00:00I think that Shaljiji is a problem, at some moment, I think that somewhere, I just wanted to talk about
00:13it with him, I just wanted to talk about it.
00:19For example, she knows that she was not aware of the effects, she was able to move herself in the
00:31way.
00:31She was very good and intelligent.
00:35She was very intelligent and was able to have three finances.
00:39She was always writing, she was performing, she was playing with Rita, she was playing with Miloševića.
00:48She was playing with Tadića and now, when she was acting in her class, she was always playing with Zlaku,
00:57never in Zlaku.
00:59So when she was always playing with her economic issues she was playing with the president.
01:04I mean, oh no, you are done with this.
01:06I am not finding that at all I don't know what it is.
01:12I am not looking at it.
01:12But, all of this is another way.
01:14I am not looking at it, but it is not looking at it,
01:18but it is just a thing to understand it.
01:22But I am not interested in it.
01:23One thing to do is the same.
01:25He is very, very intelligent.
01:29And she is also about it.
01:31and he was kind of a nice man, he was a good man, I think that he was a good
01:35man.
01:37There was a anecdote about that he was a good man who was holding his own kafanu.
01:45And his name was a good man, he was a good guy, and he was a good man, and his
01:54name was a good man.
01:56and she took the whole cafe and she was able to play.
02:02She was able to play sports and she was able to play sports.
02:07She was like, I'm going to play games,
02:09I'm going to play games,
02:13and she played games.
02:15Many of them say that,
02:17regardless of the way of the day,
02:20she's sexual and more active.
02:23that she doesn't have anything to do, but she doesn't have anything to do, but she's smiling.
02:31What do you think? What do you think of her life?
02:35And where does she do it?
02:39Because we know that her mother Milosija is in 1997.
02:42First of all, genetics.
02:48She's saying that her mother is living.
02:52She's a geneticist.
02:55She's a desire for life and her spirit.
02:59She's saying that she's a young woman.
03:02She's a young woman.
03:04She's a beautiful woman.
03:08She's a young woman.
03:09She's a young woman, she's a young woman.
03:11She's an old woman.
03:13That's something we can't do with you.
03:14We are sitting there.
03:17Now we have her own meaning to do with her,
03:21she's a young woman.
03:24Maybe she's a young woman to have the same.
03:28So she's a young woman.
03:28She's a young woman to do her.
03:33But she's a young woman.
03:35I think that if you're a bit too much, you're thinking about the situation,
03:40although she's young, she always has no-re-de-down,
03:48so she's thinking about it.
03:50So she's thinking about it.
03:52She looks at it, she looks at it.
03:57She looks at it, she looks at it.
04:03So that is Kureć Lepa said ok and that is another genetic
04:07That i was also about the災
04:10It is a mind that Lepine now that Juno me Viraj u Godid
04:15if Lepa not wanted to drop that there is to govern
04:17you die
04:19and you'll know what to do
04:21you say while giving a drop
04:25Lepa not want to drop a card
04:27you will see K мод
04:31I think it's called Trike Čić, and the fourth Lepa Rukić,
04:36I think it's called Frizuura, it's called Perike,
04:39which is when it came out of the first time,
04:41when it came out of the first time,
04:42then Perike is done with us.
04:44But in the last time, in the last time,
04:45I've seen it for a couple of years,
04:48I've known it for a couple of years,
04:49that's why it's called Perike.
04:51In a way, Lepa is going to be super,
04:56super drži.
04:58gad svoje godine,
05:00super izglede za svoje godine,
05:02I, mislim da NIU, kD,
05:03stvari i drži to.
05:05Znači, opet kažem,
05:06taj ovaj humor koji ima pridano.
05:08Drugo, onda sad kada je bila pa bok je omis e,
05:10ona said no, o ne zna što je amicioznost.
05:12Šta je ta amicioznost?
05:14Do eleven, o ne zna što je amicioznost?
05:15Pa kako on da Se sekire?
05:18Kako on svili kao?
05:18Ne zna što je amicioznost?
05:20Woman, to smo sve repli.
05:21Drugo, Lepa...
05:24Lepa ovaj,
05:24I don't accept digital media, I don't know what to say, but what do you think about it?
05:33She doesn't read the portals, she doesn't read the media, she doesn't read it, she doesn't read it, she doesn't
05:43read it, she doesn't read it, she doesn't read it, she doesn't read it.
05:48She doesn't read it, she doesn't read it, she doesn't read it.
05:55It is an amazing life for her, she does not read it, she doesn't reason to study it, she is
06:08lost as a mother.
06:11And I am wondering, I think that she is very likely to be done.
06:16And she is very ironically, she is duxistent.
06:22And she is good to play on the excel of years.
06:27And of course she is not even the same, she is very good to play on the excel.
06:35I was in 1987, but it was good.
06:36It was with a great voice and it was in the moment.
06:40But it was a nice guy, Luke is a good guy, really.
06:45And he was just a good guy, and he was just a good guy.
06:49But I was just a good guy and he was just a good guy.
06:53So, I was a good guy, I was just a good guy, and I was just a good guy.
06:55I was in 1986 and I was just a good guy.
06:57It's good because of the reason that it is very hard to see that you have to do it.
07:03You just want to see how you will be doing, you want to play, you want to play, you want
07:10to play with contact with the music, you want to call it.
07:13It's a very active role, very active, for the whole year.
07:19So it's a very good job in the world.
07:23For us, it's never easier to get a single, but we need to have a good idea, and the intelligence
07:31of you will be able to arrange and music,
07:37and you don't need to sing, everything is a machine.
07:41What do you think about it? Do you think about it?
07:48Do you think about it?
07:55The rule is that every piece of your voice, regardless of what you have to do, should be able to
08:01sing.
08:01To that you said, I'm very clear, I'm very clear, I'm very clear with you.
08:09U današnje vreme, prosto svaka pesma i do te mere, što kažete, pomoću meštačke inteligencijnost,
08:22to prema obrade glasa, auto tijon, ništa je već sve nema, i samo sam vidjela u jednoj priliki u studiju,
08:32kod baš ovo harmonikaša o kome smo razgovarali, kako to izlakaš da ti je provučen glas kroz to,
08:41međutim to meni deluje dosta veštački, i ipak sam ja za ovo što sam na kraju rekli da se peva
08:51svojim glasom,
08:53makoliko on bio prozokao, jer se kaže svaka ptičica svojim glasom peva,
08:59a imate i slavuje, a imate i vrane, a imate i zrake, tako.
09:06Ja sam samo za to da prosto u samom procesu tom kad recimo snimujte single,
09:16da se naravno odradi miks, da se odrade te neke propratne stvari, efekti i tako dalje, to u redu,
09:23ali da ipak se zadrži autentičnost, znači onako, snaš da pevaš, pevaš, jer šta je to veliki problem?
09:33Vi tamo snimite pesmu, sve kao super, onda dođete recimo negdje u emisiju ili da se peva uživo,
09:40i onda se vidi koliko ne znate, i koliko to nije u stvari to.
09:46Tako da, a drugo, meni nekako to daje dušu, daje mi dušu živ instrument, daje mi dušu živo pevanje i
10:00tako dalje.
10:03Tako da, ja lično smatram da je ta veštačka inteligencija koliko je dobra, koliko pomaže i toliko i odmaže.
10:13Jednostavno, vi da nas možete mukulno da i tekstove napravite pomoći veštačke inteligencije.
10:19Ono što rekla je Polukić, danas opio još jednu strofu sutra treću pa te iskrpe.
10:24E pa to je upravo to.
10:26Ne, ne, ne, ja što se tiče ovoga što sam do sada radila, ja sam to radila na najjednostaviji način,
10:36tako što je tu taj dečko koji svira, to sve ide uživo, ja pevam, eventualno ovo posle malo, pre nego
10:45što napravi finiš,
10:47možda malo nešto doda, sve pratat će vokale i drugi glas otpevam ja, samo što nekada,
11:00i to nismo koristili veštačkoj inteligenciji nego smo radili tako što prvo pevam tercu normalno,
11:09a onda otpevam drugi glas piskava, jer i tu to recimo imam što bi bilo, kuće male krečene u belo,
11:21a onda dodam, kuće male krečene u belo,
11:28i ja onda iskombinujem ta dva glasa i tako, tako sve mi igramo.
11:34A inače, nikad se ne znam, možda nekad, možda nekad posjednem i ja za ovaj...
11:39No pa dobro, sad veštačka inteligencija mi pravi tekstovi ne mora,
11:43jer ja imam tu dosta dvara za pisanje i generalno za tekstove.
11:49Ja sama smislim, ja sad to što sam smisla ja ovako ove malo šaljive teme,
11:54ja sam to svesni nabrno, mi smo razgovarali malo prije o tome.
11:57Zašto sam baš odebrao uzmi ga dušo ili ne dam ti više ja, morat ćeš bez njega,
12:04a kada ga uzmeš Isuse štiku, kako te treka žena...
12:07Znači to su sve tekstovi koji govore baš o onome što se u realnosti dešava
12:16ovaj svakojo od onih koje su kao ja, baro veći.
12:23Tako da ovaj, to sam ja namirno, ali generalno ja imam dara da napišem tekst,
12:28eventualno možda, ali sad kažemo taj tehnički deo, sam studijski deo i to,
12:34da li će ti glas provući to za autotune ili će da ti naprave ovaj...
12:39I čak imate sad recimo imate programe koji pretvaraju muški glas u ženski, ženski u muški,
12:47imate puno stvari, imate da zvučite ne znam kao da pevate iz pećine,
12:53kao da, ili recimo ono efekt helium,
12:56ma sa što nešto ima da se ove...
12:58Esta baš vidjela kao primjer kod tog dečka,
13:03ma da on ima improvizvani mini studiju,
13:05znači on bukvalno, bukvalno su mu polepljeni po zidovima,
13:09polepljeni po zidovima ove od jaja, one kartoni od jaja,
13:14mislim to kao u onom filmu
13:17Ljubavni živl Budimir Drajkovića.
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