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Tum Larkay Bhi Na is a contemporary Gen-Z love story set within three
closely connected families living under one roof.

As two sisters clash over parenting styles and life choices, rivalry and comparisons intensify—while among their children, a tender bond between Badriqa and Zoyan begins to bloom, challenging what truly defines love and success in today’s world.

Writer: Faseeh Bari Khan
Director: Yasir Nawaz
Producer: Momina Duraid Productions
Cast: Aena Asif, Ali Dayyan, Sami Khan Jr., Emaan Syed, Yasir Nawaz, Vaneeza Ahmed, Faiza Hassan, Amna Malik, Aimen Abbasi, Adnan Jaffer, Abid Ali & Others

Written by Faseeh Bari Khan
Directed by Yasir Nawaz
Produced by Momina Duraid

#ramzanspecial
#TumLarkayBhiNaep28
#ainaasif
#humtv

Category

😹
Fun
Transcript
00:01They say,
00:03I've never given the love of the world.
00:06It's not that you've never given the love of the world.
00:09Have you ever had a love with anyone?
00:12The names of the names can become very powerful,
00:14but in my heart.
00:16If the story is dead,
00:18I'm ready to die for my life.
00:22We both are the two of them
00:23and the two of them are the same story.
00:25I think that I have forgiven you as a woman.
00:31I don't think there is no sorrow in the world of love.
01:01I don't know how much makeup is going to be done, but I'll do it again.
01:05We'll do it again.
01:06We'll do it again.
01:07We'll do it again.
01:09My uncle.
01:11You'll come out from your old days.
01:13It was the first time when there were women and women.
01:17Today we all do makeup.
01:19When girls do makeup, girls do touch too much.
01:22What is it?
01:22Blood pressure, okay?
01:25I don't know.
01:26Then check it out.
01:27Listen, we'll meet at some coffee shop.
01:31I'll do it again.
01:33I'll do it again.
01:34I'll do it again.
01:36You've made it for drama set.
01:39It looks really good.
01:41I feel like women are good set designers.
01:44They're good.
01:46I've made it a sample.
01:48I'll show you what I'm saying.
01:50I'll draw a larger budget.
01:52But I'll do it again.
01:54I'll do it again.
01:55I'll do it again.
01:56Listen, these things are out of the way.
01:58It's a really good demand.
02:03Okay, my uncle.
02:04Just keep your job, right?
02:06I have to talk a lot about you.
02:09Yes.
02:12That's...
02:12Look, you know, I'm tired of my stomach.
02:16I can't keep my stomach in my stomach.
02:18I'm starting to start gourd-gourd.
02:20You told me that I don't know about Neelhofer Zahdi,
02:24but I had a post on social media
02:26about all students who went to the Liberty Coaching Center.
02:29Padrika, I told you.
02:34You didn't hear me.
02:36Do you know,
02:37my mother, when we were born,
02:39we were born,
02:41we were born,
02:42we were born,
02:42we were not even aware of them.
02:46I had a note that
02:51which I am going to do,
02:53you will be the same thing.
02:57What time did you do?
02:59I said it was what you said.
03:02I said it was what you said.
03:03Now tell me what you said.
03:04Why are you doing this?
03:07You go outside,
03:08you're standing on your shoulders,
03:09you're doing the effort,
03:10but you're doing the same thing.
03:12You're doing the heroines,
03:14you're doing the same thing.
03:17You're changing the world.
03:18You're changing your life.
03:21So tell me,
03:22it's you.
03:23It's a mess.
03:31When are you doing this?
03:33Do you do it?
03:38Maybe,
03:41you're doing it?
03:44You have to learn your life.
03:47I'm with you.
03:51You understand what I'm saying?
03:58I've had a habit in my life.
04:02I'm going to change my habit.
04:07Go and work.
04:15In the post of the Diberti Coaching Center,
04:19there was a message of Neelofar Zahidi's daughter in the inbox.
04:24She said that Neelofar Zahidi has been dead for 10 years.
04:30Then,
04:32until she understands Neelofar Zahidi?
04:37You will be married.
04:41Then, there will be a new character, a new story.
04:46It's so colorful, right?
04:49It's a romantic past.
04:55We are sitting alone without the doubt.
05:17What is the name of Neelofar Zahidi?
05:22What is the name of Neelofar Zahidi?
05:23What is the name of Neelofar Zahidi?
05:39Who is the name of Neelofar Zahidi?
05:40I am.
05:42Are you alone?
05:43Is there anyone with?
05:45Yes, I am alone.
05:50What are you doing?
05:52What are you doing?
05:53What are you doing?
05:55What are you doing?
05:56Mom, have you missed so much?
05:59Let's go.
06:00Oh, how are you doing?
06:04Dude, that's your daughter and daughter.
06:07What's your relationship with my daughter and daughter?
06:11What do you think of my uncle?
06:13They're old, right?
06:15That's your daughter.
06:16That's her husband's husband's brother.
06:20No.
06:22Tell me about it.
06:24How are you doing?
06:25Shooting?
06:26Shooting?
06:27You know what?
06:29Your daughter is so jealous.
06:32I don't know why.
06:33She's all about her.
06:35How are you doing?
06:36How are you doing?
06:40I don't want her to accept her.
06:41I don't want her to accept her.
06:43We are full.
06:44My uncle is different.
06:46Because in my comments, all of us are saying,
06:47Oh my God.
06:48I'm so cute.
06:51I'm so cute.
06:53I'm so cute.
06:53My son is so sweet.
06:55I'll tell you a comment.
06:56I'll tell you something.
06:56I'll tell you someone wrote,
06:59I'm so cute.
07:00How are you doing?
07:01Why are you saying this?
07:01I'm so cute.
07:03How are you saying this?
07:07I'm so cute.
07:09I'm home.
07:10I'm home.
07:11You're all alone.
07:12I'm not home.
07:12You're home.
07:13I'm so cute.
07:15And my uncle's dad.
07:16Dad.
07:16So, she's so angry at home in the whole house.
07:19She's so happy, why don't you stop here?
07:23Stopped?
07:24That's a big deal.
07:26Why didn't you stop before?
07:28Before...
07:29You know, before was there anything else?
07:31Life decisions, life decisions.
07:33It takes a little time to think.
07:49¶¶
07:57¶¶
19:57You must say,
19:58you know,
20:01I'm just standing over it.
20:04Let's go.
20:19Thank you very much.
20:33Yes.
20:34A speaker.
20:36A speaker.
20:36A speaker.
20:37A speaker.
20:38If you have a friend, you will be like me too.
20:40I'm watching your show.
20:42You're a good show.
20:44Healthy criticism.
20:45I think you should be like this show.
20:48Do you like this show?
20:50Do you like this show?
20:52Listen.
20:53Which drama I've reviewed?
20:55Sorry.
20:56My focus is on actors.
20:58I don't remember the names of directors.
21:01Yes.
21:02You're right.
21:03What's the name of director?
21:06The actual game is actor.
21:09No.
21:10It's not that.
21:11The director is captain of the ship.
21:13And in our country, there are very good directors.
21:17Okay.
21:18Tell me your names.
21:20No.
21:21There are many.
21:23Let me know.
21:24Let me know.
21:25What's your series today?
21:26What are you doing today?
21:27I didn't give up.
21:28In the slot.
21:29In the slot.
21:31I've watched your review.
21:32Good.
21:33Very good.
21:35Excellent.
21:38Cut. Cut. Cut. Cut. Cut. Cut. Cut.
21:47One million views.
21:49This is a surprise.
21:50The cake is still for you.
21:51Oh.
21:52For you.
21:53My cake is my cake.
21:54This is a surprise.
21:55Do you know how many of you are?
21:57Greatest of all time.
21:58I don't know.
21:58I don't know.
21:59I'll cut the cake for you.
22:02A little bit.
22:03Oh.
22:03You've got the whole thing.
22:04You've got the whole thing.
22:06Ah.
22:09Ah.
22:10Ah.
22:12Ah.
22:24Ah.
22:27Ah.
22:31Ah.
22:31Ah.
22:32Ah.
22:32Ah.
22:33Ah.
22:35Ah.
22:38Ah.
22:39Ah.
22:40Happy Family.
22:42Ah.
22:43Ah.
22:55After the show, it's so hard to get out of the show.
22:59I don't know how many girls are in the mall.
23:02They say, oh my god, salute, big fan, big fan.
23:05You can take a picture with you.
23:08And if I tell someone to say cute, how do you feel?
23:13Cute? You?
23:14I don't think.
23:15I can do this with you.
23:18Why don't you come here?
23:20Okay?
23:21Thank you so much.
23:29Dude, check the flow of auntie.
23:35Of course.
23:36I don't think so.
23:43Do you eat something?
23:45Do you eat something?
23:46I don't know.
23:47Abbu has proved my theory wrong.
23:48The car has given me a good mood.
23:49I give them to you.
23:51I don't know.
23:51They go to the car.
23:52Your petrol is my car.
23:54And the bill will be the American system.
23:57I'm so kind of a loyal.
23:58Look, you're coming from YouTube.
24:00You'll play with me.
24:01What's going on?
24:02You always talk about such things.
24:04You build or I build.
24:05It's the same thing.
24:06Exactly.
24:07Same thing.
24:12What do you think?
24:13What do you think?
24:14What can we plan for?
24:15For our future?
24:17What do you think?
24:18What can we plan for?
24:20What do you think?
24:20How many years ago?
24:2121-22.
24:22People are going to plan for 25 or 26 years.
24:24What do you think?
24:25You know, I was so happy when I was watching a movie on TV.
24:27I was talking about a couple of married couples.
24:29I feel cringe.
24:30What do you think?
24:35What do you think?
24:35You don't want to talk more often?
24:37We are also talking more often.
24:38I feel more comfortable with you.
24:41Okay, listen.
24:42I have to talk to you.
24:43Tell me.
24:44What do you want to talk to the next show?
24:45Please.
24:46Your experience is the right thing.
24:48You saw that when it came out from the show,
24:50it was a big show.
24:51If it came out from the camera,
24:52if you want to spend a little money,
24:53then do it.
24:54They are saying the right thing.
24:55Why?
24:55The screen will be good,
24:56the viewers will be good.
24:58I don't like that.
25:00It's our initial stage.
25:02We have started now.
25:03We can't increase our budget.
25:05We have to get some programs,
25:07and then we will see what we have to do.
25:09But you say something,
25:10please don't mind.
25:12It's okay.
25:12When you say something offensive,
25:13you don't say anything.
25:14Don't mind.
25:15Let's talk about it.
25:16You don't want to talk to you next shoot.
25:19The shoot environment was very bad.
25:21Saloo also told me.
25:23If you want to shoot,
25:25he won't come.
25:26Tell me,
25:27what's your mother of Saloo's wife?
25:29You're also becoming your father's father.
25:31Did I say something?
25:37I don't think that's the issue.
25:38Every day,
25:39I don't want to talk to you.
25:41I don't want to talk to you.
25:42I don't want to talk to you.
25:42Because that girl doesn't like you,
25:44who talks to you,
25:45who challenges you,
25:46who talks to you,
25:46who talks to you,
25:47who talks to you,
25:49you're very good.
25:50You're totally fine.
25:51You're fine.
25:52shut up.
25:52Why are you shut up?
25:53My house is shut up.
25:54I'll tell you.
26:12I'll tell you so much.
26:14I'll tell you.
26:16What was your need? I feel that you have a very open hand.
26:19Do you have any savings too?
26:21What I like to say is that I take the card and eat food for him.
26:28Do you know?
26:29He was a child of Imran.
26:31He was doing great things with his heart.
26:32I thought, he was 17 and I was 16.
26:38It was just that love that I had done.
26:42He was watching a new drama on YouTube.
26:46Eunice Javed.
26:48It felt like a dialogue in my heart.
26:52The first love is the end.
26:55After all, all the love is the first love.
27:06I was a kid.
27:07I was a kid.
27:10I was a kid.
27:11I was a kid.
27:12I was a kid.
27:13I was a kid.
27:13And when I told him the story of a baby,
27:16I gave a baby to the child.
27:18I gave a baby to the child.
27:21Why are you a kid?
27:23Why did you tell me?
27:24Because I know that I will run.
27:25I was a kid before three or four times.
27:28I was a kid.
27:29But, well, the first thing was another thing.
27:33Now, my and your family are different.
27:36Now, we are friends.
27:42Hmmmm.
27:44You're in your eyes.
27:45Excellent.
27:47You're in my childhood.
27:50You're in my childhood.
27:51You're in the sky.
27:52You're in the sky.
27:53You're in the sky.
27:54I remember.
27:54I'm thinking of thinking that you have to eat this food.
27:59You're in the sky.
28:00You're in the sky.
28:01Oh, my brother.
28:03She's a small businesswoman.
28:05She's a small businesswoman.
28:06She's a great table for my dad.
28:08She's a great table for me.
28:09She bought a good money.
28:10Excellent.
28:12But, good.
28:12She's very fast.
28:14She's going to sell me double or triple price.
28:17But the meaning of saying is that she's got money.
28:20It's a big deal.
28:23You know, I told you,
28:24I'm coming back with a good job.
28:26You've got to pay attention.
28:27I'm trying to get to work.
28:30I'm trying to get to work.
28:33I'm telling you.
28:34I'll tell you.
28:34I'm telling you.
28:35You're the Gensies.
28:36I don't really want to say seriously.
28:38You don't need to say it.
28:39You don't have to say it.
28:40You're alone.
28:41You're alone.
28:41You're alone.
28:43You're alone.
28:46You're alone.
28:48You're alone.
28:49You're alone.
28:52If you uh...
28:53What's far too far comes that you will believe?
28:54I'll try your life on, you've.
29:02You can.
29:03I have tons of yours, you are alone.
29:07I hope everyone enjoyed it.
29:07Please visit my family.
29:10I hope not it will.
29:36I don't want to meet you.
29:40Sallu, you just keep doing things.
29:42I keep doing it.
29:44When do I keep doing it?
29:45I was just telling my mom and dad.
29:47Now, that's my fault.
29:49That's my fault.
29:52And that's the whole time.
29:54What does it mean?
29:54That's the whole time.
29:56That's the whole time.
29:57At that moment, let's see.
29:59But my career started.
30:01I have to focus on that.
30:03And the other people say,
30:05that it's not going to be married.
30:07I didn't understand it.
30:08But now you understand it.
30:10So you're thinking about it?
30:12No.
30:13In my house, there are many cousins
30:16who are very interested in me.
30:17Oh, God!
30:19This cousin doesn't have to go to marriage.
30:20Why don't you look at Google?
30:22Don't you become my father.
30:23You've got to give me advice.
30:26Sir, welcome.
30:28Your show is great.
30:29You've called me Blalabas, right?
30:31But that's my auntie.
30:32I don't like it.
30:33No, no.
30:34Don't worry about it.
30:35But in some days,
30:37I'm going to take another show with my auntie.
30:39Let's take a selfie with you.
30:40Yes, of course.
30:55Not cute!
30:56The Girl workout
30:57The Lord
30:57How is she getting sold out?
31:01I am going to take absted one.
31:03I don't like it.
31:05If I want to take absted one.
31:06What's the name of a snake?
31:08Yes, snake!
31:10The hero's mother,
31:12in a scene, his friend comes to his house.
31:14What's the name of a friend?
31:16I'm taking snakes for you.
31:22So, brothers,
31:24let's take a difference between snakes and snakes.
31:27Thank you, channel.
31:29Oh, brother, I don't know what this Gen Z has made Urdu.
31:33Did you hear it?
31:33I didn't know what you said.
31:34You have to eat, eat,
31:35eat, eat,
31:37and then, you have to ask a house?
31:40I don't know what it is.
31:42Oh, honey, eat, eat, eat, eat, eat.
31:46Why do you eat this?
31:47Why do you eat this?
31:50Good!
31:53You have to eat this,
31:53and you have to eat this.
32:03Assalamualaikum.
32:04Assalamualaikum?
32:05Ah, here. Payment.
32:07Okay. Payment.
32:14$10,000.
32:18$10,000?
32:24Ah, ah, ah,
32:26I mean,
32:28just $10,000?
32:29I do so much work.
32:31You know, when I come back to the shoot,
32:33I'm so sad.
32:35I'm so sad.
32:36It's a good amount of money.
32:39Why do you take a show in a week?
32:43At least, we must do three times.
32:45I think we need to maintain our standard, right?
32:49Oh, boy.
32:51You've also kept your commission,
32:54because it's an one-man show of your auntie.
32:56one-man show.
32:58Salluqa bhe bharabar ka hi pyaar mil raha hai.
33:00Aray, un london ne do
33:02hazaar ho ke fake accounts banay ho ho hai
33:04social media par.
33:05Khair, ab kya kar sakta hai, jaysay aap ki mرضi?
33:09Viasay mashallah se
33:10aap kafi sharp hai aapni umr se
33:12kahin zyada.
33:13Hay Allah, viasay pata hai,
33:15hume to is umr me na,
33:17dousro ke aapke baat karne ki bhi tamiz nahi thi.
33:20Tum, Gen Ziz, hemari ta alamiya ki
33:22gahe aur gudhye nahi ho,
33:23balkke apni umr se zyadha hushyar ho.
33:25Tum lop to balkke hume bej khao.
33:28Chane, auntie uncle man nikalti ho, khudhaafis.
33:32Khudhaafis.
33:33Ay, suno, kalna mein woh
33:35apple cinnamon french toes bhejwaaun gi
33:37zhoyan ke hati.
33:42Ismese se
33:43saluqo bhi dhe na hai aapne.
33:50Loh ji,
33:51eek or kharcha.
33:52Chalo, joh bantai dhe dunga.
33:55Allah maaf kere,
33:56kiise makkar
33:57or shatir walidayan hongi
33:58johan nahi aise oalaat ko chanam diya hai.
34:07Eek sekund, eek sekund,
34:08mein gher chhod dhe da ho,
34:08ghaadi ki chabbi hai mire paas.
34:09Zarorat ni hai tumhari ghaadi ki.
34:11Apenai paeso se le leungi khutib.
34:13Wow bhai,
34:14bada paesa aare hai.
34:15Duhai dhu miri amma ko.
34:16inko kayo?
34:19O
34:5050,000 rupiah.
34:52Your salary.
34:53My salary?
34:54I don't do it.
34:5550,000 rupiah.
34:56My show is going on.
34:59I told you my father that
35:01that the family is a part of the family
35:02and I will give her the first money.
35:05How much fun?
35:08I'm not.
35:09I'm not.
35:11The first dinner is your father.
35:14Okay.
35:15Come on.
35:17Let's party.
35:2250,000 rupiah.
35:24I've never thought about it like your hands.
35:26Ah!
35:39She...
35:41She Ohh.
36:09Mrs. Ibrahim?
36:13Mrs. Ibrahim, are you crying?
36:15Mrs. I don't cry, I'm crying.
36:24Mrs. I was crying.
36:26Mrs. I was crying.
36:27Mrs. I don't have to cry.
36:30Mrs. You are very strict and popular in the Liberty Coaching Center.
36:42Mrs. Ibrahim, are you okay?
36:45I'll go.
36:47Mrs. Ibrahim, are you okay?
36:48Okay.
36:51Mrs. Ibrahim, are you okay?
36:56Mrs. Ibrahim, are you okay?
36:59Mrs. Ibrahim is a vampire.
37:03Mrs. Ibrahim, are you okay?
37:11Mrs. Ibrahim, are you okay?
37:21We'll see you next time.

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