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Gone S01E06 (2026) [Full Movie] [Latest Version]Full EP - Full
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00:01Just to be clear, you think he did it?
00:05He didn't deny it, he just had this look on his face like everything was over.
00:13And him saying nothing, that was his way of saying that you were right?
00:20No. No, that's how we got here in the first place. He's not capable of saying anything.
00:27Mom, incident in the school. Ambulance is called.
00:38I'm in.
01:24I've been talking to the people here. They got to him just in time.
01:27And there's this. It's addressed to you.
01:39I am to blame for the death of Sarah Polly. Not even the death of my wife. Sarah Polly.
01:46Why is she someone who lives down the road? There's a separation there.
01:49It's not a confession.
01:50It's a tacit confession.
01:52It's an admission he wasn't enough. That's what he's been saying.
01:55He blames himself for her death. Not her murder.
01:59Annie, you know sometimes the most obvious thing is the thing that's happened.
02:03More often than not in fact.
02:05So once the psychiatrist says we're allowed in, we put this to him again.
02:08What he meant by this, no? If he killed Sarah.
02:12I don't think he did.
02:13Then you need to find a way to eliminate him.
02:15That's allowed now, is it? I'm back on the team.
02:17You were never off the team.
02:18I was litter picking.
02:18Mocking.
02:19Litter logging.
02:20Look, what I'm saying, Annie, is if you're so sure that he's innocent, get out there and prove it.
02:23Okay.
02:31No visitors, not yet.
02:33Dad.
02:34Dad, Dad, please.
02:35Listen, please move away.
02:37Dad, please.
02:37Please, please.
02:38Wave the door.
02:40I need to know why you did this.
02:44Dad, Dad, please.
02:46Dad, please.
02:47Dad, tell me why.
03:08You sit down.
03:12Despite what some of you might have heard, there will be no changes to today's timetable.
03:17Tomorrow we will host the final rugby game of the season as planned.
03:21And your attendance at that, especially at a time when we could all benefit from pulling together.
03:28Well, it's positively encouraged.
03:32Whatever's happened over these past few weeks, however awful, I want you all to remember, it is not the fault
03:39of any of you here.
03:50OK, here's one for you. If he murdered her, Michael, what about his car?
03:55Fine, thanks, honey. How are you?
03:56He had to move the body to the woods, wouldn't he? So unless he gave her a piggyback down there,
04:00he would have had to drive.
04:02So what did forensics say they found in the car?
04:04Nothing.
04:05Nothing.
04:06Nothing incriminating.
04:06That's what I thought.
04:07Only because they shared it. Forensics find plenty of evidence of Sarah present in the car, but you'd expect that.
04:11I can't prove anything either way.
04:16Are you OK?
04:17Yeah.
04:21I don't think he did it.
04:26I've gotten to know him, Duncan. I spent a lot of time with him.
04:31And I don't think he's the person who killed Sarah.
04:37I'm worried we're going to end up charging the wrong guy here.
04:42So you want to show he couldn't have done it?
04:43Exactly. Because if he can't have done it, he can't have done it.
04:47Even if he says he did?
04:48Yes.
04:52Let's look at it all again.
04:57That's right.
04:59It's not so much the car as the boot.
05:01You'd better put the body in the boot.
05:03So we're after blood, saliva, hair, anything that indicates that she was made to lie in the back.
05:10Well, there's no blood.
05:11OK.
05:13Nothing here about any saliva.
05:14Mm-hmm.
05:16421B and C.
05:18Head hairs belonging to V1.
05:22Sarah Polly.
05:25OK.
05:31That still doesn't mean he, um, doesn't mean he did anything, does it?
05:37It could have been hair.
05:37Well, it could be hair on the collar of a jacket.
05:39And you put the jacket in the boot.
05:40Yeah, exactly.
05:41It could be hair on the jacket, on the collar.
05:42That would explain it, yes.
05:44It would, yeah.
05:49Like you say, it doesn't prove anything either way, does it?
06:12Does he not want to see me because of what he did to mum?
06:16Or because of what he tried to do in the woods, that's what I can't work out.
06:20He told you he did it?
06:22That's what you need to keep in the front of your mind.
06:24He sat in that car and he admitted it.
06:27No, he didn't deny it.
06:29And that's different.
06:30Well, why would he write that note?
06:32Well, we haven't read any note.
06:33Or do what he tried to do in the woods.
06:34Because his wife has been murdered and his daughter has accused him of doing it.
06:39So deny it.
06:40He's not like that.
06:41Why not?
06:42Because he's not programmed like that.
06:47He is not a violent man.
06:48He is according to Trudy.
06:50And Rory.
06:50And the detective he was fighting with outside.
06:56You suspected him too, remember?
06:59I'm trying to work it out.
07:00Well, don't.
07:01I'm telling you I'm not sure, so just support me.
07:04Okay?
07:07Visitor.
07:08I thought you said she wasn't allowed to be here anymore.
07:11She's not.
07:12I need to speak to you, Alana.
07:21I know what people are saying.
07:25What are people saying?
07:26That he attacked one of the boys.
07:30Is that what they're saying?
07:31He was never like that with us.
07:33With me growing up.
07:37He loved her.
07:39He loved her.
07:43I'm sorry.
07:44I'm sorry I know why I came to you.
07:46But now I'm not sure that he won't talk to me.
07:49Don't be sorry, Alana, please.
07:51Because I don't think your dad did it either.
07:54I really don't.
07:55Okay?
07:58Now, the problem I have is that I think he wants people to think he did it.
08:04Michael, we need to talk to you.
08:07But we can't do that here.
08:09It has to happen at the station.
08:10So we need to arrest you.
08:12Do this properly.
08:13Come on now.
08:14Tell us what you meant in that note.
08:17And then you can tell us what you did to Sarah.
08:20When you did it.
08:22We need your help with that.
08:26And did you move her body, Michael?
08:28Was it in the night?
08:30During the day?
08:31Which day?
08:32We need that for the CPS.
08:35I can't remember.
08:37Alana came to us, Michael.
08:44If you won't do it for us,
08:46do it for her.
08:48Explain.
08:54It was Wednesday.
08:56It would have been a Wednesday.
09:12Wednesday.
09:13That's when he thinks he did it.
09:14I need you to go through his diary with his secretary.
09:17If there's a gap on that Wednesday, we're close.
09:19But it cuts both ways.
09:20If there's no gap, we rule him out.
09:22Not necessarily.
09:23Ivan, why confess to murder and give the wrong time?
09:25Let's just check, okay?
09:32I'll ring you back when I know.
09:33Yes.
09:52I'll ring you back.
09:53I'll ring you back.
09:53Let's just check.
09:53Let's go.
09:54Let's go.
09:55Let's go.
09:56Let's go.
09:58Let's go.
10:00routine for years there. Wednesday the 25th. It's the same as every Wednesday. There's
10:05always a gap at four o'clock in case we need to put something in, like a meeting or if
10:10it needs to pop out. Why? Only you and Michael have access to this. Michael never looks at
10:17this. Michael keeps it all up here. But if you do need to put something in, something
10:23last minute, and he never looks at this, then where does that go? That goes in his diary.
10:28His diary? On his desk, normally. No good with technology. I know the one you mean.
10:38Oh, found it. Got it. 23rd, 24th, 25th. And? It just says keep clear.
10:53Is his handwriting or yours? His. Definitely his.
10:58Is. Sorry, what does this mean? It means I'm going to need to take this with me.
11:10Arrest! Arrest!
11:12For the tape, I'm Detective Constable Neera Barker, also present.
11:16Detective Inspector Ivan Pemberley.
11:18Kyra Doyle, appropriate adult.
11:20Michael, you have been arrested for the murder of your wife, Sarah.
11:23You've been offered a solicitor, but you've declined.
11:27That is correct.
11:28Yes, Michael?
11:29Yes.
11:31That's correct.
11:32Michael, I want to be clear.
11:34Nothing you have told us outside of this room is on the record.
11:37So now is your chance, given what you wrote in your note to D.S. Cassidy, to explain everything that
11:45has happened.
11:46So why don't we start with the Monday, the day of the rugby match?
11:50Then let's talk about Wednesday, and you set aside the time in your diary.
11:54We do this once, Michael.
11:56Then it's over for everyone.
11:58Good.
12:03Do you understand what we're saying, Michael?
12:08Yes, I am.
12:09Let's talk.
12:23Can I have a word, please?
12:26Of course.
12:30You better have some massive fucking bombshell for me.
12:32You can't continue that interview.
12:34No, why?
12:34Why?
12:35Look at him, he's not okay.
12:36Well, the psychiatrist will disagree with you.
12:38This has all been done the proper way.
12:40Next.
12:40Next.
12:41Next question.
12:42Would you listen to yourself?
12:43Honestly, you don't have a next question, otherwise I'm going back.
12:44It doesn't matter what the psychiatrist says.
12:46He's in there with an appropriate adult.
12:47He's about 15 years old.
12:49I mean, look at him.
12:49Look at him with your own eyes, for Christ's sake.
12:51Look at the state he's in.
12:52He's carrying a lot of guilt.
12:53He's suffering.
12:54He needs support.
12:56Protect and serve.
12:57Do you remember that?
12:57Protect him.
12:58Then if he's done it, we won't get to that.
13:00What's wrong?
13:05You want Sonny?
13:25Interview suspended at 1344.
13:30There's a great cafe across the street.
13:33I often go there, you know, if there's a half an hour where I'm not needed.
13:55When we sat here two weeks ago, when you insisted on seeing the detective turned out to be me, I
14:04thought straight away he's the man who's most likely killed his wife.
14:08He knows he's the man who's most likely killed his wife.
14:09He knows he needs to come and talk to us before we can talk to him.
14:15And then there was times where I was certain you hadn't done it.
14:22No, I don't know what to think.
14:26I tell you who deserves to know the truth.
14:30Alana.
14:43I can't.
14:46You owe her that.
14:51I can't see her.
14:54I can't see her.
14:58She's lost her mum, Michael.
15:01Please don't let her lose her dad.
15:06Because she loves her dad very, very much.
15:17All right.
15:18We'll be as quick as the count.
15:19I'll call you back.
15:23He wants to talk to you.
15:34He wants to talk to you, too.
15:40I can't see her.
15:41Who cares?
15:46He wants to talk to you.
16:09None of this is admissible. It's not even being recorded.
16:13You want us to stop it?
16:14I wouldn't. This is a job.
16:16I'm a liaison officer.
16:18There's a difference, isn't there?
16:21Between feeling responsible for a crime and actually committing it.
16:27That's what Alana deserves to understand, Michael.
16:30It's better to know her father killed her mother than never to find out.
16:39Please tell her.
16:46She's right, Dad. Just tell me.
17:01She's right.
17:08And she's right.
17:32you remember
17:33I told you about my predecessors
17:41how he told me not to let the job overwhelm me
17:45well it didn't just overwhelm me
17:49it defined me
17:52what do you mean?
17:55when parents are thinking about
17:57sending their children to the school
18:02and the person they look to
18:06represent the sort of man that our school creates
18:12serious, strong
18:14a leader, in charge
18:19but in the end that's all I was
18:23that man
18:26and it wasn't just at school
18:29it was my whole life
18:33at home
18:38so that when your mum needed me
18:43she needed me to
18:48admit that things were going wrong
18:50she needed change
18:54and I wasn't there for her
18:58even when we were in the same house
19:02same room
19:11and in the end she stopped crying
19:15and we stopped talking
19:21and I could see
19:27I knew what was happening
19:28and I didn't
19:31I didn't do anything
19:37I just let it happen
19:43I didn't
19:44I didn't know the words
19:44I didn't know it
19:49I didn't know it
19:50I didn't know it
19:51how to let it see me
19:58and that's not strength
19:59that's not winning
20:00that's just
20:02defeat after defeat
20:03I failed
20:11I failed it as a husband
20:16and as a partner
20:20and I failed as a teacher
20:22and I failed you
20:25as a father
20:26I'm sorry
20:49hello
20:50that gap on the Wednesday
20:52he was interviewing a teacher
20:53for a languages job
20:54you sure
20:56yes
20:56because I asked him
20:58to keep it clear
20:58are you 100% positive
21:00yes
21:01because she stormed off
21:02it was a total
21:03bloody disaster
21:07that is not you
21:08that is the school
21:09and we have been
21:11making
21:12these boys
21:14for all these years
21:16and we've
21:16we've been
21:17we've been wrong
21:18we've been wrong
21:21and we're still out
21:23big headed and arrogant
21:27and the damage
21:28of course
21:28it's still happening
21:29and Dylan came to me
21:31and he was so angry
21:34he was angry at me
21:36and
21:38the affair
21:39and the adults
21:40who should know better
21:41who could fucking up his life
21:45and what I did
21:49and what I did
21:50and what I did
21:50and I can't
21:53and I can't forgive myself
21:55what happened
21:56what happened to who
21:59dad
22:00for what happened to mum
22:06did you do it
22:08dad
22:11please
22:14did you do it
22:26do you promise
22:31that who did
22:33if it wasn't you
22:34you must have some idea
22:35who would be this
22:36angry with her
22:37who would do this to mum
22:40Dylan
22:47what if it's Dylan
22:55we need to tread
22:56extremely carefully
22:58we work with the school
23:00and we are light touch
23:02Annie
23:02given how you know the staff
23:03and Ivan as SAO
23:05you go down there
23:06but that is it
23:07this stays amongst us
23:09no one breathes this
23:11to anyone
23:12yeah
23:12it's a theory
23:13nothing more
23:15and Annie's right
23:16it's no one's idea
23:18of a good result
23:32we need to have a conversation
23:33we need to have a conversation
23:33regarding one of your pupils
23:35are you the teacher in charge
23:36her
23:36no but I'm headed
23:37to the sixth form
23:38but if you tell me
23:38who is the teacher in charge
23:39that's Mr. Bowman now
23:41but he's popped home
23:42to get a trophy
23:43for the end of the match
23:46as far as
23:48or for the end of the match
23:56no but I'll have a few chances
23:59as if that coverage
24:03has been done
24:03so
24:04you would be
24:14to be
24:15It's the trophy we were given when I was a boy at school.
24:18Last team to go Invictus back in 96.
24:22I thought at the final whistle, if we've won the game,
24:25I could present it there and then.
24:27Where in the hell have I...
24:30Rory, I'm here because I need to talk to you about Sarah's murder.
24:34I want to ask you about Dylan Cedric.
24:37Have a look at his timetable, ask about his behaviour.
24:40Has it changed in recent weeks?
24:42Obviously this is a very sensitive subject and nobody's pointing the finger yet,
24:46but we just...
24:47Well, we're asking for your help.
24:49No, no, no, of course.
24:52I mean, I can't believe I'm saying this,
24:54but he's had his problems, Dylan, aggression issues and so on.
25:00Oh, sorry.
25:05I could barely...
25:06It's okay, you can take a minute.
25:10And Sarah had an affair with his father.
25:12An awful slimy guy.
25:15Oh, Christ.
25:16He's playing a rugby match now, yes?
25:18We can let them finish.
25:19He's not playing, no.
25:20He fell behind academically.
25:21Like I said, he had his issues.
25:24I think we go back, let the game finish, let our visitors go,
25:27and then we talk to him and his parents together.
25:29How does that sound?
25:30That sounds great, yes.
25:34Give it a slam.
25:35It doesn't shut otherwise.
26:12Try to blow it.
26:139-10-4-5-5-1-2-2-2-3-4-2-4-5-2-3-4-5-0-1
26:16-2-5-0-0.
26:46Patrick's similar to the label,
26:47so we can look at the label.
26:48Joni 42,
26:48can turn it back.
26:48The label looks like the label is written for the label.
26:50This is a only image in the label itself.
26:52I think that's probably what's the label.
26:52It's called the label.
26:52I don't know.
26:53Don't you remember?
26:53It's a label.
26:56I don't know.
26:57It's a label.
27:03I don't know.
27:37I don't know.
27:42I don't know.
28:08Annie?
28:13Annie, are you in here?
28:19Annie, I can explain.
28:27Okay, good.
28:30Explain.
28:32You might have misunderstood what's happened here.
28:35Tell me what's happened here.
28:38I was, in those words, I went there, yes, but afterwards, after Sarah's body had been found.
28:44You went there?
28:46To Luke.
28:48And that's where I lost it, the key.
28:52Oh, this is about the key?
28:55I'm just pleased you found it. I've been wondering where on earth I...
28:58Why did you go to the scene and not tell anyone? That's a bit odd, isn't it?
29:02Or maybe it fell out of my pocket.
29:09Just...
29:16I'm not calling anyone.
29:20No one's coming. There's no backup.
29:22And I've just switched that phone off, Luke.
29:25Just you and me.
29:29You're upset about Sarah.
29:34Oh, God.
29:37She clearly meant a lot to you.
29:49Did she mean a lot to you?
30:00We'd known each other for years.
30:03You know, he was not what she deserved.
30:05My crap.
30:06I tried to kiss her once, made a move after a night out with the teachers.
30:09She said she couldn't, that she mustn't.
30:12And she was right, because she was married.
30:15Otherwise, it would have worked out.
30:17Between us, you know, that's the tragedy.
30:21And all the crap started.
30:23You know, she looked after me, Sarah.
30:24What crap?
30:25Teachers.
30:26Female teachers.
30:27One of them accused me of...
30:30God, yeah, I never did anything.
30:34But I'm a single man.
30:36And if I like someone, why can't I try and...
30:40You know, how else does anyone make their feelings known?
30:44They said it wasn't the only occasion.
30:48And that there'd been a complaint to that the school might get a reputation that female teachers might not apply.
30:55And she convinced Mike to give me a final chance.
31:02She was very important to you.
31:04Yes.
31:05Yeah.
31:07Yeah.
31:10I've never told anyone that.
31:22And then I noticed the affair.
31:26It was me, not Mike who spotted it.
31:28So I confronted her about her.
31:30I made her text him, Sedgewick saying it was over.
31:33I forced her to do that for her own good.
31:35If she can't be with you, a good man like you, she can't be with Sedgewick.
31:38And if you have an affair with a parent, and that gets out...
31:40No, I should have to leave.
31:41Well, they both would.
31:42The school would have suffered.
31:44My, my school.
31:45And she lied to me, said it was over when it wasn't, said she'd ended it.
31:48So I kept telling her she should stop it for the sake of the school.
31:52For the school.
31:53But she kept shouting.
31:55She kept shouting and shouting.
31:59And I...
32:00I...
32:03I wanted her to stop shouting and...
32:06That's who I wanted to...
32:09They needed to stop.
32:16It's...
32:16I never...
32:18You know, I'm the last person in the world who'd ever want to do anything like that.
32:22I really am.
32:31God, sorry.
32:32Sorry.
32:37Rory, from what you're saying, it sounds more like an accident.
32:46Yeah.
32:47You know, stuff goes wrong.
32:49People have arguments and things just...
32:51They just get out of hand, don't they?
32:53I mean, I've seen it.
32:54I've seen too much of it, but...
32:56You know, I've also seen men like you, good men like you, have their lives absolutely ripped to shreds.
33:02When it's not their fault.
33:08What's the matter?
33:11We need to talk about this at the station, because I know that you're going to want to explain this
33:14to them, too.
33:15No, I can't.
33:16I can't do that.
33:17I understand that this is very scary, but you have my word you are going to be looked after.
33:26I'm not...
33:27I'm not ready.
33:27Listen to me.
33:28I'm not...
33:28I'm not ready.
33:29Rory, you might even find it a relief just to tell the truth just the way you have with me.
33:34There...
33:34There...
33:34That's a brave thing to do.
33:36And you are a brave man.
33:39And it is the right thing to do for Sarah.
33:45Sarah?
33:46For Sarah.
33:52And do you know what would be good?
33:53What would be a good way to tell your story at the station?
33:55Is if there was...
33:56If there was some way we could...
33:59Prove that you didn't have any kind of problem with Sarah.
34:02Personally.
34:05I didn't.
34:05I know.
34:06I loved her.
34:06I can see you loved her very, very much.
34:08But if we are going to show that, it would be good if we could find some sort of way
34:12to prove...
34:14that you were close.
34:21How do we do that?
34:30Hold on.
34:31Hold on.
34:32Hold on.
34:37Here.
34:41they have photos
34:46bring these
34:51this is my first year as a teacher
34:53here
34:56and this is us at the pub
34:58laughing
35:00and that's me and Sarah
35:02together
35:06that's us all yet
35:12I could show you all these
35:15it's a good plan
35:21I'm really sorry
35:22I'm really sorry
35:26thanks
35:34I'm sorry
35:47okay
35:54it's okay
36:13you know none of what happened is your fault
36:20but it's okay to be angry
36:21you know
36:22we're all fucking angry
36:25if you want we can talk
36:28I don't want to talk
36:30well I know you don't want to talk
36:36come on
36:37you're better than this
36:39sitting in here all pent up
36:40go out there and watch the game
36:42if they're gonna lose
36:44then stand there
36:44and lose with them
36:48go on
36:49go and do it for yourself
36:58two weeks
36:59two weeks
37:00since the disappearance
37:00of the teacher
37:01Sarah Polly
37:02and tonight
37:03a major update
37:04a man known to Mrs. Polly
37:06for many years
37:07arrested on suspicion
37:08of her murder
37:13with more updates
37:15promised in the coming hours
37:16sources close to the investigation
37:18describe this
37:19as a significant step forward
37:48as a significant step forward
38:01Craig, you're going to have to find a way to tell him, Manny.
39:04Not long after your mum and I met, she invited me to a concert in Edinburgh.
39:15This is a recording of that concert.
39:21I've been listening to it the last couple of weeks.
39:41That's beautiful.
39:42Yeah.
39:46Yes, I always thought so.
39:52And afterwards we went for a drink.
39:56And your mum said she thought we were at the start of something.
40:06She said she thought life was about to change.
40:12And she was right.
40:16I could feel it.
40:23Was that exciting?
40:26I was terrified.
40:33Because I didn't know what was going to happen next.
40:40I always get frightened when I don't know what's going to happen next.
40:48Let's sing.
40:51I can't wait.
41:05The child has to...
41:11I can't wait.
41:46Hey, how are you?
41:51Well done in the case.
41:53So here it is.
41:54The full report on the Tina handbag, the database searches, the forensics, there's so much
42:00new stuff in here and I'm very excited about where we're going to take this next.
42:06Go on.
42:09Come on.
42:10Come on.
42:17This is a long and complicated case, this one, Greg.
42:19You're telling me?
42:20This stuff might help, might not, but...
42:26Look, we won't be doing anything next.
42:29What?
42:30Me and you.
42:31Not on the Tina Bradley case.
42:33Not on anything.
42:35Arnie.
42:36We will not be doing anything next.
42:39It's over, Greg.
42:46It's over.
42:47Yes.
43:00You have to come.
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