- 4 hours ago
My Sexy Mentor Seduced Me [Full Movie] [Free Online HD]Full EP - Full
Category
🎥
Short filmTranscript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:20Look I
00:00:21Came to apologize
00:00:23You were right
00:00:25You mean that?
00:00:28I do
00:00:37Prove it
00:00:39Well the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:32Come on
00:01:33Brace over
00:01:34Sorry I got distracted
00:01:36That girl, who is she?
00:01:53God she is insanely beautiful
00:02:00A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:14What's next birdie
00:02:16Actually
00:02:18Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love
00:02:23Well, actually I have a better idea
00:02:26You know the fans are demanding a revival of stones fantasy and we're gonna give it to them
00:02:32Will birdie Edwards play Greta stone once again?
00:02:35Well better yet
00:02:35We are on the search
00:02:37For a new Greta stone
00:02:39And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:46It's time for birdie to
00:02:48Pass the torch
00:03:00Excuse me
00:03:03Yes you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:26You're filthy
00:03:31You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:36Which you were amazing
00:03:38By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah, I'm new
00:03:44Just moved here actually
00:03:46Another transplant
00:03:49Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:14You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions in that one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:33I...
00:04:34Could give it a try
00:04:37Alright
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:47Your eyes
00:04:48Worst color of brown
00:04:50Mud
00:04:51Dirt
00:04:52Broken clay
00:04:54And your big nose just
00:04:56Always pointing you north of nowhere
00:05:00But it's your mouth that I hate the most
00:05:03Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:07A smile
00:05:08And a smile
00:05:10And for someone that's not me
00:05:17Thank you
00:05:20Wow
00:05:21That face
00:05:22The cheekbones of Merrill
00:05:23The eyes of Hepburn
00:05:24That body
00:05:26Stop thinking with your dick for once, Mason
00:05:29Although
00:05:30She is better than anyone else we've seen
00:05:32But can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:43It was the craziest thing
00:05:45I mean, one minute I'm sweeping Raisinets
00:05:48And the next I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well, you're definitely beautiful enough to be an actress
00:06:04Kyle, I don't really think we should
00:06:06Thought you wanted to thank me for letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:42Well, it would really show me how grateful you are to me for...
00:06:46Getting you the job
00:06:47I was just kidding
00:06:50Hey, but...
00:06:51I mean, if you want to
00:06:53Okay, you...
00:06:54Had nothing to do with me getting that role
00:06:56Well, I got you the job at the theater
00:06:59So without me, you wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on, you talk way too much
00:07:05Okay, I said no!
00:07:17And...
00:07:18And not like a little girl, like...
00:07:20Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:28Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:34Why don't you two take five?
00:07:42She's far more green than I thought
00:07:45Maybe we recast
00:07:47It's too late for that
00:07:48It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put her up in a hotel for goodness sake
00:08:03We need to keep her close so she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:07You just want her close so you can sleep with her
00:08:10Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:47It's massive
00:08:51You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:34How about you?
00:09:48You want to watch people?
00:10:12Vera.
00:10:13Oh, Mr. Edwards.
00:10:15Hi.
00:10:16Please, call me Mason.
00:10:17Sorry.
00:10:19Don't apologize.
00:10:20Just make sure that you're comfortable here and everything you need.
00:10:25Guest bedroom is the opposite way.
00:10:28Oh.
00:10:29Oh, can you have the maid steam this for me, ma'am?
00:10:32Sure.
00:10:46Sit here.
00:10:54One scoop of yogurt, a half cup of berries, and a cup of green tea is what you'll have.
00:10:59What?
00:11:00From now on, you will eat what I tell you to eat, sleep when I tell you to sleep,
00:11:05and do exactly as I say for the next three months.
00:11:08Is that understood?
00:11:10Do I have a choice?
00:11:11Do you want to be a star?
00:11:13Yes.
00:11:14Of course.
00:11:15Good.
00:11:16Eat your breakfast and then meet me in the living room for your first lesson.
00:11:23Don't disappoint me there.
00:11:33I was rereading the script.
00:11:35I love the monologue in act two.
00:11:38Take off your clothes.
00:11:41Excuse me?
00:11:42Strip.
00:11:43Why?
00:11:44Our deal is that you do everything I say.
00:11:48Remember?
00:11:49If you're a man, I wouldn't.
00:11:51But I'm not a man.
00:11:52So what are you afraid of?
00:11:59You know what?
00:12:00No.
00:12:01I'm not gonna let you humiliate me.
00:12:03You think your body is humiliating?
00:12:06Well, now I really have to see what's going on under there.
00:12:09You wouldn't get it.
00:12:10Try me.
00:12:12Because I can't stand to be looked at.
00:12:15I was teased a lot as a kid.
00:12:20An actor's job is to shed every ounce of inhibition in order to become a canvas for the character.
00:12:28Strike him.
00:12:41Tell me what you see.
00:12:44I don't know.
00:12:45I can't.
00:12:49Your long limbs that determine Josh are your strength.
00:12:54But your shy eyes believe an innocence you haven't yet lost.
00:12:59Your heaving chest and flushed cheeks say.
00:13:04You're enjoying me looking at you.
00:13:06I am.
00:13:08Are you?
00:13:11That's enough.
00:13:12Wait.
00:13:14Don't stop.
00:13:17What about the rest of my body?
00:13:33You're firm and soft in all the right places.
00:13:38But your posture needs work.
00:13:41Strength comes from your core.
00:13:43Not only on the outside.
00:13:47But deep.
00:13:49Down.
00:13:50Inside.
00:13:55Do you like it when I touch you there?
00:14:02Do you like it when I touch you there?
00:14:04Do you like it when I touch you there?
00:14:09Hello?
00:14:11What is going on here?
00:14:13It's a disinhibition exercise.
00:14:15And it was working perfectly until you came stomping in, darling.
00:14:19Don't stop on my account.
00:14:21Please proceed.
00:14:23Can we help you with something?
00:14:25Yes, you can.
00:14:26I just want the two of you to know that the whole town is buzzing about the revival in your
00:14:31mentorship at Vero.
00:14:33Look out LA wants to do a cover story on the two of you.
00:14:42Not without a little makeover first.
00:14:47Shall we?
00:14:48Watch me walk away.
00:14:50Putting myself on display.
00:14:52One, two, three a day.
00:14:54I'm on my way.
00:14:55I'm on my way.
00:14:56I'm on my way.
00:15:00I'm on my way.
00:15:03I'm on my way.
00:15:03I'm on my way.
00:15:03I'm on my way.
00:15:03I'm on my way.
00:15:14I'm on my way.
00:15:14Now you're ready.
00:15:16Say goodbye to Vera Gibson.
00:15:18say hello
00:15:20to Vera Grace.
00:15:25Vera Grace?
00:15:27Something the matter?
00:15:29No.
00:15:30Speak up.
00:15:32Sorry, it's just all happening really fast.
00:15:35You need to choose now.
00:15:37Do you want to be a star or not?
00:15:40I do.
00:15:43Vera Grace.
00:15:45Good.
00:15:46As do you have a say.
00:15:49I had no say in my name.
00:15:51Brady Edwards?
00:15:53Lawrence.
00:15:54I don't have an iconic name.
00:15:56Not to me.
00:15:58I never wanted to take Mason's name.
00:16:00Did you really have to?
00:16:02It's not really a thing anymore.
00:16:05It was to him.
00:16:06And the Edwards family.
00:16:08Even in our prenup.
00:16:10I never wanted to get married.
00:16:13Mason practically forced me.
00:16:16He controlled everything.
00:16:17My name, my image, my career, my diet.
00:16:22Sounds familiar.
00:16:24It was different.
00:16:26Believe me.
00:16:28I lost control.
00:16:30Fame came overnight.
00:16:33I didn't have time to choose.
00:16:35I just went along with it.
00:16:37And now, fast forward.
00:16:3915 years later, I'm really coming to grips with it.
00:16:44Pretty.
00:16:46Anyways.
00:16:47We should go rehearse.
00:16:52Okay, Vera.
00:16:53Try a sexy pout.
00:16:56So much for the next big starlet, huh?
00:17:00Maybe you just aren't good at your job.
00:17:04Close your eyes.
00:17:18Now stay focused on me.
00:17:25Arch your back.
00:17:27Yes.
00:17:28Beautiful.
00:17:30Let's get you up there with her, birthday.
00:17:32Come on.
00:17:42You two have an intense connection.
00:17:45It's almost like watching a proud mother with her daughter.
00:17:53What?
00:18:00I just want to be alone.
00:18:01Just ignore him.
00:18:02He's an idiot.
00:18:03That's easy for you to say.
00:18:05You're 23.
00:18:06Yeah, and you're one of those beautiful women in the world.
00:18:10Don't patronize me, Vera.
00:18:13I think you're the sexiest woman I've ever laid eyes on.
00:18:23What are you doing?
00:18:25I thought...
00:18:26You thought what?
00:18:27I'm married.
00:18:28But you've been flirting with me since the day we met.
00:18:32No, I haven't.
00:18:33It's called acting.
00:18:36So you've just been stringing me along?
00:18:39I'm mentoring you.
00:18:41This is what it takes to become a star.
00:19:04I have to admit,
00:19:07I've seen those photos of you in the world today.
00:19:09Very, very hot.
00:19:26Ow, you're stubble.
00:19:28You like it.
00:19:29I don't, actually.
00:19:32Besides, you're reek of cheap perfume.
00:19:34Come on, Bertie.
00:19:35You know I only have eyes for you.
00:19:37My wife.
00:19:43I said I'm tired.
00:19:50Wow, she's really making progress.
00:19:52Great work, Bertie.
00:19:54Okay, Vera, put your arms around Adam's neck.
00:19:56Adam, hands on her waist.
00:20:06Kendrick's sick.
00:20:07You want to step in?
00:20:08Sure.
00:20:13Vera, put your arms around Bertie.
00:20:16The torment of that woman's kiss
00:20:18who makes us her footstool,
00:20:21her plaything,
00:20:23her toy.
00:20:24Sorry, this just
00:20:25isn't working without Kendrick.
00:20:27You should be able to work with any scene partner,
00:20:30including a chair.
00:20:31I'd take the chair over you any day.
00:20:34All right, let's take five.
00:20:35We got back two after the break.
00:20:40You can't talk to me like that.
00:20:46I'm sorry I hurt your feelings
00:20:48at the photo shoot.
00:20:50I overreacted.
00:20:52It was just a misunderstanding.
00:20:54Yeah, it's all in my head.
00:20:55Let's keep it professional.
00:20:57Okay?
00:20:58You're making great progress.
00:21:00I know you don't want to sabotage that.
00:21:03I thought I told you water or green tea only.
00:21:10You're acting like a child.
00:21:14Put that soda down or...
00:21:16Or what?
00:21:17I'll spank you.
00:21:19Put that soda down
00:21:23or there'll be consequences
00:21:25for breaking the rules.
00:21:28Prove it.
00:21:43Is this what you want?
00:21:45Answer me.
00:21:47Yes.
00:21:56Be quiet or I'll stop.
00:22:10I think that's enough for today.
00:22:13Give me the soda.
00:22:17Good girl.
00:22:22No.
00:22:23That isn't how this is going to work.
00:22:26You will follow my rules.
00:22:28Do you understand?
00:22:31Yes, I understand.
00:23:00Thanks.
00:23:08Thirty-three.
00:23:11Thirty-three what?
00:23:12Thirty-three blueberries make half a cup.
00:23:15Okay.
00:23:16You get off on having all the control, I see.
00:23:20I'm doing this for you.
00:23:23Whatever you say.
00:23:26Without restraint, this industry will eat you alive.
00:23:30Trust me.
00:23:32Learn to submit here
00:23:33to me
00:23:34in a safe space
00:23:36rather than submitting to the pariahs out there.
00:23:40Submission is the only chance
00:23:42to understand true dominance of the stage
00:23:44and of yourself.
00:23:47So,
00:23:49are you asking me to be your sub?
00:23:54This arrangement is for business.
00:23:56Not pleasure.
00:23:58What if someone catches feelings?
00:24:01As long as we follow the rules,
00:24:03everything will be fine.
00:24:04The rules?
00:24:06Just do as I say.
00:24:07It's that easy.
00:24:11First rule.
00:24:13No matter how edgy it gets,
00:24:14you can always say no.
00:24:17And two,
00:24:18no kissing,
00:24:20no sleepovers,
00:24:22and no sex.
00:24:24My purpose is to make a star.
00:24:27Not a plaything.
00:24:29Are you sure?
00:24:30You kind of seem to be enjoying this.
00:24:33I enjoy doing my job.
00:24:36Just business?
00:24:38Fine.
00:24:45No, okay.
00:24:46That makes sense.
00:24:48All right, I'm off.
00:24:49Oh, see you at dinner?
00:24:50I forgot.
00:24:51I have a late night meeting
00:24:52with a potential investor,
00:24:54so can we reincheck it?
00:24:55Sure.
00:24:56Okay.
00:24:56Have a good day.
00:24:58Two.
00:25:02Shall we?
00:25:11I want you to look at me.
00:25:13Like, really look at me.
00:25:16All of me.
00:25:17Not like a little girl.
00:25:19Like a woman that wants to be touched.
00:25:21Stop.
00:25:24Breathe.
00:25:25Take your time.
00:25:27Again.
00:25:29I want you to look at me.
00:25:32Like, really look at me.
00:25:35All of me.
00:25:37And not like a little girl.
00:25:40Like a woman.
00:25:42That wants to be touched.
00:25:48Better.
00:25:49What does this have to do with the scene?
00:25:51Acting is all about submission.
00:25:53In order to embody the character,
00:25:55you must submit to their every fear,
00:25:58every pain,
00:25:59and every desire.
00:26:01Submission is when you fully trust.
00:26:04Do you trust me?
00:26:06Yes, mistress.
00:26:09Good girl.
00:26:19Hmm.
00:26:22I want you to use that on me.
00:26:35Are you okay?
00:26:37Yeah.
00:26:39Do you want more?
00:26:41Yes, please.
00:26:44Please.
00:26:57I want you to go away.
00:26:57Yes,aris.
00:26:57Yes, I want you to use that on me.
00:26:58Yes, sir.
00:27:00I want you to use that on me.
00:27:00No, I want you to do it.
00:27:01Yes, sir.
00:27:03Yes, sir.
00:27:14Yes, sir.
00:27:21Don't listen to that. It's not true.
00:27:23Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:34As the moon is my witness, I vow to never stop looking for you.
00:27:38The memory of your eyes, your lips, your touch will never fade.
00:27:42Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:55You sure?
00:27:56I think so.
00:28:03You think so?
00:28:07How can you act if you weren't committed to your motivations?
00:28:11You must have full conviction.
00:28:15Now tell me again, what is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:22It's about desire.
00:28:24Aren't love and desire the same thing?
00:28:28No.
00:28:30Love is what you feel here, but desire is deeper.
00:28:38Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:46Now.
00:28:48I can't.
00:28:50Why not?
00:28:53Because.
00:28:56Because it's about you.
00:29:01For the purpose of this exercise, you should share it with me.
00:29:06Well, in my fantasy, we go away together.
00:29:14Just the two of us.
00:29:18Somewhere quiet.
00:29:20Secluded.
00:29:22No interruptions.
00:29:25No one can find us.
00:29:28And then what happens?
00:29:32We'd open a bottle.
00:29:35Good Italian bread.
00:29:39Then we'd play music.
00:29:42And I'd cook dinner for you as you sat across the counter and told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:54It's a fantasy to me because I'm breaking all your rules.
00:30:01You'd get a good day buzz on.
00:30:03And eat and drink.
00:30:06And laugh about how weird I was as a kid.
00:30:09And then you would confess that you were just as weird.
00:30:17And then I'd kiss you.
00:30:21Sweet.
00:30:22Soft at first.
00:30:25Then long.
00:30:26And deep.
00:30:29Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked.
00:30:41So I could run my tongue down every crevice of your body.
00:30:47I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you and I wouldn't stop.
00:30:57It's fine.
00:30:57That's enough.
00:31:08It's just doing as you asked.
00:31:10Great.
00:31:12Let's take the scene from the top.
00:31:19On behalf of Edward's Productions, please put your hands together for our very own Greta Stone, Vera Grace.
00:31:36You're a great, huh?
00:31:39Hi, Kyle.
00:31:40I don't even recognize you anymore.
00:31:43You've changed.
00:31:44It's just for the play.
00:31:46Birdie's really taken me under her wing.
00:31:50Oh, I know.
00:31:51What's that supposed to mean?
00:31:53Well, it seems to me that she's, uh, taking a liking to you.
00:31:58Well, the success of the play is riding on it.
00:32:00So, it's just business.
00:32:03You used to be so perfect before all this, you know?
00:32:08Birdie, you know, whatever it is you're doing with Vera, it's working.
00:32:13Yeah.
00:32:15She's really blossomed.
00:32:16I think she's ready.
00:32:18I think so, too.
00:32:20You know, for your next career move, you should really consider casting.
00:32:28That's a great idea, Cass.
00:32:30I'll consider it after you lose a few extra pounds.
00:32:51Everyone will be looking for you soon.
00:32:54I need a break.
00:32:56It's a lot.
00:32:58Gotta get used to all that attention.
00:33:01That'll be your life soon.
00:33:03I'm not trying to replace you.
00:33:06You know that, right?
00:33:09I know you're not trying to.
00:33:11But it's happening.
00:33:14No matter what.
00:33:17It's just the way it goes.
00:33:20I'm sorry.
00:33:22Don't apologize for things you can't control.
00:33:30So, who's your friend in there?
00:33:33Who?
00:33:35Kyle?
00:33:37Yeah.
00:33:39I wouldn't exactly call him a friend.
00:33:42Oh.
00:33:43Are you together?
00:33:46Why are you asking?
00:33:51Wait a minute.
00:33:54Are you jealous?
00:33:59What?
00:34:00No.
00:34:01Why would I be?
00:34:02Because I saw the way you were looking at me in there.
00:34:04Like how?
00:34:06Like I was your property.
00:34:09And, like, maybe you want my fantasy to come true, too?
00:34:19I am curious, in your fantasy.
00:34:26What are you making me for dinner?
00:34:28Pasta.
00:34:30From scratch.
00:34:33Maison's never cooked me dinner.
00:34:36Let alone pasta.
00:34:38Well, you deserve a big old bowl of pasta.
00:34:44That's definitely against the rules.
00:34:48It's my fantasy.
00:34:50Fuck your rules.
00:34:57Bertie Edwards?
00:34:59It's so dark in here.
00:35:00I could barely tell it was you two.
00:35:02Sorry to interrupt.
00:35:04Would you two mind doing an interview?
00:35:06Yeah.
00:35:07Absolutely.
00:35:08Let's start with you, Miss Farad-Grace.
00:35:10How has it been having the one and only Bertie Edwards training you?
00:35:14Well, it's been a lot of work, but I wouldn't want to learn from anyone else.
00:35:20She's the best.
00:35:22You two must be spending a lot of time together.
00:35:24You've grown close, would you say?
00:35:26Yeah, we've really bonded.
00:35:28Bonded.
00:35:30We've really been bonding.
00:35:32Over our love of the craft.
00:35:34Bertie, over 20 years ago, you boldly introduced us to the imitable Greta Stone, which made you
00:35:41a star.
00:35:41How would you say your Greta differs from Farrah's Greta?
00:35:46Well, I think my Greta was curious, but scared.
00:35:52Scared of what?
00:35:54To come out of her fantasy world.
00:35:57Because of fear, she missed out on true happiness.
00:36:00Yes, but I think Farrah's interpretation is definitely teaching the character to go after
00:36:08what she desires.
00:36:11I think this new Greta Stone 2.0 wants more than to give in to her desires.
00:36:18She needs love.
00:36:22Chris Stone doesn't need anything.
00:36:33Shit.
00:36:34What?
00:36:36I am so sorry.
00:36:38I didn't forget, but...
00:36:39But you forgot about our anniversary trip.
00:36:42I had this big investor meeting that got added to my schedule last minute.
00:36:46Is this investor another one of your young blondes?
00:36:50Bertie, why do you do that?
00:36:52Am I wrong to assume?
00:36:54You know what?
00:36:55It doesn't matter.
00:36:56Forget the cabin.
00:36:57No, no.
00:36:57Hey, hey, hey.
00:36:58You love the cabin.
00:36:59Why don't you and Vera go?
00:37:01Get a little R&R before opening night.
00:37:03You two have been working so hard lately.
00:37:08Actually, I would like to blow off a little steam.
00:37:10Yeah.
00:37:11You can make it a rehearsal immersion.
00:37:13I love it.
00:37:23Pack your bags.
00:37:25We're going on a trip.
00:37:27Wait, really?
00:37:29It's a work trip.
00:37:30Don't get too excited.
00:37:44My house staff must have gone to the wrong vacation home.
00:37:48You have more than one?
00:37:49Let me call them.
00:37:50Someone is getting fired today.
00:37:51No, no.
00:37:52Don't do that.
00:37:54Let's go.
00:37:54I can book us a hotel in town.
00:37:56We've been driving all day.
00:37:58Can we just stay...
00:37:59Here?
00:38:00Maybe I can hire someone...
00:38:03Okay, but you need to relax.
00:38:05I got this.
00:38:07All right.
00:38:07Let's see what we're working with.
00:38:15Yeah, we're going to need to go get groceries.
00:38:18And get more wine.
00:38:21Stats.
00:38:27Thermostat's not working.
00:38:30I can call someone.
00:38:34No need.
00:38:35We can build a fire.
00:38:37It's not gas, though.
00:38:40Ooh, even better.
00:38:41You know how to build a fire.
00:38:44I can do a lot of things.
00:38:53I don't know how to do laundry.
00:38:58Well, it seems like I'll be teaching you a few things this weekend.
00:39:13Nothing tastes better than fresh pasta.
00:39:15Here, come.
00:39:17No.
00:39:17It's fun and it's easy, I promise.
00:39:20You can't eat it unless you help.
00:39:24You're just going to hold your hand here, like...
00:39:27Hold it out like this.
00:39:29Keep pulling so that there are no wrinkles.
00:39:33Perfect.
00:39:36Perfect.
00:39:47I was all over my face.
00:39:52So, from that day on, I was known as Pie Face.
00:39:56Nice.
00:40:00Wow.
00:40:00I can't unsee it now.
00:40:05You know, I think this is the first time I've heard you laugh.
00:40:09I laugh all the time.
00:40:10You don't.
00:40:14You're right.
00:40:15I don't.
00:40:17Hmm.
00:40:19I like it.
00:40:22It suits you.
00:40:26I think I've had too much wine.
00:40:29There, I should go to bed.
00:40:35Great.
00:40:37Um.
00:40:45Thanks.
00:40:52Well, are you just going to stand there?
00:40:53Why are you going to help me?
00:40:56Actually, yes.
00:40:58I'm going to stand here and watch you.
00:41:06The sheets are all crooked there.
00:41:13Anything else, Your Highness?
00:41:15Yes.
00:41:17Bend over and do it again until I say it's perfect.
00:41:21Remember.
00:41:23I'm in charge.
00:41:37Take off your clothes.
00:41:39Do it now.
00:41:59You need to be punished for talking back to me.
00:42:02Lay on the bed.
00:42:03Now.
00:42:26Stop laughing.
00:42:28Stop laughing.
00:42:51wait where are you going you made the bed you should have it stay with me
00:42:59please
00:43:03that's against the rules
00:43:05fuck your rules
00:43:09you know you don't want to stop
00:43:18rules are rules
00:43:20it won't happen again
00:43:28you know you don't want to stop
00:43:58you're not paying attention
00:44:01did you just hear what i said
00:44:02sorry guess i'm still reeling from the mind fuck of yesterday
00:44:06we're actors
00:44:08it's what we do
00:44:09that definitely wasn't acting
00:44:16suddenly you're an expert
00:44:17i am on you
00:44:23your heart's pounding
00:44:26your hands are sweaty
00:44:31your cheeks are flushed
00:44:33you can lie
00:44:35but your body tells the truth
00:44:48i shouldn't have done that
00:44:50why not
00:44:51because i'm married
00:44:52to a man
00:44:54and he's not here
00:44:55but i am
00:44:57on your anniversary weekend
00:44:58this was his idea
00:45:00you know for someone that likes control
00:45:02you're a real sub when it comes to mason
00:45:05it's complicated
00:45:06you wouldn't understand
00:45:08mason made me what i am
00:45:09i
00:45:10can't just turn my back on him
00:45:12do you even love him
00:45:17of course i do
00:45:20you're lying to yourself
00:45:23again
00:45:25that's enough
00:45:25i'm done with this
00:45:26fine
00:45:28if you don't want me
00:45:29walk away
00:45:31then i can be done with this too
00:45:32i'm done with this
00:47:02You might never get some trouble back.
00:47:06You don't got shots on the back.
00:47:15Ooh, glasses.
00:47:18So sexy.
00:47:20You know what?
00:47:25You're so sexy.
00:47:35What's so funny?
00:47:36Now that I've lived out my fantasy,
00:47:39I don't really know what to do next.
00:47:41Well, I'm sure you'll think of something.
00:47:44What's your fantasy?
00:47:48You'll laugh.
00:47:49I promise I won't.
00:47:53To write and direct my own plays.
00:47:56You would be amazing at that.
00:47:58Tell that to Mason.
00:47:59And he thinks I should stay in my lane.
00:48:04Have you had other lovers?
00:48:07Mm-mm.
00:48:09Only you.
00:48:12Well, I hope I didn't disappoint you.
00:48:14Disappoint me?
00:48:16No.
00:48:18You set the bar, baby.
00:48:20That's all I'm going to think about.
00:48:31Birdie?
00:48:35Birdie?
00:48:36Birdie?
00:48:37Mason!
00:48:40What are you doing here?
00:48:42Well, my meeting got pushed,
00:48:43and I felt so guilty about missing our anniversary.
00:48:47And I know that there's only one night left here.
00:48:50So I wanted to give you this.
00:48:53It's a clipping from your very first review of Greta Stone.
00:48:58Raving, of course.
00:49:00I just wanted you to know that
00:49:02you are and always will be my little star.
00:49:09Mason, this is beautiful.
00:49:13I don't know what to say.
00:49:15I love you, Birdie.
00:49:19Vera!
00:49:20Hey!
00:49:21Hope the two of you are enjoying the weekend so far.
00:49:24Yeah, we have been.
00:49:25Good, I'm starving.
00:49:26Is there anything to eat?
00:49:27In the kitchen.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:38It's not that easy.
00:49:39Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay? Just until the show wraps.
00:50:06Tired of being on your carousel of men, Greta?
00:50:09Don't be silly, my love.
00:50:12Tired of it, too, Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:21Very good, Vera.
00:50:23Kendrick, you're still a little late on your cue, buddy.
00:50:26Hey.
00:50:31I gotta take this.
00:50:33It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:41Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47I can't stop thinking about you, either.
00:50:50Got any notes for me?
00:50:51Sure do.
00:50:52You gotta get a little bit closer.
00:50:54Okay.
00:50:54Oh, do I?
00:50:55Of course.
00:51:02You're gonna get me in trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but I need to talk to you about something.
00:51:15Yeah, I gotta get back to it.
00:51:17I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie's having an affair with your lead actress, Vera Grace.
00:51:28Okay, I don't know who you are, but I certainly don't need a janitor to tell me about my wife.
00:51:33I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager.
00:51:40What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing?
00:51:46In bed what?
00:51:47On stage, just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy.
00:52:06He's disrespecting the theater and my wife.
00:52:08Have him fired immediately.
00:52:09You're gonna regret this.
00:52:11Pretty soon, the whole world is gonna see what's right underneath your nose.
00:52:22Ahem!
00:52:24Oh!
00:52:24Mason!
00:52:25Birdie was just giving me her insights on Greta's promiscuity and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave them a break so we could work some things out alone.
00:52:43Do you mind if I take the reins back?
00:52:45No.
00:52:46Of course not.
00:52:46Sure.
00:52:51Why don't we show Vera the proper slow dance?
00:52:55Technique.
00:52:56Mm-hmm.
00:52:59You remember our wedding night?
00:53:01Mm-hmm.
00:53:11You're not wearing a new necklace.
00:53:13Oh.
00:53:14Um.
00:53:15It was a little tight on my neck, so I took it off.
00:53:25Make sure you get used to it.
00:53:30Back to work?
00:53:32Yeah.
00:53:34Gentlemen.
00:53:36From the top.
00:53:39From the top.
00:53:51I see you got your collar on, like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry.
00:54:06I know this isn't ideal.
00:54:07What?
00:54:08No, I personally love watching you be manhandled in public by her husband while I sneak around in the shadows.
00:54:14It feels like you're ashamed to be with me or something.
00:54:18What?
00:54:20No, I'm not.
00:54:21Hey, back in five.
00:54:24You okay?
00:54:26Yep.
00:54:27Be right there.
00:54:31I promise, when this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:38Our way.
00:54:40I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:05I'm in charge tonight.
00:55:09Come on.
00:55:18I've never been to one of these before.
00:55:20What, a masquerade party?
00:55:22A lesbian party.
00:55:25You can be yourself here.
00:55:35I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:55:57Oh, my God.
00:55:58You're Buddy Edwards.
00:56:01Excuse me?
00:56:02I'm your biggest fan.
00:56:04I've seen Stone's Fantasy at least 50 times.
00:56:06I'm sorry.
00:56:08I don't know what you're talking about.
00:56:10I'm sorry.
00:56:11I thought you were the actress of Birdie Edwards.
00:56:15You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh.
00:56:20I feel terrible.
00:56:22Can I buy you both a drink to make cup for it?
00:56:25It's fine, really.
00:56:27Have a good one.
00:56:34Oh.
00:56:36I had a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:49You're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me one of your martinis.
00:57:06I think we should just go to bed.
00:57:08We have a big day tomorrow.
00:57:09But I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:21No.
00:57:23Of course not.
00:57:25But that was fantasy land.
00:57:27This is real life.
00:57:30So, real life means always having to hide who we are?
00:57:33Never actually being together?
00:57:35That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh, my God.
00:57:44It's always about the fucking play.
00:57:46Oh, your voice.
00:57:46Why?
00:57:47I'm not afraid to tell everyone who I love.
00:57:51Vera, what do you say?
00:57:54I love you, Birdie.
00:58:01Clearly, you don't feel the same.
00:58:03I'm such an idiot.
00:58:08Don't.
00:58:10Don't touch me.
00:58:12Ever again.
00:58:13You say.
00:58:56I told you I didn't want to see you again.
00:58:58Why are you here?
00:59:03Because I wanted to let you know that I've been thinking and
00:59:13Vera, I'm in love with you too.
00:59:18You mean that?
00:59:20I do.
00:59:27I'm in love with you too.
00:59:28On your knees.
00:59:45Honey, what the hell are you doing?
00:59:48Mason, I can explain.
00:59:49No, don't bother.
00:59:50I already know about all your deviant behavior.
00:59:51She is not deviant.
00:59:54Wait, we're in love.
00:59:59You poor idiot girl.
01:00:00Do you honestly think that Bertie Edwards is in love with you?
01:00:04She only loves this spotlight.
01:00:05Oh, oh, oh, oh, oh.
01:00:07And the 10% cut that she's making off of you.
01:00:09How dare you?
01:00:10You don't know the first thing about her.
01:00:13Mason is right.
01:00:15But that was before everything.
01:00:18So it really was just business.
01:00:21It wasn't.
01:00:22Or at least not anymore.
01:00:24How am I supposed to believe anything you say?
01:00:27Why don't I help speed this up here?
01:00:42Bertie, what is it?
01:00:48You know, the whole world knows about the two of you.
01:00:51Well done.
01:00:52So what?
01:00:53I'm not ashamed of who I am or who I love.
01:00:57Mason, I am sincerely sorry.
01:01:00We didn't want you to find out this way.
01:01:02We never meant to hurt you, but...
01:01:04Bertie and I just want to be together.
01:01:07We should go to a press conference.
01:01:09Oh, I...
01:01:10I want the world to know how I feel about you, but...
01:01:12Do you think that's a bit much?
01:01:14I already contacted Gwen's office.
01:01:16We're meeting her tomorrow.
01:01:17Good.
01:01:19She'll handle it.
01:01:20Wait, what is happening here?
01:01:22Who's Gwen?
01:01:22She's our publicist.
01:01:25So you're just going to have your publicist sweep this under the rug?
01:01:28This is how celebrities handle crises.
01:01:33What about starting our lives together?
01:01:36Living our truth?
01:01:40It wasn't supposed to come out that way.
01:01:42So what?
01:01:43It's out.
01:01:44I don't care how.
01:01:45I just care about being with you.
01:01:51It's complicated.
01:01:52Yeah, it's complicated, I'll say.
01:01:54We've got less than ten fucking minutes to open this show.
01:01:58And every single member in that audience is going to know about this scandal.
01:02:01And it's your job to fucking make them forget it.
01:02:03The show must go on, right?
01:02:06It's all you've ever cared about?
01:02:09Well, good luck finding your new greatest stuff.
01:02:11No, Vera, you're not thinking clearly.
01:02:13Actually, I've never felt more clear about anything in my entire life.
01:02:17I see who you are.
01:02:20A fame monster that he created.
01:02:23Always afraid to be honest.
01:02:25Show your true self.
01:02:27You're living in a gilded cage, Bertie.
01:02:31I mean, if that's what being a star is, then I don't want any part of it.
01:02:34Hey.
01:02:35Do you know how much time and money I've invested in you?
01:02:39A million girls would die to be in your place.
01:02:42You are an ungrateful brat.
01:02:45You're a joke, Mason.
01:02:47And a sham.
01:02:48The only one with any real talent is Bertie, and you've been riding her coattails for years.
01:02:53You may have convinced her that she needs you, but you'll never convince me.
01:03:00Listen, if you walk out that door, you're never coming back.
01:03:11Come with me.
01:03:15We can make our own art together, just like we talked about.
01:03:20Please.
01:03:24I love you.
01:03:34Good luck with the show.
01:03:44Ladies and gentlemen, I regret to inform you that tonight's and all subsequent performances of Stone's Fantasy are canceled.
01:03:52Until further notice.
01:03:55Excuse me?
01:03:56Wait.
01:03:56Hey, hey, let me show you your back now, you.
01:04:09This is what we need to do.
01:04:11Lots of couples' time and charity work.
01:04:14In fact, photos of you two doing charity work as a couple.
01:04:17Yeah, I used to volunteer at the children's hospital all the time, so.
01:04:23No, you didn't.
01:04:24Well, I gave blood once or twice.
01:04:31Why are we doing this?
01:04:32Because if we don't turn this PR nightmare around and get the show back on its feet, we will lose
01:04:37every cent we have, Bertie.
01:04:41No.
01:04:44I don't think it'll work.
01:04:45Trust me, this is a tried-and-true strategy of many a floundering celebrity.
01:04:49No.
01:04:51I mean, this won't fix what's wrong between us, Mason.
01:04:58I'll give you two a moment.
01:05:03Haven't you caused enough trouble already?
01:05:06Just answer me one question.
01:05:10Are you happy?
01:05:11What kind of question is that?
01:05:13A simple one.
01:05:15Because I can honestly say...
01:05:18I'm not happy.
01:05:21I don't know if I've ever been.
01:05:23How dare you?
01:05:25I have given you everything that you ever wanted.
01:05:31Except love.
01:05:34You're not leaving me.
01:05:36Because if you do, I will take everything.
01:05:40I know all about the other women, Mason.
01:05:43You can have the house.
01:05:45But I want the theater.
01:05:48You owe me that much.
01:05:51You'll never make it without me.
01:05:55Maybe.
01:05:59But I'm going to try anyways.
01:06:13The number you are trying to reach
01:06:15is no longer in service.
01:06:17The number you are trying to reach is no longer in service.
01:06:47I've never felt this free before.
01:06:59I've never felt this free before.
01:07:01The number you are trying to reach is no longer in service.
01:07:04Oh, Bertie.
01:07:10This is phenomenal.
01:07:15I was struck by inspiration,
01:07:17and it just poured out of me.
01:07:20Did that inspiration take the form
01:07:22of a beautiful dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:35That's why I need you to tell me where she is.
01:07:37I'm sorry.
01:07:38I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number?
01:07:49Nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie.
01:08:01Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do...
01:08:14Take this broken heart and...
01:08:17Turn it into art.
01:08:26Bertie, you have a new play coming out,
01:08:29A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production
01:08:33than I've been involved with in the past,
01:08:35but it's the one I'm most proud of.
01:08:38You wrote, you're directing,
01:08:40and you're starring in this play.
01:08:41You're quite the triple hyphenate.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself
01:08:48when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:55You're the only one that knows me.
01:09:00All of me.
01:09:02There are parts of me that came alive
01:09:04because of you.
01:09:07I'm ready
01:09:09to make this fantasy
01:09:13a reality.
01:09:14All of you.
Comments