00:07At that time I was doing studio sessions mostly in New York, so I was sort of in the city
00:13making pop records and disco records and stuff, and Abel and his guys were downtown New York.
00:24Driller Killer, they were cutting downtown on 18th Street, you know, the film coming up on the steam back, and
00:32I had two synthesizers and Jack McIntyre, he would take the sound on live to a two-track recorder, so
00:40we would watch the film on the steam back, and I would just like write the cues and play the
00:46cues on the spot.
00:52We did everything kind of very organically and spontaneously, you know, yeah, it was his trademark, and so how we're
00:59doing this tour as well, and it's really, it's the same process, basically.
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