00:00Sei un grande fan di Maggiore di Kingstown?
00:02Un grande fan.
00:03Buono.
00:04Me, anche.
00:12Kingstown non è una città.
00:15È una città.
00:17Niente resta in una città.
00:22La conseguenza di un riot è la nostra nuova realtà.
00:25Ne abbiamo un ordine di peccato inside, ragazzi,
00:27per cui abbiamo controllo dall'interno.
00:29Sono un grande fan di Maggiore di Kingstown.
00:33Un grande fan.
00:34Buono.
00:35Me, anche.
00:37In questo momento,
00:39che ha stato il grande problema di questa seconda seconda?
00:45La grande problema, per essere sincero,
00:48è la prima scena.
00:50Perché è stato 10 anni.
00:52e Taylor e io erano rinforzando e rinforzando.
00:57è stato 10 anni.
01:00È stato 10 anni.
01:01È stato 10 anni.
01:02And there were a few challenges, but it's it's it was nothing compared to what it is to get a
01:10show up and on the air.
01:12OK, in Mayor of Kingston, there are two words inside the prison and outside the prison.
01:19How did you work with Taylor Shadon to bring these two realities together?
01:24Well, he was my acting coach for years, you know, and I lived in L.A.
01:28And so we would have all of this time. We had 10 years to think of the world.
01:34So instead of doing our homework, basically, because I'd go to him, OK, I've got this audition and he'd be,
01:39you know, where and I'm from this town of Kingston, Ontario that had nine prisons.
01:44So we'd always be talking about the world and he would talk about his time in Texas.
01:49So we built that world and would talk about it incessantly, you know, and the specificity of the detail.
01:57And we would get down to, you know, how many tears are in the prison that, you know, and we'd
02:03look up pictures.
02:04And so it was really. You know, it's a passion project.
02:10It's something that I've wanted to do since I was 18 and grew up in that town.
02:14And Taylor was just a he is a super curious, super intelligent individual who has made, you know, even before
02:23he became Taylor Sharon, we knew he had a gift of looking at worlds and scripts, looking at characters and
02:32being able to break them down.
02:34So you really understood the humanity and the interest and what popped and what didn't.
02:39And he's just got a fascinating way of looking at the world.
02:42And that's why he's been, you know, he was he changed my life when I met that guy.
02:47You know, he got me acting gigs. He taught me how to look at scripts differently.
02:53And yeah, I'm just I'll be forever grateful.
02:55The series is a crime thriller, but in my opinion, it's also portraits of the family dimension.
03:02Do you agree with that?
03:04Yes. Yeah. I mean, it all came from families.
03:07When we when we first started talking about it, you know, I we would talk about I would talk about
03:13where I grew up.
03:14So I was talking about, you know, the Mulroney brothers or the Callahans, you know, or whoever it was.
03:19There were always a set of brothers and families in my own family.
03:23My mom was a teacher. And so it's loosely based on on Miriam McCluskey.
03:28And Taylor had his own take on it from family. I mean, that's what it's all about.
03:33Ian Ferguson has a sense of humor and is very pragmatic.
03:37In your opinion, are these elements to make him so charismatic?
03:42Well, Renner has that anyhow.
03:44And he is a naturally funny dude and he's got a wry sense of humor.
03:50And I heard from him a couple of days ago.
03:51And the first thing after his accident was like, hey, you know, he's on my phone video.
03:57And it's the I have never been so relieved in my life to look at my phone and get, you
04:03know, a video from anybody.
04:05But he's just got a way of looking at life that is that you relate to.
04:11And it's and it's just real and funny.
04:15And he he's another person who is he just understands character and he understands the story.
04:21And he loves this world.
04:23And that passion shows through.
04:26So in the end for you, why do people love crime stories so much?
04:31I think there is something that, you know, there is a beauty in that ugliness and that ugliness that is
04:40so human and so tragic and that, you know, informs all of us and has for years that it's always
04:48been something that people are interested in.
04:49And I, I, I, I can't look away and there's something else about that informal economy of, of drugs and
04:57crime and darkness that is not every day, you know, it's a, it's another way of looking at life.
05:07You can't even control your own people.
05:09You want to start a war out here.
05:10You want to stop me, police, Mikey.
05:12There's going to be some payback.
05:14I need you to continue trusting me.
05:16The inmates are running the asylum.
05:18And you're giving up the goddamn key.
05:20This war is what I'm trying to stop.
05:26If I say I'm going to do a thing,
05:31I think it's done.
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