this vegetable.
05:28You didn't make this vegetable.
05:30When you're happy with a person,
05:32you're happy with a good job.
05:34Don't do such things in front of me.
05:37I can't believe it.
05:38You don't know how you're staying away from your children
05:41and trying to prove yourself very strong.
05:44But whatever you're doing,
05:46I know exactly what you're doing.
05:48What am I doing?
05:54No.
05:55No.
05:56Wow.
05:57There's no good taste.
05:59How are you doing?
06:00Hey.
06:01Now, don't make my daughter's daughter's daughter.
06:04Hmm.
06:05Kamal.
06:06No, Kamal.
06:07I'm in shock.
06:11Eat it.
06:12Eat it.
06:14Wow.
06:23It's fun seeing the big screen.
06:27It's a good look.
06:28It's a good look.
06:29It's a good look.
06:31It's a good look.
06:32It's a good look.
06:32It's a good look.
06:36It's a good look.
06:38But I'll tell you,
06:44I'm sorry, I'm sorry.
06:48You're so sorry.
06:50You're so sorry.
06:51When a child says auntie.
06:53I say, you say, but don't say.
06:54But not.
06:56Let's go to the balcony.
06:58I'm going to watch TV TV.
07:01I'm so sorry.
07:03I'm sorry.
07:04I'm sorry.
07:15You're so sorry.
07:20You're so sorry.
07:23How many years ago?
07:25I was so sorry.
07:29I was so sorry.
07:31I was so sorry.
07:33I was so sorry.
07:34I was so sorry.
07:36I was so sorry.
07:37I don't know that when a woman leaves her own love.
07:40Or leaves her own love.
07:41Why the men leave here?
07:43Why are spirits along?
07:45I've never kesen..
07:50They're really going to die.
07:51There are huge science records.
07:55Gallaudet the Carol,
07:56Miss Saunders,
07:57I'm tired of mud on your alone.
07:58I've had to boldly read my own love of her family to mind…
08:03You should see all the material.
08:04Your papa could not enjoy.
08:05No brother.
08:06She was just a girl.
08:07She is just a girl.
08:10Here we do.
08:12...and to become a slave.
08:16When it happens, I will ask you.
08:18I will ask you.
08:20Have you ever seen such a slave?
08:30Zaini was doing your job.
08:32And when he was doing your job,
08:34I feel like you were doing your job very well.
08:36I feel like you are doing your job very well.
08:40I am very ashamed of Zaini.
08:42You are so happy with us.
08:44We will do a job and we will go with them.
08:48I am happy.
08:49Dude, I have no idea yet.
08:51I have to go to Shams Court,
08:52but after my match,
08:54I have to go to Shams Court.
08:54They are just coming to the road.
08:56What did you do?
08:57Where did you get to the road?
08:58It was just a little bit before.
09:00It was 91K.
09:01I can see.
09:02Phone,
09:04Dina!
09:04I have no idea.
09:08It is now 95K.
09:10This is just my 40 plus Eros line.
09:13Do you know?
09:14There are so many drama pages in our channels.
09:18And so many people have made it meme.
09:20Give me a little credit.
09:22I have told you about the lines.
09:24Yes, okay.
09:26But look,
09:27the scale is my whole.
09:28I have said so lively and improvised.
09:32Wow.
09:36What's your mood?
09:38It's not.
09:39It's not.
09:41It's not.
09:44I'll keep it here.
09:46Listen to this.
09:47Listen to this.
09:48we will do makeup too.
09:49Why?
09:50We are learning film making.
09:51But they don't know that
09:53the screen is very bad.
09:55I'm so bad.
09:56I'm so bad.
09:57So we will make up.
09:58Okay?
09:59And you guys focus on the color grading.
10:02You know?
10:03If you look good,
10:04it will become a show.
10:06Yes, sir.
10:07And something else?
10:09I like it.
10:10I don't like it.
10:12I don't like it.
10:12I don't like it.
10:31Muniya?
10:32I don't know.
10:33I don't know anything about it.
10:34I don't know anything about it.
10:35I don't know anything about it.
10:36My mother's big actor came.
10:38She went to the house.
10:43Listen, when I go, I'll tell you that you're going to...
10:47...that you're going to...
10:50...be-tie, say it.
10:53You say it.
10:55You say it.
10:56You're my daughter.
10:59You say it.
11:00I'm only one of my mother's only one of my own.
11:03I don't know if it's a bad thing.
11:06But if you make a mother's young,
11:07...to make a mother as a mother, then it will go.
11:11When I was in the age of my mother,
11:13...to say to my mother to you.
11:15After that, I started to say to my mother to you.
11:17You understand our history.
11:21My mother to my mother to you.
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13:15Don't put it like this.
13:19Aminia?
13:45حراب تا تم سے ہی روانیا
13:52تم میرے اوھروflightو تو ہے رنگینیا
14:02تم سے ہی حباب میں بہروں کے جیسا سان
14:10A dhuri thi kahaniyo
14:16Tumse vandida sita
14:20Tum bilhe ho
14:24Mukamal huwa hai jaha
14:30Tum bilhe ho
14:34Mukamal huwa hai jaha
14:37Kajit
14:51Kajit
14:55Yaar liiner na nha lag hai is bar thudha sa
14:57Usse na anka bada bada dikhen gi
14:59O-oppa dhekho
15:00Tumne base kiti buri leg hai yaar is bari yei garden dhekho
15:03Soyan is bar tu mera air style kar do ghe
15:05Do you have to do a job and take a look at your makeup?
15:09Dude, we have to do all the makeup for the screen.
15:14You have to do my makeup too soon.
15:18Oh my God!
15:19Now you have to do so much makeup.
15:21You will do it again?
15:22We will do it again.
15:24We will do it again.
15:25We will do it again.
15:27Mr. Amir.
15:28You are going to go outside from your old age.
15:31It was the first time when the women were married,
15:33and women were married.
15:34It was the first time when women were married.
15:37When women were married,
15:38women were married.
15:39What is that?
15:41I mean, women are married,
15:44so you are married too.
15:45If women are married,
15:46so you are married too.
15:47What?
15:47The women are married,
15:49are women?
15:50You are hiding.
15:51You are hiding.
15:52You are hiding.
15:53You are hiding.
15:53You are hiding.
15:55Now go.
15:57Zoyan's styling.
15:58Make-up is gone.
15:59Come on, Big Show.
16:01Take a look.
16:02Yes.
16:03You are hiding.
16:05You are not looking at it.
16:06You both,
16:07please,
16:07you are very rushed.
16:08Go to the lounge.
16:09Yes, yes.
16:10We are going.
16:11Next time,
16:12you will call a professional makeup artist.
16:14I am going to call a makeup artist.
16:16They are very good makeup.
16:18Because the men are bad on the screen,
16:20I will not go to the show.
16:22You are getting to understand.
16:23You are going to understand.
16:24Go, go.
16:24Make-up is not going to make-up.
16:25What are you thinking?
16:26And then,
16:26what are you wearing?
16:28What are you wearing?
16:30This is my skin?
16:32Your skin is wrong.
16:33This is the show.
16:35This is the same way.
16:37This show is the same way.
16:38This show is the same way.
16:38this show is the only way of my auntie.
16:41This is the only way.
16:41If there is someone's need for a reason,
16:43I can do this work.
16:45We will do this as well.
16:47But,
16:48You will show me.
16:49Do you want to show your makeup?
16:51Okay, I'll change the lipstick.
16:55Can you show me too?
17:45Do you want to show your makeup?
17:58Do you want to show your makeup?
17:59Yes, I'm alone.
18:02You're sleeping in bed?
18:04I don't know.
18:07I've been sleeping in bed.
18:07I've been waiting for the rest of the room.
18:08How are you?
18:10I'm fine.
18:11You're very happy.
18:14I'm very happy.
18:15I'm good.
18:16How are you?
18:19You're not good.
18:20I'm happy.
18:22Everything is working.
18:23It's a routine life.
18:24It's a blood pressure.
18:27I don't know.
18:28Then check it out.
18:54Okay.
18:55Bye.
18:55Bye.
18:56This is great.ır
19:51So guys, I saw a drama today
19:53In which 40-40 years old, they were doing full, chill, and cool acting.
19:59I said that it was better than that.
20:01Let's go, let's ask my mom.
20:02She's 40 plus, but in her face, she's a traitor.
20:06Now, a woman becomes a little girl, brother.
20:11Okay.
20:13You're talking about both of them, right?
20:15Yeah, both of them are talking about both of them.
20:18Hey, Rusa.
20:19Rusa, don't say your voice.
20:21Cut.
20:22Cut.
20:23Cut.
20:26No, don't say anything.
20:27It's a very good quality mic, uncle.
20:29All the voices are coming.
20:30They're whispering, so they're going.
20:31Oh, I like that.
20:33I think that the voices are completely dropped.
20:35And why are you so close to me?
20:37Yes, you can see your auntie.
20:39You can see them.
20:40I'm watching everything on the monitor.
20:42Everything is fine.
20:43You guys are doing the same thing.
20:45Let's go.
20:46Okay, I'm coming here.
20:47Do you know?
20:52Yeah.
20:54Yeah.
21:07Yeah.
21:14Yeah.
21:15Yeah.
21:23Yeah.
21:39Yeah.
21:41Yeah.
21:42Yeah.
21:42Yeah.
21:42Yeah.
21:43Yeah.
21:46Yeah.
21:53Yeah.
21:55Yeah.
21:56Yeah.
21:58Yeah.
21:58Yeah.
22:07Yeah.
22:14Yeah.
22:29Yeah.
22:33Yeah.
22:35Yeah.
22:43Yeah.
22:49Yeah.
22:51Yeah.
22:51Yeah.
22:53Yeah, yeah.
23:02Yeah, yeah.
23:09My mind doesn't mean that my mother can compete with her.
23:14My mother has always taken love and loved her.
23:18I don't care.
23:21Whatever I do, I do my best.
23:24You have to put it on my head.
23:27I only explain it.
23:28So tell me about love and love.
23:31Do you know what I mean?
23:33You have to do it.
23:34You are very good.
23:37You are very good.
23:38You're the best to do it on those people.
23:42You are the best to do it.
23:44You only care about yourself.
23:45What do you think you are doing?
23:46You are the only one who are in trouble.
23:46All of them are evil and evil.
23:49Have you ever forgotten yourself?
23:52Have you ever thought that a man with a man with a man with a man with his life?
23:57How big is it?
24:00You have to go first. You have to prolong it.
24:03This is also my fault.
24:05This is also my villain.
24:07And you are a tragedy queen.
24:26You have to go first.
24:42You have to go first.
24:44Why are you overlapping?
24:46How many times are you?
24:48Your wife is so much talking about
24:50and you start to start with a big deal.
24:53Look, I'll tell you that I'll tell you.
24:57When your wife is talking about the same thing,
24:59when she's talking about the same thing...
25:00Your mood is bad.
25:03No.
25:04I know, my brother's a little irritant.
25:08Just try to make a new shoot.
25:11We want to make a new shoot.
25:12We want to make a new shoot.
25:14We want to make a new shoot.
25:15We're late.
25:15We're late.
25:16We're late.
25:16It's mood.
25:17It's on the screen.
25:19Listen.
25:20Listen.
25:21Listen.
25:21The short shots are very interesting.
25:25Just like your auntie is cutting.
25:27They're cutting.
25:30Or the short shots.
25:32Yes.
25:33But the problem is that we don't shoot the drama.
25:35We're shooting the show.
25:37The show looks good.
25:38It's good.
25:39It's good.
25:39It's not good.
25:40It's not good.
25:40You're going to interfere.
25:51You're going to interfere.
26:01I'm going to interfere.
26:06I'm going to go and go.
26:20Let's go guys, continue.
26:22Let's go, let's start again.
26:25Let's go.
26:27Ready?
26:30Okay.
26:31Roll and action.
26:34So, our wedding segment has already been done and the gossip segment is a little bit different.
26:56No, auntie, I'll get your makeup.
26:59No, no, thank you. I'll get myself.
27:00I'll get your makeup.
27:02Yeah, Badraka, I'm not going to go.
27:04I'm very hungry.
27:05I'm very tired.
27:06I'm going to play a match.
27:08I'm going to work.
27:08Let's sit down with you.
27:09I'm going to ask you a lot of fun.
27:11What?
27:12Badraka, let me drink a good, strong tea, right?
27:15Today, I'm so tired.
27:18I should not get any of this.
27:20Absolutely.
27:24When did you make tea?
27:25When did you make tea?
27:26I thought you were all tired.
27:27Especially, you worked so much.
27:29I was going to go to my kitchen.
27:30But God's sake, how many of you have been in this place?
27:35And you come here and see.
27:36There's a sauce in the coffee, in the sauce, in the sauce, in the sauce, in the sauce.
27:51How did you make tea?
27:52Zoyan, you made a lot of tea.
27:54Good job.
27:55Zoyan, this is really green.
27:57You didn't add the oil.
28:00Oh, it's a hot tea, bro.
28:04You have a strong tea, right?
28:06It's a oil.
28:07Listen, Zoyan.
28:10Pick it again.
28:11And add one cup in oil.
28:13Let's go.
28:14Really?
28:15Yes, sir.
28:16Make a oil.
28:21Say it again.
28:22No, it's not.
28:23It's not good.
28:24Let's go.
28:26It's empty.
28:28Hmm.
28:32I don't want to drink tea.
28:34Huh?
28:35Yeah.
28:37Let's make tea for us.
28:40Oh, no.
28:46Stop, stop, stop.
29:07What morning are you doing?
29:09No.
29:10Don't worry about having me.
29:12Let me go here.
29:13You just told me not to go home.
29:14Please, come here.
29:14Please Imitiath, come here.
29:16I'm not sure I just have to phone you if you feel cleared to come here.
29:18How have you received your attention to this building?
29:33How much TV will you watch?
29:35Let's go homeboy.
29:36This TV is a great deal of drama.
29:39How clear results are you?
29:41I know, I know.
29:43Just go homeboy.
29:51I know and I know.
30:18Farmer is one that came to mind.

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