- 6 hours ago
In Other Words, I Love You [Full Movie] [New Drama]Full EP - Full
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🎥
Short filmTranscript
00:00:02I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:18almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27a charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:05influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine
00:02:24back to Goldie thank you you got it I'm Sherry Vaughn Alice Keaton it's very important that we look at
00:02:33what he's talking about their experience of the time
00:02:39wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it
00:02:46personally he's impossible can everyone stop acting like the goal is getting into his pants
00:02:51what he's hot everyone kind of is I I've seen Connor he's not my type you're joking I don't find
00:03:01bullies attractive hey be careful we're talking about the king of Ashford the what his family
00:03:08basically own the school and the town maybe even the country yeah everyone's tried to get close no
00:03:15one can get past his ego you're not the first to get nice okay first of all I wasn't iced
00:03:21it's more
00:03:21like a mutual decision and second I think he's arrogant cold thinks he's untouchable but if you
00:03:29really look at Charles he just seems isolated like he's making honestly I just think he's lonely and
00:03:36kind of pathetic what no go on you were saying I'm lonely and pathetic next time read the room
00:03:59before opening your mouth American we're not Kansas anymore Alice hey how was your first day I good
00:04:25anything exciting happen not really super uneventful really how's your new job yeah all right get this
00:04:34they said we can stay in the servants wing seriously hmm apparently the young master won't mind the
00:04:40company the young master this is your boss's house yeah that's not credible I mean I wouldn't call it a
00:04:50house it's a museum with better landscaping wait here I'll talk to the butler wow rich people you've topped
00:05:10yourself again Stephen King first edition breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you said you were trying what is
00:06:04wrong with
00:06:04you funny I was about to ask you the same thing what are you doing in my house you wait
00:06:13your house my
00:06:15house my library and now apparently my unwanted guest ah master Charles must be miss Alice and daughter
00:06:26she said she said you'd be moving in today she what there there's been some kind of misunderstanding you
00:06:32see I'm not actually moving in that's up yeah I'm not staying here like at all that's a shame you
00:06:40must
00:06:40seem quite pleased with the arrangement well I just don't think it's appropriate well you're sure then
00:06:46absolutely not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:04and actually dead just trying to figure out how exactly my life went off the rails get it together
00:07:18Alice Keaton you've been through hell actually no this is hell good morning
00:07:46Alice Keaton what thing doesn't know that stops been closed for months she's going to be late
00:07:59okay how long is this thing gonna take maybe I'll just walk five miles to school
00:08:07okay if I sprint maybe I'll make it before first period or die of exhaustion on the way
00:08:20what what are you doing here didn't you already leave
00:08:26wait did you come back for me relax I forgot my textbook don't flatter yourself wait
00:08:39since you're already here maybe you could be a decent person and give me a ride
00:08:48no seriously your car is huge yeah and I'm not a fan of sharing says the guy who forced me
00:08:58to live in
00:08:59his house unbelievable
00:09:13Ashford Institute please thank you
00:09:20who needs an entitled brat anyway sir you called the cab why not just give miss Keaton a lift
00:09:32why not just give miss Keaton a lift and have the whole school go crazy she's new everybody's
00:09:38already talking so you're worried about her you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of the Flies
00:10:04Mr Kenwood care to share what you found so amusing
00:10:08not particularly oh I insist you seem very entertained by Golding
00:10:14I'm not entertained by Golding sir on the contrary I think his ending is weak
00:10:22wait wait do I actually read it quiet
00:10:28that's an interesting take explain
00:10:32he had the set up for something brutal something honest in the end he backed out he could have left
00:10:39the boys on the island force them to confront the collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slapped a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong
00:11:02literary opinions I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:38the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keeter you still think it's a harsh critique
00:11:53in some ways but not harsh enough yes it's a critique of toxic masculinity but still Golding
00:12:02sympathize with them and the civilized world toxic violent he didn't call that out nearly as much
00:12:07so yeah I don't think Golding pushed far enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keeter well said anyone else
00:12:23both opinions are valid okay that's kind of epic Golding faced major backlash when he first published
00:12:30the book good literature will always divide what's happening to me
00:12:43okay what is going on why is everyone staring at me well you're new and apparently had a thing
00:12:49with Charles oh what now you two are in the middle of this epic feud as your teen in years
00:12:56we're not
00:12:56even fighting well according to everyone you confessed your love on day one got rejected
00:13:01begged to sit next to him got rejected again and today in class you broke down crying about not
00:13:08believing in happy endings and stormed out in tears you were there Sherry that is not what happened
00:13:17doesn't matter people believe what they want to believe and they want Charles to be flawless
00:13:23untouchable wow is massage any like a rich kid thing or is a British specialty honestly both but
00:13:31seriously Alice some people already see you as a threat okay loaded it's like the new girls in for a
00:13:46rough
00:13:47first semester hello hello is somebody out there
00:14:08oh come on fine
00:14:24fine
00:14:38seriously
00:14:42oh shit
00:14:48what the hell
00:14:51Anne I thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girls in for a rough first semester
00:15:09shit
00:15:14Alice
00:15:15Alice
00:15:16Mr Pelton Charles Kenwood here I was wondering if I could get the timetable for Alice Keaton
00:15:21she hasn't come home she hasn't come home I'll have it sent over check the common room in the library
00:15:26I'll take the rest
00:15:30Alice
00:15:44come on Alice close your eyes and jump it's fine you're fine
00:16:00you're fine
00:16:06Alice
00:16:07am
00:16:07and
00:16:11Alice
00:16:15Hey, Mr. Nonchalant
00:16:19Are you happy with how we ended?
00:16:25What are you doing here?
00:16:29Can you get off me first?
00:16:40You're welcome
00:16:42I didn't say thank you
00:16:44I figured saving your life might earn me basic manners
00:16:47Someone just dumped swamp water on me
00:16:49Excuse me if I'm not feeling very polite
00:16:51You smell like a biology experiment
00:16:54Wow
00:16:55You should try falling out of a window into someone's arms and getting insulted for it
00:16:59Wouldn't recommend it
00:17:00You're heavier than you look
00:17:04I hope you pull your shoulder
00:17:11Are you okay?
00:17:13No, but I will be
00:17:16Someone did this on purpose
00:17:17What do you think, golden boy?
00:17:21Don't worry, I can handle it
00:17:22You shouldn't have to
00:17:25I'm
00:17:27Sorry
00:17:34Sorry
00:17:35Sorry
00:17:40Did you just apologize to me?
00:17:42Don't get used to it
00:17:43I wouldn't dream of it
00:17:47Alice?
00:17:48Over here
00:17:49Oh my god
00:17:52You okay?
00:17:55Why are you drenched?
00:17:57Yeah, I just
00:17:58Took a weird shower
00:18:00Top exploded
00:18:03Come on
00:18:03Let's get you home
00:18:15Alice's cheating, right?
00:18:17I heard she staged the whole thing for attention
00:18:43I know how this place works
00:18:45If you don't do anything about it
00:18:47It's only going to get worse
00:18:50I'll look into it
00:18:53Charles
00:18:55Good on you
00:18:56How many here would speak up?
00:19:02I can't believe someone actually locked you in
00:19:04That's insane
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust friends
00:19:10Well, for what it's worth
00:19:12I heard Charles looked pretty freaked out when he ran out last night
00:19:16Please, he just didn't want a lawsuit
00:19:36Being a scholarship student has its perks
00:19:38Like saving a fortune on tuition
00:19:41And getting into schools that normally wouldn't even let you pass the gates
00:19:46Hey, we miss you in Paris
00:19:48Though there are enough Americans to remind us of you
00:19:51But sometimes, being here means staying behind
00:19:55And watching Ashford Elites go on a two-week enrichment program
00:19:59You can never afford
00:20:02Have fun
00:20:03Bring me something overpriced and unnecessary
00:20:10The trip cost 20 grand in pounds
00:20:13Which translates to mom's salary for half a year
00:20:16So yeah
00:20:18I didn't go
00:20:40What are you doing here?
00:20:41Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable
00:20:46You look like a rejected Ewok
00:20:48This is not even your kitchen
00:20:50And this is not even your house
00:20:52And yet, you're here, dressed like this
00:20:55Just don't look
00:20:56Go away
00:20:57Hard not to
00:20:58When you're walking around dressed like that
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:05Cockblock
00:21:06You're insufferable
00:21:07You're the one cosplaying at breakfast
00:21:09You know what?
00:21:10I don't get it
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing
00:21:15Why do you think?
00:21:21How would I go?
00:21:22I could practically recite the itinerary in my sleep
00:21:25Florence
00:21:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian
00:21:32Or Tiziano
00:21:33If you want to sound extra pretentious
00:21:36Then Venice
00:21:37Because everybody loves a good canal
00:21:39And getting lost in the most confusing city on earth
00:21:42Next stop, Napoli
00:21:43Marvel at Pompeii
00:21:45Pretend you're shocked
00:21:46Ancient people had plumbing
00:21:48The final stop
00:21:49Paris
00:21:50The ultimate city of romance
00:21:53And, naturally
00:21:55Woody Allen's favourite city
00:21:58Outside of New York
00:22:01That's
00:22:01Word for word
00:22:03I told you
00:22:04I've done this tour so many times
00:22:06I could run it
00:22:07Okay, but still
00:22:08It's Europe
00:22:09Most people would kill for that chance
00:22:11Most people haven't had their phones stolen in Paris
00:22:14Twice
00:22:16Also, I hate the accommodations
00:22:17Aren't they all five-star hotels?
00:22:20Standard rooms
00:22:21In five-star hotels
00:22:22No thank you
00:22:25Wow
00:22:25Some were born in Rome, huh?
00:22:27That's unfortunate
00:22:28It's a very chaotic city
00:22:30One word of advice?
00:22:31Shut up
00:22:32That's two words
00:22:35You're weird
00:22:36You're loud
00:22:37You're annoying
00:22:37You're in my kitchen
00:22:38You have three other kitchens
00:22:40And I prefer this one
00:22:42Just for today
00:22:43Come back when you've got a shirt on
00:22:44Come back with normal clothes on
00:22:46You didn't have to come
00:22:47Don't tell me what I have to do
00:22:57After Charles
00:22:58Roads are flooded
00:22:59Staff won't make it tonight
00:23:00Will you be alright sorting dinner?
00:23:05I've got it sorted
00:23:18Jesus, what are you doing?
00:23:20Relax
00:23:23I'm here to make a deal
00:23:24What deal?
00:23:25You nearly gave me a heart attack
00:23:31You'll survive
00:23:32I'm not selling my body
00:23:38I'm not selling my body
00:23:44Wow
00:23:44I am deeply offended
00:23:48That thought disgusts me
00:23:50Then what are you doing?
00:23:52The staff's off tonight
00:23:52I'm buying dinner
00:23:57Did you seriously think
00:23:58I'd spend a hundred pounds on
00:24:00No, I'm
00:24:02Wait
00:24:03You think I'm not worth
00:24:05One hundred pounds?
00:24:07I'm not spending
00:24:09One hundred pounds
00:24:09To snort you back up
00:24:10You know what?
00:24:11Dinner's cancelled
00:24:15Are you sure about that?
00:24:18I present to you
00:24:20Meatball spaghetti
00:24:21Stir fried veggies
00:24:22And french fries
00:24:23You're welcome
00:24:25Interesting combo
00:24:26Well, I know we're not in Italy
00:24:27Or France
00:24:28But this will do
00:24:30It's
00:24:32Good
00:24:38Was that a compliment?
00:24:40Although
00:24:41I am obliged to inform you
00:24:43Meatball spaghetti
00:24:44Isn't Italian
00:24:45It's American
00:24:46And french fries
00:24:47Likely born in South America
00:24:49You should read more
00:24:52Put it down
00:24:54I paid for it
00:24:55You really just have to win
00:24:56Every argument
00:24:57Don't you?
00:24:57To be fair
00:24:59You make it very easy
00:25:02It's only easy
00:25:02Because it costs you
00:25:03A hundred pounds
00:25:05You know
00:25:05If you'd ask for more
00:25:06I probably would have given it to you
00:25:07If you would have given it to you
00:25:22Make sure you're back
00:25:23Hey Alice
00:25:24It's fine
00:25:25You're fine
00:25:339-1-1, what's with your emergency?
00:25:399-1-1, what's with your emergency?
00:25:41It's my dad. He needs help. He just had a stroke.
00:25:44Okay, miss. Hurricane's constant traffic shut down.
00:25:47We'll get to you as soon as we can.
00:25:48Please, he's not well.
00:25:50I understand. Can you confirm your address?
00:25:54Daddy, yes, I'm right here.
00:25:56All right. My daughter.
00:26:00Please, stay with me, Dad. Please.
00:26:07No. Please, wake up.
00:26:13Dad, please. Please don't leave me.
00:26:16Please, wake up.
00:26:22Daddy.
00:26:26I'm sorry.
00:26:30I'm sorry.
00:26:33I'm sorry.
00:26:41I'm sorry.
00:26:47you what are you doing here
00:26:53you were crying
00:26:56loudly
00:26:58kind of hard to ignore
00:27:00right sorry for the night
00:27:04wait
00:27:04no snarky come back
00:27:06not tonight i'm too tired
00:27:08if you're here to argue knock yourself out
00:27:13you were calling for your dad
00:27:14right
00:27:17hurricane hit new york
00:27:19power went down traffic froze
00:27:22dad had a stroke
00:27:24but he couldn't get help in time
00:27:28i sat there with a candle
00:27:31while he laid there
00:27:34peaceful
00:27:36like he was asleep
00:27:39but he wasn't
00:27:44so that's why you and your mum moved here
00:27:47this used to be our hometown
00:27:50after dad left
00:27:53we had nowhere else to go
00:27:59what are you doing
00:28:04come on
00:28:21wait i thought the power was out
00:28:23it is
00:28:24we have our own generator
00:28:26wow
00:28:27rich people houses her
00:28:29just for tonight
00:28:31i'll allow it
00:28:33allow what
00:28:34you can call this place your house
00:28:36so enjoy it
00:28:37stephen king's first edition
00:28:39alan gisberg's handwritten letters
00:28:41jane austen's notes
00:28:43all yours
00:28:48this is your home
00:28:51alice keaton
00:28:57careful
00:28:58almost sounded sweet
00:29:00don't push it
00:29:02okay then
00:29:06i have
00:29:08one request
00:29:11what is it
00:29:19are you ever going to make a move
00:29:21wait
00:29:21give me a second
00:29:22i'm thinking
00:29:24you had one wish
00:29:25anything in the world
00:29:27and in the middle of a thunderstorm
00:29:29inside a literal mansion
00:29:31you chose chess
00:29:34yeah
00:29:34got a problem
00:29:35it's just so cool
00:29:37like spies or genius villains in movies
00:29:40it's literally a board game
00:29:42says the guy who owns a custom set
00:29:45wait
00:29:46does the knight go diagonally
00:29:48the tenth time
00:29:49it moves in an l shape
00:29:52one
00:29:52two
00:29:54then turn
00:29:56there
00:29:58happy
00:29:58ecstatic
00:30:01you know
00:30:02that's suicide
00:30:03or a brilliant long term sacrifice
00:30:05you are playing checkers at a chess board
00:30:07still beating you in sarcasm
00:30:09you literally haven't won any past arguments
00:30:11golding disagrees
00:30:12it's going to be a long night
00:30:14oh my
00:30:15no
00:30:16why what's wrong with that
00:30:17you can't do that
00:30:18no no no
00:30:19oh my god
00:30:21you had to shop a trip and about it all wrong
00:30:24to pull you in close as we're locked on the phone
00:30:28buy yourself work cause i'm moving on
00:30:31oh yeah
00:30:32showing up at my door
00:30:36holding your heart there
00:30:38inside your hands
00:30:40maybe
00:30:41maybe
00:30:41he's not so awful after all
00:30:50um
00:30:51who are you
00:30:57what are you doing here
00:30:58well your parents said you were still at home
00:31:00thank god you skipped that boring grand tour
00:31:03who needs italy and france again right
00:31:05when did you get back
00:31:07last night
00:31:08from zurich
00:31:09you didn't answer my messages
00:31:12i missed you
00:31:13anyway
00:31:14thought i'd come surprise you
00:31:16apparently
00:31:17i'm transferring to ashford
00:31:19your parents were so thrilled
00:31:21they didn't tell me about this
00:31:22i wanted to deliver the happy news myself
00:31:24they said it'd be lovely for us to
00:31:26reconnect
00:31:27you know
00:31:28considering the engagement
00:31:30and all
00:31:32engagement
00:31:33oh
00:31:34did no one tell you
00:31:36he's promised
00:31:37old money stuff
00:31:39very retro
00:31:40i didn't agree to that
00:31:41you didn't have to
00:31:42it's never up to us
00:31:45where did you find this little toy
00:31:48serena
00:31:48i didn't hear you you know
00:31:49oh
00:31:50oh
00:31:51an american
00:31:52how
00:31:53refreshing
00:31:58goodbye
00:31:59wait
00:32:15where are you going
00:32:16you still owe me breakfast
00:32:19you only paid for dinner
00:32:21i had homework
00:32:22goodbye
00:32:26your little toy has quite the temp
00:32:28serena can you please just stop
00:32:30what?
00:32:31teasing the help
00:32:38that's her
00:32:39that's the one from kenwood's house
00:32:41was she like
00:32:42the maid or something
00:32:43laughing
00:32:44laughing
00:32:59oh my god what's wrong with people?
00:33:02they're saying you live with charles
00:33:04oh and serena
00:33:05what about her?
00:33:06apparently she told everyone you were caught sneaking into his room
00:33:10of course she did
00:33:24careful alice
00:33:25you're starting to look desperate
00:33:27laughing
00:33:27laughing
00:33:30laughing
00:33:30laughing
00:33:31laughing
00:33:37laughing
00:33:37laughing
00:33:39laughing
00:33:39laughing
00:33:39laughing
00:33:41yeah
00:33:42come to the music room
00:33:43urgent
00:33:44uh
00:33:44i just remembered
00:33:45i need to check something
00:33:46you guys go ahead
00:33:47okay
00:33:48okay
00:33:54help
00:33:55is someone there?
00:33:57seriously
00:33:58this is getting old
00:34:00the music room
00:34:13music room
00:34:14what?
00:34:16james
00:34:17was anybody in here earlier?
00:34:19just miss serena
00:34:20said she was waiting for you
00:34:23sir?
00:34:25sir it's raining
00:34:37come on alice you're fine
00:34:40you're not that girl again
00:34:48wait can you remind me one more time?
00:34:51okay
00:34:52rooks move in straight lines
00:34:54yeah
00:34:55bishops move diagonally
00:34:57and knights
00:34:58the knights the weird one
00:35:04rooks
00:35:06straight lines
00:35:07bishops
00:35:10diagonally
00:35:11hello?
00:35:13hello?
00:35:31the text
00:35:32are you okay?
00:35:35are you hurt?
00:35:36i'm okay
00:35:37i saw the text and i thought
00:35:40i didn't see the message
00:35:42serena took my phone
00:35:43i didn't know
00:35:44hello?
00:35:44i'm sorry
00:35:45i'm...
00:35:46okay
00:35:48you're gonna catch a cold
00:35:49you're freezing
00:35:50you didn't have to come
00:35:54don't tell me
00:35:55what i have to do
00:35:56give me hope
00:35:58give me hope
00:35:59that feels
00:36:00like hope
00:36:19that wasn't a mistake
00:36:20if that's what you're about to say
00:36:22i
00:36:24i
00:36:25wasn't going to
00:36:25i wasn't going to
00:36:37really bad at this you know
00:36:40what? kissing?
00:36:41hiding feelings
00:36:42i
00:36:43i
00:36:44i
00:36:45i
00:36:46i
00:36:46i
00:36:46i
00:36:46i
00:36:47i
00:36:47i
00:36:48aren't
00:36:48you
00:36:53how
00:36:54i
00:36:54i
00:36:59i
00:37:00i
00:37:04Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:10Seriously, it's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:23Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:36You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:54That's where I'll see your face.
00:37:58And have you with me.
00:38:03It may seem dark, but you always like my spark in my heart since the start.
00:38:18You're welcome.
00:38:22They're either enemies or secretly married.
00:38:26Honestly, both.
00:38:31I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time brand new.
00:38:45Everything's so different now.
00:38:48So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird.
00:38:56And I like weird.
00:39:06Check.
00:39:12You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:20I will be the fun of your day.
00:39:23I'll be in the dark and space.
00:39:28I'll hold you in my arms.
00:39:30Charles!
00:39:32We need to talk.
00:39:40I expected poor judgment.
00:39:43But this in my house?
00:39:45It isn't what it looks like.
00:39:46No?
00:39:47Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:53We came back tonight after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:58She isn't just...
00:40:00You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of her.
00:40:10That's enough.
00:40:13Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:21We think she does not belong in your world.
00:40:28Then maybe I don't either.
00:40:31You're ready to give up everything?
00:40:33For a girl you barely know?
00:40:38Yes.
00:40:39Then, are you sure she's ready?
00:40:49I'm asking you, do you think she's ready to lose everything, regardless of how little
00:40:54that is, just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:04Helton, it's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:10If a scholarship student were to violate our behavioral code in a public setting with photographic
00:41:17evidence, would that warrant a review?
00:41:20Yes, sir.
00:41:24So, answer me again.
00:41:27Do you think she's ready to lose everything just to be with you?
00:41:42Charles, what happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:46Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:56So are you.
00:41:57Wait, what, why?
00:41:59Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything.
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card, no trust, no support.
00:42:13Nothing.
00:42:14Then, then we'll figure it out.
00:42:16We don't need all that.
00:42:18We can...
00:42:18Do you really think I'm going to live like that?
00:42:24So that's what this was?
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:38They just reminded me of what's real.
00:42:44Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:01You think you know me.
00:43:03Or what I have.
00:43:04You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:18I was bored into this.
00:43:20I am not choosing between this
00:43:24and something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33It was fun.
00:43:34But you?
00:43:37You don't compare to what I own.
00:43:41I'll survive the loss.
00:43:44Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:11This fall is a little more than I expected.
00:44:17In so deep I can barely see myself.
00:44:24Yeah, around me feels so heavy but depleted.
00:44:30But I find that's the place to test myself.
00:44:42Oops.
00:45:00Oh, sorry.
00:45:01Didn't see that.
00:45:03Then again, nobody does.
00:45:05Move, please.
00:45:07Hmm.
00:45:08Try begging.
00:45:14You know what?
00:45:15Keep it.
00:45:21Poor thing.
00:45:22So dramatic.
00:45:24Don't.
00:45:26Excuse me?
00:45:27I warned you.
00:45:29Walk away, Serena.
00:45:50Last week's group assignments were mostly forgettable.
00:45:54But one pair surprised me.
00:45:56In a good way.
00:45:58Charles Kenwood and Alice Keaton.
00:46:01Would you mind giving us her short summary?
00:46:04She loves the sound of her own voice.
00:46:05Better have it.
00:46:14Our essay explored what happens when two fundamentally different voices meet.
00:46:19Like logic and chaos or silence and noise.
00:46:24Different worlds, different rules.
00:46:28At first glance, they clash.
00:46:30But what makes the story interesting is what happens next.
00:46:34Confusion.
00:46:35Curiosity.
00:46:37But in the end, some stories aren't about staying.
00:46:40And yes, there is no such thing as a happy ending.
00:46:52And yes, there is no such thing as a happy ending.
00:46:56Is she still talking about the essay?
00:47:01Miss Keaton.
00:47:03Dramatic as always.
00:47:05Alright.
00:47:06Thank you, Alice.
00:47:07That was...
00:47:09Later.
00:47:11Are you okay?
00:47:12A reminder.
00:47:13That good literature always stirs something.
00:47:19Hello?
00:47:20Hi, here's Alice Keaton.
00:47:21This is Whitmore Press.
00:47:22We've been following your work.
00:47:24We'd like to offer you a long-term publishing contract.
00:47:26Name your price.
00:47:27We'll make it work.
00:47:28Sorry, what?
00:47:33That's...
00:47:34kind of insane.
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous.
00:47:40Can...
00:47:40Can I meet them?
00:47:44I want to.
00:47:45Please.
00:47:46Or at least tell me a name.
00:47:51Sorry, they wish to stay in office.
00:47:53So they're only interested in whether it's another person.
00:47:55I'd really like to meet them.
00:47:57I'm sorry, Miss Keaton.
00:47:58Name was very good.
00:47:59I think the most generous offer we've ever given a Disney World Center.
00:48:03I see.
00:48:04Congratulations again.
00:48:08Have you got the interview?
00:48:11It's just an interview.
00:48:11I haven't gotten it yet.
00:48:13Still, Alice Keaton at Oxford.
00:48:15That's iconic.
00:48:24Are you okay?
00:48:27Yeah.
00:48:28I'm so excited.
00:48:42It's done, Mr. Kenwood.
00:48:44Miss Keaton signed the contract.
00:48:47Good.
00:48:48It's a generous deal.
00:48:49You sure you don't want it to know?
00:48:52No.
00:48:53No, it's better if I stay out of her life.
00:48:56I will be there for you, babe.
00:49:01I'll be there in your darkest days.
00:49:05Congratulations, Alice Keaton.
00:49:08Go live the life you were always meant to.
00:49:15Your engagement announcement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London Reception.
00:49:25It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:36I'll go check on him.
00:49:42What's your problem, Charles?
00:49:49Disengagement is not happening.
00:49:50It's not up to you.
00:49:51You know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:03Pretending.
00:50:30You're the sponsor.
00:50:32You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything?
00:51:15No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:19Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night.
00:51:29She said she was prepping all evening.
00:51:34James.
00:51:35Track someone for me.
00:51:38Wait.
00:51:39Where are you going?
00:51:47Chill.
00:51:47Chill.
00:51:48Okay.
00:51:48It won't hurt you.
00:51:50Yeah.
00:51:50We're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:01Shit.
00:52:02Come back.
00:52:03Hey.
00:52:09Hey.
00:52:30I remember how I meant
00:52:34Didn't need a second guess
00:52:41Hey, hey, hey, Alice, Alice
00:52:43Alice, hey, hey, hey, stay with me, stay with me, stay with me, Alice
00:52:46Alice
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic
00:52:58Passerby brought you in
00:53:01Passerby?
00:53:02He found you on the side of the road
00:53:04He had to leave, he didn't leave a name
00:53:08Oh
00:53:10The interview, what time is it?
00:53:12Easy
00:53:12It's okay
00:53:13Someone already contacted the university
00:53:16And sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of
00:53:27What did you say?
00:53:29Nothing
00:53:30I just
00:53:32Had a dream
00:53:40Yeah
00:53:43Did you?
00:53:44I got in!
00:53:45Ah!
00:53:48I knew it!
00:53:50Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:54Oh
00:53:56You
00:53:57Didn't
00:53:57Know
00:53:57Know what?
00:53:59He laughed
00:54:01A few days ago
00:54:02Yeah, everyone
00:54:02Doesn't really know where he went
00:54:04Honestly
00:54:05Astra's been quieter without him
00:54:06It's probably for the best
00:54:08Come on
00:54:14Alice
00:54:18The summer I met Charles Kenward was loud
00:54:22Chaotic
00:54:23Unexpected
00:54:27And with his absence
00:54:28Come on
00:54:30It ended quietly
00:54:34Like summers always do
00:54:36Fantasy
00:54:37Did
00:54:38You
00:54:40Feel it from across the room
00:54:42Did you feel
00:54:43A little enchanted
00:54:48And joining us today
00:54:50The decade's most unexpected literary phenomenon
00:54:54Alice Keaton
00:54:55Thank you for having me
00:54:56No, your words moved millions
00:54:59They say your stories feel real
00:55:02Especially the ones about love
00:55:04Thank you
00:55:05Which brings us to the most obvious question
00:55:07How's your dating life like these days?
00:55:10Haha
00:55:10No comment
00:55:11A little bird told me that the past four years
00:55:14Has been just writing and working
00:55:16Not even a single date
00:55:17Let me guess a bird named Sherry
00:55:19She caught me
00:55:20Still no comment
00:55:21Alright, alright
00:55:22No matter what you say
00:55:24You write love like someone who's lived it
00:55:28If you're so real
00:55:29Because once I did
00:55:31That's why today we hear Sherry's story
00:55:33Behind Alice Keaton's
00:55:36And no one ever quite matched the light after that
00:55:38And let's give it up for Alice Keaton one more time
00:55:52Congratulations Alice
00:55:53The numbers just came in
00:55:55You broke your own record
00:55:58That's incredible
00:55:59We're thinking celebration, press, photos, maybe tonight
00:56:03Actually
00:56:05There's something I'd rather do
00:56:08I'd like to meet with the person who believed in me first
00:56:12My sponsor
00:56:13You're sure?
00:56:15Yeah
00:56:15Just once
00:56:17Tonight
00:56:187pm
00:56:30Good evening
00:56:34Good evening
00:56:35Good evening
00:56:38May I sit?
00:56:43Good evening
00:56:43Hey, Mr. Noncelone
00:56:48Hi
00:56:50Hi
00:56:50Hi
00:56:53You look well
00:56:56And you look like you just stepped out of a GQ cover
00:56:59You always did
00:57:02You were expecting someone else
00:57:04I was hoping, but I guess I always knew
00:57:10I didn't come here to confuse you, or to reopen anything
00:57:16I just wanted to say congratulations
00:57:20Oh, thank you
00:57:24Didn't know you're still reading, you're rich enough not to do so
00:57:29Always
00:57:31Either way, your sponsorship started my career
00:57:34No, no, you earned everything
00:57:41Every word, every page, every reader
00:57:47That's what I came to say
00:57:53It was good to see you again, I hope
00:57:55Charles, can you just
00:58:00Wait a little longer
00:58:07I think I knew it was you
00:58:10There was one email
00:58:13You said something, it felt familiar
00:58:16Really?
00:58:17Kind of had that rich asshole with a conscience energy
00:58:20Very on brand
00:58:23I should have anonymized my grammar
00:58:24Too late, your semicolon usage gave you away
00:58:28Still the only girl I know who flirts through punctuation
00:58:31Still the only guy I know who uses wiles unironically
00:58:37You've changed
00:58:41But not really
00:58:43You haven't changed
00:58:46But maybe you've grown into who you really were
00:58:51Anyway, I wanted to say
00:58:54Thank you
00:58:57And thanks for being here tonight
00:59:00You didn't have to come
00:59:02Don't tell me what I have to do
00:59:07You didn't have to come
00:59:09Don't tell me what I have to do
00:59:31If you could go back
00:59:33If you had the chance to do it all again
00:59:35Would you do anything differently?
00:59:42No
00:59:47No
00:59:52I see
00:59:56I know my answer right now
00:59:57I didn't have the power back then
01:00:00Not enough to protect you
01:00:02I couldn't watch you get crushed because of me
01:00:05Because of my name
01:00:07My family
01:00:10I didn't want to be the reason you lost everything
01:00:13So you just disappeared
01:00:14Without a word
01:00:18If you had the chance to see the world
01:00:20Without me weighing you down
01:00:23If you still chose me after that
01:00:29That's
01:00:29You keep saying you wanted to give me a choice
01:00:32But you made a choice for me
01:00:36Did it ever cross your mind that maybe
01:00:41I would have chosen you anyway?
01:00:48I didn't think I was the smart choice
01:00:51You weren't
01:00:54But
01:00:54I never claimed to be that smart
01:01:04This is me
01:01:06Right
01:01:14I'm still mad at you, you know
01:01:18I'm still in love with you, you know
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex
01:01:33Who you haven't seen in four years
01:01:36To come into your hotel
01:01:38At approximately 11pm
01:01:41You were right
01:01:43You never were that smart
01:01:45You don't have to come
01:01:46Don't tell me what I have to do
01:02:03Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:07This feels
01:02:09This feels
01:02:09wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who once called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:20You're lucky you're a good kisser
01:02:25That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:33Then shut up
01:02:35And prove it
01:02:36You don't want to come
01:02:41I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:47They're both
01:03:03They're both
01:03:15I vow to always tell you the truth
01:03:18Except for when you ask how your cooking was
01:03:20Then I lie
01:03:23Respectfully
01:03:25I vow to keep choosing you
01:03:28Loudly
01:03:30Quietly
01:03:31Always
01:03:33Even when you forget to do the laundry
01:03:37Is he actually good at this?
01:03:39I mean
01:03:39He did beat her at sarcasm
01:03:45I vow to argue with you at least twice a week
01:03:47Especially over Shakespeare
01:03:50I vow to write you into every story
01:03:53Even when I say I didn't
01:03:55You will always be part of my life
01:03:58If she quotes Austin in this toast
01:04:00I'm out
01:04:00No you're not
01:04:01You're gonna cry harder
01:04:05If she hopes up
01:04:05Let the rest of life
01:04:06If she hopes up
01:04:09Is she a bitch
01:04:09If she hopes up
01:04:15If she hopes up
01:04:19If she hopes up
01:04:23If she hopes up
01:04:23If she hopes up
01:04:23Is she hopes up
01:04:24But if she hopes up
01:04:24I can't believe you picked Paris
01:04:28such a cliché honeymoon destination guard your phone relax just don't dress like a walking
01:04:35inheritance and you'll be fine you are not wearing that on our honeymoon please Alice
01:04:44go change don't tell me what I have to do no no no no that is not an invitation to
01:04:55do not
01:04:55take off these clothes you look much better about them to the ones who loved in silence in chaos in
01:05:08chapters you will find your way home
01:05:15sometimes I want to be on my own
01:05:18but I don't want to die alone
01:05:21oh
01:05:34okay
01:05:46it's up to us to make sure that we can gain what's been passed through these books
01:05:52help us develop learn and grow
01:06:01wow
01:06:02wow
01:06:03wow
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